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EDITORIAL TEAM: T. Krithika Reddy, M.R. Devi, Chitra Swaminathan, Deepa Alexander and W. Sreelalitha ARCHIVES SUPPORT: K. Rajendrababu, S.K. Subrramanya, Vibha Sudarshan and K. Prabhakaran DESIGN: K.G. Rangarajan and K.B. Jawaharr PRODUCTION TEAM: E. Baskar and N. Ravichandran © Kasturi & Sons Ltd. 2012 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of Kasturi & Sons Ltd. Published by S. Padmanabhan at Kasturi Buildings, 859 & 860, Anna Salai, Chennai–600 002 and Printed by him at MWN Press, S. No. 372/1, Pattu Mangadu Road, Mangadu, Sriperumbudur Taluk, Kanchipuram District–600 122, on behalf of Kasturi & Sons Ltd., Chennai–600 002. Editor: Siddharth Varadarajan (Editor responsible for selection of news under the PRB Act). 2 THE HINDU



CONTENTS 12 Guru on Sishya K. Balachander on Rajinikanth 16 Enduring creative partnership Interview with SP. Muthuraman 20 The ever rising son Of Rajini’s popularity in Japan 24 Reinvention of the Superstar What happened post-Baba 28 The last superstar Will we get to see the likes of Rajini in future? 32 When bad is good Shining in villainy 36 The humour streak Portrait of the hero as a comedian 39 Mission impossible? Not to Rajini! A look at Rajini-ism 43 First take What new-age directors and actors think of the Superstar 48 ‘He’s a self-made man’ A chat with Latha Rajinikanth 50 Spice girls The co-star quotient 4 THE HINDU



55 Tollywood talk The Telugu film world’s take 58 Praise in prose Fans who turned writers 61 From the pages Excerpts from Naman Ramachandran’s \"Rajinikanth: A Biography\" 63 Pasha’s punch The man beyond the movies 65 Looking back A selection of reviews, articles and pictures from The Hindu archives 87 A journey in pictures A collection of film stills and rare photographs 94 An artistic tribute A. P. Sreethar’s paintings 95 Did you know? A Rajini quiz for fans 96 Fan mail Gen X’s take on the Superstar 6 THE HINDU



Foreword t’s not an easy task to recap an extraordinary career spanning well over three decades. But 12.12.12 is a special day to turn the spotlight on one of India’s most illustrious stars. So we put Itogether this picture-packed special that is a celebration of all that is Rajinikanth — the man and his movies. The assortment of articles, interviews, photographs and archival material in Rajinikanth 12. 12. 12: A Birthday Special charts the Super- star’s cinematic trajectory, analyses his acting strengths, and provides a glimpse into the kind of person he is. K. Balachander (the filmmaker who introduced Rajinikanth to Tamil cinema) and SP. Muthuraman (the director who has the unique distinction of directing him in 25 films) offer rare insights into the making of this icon. What is it about Rajinikanth that sets him apart? Our senior writers use their analytical acumen to assess his body of work and decode the many tangible and intangible factors that have contributed to the making of an awesome success story. Latha Rajinikanth’s take on her Superstar-husband, a peek into books inspired by him, a quiz, fan mail, jokes and Rajini-isms contribute to making up the multiple dimensions of this book, that will be of interest to both fans and casual readers. The section, “Looking Back”, features re- views, rare photographs and articles from The Hindu archives to take you on a journey through the life and times of the powerhouse performer who continues to dominate cinema and the hearts of millions. T. Krithika Reddy Senior Deputy Editor The Hindu 8 THE HINDU



10 THE HINDU



GURU on Sishya Veteran K. BALACHANDER speaks about the ever-growing popularity of the actor he discovered K. Balachander with Rajinikanth on the set of Thillu Mullu Y Rajinikanth claims that I wasn’t the Rajinikanth I introduced. He has evolved on his own merits and You will never get bored with the strengths. I gave him an opportunity and Ramayana despite it being told a million unveiled him to the world. He went and am his school. But I must times, nor will endless reproductions of conquered it. the Mahabharata take away its grandeur. Sivaji Ganesan had such an air of Apart from the tales themselves, it is the you couldn’t help being affected. MGR had aura of religion that preserves them. In admit that this wasn’t the elegance and drama in his gestures that Rajinikanth I introduced. He our country, cinema is religion. And the a combination of earthiness and charm story of Rajinikanth will never fail to has evolved on his own that you couldn’t help getting infected. capture the imagination of the listener, Rajinikanth added a twinkle with a dash of nor will it fail to delight the balladeer who merits and strengths. I lightning; a chuckle with a pinch of recounts it. gave him an opportunity thunder, to those thespians, stole our Let me unveil the story… Rajini has hearts and painted the silver screen gold! gone on record that without me he would and unveiled him to the What is that spice in the DNA that the not have existed. Kamal Haasan has gone Maker adds, that justifies a little madness on record, saying I invented him. In fact, world. He went and in every sanity, that identifies that little both these children of mine have kept my conquered it. child in every person, that fame and flame burning bright, by their simplifies and suspends for a excellence and longevity… even reducing few hours the entire to mere accessories the other feathers in complication of day- my cap! I believe that I was already a generations and geographies. And thus, I to-day drudgery? filmmaker before their time and beyond am as much indebted to them as they are Someday, their fame, but their influence has in a way to me. Superstardom is diminished my other creative work. There is a saying, “Behind every great not a crown he has However, in a much more elaborate and man, there is someone who went to school inherited, but a enduring way, it has illuminated and with him.” Rajinikanth claims that I am halo he has earned! handed down. It underlined my cinema across several his school. But I must admit that this 12 It cannot be THE HINDU belongs only to him

THE BIG THREE Rajinikanth in Apoorva Raagangal, Moondru Mudichu and Thappu Thalangal — all directed by K. Balachander some psychiatrist will compile a treatise and it will be known as ‘Rajinikantam’. What is that factor that a cinema viewer identifies with, that the fan connects with, that converts characteristics into a cult? What is that catalyst that hastens the heartbeat, accelerates adrenaline and creates a sort of frenzy that on hindsight breaks all logic, beats all arguments? Someday, some psychologist will find out and call it the Shivaji Rao syndrome. What is that special arrangement of the constellation that triggers this turbulence in the spirit, that tolerates worn-out clichés, that condones repetitive caricatures, yet exults in a prejudiced way with unconditional love and adulation that this 66 inches and 150 lb of flesh and bone arrangement commands? Someday, some astrologer will compute this and call it the Superstar effect! Kamal started early. If not Gemini Ganesan, someone else would have brought him to me. 13 THE HINDU

Our paths would have crossed, for after all, we were in the same business. That’s not the case with Rajinikanth. The bug bit him late. It was sheer providence that our paths crossed at that precise point, in that particular moment in our respective lives. If not, we would have passed each other by. I was young and daring to break taboos. Tamil cinema was ready. Rajinikanth burst into the scene like a wild, hot gale. I tried my best to tame him. I failed, I let him be. Thank heavens! The Superstar was born! Whenever we meet in person, he always sits on the edge of his seat, like a nervous startled bird waiting to take off. And, of course, he never looks me in the eye. So much is his awe! Even today in public, when we share a stage, though he sits back in his seat, I am always aware of his nervousness and his unabashed respect for me. Despite his public stature, his financial status and his staying power, I am always aware of the depth of his devotion and the purity of his piety! To me, he will always be the dark horse that I picked… who belied all predictions… and beat all odds to win the sweepstakes of K. Balachander with crew members on the set of Anthuleni Katha cinema leaving the field far behind and became the evergreen favourite in He gives loudness a dignity, and a touch of charisma. The nonchalance with which he whimsical, unpredictable box-office magic to exaggeration! did that brought a smile to the jackpots! While others used the staircase, he connoisseur and rapture to the commoner. While others stood at the water’s edge, used the elevator to stardom. I don’t think In a cinema where Sivaji was a colossus, he rode the waves! Imitations came, but any other actor in cinema made cigarette Rajini gave continuity. In a cinema where Rajinikanth remains invincible because smoking such an asset to his repertoire. MGR ruled, Rajini replaced, and rocked! superstardom is not a crown he has There was Sivaji, of course, who used that Rajinikanth has gone through inherited, but a halo he has earned! It prop with such finesse, but Rajini harrowing times. He has come out defiant, cannot be handed down. It belongs only to somehow added panache, with a never defeated. Emerged from all his trials him! swashbuckling elegance to the way he used and temptations, tempered and A Kannadasan song comes to mind — it. toughened, his self-belief, in my opinion, is ‘Nilai uyarumbothu panivu kondal, ulagam What he lacked in content, he made up fragile and vulnerable. For, he is a soft unnai vanangum’ — Words that capsule for with intent. Where he was wanting in kind of man…a man still surprised at his Rajinikanth. diction, he overwhelmed with his success, still bewildered by his fame…a He adds elegance to celluloid identity. phenomenal presence and chart-busting man ill at ease with his responsibility as a megastar… For, success sits lightly on his shoulders. His spirit is sustained by his spirituality and his courage, by his convictions. He has only a few friends, but they have all lasted long. He inspires great love and loyalty. Thus, he provokes no jealousy, only awe. As I said before, I still think he is yet to come to terms with his success. Hence his charming inherent vulnerability, and the spiritual armour of simplicity! He is prepared mentally and emotionally for all this to go away, for in his mind there is a rare calm, a rarer equanimity. Will his films stand the test of time? Some will, most may not. But his fame and the heights he has reached and the personality cult he has built will never be matched, ever! While others used the staircase, he K. Balachander with Kamal Haasan and Rajinikanth used the elevator 14 to stardom THE HINDU



ENDURING creative partnership Twenty-five films with Rajinikanth! Director SP. Muthuraman recalls with pride his long association and friendship with the Superstar. MALATHI RANGARAJAN goes on rewind mode with him... SP. Muthuraman with Rajinikanth and choreographer Puliyur Saroja during a shoot which SPM transformed the rugged T Rajini is a very committed looking Rajini, who had been playing villain till then, into an admirable hero, actor. He would suddenly and made Sivakumar, a soft hero, don the This unassuming achiever is the only role of a scheming womaniser. “Thanks a director to have wielded the megaphone call me up at midnight and for 25 films of Rajinikanth! Made in a variety of genres, director SP. career,” Rajini told him. An Muthuraman’s films showcased Rajini in ask, ‘Were you satisfied lot, Sir. This will be a turning point in my understatement indeed! The role reversal characters that were distinctly different with my performance in the worked magic and sowed the seed for the from each other! Every role has been so superhero status that was to come meaningful that it vies for a prominent scene we shot today? Rajini’s way soon. place in Rajinikanth’s repertoire! Should I have done it “Writer-producer Panchu Together, SP. Muthuraman and Arunachalam and I were impressed with Rajinikanth have created records that differently, Sir?’ this young actor who was changing the remain unsurpassed. Almost all the films grammar of cinematic villainy, of this director-actor duo have been hits! and first called him over for a “Kazhugu was the sole exception,” nods solid to this day! minor role in Aan Singam,” SP. Muthuraman, when I meet him at his “I have a brother in Bangalore. SPM is recalls SPM. But his spartan office room in AVM Studios. “And the other brother in Chennai,” Rajini is style and Pandian, our last film together, got us the often heard saying. Smiles SPM: “He gets spiritedness told money invested, though it wasn’t a big flustered if I’m not present at all the them that he hit.” What’s more surprising is that, in an important functions in his home. He deserved Everything about industry where director-hero equations would keep asking people whether I’d him was unique. often turn into hostility towards the end of arrived. It’s been so for years now.” Even the way he a project, here’s a friendship that The first project that brought them thanked us and transcends professional barriers to stay together was Bhuvana Oru Kaelvikkuri, in walked briskly 16 towards his THE HINDU scooter

a better platform. “He didn’t sit down, and the speed at which he moved was striking. ‘We don’t wish to waste you in this role. We’ll send for you soon,’ I said. Everything about him was unique. Even the way he thanked us and walked briskly towards his scooter.” Then how did SPM temper him to play the part of Swami Raghavendra, whose steps were studied and utterances measured? “It took me two days to make him reduce his speed in movement and dialogue,” laughs SPM. On the first day of shoot for Bhuvana Oru Kaelvikkuri, Rajini was taken aback at the length of the dialogue he had to learn for the scene. “Tamil wasn’t his strong point then,” SPM sounds like an indulgent dad. “Sir, in K. Balachander’s unit, the dialogue for an entire film was only this much,” Rajini was apprehensive. “Relax Rajini. We are only going to shoot bit by bit, and that too when you are ready,” SPM assured him. ‘Vadhyar’ S.L. Narayanan, as he was known, taught Tamil to artists who weren’t familiar with the language. He was Rajinikanth in Manithan and (right) in Nallavanukku Nallavan called upon to train Rajini. “But the style and mannerisms should be totally yours. I Should I have done it differently, Sir?’ are very imaginative. If you disturb them want it that way,” SPM told the actor. And and add, 'What have you lined up for when they are lost in thought about their Bhuvana Oru Kaelvikkuri went on to tomorrow? I’ll do my homework before I work, they could get impatient. Even at create history. come to the set.’ And the next morning the point when the industry was abuzz Yet in his next film, Aadu Puli Aattam, he would give me several variations in with rumours that Rajini was difficult to SPM cast Rajini in a negative role. “He performance to choose from.” work with, I was doing two films with didn’t mind. At that point, he didn’t quite If he played the role of a passive lover him and I didn’t face any problem. How foresee the zenith he was to scale.” Soon in Engeyo Kaetta Kural, a man who you are with an artiste matters,” SPM SPM brought him on board for several of thanklessly toils for his family in takes up cudgels for the Superstar and his films and created a success saga. Aarilirundhu Arubadhu Varai, an old yet adds, “I still see him putting his arm Murattukaalai, SPM’s first film for compulsive Casanova in Netrikkan, a around the workers on the set and AVM, his training ground, was a runaway reformed rogue and rich businessman in chatting with them casually. And I know hit, “and the song ‘Podhuvaaga En Manasu Nallavanukku Nallavan and a caring how much he helps people without Thangam’ that describes Rajini’s character sibling in Dharmathin Thalaivan, he also making any fuss about it. The Rajinikanth in real life became the anthem of his fan excelled in comedy in films such as Guru I knew during the time of Bhuvana Oru clubs,” says SPM. Sishyan. How could SPM have worked in Kaelvikkuri was the same during the “Rajini is a very committed actor. He such a variety of films one after the other making of Shankar’s Sivaji. Now would suddenly call me up at midnight with a hero who is said to have mood Kochadaiyaan is getting ready, and he and ask, ‘Were you satisfied with my swings often? hasn’t changed a wee bit. The man’s performance in the scene we shot today? “We have to remember that artistes simplicity is amazing.” Rajinikanth with 'Fatafat' Jayalakshmi in Aarilirundhu Arubadhu Varai and (right) in Murattukaalai 17 THE HINDU

Rajinikanth in Sri Raghavenderar With Gouthami in Raja Chinna Roja With Sumithra in Bhuvana Oru Kaelvikkuri 18 THE HINDU



THE EVER rising son Film historian RANDOR GUY gives us nuggets about Rajinikanth’s popularity in Japan R planned to make a telefilm on Muthu NHK, Japan’s national TV channel, Rajinikanth, the Indian Superstar, and assigned a young documentary filmmaker Tomako Yokamoto, who achieved international status in the late soon landed in Madras. At the 1990s with his movie Muthu, directed by filmmaker K.S. Ravikumar and produced knocked on my doors to help her with by the icon K. Balachander under his the film. She recorded family production banner, Kavithalaya. suggestion of some local friends, she The movie was a smashing hit and was interviews with me about dubbed in Japanese as Muthu: Odoru Muthu. As part of Maharaja (Muthu The Dancing Maharaja) the film, it was and completed a 182-day run grossing Yen decided to ‘cut 200 million ($ 1.6 million) in Japan in in Japan led the famed American news in’ the 1998 and was responsible for creating a magazine Newsweek to comment in a Leonardo DiCaprio large Japanese fan-base for Rajinikanth, 1999 article that Rajinikanth had Rajinikanth had which was then unique among “supplanted the noted Hollywood star trendiest heartthrob international film stars outside of the Leonardo DiCaprio as Japan’s trendiest supplanted United States of America. Muthu’s success heartthrob”. 20 as Japan’s THE HINDU



sensational hit ‘Thillana Thillana…’ The Japanese filmmaker later said the documentary was a big hit and the film won the Best Film Sound Track Award For Japanese Cinema. When I was in Agra a few years ago at a restaurant near the Taj Mahal with my friends, a few Japanese tourists walked into the restaurant and stood staring at us talking in Tamil. They watched us for a moment and asked me whether we were all from ‘Rajinikanthland’! We told the Japanese tourists that the language is Tamil and the place was called Tamil Nadu. But of course, they refused to be convinced! During the 1990s, I wrote, directed and produced a documentary Nenapina Doliyali Puttanna Kanagal in Kannada for NFDC on celebrated Kannada filmmaker S.R. Puttanna Kanagal. I used a sequence from Puttanna’s much earlier, successful three-in-one Kannada film Katha Sangama. One of them was Munithayee, a famous short story in which an underprivileged and visually challenged woman (played by Aarthi) left alone at home is raped by a lusty young man (Rajinikanth). Muthu: Odoru Maharaja in 1998 was responsible for creating a large Japanese fan-base for Rajinikanth During the making of Munithayee, the new actor (it was Rajinikanth’s first Kannada movie and second in his career) was introduced to Puttanna. Apparently, Rajinikanth told him that he started his life as a bus conductor, and Puttanna patted him on the back and told him that he too began his life as an automobile mechanic and a car driver and that both were in good company. Sadly, my documentary was made after Puttanna passed away. So, there were suggestions that I instead interview Rajinikanth as part of my film. But then, it was not possible to even think of approaching Rajinikanth — he was by then a top star! 22 THE HINDU



REINVENTION of the Superstar With Baba, a certain Rajinikanth change happened — that was really the last time he smoked and drank on screen. The modern avatar was born — of a hero who wanted to bring in a change in thinking. In attitude. In society. SUDHISH KAMATH details how Rajinikanth did not want to repeat himself anymore and broke the mould The masses had a hero they identified with. Someone they could be if they tried. This was someone who wore their uniform N Not too many film franchises around the world, except maybe James Bond, begin with the film with a signature tune that tells you right at the outset what to expect. ‘Hey, Hey, Hey, Hey...’ that Deva famously composed for Annamalai (inspired by the Bond tune) sets the mood for the dotted block letters S-U-P-E-R-S- T-A-R on screen at the very beginning. Five revered letters, one after the other, kiss the screen… R-A-J-N-I sends screaming fans into a frenzy, their whistles and noise drowning every bit of Deva’s score. This kind of hysteria needs to be seen to be believed. James Bond may age and be replaced by different actors but not Rajini. Yes, not all the films he has starred in can be defined a quintessential Rajinikanth film, but for all academic purposes of understanding his screen persona, let’s just define it as any film where he has been the hero — the James Bond may one-man fighting age and be different actors In Enthiran replaced by 24 but not Rajini THE HINDU



With Nayanthara, Jyothika and Prabhu in Chandramukhi machine, a messiah of the masses, who same working class as them, but rose to have theorised that a hero’s journey rises by sheer will-power, style and glory as a manifestation of their wish involves 17 steps before he rises. courage, and brings about a significant fulfilment and fantasy... be it settling a Rajinikanth does it over a song, breaking change. personal score, taming the shrew, taking every known rule of screenwriting. While Just like the Superstar before him — on the rich and the powerful or changing ordinary heroes go from being zero to M.G. Ramachandran, but the the system. hero, Rajnikant goes from hero to differentiating factor here is that he isn’t While his only rival Kamal Haasan superhero. the model hero. He smoked in style, he went all out to play different types and Until something happened a decade drank on screen, he told women how to vastly different characters to showcase ago. behave and put himself in the side of the his range of histrionics, Rajinikanth was For the first time in ages, he failed right, not necessarily good. He was the content doing the same kind of roles and big. His pet project Baba that tried to anti-hero. The dark knight of Tamil cinema. Simply because the industry mix politics and spirituality didn’t work, cinema. wanted him to just be Rajinikanth. Every in spite of being helmed by the director It wasn’t great for politics (if he had single time. of Baasha (Suresh Krissna) and A.R. any such ambitions), but it was the best A Rajinikanth film template would Rahman churning up chartbusters. He thing to happen to cinema. The masses thus be — introduction of hero as a made good the losses suffered by had a hero they identified with. Someone darling of the masses as he spouts distributors and took a break. they could be if they tried, without giving philosophy on how to live life, the But that was really the last time he up on their smoking, drinking or meeting with the heroine who falls head smoked and drank on screen. The last chauvinism. It wasn’t the unattainable, over heels in love with him, the laughs as time he told women how they should selfless, squeaky clean persona that MGR they get to know each other, behave. Times were changing. had, this was someone who wore their introduction of the villain, instant clash His last big hit Padayappa before that uniform — as taxi driver (Padikkaathavan), with the hero, proclamation or challenge was in 1999. For five years, except for domestic help (Velaikkaaran), employee during the interval block, facing the Baba, fans hadn’t seen much of the (Uzhaipaali), auto driver (Baasha), hurdles, the meteoric rise, the reunion Superstar. But it was evident with Baba gangster (Thalapathi) or milkman with the heroine, and the final that he was tired of repeating himself. (Annamalai), to name a few. showdown. He seemed desperate to break the mould. He was a hero who belonged to the Anthropologist Joseph Campbell may He chose Chandramukhi, the Tamil 26 THE HINDU

With Manisha Koirala in Baba adaptation of the critically acclaimed Superstar tag seriously. Enthiran, he brought the roof down as the thriller Manichitrathazhu as a comeback When a whole generation of young all-evil Chitti 2.0. The bad guy from 1975 film after being convinced by P. Vasu’s actors were desperately trying hard to be was back. treatment of the box-office-savvy Kannada the next Superstar, he was still having Rajinikanth had started feeding the adaptation Apthamitra. fun, totally in on the Rajini jokes hungry actor in him once again. A luxury Not only did he look younger, he also (recycled from Chuck Norris jokes) he now has, with nothing more to prove. ensured he was more family friendly. And spoofing himself (the song ‘Adhiradi’ in The good news is that at 62, even if he responsible. Instead of a cigarette, he was Sivaji is a superb tribute to all things physically cannot do the stunts he once tossing a biscuit. He was a modern Superstar). In Enthiran, he was running used to perform — after a major bout of thinking hero who used his head — brain away from a fight. illness, he’s found the means to resurrect over brawn. Ever since he had become the himself using motion capture technology. As he joined hands with Shankar after Superstar, all his roles required him to And we wait for Kochadaiyaan with bated Chandramukhi, he once again played an just be Rajinikanth, no matter what his breath. educated hero. An NRI wanting to start a screen name was — Veera, Muthu, Very few heroes have adapted to the medical college (Sivaji) and a scientist Padayappa, Baasha, Annamalai or times like he has. James Bond may have (Enthiran). Arunachalam. become more real, Batman may have The modern avatar of Rajinikanth in Thanks to P. Vasu and Shankar, he issues of self-doubt, Rocky Balboa may Chandramukhi, Sivaji and Enthiran spoke rediscovered the negative shades he feel the need to hang up his boots but English. He was a man of science who gave started out with. Rajinikanth, despite all the reinvention is religion due respect. A hero who wanted to In Chandramukhi (named after a still one of a kind… Like John McLane bring in change in thinking. In attitude. In ghost defying Rajinikanth-film (Bruce Willis in the Die Hard franchise). society. A hero you could take your conventions), he played the evil king who Or Jackie Chan. children to because he was good influence. beheaded Chandramukhi’s lover. Always the bad one. The guy bad guys But more than anything, it was In Sivaji, he revelled in his avatar as fear. refreshing to see Rajinikanth not take his ‘Mottai’ Boss MGR towards the climax. In The hero who makes us whistle. 27 THE HINDU

THE LAST superstar Rajinikanth’s career in recent times is historical in its import, for never again will we see the likes of him, contends BARADWAJ RANGAN Rajinikanth himself may never know how and why he became a superstar R Rajesh Khanna is usually called the first superstar. Never before, we hear, was an actor known to incite such frenzies among fans. Rajinikanth, then, is the last superstar. Never again will an actor rise to such heights of popularity, inspire such depths of devotion. These are the days of stars, certainly, but the sustained aura around movie-going that gave rise to the cult of superstars is not there anymore. Our time is too divided. There is too much to do apart from watching movies once, twice, several times, and brag to friends that we were there first day, first show, etching ourselves into the only kind of history available to mere mortals. And superstars of the magnitude of Rajinikanth need that aura. They can be fostered only in eras where movies conflate into myths. What we have, these days, is mere excitement surrounding a new release. When a film is released in hundreds of screens, and when, if you don’t get tickets in one theatre it’s always possible to dream of seats in another, a small stake is driven into the bloodlust of the fan. Rajinikanth himself may never know how and why he became a superstar. Others were better looking, better enunciators of dialogue, better performers, better dancers, better clotheshorses. His transition from villain (or at least, a grey-shaded character) to hero is possibly one of the great mysteries of the cinema. He seemed so right as the bad guy. He carried such a charge; he left the hero in the dust. Of Rajinikanth it could be said that he would have become a superstar even if he hadn’t made the transition to hero. There was such excitement when he walked across screen. It felt alive. We often say that an actor has charisma, and we often struggle to describe what it is, what singular aspect constitutes this charisma, but with Rajinikanth you could point to Moondru Is there another actor, over 60, who effortlessly bridges persona and ageless aging real-life on-screen character? 28 the divide between THE HINDU

Rajinikanth in Sivaji 29 THE HINDU

Rajinikanth with Aishwarya Rai in Enthiran Mudichu or Avargal and say, “That is maintain their hit rate within their home charisma.” Science has taught us that two States. And his blockbuster-generating negatives make a positive, and it appears, We often say that an actor peers in other industries, like Chiranjeevi in Rajinikanth’s case, that all those and Amitabh Bachchan, have either moved negatives combined into an electrifying has charisma, and we often to politics or moved on to older roles. positive. You cannot plan this. It just struggle to describe what They aren’t heroes anymore, and if you’re happens. not a hero, you cannot be a superstar. Others have tried, oh how they have constitutes this charisma, Is there another actor, over 60, who tried. They tried bringing in mannerisms continues to play the lead, effortlessly of their own, their equivalents of the but with Rajinikanth you bridging the divide between aging real-life casual hair-combing and the acrobatic could point to Moondru persona and ageless on-screen character? cigarette-popping. They tried appending Clint Eastwood comes to mind, but then, superstar-like titles to their names. They Mudichu or Avargal and say, he plays the protagonist in his films, not tried speaking like him, doing films styled the hero. However central he is to his along the lines of his films — but nothing “That is charisma.” films, to his stories, he doesn’t romance worked. They don’t have viral Internet younger heroines, he doesn’t beat up a jokes about them. They don’t have a pan- dozen bad guys, he doesn’t navigate Indian audience. The reason Rajinikanth, from an arm’s length — he’s so cool, and mythically heroic trajectories. He plays in the recent years, has suddenly found all that. But whatever the reason, they characters, not archetypes, and if you acceptance by northern audiences may not have accepted him and made hits of his cannot play archetypes, you cannot appeal be why he’s worshipped down south. They recent films, which went to them dubbed, to all ages and you cannot be a superstar. treat him like an amusement to be viewed whereas other stars find it difficult to Rajinikanth, in real life, has grandchildren, 30 THE HINDU

but on screen, he doesn’t play, as Eastwood does, grumpy old men. Rajinikanth plays virile young men, and however much a certain section of the audience, perhaps those who prefer realism and Clint Eastwood, may laugh, he has on his side millions who do not find it amusing that he’s shaved decades off his age and is putting the moves on a heroine young enough to be his daughter. That is how you recognise a superstar. No one henceforth will be able to do that — not here, not in Bollywood, not in Hollywood. To beget a superstar, you need a culture that allows this begetting. You need people deprived of other entertainment, who go to the movies as if coming up for air in the middle of the ocean. You need people who are riveted to what’s on screen and who’s on screen, instead of composing tweets about how the film so far is sucky beyond imagination. You need an And his blockbuster-generating peers in other industries, like Chiranjeevi and Amitabh Bachchan, have either moved to politics or moved on to older roles. They aren’t heroes anymore, and if you’re not a hero, you cannot be a superstar. audience that believes in the movies as much as devotees believe in their gods. We have become too cynical, and in the face of other entertainments (and also because the movies have become so accessible, sometimes turning up even on our computers), cinema isn’t just that awe-inspiring anymore. Some may point to Salman Khan and his amazing run of late, in this era of Twitter and Facebook no less — but wait till he’s 60 and let’s see if he’s still sought after, if his audience still buys him opposite, say, Ranbir Kapoor’s daughter. This last of our superstars isn’t going to be on our screens much longer. The kind of movies that make this superstar, that have made this superstar, aren’t going to be possible with a bad back and with failing eyesight and with lungs that won’t keep up with having to batter a bunch of bad guys into pulp. And he’s too big, too much of a deity, to play merely human roles, the Clint Eastwood roles — that would be like seeing Sachin Tendulkar, during a commercial break, run out to perspiring players with drinks. And even in these last days of Sachin Tendulkar, we want to see him in those commercials for drinks, as the hero, as the star who convinces his fans that this is the drink to be drunk over all other drinks. Rajinikanth, incidentally, has never done that. He has never asked us to buy this brand of toothpaste or that brand of pen. The only thing he’s ever wanted us to buy is his image on screen, and we’ve done that for over three decades now. Thirty years at the top. It’s In Avargal unthinkable. It will never happen again. 31 THE HINDU

WHEN BAD is good MALATHI RANGARAJAN takes a look at the films in which Rajinikanth shone in his portrayals as the villain Rajinikanth with Lakshmi in Netrikkan ‘V minds? And both were played by Rajini! Raagangal, he struck viewers as one who is I’m one among the many filmgoers who different from the rest. The menacingly contend that Rajini, as a screen scamp, can bass, ‘Manavinaigal Yaarudano,’ number, ‘Villain’ Rajinikanth’s universal appeal is the evil in the eyes as he ‘sings’ it, and the fascinating. He could play a scallywag and give any of our chivalrous, righteous yet floor viewers with the inimitable without any qualms of having touches he gives to his portrayal. The Exemplifying it is the following list of my favourite ‘villain’ Rajinikanth. I can suaveness and style with which he essays heroes a run for their money. vigorous rowing of the boat enabled his friend dig a negative roles relegate the lead actor to already visualise you nodding in watery grave for the background, even if he happens to be agreement… himself just a Rajinikanth himself! Cheeky smile, sleight moment of hand and brisk pace seem to do the Rajini made the sporting dad with trick. You may forget the psychiatrist in MOONDRU MUDICHU Chandramukhi, but will the stylish role of the pipe- swagger and the hate-spewing eyes of When he opened the huge gates to Vaettaiyan in the film ever leave your make a noticeable entry in Apoorva a roving eye in unforgettable 32 Netrikkan THE HINDU

Rajinikanth with Sujatha in Avargal With Aishwarya Rai in Enthiran 33 THE HINDU

earlier categorically announced the arrival of an actor who can make a mark in any role, even in that of a cruel go-getter. For the first time probably, Tamil cinema witnessed a villain who didn’t guffaw, wasn’t loud or didn’t pull the trigger to make an impact. And people liked what they saw. The choice of Rajini for the part speaks volumes about the insight and casting skill of director K. Balachander. AVARGAL Ramanathan, the embodiment of sadism, isn’t a character that can ever leave your mind. KB’s creation of the role of the jealous, apathetic husband with a façade of gentleness, and Rajinikanth’s riveting portrayal of it deserves a perfect ten. That despite Kamal Haasan scoring with his ventriloquism skills in the film! 16 VAYADHINILAE Seasoned performances from Kamal and Sridevi (both of whom began as child actors) notwithstanding, Rajinikanth, relatively a greenhorn on the Tamil film firmament, could woo viewers, as Parattai, a wastrel with an eye on the beautiful Mayilu. Sappaani (Kamal) drew the audience with an accolade- winning performance, but Parattai too garnered ample attention. Rajinikanth as Parattai in Pathinaru Vayathinillae 34 THE HINDU

For the first time probably, Tamil cinema witnessed a villain (in Moondru Mudichu) who didn’t guffaw, wasn’t loud or didn’t pull the trigger to make an impact. And people liked what they saw NETRIKKAN The dual role of father and son may be a common factor in our films, but the father outwitting the young hero in style and performance is not an oft-seen occurrence. For a change, here the son tries to wean his father away from his bad ways. Rajini, who played both father and son, made the role of the pipe-sporting dad with a roving eye unforgettable, and very easily pushed the hero, viz., himself again, to the background. ENDHIRAN The scientist wedded to the lab, his ‘genius’ at creating a robot with feelings and emotions without a thought to the disastrous consequences and his romantic sojourns in exotic locations with Aishwarya Rai receded into oblivion with the entry of Chitti, the villainous robot. The omnipotence of this bad machine with an evil, lust-filled glint in his eyes left a deep impact on the audience. That’s bad power for you, Rajini style! Moondru Mudichu 35 THE HINDU

THE HUMOUR streak Melodrama and humour are two emotions that are not easy to portray in front of the camera. For melodrama, one has to really get into the skin of the character, feel the emotions, and bring out the right kind of expressions. And, for humour, one must have a natural sense of comedy and timing. There are two superstars in Indian cinema — one in Bollywood and the other in Kollywood — who are good at both. And, they are the best of friends, too. We are talking about Amitabh Bachchan and Rajinikanth. Uniquely, while both have acted in varied roles, — involving action, melodrama and sentimental scenes — the funny bone in them is what makes them excel in light-hearted roles. And, if you have noticed, both of them have a superb sense of timing, not just for comedy, but also for song and dance sequences. Here’s what some of Rajinikanth’s colleagues in the Tamil film industry have to say about this talent. NIKHIL RAGHAVAN listens in Rajinikanth with Prabhu in Chandramukhi PRABHU GANESAN P It is easy to become an while I was returning to Chennai, at the Prabhu Ganesan has done several roles airport, someone slapped me on my back and when I turned to look, it was with Rajinikanth. His first film ‘released’ action hero or an out-and- Rajinikanth. He asked me if I would act as with the Superstar was Guru Sishyan in 1988. His pairing with Rajinikanth in his brother in Dharmathin Thalaivan. That Chandramukhi brought out the humorous excel as a villain. But, to do having had a headstart in 1975. Of course, streak in both of them. out romantic. You can also was in 1988 and he was already a superstar Says Prabhu: “Both MGR and Sivaji that film got delayed and released only were great actors, but it was the humorous comedy takes great skill after my second film with him, Guru streak in them that made them superstars Shishyan. Rajinikanth has tremendous of their era. It is easy to become an action respect for my father Sivaji and now, he is hero or an out-and-out romantic. You can me as the camera rolled, ‘You can’t reduce a close member of our also excel as a villain. But, to do comedy any more weight as you won’t be able to family.” takes great skill. For someone such as bear it. And, I can’t put on any either’. Rajinikanth, comedy came naturally. That scene provided a lot of laughter. Sometimes on the sets, it is this aspect of Then there’s this scene in Annamalai, his that won the day. Like this instance where a snake crawls all over him. There’s during the shooting of Chandramukhi. We not a word of dialogue, but Rajinikanth There’s this scene in were trying to get the right dialogue for an has so many funny expressions that the Annamalai, where a interaction between the two of us. This audience would just roll with laughter. snake crawls all over went on for four days, and I think he Apart from his sense of humour, him. There’s not a couldn’t take it any longer. Then, he told Rajinikanth is humility personified. Once word of dialogue, but 36 Rajinikanth has so expressions... THE HINDU many funny

Rajinikanth with Vivek in Sivaji VIVEK Actor Vivek is versatile, and has excelled not just in comedy but also in character roles. Vivek narrates an interesting episode during the making of Sivaji. “It is a well-known fact that Rajinikanth has a terrific sense of humour, and when it comes to comedy scenes in his films, his timing is perfect; sometimes, even better than comedians! His famous one-liners or catch phrases such as ‘Jujubi’ and ‘Idhu yeppadiyirukku’ are legendary. My personal experience with the Superstar has been great. I remember a hospital scene in Sivaji. Rajinikanth and I visit a hospital where the thugs beaten up by him are recuperating. He asks them why they must live a life of crime and get beaten up by heroes when they can reform themselves. I am present in this entire scene, but I have no dialogues. Then, as we leave the hospital, I have my sunglasses propped up on my head. The camera covers us in slow motion as we exit the hospital. As I am putting on my jacket, the glasses drop from the head onto my nose. I am unaware of this while the camera catches it. Later, I realise Shankar had okayed this shot and when Rajinikanth and I watched the scene on the monitor, he looked at me and joked to Shankar, ‘Must watch out for this guy; he will be a threat to everyone!’ and laughed in jest.” 37 THE HINDU

Rajinikanth with K.S. Ravikumar in Padayappa K.S. RAVIKUMAR Muthu was the first time that called for the makeup man for touch-up, to teach me a lesson — for all the takes I Rajinikanth and director K.S. Ravikumar before going for the actual shot. The was giving him for his sequences. And, came together. The film went on to person holding the mirror was not steady, Rajini was rolling about with laughter! become a big hit at the box-office. and I had to shift my head this way and While I was shooting for Jaggubhai in Following this 1995-hit, KSR and that to see my reflection. Then he chided Bangalore, Rajinikanth and I decided to go Rajinikanth teamed up again in 1999 for me for not focussing properly on what I for a drive. He said that he would pick me Padayappa, yet another super hit for both was doing, and I realised it was Rajini up from my hotel. Later I got a call from of them. Thanks to this confidence in KSR, himself, hiding behind an umbrella. He the lobby asking me to join him to go out. I the Superstar roped in his services to had a hearty laugh at my expense. He went down and couldn’t find him. When I oversee the direction of Kochadaiyaan. wanted to see how much pain I was taking called him he said he was right behind me Meanwhile, KSR is patiently waiting to to appear in the shot! In Padayappa, for and when I turned to look, I found him kick off his next Rajinikanth venture Rana. the last song sequence, Rajini insisted that disguised as an old man. We then took an The director himself has a humorous I put on an outfit similar to his and enact a auto and went around Bangalore when he streak in him and is well-known for his small part in the song. He had even showed me some of his old hangouts, sense of humour — on and off the sets. selected the BGM for the sequence. I was school etc. At some places, people Therefore, getting the best out of the hesitant, but agreed, and a shot was taken. recognised me and asked me about the Superstar was a breeze for him. He said it didn’t look right and we went on progress of Jaggubhai. Rajini would join Says Ravikumar: “While shooting for to do seven takes. After this, he and the the crowd and ask me why the film was Muthu in Kerala, Rajinikanth wanted me cameraman agreed that the first one was getting delayed, much to my dismay and to do a small sequence of a Malayalee okay! When I asked the cameraman why discomfort. Behind his makeup, character talking in Tamil. Reluctantly I he had not said so before, he said that Rajinikanth was having the time of his life, agreed, and after the first rehearsal, I Rajiniikanth wanted me to do seven takes at my expense!” 38 THE HINDU

MISSION Impossible? Not to Rajini! As one of the many jokes in the genre go, Hollywood producers first approached Rajinikanth for Mission Impossible before offering it to Tom Cruise. The Superstar refused it because he found the title too absurd. Rajini jokes are a genre today, and ‘Rajini-ism’ is a powerful mass media tool, writes KARTHIK SUBRAMANIAN In Mr. Bharath Today Rajini jokes are a genre unto Rajinikanth has mentioned in several N themselves like the popular ‘knock knock’ interviews as a “turning point” in his career. jokes. Not every matinee star becomes an icon. The Rajini persona is one that film The sequence before the intermission In a way, it is possible that only a handful when the simple milk vendor lays audiences, especially in South India, have of actors, in the brief history of cinema, have experienced what Rajinikanth has: friend sets the pulses the cross over from being a much-loved helped that the actor has repeatedly racing no matter how portrayed the underdog bettering the star to becoming an icon who stands for gotten used to over several years. It has a challenge to his misguided certain value systems. odds. For an aspiring young India, that is many times you In Rajinikanth’s case, the Superstar what dreams are made of. watch it. from South India kindles a ‘can do’ spirit The Superstar tag may have been that has endeared his well-cultivated on- added in the 1980s, but the stereotype of Like all things strongest at the screen persona to creative people of all ilk the ‘common man conquering the odds’ Rajinikanth, the — from cartoonists to ad copy writers to reached a crescendo with the 1992 Suresh random conversation starters. Krissna-directed Annamalai, a film that appeal is people pyramid 39 bottom of the THE HINDU

In Baasha That set the tone for his films campaign. “He’s a legend for many and a thereafter, and writers kept increasing the god for a few. On his birthday, doses of Rajini-isms. Every director who He kindles a ‘can do’ spirit www.desimartini.com, knocked on our handled the star subsequently set the goals that has endeared his doors with a proposition to create for ways to improve and polish the effect. something special for the Superstar. There In his last film at the box-office, the well-cultivated on-screen was no doubt that it had to be unique and Shankar-directed Endhiran, Rajinikanth is big, as big as the might of the Superstar shown in a fight sequence in an imagery persona to creative people himself and should reflect Rajini’s that likened him to a South Indian Hindu of all ilk signature style.” deity, a guardian god armed with weapons. The agency realised his image was even It was a clever play by Shankar. When he bigger than the Internet. “That’s when it said during red-carpet interviews that struck us — why don’t we do away with the there were a few sequences in the movie common to see him being represented by Internet itself? And from there was born, that no other star could have pulled off, advertisement agencies across the country the first Microsite that would run without every one who has followed Tamil cinema to sell the improbable. the Internet.” knew what he was talking about. Last year, an ad agency WebChutney The actor himself has not directly The Rajini persona is the net effect of pulled off a stunt online for a campaign endorsed any brands in a long while, but several script writers, directors, dialogue where they claimed “Rajinikanth can make there are more popular cultural references writers, music directors and so many other Internet work without connection”. to his on-screen persona, like with technicians. It is this persona that endears “Rajinikanth is not your average movie WebChutney’s campaign, than for any him to creative people as a tool for star,” the creative director of the agency other actor. sometimes pulling off a mini miracle. It is Gurbaksh Singh, says while recalling the In a more recent commercial for a PVC 40 THE HINDU

In Annamalai 41 THE HINDU

pipe, a Rajinikanth look alike is shown smashing 60 runs off a single cricket delivery. In typical audacious Rajinikanth style, he gets 10 bowlers to bowl at him at the same time. Think of it with any other actor in mind, the audience would have been left laughing for all the wrong reasons. The ‘Rajini effect’ is not just for creative agencies and media planners to think and plan. Like all things Rajinikanth, the appeal is strongest at the bottom of the people pyramid. There is a good chance that ‘Rajini jokes’ are being cracked this very moment at college canteens, tea shops, in public transport, at the beaches — or simply any place friends gather. The persona is often used to explain the mysteries of the universe — every unanswered question from the Big Bang to what came first: chicken or egg. It can rationalise the most preposterous of propositions — Rajini ate the small bit of Apple out of the company’s logo; Rajini is the reason why Mona Lisa smiled or Rajini killed the Dead Sea. Indulge in it yourself. It is fun and can pep up a sober day. Just pick up the most bizarre scenarios and try to ‘Rajinise’ it. The Rajini-ism game is simple. Pick on a topic with a friend or among friends, and the game is not over till one of you delivers the ultimate ‘Rajini punch’. Just the other day, I played it with a writer friend of mine. The theme was to find a greeting apt for Superstar’s birthday. She nailed it at the first go: “Dear Birthday, Happy Rajini to you”. In Nallavanukku Nallavan A FEW RAJINI JOKES Rajinikanth can delete the Recycle Bin Rajinikanth can slam the revolving door shut Rajinikanth has counted to infinity, twice Rajinikanth does not wear a watch, he decides what time it is Once a cobra bit Rajinikanth. After five days of acute pain, the snake died Rajinikanth can divide by zero Twitter follows Rajinikanth Death once had a near Rajinikanth experience God was surprised one day and sent out a text message: ‘OMR’ Rajinikanth once wrote a choose-your- In Thai Meethu questions exam. He was asked to pick any 100 Sathyam from 150 questions to answer. He answered them all and wrote: “Rascalla, pick any 100 you want to correct. Mind it” (Compiled from the Internet websites dedicated to crowd-sourcing Rajinikanth jokes) 42 THE HINDU

FIRST take Some of today’s directors and actors speak to K. R. MANIGANDAN and SUBHA J RAO on how the Superstar triggered their passion for cinema With Madhavi in Thillu Mullu T playing the lead. I loved Baasha too. Their films and approaches to filmmaking modern Billa with Rajini sir himself Especially, the scene in which his past is may be as different as chalk and cheese. disclosed is iconic and nobody else could Yet, they have two things in common. have done what Rajini sir did. The first is a love for cinema and the Venkat Prabhu: There are several second is the admiration for the things about Rajini sir that are inspiring — Superstar. Directors Gautham Vasudev hard work, simplicity and punctuality. Menon, Venkat Prabhu, C. S. Amudhan, Despite his status in the industry, he Karthik Subbaraj and Balaji talk about accords immense respect to people. When how they have been inspired by the Chennai-600028 released, it was the only Rajinikanth and his films. other film that was doing well along with Gautham Vasudev Menon: I am Sivaji at that time. He watched the film desperate to do a film with him. It’s and called to congratulate me, saying ‘The not about the money or fame. What film is worth it.’ On another inspires a filmmaker is that lakhs will instance, somebody asked witness his work. When Rajini sir is a him if he would remake a part of a movie, you can rest assured film like Lagaan, that the movie will be a sell out even inspired by without a single trailer being cricket and released. That is the charm of the man. There are several movies of his What inspires a which I like. Thee is one of them as is filmmaker to do a Gautham Vasudev Menon Thillu Mullu. Had an opportunity Rajini film is that presented itself, I would have made a lakhs will witness 43 his work THE HINDU

Oscar. When I feel low, I watch clips from his movies. I would pick Netrikkan as one of my favourites. Those who feel he only has style should watch this film for his excellent performance. C. S. Amudhan Rajini sir is an icon, who has not only influenced actors, directors but also lakhs of viewers across the world. In Mullum Malarum, which happens to be one of my favourite, he has proved he can be subtle and yet make an impact. Balaji: Before I developed a liking for filmmaking, I would watch only Rajini and Jackie Chan films. I was drawn to cinema because of Rajini sir. I have watched Annamalai four times in the theatre. Now I have its video and watch it several times. I liked him playing only the hero and beating up the bad men. I would avoid films in which he played the anti-hero. After I got into filmmaking, I enjoy all his films. But the one that is Venkat Prabhu closest to my heart is Guru Shishyan. The Balaji Mohan scene in which he and Prabhu con Manorama dressed as cops is hilarious. he replied that making a sports-based film Karthik Subbaraj: The best part about him is that he has was difficult. However, at the 100th day I owe my love for cinema to the broken several conventions as an actor. In function of Chennai 6000028, he recalled Superstar, in fact my entire family owes it Mullum Malarum, after losing his arm, he this conversation and said, “Venkat has to him. My father has watched all his films goes to Sarath Babu to request him for a proved me wrong.” I felt like I had won an first day, first show. job. It is a brilliant sequence. From Thee 44 THE HINDU

Rajini sir has proved in many a film, especially Mullum Malarum that he can be subtle, and yet make an impact Almost my entire family is first-day-first-show Rajini fans. I feel, as a hero, the Superstar has broken many conventions C. S. Amudhan Karthik Subbaraj With Gautami in Guru Shishyan In Annamalai 45 THE HINDU

ROLE MODEL ‘JAYAM’ RAVI Rajini sir is a great role model. On a personal level, he’s a wonderful human being. Being down-to-earth is his greatest strength. As for his films, they have always been an inspiration since I, like most others, have grown up watching them. He made action laced with comedy so attractive. There’s an element of humour in everything he does, and he manages to make it look very believable. Whatever he does, he sets a benchmark. He’s been a vital part of many hit films, probably more than anyone else. Such consistency can never be possible without wonderful scripts. Be it commercial or offbeat films, he has a knack of choosing good scripts. That’s something we all need to learn from him. INSPIRING PERSONA KARTHI Rajini sir’s films leave you on a high. The delight of seeing him on screen is beyond compare. As a kid, I remember watching his films a day before release, in the quiet environment of preview theatres. My first Rajini sir film in a theatre with screaming friends was when we watched Thalapathi in Albert. There’s little to beat the sheer pleasure of watching a Rajini film. Even as the mild-mannered Vaseegara in Endhiran, he managed to make us scream in jubilation with one high speed movement in the song ‘Sana’. His films catered to all audiences. They are never vulgar and they radiate positivity — perfect for a family audience. As a person, he’s so light at heart and ever ready to appreciate others. I’ll never forget the warm hug he enveloped me in after Paruthiveeran and the phone call after Siruthai. I’ll cherish them forever. When you visit his home, he always comes to the car to see you off. That’s the kind of person he is. BUNDLE OF ENERGY JIIVA Think Rajini sir and you think charisma and positive energy. His films are so entertaining; there’s no dark stuff and they are so inspirational. Watching his films is such a confidence- booster. He lends hope that all is possible. When you see him in person, what strikes you most is how active he is. He never climbs stairs, he runs up them. There’s always a spring in his step. He’s restless and edgy, in a positive way. When I watch his films, I feel so charged. He’s seen life and popularity like no one else has. And, through it all, he has stayed the same. He treats success and failure with the same detachment. I wish I one else has. And, could learn to handle success the way he He’s seen life and through it all, he does. popularity like no 46 has stayed the THE HINDU same

UNIQUE STYLE AADHI It was while watching his movies as a child that I wanted to become an actor. He would fight the goons and save the good people. He was the superhero of our childhood. A Rajini film guarantees a great time at the cinema. For, his punch dialogues and style attract the masses and classes. Oh, his style! It’s so unique. No one has been able to replicate his mannerisms. He’s a super human being. He’s seen the heights of stardom, and yet is so grounded. While sitting together in the caravan during the shooting of Kochadaiyaan, he would speak in such a friendly manner. He’s one of those people who has realised that in the smallest of things, there is God. GLOBAL APPEAL PRASANNA As a family, we did not go the movies often. But, every time a Rajini film released, I would feel that josh. All my friends would watch his films and tell me all the great things our Superstar did on screen — the dialogues, the comedy, the style, the action… The best way to watch a Rajini film is to watch it first day first show. That happened only after I grew up and accompanied my friends to the theatre. We would yell and scream so much that not a single dialogue would be audible. Why, even recently, we all set out to watch Ra. One just for that scene with Rajini sir. His appeal cuts across generations. When in Japan for a function a couple of years ago, I saw first-hand the kind of adoration he enjoyed there. So many people wanted to visit Chennai just to see him. I’d always wondered how it would be to meet him in person. When Sneha and I went to invite him for our wedding, he was recuperating after his illness, but spent time with us. It was an unforgettable visit. I felt like I was on cloud nine. He makes everyone feel so special. He could not make it to our wedding, but sent across a beautifully-assembled seer thattu from his home. ‘ He’s one of those people who has realised that in the smallest of things, there is God. 47 THE HINDU

‘HE’S A self-made man’ Latha Rajinikanth talks about her Superstar-husband. K. R. MANIGANDAN listens in H The enthusiasm with which them to focus on their personal responsibilities; he wants them to be good He has delighted fans of different generations and adapted himself sons, brothers and husbands first. He admirably to the needs of the ever- believes that being his fan should not changing film industry, right from the time to their families. he first set foot in it. No wonder then, he appears in public — Rajini has scores of fans across the globe. his fans address him when prevent them from performing their duties Rajini is probably the only actor who The aspect she likes most about him has not only been a part of the black and every such moment has and one thing she would like him to white era, the colour era, and now, the 3D been exhilarating change… and animation phases, but also someone I really can’t think of what he needs to who has excelled at each stage in his change, because he’s constantly evolving. career. As the Superstar enters his 62nd If you’re spiritually inclined, I guess, the year this December 12, we talk to Latha which his fans address him when he evolution takes place naturally. Besides, he Rajinikanth whom he wed in 1981. appears in public — every such moment keeps updating himself. He reads a lot. has been exhilarating. As for liking him, there is so much to The secret of his success… like about him. The first and foremost “I think his strength lies in his ability About fans’ complaint that they being he never says he knows to evolve. He is a great learner, a good don’t see enough of him… everything. He always has a observer and analyst. He analyses what is That’s because he is basically a private thirst for knowledge. to be done in a particular juncture and the person and when he decides not to do best manner to do it. A self-made man, he something, there will be a valid reason On his film knows what he needs to do.” behind it. Perhaps, he is concerned about projects… the safety of his fans; the money they The most fulfilling moment… spend. You know, we used to have fans strength lies in There have been many fulfilling coming from different parts of Tamil moments, and it is difficult to pick one. Nadu. They would travel all night by buses I think his evolve. He is a However, I think the enthusiasm with and vans to reach here. Besides, he wants his ability to 48 great learner THE HINDU