Reading_explorer_number_1_7th_Grade-1635783874400

Marrato~, wS h a,thdeiemamwmono%dy&hkaistavntfqi+Lxigthht&,ode&r&n&&. 00 Thern&&i~&e Earth in the m e v t .t i- a ~ theI%th~~dba. The moon do= ' h e mits m.Instead, it ' &in&back, w r ~ , & h t f m m&e:m. So osr Earth we see m m w less a f t h e moon, depending on h position. Thwviema~e. Y p b 8 . n When &e mw is an ttPe@r < l d & d i a n h , M y f i m lrhem,the mobtW&l. AAthe inabn cirda the lkrth, we can only stx&epudi&t*t hi@ part ofit,Thb awes.\"rnesw~dmmPo? \"half moam.\" When the moon ib,ekhc&:hetwem the Earth and &e.sun, Ijghrfalls on r&&&&k af &t l'll0Qfl. Thm Moon b dak, Or \"~E$;P It t&es -&nt 29 days fbr the m n m ~mipl&th!i~ qde. $om&esa thk Earth comes m d y &e 9ua.adda fdmom. S W & t -\"t reach tb .2 moon, crwtinga total lunar eclipse. Themoan hatx a powerfulin6Iuence oh om planet. & mtlmls, the themn\"Svity~ow ormns, Thik cram the movement of* me&sj , d e d . ti&+, 'The-Eorceofthe fidcs has @pd&ape CW~S ruad>h~Wmdtb .&I:& Qur newest aeigfiho~intipace.i m ~ r h r n & ~ t k man b m W view. I'L;

Living in Venice Narrator: It is d y morning in Venice. Before the light of the sun fillsthe hmus Piazza San W c o , the mdm uf Venice are get.ting ready far thc wowds oftourists. Ina fcw haws, thousands ofpeople will come m thissquare. lEur for now, the pmple of Venice ham the city to themaelvm. Market traders welcome h e &st visitors. Market trader (Italian): \"Sigpori, b u m giorno.\" Narrator: Early morning is cbe best time hr 'shoppingin the outdoor markets. Gho Penzo, Venice Trader: 'We have many, many kinds offish.* Narrator: Narrator: This is the part ofVenice that most visitom never Jabs art mother pioblem, Do youwarit: tb be a see. This is the Venice that some people 4 home. g o ~ d ~ l oirwwork with @Q? Ifnot, it can br: mdmr Fabrizio Capam,says that he lives.in the diEmh toe n a fiving he^. Eutwme s&ythat the most be8utifid dty inthe world, It's a dry that's young pesgle IeavingVenice will Eaa that clean and m y m live in,with a high quality ofliFe, other tities are no‘^ sa difftren~, But fcir s m people, Venice has dimdvanmges roo. Glno Penzo: GEno Penzo: \"My son,he doesn%love, uh,live inVe&. I am uPI~rencbe very expensive?%,&is very expensive, very sorry.* L.qndon, Paris, K m a . v ~akalor: ~astor: .* The population of Venice is getringincreasingly .It h a been sai& that anyone who c u m ~o.'CP&E~ ~Id-ef.Why?Fabizis saplivingin Venice is nor yill fallinlqve . . even sit's ady with Vexlice itself chap. P r o p w is pdrtimhly expensive, and Gidvami dd MisderW w the heling. He sap that hou- prices have i n u w d a lot in recent years, It%a w d y diffidt fcrryoung people Ibokirigf6r despite all the challenges here, it*$hard to .think03\" livingaywhere &en their own phce to live. Many &&ern must move Giovanni dal Missier: a-y1 leaving V.;nice to the tourists. \"I know that it'$<avefy special h r me, it%a It seam the whole world haa arne here ta the g i f r t ~livein ad@& ~Vmiue.?' Piazza ban Marcb. The tourists come to expdrience Mamatori a city that fwk like it'$ still in the 15th century. Onlyafew pctlple get to enjoyhhginVenice. ,&id some l e d p p l e say WPs the probIm. These days wen fewer peapiear&&dY to &ce the Gbvanni d d.Misaier,Venice Resident: clsdeqa of'Mng here, lht f'ar t h m ~ ' wsha~y, it Timice did c h a-n a~k~t since I was born.\" can &.a m d & Me x p e A ~ c cEvery day &ey can *' ~Pkm: expaen= thejoy td&lingginlm withVenice all '+,@pmu dal W i e r is o m of the in his home tm.h r h g tht thy2the over again. of visitors can rn&j&t home h l *di!~3dra Eio~ai$t&daMl issier: \"3 get k d ldth the people, wid^ t h e muffs&, bce&s~th&@7t~teoo much, tooman hn4y 4'

Video Scripts HaWrn~ Vu SilWMa- me' e ~ ~ a w ' m * ~ mj*@& - \"~~ d&& @w d b e l e ' h u work &* iln&&w&m. eSilk being spun1 %~mQ$g$*lLp&p6i II ** m a - w w, & # & : ~ @ & ~ . @ tpthq aidW X ~ J : i~t h% k e n br many ~~~~~itihthelk~ w &*-- NWmat? T h e r ~ - h i lEk ~I ~ledCsilk~and &+t Tk crkf ~ ~ . m G h i nhaevesn't changed it was WQ& more than gal& The seseeet df i~ fSr o m a thou&,yqp+ Tlypgdem machine pra&ai@wkpt by -a fhr 2,50gyea& f;e ia agxt w them has b w d~t&&b abetghigher a weq t d q silk &read, 1%ism b hgm,b w a e en& 1 m i d d u t ~ e d y & e R w a w t & m a w ~ y bay dthe fik~sti~b ~ e ,ki O~ &byd Chine@p&E@s*O&Pday the p*ce@ M ~ , g x W e -the &ead 5 mailexitMille&e I&& IWHdIdh&&. hhef hair she b%&w&i.bm N-et and bc gent to the w&ng t r ~ n&$&L ~ t c q i l l a q m sdcd~s f~or theirfood. Rw. BGR&&is mgde f& thew ~ h g h @e'C;rsernwe$owno_f Yqg M w e b silk- mMe4 Medboms. S d ti&Ui&gs h m have ~ g h m b ~ Immbws~k X$Q~O t *ma&w.*am &e194gs- yeal;.Many@.@.~cqif!qgpee~gltbe@@ k w m Tbk p& o T w k a w silk i s m y b w &d d& h their liwbggpms.M I;.& cwaw hmdr& & . W m c.Aw@*. ma* m w b ~ ~ ~ sabfile hdq.Ir afbbmdtwo a18 a h & h m fbmke hat m ' ~ % ? TI@ is OF l a d , stage pf a mn* called of a& maai& &a a lot ,dwork,wthe pi&&# B~&K && Thkhg-threaf~thwmeerpiliw ' ntaa=dm&? chc silk di%his &a@ Dmplt~&e inmution of&%per &Tk is gtiU Iaqd fw irs -*am* productd m art$moth GC$@,~S to pap* *Q rn we pJawd an tree$ m,.~p&&&TQ&&. They tbis &@&&+ata p r m a thegselms9 thqy wm badklhaw.;PM&e;@rnar cMta a kcma T kd kfh~GO& &&it$P ait of the tdVZ@k% rn~~ut&hd the w$iw&m&- The iqwt s p b irk headmu-rzd aad a m b m h,silktWrkmmti Bwa.T& fiber m g q @g&@ m mtm To,wmpl- the w m m d i bR ~ @ W &b&% smp wtwkhgfbr&@- &@. The silk wm~dt~ x t b me wrpillatt~ bbrire an a d d l m d . Elt3;i it would kar: i& way QUG *arid the s*, WO& bbraken. The ccxmm mu%he bfs@t mthe -8; house behc the q c k h w@ae. ~ o q & m u&te &age dvmgRgqyqpwple TI& the coma%into d k b d . @t aep is WMTthe % m mso&at h e sib becmm law. ~ I Werzd fifeach ckma must be found by hhnd ynd spun together. *ma& a wethyad n& tra af mare WWds. Vu T@ha been m&@g&h mwy yardSmd.19 c~mhuinga Iamg~&&rn. Video Script 6 153

Video Scripts 61 Dinosaur Discovem wrside a quiet town in Mexico c&d' &bas'3 there3 heen an anm&g, discovery-th~, mmim of a wry I- dinmur. &me OoWl&, Ecologist: 'Thki &awq imp~rwtthing, the dinosaur i~ m d 56 Fea 1 0 ~ ~ 1fee-^h@; it might weigh >. between three and four tons,\" Narrator; Jose E&ez says that the discovery tells us thg rhe l&Ihere, 7 5 ~ n ~ s a g ~ . , w a j u 1 1 ..& , T~d@<ishildaen,Raw did the dimarc' cirmge? .Jose~ o n m h :\" Scientistsare seekwg an angwer ta this:mystery. \"There right k e a f , b i e f the ribs, thefew the verrebrae, OK?~'rk1'$@Wabrgout &S is the In Sabims, t h d~j~wvery,ofthe huge chqaw neck, the c e r e a l vertehtac, <rightherc yolu haw has meat&! a 16t ofinterea, especiallyamong the bddy of the animal, +hebakl afthe a a l , we local children. Some afthem were l m b g fur have around 52TO 58 vertebrae mtal, and right mciqr tsds used by hunten. haread, they fmnd dimaaaui.bones. here s&ts the tail ~ f t h -k%I.* Rodrigo Zapata Lazdo: Narrdtor: &T+&s my dkd. Hew.srs'te4llngme a dimsaw This isn't ehe first .time hsils have been found here. But a p p e w c e of these fossils means had been f b d . We wen? over there -an$ I found a piece ofleg Wna3 that .&bba~bas b t m sm impoflant place for dinosaur hunters. Daniel ~ ujaardsaptega! \"When I mme out heue,I b&$-the &figs1 need The mayor bf Sabin&sap rhat the hsiIwshuldU. to WtahkeenitI thosdosmomeoednuenmg-twhactalnotaeb~llimkeeaif be k p r : in a museum. In& Q* peoplefiom %&-I all over M e x i e a n dabrosiid-dhuld be a& t~ -it's a f & d dr not. -, . s t u d y thg area. Narratar: -4 . # 1 . The tam's rmihts feel gpad @at tbe wry D'bmaq bnes ha= now be happened in their town, The ,$cciu@,l~ocfal people working on. -.&e h d has . p o r n ea r n o ~ than 60 members., The mayoF says that th;e & G S & ~ ~ S !J~engrwt fbrh e Ma p q l l e %say hthe ctinG)!sa.ufdiskmty ,&mgedtheir city.They hqpe thab int4e frzru.r$, more and more dhosaur ~0ver5d$Sit their re& of Mexico. Scii3fW% e b this muld l $ & E E ~ T ~ e t e - 54 Video s+*. I-

\"'ca Sleepy Hol~uff - $4Narrator; -I \"SO many t$pe$:ask myself, is it k the hills of New YQ&'s Hudson River V&y fia 51 Narrato~: _1111 I _I Bveiy y&&M%k&itino plays the headle 's Rtlllween ftstii~l howw4h I and smed m farm tb-eland. At this old Sat Tarantino, Weaaless Horseman: a n still see wlut liie wsls like in the I3t4 \"The hardest pr~blemi q a a d jack-o-hem* - smLlrks4YOUcan see &in t a t s aid hot. l e m how ro cut woad, Although it's a funplace,q1 We've ~YthMat several+tines; A gwc-$i~aj.aI&- - viSit, the town is most h o u s today far thr srory &a tall, thh teacher and a horseman with no head, o-lanternwith the right candlein it weigh @bout Stayeller Jonah& Khk aplahs rhe l e w d : 20 pounds,,And to hold tha gut UP ygur -,ad Jonathan Kruk, Storyteller: try m conl+olthe horse at 4Dda,pgr hdur &@E ,Edoesn't work ~ 3 w0ell.\" .. dh -.!!. Narrator: ma ~fvingdid not atrnd+yWJitr: I bcho~lmasterbh&e name Sleepy Hallm Bur he was deeply fligted bF&p w n , and as ad adutt retuznd to IiVehere in&t: large house by the Hubon River. InU\"Thehouse & . I h e r i ~ ~ ~ ~ ~ W i & u bn mg tg voisnited rhis area a <&pkte c~kctiiinf bwks~ r i t t ~ Ibmy q < as a y ~ u & ~ i J ~ mw,mhte \"The Legend &Sleepy hcludhg hk firitam &on &&tiesT. oday,you & Hollow\"~&&tt~h~epwplc and placesinthis t ~ w n . 8 .wme toi s i t Irving's house bytrain,Thq mamgg Bill k n t J & ~ &a the Old Dutch Church in. heft'$say%that Irving mnFt p l d d wbein the traik SleepyHallow, Heq p h s hmv the story started. firstarrived, because of t h e pollutionand noise,,- OId Dutch Church: When h e train$ came, t b g s b.iga11tW&mge - ' e entertahrnent center mmd b d h t e l y . h 1899 the COWW~'S &'LQ~ m builtin.Sleqy HcdLow,The&mryreg@ Narrator; 7' I d ~ dowdn. But the-townis s f l busy. ;1 Bill says h M&@kdeIh c-MHIW s h d h p 'Men17 two ctnt~wiesafter Irvinge w e \"The legend tshdp rbe kids under coubol. Bill Legend pf 9mpy EaIlwP pwple still find&@ p h a mgkal.h d thc legend I h,one m r o & ~ krib~~&-bcrut the ~toxy,and h w s The stgrytefler sap that,if p alimn,youmysill t ~ w k k%&@6 ~ ~ Q ~ hUm ~St emtes b M d . ~ c o g n i t~heec ~ mof&theheadless b s m t ~ a nof Sill Lent .Sle~pyH d o w .,,,!; . Narrator: . _II m&lg &amthe h m s s bom$nw. 4 bh Jonathon Krwk \"Ichabod urged hi$ come,' but the hod& I as he t ~ o ~k g w hd I churchyard bridge.\" Marrator: Ir At \"The Horsem&*,xmapmk@ lmr?hedg-the leg&. Carmen Cruz, Sleepy HoWbB&kmt

r _?B Wildfire Photographer Narrator: This is where phafiographer Mark Thiessen likes -tospend his vacarion . . . Mark Thtessen, National Geographic Photographer \"For me itfsan adventure. All of your sens~rs just come alive when you're m the middle of pharogra+g a £ire.'' Narrator: Narrator: Mark says his sccuprion as a N a & v d G ~ y s a p k i c Why is Mark so irrterwedin rhese fws?He says ane ofthe reasons is that you never h o w what's photographer is not always as exciting as you might going to happen next. That makes it interesting, think.He spends most ofhis rime taking photos of but also dangerous, somethies t e r r w g . t h i n g s like dinosaur bones, or people. He doesll't A powerful wind is blowing, and pushes ag&m the get ta photogaph things like dangerous wild truck. 'Pb the left, a huge wall of f i e is advancing animals. Bux instead of rumin5 after wild &ah, in Mark%direction. It's best to keep moving. The Mark runs after d e e s . fire can act in strange ways. Qn lcs left, M a k can see a \"5re whirl.\" That's when some of the flames He telIs the story of how he became a start twisting together, creating a fire tornado that can reach a height of ten meters, p h m p p h e r ag a child. Mark is in f i t iskilled and capQablvevildmd Mark Thiessen: Erefighterhimself. His goal is to photograph h z \"I knew I wanted to be a photographer since I was men and wqmen who have the toygh responsibility of fighting this kind offire. I a little Iud.\" Narratop, Mark Thiessen: As a child, Mark would listen t o police radio \"There's grdt people to meet who\"have great nlemages at night. When he heard of a Gre, he stories to tell and great pieturw to be r k n . \" would wake up his mom and they would race to Narrator. see it, When Mark b with rhe firefighters, he ftds part: Mark Thiessen: of a m * team that's employed ro do a very imporrant job. And of course, he is always trytnf: '\"1guess once you get bit by the bug, even at a ra find the best photographs of the fire. young age, you jusr nevtr want tostop.'\" Although Mark hmws that fires have the potend Narrator: m destroya lot afland, he isalso amazed by their LZr So every summer, Mark takes his phmgraphie g e a t beauty. He says the sight o f m s damaged by equipmtnt and &i*s w&stto photograph wild !ires. k c can be quite beautiful, almost magiat. ~yurhis&stimpia&k~~trofIdrbo~ahnr The opportunity ku see wd phomgraph ,~umepling 'ix-.\\' .. aild hes occrw frequently. On thisnight Mark gets special brings Mark Thiessen back to the Ems every He rides dong through a h u g h e that is summer, Every time he fitllsh~ataking photograghs g acrosO h Idaho desert. ofa fie, he feels tired but also k k c i t d . He feels that he'sreally been alive. And it's clear he plans to - continue fm many years ra come. \"~~ a tor11adogoing across t h e front of the.,QU&,; 1

Video Scripts Giza,,jP Narrator: Narrator: Giza, H ~ moef the P y r ~ i d s ,o,ne ofthe Seven Gm is home not ady to the IQmrdh, but more Vrp,dm>dthe AncientWorld l h d f i ~ m than&w d b n pcopk. It's a large, mwded 9 -sub1vb?a$area just outside Cairo, vJiB11I_ 4 of dlb ~ etrhe wokld come to Egypt +isit these ~ ~ , s ~%mgc:metpe&~t aw,e noise and d c . Bxn th~mgh~, fficidcs m $ j p s bring the bnildhp down, r h q smp the:& gettingdo,er by bd&g &is .. a w d . Zahi Hawass, Archeologist m ' .*It'sIiie a me. I inem the Pyramids, which Hawass says the wall is<&sigwdprirndy to con - -. wi~t;irnone of\"the seven wonders of thew o r l e q 'the number of people m~rintghe Pyramrdssite. . .the only an& that still exists-to be as though it's 11\"s a wise development7he sap. The role @the like a zoo . It's a crime.\" wall Ir? to protect mu+ts @om$l rhe camels a d Narrator: h m q and to.keep the area of the Pyramidsmd,. A>ZW? arche~k?&Z~ahi Hawgss, thep~bheril *peaceful. V~itma,sHawass says,wiU now be abl is that around t h P~yramids there arc cameIsd horses everywhere. Thre ar$ dw crew& ofpeop1e: m feel the magic drhe Pyramids in heir heeart cdmpetingm~dsouvenirs to the rnw&B,It7$ ciEcdt, ha says,for ordinary visiton to feel how The 'Giza Prdjwt h aIso &ding and prat&g m a g i d and mpte.eriousthe Pyramids d y art. a numiher of antiat objjcb. Althoughnot as Zahi Hawas is ltades ofthe expert archeal~gid b o u s as h e giant Pyramids, these smaller m h b s tam respomible for maintaining the Giza are also being,carefully protected. Pymmds. He plans to bring back h e a ~ c i e ~ t wander ofthe warnids and protect hein ffom Laborers here are finding and workingwith the the physical &mage cau~edby to&m..Re m)rg ~ t i k c t sO. ne day, sites like thisane tlrill be open . t t~~t&ts.This will &t away'mBic a d &&s from the three big P y r b d s andthe $ p b . ifthis,task bnyt done tfre Pyramids cauld Even fier centurim ~f and 6scmfmg . disappear in a hundred years. making new dlscoveriq. &a is home to h e most famous ancient You never know1says H a w a ~w, hat *gets are mdnments in'&&mrld- the Great W d sf bere He believes that, &w[irs%&a centmk~t,he: Khufu, his son m e , and ggrandson &nkaore. -wmkio f ~ g y patre sayingthdyau to And watching o w * & three-the Great Sphinx. Pyramid pmteftos- Egyptians are proud;& thcx-t i m e 1 monuments. But moving closer M fie Pyramids are the houses of Cairo residents, approaching from all directions+ According to haw^,^& houses seem to b t \"attacking,\" almost ldlhg3the Ppmids. Zahi Hawass: '7h a y s say the Pyrarnidg can never be kUd. Now it can be ldled.n

Blackbeard's Nawator: At sunrise, off the Carolina cmqt . . .the waters are blbad red .. . like pirate's blood, In 1717,'Backbeatdthe pirate captured a French Fw&,:ik$ &O mmt i m p o a r fhd i&yc@, sl-dveship. He renamed it the @,mn 14wag's R m p . M i b ftanh6hg; Far a year, Blackbeard's t e r m g gmup ofphws sailcdhthisship.Butin1718,thrshipdisapp&d. \"+&&.b& ~ ~ a f wxmmbey*,\" mat happened?Did the terrible and feuless Blackbeard sink it: himself?Nobody k sure, but archeologistsare h d i n g clues to the mystery, Archeologist Kim Esling~Irobks at a map where Natratdk thev think the ship is. For five years, archeologists ha; bcen studyingthe remains ofa shipwreck When h e arch&& ~ m h d y h up3 f o d about a kilometer fitom the coast, They know .theflI b aidtth &id r ; ' hh~a k 3~&W.Ufia that: m a s ofd-ieshrp's moden body is gnne. But its large gulls-its cannons--are still there. ubpq they me sEci&X-q f+&nalogya@ndUY It's diffi~ulftor the archeologists to see far in che 7&v&p& ?& the a m y rn bak at t h t , m b i n dark water. They put ropes around snc ofthe cannons,so heycan pull it up to the ~urficeT. heir wde, m..Bwexplains why 3% hope is &at on the cannon they will find a name- h mw&my,& Cowca~Rd-the original llame of the French h p that Elaekhat-dstole, wm Esllnfl~,~Ar~heo~q@&, &w $'Et hdpuus pVStlP om ~w&,>f&pwe to bre&,in~;thmppe~rrh e r jua want m shi+t'Of &&hm 3t.and n& 1an4W~J & & ~ ~ ' F g~ ging tq ~qect.\" Mike Danid is the maritime hismsian who Mwatm dixmered:&e rema&. He's sure they have identified Blackbead's ship, &&her p j e darthaolo@\\ %ZT&txe hk3mdk5 that it may takq-mo mwhs t@ g&.d the.rockc Mike Daniel, Naval'Historian: $F&e ~ omdtno~ a d d l y and r@@M \"Most of heevidence on paints to hefact a f h f i r ~ ~ t Li ~mnar*dj thatthe that it is the QME\"WzZlane3Repmdc. I'm a hundred ~b~&xdtaa~srl.~W.~d percent sure, due to the fact rhivt it is where it was o'ffthc $dtand Bk&e methit f& m e d d k w v i v 1 $uppo~edto be.\" .. inth;e &.That rn&y.*f: Lw;,.m-*q ycwq, Ji',tr$ a Narrator: &mnm~B&&'b$:m$tk.w -.mit-fisee $m been sqrching @r. Evqxhhg bar archwh&tiwe found&dated ?or$,~me Rdamw9 uldsIhTQ . a h lhpq'fxt bythe $& before 171&+the y ~ ~ t ~ship~ ~ bw3@yqm the @esn&?w3 disappared. When the c m n isw e n n d j p d e d out &the Kim Estiinge~ ware, ir doesn'r loak much like a cannon +tall, It mpka oae df&map4Grid d%Ed&itim l ~ dihrtya d ~kanjgeafter d i n 3~00 y e a r k under pr~dt$aittb defjgitdy B.bckb&'~~~i.p wodd be weerf To project bass Mike Raprsiag, the cannon is prhbiwp r a y b ~ m w b e U g * ugly, but ADbealrtifuI. Y. ' Mike Ramsing, ProjectDirector; Na-tor: hdpe t b t, ~ o t d & wst ipn n e &*16@ 6, . Wd it doesn't look lilce much bat I'm pretty co&m t f i e d yistfg@&z Awe%h@+the @&lr bit's at leat one cannon .. . s M p & ~ w ~ ~ & e d 3 D O y a ~bqytgh~ew* I a., ,pipateknown as Btwkkiud . .. 158 Video Script &#.

Narrator: Fritr BCahl, Ma* Resident: In the desm ofWg$%xm$ythe& not:abt \"Wedis~aywd by chane:e,o@hthe of activiv.It's hot ddry,,and not many pe~pIe digtam&,dlossse tro the ground, very smd.,.very h e here. mdit's3 phw?men~that they tell me &ow1 But an rlii9.ancient h d h,is a mystery. &d the bqgphcc w,s e this wry Q ar rht orher parts bf the w~r1dT. his happens rd'bo w -l a d chapter af that bwk, tlxt p4enomara&& viewing &a+ just east7& Mar& rnthebi&-ay tkre mystq WPM.~ r called U.S, 90,From here, an alrrrdst my nigh!, Narrator: - p u cmW& the mpz&aw -6 @has. &urwho can exp&-~bwtie-&e lightss w e fim? One Mafia f&iddnt'tdcs~abaut &t firat h e she Whew they actually &&$t~dEd h v 1Wghave saw them: they qxiswd? Shemi E p ~ ~ a u eMta,rfa Reddent: Wp1te i9fmts.mexplain '&e p h - ~ o n , ''Iremernb&-%j~enight vd that 1saw the M a d s w arc doubthl that &CM que$,si:~wmill ever beamr& Lights for &time.* Anotk 1 ~ crdeddent say$ tl~at:'&-qystayis Sherri m g u e r : \"T'qk seen &ti3kvml MCBbu,t they n&tr not bad thing.1f the mysuy is m m e ~ e d , Ea& time they're a little hc sap,people PvriUkeep inmtigatiq, keep logldng for th:9 m w r . 'mWhatkver these li$htrs k d l y at,f h e i r,= +_ . ~ ~I and ma& gqi OD. FelioiaWood, &a Resident years,ilga,and the $kmgest 1ww living out in the was seen by pilms I -1 Here you can '&ndan sire. Inxhe mid-l94Os, mpdrefzbt13L@ES durin wm one wfthw. Video Script 12 159

Elementary E --a Headwords just right for Reading Explorer I! I lSBN 13 978-1-4240-0637-3 : ISBN 10: 14240-0637-6 \\ ;CqEENIGNALGEE~esrni~g W@yJGbinIe&pm