INTERIOR SPACE espacio interiorTRUSSES TYPEFOUNDATION DETAIL/DETALLE DE ZAPATA WALL THICKNESS 0.10 SMOOTH FRIZZY TUBING STEEL BEAM 2\" STONE COATING CONCRETE 48
Caribbean Fold / Pliegue del Caribe WHY? HOW?Haiti/Port Prince/Caribbea2n00S7e.a. POR QUE? COMO? WHAT? QUE?Caribbean Fold is a design than Creating a basic and easy structure system Because all people deserve to have acomes from an investigation project that they can fold, open and close, and place to live, in order to theircreated by a faculty unit of profe- even carry to another place in order to needs. And no matter the cost,sors named MGL+PR based in the cre- run and avoid from the bad weather and be people can have a house for a lowation of a house that respond to safe. The structure can change it shape in price, and with sustainable systemsextreme climatological conditions of order to the topography where its con- that impact less the enviroment.Haiti island wich have a bunch of structed, it addapt to any ground condi- Porque todas las personas merecenhomeless people because of floods, tion and it is modulated to make joints to tener un lugar para vivir, para sat-earthquakes, hurricanes. carry any family numbers. isfacer sus necesidades. Sin impor- tar el costo, la gente puede tenerPliegue del caribe es un diseño que Creando un sistema de estructura básica y una casa a un bajo precio , y conviene de un proyecto de investi- fácil de armar que se puede doblar, abrir sistemas sostenibles que reduzcan elgación creado por una unidad de pro- y cerrar, e incluso llevar a otro lugar impacto ambiental.fesores llamada MGL + PR basada en con el fin de escapar de la catastrofe yla creación de una casa que responde estar seguro. La estructura puede cambiara las condiciones climatológicas su forma acorde a la topografía donde seextremas de la isla de Haití, la cual construye,se adapta a cualquier condicióntiene un alto porcentaje de personas de suelo y se modula para hacer articula-sin hogar debido a inundaciones, ciones para albergar cualquier cantidadterremotos , Huracanes. de familias. We suffered hurricanesPOPNUELEADTSION We want to produce our own food We need to We need raise our a home! familiesWe are Wenomads want Safety We suffered floods People want a safe place to live Natural disaster destroy haitian houses 49
TBhueilpdrionjgesctcoclalnapbsee pilnacneatiinonasnycacpairtiablbefarnomismlaagnndi.tuWdee u7sequaaskei.potetic context Haiti earthquake of 2010. PATH OF HURRICANE TOMAS FOLD HAITI DATA / DATOS DE HAITI HAITI DATA QUANTITY Area 27,750 km2 (10,710 sq mi) (140th) Water 0.7% Population 2015 estimate 10,604,000 (85th) Density 382/km2 (989.4/sq mi) (32nd)QUAKE INTENISTY 2010 Nov 5 18:00 VIOLENT 9 8 7 HAITI FOLD 6 5LIGHT HAITI FOLD2010 Nov 5 12:00 Leogane Port-au-Prince EpicenterEarthquake Date 12 January 2010 CARIBBEAN SEAOrigin time 16:53Magnitude 7.0 MwDepthEpicenter 13 km (8.1 mi)Areas affected 18°27’25’’N 72°31’59’’W Coordinates: 18°27’25’’N 72°31’59’’WMax. intensityPeak acceleration Haiti, Dominican RepublicTsunami MM X (Extreme)Casualties 0.5 g Yes (localized)100,000 to 316,000 deaths (the higher figure is from a government estimate widely charged with being deliberately inflated; a figure of about 160,000is provided in a 2010 University of Michigan study; the 100,000 figure is suggested by the U.S. Geological Survey.) 50
CONCEPT CONCEPTOObtation of Modular Modular spaces Articulated Articulated a modular aluminium estructure for system can be trusses builted in any house more family members shape 51
Infinite ways to join the modular structures Recycle wood as cover Thick smart celings that contains sustainable systems Thick smart walls contains the pipe- lines system Thick smart floors that contain windows Fisures on the cover for ventilation 52
TOP PLAN thick funtional wall/espesor de muro funcional water tank / tanque de agua Bplano de planta +1.80 +80 34A +3.60 A' +3.60 +3.60 +3.601,35 0,6 3 4 0,6 B' 0,6 3 0,6 1,35 5,1 0,6 3 thick wall for kitchen instalations/espesor de muro para instalaciones de cocinathick wall for closet/espesor de muro para closet thick wall for bathroom instalations/espesor de muro para instalaciones de bano The modulated floors and cellings contain railing systems to open and close the house in order to control de ventilation, also, the size of the floors are smaller than the cover, to protect the interiors from the solar impact.NOTE: All measures are in meters. NOTA: Todas las medidas estan en metros. 53
SECTION A A’ Sustainable systems/sistemas sostenibles Solar panels corte a a’ 5,7 Rainwater collectorHydroponic garden 6,3 5 High sewage tank Biodigester+3.602,5 +3.60 0.90 2,5 2,5 6 +3.60 +3.60 bateries WATER TANK +1.80 pump +80 isolating materialThe foundations can be on the ground or onthe water and they will keep the house safefrom strong winds. People can control theheight of the house to protect it againstfloods. 54
TOP VIEW Sustainable systems/sistemas sostenibles 1.Hydroponic Garden 2.Rainwater Collectionvista en planta 3 3.Water Tank 4.Solar Panel 1 +1.80 +3.60 +6 +6 4 +6 2 55
SECTION B B’ MATERIALS ALUMINUM TRUSS 0.10 corte b b’ Light and insulating recycled MODULATED 2.50Mx2.50M ELEVATION VIEW 3,5stirrups rebar Ø6 c/24cm 8Ø16 0,60 THERMAL INSULATION RECYCLED WOOD Ø easel 64mm concrete # 10Ø16 c/18,36cm ALUMINUM TRUSS 0.10 TOP VIEW 8Ø16 2,5 Anchor detail RAILING INSIDE THE FLOOR (2,00x2,00m) 3 AND CELLING FOR THE WINDOWS FOUNDATIONS (2,00X2,00M)NOTE: All measures are in meters. NOTA: Todas las medidas estan en metros. 56
STRUCTURE DETAILS L PROFILE detalles estructurales Articulation cylinder 0.30 UNION OF TRUSSES 1:20 EINFERIOR STRING LTRUSS RAIL DETAIL 0.10 SUPERIOR STRING E1 TRUSS 0.10 L UPPER SILLCONNECTION ANGLE CONNECTION ANGLE INFERIOR STRING SUPERIOR STRING TRUSS TRUSSBASE ALIGNMENTS RIGHTS AND SUPPORT TRUSSNOTE: All measures are in meters. NOTA: Todas las medidas estan en metros. 57
INSOLATION/VENTILATION OPEN WINDOWS CLOSED insolacion y ventilacion CREATE CRUZED WINDOWS TO VENTILATION 3,5 STOP0,60 0,60 3,5 0,60 FLOOR SURFACE WITH STRONG WINDS A SMALLER WIDHT2,5 2,5 3 2,5 3,5 CREATE CONFORTABLE 3 SHADOWS 3 58
Kiri Complex / Complejo Kiri WHY?San Francisco/Maracaibo/Venezuela. HOW? POR QUE? 2015. Because the owners and the employers COMO? of Kiri, need a new place to work WHAT? The geometry of the factory comes from a comfortably, surrounded by spaces QUE? detailed volumetric study made by the that goes according to the style and architect Hans Ratmiroff, who connected concept of the kiri enterprise.Kiri complex is an egg factory, the industrial shapes with smart circula-located in a huge land located in the tions that makes confortable areas to work Porque los propietarios y losoutsides of Maracaibo city. The in. Appearing spaces detailed by me, using empleados de Kiri, necesitan unproyect was designed by a team con- the less expression of the most noble nuevo lugar para trabajar cómoda-formed by the architect Luis Gonza- materials, and double heights with light mente, rodeados de espacios que vanlez and Pertopia arquitecture rays creating beautiful atmospheras. de acuerdo con el estilo y el concep-office. La geometría de la fábrica viene de un to de la empresa kiri. estudio volumétrico detallado por elComplejo de Kiri es una fábrica de arquitecto Hans Ratmiroff, que conectóhuevos, ubicada en un terreno situa- las formas industriales con inteligentesdo en las afueras de la ciudad de circulaciones que hacen las áreas con-Maracaibo. El proyecto fue diseñado fortables para trabajar. Apareciendo lospor un equipo conformado por el espacios detallados por mí, usando laarquitecto Luis González y la ofici- minima expresion de los materiales másna de arquitectura Pertopia. nobles, y dobles alturas con rayos de luz para crear bellas atmosferas. PERTOPIA“Finding the order of the chaos.”Hans Ratmiroff Ayerim Montilla Carla Mendire Gloriana Rada Maite Urdaneta “Finding new ways of perceiving the space.” 59
main access acceso principal 60
lobbyrecepcion 61
coffee area cafeteria 62
LA ROUX CHAIR ZIENTTE BRISA TABLE+70’S SANDO BARSTOOL CHAIR TABLE ZIENTTE ZIENTTE TOM DIXON LAMPINDIE SOFA ZIENTTE LA ROUX TABLE ZIENTTE INDIE CHAIR ZIENTTE 63
coffee silosilo de la cafeteria 64
Cromatiko Studio / Estudio Cromatiko WHY? HOW? Bogota/Colombia. POR QUE? 2015. COMO? Because Cromatiko team wanted a space to make them show their color- WHAT? full handmade designs. QUE? Porque el equipo de Cromatiko queríaCromatiko Studio is a graphic design Based in a confortable circulation un espacio para mostrar sus artesa-studio/shop created by Giovanni San- scheme, shelves and displayers where nales y coloridos diseños.chez and Catherine Villegas. In organized in order to create diferentBogota city, Colombia. They were shapes to place the products, designingasking for a minimalistic design, to instead of a cromatic way in a monocromat-make them show their colorfull prod- ic way, to make the products gain the mainucts. attention throught their colors.Cromatiko Studio es un estudio / Basados en un cómodo esquema de circu-tienda de diseño gráfico creado por lación, estanterías y vitrinas se organi-Giovanni Sanchez y Catherine Ville- zan para crear diferentes formas de colo-gas. En la ciudad de Bogotá, Colom- car los productos, disenando en vez debia. Ellos pedian un diseño mini- forma cromatizada, de manera monocromáti-malista, para hacer mostrar sus col- ca, para hacer que los productos medianteoridos productos. sus colores, sean los protagonistas.http://www.cromatikoestudio.com 65
FRONT VIEW TOP PLAN 66
FURNITURE DETAILS 0,3 detalles de mobiliario TOP VIEW FRONT VIEW 0,45 0,46 1,64 0,98 0,43 SIDE VIEW 0,93 0,63 0,92 0,66 0,4 0,3 0,2 2,29 0,86 0,64 0,15http://www.cromatikoestudio.com 67
FURNITURE DETAILS TOP VIEW 2,36 detalles de mobiliario FRONT VIEW 0,76 1,6Main desk of the store, based in a simplecomposition of two materials, and twocolors, with funtional shelves and funtio-nal measures. SIDE VIEW0,75 0,65 0,1 0,65 0,32 0,1 0,75 1,5 0,760,6 0,1 68
CONSTRUCTION PROCESS proceso de construccion 69
JOKER CATTELAN ITALIA SKY PLANTER EAMES CHAIRhttp://www.cromatikoestudio.com 70
Tower to the River Appartment / Apartamento Torre al Rio WHY? HOW?Vicente Lopez/Buenos Aires/Argen2t0i1n6a.. POR QUE? COMO? WHAT? QUE?A particular domotic project made by Making a modern, minimal and inteligent Because all space can be builted ina team of professionals, composed by appartment, designed with the newest order to respond to the human activ-Ragolia Marble’s team, with Fortuna domotic systems in the lighting, in the ity and needies, the space can beDueck and Karina Muszkatblat Arch kitchen artifacts, in the bathrooms and in part of the human who habbit it,Studio, who i had the honor to worked all bedrooms, but make them invisible because the space bends itself withwith. designing it funtions at the same time of the presence of the matter,we areUn proyecto particular de domótica the construction. Making the whole system not in the space, the space is in us.realizado por un grupo de profesio- part of the arquitecture itself. Debido a que todo el espacio puedenales, compuesto por el equipo de Haciendo un apartamento moderno, mini- ser construido para responder a laMarmoles Ragolia, con el estudio de malista e inteligente, diseñado con los actividad humana y a sus necesi-arquitectura de Fortuna Dueck y más nuevos sistemas domóticos en ilumi- dades, el espacio puede ser parteKarina Muszkatblat, con quienes tuve nación, en los artefactos de cocina, en del humano que lo habita, porque elel honor de trabajar. los baños y en todos los dormitorios, espacio se curva con la presencia de haciendolos invisibles al colocarlos al la materia, no estamos en el espa- mismo tiempo de la construcción. Convir- cio, el espacio Está en nosotros. tiendo todo el sistema en parte de la propia arquitectura. 3 9 8 5 2 6 47 1 REFLEX FLOS MINIMAL CATTELAN ALBERTA REFLEX ITALIA1.Swan chairs 4.Copycat Lamp 5.Bar Unit 8.Sofa Ronny 9.Segno Libreria2.Sit Sgabello chairs 6.Skorpio Table3.Comete Lamp 7.Musa Chairs 71
Main Bathroom Main Bathroom construction detail/ Detalle constructivo de bano principal bano principal FRONT SIDE.30 .10 1.00 1.00 SUPERIOR GUIDE MIRROR MIRROR MIRROR2.12 1.02 .05 EXISTENT CARPENTRY1.95 .85 .03 .45 .03 INFERIOR GUIDE .56 .05 .05 MARBLE .62 METAL BRACKET 1.70.86 .05 .44 .301.70 .06 .84 .73 .06 .84 .73 72
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DINNING AREA SCIONUKNT&ERFTAOUPCE+T area de comedor BY CUSTOMERDETAIL PLANS/PLANOS DE DETALLES MACWCUAHSSITHNOIEMNEGBRYTOP POWER OUTLET (220 Volt) FOR OVEN-WARMING DRAWER-WINE COOLER BLAST TEMPERATURE WINE COOLER1222 570 4723 55 760405 674050 110 114422900000 55 770000 770000 PLUMBING AREA POWER OUTLET (220 Volt) FOR WASHING MACHINE & DRYING MACHINEFRONT dRMaeitfnaei:rmraal2l.2:-0A2N-A20M1O6RAN - FRANCO - MAIN KITCHEN 1155 222111868005 700 700 14420000 700 700 10 74
BAR VIEW vista de barraDETAIL PLANS/PLANOS DE DETALLEdRMaeitfnaei:rmraal2l.2:-0A2N-A20M1O6RAN - FRANCO - MAIN KITCHEN1130 1000 133000178880 1000 30119183044107 30 88275 DISHWASHER 600 3360007808060 30 600 FRIDGE (SX) FREEZER (DX) 609 609 30 75
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PANORAMIC VIEW SIDE vista panoramicaDETAIL PLANS/PLANOS DE DETALLESMinimal.dRaetfae:rra2l2:-0A2N-A20M1O6RAN - FRANCO - MAIN KITCHEN 667904 22218115512622022117805 983440 304 9130621 85770100 601222 570 121016 570 1272 559999 1805 78
Urban Filters / Filtros Urbanos MARACAIBO CITY Maracaibo/Zulia/Venez2u0e1l2a.. WHAT? HOW? Population (2013) WHY? QUE? Rank 2nd COMO? Urban 2,001,591 POR QUE? Metro 2,450,559Urban Filters as City Structurers: It is a Recycling the infiltration phe- Because the city has 0.3 square met-research study of the evolution of the Maraca- nomenum that structured the city in ters of green areas per habitantsibo’s public spaces over time, which is mate- early times, with a reinterpreta- when the minimum is 10m2 of greenrialized in a proposal of infiltrated plat- tion of how would affect nowdays. area per habitant. Also the peopleforms, volunms with programs of recreational Cosiderating aspects like the cur- who practice sports have to go outcontent, that filters from Avenue Miracle rent needs and problems of the from the city because there is nountil reaching the shores of Maracaibo Lake, city. sports building where this peopletransforming the coast edge of the second Reciclando el fenómeno de infil- can train.stage of the shore. tración que estructuró la ciudad en Porque la ciudad tiene 0.3 metrosFiltros Urbanos como Estructuradores de los primeros tiempos, con una rein- cuadrados de áreas verdes por habi-Ciudad: Es un estudio de investigación terpretación de cómo afectaría hoy tantes cuando el mínimo es 10m2 dede la evolución del espacio público en día. Cosiderando aspectos como área verde por habitante. TambiénMarabino a lo largo del tiempo, el cual las necesidades y problemas ac- las personas que practican deportesse materializa en una propuesta de tuales de la ciudad. tienen que salir de la ciudad porqueplataformas infiltradas, volúmenes con no hay edificio deportivo en laprogramas de contenido recreativo, que ciudad donde puedan entrenar.se filtran desde la Avenida el Milagrohasta alcanzar las orillas del lago deMaracaibo, transformando el borde coste-ro de la segunda etapa de la Vereda. History Research Actions N Infiltrarion Phenomenum Public space changes trought time Urban solutions (how grew the city) Plaza “The other city” Lagomar (Elisa Quijano) beach a.Horizontal emphasis 1. Colonial Maracaibo: 1529-1873 b.Regenerate c.Reveal ab.. DOibfjfeutsuealsqsuqauraere d.infiltrate Plaza Udón PerePzlaza Astolfo Romero Plaza 18 de Octubre 2. Illustrated Maracaibo:1871-1887 E Plaza canta claro c. Ecosystem square L Plaza José Marti 3. Petroleum Maracaibo:1920-1980 M IL d. Black walk A Mirador del lago G 4. Current Maracaibo:1980–2011 R Plaza Ziruma Plaza 19 de AbriPllaza del angel e. Pseudo park Plaza pueblo nuevo fg.. CClonotseedntCAirnnceuxit::VVeerreeddaa12 O M VEREDA DEL A5 i LAGO PARK Plaza La estrella Plaza de los ingenieros 5. Future Maracaibo:2011–2029 V de Julio l f. Urban Filters E Delici as Avenue a Plaza olegario villalobos UN Bella vista Avenue g E or Plaza Juana de Ávila Plaza jovito villalba Plaza braile A v Complejo Polideportivo Plaza rotary e Avenue n Parque del sol Plaza Bolivia eu Plaza Rómulo Gallegos Plaza Indio Mara Plaza República Plaza Rubén Darío Plaza Raúl Cuenca Vereda 2 Plaza Vereda 1 alonso de ojeda H “CHeinstteorr”ic Plaza Paez Boulevar plaza ana maría campos Santa Lucía Plaza Santa Lucía plaza día de la raza parque rafael urdaneta A chinita plaza miranta Baralt T a. Royal roads plaza sucre I b. Unión road COS Bolivar plaza colón c. 5 de Julio Avenue Maracaibo d. La Virginia Avenue LakeFont: Architect Eduardo PinedaPOPNUELEADTSION we need we have to we need People want a place to we pools travel to professional practice sports want a train in a clean training club lakePeople need more green areas 79
MOMENT PUBLIC SPACE YEAR SIZE SPACIAL DESCRIPTION COLONIA1L52M9AR-AC1A8I7B3O SAN SEBASTIAN SQUARE not crologic order HA / M2 A vacuum that contrasts with its context. Diffuse BOLÍVAR SQUARE borders, invisible boundaries, limits are generated by BOLIVAR SQUARE 1579 60..168118 m2 S MALL people and their itinerant furniture. Activity definesN First Bolivar statue in venezuela 1867 1905 Has S MALL S MALL EMPTINESS ILLUSTRATED 1M8A7R1A-C1A8I8B7O DEL CONVENTO SQUARE [NEW NAME] 60..168118 m2 Has Green structures public space. The vegetation becomes BARALT SQUARE 1883 the mold of the square, and lights the instrument of 1623 05..522448 m2 urban furniture in the various squares of the city. [FIRST PAISAJIST DESIGN] Has [THEY PUT TREES IN] NATURE BAR ALT 5.248 m2 S MALL SQ 1945 0.524 Has UARE 1973 The street becomes the protagonist of public space,PETROLEUM1M9A2R0AC-A1I9B8O0 which increases speed and scale by taking the phenome- non of the automobile as a determinant of design. REPUBLICA SQUARE REPÚBLICA SQUARE 90..933363 m2 MEDIUM HasPETROLEUM19M8A0RA–CA2I0B1O1 MOVEMENT CIENCIAS WALK CIENCIAS WALK 52.903m2 L ARGE PASEO CIENCIAS 5.290 Has CURRENT MARACAIBO BUEN MAESTRO SQUARE 1930 1.725 Has MEDIUM Icon as a reference and element of greater generation 1973 4.036 Has L ARGE in the public space, is the one that structures the LA MARINA PARK LA MARINA PARK 2004 5.290 Has L ARGE square, and is the main image in the memory of the LA CHINITA WALK 1978 64 Has XL visitors. FUTUR2E01M1AR-AC2A0I2B9O [OLD CIENCIAS WALK] VEREDA 1 2029 25 Has XL OBJECTUALN A new way to live the public space, taking the examples from the past and transforming them in infiltrated green surfaces VEREDA 2 which become in platforms that have recreational uses to satisfy all the people needs. VEREDA 1 8TO9THAaLs= VEREDA 2 FILTERSCRONOLOGIC FONT: Rincón Pirela. Nerio.(1982):’Plazas de Maracaibo Tomo 5. Maracaibo: Venezuela. 122 pp.CRONOLOGIC FONT: CARMEN V. VELÁSQUEZ M. DE G. - VÍCTOR HUGO GONZÁLEZ L. LAS PLAZAS MARABINAS. ENTRE LA COLONIA Y LA CONTEMPORANEIDAD. UNA VISIÓN MORFOLÓGICA.CRONOLOGIC FONT: Ferrer, Mercedes; Quintero, Carolina, Re-creando el espacio público urbano. Política para construir ciudad y ciudadanía en Venezuela. Revista de Ciencias Sociales (Ve), Vol. XV, Núm. 1, enero-marzo, 2009, pp. 89-111, Universidad del Zulia, Venezuela. we have 90m2 we need we need 0.33m2 of 80m2 L HM a gym bike roads green areas 50m2 per habitant o e a V B s kdld i e Á s r e r n i i n l g n a í e n l y se Public space per habitant in other countries 80
WHAT? Maracaibo Lake HOW? QUE?a.Horizontal emphasis COMO? Access to the park a.Urban Filters b.Regenerate Arborized woodwalks from Milagro Avenue till the lake Existent water flows b. Portwalk c.Reveal Woodwalk from Vereda 1 to Existent vegetation Vereda 2 d.Infiltrate c. Infiltrated pixels Parametric grid From the existent vegetation empthy spaces, linear concrete surfaces from Milagro Avenue till lake, for users orienta- tion. d. Parametric vortex From the vereda edges echoes conecting eachother with walkroads and bikeroads. e. Infiltrated platforms From the existent vegetation empthy spaces, ludic volums with recreational programs. [like the “folies” from la villete park].URBAN CONCEPT CONCEPTO URBANO N Vereda II park 81
ARCH CONCEPT Existent vegetationCONCEPTO ARQUITECTONICOSOUTH a.Urban Filters c.Infiltrated pixels WEST vertical circulation core d.Parametric vortexb. Portwalk 3 EAST e.Infiltrated platforms3 NORT Infiltrate visuals to the lake Some of the infiltrated platforms may have courts. The courts saurneloirgihetn,tebdlonkoirntg atnhdeisrouvtihsitboiplriottye.ct soccers players from the pTihleotfiosu,ndbaetciaounseofofthtehe iwnaftielrtrlaetveedl pwlhaetrfeortmhse aprleotuinsd.erground 82
1 EL MILAGRO AVENUE DOCTOR PORTILLO AVENUE 2 VEREDA 1wood bridges connections 4 3 56 9 10 12 11 7 8 16 13 14 15 18 17 INPFLIALTTFROARTMESD 7.LA GOAJIRA port 13.DIVERZONE 8.POLICE station vereda 2 14.KEPEIN lounge park programs 15. MAXI DONAS 9. LIA BERMUDEZ art gallery 16.JESUS SOTO gym 1.IMPARQUE park administration 10.ARTURO MICHELENA art gallery 17.VEREDA 2 sports centrer 2.GUAICAIPURO museum 11.ARMANDO REVERON art gallery 18.CRUZ DIEZ lightouse 3.SIMON DIAZ turistic center 12.ARTURO’S CHICKEN 4.NEGRO PRIMERO library 83 5.CINGARO open cinema 6.MARIA LIONZA restaurant
5 DE JULIO AVENUE URBAN FILTERS park access19 2021 22 23 2419.LA MEGA radio station NORT20.TRANVIA station21. CATATUMBO club 2522.EL PROPIO CARLOS restaurant23.FRANCO’S burger24.parade tribunes25.LUISA CACERES DE ARISMENDI OPEN TEATHER 84
MALTEEYREINADLS Sand: Shores Concrete: Parking p Araguaney Tree Acacia Flamboyantpark surfaces 85 Wood: Urban Filters/Portwalk Bucare Ceibo Tree
URBAN VIEW panorama urbanoplaces/ bikeroads/ walkroad Infiltrated platforms Glass lighthouses Tree Default site vegetation Palm tree for the portwalk 86
KAYAK VIEW vista lateral7 6 3 3 3 33 54 21 3 33,27 4,21 5,05 4,63 7,09 20,23 Pilotis foundation undergorund Programs: 1. Vertical circulation core 2. Stadium seats 3. Court 4. Contemplation area 5. Trusses hallways pool support 6. Pool 7. Pool technic area 87
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33 3 3 3 3 4,89 7,38 89
FRONT VIEW Programs: vista frontal 1. Court 2. Trusses hallways pool support 3. Pool 4. Pool technic area 5. Cingaro Cinema 6. Kayak port 3 4 5 Proyection wall 2 6 Pilotis foundation undergorund 1 9017,52 17,52 7,38 4,89
[Level 3,4] Traslucent smooth white concrete cover COMPONENTS[Level 4] Pool platform componentes Program: Vereda 2 sports center Concept: Infiltrated platform[Level 3] Gym platform[Level 2] Board games platform[Level 1] Administration platform[Ground Level] Sport platform Vertical Circulation Nucleum Elevator/Stairs Ventilation Duct/Supporting wall[Ground level, 1st 2nd] Wood blinds 91
N SPORT PLATFORM triple height(3m each floor) 92
N GYM PLATFORM nivel gimnasio 93
N POOL PLATFORM nivel piscina 3000X150006 54 3 2 1 45 6 12 3 94
My Quotes / Mis Frases\"To perceive is to create, to perceive is the source of all creation.\" G.R“Percibir es crear, percibir es la fuente de toda creación.”\"All humans are but subjective forms of divine thought.\" G.R“Todos los humanos no somos más que formas subjetivas del pensamiento divino.”\"The empty space is a membrane that is molded with the corporeal mass of the man.”“El espacio “vacío” es una membrana que se moldea ante la presencia de la masa corpórea del hombre.” G.R\"A pseudo space, is the construction that is generated from the accumulation of memories.\" G.R“Un pseudo espacio, es la construcción que se genera de la acumulación de recuerdos.”\"Architecture is to design a space-time fabric in four dimensions, three spatial and one temporal.\" G.R“Arquitectura es diseñar un tejido de espacio-tiempo en cuatro dimensiones, tres espaciales y una temporal”.\"An architect is a constant conscious observer of the quantum field.\" G.R“Un arquitecto es un constante observador consciente del campo cuántico”.\"Architecture is to geometrize the emptiness by molding it with light.\" G.R“Arquitectura es geometrizar el vacío moldeándolo con la luz.”\"Art and Architecture, are the observable trace of the Worldview, reveal the changes of man and his environment over time.\" G.R“Arte y Arquitectura, son la huella observable de la Cosmovisión, revelan los cambios del hombre y su entorno a lo largo del tiempo.”\"The city is the sensitive world of the intelligible world of it’s habitants.\" G.R“La ciudad es el mundo sensible del mundo intelegible de sus habitantes.”\"Each urban element hides a story. The city offers us a reading of it’s habitants \".“Cada elemento urbano esconde una historia. La ciudad, nos ofrece una lectura de sus habitantes”. G.R“\"IEnn tevoedraycicuitdaydthhaeryedaorseptowlaorsidocadieals spoolciarailteise,s,lotshesodñradeoamreerssyanldostrheearleisatlaiss,ts,y alonsd tphreimefriorsstsoonnesloasrequtehocsoenswtrhuoyebnuilciduadacd.it”y.\" G.R\"It is impossible to understand a spatial dimension habiting the same spatial dimension.\" G.R“Es imposible entender una dimensión espacial habitando la misma dimensión espacial.” 95
\"A dimension can only be analyzed from a higher dimension.\"“Una dimensión solo puede ser analizada desde una dimensión superior.” G.R\"Architecture must always be more esoteric than material, otherwise it would be an engineering work.\"“La arquitectura siempre debe ser más esotérica que material, de lo contrario sería una obra ingenieril.” G.R\"An architect is contemporary when takes archetypal patterns of the past, reinterprets and adapts them to the current worldview.\"“Un arquitecto es contemporáneo cuando toma en cuenta patrones arquetípicos del pasado, los reinterpreta y adapta a la cosmovisiónactual.” G.R\"The designs of the future are in the hands of the process. The compaction in data, of all the knowledge acquired over time. \"“Los diseños del futuro están en manos del proceso. La compactación en datos, de todo el conocimiento adquirido a lo largo de lostiempos.” G.R\"The entropy is what makes us believe that the time exist.\" G.R“La entropia es lo que nos hace creer que existe el tiempo.”\"Man has succeeded in understanding and studying all the repetitive cycles of nature. But he still does not understand his own\".G.R“El hombre ha logrado comprender y estudiar todos los ciclos repetitivos de la naturaleza. Pero sigue sin entender el suyo propio.”\"Humility is the most characteristic quality of a wise person.\" G.R“La humildad es la cualidad más característica de una persona sabia.” 96
“Random doesn’t exist, we call luck to the unreconized law.““No existe el azar, llamamos suerte a la ley no reconocida.“ Kybalion Thanks! ¡gracias!AArrcqh..GGlloorriiaannaa RRaaddaa 519-636-2530 2017 Gloriana Rada glori_ana glori_ana [email protected] 97
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