Important Announcement
PubHTML5 Scheduled Server Maintenance on (GMT) Sunday, June 26th, 2:00 am - 8:00 am.
PubHTML5 site will be inoperative during the times indicated!

Home Explore DOWNTOWN GALLERY Winter 2021 Exhibition

DOWNTOWN GALLERY Winter 2021 Exhibition

Published by Booth Western Art Museum, 2021-01-25 20:19:44

Description: DOWNTOWN GALLERY Winter 2021 Exhibition

Search

Read the Text Version

DOWNTOWN GALLERY WINTER EXHIBIT FEATURING WORKS OF ART BY THE BOOTH ARTIST GUILD Image credit: “Blue Bottle” by Melody Boggs Questions: Call Melissa Tanner 770-387-4330 Or visit the Downtown Gallery 13 N. Wall Street Cartersville, GA 30120

“A Picture of Summer” by Melody Boggs Oil on Linen 21 x 24 $895.00 I painted this in August 2020, when plums were at their peak and the hydrangeas in the garden were in their splendor! The antique frame was from an estate sale and I liked the contrast and interest it added to the background. Lots of fun painting this one!

“The Centurin” oil 24 x 30 by David Jones I was at a Plein air event in Apalachicola Florida a few years ago looking for boat scenes about 7 am one morning. I went to a site called Old Mill Pond. The morning light hitting on the The CENTURIN was so beautiful I got some reference material and this painting resulted from it.

“Cliff Notes” by Donna Zander The scenery one encounters in the Haute Savoie alpine region in France is breathtakingly beautiful. The occasion for the visit was to celebrate a dear friend Andre’s 70th birthday. André was born and raised in the region and lived in Ferriere, a small village outside Annecy, France with his wife Denise. He had many interesting stories concerning the French resistance in that area during WWII. During our week’s birthday celebration some of us hearty souls decided to hike up to a mountain overlook over a mile high with Andre leading the way. I managed to capture this backdrop of alpine beauty during our hike.

“Barn Dance” by Donna Zander Being an avid fan of history and historical places, Barn Dance is my attempt to capture the historic Moulton barn against the backdrop of the Grand Teton mountain range. It is located in Grand Teton national park outside Jackson Hole, Wyoming. It is all that remains of the Moulton family’s homestead dating from around 1913.

“A Well Lived Life” by Gary Worthan 20” X 16” oil on canvas His life spent at sea, his days are now surrounded by the things and sounds that he loves most. I was deeply inspired to paint this one from observing and having conversations with those men and women that I have had the privilege know over many years.

“Blue Ridge Encounter” by Gary Worthan 24” X 30” oil on canvas When viewing a natural setting for the first time, a new painting (s) fires my creative mind’s eye. I envision a scene of what might be there when humans are absent. I have visited this Georgia mountain creek countless times in my life, but this spot was new to me. I thought of all the wildlife that probably visit here during the mornings and evenings. Momma bear and her cubs making their afternoon visit as a Whitetail doe stops for a drink of water.

“The Guardian” by Lana Smyer Pastel 16 x 20 $650.00 This is a piece I titled “The Guardian”. There are two female mule deer. One is keeping watch while the other drinks from the stream. The mediums I used were soft pastels, pan pastels, and pastel pencils.

“Chiaroscuro” by Lana Smyer Pastel 16 x 20 $750 Chiaroscuro is the contrast between light and dark in art. I felt this piece lived up to the name. The mule deer is a doe and looks like she was caught going off into the woods. The mediums I used were soft pastels, pan pastels, and pastel pencils.

“Edge of the Winter Forest” Acrylic on Arches watercolor paper Artist: Edwin A. Sheppard Price: $500 A moment of serenity as a whitetail deer stands at the forest’s edge observing a cold winter’s day. The golden leaves warm up the scene, while the sunlight dances among the snow-covered bushes, berries, and foreground.

“Tropical Fruit” by Diana Lee Sarker I painted this piece after being inspired at studying Renaissance Master's Oil Paintings of Still Life. At this time I had been mainly painting landscapes in oils and felt a need to do something different. The fruit were real mangoes and a real pineapple which were great inspiration. i knew I had to complete the painting in a timely manner if I wanted to enjoy the fruits of my labor. Yes, they were delicious as they were beautiful.

“Coneflowers” by Linda Riddle 9x12 watercolor, framed 12x16 $125 “Coneflowers” Gardening is one of my favorite past times. I love the look and color of various types of coneflowers. I added white outline to these to make them stand out a bit more and give the painting a slightly abstract appearance. Hope you enjoy them as much as I do.

“Don’t Fence Me In” 16 x 20 Oil $450.00 by Linda Lanham I never tire of traveling to Destin, Florida and taking in it’s beautiful beaches and ocean. This fence has survived so many storms. I have it in many of my paintings and photos.

\"It's A New Dawn\" 16 x 20 Oil $450. Linda Lanham Spending several winter months in New Smyrna Beach, Florida is a great time to arise early every morning to view the beautiful and ever- changing sunrise. Every day it’s different but this dawn was spectacular

Magnificant Magnolia 26 x26 by Kathy Knopp The Magnificant Magnolia inspired me to paint it in sections, only because it is so huge in person and in my front yard. It's unique bark and tree truck are what keep your interest as each section you see something different each time you look at it. The lirope surrounding it and the the leaves on the ground keep you wondering what is underneath all the roots of such an old tree which must be at least 75 years old, it keeps one captivated and the smell of the blossoms are stringent and linger on all day inside with such potency and bring one to smile with the fragrance.

“Rocky Shore” by Lorraine Kimsey “I love a pink sky!” The reflection of the sky on the land and water promised to be a colorful painting of this northeastern shore.

“Winter Worship” by Lorraine Kimsey “A touch of blue sky peaks out in this snowy scene. The cold winter is a sharp contrast to the warmth of worship and fellowship that takes place inside this Midwestern church.

“Fall Bounty” by Joyce Jones The cool of fall brings bounteous fruit, reflecting the colors of autumn.

“On My Window Sill” by Joyce Jones Time stood still for a brief nano second as glimmering rays of warmth embrace the sill, making way through centuries pane.

Telluride Top Side by Susie Haugen 19 x 16 $300.00 – Telluride is a former mining town set in what is known as a box canyon surrounded by forested peaks. While it is most well-known for its popular ski resort, the fall colors in the canyon are quite spectacular. We parked up top side and rode the Gondola into town, and I thought this view from the top side captured the box canyon quite well.

\"Still striving\" by Ludmila ( Luda) Harrison Watercolor 16x12 inches ( 20x 16 in. framed) $495 This trees and creek in Logan Farm Park, Acworth, always mesmerizing me! I like to walk there and admire this force of nature and desire to survive!

\"Ponte Vedra flowers\" by Ludmila (Luda) Harrison Watercolor 16x12 inches (20x16 framed) $389 ( $252.85) Every year we visit Ponte Vedra resort on Atlantic coast of Florida and every time I'm getting inspired to paint this beautiful place!

\"Tom Leadon\" by Susan Gore Gardner Tom is a founding member of Mudcrutch, formed in Gainesville, FL in 1970 by Leadon and Tom Petty. I was blessed to have a 3rd row seat at the Ryman Auditorium in May of 2016 when a reunited Mudcrutch played there. Tom Leadon was right in front of me and I was captivated with his vocals and especially his skill playing this red Fender Telecaster. This portrait was the result of that fine night. Mudcrutch's history spans many years. The band moved to Los Angeles in 1974 to attract the attention of a record company. Though they signed a contract with Shelter Records, they released only one single before breaking up in 1975. Then in the summer of 2007, Tom Petty, Mike Campbell, Tom Leadon, Benmont Tench and Randall Marsh reunited as Mudcrutch and recorded a debut album, the self-titled 'Mudcrutch', which was released a year later in 2008 on Reprise Records. Mudcrutch reconvened in 2015 to begin work on a second album. The resulting 'Mudcrutch 2' appeared in May of 2016 and the band went on tour, which led to my presence at their Nashville show.

\"Jared Green of The Howlin' Brothers\" by Susan Gore Gardner I first saw this remarkable young man in Villa Rica, GA in 2015 performing with his band The Howlin' Brothers and instantly became a fan. Their unique style combines authentic Bluegrass with Rock, Indie rock, Americana & Folk. I photographed the band several times over the next few years and in 2020 decided to do this portrait of Jared Green with his beloved Taylor guitar - but with a personal challenge of making the portrait a full figure one, showing Jared as he danced! It was great fun both to see him perform and to capture his energy, good cheer and style in this portrait. In December I was able to see him once again with the Howlin' Brothers when they performed at the legendary bluegrass venue The Station Inn in Nashville, an honor well deserved. I am so proud of Jared and the band.

“Cherry in the Beak - Worth Two in the Bush” By Mozelle Funderburk Corvids have always fascinated me. I have sketched and photographed them wherever I have seen them - from around North America to Britain, Europe and South Africa. They challenge, laugh and play with an avian sense of humor and purpose. Someday I will capture that essence in a painting!

“The Maine Event” by Nikki Davidson Oil on canvas This painting was inspired from a trip to Maine. I spent a week in Bar Harbor with a group of art and photography friends. The coast line is so different from our local beaches with its very rocky shore and overcast weather. I enjoy all of my painting trips but this one was special as it was spent with loving friends, fabulous food and mother nature.

“Night Lights” by Nikki Davidson Oil on panel I was born and raised in Southern California right near the beach. I spent my childhood playing on the beach and swimming in that marvelous ocean. It was my favorite place to be so naturally the first subject I learned to paint was the ocean. I’ve probably painted over 100 seascapes through the years but never a night scene before. This painting was painted from memory and what inspired me was the memory of the phosphorescence which can only be seen at night in the waves as they pounded their way to the shore. This painting brings back memories of campfires on the beach, rockin to the Beach Boys music and romance. This small painting is a study for a much larger painting to come.

“Bougainvillea Shadow” by Virginia Dauth This was painted in oil from several photos taken of this beautiful Bougainvillea that was climbing up a wall in Italy. The intense colors of the flowers from almost a shocking pink; fuchsia to a deep burgundy in the shadow was a delight to my eyes. This all against the terracotta color wall of warm ochre’s, I knew it would make for a beautiful painting. The shadows streaking down the wall and the bright sun shining on the flowers made for interesting patterns. This painting will put a smile on anyone’s face especially those who enjoy flowers as much as I do.

“Rest a Spell” by Virginia Dauth This is a pastel painting of one of my favorite places to be in the woods. The focus was on the large rock that was cropping out above the river edge. I find beauty in rocks as they hold so many subtle colors that one can see if you really concentrate on looking. One derives a great sense of peace and calmness being surrounded by nature as “Nature holds the true notion and emotion of what color is” A Para phrase from Van Gogh, “Stay a while and enjoy the journey while viewing my paintings” Sincerely, Virginia L Dauth

“Summer Fields” by Beverly Culver oil on canvas, $300, 2020. (11x14”) A quiet summer day after a short thunderstorm. Colors look so much more vibrant after a rain.

“Little Pleasures” by Jean Coker Title “LITTLE PLEASURES’’ In this painting I chose neutral colors to provide an uncluttered “stage” , making room for the eye to linger and contemplate the subtle beauty and intricacies of items we use in our everyday lives.

“A Light Touch” by Jean Coker Title “A LIGHT TOUCH”. The soft neutrals used here allow the translucence of the eggs, the delicate cutwork pattern of the draped cloth and the rustic metal of the wire basket, to invite us to a place of quiet and serenity.

“Tunnel Hill House” by Sandra Babb Tunnel Hill House is an 11 x 14 oil that was painted en plein air. The light on the side planes of this abandoned house caught my attention. No one was round except the resident cat. It seems to tell me stories of families who might have lived there in the past. I especially wanted to capture the light on the angles. There is something magical about a white house in the summer light.

“Red House in August” by Sandra Babb This is a 16 x 20 plein air oil painted on an afternoon late last summer. A deputy came by to see if I was having car trouble as I was set up right on the edge of a country road across from the vacant house. This happens often and makes me feel safe. I fear this sweet little dwelling will soon be razed and painted it before it is no more.

“Early Summer” by Martha Choat —We have quite a number of hydrangea bushes in our yard. I enjoy seeing the blooms in the yard, but also enjoy picking blossoms to bring in the house. I am then “called” to do a painting!

“Morning At The Park” by Martha Choat —For many years I’ve been going to the park in the early morning—all seasons, daylight and dark. I’ve seen many beautiful sunrises and this painting is of one of those walks.

“Rock City Barn Winter” by Durinda Cheek Oil 16 x 20 image $500 This barn is across the street from my neighborhood. I see it every day. I have painted it in every season. Sometimes there are horses boarded in the pasture. In the 1930s, Garnet Chapin hired Clark Byers to paint barns across the southeast as a means of advertising. In 30 years, Byers painted 900 barns. Unfortunately today, very few still exist. That makes it pretty exciting to see one, even if it is close to home.

“Poppies in May” by Durinda Cheek Oil 12 x 12 image $395 On my last trip to France, I passed a field of poppies that seemed to expand as far as you could see. Poppies are thought of as weeds or wildflowers in Europe. Mostly they bloom where a field is not tended. Just one bloom is very fragile but together they create a magical carpet of red.

“Le Maison Rose” by Kathi Caspar I came upon this pastel-hued house while exploring the back streets is Charleston. I just had to paint it!

“Checks and Balances” by Kathi Caspar The reflections of the checked fabrics on the solid-colored bowls was a challenge I couldn’t pass up!

“Hope Springs Eternal” by Elizabeth Carr 12 x 12 oil painting While painting in Smith-Gilbert Gardens, I captured this moment of wonder as a small girl walked amongst the roses, a rose among roses.

“In Full Bloom” by Elizabeth Carr Watercolor on gesso This abstracted painting of unnamed flowers was done by coating watercolor paper with thick gesso and making gestural and suggestive marks with various tools. After this was allowed to dry, watercolor was applied following the impressions created in the previous layer. The resulting image reminded me of the bulbs that spring forth faithfully year after year even before the earth has warmed following months of cold dreary days.

“Rocks and Hollyhocks” by Don G Van Pernis This old storage barn was on a property in Colorado where I take art classes. One afternoon I approached the rear of the building and noticed the lighting as well as how rustic the scene appeared. There were many textures that stood out with both light and shadow; all of which was grounded by the brilliance of the hollyhock blossoms. The rocks and vegetation at ground level anchored the scene. I quickly painted a rough study and took many photographs to capture my ideas for the final painting in my studio.

“Teton Moose” by Don G Van Pernis This moose was actually tracking me as I took photos from behind a very small bush in Grand Teton National Park. Since I was not close enough to warrant a charge, she left me to my photography. During the design composition stage, I decided the original photo scene was too enclosed and uninteresting so I moved her to another landscape which had more interest as well as openness and color. This landscape was not too far from her first scene so she looked like she belonged there. And that’s what I painted.

“End of Day Play” by Cheryl P Arnold The first thing that attracted me to this scene was the rosy-peachy glow of the afternoon sun with the horses coming across Grape Creek and the Sangre de Cristo Mountains in the background. After taking multiple photos and starting to compose the painting, I realized that one of the horses was playing in the water. So, that was it! There was my painting.

“Loyalty Thy Name is Dog” by Cheryl P Arnold The owner of this dog was a very sweet man who sat as a model in a class. I fell in love with his dog and the loyalty that was present every time he looked at his master. I managed to capture several photos and then set about adding boots, an old wood firebox and a totally different background from the original stage setting. My goal was to portray this as a setting from the Old West.

“Flowers From My Friend’s Garden” by Elda Arias My dear friend Maya has a beautiful garden every year. She plants every plant with love and care, and the shapes and colors are amazing!

\"See Rock City\" by Kaylene Lengel 19.5\" x 23.5\" including frame Oil on Canvas. Traveling north on HWY 411 is this old time barn add. I'm pretty sure that it influenced me to make the drive to see \"Rock City\" several years ago.

“Pink Peony” by Larry Breeland 30” x 30” Acrylic $875.00 The “Pink Peony” is from my photo taken in our yard. We have about 15 peony plants most being white or pink that produce truly amazing blossoms. The first from a plant is usually the very largest it will produce that year and this one exceeded 11 inches. A flower so majestic I felt presenting this in its fullest splendor was necessary.

“Swamp Lillie’s” by Larry Breeland Oil 18 x 24 $320.00 The Swamp Lilies was my photo taken in our yard. We have 7 of these plants (5 too many) that multiple annually into a cluster of plants 5’ wide and stamen 4’ high with this flower in July. The plant foliage is a bright shiny green that can appear almost unreal! This flower is so unusual and truly different from most flowers in many ways I felt it necessary to paint it.


Like this book? You can publish your book online for free in a few minutes!
Create your own flipbook