INTERIOR DESIGN

INTERIOR DESIGN CONTENTS SEPTE MBE R 2022 I VO LU ME 93 NUMBER 11 ON THE COVER Occupying a century-old former paper warehouse in Tulsa. Oklahoma, the Bob Dylan Center by Olson Kundig presents an unconventional narrative of the enigmatic musician, starting with a lenticular wall in the lobby displaying the names of donors on one side and. on the other, a 1986 portrait of him by Lisa Law. Photography: Matthew Millman. features 78 SERIOUS FUN 102 GREEN LANTERN by Moiri Beoutymon by Don Howorth Studio Alexander Fehre The Martin Goya X Pig turns two buildings into Design,exhibition venue an impressive but playful in Hangzhou, Ch ina, special-projects facility shows how community- at the Bosch Engineering minded architecture headquarters in Abstatt, can help young artists Germany. flourish. 86 A COMPLETE UNKNOWN 110 COMPLEX GEOMETRY by Rebecca Dalzell by Thijs Demeulemeester Olson Kundig's orches- The late Belgian 7~ tra\\ion of engaging designer Pieter De exhibits and rare Bruyne's fiercely angu lar ~I photography at the postmodern fu rni ture is Bob Dylan Center in as uncompromising as Tulsa, Oklahoma, tell it is rare, but the land- a story about the ever- marking of his last priva te musician. work, a house in Aalst. Belgium, should earn 94 SHINI NG STAR him new fans. by Edie Cohen 118 FRESH AI R A gleaming volume in by Wilson Barlow and Los Angeles by Belzberg Lisa Di Venuto Architects houses BAR Center at the Besich, From Prague to St. Louis. a multigenerational firms are inven ting and Jewish community repurposing outdoor facility. space with newfound creativity.

INTERIOR DESIGN CONT ENTS SEPT EMBER 2022 I VOL UME 93 NUMBER 11 special section 41 15 BIG IDEAS departments 17 HEADLINERS 21 DESIGNWIRE by Annie Block 24 PINUPS by Rebecca Thienes 29 MARKET by Rebecca Thienes and Georgina /VlcWhirter 73 CENTERFOLD Pit Stop by Nicholas Tamarin In rural France, Studio Bouroullec and tile manufacturer·Mutina build a roa dside pavilion for Pascal Rivet's car sculpture. 162 BOOKS by Stanley Abercrombie 164 CON TACTS 167 INTERVENTION by Wilson Barlow