ประวัติศาสตร์ศิลปะไทย : การสังเขปประเด็นใหม่จากงานวิจัย

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f17Wri 10 11'iN'Jl/lJ7(R7m'NnNrnn w;::r/.t.Jli/w\"1\"7'>'iP16fYfYU'Jll7tl>7\"7'YI Yl'i::'i7?f'NU7'iWOJ'i7?fUL?fllJ Fig.10 Window with a pointed arch, Dusit Hall, Narairatchaniwet Palace mwrl 11 ,ntuhJJfunN11u?Tuiil~tl::\"1::?U\"1n Fig.11 Drawing showing a pointed arch in a Western style (Photo Reference: Sir Banis ter Fletcher, A History of Architecture on the Comparative Method, (London : B. T. Batsford Ltd. , 1950), Fig. 10.)

mwii 12 j tluuuf 11nHnnu11?Tuiilfttl::iiftftW 'iW 1flVl-h Shah ffh Jn? w.ff. 2171 - 2172 Tuiilfftl::iiwi~u Fig. 12 Pointed arch in an Islamic style, Shah Mosque, around the 11th century A.D. {Photo Reference: Titus Burckhard!, Art of Islam : Language and Meaning, (Kent: World of Islam Festival Publishing Co., Ltd, 1976), Plate 158.) Pointed Arch Architecture from the Reign of King Narai Assistant Prof. Achirat Chaiyapotpanit, Ph.D. One important feature of the architecture built during the reign of King Narai was doors and windows with a pointed arch, as seen at the Vichayen Mansion and Narairatchani- wet Palace (Fig.10). This kind of arch was popular both in Western and Islamic styles of architecture. It is known that during the reign of King Narai , Westerners and Muslims, especially Persians, Art History in Thailand and the Summaries of the New Studies : 13

'il'ilfl:1-11L'W'l'U'll'il-.'.lf11'l'cf;1-.'.I l'T'i'l'U fl'l'l3-l~Yil:J11:J13-1~1'i'l'il-.'.I LL1.JU'il~1-.'.l'll'il-.'.i l'T'i'l'Ufl'l'l3-1~1fl'V11-.'.I ~ i-.:imLvimfl~'cfi,ii!'WL'il-.:J ' ~ ,Q.., tad' 0.,9>: (\" nN? 'ftlu.1111 u.R::??m,nn?fflf1.:J,'ii'1f1>1'f.:J'f::'IN ,unfiltl::fJflfifl? V9 ,ynfiff/1t?'f'ftl;1 ,9_24 \" Ru11uf1¥ur,,fJ,,.,,,.;-fJufil::n-r11fil.:J?un-rn-r'f , ,;ifJ,Vli/NU?tJRfil?n'fflfJ./1ROJ::Tll'f?OJRlltl'f::-i-rf/.:,111.l'f::N?OJ 2555) 9 f)')Wil 11<1;/vil,::tnlJ?l'II/Ull!Nf/OJ 'BE/5EJ') fl'h~Tu W.fl.1981 ,uum,riwnal'l;plu1111u1i::'.ia,~EJnll'l'i;n11utNFtfJJ::!<1;/vdwm Fig.1 The principal stupa of Wat Maheyong, Ayutthaya, built in 1438 A.D. It is a reproduction of the pattern and the name from Mahiyangana stupa, Sri Lanka mwd 21/U!NFtfJJ::!'i;/v mmm 11h~Tuft1JEl'B'f'i'l6t/'i::1M1Utl1iW Fig.2 Mahiyangana stupa, Sri Lanka, built in the late Anuradhapura Art History in Thailand and the Summaries of the New Studies : 17 ~

1YJLV1qj L~1:1-rn!'\\,,ltJ'tl~V11LviLn(,lfl1'J \"~1'i'l'tl--:J bb'l.J'l.J\" Vl~'tl \"frn1tiif'l.J~Ylfl'W 'i'l\"~1n~mJdY1 LVlqj'tltJ1--:J1~!ii'tl--:J'i'l'--:J'iffti .Slj),,./.., .,.,, ,lj) Y. (\"1h::l11JU lVilllflfl?fl'Ul'4)/1Jflll'LJ'LJUf1fJJllR::U'LJ'LJ'WU'1 lU7h::l 'Ylff&'Ylfl\" • • •'f~i'us11Jvtuunu?i'fl'4)'1fl Rmuu?i'fluR::wiwu1 UVi'1?'Ylfl'1RflflRLJ'1fl\"j JV.ff. 2554) n,wrf t ,\"1iiEiuuuwU-.,uYifi?lilnfl1.JYi-3 ,uJli'il.J~'ilu ,-.;!efu11 11 ifirnvni!hT-.iJ;,i1,flu,-.iefu11 11 invTuqj Fig, 1 Burmese-styled stupa at Wat Klang Thung, Mae Hong Son, this kind of stupa has previously been misunderstood as Shan-styled Stupa m wd 2 ,-.;!efu1111?nvTmy d,nv~mN\"W ~i;nu 1h::mnwu1 Fig,2 Shan-styled stupa at Nyaung Shwe, Shan State, Myanmar Art History in Thailand and the Summaries of the New Studies : 25