2017 December Premier Auction - Holabird Western Americana Collections, LLC

Day 2 - General Foreign Lot# 2742 , Turkey Turkey Lot# 2747 , Western Europe Maps Postcards: Men Lot of 17. Find of Western Europe (6) 1867 6 Maps postcards by B Asfar, Sarrafian of Western Europe. 1) Map of Europe Brothers, Scott & Browne, EF Rochat, showing its Gt. Political Divisions, Max Fruchtermann. Photos include page #74, single page, multi color Bedwin Sheikh, Camel Driver, Hoaling lithograph; 2) County map of England Dervish, Sheik of Bedouins, Sudanese and Wales, single page, multi color soldier holding spear, barbers, group lithograph 15.25 x 12.5”. 3) Single of Bisharins. Est. $60-100 HWAC page map, multi color lithograph, of #53900 Ireland in Provinces and Counties, page #76, County map of Scotland, multi color lithograph; 4) Map of Lot# 2743 , Turkey Turkey France, Spain and Portugal. multi color lithograph, single page. Page #79. Small map at bottom right corner is Island of Corsica. Small map Postcards: Women Lot of 11. at top left is Switzerland in Cantons. 15.5” x 12.5”; 5) Map of Russia Includes a Leonidas Bazinas of a in Europe, Sweden and Norway, small map in left bottom corner of women with a bear on a leash, water Holland and Belgium. Upper left, small map of Denmark, page #82. carrier, Fellahins, Bedouins, and 6) Map of the Austrian Empire, Italian States. Turkey in Europe and a woman with the Turkish flag by Zenab. Est. $40-60 HWAC #53902 Greece, single page, multi color lithograph, page #86. 12.5” x 15.25”. Est. $300-700 HWAC #54238 Lot# 2748 , Collection of International Hotel Labels A large stack of labels from hotels around the Lot# 2744 , Turkey Turkish Prison world including Australia, Germany, Ireland, London, Panama and more. Camp Postcard cWorld War I. US locales include NY, LA and Boston. Prisoners are Turks, Frenchmen, Various shapes and sizes. Est. $100- Jews, Englishmen, Belgian, Indians, 200 HWAC #54616 and Russians. All are in the prison camp fro opposing German Kultur! Unique! Est. $40-60 HWAC #53905 Lot# 2749 , Maps of Lot# 2745 , Turkey Two Natives: World & South Black & White RPCs of Bedouin America and Bisharin 1909. Please see 1867-1870 1) photo. Est. $40-80 HWAC #53904 Double truck, multi color lithograph, Map of the World on the Mercator Projection, Exhibiting Lot# 2746 , Virgin the American Islands Unusual Virgin Islands Jail Continent As Its Centre. Page Lock Unusual and #3. 15.25” x large jail key lock 23.5”.; 2) Single from St. Thomas page, multi color lithograph, Map of Brazil, Bolivia, Paraguay and US Virgin Islands Uruguay. Page #69, left hand side of map has Map of Chili and small c. 1930. Brass insets of Harbor of Rio Janeiro and Harbor of Bahia 12.5” x 15.5”; 3) coated front has Single page, multi color lithograph of South America, Showing Its several notations Political Divisions with small inset of New Granada, page #64; 4) including: Winter Single page, multi color lithograph of New Granada Venezuela, and Cruise 4-13-30, U. Guiana, with insets of Equador, Peru, Argentine Confederation, page S.Aircraft Carrier #66. 15.25” x 12.5”. Est. $200-400 HWAC #54241 Lexington, Among My Souvenirs, obtained from the City Jail St. Thomas V.I., Fred, Teddy and others. Lot# 2750 , Miscellaneous Foreign Rear inscription “To my good friend Bob...”. Lock is made by Chubb, Stereoview Collection Lot of 25 London.5.5” x 3.5”. Est. $150-400 HWAC #53649 stereoviews of art and scenery around the world. Includes c.1902 picture of Edward VII and Queen Alexandria; the Grand Opera in Paris; train in Siberia; cathedral and imperial palace in Russia; San Juan, Porto Rico; five with Asian writing on them; and others. Please inspect. (Prag Collection) Est. $50-100 HWAC #54753 Bid online at FHWAC.com or call 775-851-1859 149

Day 3 - Firearms & Weaponry Lot# 3000 Atlanta, Georgia Lot# 3006 , 1897 Winchester Daisy Air Rifle Advertising Bullet Board (1960s Repro) This Postcard Show s boy rowing spectacular framed bullet board from and a young girl shooting at the 1960’s is an official Winchester ducks. Colorful and in excellent duplicate of the rare 1897 condition. This was being sold Winchester bullet board sanctioned by Lowry Hardware Company, by Olin Industries. This is the rare 60 Peachtree, Atlanta, Georgia. version that had the flying geese Est. $50-100 HWAC #53955 pictured underneath the cartridges. The mare common 1902 bullet board was a corrected version with a clear picture of the geese flying. Wonderfully textured and an antique version of lithograph from 1897. Est. $200-400 HWAC #55326 Lot# 3007 , Reproduction Winchester Bullet Board This reproduction 1890’s Winchester Lot# 3001 , Nebraska “Chain bullet board reproduced by Olin Man” Dummy Revolver Postcard Corp. in 1974 is 23 in. X 16 in. A high quality bullet board would be a great “Dummy gun used by Fred Brown addition to your office or den. This “The Chain-Man” in attempted would be excellent for the antique outbreak September 28, 1928, Winchester collector. This 43 year Nebraska State Prison. Fred Brown old bullet board which is a fraction was a “notorious Omaha kidnapper” of the price of an original costing as much as $12,000-$15,000 dollars. and that he and another prisoner of the Nebraska State Penitentiary in Lincoln, Roy Smith, attempted to Extremely rare and out of production. Est. $100-250 HWAC #55329 break out of prison on September 28, 1925. Brown and a prison guard Lot# 3008 , . 50 caliber Poultney’s were killed. Smith and another guard were wounded. Postcard has metallic cartridges This is a sealed been seriously bent down the middle. Est. $40-60 HWAC #53951 (unopened) box of dated 1863 of 10 Lot# 3002 , Gun Makers of Poultney metallic cartridges for the America Post Cards, Stamps and Gallager’s breach-loading carbine and they are .50 caliber. An extremely Membership Card One Junior well conditioned packet of Civil War Membership card to the National ear carbine cartridges, unopened Rifle Association from 1938. Ten since 1863. Excellent display for a postcards from various American gun rare carbine. Breach-loading arms makers: Smith & Wesson, Winchester were a rarity during the Civil War. and Remington. Two stamps from Est. $200-300 HWAC #55271 Winchester and Hercules Powder Co. Est. $50-100 HWAC #52425 Lot# 3009 , .25 cal. Stevens rim- fire cartridges This gorgeous green Lot# 3003 , Three Advertising label two piece picture box of the .25 cards: revolver, knife and cutlery cal. rim-fire Stevens rifle cartridges 1) Portland Trolley. Good for March were produced by UMC before they 3-9, 1940. Celebrates the 104th anniversary of the revolver. 2) John were owned by Remington. These W. Beard with a knife pictorial Reverse shoes monkeys and a wringer copper cased were for the Winchester washer. Lawrence. 3) Charles Herder fine cutlery. Philadelphia. and Remington target rifles. These Business card size. Est. $50-100 HWAC #53590 rim-fire rounds look to be the long rounds as apposed to the Stevens Lot# 3004 , Powder shorts. They are black powder and in copper cases. A proper box of 50 Horn This powder horn rounds stamped rim-fire rounds. Est. $150-200 HWAC #55359 is a cow horn at 11 in. overall length. A staple Lot# 3010 , .25 at the bottom secures cal. Stevens Short a piece of leather strap. cartridges This is The plug is of pine and a “red label:”picture secured with a number box of the Remington of mass produced small UMC .25 cal. Stevens steel nails. The stopper plug is missing. Est. c. 1830-1840’s. Est. $50- Short cartridges. This 100 HWAC #49645 box was produced in the early 1890’s Lot# 3005 , .44 Remington and was specifically Magnum “Dirty Harry” Bullet adapted for the .25 Board This is a bullet Board with Stevens, Winchester, a variety of different .44 Magnum cartridges. There are six different and Remington single shot rifles. “These black powder cartridges cartridges ranging from bird shot to jacketed hollow point and a are carefully tested in all arms to this size. Their superior quality is narrative on the .44 Magnum round. A very nice display board for the guaranteed”. This round was meant to be the big brother of the .22 cal. collector of the .44 Great for a gun room display. Est. $100-200 HWAC targeting rifles and was specifically made for .25 cal. target rifles of the #46244 turn-of-the-century. Est. $180-275 HWAC #55356 150 December 1st, 2nd, and 3rd, 2017

Day 3 - Firearms & Weaponry Lot# 3011 , .30 caliber long Lot# 3016 , .44 cal. central-fire UMC cartridges A very early and Webley Cartridges A wonderful desirable Union Metallic Cartridge Union Metallic Cartridge Co. antique Co. two piece brown box of the .30 two piece box of .44 cal. Webley caliber long cartridge for pistol black powder cartridges from the revolvers such as the number 1 1880’s-turn of the century. The .44 Remington-Smoot. This is a 50 count cal. Webley rounds were used in the box produced approximately in 1873 British bulldog pistols as well as the in excellent shape for the .30 caliber Webley break-top .44’s. An excellent pocket revolver. Est. $275-350 HWAC #55376 piece of antique firearms history which would make a wonderful display and conversation piece for your Webley revolvers. Est. $400- Lot# 3012 , .32 cal. rim-fire UMC 500 HWAC #55353 cartridges A beautiful red label two piece picture box of 50 round Lot# 3017 , .44 Webley “.32 short”. This is an 1880’s box of center fire cartridges This very rare and desirable .32 cal. rim an early green label picture fire black powder pistol cartridges. box Winchester produced This box was made by Union Metallic .44 Webley center-fire Cartridge Co. many years before they cartridge. Early box of were bought by Remington. The early Webley .44’s used in the 1870’s five and six shot pocket revolvers in .32 caliber all used these British Bulldog .44s and the rounds. Early picture boxes are extremely hard to come by and black .44 Cal. Webley break-top powder cartridges in original boxes are extremely rare. This is a very revolvers. An early excellent nice gun room or den display box or 50 rounds. Est. $180-225 HWAC display box in excellent #55358 condition. Est. $500-700 HWAC #55372 Lot# 3013 , .32 Caliber extra long Ballard center- Lot# 3018 , .45 cal. Military Ball Ammunition This box of .45 cal. fire cartridges This is a pistol ball ammunition is a brown blue label two piece picture box of 20 rounds from either WW box of the .32 caliber extra II or the Korean War. It is marked long center fire cartridge. “caliber 45 M1911 ammunition lot The box is marked 18 W.C.C”. manufactured by the Western grains black powder 105 Cartridge Company. In as new condition. Est. $50-85 HWAC #55361 grain bullet. This rare two piece box came from the Lot# 3019 , 16 gauge Peters 1070’s-1880’s Ballard Victor shotgun shells This a target rifle. The extra long beautiful antique box of Peters cartridges were for targeting Victor smokeless rustless paper shot and hunting in the .32 Caliber Ballard. A wonderful early box for the Ballard rifle collectors. Est. $300-400 HWAC #55259 shells. This box is 25 rounds of very collectible 16 ga. antique shot shells. Est. $120-150 HWAC #55335 Lot# 3014 , .32 caliber Ideal central-fire cartridges This a rare green label two piece unopened box of .32 Lot# 3020 , 16 gauge Shotgun caliber center fire black Ammunition This is a box od antique powder rifle cartridges. Peters “Ideal” paper shot-shell loaded This is a special box and with bulk smokeless powder, 25 rounds. so marked. This would This is turn of the century box of original be a box for a specially paper shot cartridges. Est. $280-375 made target rifle of HWAC #55334 the 1870’s. A very rare sealed in unopened condition. Nearly 140 years old and looks as new. Est. $400-500 HWAC #55374 Lot# 3015 , .38 cal. Peters rim- Lot# 3021 , 56-56 cal. Spencer Civil War Cartridge This is an fire box This is a Peters cartridge original 56-56 cal. Spencer carbine company red label two piece cartridge vintage 1860’s. The Spencer picture box. The Peters Company carbine was one of the first repeating of Cincinnati, Ohio made these rifles of the Civil War era. This round “Swagged bullet” .38 cal. rim-fire is in perfect condition with enough black powder bullets for small pocket patination to realize that the case pistols in the 1870’s and 1880’s. is made of copper (not brass) and A wonderful display box of rare is a rim-fire. The bullet is 1.501 in. condition of a 50 count Peters head-stamped, copper case rounds. Excellent condition for its age. Est. $150-200 HWAC #55352 OAL. Found along the Snake River in modern times. This round and its rifle would have make its way West after the Civil War era. Est. $50-100 HWAC #51162 Bid online at FHWAC.com or call 775-851-1859 151

Day 3 - Firearms & Weaponry Lot# 3022 , Antique box of 12 Lot# 3027 , box of Peters High Velocity gauge Arrow ammunition This box 20 gauge shotgun shells This is a of Arrow antique “steel” lined shells very rare box of antique Peters 20 ga. is a two piece box. These shells were high velocity shot shells. A very colorful made for the Remington model 10 picture box in multi-colors of these long repeating shotgun. This box was sold range hard hitting shotgun shells marked by L. Mazzini Paint and Hardware with the new Peters crimp. 2 3/4 in. 1 oz. store in Alameda, Ca. 1950’s. A very of #7 1/2 shot. Mallard duck in flight logo. colorful box of collector quality Est. $50-100 HWAC #55341 shot gun shells. This box is uniquely marked for “ 28 grs. of Ballistite (powder) with 1 1/8 oz. of #6 shot. Est. $150-225 HWAC #55338 Lot# 3028 , box of Remington UMC New Club 12 ga. shotgun shells Lot# 3023 , box of 12 gauge This is a unique box of Remington Remington paper shotgun shells This New Club shells that are light to hold box of 25 12 gauge shotgun shells is because there are BLANKS! 12 ga. very marked “Shur Shot Shells” and “Sure attracdtive and colorful two piece box Safe Speedy”. This colorful box of made by Remington UMC early 19th Remington “Shur Safe Speedy” 12 ga. is Century. Est. $180-275 HWAC #55340 a very beautiful display box of original shells. Excellent condition two piece box marked 12 ga. 2 3/4 in. with #7 1/2 shot. Est. $180-275 HWAC #55339 Lot# 3029 , box of Western Field Lot# 3024 , box of Mallard Sport 12 gauge water-proo[ paper shotgun shells This is a beautiful Load 16 gauge shotgun shells This and rare two-piece picture box of the is a beautiful red and black picture box now defunct Western ammunition of sport-load 16 ga. shotgun shells. company of “field” loaded 12 ga. These were distributed by the Sears water-proof paper shotgun shells. and Robuck Co in the 1950’s. Marked 2 3/4 in. 1 oz. #7 1/2 shot shells. Est. Picture includes the bobwhite quail $50-75 HWAC #55346 in multi-color. Est. $100-200 HWAC #55344 Lot# 3030 , box of Western Super X 20 Lot# 3025 , box of Peters 12 gauge gauge shotgun shells This box of very colorful and rare box of Western Super X high velocity shotgun shells This Long Range Shot Shot String shot shells box of Peters high velocity 12 ga. 20 ga. box of 25. Marked 1 oz. #4 chilled smokeless shotgun shells is very shot. Est. $100-200 HWAC #55345 colorful with a mallard duck in flight. The box is marked for 12 ga. 2 3/4 in. 1 1/4 oz. #4 shot. Marked “Rustless”. Est. $60-120 HWAC #55342 Lot# 3031 , box of Xtra Range Lot# 3026 , box of Peters High Sport-load Shot shells This is a box Velocity 12 gauge shotgun shells of vintage 12 ga. shotgun shells with the goose logo. Very little information Very rare and very beautiful multi-color on the box; “ oversize primer, non- picture box of 12 ga. MAGNUM pre- corrosive, smokeless powder”. Yellow Remington Peters Co. box of antique and orange box. Est. $50-100 HWAC smokeless magnum shotguns shells. #55347 One of the earliest boxes of NON-3 in. magnum shotgun shells. Includes the mallard duck in flight logo. A beautiful display box for the shotgun collector. Est. $80-125 HWAC #55343 View High Resolution Images, Register, Place Bids, See Current Opening Bids Visit the online catalog at FHWAC.com 152 December 1st, 2nd, and 3rd, 2017

Day 3 - Firearms & Weaponry Lot# 3032 , Dominion Cartridge Lot# 3037 , Spencer .56-56 rim-fire .32 cal. center fire short Rare cartridges This is a two piece blue Dominion Cartridge Co. green label label picture box of the Spencer .56.- box of .32 cal. center fire black 56 rim-fire for the Spencer carbine. powder short cartridges. Dominion This rare box is from the early 1870’s Cartridge Co. was based in Montreal, -1880’s and is the largest of the Spencer Canada and rarely do you see two rounds made by the Union Metallic piece early black powder rounds Cartridge Co. An early Spencer carbine on the market from this company. picture box verses the later Spencer rifle The .32 center fire shorts were used in pocket revolvers of the cartridge box. The Spencer carbine was 1870’s-1890’s. In five and six shot revolver configuration. An excellent introduced during the Civil War and the display box for pocket pistol collections. Est. $120-225 HWAC #55357 rifle was introduced during the Indian Wars. This box was specifically for the Lot# 3033 , Monark trap shells U.S. Spencer carbine. Est. $600-700 HWAC #55371 Property marked This is a very colorful and unique box of 12 gauge trap shot shells Lot# 3038 , Union Metallic made for the U.S. Government in WW II. Cartridge .32 cal. extra long rim- These shell were used to train gunnery air fire cartridges This is an excellent crews (from the back of moving trucks) to green picture label and two piece box, hit moving targets set up by the Army Air of the very rare .32 cal. extra long Corps. Very rare and unopened low base black powder rim-fire cartridges. 12 gauge smokeless powder shells marked This box is from the 1870’s-1880’s “MTI21 MX equiv. 3 drams, 1 1/8 oz. #8 as noted by the UMC label before shot”. Est. $400-650 HWAC #55248 Remington Arms acquired them. This is an excellent display box of a very rare rim-fire cartridge that Lot# 3034 , Print of Breach- has of the proper head stamps and copper cases. These were rifle rounds used for targeting rifles and this box is extremely rare it is in loading Cartridges This spectacular “Breach-loading Small Arms for excellently rare shape. A wonderful display box. Est. $200-325 HWAC #55355 Metallic Cartridges” print from original figures by the noted authors Lot# 3039 , Western Cartridge Co. Norm Flayderman and Jack Malloy. .25 cal. Steven rim-fire This is a This wonderful rendition of breach- rare “red label” Western Cartridges loading carbines including the Henry Co. box for the “.25 cal. Stevens Short” rifle has 44 different models. 26 1/2 rifle. A two piece box of 50 rounds in. x 21 1/2 in. depicting each one by made especially for the Remington name and a desirable oval display. and Winchester target rifles. This Est. $100-250 HWAC #55330 is a smokeless cartridge. Early Lot# 3035 , Remington Arms 1930’s production, Stevens rim-fire Union Metallic Cartridge Co. .351 smokeless powder rifle rounds box. A rare round for a rare gun.Excellent self-load rifle rounds An early (1907-1917) brown Remington picture box of the .351 cal. “Self shape. Est. $50-100 HWAC #55362 Loading Rifle Smokeless” rifle rounds for the 1907 semi-automatic Lot# 3040 , .38 caliber Winchester .351 Winchester rifle. This rare two piece box has all of the proper automatic Colt cartridges This is a markings and is in fantastic shape for being 100 years old. For the turn-of-the-century two piece brown collector of the 1907 self loading semi-automatic Winchester rifle. A wonderful display box for your firearms display. Est. $80-125 HWAC picture box, made by Winchester #55351 Repeating Arms Co. for the Colt model 1900-1902 semi-automatic pistols. Browning designed the Lot# 3036 , Spencer .56-50 UMC first automatic Colt pistol for the model 1900 and 1902. These are cartridges This the Winchester brand .38 caliber two piece brown automatic Colt cartridges for those specific models. Extremely nice picture box of .56-50 and very early ox of 50. This is an unopened and sealed box. Est. Spencer rifle and $250-350 HWAC #55252 carbine model 1863 in .56-50 caliber is Lot# 3041 , 50 extra long Winchester rim-fire cartridges This is a rare and beautiful an early two piece box from the 1870’s. picture box of the This extremely rare .32 caliber center box was made the by fire black powder the Union Metallic cartridges. This Cartridge Co. and rare box is from thh specifically made for 1870’s-1880’s period the Spencer rifle and and is a .32 extra long carbine. Excellent target round. It is original 25 round 50 count and a very box would accent any rare round as well Spencer collection. The box is marked “model 1863 Spencer rifle”. Est. $600-700 HWAC as a complete box of #55266 cartridges. Est. $200- 300 HWAC #55257 Bid online at FHWAC.com or call 775-851-1859 153

Day 3 - Firearms & Weaponry Lot# 3042 , Winchester .25-25 Lot# 3047 , 12 gauge Winchester Stevens center-fire cartridges Super W Speed paper shotgun shells This box is a green label unopened This is a beautiful unopened box of original box of .25-25 caliber Stevens Winchester 12 ga. “Super W Speed” black powder cartridges. 86 grain “long range-short shot string” shotgun bullet 25 grains of black powder. shells. The box is marked as “Stynless” A rare cartridge in a rare sealed shot. This is a rare box of shotgun unopened cartridge box, 25 count. shells for the ammunition collector. 2 Est. $225-325 HWAC #55268 3/4 in. shot shells. Est. $80-125 HWAC #55336 Lot# 3043 , .44 Winchester Marlin and Remington Lot# 3048 , 12 gauge Winchester center fire rounds Super W Speed paper 3 in. shotgun This is a very rare shells This is another box of unopened 50 count box of .44 Winchester Leader Super W speed caliber Winchester long range short shot string shotgun center fire (.44-40) shells. This antique 4 1/4 dram 15/8 200 grain black oz. #4 shot. This is a beautiful box of 3 powder cartridges. in. shells for the ammunition collector. This early box from Est. $80-125 HWAC #55337 the 1920’s or earlier was made specifically for the Winchester model ‘73, Marlin lever action, and Remington repeating rifles. This is an early box of black powder round that was Lot# 3049 , .38 Short Rim-Fire by used in various firearms and made specifically for firearms produced Winchester This is an original green prior to 1900. Famous guns that would fire this round would be the label two piece picture box made by Winchester model ‘73 in .44-40 and early Colt single action chambered Winchester and labeled .38 short in .44-40 . A beautiful box of black powder .44 WCF (.44-40). Est. $300-400 HWAC #55265 rim-fire rifle cartridges. This looks to be an original unopened box of black powder short rim-fire cartridges used Lot# 3044 , Winchester .38 in both Winchester target rifles and five and six shot defensive revolvers Caliber Long rifle cartridges This of the day. Est. $225-325 HWAC #55377 is an early green label two piece unopened picture box from the Lot# 3050 , .41 Short Rim-fire 1870’s-1880’s era of the .38 caliber Winchester cartridges This a green rim-fire cartridge. This spectacular label two piece picture box from the and early box is dated Oct 24th, 1871 1870’s and dated as such Oct. 31st., “Stetson’s Patent”. This is a very rare 1871 “Stetson’s Patent”. This is an and unusual box dating back to the early and rare .41 cal. shorts and 1870’s the .38 rim-fire long was used although Winchester marks this as a primarily in Winchester single shot target rifle but was also used in rifle cartridge it was rarely used as the Colt 1851-1861 cartridge conversion models in rim-fire. Very rare such. Its more famous use was the box for both the Winchester and Colt collector. Est. $225-325 HWAC #55250 Remington model ‘95 double derringer. Many other defensive pocket pistol use this round as well as the Colt cloverleaf revolver, the Colt Lot# 3045 , .22 cal. long rifle single shot swing barrel revolver and the Moore pocket pistol. A very Winchester “Staynless Kopperclad” rare and early much saught-after box of Winchester .41 rim-fires. Est. cartridges This is a box of 50 long $500-600 HWAC #55256 range rim fire cartridges made by Lot# 3051 , Winchester “super Speed”. Both Winchester .41 Long “Staynless” and “Kopper clad”. This rifle cartridges This is is the original red yellow and blue a green label unopened Winchester box mad in the 1950’s two piece picture box to 1960’s. An excellent display box for the collector. Est. $20-40 HWAC from the early 1870’s #55363 of the Winchester .41 Long rim-fire cartridge. Lot# 3046 , .30 cal. M1 Winchester This box of .41 long DUMMY cartridges This is a two rim-fires was used in piece box of 50 rounds of Winchester Winchester targeting DUMMY cartridges. This is an “as rifles as well as .41 new” box of 50 rounds that would caliber defensive pistols such as the Remington model 95 double have been used for 21 gun salutes derringer. .41 long was the same diameter as the .41 short but with a and training for the M1 .30 cal. longer case and more powder for rifle projection. This time capsule of carbine. This box dates form the early a box is as rarity in unopened condition Est. $500-600 HWAC #55378 1950-1960’s. Est. $80-125 HWAC #55360 154 December 1st, 2nd, and 3rd, 2017

Day 3 - Firearms & Weaponry Lot# 3052 , Winchester .44 cal. flat Lot# 3057 , Winchester picture rim-fire cartridges This extremely box of .45 Colt A beautiful two piece rare and desirable green label picture box of .45 colt smokeless cartridges box of Winchester .44 flat Henry and a picture of a model 1917 double rounds is an extremely rare find. This action revolver. In .45 Colt caliber. two piece box is labeled “Winchester Rare and early box.Excellent beautiful rifle model 1866”. These cartridges box from the 1920’s. Est. $400-600 were used both for the Henry rifle HWAC #55373 and the model 1886 Winchester rifles and carbines; very rare in this condition as this two piece box shows Lot# 3058 , Winchester very little wear for being over 100 years old. This rare collectible is for Repeating Arms .56-50 the advanced Winchester collector to display with their highly saught- Caliber for Spencer This after Henry or model 1866 Winchester rifle. Est. $3600-4200 HWAC is an original green label #55349 two piece picture box of the Spencer .56-50 for the Lot# 3053 , Winchester .45 cal. Spencer repeating arm. Gatling Gun blanks This is an This box is from the 1880’s early box of Winchester Repeating and is head-stamped with Arms Co. black powder .45-70 cal. the “H” head-stamp and blanks for the model 1874 .45- is labeled Stetson’s Patent 70 Gatling gun. These beautiful Oct. 24th, 1874. A rare box brown box cartridges were meant for the Spencer collector. for training Gatling gun crews Est. $500-800 HWAC and military expositions. A very #55253 rare and desirable Winchester two piece box for the advanced cartridge collector and Gatling gun collector. Extremely rare and Lot# 3059 , early piece of American cartridge American Bulldog history. Est. $300-500 HWAC .38 Saturday Night #55350 Special American Bulldog 5 shot Lot# 3054 , Winchester .45-60 .38 caliber pistol. (Saturday Night rifle cartridges This is a beautiful Special) Double green label picture box from the action/ single action 1870’s-1880’s of the Winchester 5 shot revolver. 2” model ‘76 .45-60 cartridges. Original box of 20 rounds. Est. $200-400 Barrel. Beautiful HWAC #55370 hard rubber ‘Period’ American Eagle hard rubber grips. Est. $160-265 HWAC #39813 Lot# 3055 , Winchester 9 mm long shot cartridges These are Winchester 9 mm rim-fire shot shells. Lot# 3060 , A BRACE OF COLT’S One of the smallest shotgun shell 36 CALIBER 1862 POCKET NAVY/ calibers ever invented. These were POCKET POLICE The last of the produced in the late teens and 1920’s muzzle loading revolvers developed by Colonel Colt, the 1862 pocket for use in small caliber shotguns. As police and the 1862 pocket navy, first appeared in 1861, just month’s well as defensive pocket pistols of before the inventor’s death on January 10,1862. The silver plated grip the day. This beautiful early orange frames of these 2nd generation revolvers are identical, as are their two=piece picture box is extremely serial range, caliber(.36), shots (five shot, rebated cylinder) and barrel rare and would go perfect with any 9 length’s 5 ½”. The distinguishing characteristic of the 1862 Pocket mm shotgun or rim-fire turn-of-the-century pocket pistol Est. $200- Police are it’s fluted cylinder, round barrel and creeping load lever. 300 HWAC #55354 The 1862 Pocket Navy features a round cylinder, roll-engraving and Lot# 3056 , Winchester Model stagecoach holdup scene. Octagon barrel and hinged loading lever. Approximately 28,000 of the Pocket Police Model and about 47,000 of 1873 .44 WCF (.44-40) rounds This the Pocket Navy were produced from 1861-1873. They were originally is an extremely rare two piece box of offered in various barrel lengths but only 5 ½ were offered in the second year production Winchester 2nd generation production .These models are considered by many Repeating Arms Co. .44 WCF (.44- collectors as the ultimate in streamlined design by Colt’s factory in the 40) black powder cartridges. This percussion period. Many were later converted to cartridge use. This beautiful green label Winchester set of Colt pockets are in as new condition and the fit and finish on the picture box is a two piece box of the varnished wood grips and the blue and case are as spectacular as only second version of the model 1873 Colt can do. Original first generation Colt’s in this condition would be .44-40 cal. ammunition. It dates to approximately 1875. Excellent and five figures each. Here is a chance to own a beautiful set of rare Pocket extremely rare it is shown in the Winchester cartridge book as the Colts for a fraction of that. Est. $1500-2000 HWAC #46239 second version produced. These rounds were made for the Winchester model 1873 rifle and carbine. This box is in excellent, as new condition with “44 cal. Winchester C.F. model -1873” markings. Excellent display box for your deluxe Winchester or your One-of-One Thousand or One -of- One Hundred Winchester repeating rifles. Est. $1500-2000 HWAC #55348 Bid online at FHWAC.com or call 775-851-1859 155

Day 3 - Firearms & Weaponry Lot# 3061 , Cased Colt Lot# 3063 , Colt 1847 Walker 1849 Pocket Revolver and Signature series Cased Colt Walker.44 Accouterments Signature Series caliber percussion Revolver, Clint 1849 Pocket revolver and accessories. The Colt 1849 Pocket revolver Eastwood once said “The 44 magnum was the most powerful gun in was the smaller brother to the .36 Caliber 1851 Navy. It enjoyed the world” he said that in the”Dirty Harry” movie. But he was wrong the largest unit sales volume in the history of Colt’s percussion line. and he should have known better from”Outlaw Jesse Wales” that the No other percussion revolver made in America at the time could Walker Colt with a fully loaded 2 7/8” cylinder would shoot farther match the production record of the 1849 pocket. It was made from thru a 6x6 block of wood than a 44 mag. This gorgons Signature Series 1850-1873. 325,000 were made in the U.S. and 11,000 were made in Colt Walker is as beautiful a gun as Colt has ever made from 1836 till London. Barrel length varied from 3-6”, cylinders were either 5 or 6 today. The Walkers sell for over six figures at auction typically and this shots. Round trigger guards and .31 caliber were standard. A popular set is an exact reproduction , by Colt with spectacular fit and finish. defense weapon especially in the Gold fields of 1849 California. Period The frame is blue and case colored, the barrel, load lever cylinder, photographs of Civil War soldiers show them often with one tucked backstrap and trigger are highly finished and polished with that in their belt. Colt produced the Signature Series in the 1970s and beautiful Colt Blue that only Colt can do. The one piece walnut grips the serial numbers have continued in the original sequence. This is are wonderfully fit and finished. And the brass ,square back trigger a spectacular one time only production, by Colt, of this historic arm guard make this one of the most beautiful and historic guns Colt has and all its accouterments, all pieces have the Sam Colt signature in ever made. Accouterments include: A gold plated Walker powder flask, gold. Cased in a beautiful “COLT” embossed walnut case. This gun is A beautifully blued ,rare Walker bullet mold, a Walker blued nipple absolutely beautiful Blue and case colored with Silver plated back wrench /screwdriver, a cap tin all signature in gold ”Sam Colt” Along strap and trigger guard. Est. $1000-1500 HWAC #45763 with a story board about Sam Colt and Samuel Walker’s collaboration of the production of the gun. As a bonus the owner has included a once ounce bar of Silver with a Walker Colt embossed on it. A rare and beautiful cased set Walker made by Colt and not to be produced ever again. Est. $1400-2000 HWAC #45765 Lot# 3064 , Colt 1851 Navy Square Back Trigger Guard This Spectacular signature series Third generation (1994-2003) were the among the finest guns Colt ever produced. This Model Navy ,36 caliber, features the early square back trigger configuration that is sought after by collectors and its un- fired condition insure it will hold it value as an investment. This gun features the deep Colt blue on the barrel cylinder ,trigger and wedge as well as the wonderful case colored frame, hammer, and load lever. Topped off with the original style silver plated backstrap (with the “Sam Colt “signature) and silver plated trigger guard and exquisite one piece fitted burl wood grips. All in All a wonderful piece of superbly made Colt weaponry that is worthy of any colt collection. Unfired and Original Comes with nice display plaque. Est. $900-1200 HWAC #46240 Lot# 3065 , Colt Model 1855 ”Root” Side Hammer Pocket Revolver Colt Model 1855 Root Revolver, although invented by Sam Colt, was named after Colt designer Elisha K. Root. This percussion pocket revolver is a Model 5 31/2” round barrel of which only 5500 were made between serial # 2401-8000. This revolver is in the 59xx range. This was the only solid frame revolver sold by Colt at the time and over 40,000 of Lot# 3062 , Colt .45 caliber Frontier double action model This them were produced between 1855-1870. This is the fluted cylinder wonderful piece is the Frontier model 1878 large frame, double- round barrel 31 caliber model. This rare and beautiful piece retains action, .45 Colt with birds-head grip. This 5 1/2 in. .45 was made in 70% of original bluing with 90% original varnish on the one piece 1886 and retains 85% original Colt bluing with polished sides of the walnut grips. Included with this Colt Root revolver is the original and hammer with top and back retaining 85% Colt niter bluing. Also, niter extremely Rare Civilian brown leather flap holster with sewn end bluing is also identified on the trigger and loading gate as well, which plug. The holster alone is even more rare than a cased root revolver. A accents the overall bluing of this fine piece. All model ‘78s except for wonderfully preserved time capsule of Colt pre-Civil War gun making the Sheriff’s model were equipped with a military lanyard loop at the art. Est. $2500-3200 HWAC #45766 bottom of the grip. Also, the ‘77 and ‘78 model Colts, double-actions were the first to introduce a cylinder pin spring button release which was not introduced on the single action Colt revolvers until 1896. The grips are hard rubber with fine checkering with the embossed Colt logo and the beautiful “V” at the butt of the grips. The bore is extreme mint. This gun has incredible metal to metal fit. In this age of High Resolution CNC machining; this gun would surpass any firearm made today. The fit and finish is extremely tight. Included with this firearm is a Colt Images of ALL LOTS historical letter, verifying its proper configuration and stating that the gun was shipped to San Francisco, Ca. March 1886. The factory letter available online at also states that it was returned to the factory April 12th, 1886 and was then included with a shipment of three guns to Schoverling, Daly and FHWAC.com Gales in New York City, New York on July 18th, 1886. A fine addition to any fine Colt revolver collection for a wonderfully original and historic model ‘78 Colt .45 cal. in outstanding condition for a 131 year old revolver. Est. $3500-5500 HWAC #55308 156 December 1st, 2nd, and 3rd, 2017

Day 3 - Firearms & Weaponry Lot# 3066 , Colt Nickel Plated Lot# 3068 , Engraved 1st 1860 Army Spectacular Nickel Generation Black powder plated Signature Series Cased 1860 Frame Colt 45 An absolutely Colt Army revolver. A fabulous and rare early 4 screw 1860 Army beautiful Helfrict/Nimschske style professionally engraved early revolver with all the accouterments also signature of Sam Colt. The model 45 Colt Peacemaker. This is an 1873 Colt single action army revolver ,powder flask, bullet mold, nipple wrench, and cap tin are all shipped November 16th 1876 to Spies Kissam and Company New signature “Sam Colt” and the beautiful walnut case is embossed “Colt” York(COLT Factory Letter Included). This gun has been restored case has the old time skeleton key lock. A little history:After a failed and professionally engraved, most likely by a Master Engraver with attempt at modifying his third model Dragoon to make it lighter and the Firearms Engraver Guild of America (FEGA). The engraving is easier to handle Colt combined the frame of his ’51 Navy with the .44 a beautiful floral scroll engraving with beautiful stippling shading caliber dragoon and a new smoother light weight barrel and cylinder that requires many hours of work by a Master Engraver. It also has a assembly to create the highly successful 1860 Army Model.The first wonderful deep blue and polished finish with a polished and blued of these shipped from Hartford has fluted cylinders 7 ½ “barrels and early 1st generation original hammer. These early Colts were almost a Navy size grip. The gradual improvements were an 8” barrel with a always blued with 7 ½ “barrels and one piece wood grips, only special larger Army size grip so gloved Calvary could better handle, non fluted order deluxe guns were engraved with special finishes. This Colt cylinder and a four screw configuration allowing for a shoulder stock Peacemaker has professionally fitted and polished bone grips that as this nickel example has.The 1860 Army has been said to be the accent the engraving excellently, This gun has been updated with a 2nd most beautiful design of all of Colts firearms. This beautiful example is Generation 45 Colt 5 ½” barrel and 2nd generation 45 Colt cylinder, the epitome of beauty, rarity,(very few nickel 1860 Army’s were ever which updates this gun to modern gun standards and ,although not produced ,thought to be special order only. This arm reigned king in recommended ,could be fired with modern Cowboy Action loads with both the military and civilian frontiersman until the introduction of reduced barrel pressures and are meant for early or restored 19th the 1873 Single Action Army Colt Peacemaker. Est. $1200-1800 HWAC century firearms (have the arm inspected by a professional gunsmith #45764 before attempting to fire this are at the range ,not recommended.) and overall masterpiece of gunsmithing and the Gun Engravers Art. A one of a kind, specially made Colt Peacemaker that would be the crown jewel of any Colt Collection. FFL OR C&R REQUIRED NOT TRANSFERABLE TO ALL MUNICIPALITIES CHECK YOUR LOCAL ORDINANCES. Est. $4500-7500 HWAC #45756 Lot# 3069 , French Traveler’s Pistol This is an exotic double barrel French traveler’s pistol. Both barrels are exquisitely gold inlayed at .52 Lot# 3067 , Colt Thunderer .41 cal. Revolver This beautiful Colt cal. with percussion ignition c. 1830’s. This pistol is attributed to M. revolver is chambered for .41 cal. and is the bird’s head grip model Dufour of St. Etienne, France and without any markings. The barrels 1877 Thunderer. There were three models of this gun in various barrel are 15 cm. long and the gun is 29 cm overall length. The barrels are lengths. There was a more common .38 cal. Long Colt known as the steel with gold inlays; the stock is walnut with sterling silver wire Lightening. The .32 cal. Long Colt known as the Rainmaker and this inlays. All other hardware are steel such as the butt-plate, trigger- model the largest caliber .41 cal. Long Colt known as the Thunderer. guard and ramrod ferrels. This fabulous pistol was made by a Master This beautiful revolver known as the 1877 model Colt double action Gunsmith when viewing the silver inlay work, mortises for the trigger- revolver was Colt’s first attempt at a double action revolver. Highly guard and ramrod ferrels; all expertly inlet and mortised. A finial at successful, these guns were produced from 1877 through 1914. the tang is exquisitely executed. The end cap is made of bone. The This gun is 80% all original nickel with untouched hard rubber Colt ramrod is present with a horn tip and some repairs may be needed. medallion bird’s head grips. This gun has a niter blued hammer There are triggers for each barrel. At .52 cal. this gun would have been with polished sides as original; a niter blue trigger and niter blued a handful to hang onto when fired; which is not recommended today screws. It is in the very rare 5 in. barrel length ejector model and is although the gun is in fine working order. One feature is that the gun mechanically perfect with tight lock-up and excellent single-double has lock safeties for each hammer. action mechanics. This gun is S/N 714XX made by Colt in 1888. This gun is an antique and no attempt has been made to fire this gun This gun is an antique and no attempt has been made to fire this to confirm it’s mechanical integrity; nor should this gun be fired. gun to confirm its mechanical integrity. Nor should this gun be fired Any attempt to fire an antique gun is at the risk of the owner and without the examination by a qualified gunsmith. Any attempt to fire not consistent with the value of the firearm. Est. $2500-5000 HWAC an antique gun is at the risk of the owner and not consistent with the #55317 value of the firearm. Est. $1500-2250 HWAC #55365 Bid online at FHWAC.com or call 775-851-1859 157

Day 3 - Firearms & Weaponry Lot# 3070 , Rare Lot# 3073 , Protector Palm Pistol Flintlock Pistol A In the 1890’s the Chicago Arms Co. VERY RARE FINE contracted with the Ames Sword QUALITY IMPERIAL Co.(The Largest American Manufacturer of military swords) in RUSSIAN FLINTLOCK Chicopee Falls, Mass., to make 12800 of these pistols. This .32 caliber HOLSTER PISTOL, blackpowder cartridge seven shot pistol fires a short rimfire round. ca. 1740: This The circular shape allows concealment within the palm of the hand. “Tula” type French The trigger cocks ,revolves and fires in one action. The squeezer type Inspired design action works well with the rotary chamber. The finish was nickel has silver and gold plated. Hard rubber grips were standard. Side plate markings show; decorations on the “CHICAGO FIREARM CO.CHICAGO” and “THE PROTECTOR”, with barrel, mounts and patent dates of “MCH 6. 83. AUG29.93” overall length is 5” with 1 ½ “ lock. It is in overall rifled barrel. It weighs 12 ounces. Est. $1000-1800 HWAC #45772 fine original flintlock condition. The barrel Lot# 3074 , Smith & Wesson is round tapered Model 1 Seven Shot Revolver In with a wedding- 1857 ,The Model 1 was the very first ring cannon-turned patented American Cartridge firearm to appear on the market.This muzzle at .60 cal. was a very significant development as this was the very first American smooth-bore, 8 1/4” Revolver to use more than one self - contained metallic cartridge length. The original ,the .22 short rimfire. The compact size of the Model 1,seven round Flintlock mechanism capacity and easy breaktop reloading made this revolver an instant still functions success,especially popular with soldiers during the civil war and with perfectly and the rock is held with both red felt and sheet lead. This individuals traveling west. 115,000 were made until 1868. Smith lock also has a WATER-PROOF pan that (in theory would fire upside and Wesson captured the cartridge revolver market using the Rollin down and under water). The original hammer has matching engraved White patent until the Colt 1873 Single Action Army Peacemaker. This surfaces with finely gold wash. The straight-grained Walnut stock revolver was lettered through Roy Jinks and records show it was is relief carved in baroque and foliate design at the tang. A chased shipped from the factory April 9th 1864 to J.W.Storrs, New York City engraved trigger-guard is beautiful with precise mortise outline in the N.Y. Smith &Wesson’s sole agent from 1856 to 1869. This wonderful walnut. The two screw mounted side-plate is chased and not engraved arm has original Blue barrel and cylinder with Silver plated receiver for a beautiful three dimensional relief as well as the butt-plate and and original varnished rosewood grips A fantastically original and owner oval at the wrist. Of all very fine overall condition. A fine high historic revolver Est. $1200-1800 HWAC #45769 quality example of antique craftsmanship at its finest. The overall length is 14 1/2 in. Est. $4000-7500 HWAC #55319 Lot# 3075 , Smith and Wesson 1 1/2 .32 cal. Revolver This is nice Lot# 3071 , Harper’s Ferry example of the Model 1 1/2 Revolver Flintlock Model 1805 Pistol This with standard blued finish and is an exquisite replica marketed by rosewood grips. Once produced by Colt and produced by Pedersoli Firearms Co in 1999. The Harpers Smith and Wesson from 1868-1875; Ferry Model 1805 was the first pistol requested by the new American this was the firm’s best improvement Government and it’s purpose was to arm the Navy. The original for the .32 rim-fire tip-up. It has the order was for 4096 pistols over a span of 1806-1808. The pistol was more stylish stream-lined barrel, named after one of the most picturesque villages in Virginia, where fluted cylinder, and birds-head grips. the national armory and arsenal were built. It was destroyed during The overall condition is exceptionally the Civil War. The wooden stock is made of select walnut.Standard bright original blued finish at 96% lock markings ahead of the hammer include a spread eagle and shield overall appearance. Many have not over “US”It is marked vertically at the rear; “HARPERS/FERRY”, over survived with consistent bluing like this one. The hammer, ejector pin, a date of manufacture. Marked on the barrel ,at the breech are serial and trigger still show most of their original case colors. The Rosewood numbers eaglehead cartouche and “P” proof Inspectors markings on grips are untouched and still retain 85% original violin varnish. Very the left side of the stock are near the sideplate. The barrel is polished good condition of screws and pins throughout. The barrel is nice and the lockplate is case hardened.the original pistol was .54 caliber and tight to the frame and the action functions flawlessly. A very nice with a smooth bore ,10 1/16” round barrel. Total length is 16” and bright shiny bore. This is one of the finest examples of a S&W 1 1/2 in weight is 2.42 lbs These pistols were issued in pairs with the same all original condition. Est. $700-1200 HWAC #55367 serial number. Excellent as new with display board and narrative . Est. $200-400 HWAC #46242 Lot# 3076 , Tiger-stripe Maple Kentucky Pistol This Kentucky Lot# 3072 , Kentucky Flintlock .45 pistol is believed to have been made Caliber Pistol This Replica Flintlock in the 20th C. as a re-en-actor’s pistol was a classic American hand belt pistol in percussion ignition. gun for soldiers and American pioneers during the Revolutionary This 12 in barrel,31 caliber pistol War Flintlock pistols remained popular until the invention of the was the perfect backup gun for the percussion cap about 1830.This replica is the exact same one as put famous Kentucky Rifle of 31 caliber. out by the Colt Firearms Company. This beautiful piece was made The barrel is actually an original by the Armory of David Pedersoli of Brescia Italy A wonderful, exact shortened long-gun barrel; reused replica in fit and finish of the original Kentucky flintlock pistol. Est. for this pistol application judging $150-300 HWAC #46235 from the very slow rate of twist in the rifling. It is marked “SJ” on the top flat of the barrel. This gun is a marriage of parts from a doner gun and crudely reassembled. The lock and barrel are both engraved but not by a Master. The front blade brass sight is installed backwards to eliminate catching on the re-en-actor’s belt during retrieval. The stock is finely striped natural maple wood. Est. $100-250 HWAC #45732 158 December 1st, 2nd, and 3rd, 2017

Day 3 - Firearms & Weaponry Lot# 3077 , U.S. ARMY JOHNSON Lot# 3079 , Unmarked Lefaucheux MODEL 1842 PERCUSSION PISTOL 6 shot .32 cal. pistol This pocket U.S. Army model 1842 blackpowder pistol is a 6 shot .32 cal. pin-fire percussion pistol made by Ira.N. Johnson in 1854, 10,000 were made revolver with a 3 1/4 in. barrel. It is between 1852-1855 at the Palmetto Armory in Columbia South believed to be a Lefaucheux Belgian/ Carolina.A 54 caliber smooth bore single shot with an 8 ½ “ barrel. French made revolver dating from Inspectors initial “JOB” AND “P” for Palmetto. U.S. marked above post civil war 1860-1870’s. The front inspectors initials. AA single brass blade front sight with a walnut sight and ejector rod are missing. stock is ¾ length, 11” long with inspectors initials stamped on the left The right side barrel is marked with side. It has a swivel type ramrod with button shaped head . the gun is an “M” under a star and on the left finished with visible inspector cartouche on the left side . An excellent side of the frame is an “F” under a Johnson U.S. pistol in extremely good shape worthy of any high end crown for proof marks. The finish is collection. Est. $1500-2500 HWAC #45768 a patinated brown where the metal fit is excellent at the loading gate and the grips are of walnut. There are also 8 kill marks on the right grip. There is no trigger guard on the gun because it has a folding trigger. This is a double action gun but is in need of mechanical work as the cylinder stop does not work. This gun is an antique and no attempt has been made to fire this gun to confirm it’s mechanical integrity. Nor should this gun be fired without the examination by a qualified gunsmith. Any attempt to fire an antique gun is at the risk of the owner and not consistent with the value of the firearm Est. $200-400 HWAC #51143 Lot# 3080 , Southern Derringer Brown Manufacturing Co. and Merrimack Arms Co. of Newburyport Mass, produced about 16,500 of these single shot .41 rim fire caliber black powder derringers from 1866-1873.The octagon barrel is 2 ½ “ long and pivots to the right side for loading .Barrels were blued and brass frame versions were usually silver finished. They had rosewood or walnut grips, this one is rosewood. ’SOUTHERN’ is clearly marked on top of the barrel. The side of the barrel is marked;” MERRIMACK ARMS &MANUFACTURING CO/NEWBURYPORT, MASS/PAT. APRIL 9, 1867”. Condition is fair considering it’s age, bore is fair. Action functions well. Overall a nice piece of Americana from the civil war era. Est. $350-750 HWAC #45773 Lot# 3081 , Remington –Elliot Lot# 3078 , U.S. Army Percussion Pistol Model 1842 This is a Model 1842 Army pistol made at the Palmetto Armory in Columbia, “Pepperbox Derringer The Elliot South Carolina. This piece is dated 1849 on the tang. The gun has an Derringer A.K.A. “Pepperbox” was 8 1/2 in. round smooth bore barrel with attached ramrod swivel. The made by the Remington Arms Company. This small .22 rim fire pistol lock is a factory replacement G. Goulcher percussion lock that fits was their “New Repeating Pistol” (Elliot’s Patent) No.2” Over 50,000 the original lock mortise well. All hardware on the gun is brass that were made from about 1863-1888. This 5 shot pistol has a stationary includes the single barrel band, trigger-guard, side-plate, back-strap 5 shot fluted barrel cluster with revolving ring type action. The barrel and butt-plate. This gun is beautifully cartouched with a number of group tilts up for loading and extracting. The grips are hard black U.S. Ordinance Inspector’s markings on the walnut stock. The barrel rubber. The frame was blued and the barrels were nickel-ed. The serial is marked “P” (Palmetto), “NWP” (Nathum W. Patch) all under “US”. numbers are on the bottom of the barrel inside the frame. This was a The stock is marked “WAT” (William Anderson Thornton) and “JH” very popular pistol. Most pistols of this type were sold by Remington. (John Hannis) in two separate cartouches on the left side lock mortise This pistol functions well and is in original condition Est. $1200- area. These men, all U.S. Ordinance inspectors, lived long productive 1800 HWAC #45775 lives in American firearms history. The letter “H” is also stamped on Lot# 3082 , Remington “New the side-plate and barrel band combination and on the forward tang of the trigger-guard by a sub-inspector indicating that the gun was Model’1863 44 Caliber Army repaired at some point in its military history. This gun would make a Revolver A spectacular totally handsome addition to anyone’s gun collection of American military original New Model 1863 Army Revolver. Looks to be rarely ,if ever, firearms. This gun is an antique and no attempt has been made to fire fired . 99% original bluing with original left side cartouched oiled this gun to confirm it’s mechanical integrity; nor should this gun be grips. The grips are in extremely original un- marred shape. The fired. Any attempt to fire an antique gun is at the risk of the owner and Remington New Model revolvers were produced between 1863- not consistent with the value of the firearm. Est. $1000-2000 1875, with an estimated production of 122,000. The .44 caliber,6 HWAC #55318 shot ,8” barrel, percussion revolver was one of the major handguns of the Civil War and was a stiff competitor to Colt’s 1860 Army revolver. It featured low hammer spur and safety notches on the cylinder shoulders between the nipples. These safety notches provided a safe Register, Bid, resting position for the hammer nose when the arm is fully loaded, uncocked and not in use. The barrel markings show “PATENTED & view current bids at SEPT.14,1858 E.REMINGTON & SONS, ILION,NEW YORK,U.S.A. NEW MODEL” 109811 New Models were sold to the U.S. Government from FHWAC.com caliber revolvers. The famous showman William F. “Buffalo Bill” Cody 1/5/63 to 3/23/65. The New Model was the last of Remington’s .44 carried a new New Model Army for buffalo hunting and during the Indian Wars. He once said ”It Never Failed Me”. I doubt you will ever find a Remington 1863 New Model Army Revolver in as new original shape as this fine example Est. $4500-5500 HWAC #45767 Bid online at FHWAC.com or call 775-851-1859 159

Day 3 - Firearms & Weaponry Lot# 3083 , Remington model #95 Lot# 3086 , double derringer This is a Remington 1869 Sharps model #95 double derringer chambered Long Range Rifle for .41 cal. rim-fire short black powder. A J.P.LOWER The barrel is marked “REMINGTON ARMS- marked Sharps U.M.C. CO. ILION, N. Y.” S/N L64X c 1860- 45-110 Caliber 1935. Original blued now patina frame and black powder barrels with Remington semi-beefed hinges cartridge classic according to Drummand. Barrels have a sharps rifle. nice clean bore. Black powder antique. Est. A military/ $750-1250 HWAC #49616 civilian 3 barrel band long range Sharps rifle that was found by Mike Star, the original Lot# 3084 , Remington- owner in 1900. Star was born in 1833 and Star is the grandfather of Smoot #3 Birds-Head .38 the current owner. A complete history of the gun comes with the gun. This beautiful piece is marked; Old Reliable” in script and “Sharps cal.rim-fire Revolver This Rifle Co. Bridgeport, Conn.” In block letters on the barrel forward spectacular revolver is a rare of the ‘R.S. Lawrence’ ladder sight calibrated to 800 yards. Forward Remington-Smoot five-shot of the sight, between the receiver and the sight on the barrel is; J.P. .38 cal. #3 revolver. C. 1870’s. It is 100% original nickel LOWER CAL.45”. Above that is stamped; “2 7/16” denoting “45-110” and doubtful that it has ever Caliber. On the left receiver below the hammer is stamped “SHARPS been fired. The hard rubber RIFLE CO PAT APR 6 1869” in a two line address. John Pray Lower was a gunsmith born in 1833 Philadelphia. He apprenticed with gun grips are checkered and crisp dealer /trader J.C. Grubb. He worked with him abroad and throughout as brand new. The barrel is the U.S. He owned a gun shop where he sold guns and ammunition as marked “E. REMINGTON & well as fishing and camping supplies. He primarily was a gunsmith SONS _ ILION _ N. Y. PAT. W. from Denver Colorado and he had a contract with the Sharps Company, S. SMOOT _ OCT. 21_1873_”. among others, to handle, repair and sell Sharps rifles. He died in The finish on this revolver is 1917 This rifle was most likely a 45-70 Government caliber as to the superb and shows very little wear; mirror finish would be an accurate description for the barrel and cylinder. All screws are factory blue configuration of the stock and was custom enhanced by J.P.Lower to and the grip screw retains all of its niter finish. This is (probably) the be re chambered for the Sharps Buffalo round of 45-110 caliber black best original Remington-Smoot revolver in existence. The lock-up on powder cartridge, most likely a paper patch round. This gun also has an improved J.P.Lower blade front sight. This gun has excellent bore, the cylinder is as tight or tighter than most present day revolvers. nice furniture, and excellent working action. The rear military lanyard The sound of the hammer when pulled and the cylinder lock-up is has been professionally removed, conducive of a civilian arm. The right unmistakably beautiful. side stock has the steel patch box used on earlier percussion sharps This gun is an antique and no attempt has been made to fire this and carried over to the “74” model’ an excellent working piece of gun to confirm its mechanical integrity. Nor should this gun be fired classic American history that is reminiscence of fine American large without the examination by a qualified gunsmith. Any attempt to fire caliber and long range rifle history. Est. $4000-7500 HWAC #45759 an antique gun is at the risk of the owner and not consistent with the value of the firearm. Est. $1000-1500 HWAC #55366 Lot# 3087 , Christoph Suhl Combination rifle/ gun This Christoph Funk rifle combination shotgun is chambered for 2X16/65 and 9.3 mm X 72R. The serial number is 1679X estimated date of manufacture is in the 1880’s. This is an antique Black Powder gun. The LOP is at 13 5/8 in. to the front trigger and the barrels are at 70 mm in length. The C. Funk gun is known as the Mercedes of hunting guns in Germany. This gun features a horn lever for break-action and a horn semi-pistol Lot# 3085 , Remington Cape Gun This is an absolutely beautiful grip as well. The barrels are richly patinated brown with gold inlay to and rare double barrel cape gun with a set of 30 in. barrels. One is highlight the Funk name and with two silver bands at the breach. This a 28-32 gauge shotgun and the rifle barrel is .36 caliber. It has an is a hammer gun with two triggers. The trigger for the rifle (RT.) side is absolutely beautiful shotgun bore with a choke and the rifle barrel adjustable. The stock is an exotic European wood with handling marks. has seven lands and grooves twist bore that is perfect. This piece has An exquisite example of German ingenuity and manufacturing. Est. a rare single set adjustable trigger with a trigger guard pistol grip and $1800-3000 HWAC #55321 finger piece. It has an original barrel length ramrod and also features a Kentucky rifle style straight stock. The stock is a crescent butt piece that covers both the top and bottom of the stock similar to a Schutzen Lot# 3088 , Henry Display Gun and a brass batch-box on the right side. The back-action lock side- This vintage mule saddle pack with plates have panel scenes engraved of a dog and flying geese in the desirable rear slanted “ex-brace” is forest. This scene is engraved on both locks as well as scroll engraving very old from the 1870’s to 1880’s is of both hammers. The gun has German silver barrel release wedge and set up as a rifle rack with a working forend cap. This rare piece is mentioned in the “Remington Historical non-firing exact replica of an 1860 Treasury of American Guns’ by Harold Lesley Peterson and although Henry rifle. The Henry rifle looks to it is not clear that he is speaking of this particular gun he mentions be a 1960’s movie prop gun. Beautiful the rarity of this type. This beautiful one-of- a-kind cape gun has for the office, den, or club house. Est. individual sights for each barrel plus a set of master sights for both $400-500 HWAC #55325 barrels. An excellent rare percussion gun. Est. $3000-5000 HWAC #55364 160 December 1st, 2nd, and 3rd, 2017

Day 3 - Firearms & Weaponry Lot# 3089 , Mauser model Argentina 1891 made in Berlin This Mauser 7.65 X 53 cal. Mauser model 1891 is of early production by Deutsches Waffen und Muniton (DWM) for the Argentina contract. A beautiful bluing overall with niter blue accented parts and polished bolt with excellent furniture. This low serial numbered Mauser has seen very little use and it shows. The long range sight is in excellent as new condition. S/N S286X. FFL OR C&R REQUIRED. NOT TRANSFERABLE TO ALL Lot# 3093 , Browning Auto-5 12 ga. Shotgun vin. 1903 This is MUNICIPALITIES. CHECK YOUR LOCAL ORDINANCES. Est. $500-750 HWAC #49627 your chance to own a piece of American history. This Browning A-5 shotgun was one of the first automatic shotguns working on the Lot# 3090 , Western Field model Browning inertia principle S/N 302 built in the first month of the first 31 patent applied for .22 cal. Rifle year of A-5 production in 1903 in Belgium. This shotgun is marked as Browning Automatic Arms Co., Ogden, Ut.; John Browning’s original This is a well made Western Field .22 home state. The stock is straight- without a pistol grip as in European cal. tube fed Antique bolt action rifle. style. It is in 12 gauge and thought to be full choked. This is the first The Western Fields were trade-name Browning patent not accepted by Oliver Winchester which forced guns that were usually produced by John Browning to go to Europe to have someone build his ingenious Marlin or Remington for large store outlets such as Sear & Roebucks. automatic principle firearm. Does not have smokeless proof marks. Excellent target rifle for young shooters or experienced .22 cal. FFL or C&R are REQUIRED, NOT TRANSFERABLE TO ALL target shooters This particular rifle has an adjustable buck-horn rear MUNICIPALITIES. CHECK YOUR LOCAL , ORDINANCE BEFORE sight and an ivory bead front sight. It is a take-down model and fires BIDDING. Est. $500-1000 HWAC #51149 modern .22 cal. long rifle ammunition. “Condition”: excellent bluing on the barrel, tube and receiver. It has nice case hardening on the knurled bolt and trigger, and has a steel butt-plate with nice wood attributes, Lot# 3094 , Harrington & Richards semi-pistol grip with grooved front fore-stock. Excellent for shooter deluxe topper model M48 .410 cal. and collector of .22 cal. rifles. c 1940-1950’s. Shotgun This H & R deluxe topper FFL OR C&R REQUIRED. NOT TRANSFERABLE INTO ALL .410 shotgun has a 28 in. tapered MUNICIPALITIES. PLEASE CHECK YOUR LOCAL ORDINANCES. Est. choked barrel. It is a .410 break- $100-200 HWAC #49626 action barrel shotgun. The receiver is nickel plated, blued barrel and barrel release with case hardened rebounding hammer. The bluing and nickel are in excellent shape. It has a rear sight groove and muzzle bead front sight. This has a semi-deluxe pistol grip and widened fore grip with factory painted black furniture. Excellent H & R logo’ed hard rubber butt-plate. It also has an ambidextrous barrel release for left handed and right handed shooters. A well balanced professional long range single shot .410 shotgun. S/N J697xx FFL OR C&R REQUIRED. NOT TRANSFERABLE IN ALL MUNICIPALITIES. CHECK YOUR LOCAL ORDINANCE FIRST. Est. $100- 200 HWAC #49632 Lot# 3091 , Winchester Model 71 chambered in .348 cal. This remarkable Winchester model 71 is a standard first year production Lot# 3095 , L.C. Smith 20 gauge S/N 68X. The model 71 in .348 cal. was made between 1936 and 1958 shotgun SXS This is a wonderful with some prototypes made in 1935. This beautiful gun has rarely and rare 20 ga. L.C. Smith field grade shotgun. It was built in 1924 according to factory records. It is a fine if been fired and has all original bluing throughout with a scalloped specimen of the L.C.Smith shotgun line in a rare bore size and length. metal butt-plate and unmarred original standard wood furniture. It is a 16 gauge SXS shotgun with 30 in. barrels which makes for a very The .348 cal. was meant to replace several other Winchester calibers hansom looking gun. The S/N 6501X is stamped on the water-table as such as the .33 Winchester and the .405 Winchester among others. well as the on the fore-end hardware. The left bore measures .614 in. The model 71 was a new and improved Winchester model 1886 while the right bore measures .617 in. The underside of the barrels are with a more refined bolt locking system which used a lever instead marked “Armor Steel”. The overall length of the gun is 46 1/4 in. and of a bolt to lock the chamber before firing. This could be considered the best model 1886 Winchester ever made.The .348 cal. round was LOP is at 14 in. The water-table is marked 6501X Frame size at “00”, an improved 50-110 express round in that it used a .50 cal. casing “ Pat’d JULY 13, 86 and Pat’d OCT 5-86”. The rib is marked “Hunter necked down to a .35 cal. projectile using smokeless powder instead Arms, Co. Fulton, New York”. This gun features double triggers, a splinter fore-end, a semi-pistol grip, and a hard plastic butt-plate. The of black powder. The pre-war model 71’s are considered the premiere barrels are fully blued and retain most of the original appearance for production of the 71’s. This particular rifle is one of the earliest in the color and polish. There are several minor dents in the exterior; one on production line, made in 1936, and is in “as new” condition. For the the left barrel, and two on the right barrel. All dents are not visible on collector: a very rare piece of Americana. For the shooter: an excellent the interior of the bore. Craftsmanship on these barrels are unmatched light weight big game firearm. by today’s craftsmen. The locks were originally case-hardened but FFL OR C&R REQUIRED. NOT TRANSFERABLE TO ALL MUNICIPALITIES. PLEASE CHECK YOUR LOCAL ORDINANCES. Est. now patinated grey with the L. C. Smith name prominently marked on $1000-2000 HWAC #49624 each lock-plate. This gun is an antique and no attempt has been made to fire this Lot# 3092 , American Gun Co. New gun to confirm it’s mechanical integrity. Nor should this gun be fired York Victor model 12 ga. Shotgun without the examination by a qualified gunsmith. Any attempt to fire an antique gun is at the risk of the owner and not consistent with the This is an American Gun Co. single value of the firearm. barrel 30 in. shotgun that needs cleaning. It is an excellent black FFL or C&R is required and not transferable to all municipalities. powder shotgun that functions well. Rare 19th C company needs TLC for aesthetics. Needs a good oiling Est. $80-150 HWAC #49638 Please check your local ordinances before bidding. Est. $500-900 HWAC #51141 Bid online at FHWAC.com or call 775-851-1859 161

Day 3 - Firearms & Weaponry Lot# 3096 , 16th-17th Lantaka Lot# 3102 , Colorado S. C. Gallup Ship’s Rail Cannon This rail cannon Leather Scabbard Made in Pueblo, is 41 in. long and the bore is 1 1/2 CO “Samuel Caldwell Gallup was in. / 3CM. It is of cast bronze with born February 22, 1837 in Norwalk, a flaired muzzle and a cast floral Huron County Ohio. After a brief pattern. Lantakas were used on apprenticeship at the (Francis) Gallup Gallatin Saddlery of Denver, merchant vessels to either signal events or ward off pirates This Colorado in 1869 with the help of E. L. Gallatin and his Brother one has a swivel about mid-length. Although most lantaka weighed Francis, S. C. Gallup opened his first Saddlery in Pueblo, Colorado.” under two hundred pounds, and many only a few pounds, the largest from vintagegunleather.com. Made for a short length lever action rifle, ones exceeded a thousand pounds with some weighing over a ton. 32”. Est. $80-160 HWAC #55877 Many of these guns were mounted on swivels and were known as swivel guns. The smaller ones could be mounted almost anywhere Lot# 3103 , Montana “Hunter” including in the rigging. Medium-sized cannon were frequently used in Leather Rifle Scabbard Modern reinforced sockets on the vessel’s rails and were sometimes referred leather rifle scabbard, Hunter to as rail guns. The heaviest swivel guns were mounted on modified embossed on a powder horn. 18”. gun carriages to make them more portable. Est. $7500-15000 HWAC Est. $50-100 HWAC #55873 #49677 Lot# 3097 , VOC swivel mount rail gun This bronze rail gun is 25 1/8 Lot# 3104 , Montana Boyt Leather in. long cast V over OC (VOC) near the US Rifle Scabbard 2 leather straps breach along with an alligator cast and black metal insert. 30”. Est. on the top. Est. $5000-10000 HWAC #49678 $150-250 HWAC #55871 Lot# 3098 , EM-GE-Zella-Mahlis Lot# 3105 , Montana Furstnow Thur Pellet Gun Plus Two Others Leather Rifle Scabbard Stamped 1) This is a German pellet gun dating leather rifle scabbard. 41”. 9 stitches to 1940’s or 1950’s. This is a pump action .177 cal. is in excellent missing. Wear on straight edge. Est. original vintage high quality German pellet gun. It has an adjustable $180-250 HWAC #55879 rear sight out to 1000 yds. and a 25 in. barrel. Excellent working condition in nice shape nice furniture and has an added rubber Lot# 3106 , Montana Rare butt plate, nice original old pump action pellet gun. 2) Parris Mfg. Furstnow-Coggshall Leather Co. Trainer Rifle. 27 in. long with a broken stock and broken action Scabbard A rare and well marked hardware. Needs repairs. Nice decal on stock. 3) Unmarked pop gun. leather rifle scabbard, 31” long. Rusted, with brad nails missing. Wood finish is fair. Circa 1890”s. Stamped FURSTNOW- NOT TRANSFERABLE IN ALL MUNICIPALITIES. CHECK LOCAL COGGSHALL / MILES CITY, MONT. “Albert Frank Furstnow was ORDINANCES. Est. $100-200 HWAC #55402 born on February 22, 1862 in Fond Du Lac County, Wisconsin. After discontinuing his connection with the E. Goettlich Saddlery, Al Lot# 3099 , Four Crosman Pellet Furstnow re-entered the service of G. H. and J. S. Collins, becoming Guns 1) This Crosman 160 is .22 cal. foreman of their shops at Omaha, Nebraska, and while in their employ with S331 target sights. This is an outfitted Buffalo Bill’s Wild West Show for the Paris Exposition. excellent target pellet gun that need TLC cleaning. 2) Crosman pellet After spending another year at Cheyenne, Al Furstnow went to San gun 760 Pumpmaster .177 cal. camo. painted S/N DA 0695199XX. Francisco, but in 1892 returned to Miles City, and until 1894 was 3) Crosman BB gun model 788 BB Scout. Pump action BB gun S/N connected with the Robbins and Lenoir Saddle Company.” from 8927350XX. 4) Crosman model 788 BB scout. Damaged butt stock. vintagegunleather.com. Est. $750-1000 HWAC #55876 NOT TRANSFERABLE TO ALL MUNICIPALITIES. CHECK YOUR LOCAL ORDINANCES. Est. $150-300 HWAC #55400 Lot# 3107 Great Falls, Montana Victor Ario Leather Rifle Scabbard Lot# 3100 , Four IMC Pioneer Ario of Great Falls, MT. Leather, 2 Pellet Guns 1) IMC Pioneer 3 4.5 buckles, 29”. Est. $50-100 HWAC mm cal. pellet gun. This is a break #55872 action pump pellet gun. non-operational S/N A5938 1980. 2) IMC Pioneer 3 pellet gun. This is an IMC Pioneer pellet gun in 4.5mm cal. Lot# 3108 Great Falls, Montana 23 1/2 in. long S/N A628X. Some rust on the barrel in working order. Victor Ario Rifle Scabbard 40” 3) IMC Pioneer pellet gun 4.5 cal. This IMC pellet gun is marked S/N leather bolt action rifle scabbard with A399X 1979 in 4.5 mm cal. The stock is rough and the barrel rusted snap flap. Embossed I. L. A. “It was with 60% bluing remaining. 4) IMC PIONEER 4.5MM PUMP PELLET in 1891 that Victor Ario immigrated GUN. This IMC Pioneer 3 pump action pellet gun is 4.5 mm S/N A68XX, to the United States from Austria, and moved to Great Falls, MT. When 1981. There is surface rust on the barrel and the stock is in fair shape. Victor Ario arrived in Great Falls, MT he went to work for J. B. Steffen It has an adjustable buck-horn rear sight and a front sight with hood. and Tom Moreland where he worked as a saddle maker applying the It has sling swivels and a working safety. trade he had learned in Austria from his Father. By 1903, Victor Ario NOT TRANSFERABLE IN ALL MUNICIPALITIES. CHECK LOCAL was sole owner of the Victor Ario Saddlery Company which over the ORDINANCES. Est. $100-200 HWAC #55401 coming years led to big success, also Victor Ario taught his son, Keith Ario, saddle making. In the mid to late 1940s, Keith was partnered Lot# 3101 , Colorado Heiser with 2 saddle makers who had apprenticed with his Father. The men Leather Rifle Scabbard A civilian were Earl Haggerty and Orlando Oakland and that partnership lasted copy leather scabbard patterned after until 1957 when Keith Ario sold his share of the business to the other a US Cavalry scabbard for a 1903 partners.” from vintagegunleather.com Est. $250-350 HWAC #55870 rifle. 37”. Est. $200-300 HWAC #55878 162 December 1st, 2nd, and 3rd, 2017

Day 3 - Firearms & Weaponry Lot# 3109 , Oregon Early Hamley Leather Scabbard “The Hamley family history goes back many generations to Cornwall England, where the trade of saddle and leather craftsmanship had been passed down through many generations of Hamley’s. The American history of the Hamley’s began in 1850 when William Hamley moved his family from England to Rupon, Wisconsin, where he opened a small leather Lot# 3115 , Chinese Katana style Sword This katana style sword goods store. William’s two sons, John James (J.J.) and is 39 3/4 in (101 cm) overall length. The blade is 28 in. (71 cm) long Henry Hamley set out from Wisconsin in 1883 with and the grip is 12 in .(30.5 cm) long. The blade is a Damascus pattern two railroad tickets and $10.00 in cash, bound for steel that may be acid etched. The blade as a futchi collar of brass Ashton, South Dakota where they established Hamley and stamped 2220X. The grip is black faux Ray skin covered under an and Co.” from vintagegunleather.com. Marked “Hamley, PENDLETON,ORE”. Early leather scabbard, 38”. Est. $180-230 HWAC attractive olive green ito wrap. The ito also has two hidden menuki #55747 charms. The guard is a square cast brass as well as all hardware in the grip and scabbard. The scabbard is also Ra y skin covered with Lot# 3110 , Heiser-Keyston- four cast brass hardware mounts and one with a hanger. This sword is Lictenberger Leather Scabbard c. thought to have been made post WW2. Possible WW2 era blade. Est. 1960’s Heiser-Keyston-Lictenberger $150-300 HWAC #51174 leather rifle scabbard. 29”, worn condition. Est. $125- HWAC #55749 Lot# 3116 , Chinese Katana style Sword This Chinese katana style Lot# 3111 , Vintage Take-Down sword is 40 1/2 in. (103 cm) overall length; the blade is 28 1/2 in. (72 cm) long and the grip is 12 in. (30 Rifle or Shotgun Scabbard Maker cm) long. The blade has a Damascus pattern throughout with a deep unknown. Marked “80 5F” and “28”. fuller groove. There is a copper futchi collar without a S/N. The grip is Small frame take-down leather tan colored Ray skin covered with a blue fabric ito and finished at both scabbard. 27” long, 2 buckles and leather handle. Est. $100-300 HWAC ends with a cast copper cap. A pommel cap has a woo dog in relief. #55309 The guard is a cast metal hand painted in gold paint to highlight the relief cast pattern. The scabbard is painted both black and red wood. Lot# 3112 , Chinese Katana style without hardware. This sword is thought to have been made post-WW Sword This sword is 39 3/4 in. 2. Est. $50-200 HWAC #55313 (101 cm) overall length. The blade Lot# 3117 , Chinese Katana style is 28 3/8 in.(72 cm) long and the Sword This Chinese katana style grip is 11 1/2 in/ (29 cm) long. The sword is 40 1/2 in. (103 cm) overall blade is Damascus steel and the futchi is both brass and copper. The length; the blade is 28 3/8 in. (72 cm) long, and the grip is 12 3/8 fuller is left in the rough. A small round guard is used with gold color in. (31 cm) long. The blade has soft Damascus patterned steel with painted flowers. The grip is black lacquered wood with a black tread a copper futchi collar stamped S/N 6662X. The grip is set off with a ito framed in by cast brass collars. The scabbard is a black lacquered rather crude cast copper metal guard and the grip is framed by cast wood with pockets for a knife and dagger however the pocket for the copper hardware. The grip is black Ray skin covered with black ito dagger is broken and the dagger is missing. The scabbard is is fair thread and hides two menuki charms The scabbard is black lacquered condition. This sword is thought to have been made post WW 2, post 1960. Est. $100-150 HWAC #51171 wood with a cast copper throat and two cast metal hangers. his sword is thought to have been made post-WW 2. Est. $80-150 HWAC #55314 Lot# 3113 , Chinese Katana style Sword This attractive katana Lot# 3118 , Three Chinese Katana style Swords This is a brace of three style sword is 39 1/2 in. (100 cm) swords all of similar shape and style. overall length. The blade is 28 in. They are all 40-41 in. (103-105 cm) overall length. The blades are (71 cm) long and the grip is 11 3/8 28-28 3/4 in. (71-73 cm) long; and the grips are all 12 1/4 -12 5/8 in in. (31.5 cm) long. The blade looks older than the rest of the mount. (31-32 cm) long. All swords have a soft delineated pattern Damascus The scabbard and grip are black and red lacquer finish that has aged steel blades, and S/N 3331X is very sharp. All swords are spring clip and cracked. The blade has a very soft Damascus finish; the guard is release swords. They may have been for military or training purposes. medium sized casting and the grip is black lacquer finish with a brown All swords have cast small round guards. The scabbards are a leather itp cloth wrap. A floral pattern on all casting hardware on the sword wrapped steel with one brass hanger and ring. The leather is dry and grip and pommel as well as the scabbard on four mounts and one with aged. These swords are thought to have been made post-WW 2. a hanger loop. This sword is thought to have been made post WW 2. Est. $200-400 HWAC #51172 sword S/N 3332X sword S/N 3331X (very sharp) Lot# 3114 , Chinese Katana style sword S/N 9992X Est. $80-150 HWAC #55315 Sword This katana style sword is 39 1/2 in. (100 cm) long overall length. The blade is 28 in. (71 cm) long and the grip is 11 3/4 in. (30 cm) long. The blade is a Damascus steel with both copper and brass futchi collar. The grip is wrapped in black Ray High Resolution skin and a black ito fabric. The guard is a cast metal highlighted in gold paint and the grip finished with a cast brass pommel and collar as Images of ALL LOTS well. The scabbard has a black lacquer finish and a black thread wrap covering the two pockets for an imitation knife and dagger inlayed into available online at FHWAC.com the scabbard. This sword is thought to have been made post WW 2. This is a handsomely executed sword. Est. $100-200 HWAC #51173 Bid online at FHWAC.com or call 775-851-1859 163

Day 3 - Firearms & Weaponry Lot# 3119 , Lot# 3121 , Three Chinese Katana Set of Four style swords These three swords are Chinese closely designed and sold as a set. All swords are similar in size and architecture. These All three swords have black over red Chinese lacquered (wrinkle finish)scabbards swords, with cast brass hardware throughout. with All metal hardware is patinated and matching these swords are thought to have been made post WW 2. suva, are a. This is a sword with 39 3/8 in. (100 cm) overall length; the blade is thought to 28 3/8 in. (72 cm) and the grip is 11 1/2 in. (32 cm) long. The blade is be vintage a Damascus wave pattern design, the grip has a black lacquer over red 1950’s to lacquer on wood finish and covered in brown ito thread. The mekugi 1970’s or peg has recently been replaced and in need of refinish. The guard swords. All is a cast metal with large piercings in a floral plant design. The grip three have Damascus patterned steel blades with heavy cast guards. is capped with cast brass hardware as well as the scabbard with four Item (A). is 104 cm overall length with a 73 cm blade with a 31 cm hilt. brass hardware pieces and one hanger ring. All castings have a dragon theme through-out the hilt and scabbard b. This sword is 39 1/4 in. (100 cm) overall length; the blade is 28 in. hardware. The hilt is blue fabric wrapped with a very heavy cast guard (71 cm) long and the grip is 11 1/4 in. (29 cm) long. The blade is a and the blade guard is of both copper and brass sleeved. The guard is Damascus wave pattern design, the grip has a black lacquer over red not stable and firm.The scabbard is painted dark green with the same lacquer on wood finish and covered in brown ito thread. The mekugi dragon theme casting on all metal parts; the drag is missing. or peg has recently been replaced and in need of refinish. The guard Item (B) is 100 cm overall length with a 70 cm blade and 29 cm hilt. is a heavy cast metal with many piercings. The grip is capped with All castings have the dragon theme through-out the hilt and scabbard cast brass hardware as well as the scabbard with four brass hardware hardware. The hilt is dark red fabric wrapped with a very heavy pieces and two hanger rings. cast guard however the pommel casting is missing. The blade is true c. This sword is 40 1/2 in. (103 cm) overall length; the blade is 29 in. Damascus with a fuller groove on a beautiful pond and wave pattern.. (73.5 cm) long and the grip is 11 7/8 in. (30 cm) long. The blade is a The scabbard is painted dark red with the same dragon theme casting Damascus wave pattern design, the grip has a red Ray skin covering on all metal parts. with brown ito thread. The mekugi or peg has recently been replaced Items (C) & (D) are 101 cm overall length with a 71 cm blade and 30 and in need of refinish. The guard is a heavy cast metal with only one cm hilt. All castings have the dragon theme through-out the hilt and piercing. The grip is capped with cast brass hardware as well as the scabbard hardware. The hilt is dark red fabric wrapped with a very scabbard with four brass hardware pieces and two hanger rings. Est. heavy cast guard however and the pommel casting is missing. The $300-500 HWAC #51179 blade is true Damascus; it is very sharp; with a fuller groove on a beautiful pond and wave pattern. (This wave Damascus pattern is even Lot# 3122 , Group of five Chinese visible in the trough of the fuller.)The scabbard is painted turquoise swords This is a group of five (5) green with the same dragon theme casting on all metal parts. These Chinese swords all of similar design are post WW2. Est. $400-800 HWAC #51151 and color. This may be a group of military swords or for training. The swords are 39 3/8 in. (100 cm) overall length; the blades are 27 in. (70 cm) long, and the grips are 12 3/16 in. (31 cm) long. All five Lot# 3120 swords are lightly Damascus patterned steel; four with black fabric , Pair of ito wrapped grips and small rectangular cast brass or copper guards. Chinese The scabbards are of a metal covered in green paint; four swords have Katana style a push button release. These swords are all thought to be made post- swords (a) WW 2. This katana sword 1- black ito wrap S/N 7771X style sword sword 2- black ito wrap S/N 2340X is 39 3/4 in. sword 3- black ito wrap S/N 8888X (101 cm) sword 4- black ito wrap S/N 2221X long overall sword 5- blue ito wrap No S/N no push button release Est. $130-250 length. The HWAC #55312 blade is 28 1/4 in. (71.5 cm) long and the hilt or grip is 11 3/4 in. (30 cm) long. The grip has black Ray skin ito under a blue fabric wrap.The Lot# 3123 , Chinese Jian grip is finished off with a FOO DOG in relief on the cap. The blade is straight blade sword true Damascus visible in the deep fuller groove. A familiar style small This is a unique Jain design round guard is used; highlighted with a gold paint. The copper futchi Chinese sword measuring at 40 in. (101.5 cm) overall collar is oxidized over the blade and has been there for a long period of length. The blade is 29 in. (74 cm) long; with the grip at 11 in. ( 28 time. The scabbard is black and red lacquer finished wood. This sword cm) long with a full tang. This Chinese double edged sword is true is believed to have been made post WW 2. Damascus with two fullers per side and fairly sharp. The Damascus (b) This katana style sword is 39 3/4 in. (101 cm) long overall length and identical to #51168(a). The blade is 28 1/4 in. (71.5 cm) long and pattern is a light wave pattern. The grip has a dark red lacquered finish the hilt or grip is 11 3/4 in. (30 cm) long. The grip has black Ray skin as well as the wood on the scabbard. The sword and scabbard are both ito under a blue fabric wrap.The grip is finished off with a FOO DOG covered with cast brass hardware throughout. Each piece of brass has in relief on the cap. The blade is true Damascus visible in the deep a dragon and sea serpent design; rough cast and only roughly polished. fuller groove. A familiar style small round guard is used; a goose is It is thought that this sword was made post WW 2. This sword would highlighted with a gold paint. The copper futchi collar is present. The be a center of attention in your collection. Est. $100-300 HWAC #51178 scabbard is black and red lacquer finished wood and the hanger lug is missing. This sword is believed to have been made post WW 2. Est. $100-300 HWAC #51168 Lot# 3124 Withdrawn 164 December 1st, 2nd, and 3rd, 2017

Day 3 - Firearms & Weaponry Lot# 3125 , Matching Pair of Lot# 3129 , A Matching Pair of Chinese Sabers This is a matching Japanese Swords: Katana and pair of Chinese swords; the swords Wakizachi (a) The Wakizachi sword are 37 in. (94 cm) overall length, is 25 1/2 in. (65 cm) overall length; the blades are 29 in (74 cm) long, the blade is 17 1/4 in. (44 cm) and with the grips at 7 1/2 in. to 8 1/2 the grip is 8 1/2 in. (21.5 cm) in in. (19-21 cm) long. Both swords are length. The futchi is stamped S/N 9990X . The blade is true Damascus polished steel and very sharp; lightly configured Damascus, multiple but with very little configuration and is soft steel with a very sharp fuller grooves, Chinese writing inside a large cartouche, a large dragon edge and is highly polished. The grip is black Ray skin flanked with engraved on the opposite side. The grips are wood; trimmed in copper two brass mounts and covered in black ito thread and two menuki as well as the guard and scabbard trim. The scabbards are black charms. The scabbard has a push button release; painted olive green lacquered wood with four trim pieces of copper. and two hangers and with brass hardware mounts; one hanger. framed between two rings. These two swords are thought to have been (b) The Katana sword is 40 1/2 in. (103 cm) overall length, the blade made post-WW 2, possibly 1960-ish Est. $200-400 HWAC #55311 is 28 3/8 in. (72 cm) and the grip is 12 in . (30.5 cm). The futchi is stamped S/N 3336X. The blade is highly polished and the blade has Lot# 3126 , Chinese style Katana very little configuration like the wakizachi smaller brother. The blade Sword This katana is believed to is soft steel polished Damascus but the fuller is left in the rough. The be made for the trade market and grip is black Ray skin flanked with two brass mounts and covered in the dimensions are: 39 1/2 in. (100 black ito thread and two menuki charms.The scabbard has a push cm) overall length; the blade is 30 button release; painted olive green with brass hardware and one 3/4 in. (78 cm ) long and the grip is 8 3/4 in. ( 22 cm ) long. The blade hanger. is beautifully patterned Damascus and shows signs of being hand It is belieied that this pair of swords were made in WW2. This hammered (read wavy), and the copper futchi collar is numbered matching pair of Japanese swords would make an impressive display #965X. A small rectangular guard is cast brass. The grip area is a for the collector. Est. $300-600 HWAC #51170 casting joining the guard; lacquered over which makes for a hard overall feel to the grip. The scabbard is metal covered in a green paint Lot# 3130 , Japanese Katana This with four gold painted trim pieces. It has one hanger ring. This sword katana is 38 3/16 in. (97cm) OAL is believed to have been made probably WW2, possibly an Officer’s overall length. The blade is 27 3/16 sword, with a more professional edge. Est. $200-400 HWAC #55305 in. (69 cm) and the hilt is 11 3/8 in. (29 cm). The katana is beautifully detailed where the hilt and scabbard are identically matched. The Lot# 3127 , Chinese style Katana scabbard and hilt are made of aluminum overlay-ed with copper with Sword This sword is similar to heart shaped piercings exposing brass. The entire sword scabbard and HWAC item #55305 in overall hilt is designed with a chrysanthemum engraved detail. The blade has appearance. The sword is 38 in. (96.5 pond design demascus pattern. The kutchi collar has a serial number cm ) overall length; the blade is 29 of #1228X. The blade has an edge and appears to have been made 3/8 in. (75 cm) long, and the grip is 9 in. (23 cm). The blade is not post-WW 2. This sword is made in a very artistic, decorative fashion, Damascus but has a raised grass pattern cast into the blade as well as possibly post 1960. The overall katana is in good appearance with an some Chinese writing. The futchi collar has number 592X stamped on even patination. Est. $100-300 HWAC #51165 it. The guard and grip area are all cast brass and lacquer finished with some finish lost. The scabbard is metal with a green painted finish and Lot# 3131 , Japanese Katana This four cast metal trim pieces; one hanger ring.. This sword is believed to katana is 40 in. ( 102cm) OAL overall have been made in WW2. Est. $300-500 HWAC #55306 length. The blade is 28 3/4 in. (73 cm) long and the grip or hilt is 11 Lot# 3128 , Group of Three vintage in. (28cm) long. It has a brass hutchi Japanese Katana Swords This collar over a Damascus blade.that shows some polish wear from the group of three Katana swords carry scabbard. The scabbard and hilt are Ray skin covered the Ito (on the the same design and architecture and grip) and also covering the entire length of the scabbard. The scabbard listed as a group. All three have Ray is trimmed in a copper with a hand painted border of gold lacquer. The skin hilts covered in the traditional blade has no Hamon line to separate hardness and is thought to have fabric; are true Damascus blades and been made post-WW 2. Est. $200-500 HWAC #51166 have saddle faux leather scabbards. All swords have the same overall dimensions at 104 cm.The guards or futchis are each different. They are thought to be 1950’s-1970’s as the faux leather scabbards are in very good shape. Item (A) is 104 cm overall length with a 72 cm blade and 32 cm hilt. The blade is true Damascus in a water pattern design. The blade collar is numbered #5183. The hilt is Ray skin wrapped in a dark red fabric and the futchi is a small cast piece with a floral pattern raised design. The pommel is cast metal with a ring attachment. Lot# 3132 , Japanese Katana This katana is 41 1/2 in (105 cm) Item (B) is 104 cm overall length with a 72 cm blade and 32 cm hilt. overall length. The blade is 29 3/4 in. (75.5 cm) long; and the grip The blade is true Damascus in a water and pond pattern design. The or hilt is 11 3/8 in. (29 cm). This sword is framed with copper and blade is the most dramatic of the three for design but also the most the grip or ito is wrapped in tan Ray skin as is the scabbard. Both patinated. The hilt is Ray skin wrapped in a white or cream fabric and the sword and scabbard are heavily patinated with copper trim. A the futchi is a medium cast piece with a floral pattern raised design. decoration of chrysanthemums flowers and one coi fish is present Again, with a saddle faux leather scabbard with metal hardware. highlighted with gold paint. The blade has a very delicate Damascus Item (C) is 104 cm overall length with a 72 cm blade and 32 cm hilt. pattern of ponds and water drops. The hamon line is very low and the The blade is true Damascus in a pond pattern design with great color blade is very hard and very sharp. It is believed that this sword was differentiation. The hilt is Ray skin wrapped in a black fabric and the made pre-WW 2. Est. $300-800 HWAC #51167 futchi is a small cast piece with a floral pattern raised design. There is a saddle faux leather scabbard with metal hardware. Est. $500-1000 HWAC #51152 Bid online at FHWAC.com or call 775-851-1859 165

Day 3 - Firearms & Weaponry Lot# 3133 , Japanese Katana This Lot# 3138 , Japanese katana katana is 42 in. (106.5 com) overall sword This sword is 39 1/2 in. (100 length. The blade is 29 5/8 in. (74.5 cm ) overall length; the blade i 28 cm) and the hilt is 11 3/4 in. (32.5 1/2 in. (72 cm), and the grip is 10 7/8 in . long. The blade has a soft cm) long. There is a water pattern delineated Damascus pattern with no fuller groove, and is fairly sharp. to the surface of the blade but it is not Damascus and the steel is soft. The blade has a copper futchi collar and no serial number. It has a The grip is covered in a hardwood that is stained rosewood red as large cast metal guard and large cast metal trim pieces on the grip. The well as the scabbard. The sword and hardware on the scabbard are all grip is lacquered wood with a brown ito wrap fabric. The scabbard is copper. The grip is covered in an olive colored fabric wrap ito which black over red lacquered wood with four trim piece hardware. This contrasts beautifully with the resewood stained handle. The guard is sword is thought to have been made post-WW 2. Est. $80-150 HWAC rough cast and left unpolished with a village scene. One of the copper #55316 scabbard hanger mounts is not secure. The mekuge peg has been removed rescently and hastily replaced without proper fit. The sword Lot# 3139 , Japanese Katana is believed to have been made post WW 2, circa 1060’s. Est. $100- sword This sword measures 43 3/8 200 HWAC #51169 in. (110 cm) overall length; the blade is 31 7/8 in. (81 cm) long and the Lot# 3134 , Japanese Katana in grip is 11 7/8 in. (30 cm) long. The green scabbard This Japanese blade is true Damascus but light in detail. The beautifully executed katana is 47 1/4 in. (120 cm) overall hamon line is very low and it is very hard. The grip is covered in black length; the blade is 35 5/16 in. ( 90 Ray skin and a gray colored fabric ito. The grip is framed by two collars cm) long and the grip is 11 7/8 in. of cast copper that have been hand painted for detail; as well as the (30 cm) long. The blade is Damascus with a beautiful pond and wave cast copper guard. The futchi collar is executed in both copper over pattern. The grip is green lacquered wood and covered with a brown brass and engraved diagonally without a serial number. The scabbard ito fabric. The wood has dried and shrunk and the ito fabric stained in is red lacquer finish with three cast brass hardware; hand painted in sections. The futchi collar is heavily patinated copper without a serial silver and gold to highlight the chrysanthemum flowers and birds. One number. The grip is framed by a small rectangular guard and cast collar has a single hanging ring. This sword would make a beautiful brass hardware. The scabbard is a green lacquered wood with four display in your collection. It is believed that this sword was made cast brass hardware pieces; one with a hanger. All brass pieces have a possibly pre-WW 2. Est. $200-400 HWAC #55300 chrysanthemum flower design painted with accent gold tome paint for Lot# 3140 , Japanese Saber Sword highlighting. It is believed that this sword was made post- WW 2. there is a split in the handle. Est. $100-200 HWAC #55301 This is a Japanese dress sword. The saber is 34 in. overall length and Lot# 3135 , Japanese Katana Ray the blade is 29 in. long. The blade skin scabbard This Katana is 101 has a ghost wave pattern for the entire length and the grip is of black cm overall length with a 72 cm blade Bakelite material with wire wrap in the folds. The grip has some and 28 cm hilt. The blade is true damage and several wraps of wire are missing. The crest of the grip Damascus and highly figured. This has a brass frame cover with a single flower design on both sides and blade is surprisingly heavy to handle and richly colored. This sword is onto the pommel. A brass guard is one piece with a flower pattern unique because the hilt is FAUX Ray skin covered but the scabbard is throughout as well for the entire length. The hilt is wrapped with brown thread as The scabbard has one band and ring for personal attachment and is well as the mid-section of the scabbard. This sword was carried with nickel plated including the drag.. Est. $100-300 HWAC #51114 two hands. All hardware is brass with some gilding added. This sword is thought to be made POST WW2. Est. $200-400 HWAC #51155 Lot# 3141 , Japanese style Katana Sword This katana sword is 42 in. Lot# 3136 , Japanese Katana (106.5 cm) long overall length; the sword This beautiful Katana is 103 blade is 30 7/8 in. (78.5 cm) long and cm overall length with a 72 cm blade the grip is 11 1/4 in. (28.5 cm) long. The blade is one homogeneous and a 32 cm hilt. This sword is unique steel that shows much hand work in grinding and shaping. The blade because it has a push button release has waves in its length and still shows grind marks not polished out; it at the forward edge of the hilt and has a blade collar S/N 11161. The does have a reasonable edge. The grip has a tan colored Ray skin grip blade is true Damascus in a very light pattern and highly polished. The framed in with pounded copper fittings. Black fabric ito covers the grip hilt has a Ray skin base under a dark brown cloth ito. There is a brass with one hidden menuki charm. The small round guard is cast with a flower pattern futchi or guard, small diameter and finely finished with turtle on one side and a water buffalo design on the other. The peg in a flower pattern finial forward and at the pommel or cap. There are the grip has been moved and the grip is not stable. The proper sized also brass menukis hidden in the ito wrap on both sides of the hilt. peg needs to be reset in the grip. The scabbard is a dark red lacquer This sword is thought to be made prior to or during WW2 and finely finished wood with one copper trim piece at the throat and the bottom executed. The scabbard is painted green metal over wood and brass cap is missing. This sword is thought to be made post-WW 2. Est. hardware. Est. $200-500 HWAC #51154 $100-200 HWAC #55302 Lot# 3137 , Japanese katana sword Lot# 3142 , Katana Japanese This katana is 39 3/4 in. (101 cm) Sword This Japanese Katana is 104 overall length; the blade is 28 3/4 cm overall length the blade is 73 in. (73 cm) long and the grip is 10 cm long and the hilt is 31 cm long. 5/8 in. (27 cm) long. The blade is a Damascus steel in a pond pattern The blade is polished Damascus and design fitted with a brass futchi collar. The grip is a black lacquered very faint but visible with a S/N 11112 on the collar. A guard is cast wood covered in black ito thread fabric framed in with copper trim. brass with a three petal flower pattern. The hilt is wrapped in black The guard is a small cast metal with gold tone painted highlights. The thread with one menuki charm hidden. This sword has a unique metal scabbard is a black lacquered wood with three copper trim pieces and scabbard with eight horses engraved with plants and flowers. The one hanger ring. It also has a piece of wood missing near the bottom. scabbard also has two brass hangers. Circa 1960. It is meant to look Post WW2. Est. $100-200 HWAC #55303 like WW2 it may have an original WW2 era blade. Est. $100-200 HWAC #51158 166 December 1st, 2nd, and 3rd, 2017

Day 3 - Firearms & Weaponry Lot# 3143 , Modern Katana Lot# 3147 , A modern Katana Japanese sword This modern sword This modern, circa, 1960, Japanese Katana sword is 104 cm Japanese Katana sword is 107 cm overall length with a 75 cm long overall length with a 77 cm long blade and the hilt is 29 long. The blade has a polished nickel finish and blade and the hilt is 30 long. The fairly sharp but with some rough grind shaping marks and a bright blade has polished nickel finish with a bright copper blade collar. copper blade collar. There is Japanese writing on both sides of the The hilt is covered in a dark brown fabric ito over faux Ray skin and a blade. The hilt is covered in a dark brown fabric ito over Ray skin and menuki medallion hidden under the fabric. The guard or futchi is cast a menuki medallion hidden under the fabric. The guard or futchi is brass with a floral design. The most spectacular feature of this sword square cast brass. The scabbard which is black lacquered wood and is the scabbard which is wood covered in four panels of copper. The covered with a panel of copper depicting leaves and a human figure. panels have a relief pattern of leaves and a human figure. This same This same panel design is also on the scabbard of item #51153. All panel design is also on the scabbard of item #51156. All hardware is of hardware is of copper including the pommel. This sword is thought to copper including the pommel. Decorative. Est. $200-400 HWAC #51153 be made before WW2. Est. $300-600 HWAC #51156 Lot# 3148 , A Pair of modern Lot# 3144 , Modern Katana Katana Swords, blue ito hilts This Japanese sword This Japanese is a pair of like construction modern Katana sword is 104 cm overall Katana swords believed to have been made after WW2 and are made length and the blade is 75 cm long and the hilt is 29 cm long. The hilt is to look like WW2 swords. covered in Ray skin and the wrap is of a black thread. A menuki charm Item (A) is 120 cm overall length. The blade is true Damascus at 88 is also hidden in the wrap. This sword is the exact size as item #51156 cm long with the hilt at 32 cm. The traditional ito wrap is a blue cloth with the same Japanese writing on one side of the blade. The scabbard with a small frame futchi or guard. The scabbard is painted wood in is black lacquered wood without any copper panels and there may green with a cast metal throat, hangers and drag. A floral pattern is have been one at one time but now missing. All hardware is of copper. designed into the casting. This sword is thought to have been made after 1960. Est. $100-300 Item (B) is 124 cm overall length and looks very similar to item A. The HWAC #51157 Damascus blade shows a very artistic pond and wave pattern in the metal. The hilt is 32 cm long. The traditional ito wrap is a blue cloth Lot# 3145 , Pair of Katana style with a large frame futchi or guard. The mekugi (or peg) is missing. The swords This matching pair of katana scabbard is painted wood in green with a cast metal throat, hangers swords are 41 in. (104 cm) overall and drag. The floral pattern is designed into the casting. Est. $200- length; the blades are 28 3/8 in,. (72 400 HWAC #51150 cm) long and the grips are 12 5/8 in. (32 cm) long. Both come is faux Lot# 3149 , 17th C. Renaisance leather wrapped steel scabbards with two hanger loops; possibly of period replica sword with military issue. It is believed that both swords were made post WW 2, scabbard This is a replica circa 1960’s, made in WW 2 style. As a pair these two swords should Renaissance period 17th C.rapier remain together for display and presentation. sword. The overall length is 44 in. (a) S/N #582X (marked on the copper futchi); has a wave and pond while the blade in 36 in. It is marked “K”inside a shield (BUDK maker) design Damascus blade that is fairly sharp. The grip is covered in on one side and “stainless China” on the other side of the ricasso. The a butterscotch colored Ray skin and black fabric ito. The guard is a hilt is a wire wrapped grip with a heavier weave wire wrap to follow. rectangle cast metal as well as the grip cap and forward ring. The grip There is an elaborate three ring basket designed guard. The blade is cap has a ring as well. left without and edge. The scabbard is of black leather with a stainless (b) also has a wave and pond Damascus design blade that is fairly drag and the throat piece is loose. Est. $50-100 HWAC #51106 sharp. The grip is covered in a tan colored Ray skin and cream colored ito thread. The guard is medium sized round cast metal as is the grip Lot# 3150 , Antique Theatrical cap and forward ring. Est. $300-600 HWAC #51177 Sword This theatrical sword is 34 1/2 in. overall length. It has an acid Lot# 3146 , A group of Three etched blade with heavy patination, a Katana style swords This is a set of brass guard and pommel and a wood handle. The pommel is a colonial three matching katana style swords. style bust of a man and shows repair. This is a non-working sword These three swords are identical in unsharpened. It is believed to be 19th century built. Est. $100-200 design with Damascus blades, small HWAC #51135 cast brass guards, brass futchi guards, and Ray skin wrapped grips. All three Lot# 3151 , CSA replica Saber scabbards are wood covered in pig sword This is a replica Confederate skin for durability and possibly for military duty, possibly Naval. These States of America Cavalry Officer’s three swords were exceptionally well cared for. sword. It is 39 1/2 in. overall length (a) S/N 1111X. This sword is 40 1/2 in. (103 cm) overall length with and the blade is 33 in. long. This a push button release. The Damascus blade is 28 in. (71 cm) long; and replica is patterned after the 1833 US Dragoon saber. The grip is of the grip is 12 1/4 in. (31 cm) long. The grip is Ray skin covered in a black leather with a brass wire wrap; the cross-guard is a single piece black ito thread. cast brass with a three ring knucklebow and the letters “CS” cast (b) S/N 8883X. This sword is 40 1/2 in. (103 cm) overall length with between bows. The blade is beautifully etched with the letter “CSA” a push button release. The Damascus blade is 28 in. (71 cm) long; and in two locations on both sides of the blade. The scabbard is anodized the grip is 12 1/4 in. (31 cm) long. The grip is Ray skin covered in a steel with a brass drag and two brass hook attachments. Est. $100- olive green ito thread. 200 HWAC #51109 (c) S/N 9993X. This sword is 40 in. (101.5 cm) overall length with a push button release. The Damascus blade is 27.5 in. (70 cm) long; and the grip is 12 1/4 in. (31 cm) long. The grip is Ray skin covered in a brown ito thread. These three swords are thought to have been made in China and post WW 2. Est. $300-1200 HWAC #51175 Bid online at FHWAC.com or call 775-851-1859 167

Day 3 - Firearms & Weaponry Lot# 3152 , Five Foil Swords incl. Leon Paul 1) Vintage Joseph Vince foil sword. This “Joseph Vince “ marked foil is 43 in. overall length and the blade is 35 in. long and is non-electronic. The blade is marked “5” “made France”. The guard is aluminum and the grip is brown leather. The pommel is hexagon nickel plated metal. There is a felt cushion inside the guard. 2) Prieur Paris make Foil sword. This is a non-electronic foil sword marked Lot# 3155 , Knights Templar Dress Sword This sword is a gold “Prieur Paris” on the blade forward of the shield and “made France gilded dress sword of the Masonic Knights Templar, sometimes 5”. These are the markings from and attributed to Joseph Vince. Vince referred to as a “society sword” used in parades and Masonic was a fencing coach and supplier in New York in the early 1900’s. The pageantry. The overall length of the sword is 38 in.; the blade is 30 in. sword is 43 in.overall length the blade is 35 in. long with a blunt tip. and the scabbard is 32 in. long made by the “ E.A. Armstrong MFG Co. The grip is string wrapped wood in blue fabric color and is in need 434-440 S. Wabash Ave. Chicago, Ill.” so marked on the ricasso. The of repair. The pommel is round and nickel plated. The shield shows Armstrong Co. operated in Chicago from Detroit after 1892. The grip some wear from use. 3) Leon Paul marked foil sword. This Leon Paul is two piece early cellulite simulated ivory with the engraved Christian foil sword is 42 in. overall length and the blade is 34 1/2 in. long. This cross on one side and the letter “H” hand engraved on the other. The is a non-electronic sword; and the tip is a blunt. The Leon Paul logo name “Jacob Reid.” is etched into the blade of the sword and thought is embossed on the shield and barely visible on the blade. The shield to be the original owner. The blade is etched with a chronological shows wear with a cushion inside and of both leather and vinyl with story of the original Knights Templar when they were given the a leather carry strap. The grip is wrapped leather and the pommel is responsibility of protecting the Holy Land of the Christian faith; from missing. 4) unmarked Foil sword with deep shield. This unmarked knights on horseback to King Solomon’s Temple. A simple cross guard foil sword is 43 in. overall length and the blade is 34 in. long with and knight’s helmet as the pommel complete the sword. a blunt tip. The shield is deeply dished and shows signs of several The scabbard is marked “KT” in the cartouche (Knights Templar) impacts. The grip is string wrapped over wood and the pommel is and an emblem on the head is marked with the bible verse “ be thou brass hexagon to round. This sword appears of the French design. 5) faithful unto death & I will give thee a crown of life” surrounding a unmarked Foil Sword. This foil sword is 43 in. overall length with a crown and Christian cross lightly enameled. Est. $100-200 HWAC 35 in. blade. This otherwise unmarked sword has an aluminum shield #51101 with a cream colored rubber grip and a pear shaped round pommel. Lot# 3156 , Knights Templar This sword would NOT comply with current fencing regulations sword This Knight’s Templar dress because the blade has a pointed tip and appears to have been made this way originally. The shield shows significant wear. Est. $250-500 sword is for Masonic ceremonies HWAC #55403 and parades. The sword is without scabbard. It is marked “The M. C. Lilley & Co. Columbus, Ohio “. The Lot# 3153 grip is of black painted wood. No owner’s name appears on the blade. , Fraternal It is also inscribed with the Latin phrase “Memento Mori” a Masonic Sword (A.O.of phrase translating to “ remember you must die.” The blade is patinated U. W.) This with the chronological story of the Knights Templar’s responsibility to fraternal protect the holy land. Est. $100-200 HWAC #51123 sword was manufactured Lot# 3157 , Philippines made by the G. F. dagger with wood sheath This Foster & Son dagger is 22 in. overall length with Co., of Chicago, homemade blade and wooden handle Ill. and quite grips. It is dated 1947 on the sheath elaborte. The sword was made for the fraternal order: Ancient Order with decorations of flowers and shells; all made of carved and shaped of United Workmen and made late 19th century. The AOUW was one sea shells inlay-ed into the wooden sheath. Some shell pieces are of the first fraternal benefit societies to organize insurance benefits missing with the N in Philippines missing. Est. $50-100 HWAC #51132 for sickness, accident, death and burial services after the civil war. Lot# 3158 , Replica Justice or This sword is 35 1/2 in. overall length and the blade is 27 in long. It is Executioner’s Sword This sword numbered “777” on the ricasso along with the name of the owner “C. C. is hefty. It is 43 1/2 in. long and the Ostrander” and the “A.O.U.W.” on the other side of the blade.The grip is blade is 34 1/2 in. long. The tip is of walnut while the pommel is a brass knight’s helmet. The chain that un-sharpened and rounded indicating that this sword had another joins the pommel to the guard is missing. The guard is cast brass with purpose. It was used in Europe as an executioner’s sword; the tip did a cross and two anchors on either side at the tip. not need to be pointed or sharp. The cross guard is substantial, the The scabbard is as elegant and more elaborate than the sword itself; knuckle-guard simple; the pommel is substantial to counter-balance The throat is of cast brass with two knights and a skeletal hand. There the blade. The grip is large enough for two hands and wire wrapped three mount rings and a heavy cast brass drag at the bottom. A union shield appears mid-shaft on the scabbard. Est. $100-300 HWAC #51145 No markings on the sword for manufacturer. The scabbard is of wood and painted black. Est. $100-200 HWAC #51112 Lot# 3159 , Replica Renaisance Lot# 3154 , Knight’s Templar sword This replica renaissance sword is 32 in. overall length with sword This is an a 26 in. blade. This is toy-like in elaborate Knight’s Templar sword made appearance with red and green fake for “J.C. Gillepie” jewels inlaid on the hilt and cross marked as such on guard. The hilt and grip is a gold tone metal. Marked “made in Spain”. the blade and on the Only parts of the scabbard are present. All vinyl parts of the scabbard scabbard. The sword are gone with only the throat, lower hook and drag remaining. Est. was made by the Henderson-Ames Co. of Kalamazoo, Mich. between $50-100 HWAC #51111 1893 and 1923. Est. $250-450 HWAC #51129 168 December 1st, 2nd, and 3rd, 2017

Day 3 - Firearms & Weaponry Lot# 3160 , Replica Saber Sword Lot# 3166 This is a replica of a traditional U.S. , vintage Calvary Dress Sword ca. 1860’s It is Mexican marked “India” on the ricasso. The Eagle-head blade itself is 31 1/2 in. long.The grip machete is of black leather wrapped in twisted wire;the guard, cap, and upper fighting/ quillon is of brass and forward swept. The button is a brass acorn nut. short There are no other decorations on the blade and it is un-sharpened. sword This The scabbard is 35 1/2 in. long; chrome plated with a scabbard tip beautifully protector and upper/lower hook mounts present. There is some engraved Mexican fighting machete or short sword is 28 in. overall oxidation mid-length on the scabbard. Est. $50-100 HWAC #51100 length with a 22 1/2 in. blade. This short sword is engraved with the Mexican eagle and snake on one side and engraved with a Spanish Lot# 3161 , replica Scimitar Arabic saying on the other. The grip is leather wrapped and has an aluminum sword This is a replica scimitar eagles head for a pommel. Vintage 1950’s-1970’s. Est. $100-300 Arabic sword made in Toledo, Spain HWAC #51146 model “Isabelina”. It is 32 in. overall length with a 27 1/4 in. blade. The blade is highly polished with some Lot# 3167 , Vintage Mexican deep engraving near the ricasso in fighting machete/ short sword black relief. The guard is painted gold and black with the grip wrapped This beautifully engraved Mexican black thread cloth. fighting machete or short sword is The scabbard is a black leather with gold painted metal throat and drag. Est. $100-300 HWAC #51148 28 in. overall length with a 22 1/2 in. blade. This short sword is engraved Lot# 3162 , Robin Hood-Earl of with African wildlife on one side and engraved with a Spanish saying on the other. The grip is leather Huntington Sword This Robin Hood tribute sword is 48 in. overall length wrapped and has an aluminum eagles head for a pommel. Vintage est. with the blade at 38 in. long. The 1950-1970’s. Est. $50-100 HWAC #51147 sword is made by Malta in Toledo,Spain and highly polished. It has a wide fuller on both sides for weight balance. The grip or hilt is made of aluminum and black vinyl. The crown is cast brass with an imitation green emerald stone. The cross-guard is 10 1/4 in. wide is brass with England’s coat-of-arms. The crown section is inscribed with “Earl of Huntington” and “Robin of Locksley” on the other side. This is a fine replica for your office or family room. Est. $150-250 HWAC #55307 Lot# 3163 , Sword Civil War era This sword is 35 in. overall length. The grip is black leather and the guard is stamped steel. The blade is patinated covering an etching. The grip and guard do not fit properly and may not be original to this sword. Est. $100-200 HWAC #51126 Lot# 3164 , United States Navy Officer’s dress sword This sword is 34 5/8 in. overall length with a polished brass and black leather scabbard. This sword is etched for the full length of the fuller with an anchor over union shield on one side and an anchor and line on the other side. It is marked “stainless made in Spain” over a logo WB. The guard is highly polished brass with a butt cap with an eagle surrounded by thirteen stars. The guard joins the butt with a sea serpent design and Zoom in and see the grip is an imitation stingray wrap in white and brass wrapped wire. This appears to be a reproduction of the original USN dress close up detail sword. The scabbard has two hooks of polished brass with rings and an High Resolution ornate drag. Est. $100-300 HWAC #51127 Lot# 3165 , Vintage Leon Paul Images of ALL LOTS epee sword This is a vintage “Leon Paul” epee sword with the classic “Y” available online at shape blade. It is 41 in. overall length and has a 35 in. blade and a blunt FHWAC.com tip. It is marked “Leon Paul” on the aluminum shield and “Paul” on the cushion on the inside of the guard. The sword guard shows wear. Est. $50-100 HWAC #51117 Bid online at FHWAC.com or call 775-851-1859 169

Day 3 - Military Lot# 3168 , United States American Lot# 3174 , Arkansas Arkansas Revolution Ephemera Lot of 8. Civil War Bond, Act of 1861 1861 1) Application for membership Criswell 61 K-1, R7. Est. $200-400 for The California Society of the Sons of the American Revolution. HWAC #54920 c.1890s. Jesse Beech Fuller. Interesting section traces out his family’s connection to American Revolution era: his grandfather was a direct descendant of Rev. Samuel Fuller who was onboard the Mayflower. His great grandfather served in the War and was captured by the British and held in Quebec for 3 years before he escaped back to America. Etc. Interesting read. 14” x 8.5” 2) Six lithographs taken from books Lot# 3175 , Arkansas Arkansas Civil showing important men (Edward Livingston, Jacob Radcliff, etc.) plus War Bond, Act of 1861 Criswell the Ruins of the Trinity Church. 7 x 4.5” 3) 1805 loan agreement to the #61J1, R7. Left and right halves are Patonmack Company for improvement of navigation in the Shenadoah taped, top has tape. 5.5” x 8.5”. Est. River. 8 x 5.5” Deep folds and separation. (Prag Collection) Est. $80- $200-400 HWAC #54651 100 HWAC #55649 Lot# 3169 , Group of Revolutionary War Engravings Prints 12 prints of engravings- Serapis v. Bon Home Richard, John Paul Jones, Lot# 3176 , Arkansas Arkansas Civil Stephen Decauter, Bunker Hill, Molly Pitcher, War Bond, Act of 1861 Criswell 61 Princeton, Plattsburg, Lexington, Declaration K1, Act of 1861 #3119115$10 to WK of Independence, Constitution v. Gueriere, Patterson. 5.75” x 8.75”. Est. $200- United States v. Macedonian, Martha 400 HWAC #55739 Washington. Mostly 7.75” x 10.75”. Some have toning. Est. $100-150 HWAC #54468 Lot# 3177 , Confederate $100 Lot# 3170 , Alabama 2 Different Bond, Act of 1861 Criswell 28, R7. #439, Loan Authorized by Act of Civil War Bonds CSA $100 bond Congress C,S.A. of 1861.12” x 14”. act of 1861 #7285, Criswell 29, R5, Est. $400-800 HWAC #54212 torn in half vertically and other tears, please inspect. Alabama $500 Criswell 61A, unrated #97. Est. $300-600 HWAC #54921 Lot# 3178 , Rare Confederate Lot# 3171 , Alabama Alabama Civil War States of America Bond, Act of Bond, Act of 1861 Criswell Alabama 61A R7 1861 Rare! Criswell 61G-1 R-11 Civil War Bond. $500 8%. Act of 1861 #71, $5000 8% note, Act of 1861, #132. signed by Governor A.B. Moore. 18.5” x 14”. Blue paper 18” x 11.25”. Some rear Est. $300-700 HWAC #54660 crease toning along folds. Est. $1000-1500 HWAC #54659 Lot# 3172 , Alabama Alabama Civil War Bond, Act of 1861 Criswell 61A-1, unrated. #66. $500. Est. $300-700 HWAC #54923 Lot# 3173 , Arkansas Arkansas Civil War Bond, Act of 1861 1861 Criswell 61D, R8. Est. $200-400 Lot# 3179 , Confederate $500 Bond, HWAC #54919 Act of 1861 Criswell 68 R6, #348. 14” x 14.5”. Est. $300-600 HWAC #54214 170 December 1st, 2nd, and 3rd, 2017

Day 3 - Military Lot# 3180 , Confederate Bond, $500 Lot# 3187 , Confederate War 1861 Criswell 73, R5. #1197 13” x Bond, Act of 1863 Criswell 122 R4. 14.25”. Est. $240-500 HWAC #54213 Act of 1863, Confederate $1000 7% bond, #1472. Est. $200-400 HWAC #54663 Lot# 3181 , Confederate Bond, $100, Lot# 3188 , Confederate $100 Bond, Act of 1863 Criswell 123 A, R3. #18742. 14” x Act of 1863 Criswell 6, R6. #220. Thick fiber paper. 14” x 13.5”. Est. 17”. Est. $100-200 HWAC #54205 $300-600 HWAC #54216 Lot# 3182 , Confederate $500 Bond, Act Lot# 3189 , Confederate States of of 1863 Criswell, 121 R2, #3754 14” x 17”. America $100 Bond Act of 1863 Est. $100-150 HWAC #54202 Criswell, 123 R5, #2142. 15” x 13”. Est. $240-400 HWAC #54204 Lot# 3183 , Confederate $500 Bond, Lot# 3190 , Confederate $500 Bond Act of 1863 Criswell 124A, R4, Loan in Act of 1863 Criswell 121 R2. #12048. 14” x 14”. Est. $100-150 HWAC #54208 rectangular box. #1623. Est. $180-300 HWAC #54200 Lot# 3184 , Confederate Bond, Lot# 3191 , Confederate $500 Bond, Act of 1863 Criswell 124 R2. Loan in $500, Act of 1863 Criswell 121, R2. $500 #4465. Est. $100-150 HWAC rectangular box. #6885 13” x 14”. Est. #54917 $100-150 HWAC #54201 Lot# 3185 , Confederate $1,000 Bond, Act of 1863 Criswell 122 R4, #2358 14” x 14”. Est. $180-300 HWAC #54209 Lot# 3192 , Confederate States of America $1000 Bond Act of 1863 Criswell 125 R2 No watermark. Light yellowish brown paper. 15” x 14”. Est. $100-150 HWAC #54211 Lot# 3186 , Confederate Civil War Bond, Act of 1863 Criswell 122, R4. Act of 1863 $1000 7% bond #1472. 12.5” x 14”. Est. $200-400 HWAC #54662 Bid online at FHWAC.com or call 775-851-1859 171

Day 3 - Military Lot# 3193 , Confederate States of Lot# 3199 New Orleans, Louisiana America Loan $1,000, Act of 1863 1864 New Orleans Civil War Criswell 125 A R6, Blueish white Soldier Letter Re: San Francisco paper with watermark and French Company Dateline New Orleans, March 8th, 1864. Appoints William Adhesive Revenue Stamps. #5107 13” L. Duncan of San Francisco as agent and attorney to “demand and x 15.5”. Est. $300-600 HWAC #54203 receive from the San Francisco Accumulating Fund Association any and all dividends of said company.” Signed by IM Burchard, Capt. 2nd La. Cavalry. Countersigned by clerk and judge. 25 cent IR adhesive revenue stamp, pen cancelled. 10 x 7.5” Folds, some separation. We can find records of an IM Burchard serving as a Union soldier, Captain 2nd Regiment Louisiana Cavalry. The 2nd Regiment Louisiana Cavalry was organized at New Orleans, La., November 25, 1863, as Lot# 3194 , Confederate States 3rd Louisiana Infantry. Attached to Defenses of New Orleans, Dept. of America Loan Bond 1863 Criswell 125 the Gulf. Consolidated with 1st Louisiana Cavalry September 7, 1864. “C” (new). Not described in 1980 edition. The San Francisco Accumulating Fund Association was a savings bank Red Overprint, “This Bond Not To Be established in 1854. (Prag Collection) Est. $60-120 HWAC #54592 Valid Until Endorsed by the Depository that Issues it.” Bond for $1,000. #42010. Lot# 3200 New Orleans, Louisiana 12” x 13.75”. Est. $300-600 HWAC #54210 Cotton Defeated Packenham and Cotton will Defeat “Ape Lincoln” 1) Confederate States of America patriotic cover. Shows a hairy Lincoln sitting on a bale of cotton. Printed by J. Mullen, Canal Street, New Orleans. Unused. 2) Also a Lot# 3195 , Confederate $1,000 “Cotton plant - King of the South” unused cover. Est. $50-150 HWAC #55002 Bond, Act of 1863 Criswell 125A, R6. Blush white paper, watermark “Cansell” R-6. Tight Trimmed. #1712, 14” x 12”. Est. $200-400 HWAC #54207 Lot# 3196 , Confederate $1,000 Bond, Act of 1863 Criswell, 130A, R4, #7668, 14” x 14”. Est. $180-300 HWAC #54206 Lot# 3201 , New Mexico Map of the Military Dept. of New Mexico, 1864 1864 Atlas to Accompany Official Records of the Union and Lot# 3197 , Confederate Bond, Confederate Armies 1861-1965. Plate #98. This map shows furthest West the Spanish Trail @ Mojave River, south to Ft. Yuma. It also shows $1000, Act of 1863 Criswell 144B, R4 #9286. 17.25” x 13.5”. Est. $180- major trails, important mine locations, water holes and shaded relief. Est. $200-400 HWAC #54217 300 HWAC #54215 Lot# 3202 New York, New York General Full Face Civil War Patriotic Cover with Map by Magnus Lot of 5. 1) Gen. Prentiss full face Civil War patriotic cover Lot# 3198 , Confederate States with map of Illinois, Kentucky, and Bond, Act of 1863 CSA bond Tennessee. Green. 2) Gen. Rosencranz full face Civil War patriotic cover with #13192, Act of 1863 $40. French revenue stamp. 13.75” x 15”. Est. map of Virginia. Brown. 3) Gen. Franz $300-600 HWAC #55740 Sigel full face Civil War patriotic cover with map of Missouri. Brown. 4) Maj. Gen. Butler full face Civil War patriotic cover with map of North Carolina. Purple. 5) Gen. L. Blenker full face Civil War patriotic cover with map of Virginia. Purple. All by Magnus. Est. $70-150 HWAC #54577 172 December 1st, 2nd, and 3rd, 2017

Day 3 - Military Lot# 3203 New York, New Lot# 3208 , Wisconsin Wisconsin York Union Civil War Civil War Casualty Warrants (3) Patriotic Cover Unused Group of 3 Wisconsin Volunteers - Magnus Bronze Ninth Civil War warrants for killed troops A(rmy) C(orps) Lot of seven. death benefits. 1) 1864 Simon All different. 1) Standing Geigere company 9, 9th regiment. Lady Liberty with scroll, quill, 2) 1864 John Sauber company 4. 3) and shield. All seven had a 1864 Edward O’Connell company 13 Slogan: “Ninth AC” with a artillery. The Wisconsin volunteers large cross. This presumably appeared to have suffered heavy stands for the “Ninth Army battle casualties. 8” x 3.25”. Est. $200-300 HWAC #54650 Corps,” but the associated cross was not the official Lot# corps badge of the Union 9th 3209 , 10 Corps. Printer’s Imprint: Campaign “Chas Magnus 12 Frankfort Maps, Civil St. N. Y.” at the bottom left. 2) War 1861- Another standing lady liberty holding a flag and looking out toward 1864 10 freedom(?). 3-5)Three different sitting lady liberties. Two with shields. Double All with flags. 6) George Washington in iconic pose with one foot on a truck, multi boat and pointing. Sword in hand. 7) Finally one more standing lady colored Liberty Holding a sword with crossed snakes and a shield with George battle Washington’s portrait. IX Corps (Ninth Army Corps) was a corps of maps from the Union Army during the American Civil War that distinguished Civil War itself in combat in multiple theaters: the Carolinas, Virginia, Kentucky, Era. More Tennessee, and Mississippi. Battles included Bull Run, Antietam, the specifically Overland Campaign and Petersburg and the Crater. Charles Magnus 1) Plate # produced high quality patriotic covers during the Civil War which 19, features are very much sought after by today’s collector. Est. $70-140 HWAC include #54576 Siege of Yorktown, VA, April 5 - May 3, 1862; White House to Harrison’s Lot# 3204 Philadelphia, Landing; 2) Double truck, multi-color battlefield map of Chickamauga, Pennsylvania Civil War Customs GA, showing army movements of Chattanooga, Tenn., and Cold Harbor, House Document, 1864 Pictorial VA. 1864, Plate #97; 3) Double Truck multi-color map showing line of Entry of Merchandise document, Port of Philadelphia Custom House. march, position, advances and flank movement in Mississippi, Atlanta, Dated Aug. 30, 1864. For Geo. B. Reeseford & Co. Printed by John C. Kenesaw Mountain and more, 1864, Plate #62, 29” x 18.5”; 4) VA Clark & Son. 10.5” x 16.5” Toning, folds. Separation with tape repairs. and PA showing military reconnaissance, Plate #18; 5) double truck (Prag Collection) Est. $60-100 HWAC #54596 multi- color map of battlefield of the Wilderness, VA, showing lines of confederate & union troops, Plate #96; 6) Map of Coast of Texas Lot# 3205 , Pennsylvania Civil War and It’s Defenses also showing Enemy’s First Line of Entrenchments, Discharge Paper Civil War discharge Plate #65; 7) Battlegrounds in Richmond VA 1862-63, Plate # 20, paper for George Keagle a private in the (condition issue, 4 inch tear on right side); 8)Southeastern Virginia 8th regiment of Pennsylvania Cavalry, and Fort Monroe, 1861, Survey Map; 9) Map of the Military Dept. 1865. 42 years old and 5’9” tall. He was of Southeastern VA and Fort Monroe, showing the approaches to a shoemaker. Top and bottom halves are Richmond and Petersburg. Includes Picket Line of First Brigade and taped on rear. Est. $80-120 HWAC #54649 Reconnaissance toward Lees Mill, 1862, Plate #17; 10) Four different battlefields in VA 1862-1864, Plate # 64. Est. $500-1000 HWAC #54218 Lot# 3210 , Civil War Discharge Papers Lot of five: discharge papers from 1863 mustering out soldiers in Lot# 3206 , South Carolina “We Are Tennessee and Kentucky from the Seven” South Carolina Confederate Union Army. Soldier John Walsh was Flag Envelope On yellow envelope. from county Mayo, Ireland. Two of South Carolina was one of the original the others were also Irish, one was seven states to join the rebellion. from Prussia and one from Scotland. Four more northern states including Est. $80-160 HWAC #53838 Virginia would join later. Unused and in excellent condition. Est. $40-60 HWAC #55001 Lot# 3211 , Civil War Engraving Prints Group 6 prints-US Grant, Lot# 3207 Knoxville, Tennessee Civil War Defence of Ft. Moulterie SC, Battle of Confederate Letterhead 1861 CSA finance Gettysburg, Loss of the Monitor at bureau letterhead Aug. 11, 1861. Recipient is night, Mortar Vessels in the Distance in Knoxville TN. Est. $100-200 HWAC #54922 Shelling the Forts, Gun and Mortar Boats on the Mississippi. Very cool naval battle scenes. Est. $60-100 HWAC #54475 Bid online at FHWAC.com or call 775-851-1859 173

Day 3 - Military Lot# 3212 , Civil War era ephemera Lot# 3216 , Civil War Union with an Autographed piece c1861 Lot of Statement of Volunteers (5) 5 five. 1) Hand colored print of Colonel John Statements of Union Volunteers. W. Geary. Geary was a Union general and They were paid $300 to enlist for 1 Governor of Pennsylvania. It is titled “Last year in 1865. Volunteers originated Alcade and First Mayor of San Francisco”. from Ireland, Virginia and New York. 2-3) Titled Fireman’s procession passing Yellow paper 6.75” x 8.25”. Est. the Washington Monument in 1858 and $300-700 HWAC #54918 Landing of the Shore End at Trinity Bay 1858. Hand colored. 4-5) Two prints Lot# 3217 , Civil War Vouchers titled Interior of the Beekman house and portrait of the great grandmother of Four vouchers from the paymaster. Johannis De Peyster. Est. $150-300 HWAC Printed forms filled in longhand for a #55018 musician, a paymaster and “colored” servants. Signed at Vicksburg Lot# 3213 , Civil War Letter with Patriotic Mississippi, and Huntsville, Alabama. Cover 1862 4 pp 3.25” x 5.25” patriotic cover with Historical artifacts. Est. $100-200 red, white and blue “The War For The Union”. Letter HWAC #53836 is dated June 27, 1862. The letter states “Laura is gut back home and gon making shoes agin I shood live to se the blask niger that ever live as to se her” Lot# 3218 , Civil War Vouchers and “ I received a letter from Peter? last friday he for African American Servants is well he wrot that he sen all all the fiting that Lot of seven vouchers, printed he wants to and he wanted to git home with his family”. Est. $100-200 HWAC #54657 forms completed in handwriting by officers to order payment for African American servants during the Civil Lot# 3214 , Civil War Letters War. Dates from 1862 through 1865. 16 1/2 x 10 1/2 inches when open. from Albert & Richard Keys to Historical documents that encourage their Family During the Civil War research into the roles the officers 1860’s These are discovery Civil played in the War. Est. $200-500 War pieces. Lot of nine. 1) “In the HWAC #53825 Field” May 5, 1864.” “Regt to go to Cattawah which is fifteen miles from Lot# 3219 , Civil War Vouchers for Clarland and mid way from the latter Deceased Soldiers Four vouchers to Chattanooga.” “This is the third day recording payment of “Arrears of Pay in the field and no fighting yet....we and Bounty Certificate” for soldiers are ten miles from Dalton, Ga. I don’t think the Rebs will make a stand killed in the Civil War. Two issued to there. We shall see.” This letter certainly indicates that the author was widows, two to fathers and all in the with General Sherman. 2) “Section 49 of the Parkville North Western vicinity of one hundred odd dollars. RR, June 17, 1864” “...and when the war is over if they don’t kill me...” Soldiers from Wisconsin, Minnesota, “I have not been paid for four months.” “Everything is as usual here and Illinois. Est. $100-200 HWAC foraging, Pickett duty is the order of the day...” 3) I am very sorry to #53837 inform you & Bro. Elmore that Our Bro. Richard is no more he died on Lot# 3220 , United States Early the 24th of October of Brain fever...” This letter has been ripped. These Battleship & Naval Stereoviews Lot of three letters were only quickly perused by us and the other six have not been read. Est. $100-300 HWAC #55000 18. Many are Keystone and Underwood & Underwood. Highlights include: Keystone Lot# 3215 , Civil War 19094 showing submarines in dry dock in Patriotic Cover Group the Government Navy Yard; two different Lot of 14. Includes a views of U.S. Battleship Massachusetts; striking multi-color Berlin c.1898 view of US Monitor Mahopac; and Jones of Uncle Sam “Olympia” coming back from Spanish- fishing for secessionists American War; also “Philadelphia” with a cannon. Multi- returning; c.1898 of West Point Battery color Berlin & Jones with Engineers, Key West, Florida; Battleship a hangman’s noose for Kentucky; and more. Please inspect. traitors. Two Identified (Prag Collection) Est. $100-200 HWAC #54772 Magnus covers: Purple Lot# 3221 , United States Spanish War Department and American War Stereoview brown eagle and flag. Collection Collection of 20 different General Scott by Johnson stereoviews of the Spanish American & Dana. Two ‘Late USS Maine’ by Root. ‘Spirit of War. Includes 7 Underwood & Underwood, 6 Keystone, 2 Kilburn, 2 76 Moves US’ by Kimmel. Griffith & Griffith, and 3 others. Views Patriotic Wisconsin cover with blue stars around the envelope. of battleships, troops on battlefield, Northern Owl searching to Secession mice. General Scott and ‘King’ troops leaving for Manila, troops Davis addle-pated. Two used including a ‘If anyone attempts to haul down the AMERICAN FLAG, shoot him on the spot.” Est. $100-200 celebrating at home, important HWAC #55003 figures (such as Commodore Winfield Scott Schley, Admiral Dewey, President McKinley), hospital, etc. This is a nice collection worthy of inspection. Views are c.1898-1902. (Prag Collection) Est. $200-400 HWAC #54709 174 December 1st, 2nd, and 3rd, 2017

Day 3 - Military Lot# 3222 Havana, zCuba Battleship Lot# 3226 , United States World Maine Wreck & Salvage Stereoview War II Promotional Ephemera Collection Five different stereoviews Lot of 16. Includes: General Mills of the Battleship Maine wreck War Album of Victory Battles with stamps; three (9 x 7.25”) punch and salvage, an event that greatly card pieces promoting buying US Defense Bond & Stamps with fake contributed to the start of the punches at Hitler; 8 x 6.5” sticker for Subscriber Victory Liberty Loan; Spanish-American War. 1) Three three 5x7 black and white photographs; seven postcards incl. one with are Keystone stereoviews, c.1898: a Hitler postage stamp; plus a 1919 War Diary of the USS Bridgeport, 7050, United States Battleship 47 pages, by WH Smith & Son. (Prag Collection) Est. $80-160 HWAC Maine (pre-wreck); 9078--General #54797 View of the Wrecked Battleship Maine; and 9082--Divers in Full Dress on Wrecked Battleship Maine, Lot# 3227 Oakland, California U.S.S Havana Harbor, Cuba. 2) Two others are Underwood & Underwood, Proteus Photographs 19 World War II era photographs taken on the both c.1898: The “Maine” Wreck from Merritt Wrecking Tug “Chief”; U.S.S Proteus. The photos each measure 5” x 3.75” and were used for and American Divers at Work. The USS Maine sunk suddenly on official U.S. Navy use. The images document a show that was used to February 15, 1898 in Havana Harbor, having been sent to Cuba to entertain the troops aboard the ship (including a lovely young lady protect US interests in the Cuban War of Independence. The explosion playing the accordion and behind the scenes with entertainers and was pinned, with the help of newspapers controlled by Hearst, on crew). Great historic set! The third USS Proteus (AS-19) was a Fulton- the Spanish. President McKinley sent a salvage investigation which class submarine tender in the United States Navy. Est. $50-100 HWAC concluded the cause of the explosion was an external mine. This is still #45328 being debated. Nice collection! (Prag Collection) Est. $100-200 HWAC #54734 Lot# 3228 , Military Booklets: Lot Lot# 3223 , Battleship USS of Four 1) “Pacific Fleet: U. S. Navy.” Oregon Stereoview Collection 64 pages. 60 pages of photographs. Mostly of the ships! 1919. Soft cover Lot of 6 different stereoviews for is showing signs of 100 years of wear this battleship that is best known but is still strongly attached. 2) “The for service during the Spanish- Fleet at San Francisco.” 36 pages. American War. Built in 1890 by 35 pages of yellow toned pictures. Union Iron Works in San Francisco. Some of the ships and some of San Nicknamed “Bulldog of the Navy” for Francisco sites. One nine panel fold performance in the battle of Santiago. Cards by Underwood & Underwood, out. One side shows the mighty ships Keystone, & Griffith & Griffith: 13- entering the bay. The other shows inch guns (c.1899), two different c.1898 views, Naval Review after how San Francisco is recovering from the earthquake. Cover has detached, but is present. 1908. 3) “Men Battle of Santiago showing Oregon in the North River (c.1898), Oregon Make the Navy.” 50 page promotional brochure. Many pictures. World in Dry Dock (c.1898), and one without any publisher or date. Please inspect for condition. (Prag Collection) Est. $50-100 HWAC #54766 War II era. 4) “Pearl Harbor Story.” 48 pages. Tourist booklet. 50 pages. Almost all have images of the ships attacked at Pearl Harbor. Most of Lot# 3224 , United States World these show the ships on that fateful day in December. Est. $50-100 War I Stereoviews Lot of 7 different HWAC #55020 Keystone stereoviews with World Lot# 3229 , Military Collection: War I related views. Included: 26511- Books, ID Cards, V-Mail, prints, The Leviathan; 16667-Submarines, “Citation for the Bronze Star”, and Battleships, and Torpedo Boats; a Great Spinner 1) Hard cover book 18927-”Enemy Airmen Successfully Bombed One of Our Supply on the 184th Infantry (40th Infantry Division). Includes a history and Trains” (view of damaged wagons and dead horses); 18898-Shells photos of all current members. 132 Bursting in Ruined French Village; 19200-Doughnuts for Doughboys; pages full of photos. 1941 - before 19227-Nursing Wounded Heroes Back to Health; and 19262-American deployment in World War II. Nice Ordinance Repair Shop in France. Good quality and nice condition. (Prag Collection) Est. $70-140 HWAC #50667 condition. 2) Wonder Bread spinner “The Guide to United States War Ships.” Just turn the spinner to see Lot# 3225 , United States the ships. 3) 1945 citation for Bronze Medal signed by General Joseph World War Stereoviews L. Ready. Presented to Captain Daniel E. Fisher. Also seven military ID feat. Zeppelins Lot of cards, one V-Mail (wish I could be home for Christmas, but next year is five different World War looking good), V-Mail stickers, button “Keep ‘em afloat, etc. Est. $100- stereoviews featuring 200 HWAC #55023 zeppelins. Four are Keystone Lot# 3230 , Military Related Co.: Dirigible R-34 at CDV’s Lot of ten. 1) Surgeon General Mineola; French Troops Scanlon. Photo by Webster Brothers Inspecting a Wrecked at Baywater. 2) M Martin photo of Zeppelin; Attaching the King of Siam. 3) 1888 General Observation Balloon to Sherman by (?) in New York. 4) Winch; and Hauling Down Victor C. Smith. 1890. 5) Brownell and Observation Balloon. & Company of Rhode Island. One stereoview By Royal Command to Their Imperial Majesties Unidentified subject. 6) Hawlett, King George V and Queen Mary showing a zeppelin shot down near Colchester. (Prag Collection) Est. $100-200 HWAC #54722 C. Co. Unidentified subject. 7) French soldier outside a house. 8-10) Unidentified. Est. $100-150 HWAC #55021 Bid online at FHWAC.com or call 775-851-1859 175

Day 3 - Native Americana Lot# 3231 , Original Photographs: Lot# 3238 , Alaska Nome Gold Rush Military Related Lot of five. 1) Ivory Mining Tools Ivory mining Battery A, Cal. Heavy Artillery. At tools-shovel axe, pick, etc. Very attention. Photo by Hodson. Cabinet delicate, in small case. Est. $200- card. Picture is 5.5 x 7.75”. 2) Three 400 HWAC #54878 young soldiers. 3) Colors Of the 15th Field Artillery being decorated by the Commander in Chief, A. E. F. At Neimback, Germany on May 14, 1919. Very heavy folds. 4) Secretary of State Edward R Stettinus buying Lot# 3239 , Alaska the first Eisenhower War Bond in San Whale Bone Eskimo Francisco. 5) Small cabinet card of the military camp at Camp Tell. Est. Mask Eskimo mask, $50-100 HWAC #55022 ossified whalebone, laughing face, mustache Lot# 3232 , Alaska Vintage Inuit with polar bear fur fringe sculpture of Man in Kayak c. 1900 hood. Signed on reverse- Kayak made of wood with thin sinew Evans, Apatiki Campbell, covering. Eskimo figure in kayak of Alaska. (9” x 6”). Est. wood (one arm missing) with cloth $200-300 HWAC #54879 outfit. He holds a paddle of wood with ivory ends. Ivory accents also on kayak. Est. $350-600 HWAC #54872 Lot# 3233 , Alaska Inuit Ivory Kayak sculpture c.1900’s Vintage ivory Inuit hand carved kayak of man, oar, spear and a seal of fur. 10.25” x 2.25” x 1.75”. Est. $350-600 HWAC #54873 Lot# 3240 , Alaska Antique Inuit Lot# 3234 , Alaska Antique Scrimshaw Whale Tooth Wood Doll Antique Alaskan Inuit handmade wooden, costumed doll. c.1900s Vintage scrimshaw Male doll dressed in authentic native whale tooth. Different leather costume, including very finely scrimshaw images of ships on detailed mukluks. 14” x 6.5” x 2”. each side. Very good condition. Beautiful piece in good condition. Est. 5.5” x 1.5” x 2”. Est. $300-500 HWAC #54874 $360-600 HWAC #56200 Lot# 3235 , Alaska Scrimshaw Sperm Whale Tooth Scrimshaw sperm whale tooth--young sailor with Lot# 3241 , Alaska Oar ship on one side and reverse side shows graphic of woman in process with Carved Image of of sexual act. X-rated! Possibly Nome gold rush era. 4” x 1.25” x 1.25” Albatross Handmade diameter. Est. $300-500 HWAC #54875 rustic canoe paddle with carved albatross Lot# 3236 , Alaska Vintage Ivory image. 24” x 5.75”. On Letter Opener c.1959 Charming reverse: Pat. 2-97. Also ivory letter opener, highlighted by a included is a small delicate bird form handle, 7” x .75”. decorative oar, painted Condition: excellent no chips or cracks. Est. $100-200 HWAC #54876 fir tree image. And, a vertebrae bone. Est. Lot# 3237 , Alaska Ivory $150-250 HWAC #56201 Walrus Teeth and Fetishes Seven ivory walrus teeth and four fetishes--whale, bear, cow and unidentifiable piece. Est. $100-200 HWAC #54877 176 December 1st, 2nd, and 3rd, 2017

Day 3 - Native Americana An Important Note on the Native American Ivory Lots in this catalog The Native American ivory items on the following pages were made or acquired prior to the US Fish and Wildlife Service Mammal Marine Protection Act of 1972. As such, the item(s) must be sold to a United States resident, with the purchased item(s) remaining in the country. Foreign parties wishing to purchase these items may receive a permit to transfer them to a foreign country after filing the appropriate permit application with the USFWS and paying attendant fees. FHWAC complies with the MMP Act of 1972 by reporting the sales to the USFWS. The items may be subject to tracking. Certain items may be identified herein as post 1972 Native American constructed art pieces, which may not be subject to the MMP Act of 1972. None of the item(s) sold herein are subject of the Endangered Species Act, as amended. After December 31, 2017, sales of similar items will be limited to Nevada residents only. Lot# 3245 , Alaska Eskimo and Sled Team at Work This small sculpture piece (approximately 4” long) shows an eskimo running beside a one dog team. Two other small dogs are froliking nearby. There is even a seal balancing a red ball on his nose. Unique to say the least! Est. $100- 200 HWAC #55835 Lot# 3246 , Alaska Eskimo Doll with Carved Stone Face and Fur Lined Parka Hood Fancy! Ten inches tall. Leather Mukluks. Fancy outfit. Carved green stone Lot# 3242 , Alaska Alaskan Native Man and Woman - Ivory Woman face approximately 2 1/2 inches tall and is holding a dog and man is drinking from a bowl. They measure a little 2 1/4 inches wide. Mid 20th century. Very over 2 inches tall. Nice pair. fine construction. Est. $200-400 HWAC Est. $100-250 HWAC #55827 #55805 Lot# 3243 , Alaska Arctic Bird watching over Three Eggs This arctic bird is on a green and black colored rock base. The piece is 5” wide and almost 4” tall. It is a striking piece! Est. $100-250 HWAC #55866 Lot# 3247 , Alaska Eskimo Hiding from Walrus - Ivory The eskimo is lying down and hiding behind a rock. A walrus is on the other side. Measures 5 x 2.5”. Nice looking piece. Lot# 3244 , Alaska Eagle- HWAC #55841 Signed. Est. $200-500 shaped Ceremonial Artistic Dance Dress 9.5” tall and 11” across. Lot# 3248 , Alaska Made of unknown Eskimo Ice Fishing Art substance which could This is a nifty item. Shows be wood fibers, plant or an Eskimo ice fishing and even possibly whiskers. he has just caught a fish. Unknown artist. Very Two more fish lie on the artistic. Pre-World War base. Base measures 6 x II. Est. $100-200 HWAC 3.5”. Height reaches 3”. #55813 Interesting stone! Est. $250-500 HWAC #55836 Bid online at FHWAC.com or call 775-851-1859 177

Day 3 - Native Americana Lot# 3254 , Alaska Game Featuring an Ivory Walrus This seems to be some sort of game. It is a carved walrus with a hide strip going through him and carved pieces on each end. Walrus is approximately 3 inches long. Est. $100-200 Lot# 3249 , Alaska Eskimo Kayak with Hunting Tools Probably HWAC #55848 pre-1900. About 2 feet in length. Wood and hide construction. Includes wood and ivory tools. One hand held harpoon has a float attached! Paddler is constructed of an old canvas. Oar is included! This old kayak is clearly a museum piece and must be seen to be appreciated. Est. $500-1500 HWAC #55800 Lot# 3255 , Alaska Green Stone Walrus with Ivory Tusks This is Lot# 3250 , Alaska a beautiful show piece. Nice green Eskimos at the Kill color with nice details. Massive looking! Almost 8” tall. One tusk tip Sculpture Show three has been chipped. Est. $200-500 HWAC #58811 eskimos with knives at their feet. A dead seal lays Lot# 3256 , Alaska Hand Carved in between them. On a Blackstone with Ivory Narwhal rock base. The sculpture is Tusk Ivory is made to look like a 7” long and 3 inches high. narwhal tusk. 5 inches long. Tooth Signed by Nina(?). Est. measures 1”. Height is 3.5 inches. $200-300 HWAC #55834 Black stone base. Est. $100-300 HWAC #55862 Lot# 3251 , Alaska Eskimos Lot# 3257 , in the Snow Sculptures - Alaska Hand Ivory 1) Largest is a 2.5” Carved Haida Pipe Eskimo on snowshoes. Ivory. This rather Gloves and face highlighted interesting in black and red. Black and piece shows red clothing detail. Nice spectacular looking. 2) Eskimo on skis. Face is rather primitive. Est. workmanship. $100-200 HWAC #55829 The human body on the top (with ribs sticking out and in a look of death or severe Lot# 3252 , Alaska Eskimos Rowing starvation) Small Boat - Ivory Faces have been represents???. 5.5” long. On metal stand. Est. $500-1500 HWAC #55859 highlighted in black. 5 inches long. Intricate and interesting piece. See photograph. Est. $200-500 HWAC #55863 Lot# 3258 , Alaska Hand Hammered Copper Ulu Knife An ulu knife is an all-purpose knife Lot# 3253 , Alaska Four traditionally used by Inuit, Yupik, and Aleut women. (Translates to Interesting Polar Bear woman’s knife.) This blade is hand-hammered copper. Most likely the Fetishes Largest polar copper came from the Copper River area. The tang set directly into a bear is ivory and stands what appears to be a wood or bone (musk ox?) handle. Est. $100-300 HWAC #131313 3”. With highlighted facial feature and toes in black. Longest is 3.5”. They all seem to be made from different material. Interesting collection. Est. $200-400 HWAC #55806 Lot# 3259 , Alaska Hide Eskimo Kayak with Ivory Tools 14” kayak. No figure. Includes ivory tools: two harpoons, one oar and one hook. Fabulous! Est. $300-900 HWAC #55801 178 December 1st, 2nd, and 3rd, 2017

Day 3 - Native Americana Lot# 3260 , Alaska Lot# 3264 , Alaska Intricately Carved Ivory Dog Team Asian Scene inside a Pulling Sled Nice Banana This 5” artistic sculpture of five sculpture is done inside different dogs a banana. Scene depicts pulling a sled with a rich or famous person an Eskimo riding being carried by two and a box on the porters in a hand carried rear of the sled. litter. Two large carved trees fill the background. Very intricate for the Great ivory piece! tiny workspace. Also includes a separate 1 x 1” Budha type figure. Est. 16 inches long! Est. $100-300 HWAC #55849 $200-600 HWAC #55845 Lot# 3265 , Lot# 3261 , Alaska Alaska Ivory Ivory Art: Eskimo Eagle Soaring with Seal Eskimo over Eskimos stands 2.5 inches Two eskimos are tall. Includes a base. dwarfed by the Eskimo face, hands, soaring eagle. The legs, and spear have sculpture measures been highlighted 7” tall and 3” high. in black. Seal’s toes Nice facial details also. Est. $100-200 on eagle. Eskimo in HWAC #55851 front seems to be holding a harpoon. The eskimos are not ivory. On a green stone base. Est. $500-1000 HWAC #55838 Lot# 3266 , Alaska IVory Eskimo, Dog, Sled and Reindeer Sculpture This small piece is packed with detail. An Eskimo is running next to a sled. He has a very long guide pole to keep the reindeer, who is pulling the sled, on track. A dog runs beside the reindeer. The pieces measure 6” long and 1.5” tall. Est. $100-250 HWAC #55854 Lot# 3267 , Alaska Ivory Fetishes of an Eskimo Man and Woman Ivory sculptures on black stone base. Lot# 3262 , Alaska Ivory Bear and Walrus Carving Mounted on Shows female working around some Light Green stone Rock Base It is titled “Coral Harbor” and the barrels and a man is kneeling over. artist is Kotsiark. Almost a foot long carved ivory. Has a carved walrus Base is 4” long and 3” wide. With the head on one end with two ivory tusks and a carved polar bear head statues on the base, it reaches almost on the other. Etchings of a polar bear and seal on one side and two 3” in height. The two individuals are different whales on the other. This would look magnificent in any not connected to the base and are not collection. (Coral Harbour is a small Inuit community that is located a set. Est. $100-200 HWAC #55820 on Southampton Island, Kivalliq Region, in the Canadian territory of Nunavut. Its name is derived from the fossilized coral that can be found around the waters of the community which is situated at the head of South Bay.) Est. $300-1000 HWAC #55802 Lot# 3263 , Alaska Ivory Cribbage Board 10 inches. Carved seal on narrow end. Quite nice! Est. $1000-1500 HWAC #55843 Lot# 3268 , Alaska Ivory Kayak with seal! The seal is on the back of the kayak. Obviously the rewards of a day’s work. Includes three tools which an Eskimo would use: spears, etc. This is a very nice piece. Facial details of the Eskimo is good. Seal shows ears! 9” long. Est. $1000-4000 HWAC #55817 Bid online at FHWAC.com or call 775-851-1859 179

Day 3 - Native Americana Lot# 3269 , Alaska Ivory Lot# 3274 , Alaska Ivory Sculpture Knife and Sheath Knife of an Eskimo Cutting a Dead Seal is 9” long. With sheath On a base that measures 8 x 4”. measures 11”. Carved on Height reaches 3”. Eskimo is holding sheath is a polar bear and an ula knife. a walrus. Handle has a Est. $250-500 HWAC #55819 marvelous carved walrus. Nice piece! Blade is not ivory. Est. $500-1000 HWAC #55856 Lot# 3275 , Alaska Ivory Seal Fetishes Two seals with fine facial details. Largest seal measures 4”. Both are laying down and face each other. Nice set! Est. $500-1000 HWAC #55816 Lot# 3270 , Alaska Ivory Letter Opener Handle is a carved whale with color highlights. Eight inches. Est. $200-400 HWAC #55853 Lot# 3271 , Alaska Ivory Polar Bear and Seal Sculpture These ivory pieces show two polar bears with a seal in between them. Polar Lot# 3276 , Alaska Ivory Sewing Tool? This intricately carved tool bears are on the move and the seal is lying between them. The base comes to a point. The tool has been carved to look like a narwhal measures 8” long. The sculpture is 1.5” high. Signed by Komisujp(?). Nice desk piece. Est. $200-500 HWAC #55858 tooth. Hand carved, detailed walrus head handle. Eight inches long. Est. $200-500 HWAC #55852 Lot# 3272 , Alaska Ivory Polar Bear Fetish One of our larger fetishes offered for sale. Measures Lot# 3277 , Alaska Ivory Spear Tip Carved arrow markings on all 4” long. Includes four sides. Measures 18” long. Barbs on the bottom are worn but highlighted features confirm used as a weapon. Unusual and rather interesting. with a red mouth wide Est. $500-1000 HWAC #55847 open and teeth showing. Est. $100-300 HWAC #55824 Lot# 3278 , Alaska Ivory Walrus with Long Tusks Walrus measure 2.5” tall. Nice detail in flippers. Painted eyes. Fetish. Est. $100-200 HWAC #55825 Lot# 3279 , Alaska Knife Perhaps made from a Walrus Tusk The shape and color give this indication. Or perhaps IVORY! 13+ inches long. Curved. Carved out hand grip is past of this one piece knife. Est. $150-300 HWAC #55855 Lot# 3273 , Alaska Ivory Polar Bear Resting on an Ice Flow Nice sculpture on a rock base. THis sculpture is titled “Cool Bear” and is numbered 21 of 250. From the artist Mozel? Measures 7 x 5”. 3.5” tall. Very nice facial features on the polar bear. Est. $250-500 HWAC #55842 180 December 1st, 2nd, and 3rd, 2017

Day 3 - Native Americana Lot# 3285 , Alaska Medium Size Eskimo Doll Possibly of Russian origin with face designs somewhat similar to the Russian people. Sealskin boot and coat. Hide Mukluks. 10” tall and 6” wide. Choice Details! Est. $200-500 HWAC #55804 Lot# 3280 , Alaska Large Ivory Cribbage Board Spectacular! Comes to a point with a polar bear carving. Sixteen inches in length. Sits on a wood base. Eskimo symbols (artist) are painted on the side! Est. $1000-1500 HWAC #55846 Lot# 3281 , Alaska Large Lot# 3286 , Alaska Medium Sized Eskimo Ivory Narwal Fetish Doll with Ivory Face and Choice Features Seal skin coat and mukluks. Hand carved ivory Six inches from tail to face. 10” tall. 6” across. Please see photograph. tooth. Laying on its back. Est. $200-500 HWAC #55810 Bone tooth. Eyes are highlighted in black. Est. $100-200 HWAC #55864 Lot# 3282 , Alaska Large Size Eskimo Doll with Hand Carved Black Stone Head Seal skin coat and clothing. Choice early piece. Possibly pre-World War II. 14” tall and 6” across. A choice Eskimo collectable! Est. $250-500 HWAC #55809 Lot# 3287 , Alaska Metal Native Alaskan Harpoon Tip This metal harpoon tip is 2” long with another 2” if the attached shaft is included. Probably Inuit. Has been turned into an art piece with a base. The harpoon tip is, therefore, prominently displayed in an upright position. Est. $200-400 HWAC #55861 Lot# 3288 , Alaska Musk Ox with Ivory Horns This 8” long piece features a musk ox carved in green stone. Two ivory horns. Est. $200-400 HWAC #55832 Lot# 3283 , Alaska Large Walrus Soapstone Statue Two large ivory tusks protrude from this 10” long walrus statue. Bottom reads “E 9 1619”. Heavy and impressive! Small chip on one of the tusks. Est. $200- 400 HWAC #55840 Lot# 3284 , Alaska Large Whalebone Mask with Ivory and Shell Decorative Pieces This measures 9 x 7”. Teeth, eyes and cheeks made of shell and ivory. Although whalebone masks are not uncommon, you hardly ever find them with this attention to detail! This is a very nice example of this Eskimo art. Est. $500-1000 HWAC #55812 Lot# 3289 , Alaska Old Mounted Carved Ivory Tusk This tusk measures 14” tall and sits upright on a base. Carvings include dogsled team, sled dogs, polar bear, four different kinds of birds. A magnificent trophy piece for a desk. Est. $1000-3000 HWAC #55868 Bid online at FHWAC.com or call 775-851-1859 181

Day 3 - Native Americana Lot# 3290 , Alaska Perhaps Atlatl Lot# 3293 , Alaska Seagull Soaring Type Weights Made from Antlers over a Rock Formation with Young Bone weights like this were used Seagull Great sculpture. The entire where rock was scarce. Or perhaps piece measures 6.5” high. Seagull it was used as a tool for twisting???. measures 4 inches. Signed by Pitseolak We are not exactly sure what this is. If of Pond Inlet. A small seagull is buried anyone knows what these are exactly in the rocks for protection. Est. $100- and would like to share with us, We 300 HWAC #55821 would love to hear from you. Est. $100-200 HWAC #55844 Lot# 3291 , Alaska Primitive Eskimo Soapstone Carving Lot# 3294 , Alaska Small Eskimo with Ivory This is a sculpture Doll with Seal Skin Construction of an Eskimo holding a seal and Ivory Face 8 inches tall and or small walrus. Ivory tusks 4 1/2 inches wide. Hide boots and and knife are part of the mittens. Handmade face from ivory. piece making this a very nice Possibly mid-20th century or older. collectable. Signed by F 983 Seal skin coat and hat. V. Sold by the Eskimo Art Est. $200-500 HWAC #55808 Company. Est. $200-400 HWAC #55830 Lot# 3295 , Alaska Small Rectangular Native Alaskan Basket Lot# 3292 , Alaska The course weave basket measures 3 Remainder Pieces x 3 x 2”. Has a ring pull top. From the from Eskimo Alaska / Pacific Northwest Region. Sculptures There are Est. $100-200 HWAC #55833 12 odds and end pieces. Mostly ivory. Includes a small polar bear pin, small dog sled pin, birds, whales, totem pieces, seal, etc. Nice selection. Small pieces. Est. $100-300 HWAC #55850 An Important Note on the Native American Ivory Lots in this catalog The Native American ivory items in this catalog were made or acquired prior to the US Fish and Wildlife Service Mammal Marine Protection Act of 1972. As such, the item(s) must be sold to a United States resident, with the purchased item(s) remaining in the country. Foreign parties wishing to purchase these items may receive a permit to transfer them to a foreign country after filing the appropriate permit application with the USFWS and paying attendant fees. FHWAC complies with the MMP Act of 1972 by reporting the sales to the USFWS. The items may be subject to tracking. Certain items may be identified herein as post 1972 Native American constructed art pieces, which may not be subject to the MMP Act of 1972. None of the item(s) sold herein are subject of the Endangered Species Act, as amended. After December 31, 2017, sales of similar items will be limited to Nevada residents only. 182 December 1st, 2nd, and 3rd, 2017

Day 3 - Native Americana Lot# 3296 , Alaska Lot# 3300 , Smaller Ivory Kayak Alaska Three Still, it measures over Ivory Animals 9” long. Double ore of the Sea All in paddlers hand ivory. Includes a and three tools (two beluga whale, seal, spears/harpoons and and unidentified one hook) are also whale. Beluga ivory. whale has Est. $400-1000 HWAC detachable #55803 flippers. Largest piece is 5”. Est. $300-600 HWAC #55828 Lot# 3297 , Alaska Soapstone Eskimo Lot# 3301 , Alaska Three Very and Seal Pair (with Small Ivory Seal Fetishes On a Ivory Harpoon) Now green base. Largest measures one this is unusual. A pair inch. Cute. Est. $100-200 HWAC #55865 of sculptures bound by a rope. Obviously the Lot# 3302 , reward for the Eskimo’s Alaska Two hunt. Eskimo holds a stick Polar Bear and the seal has an ivory Ivory Fetishes harpoon through it. Seal Two very nice is 7.5” long. Eskimo is 8” examples. 1) tall. Very nice combination Walking. 4” long. piece. Harpoon is ??? “ALH I” on base. Seal’s back flippers are glued on 2) Standing. 4” after a break. Est. $200-400 HWAC #55831 tall. Particular detail has been paid to the Lot# 3298 , Alaska mouth, nose and Soapstone Statue of eyes. Toes are an Eskimo holding an also highlighted. Ivory Drum Stick and Est. $350-700 Drum This soapstone HWAC #55815 statue is approximately 8” tall. Again, it has been carved so that tools can be placed in the hands Lot# 3303 of the Eskimo. Both , Alaska the ivory drum stick Walrus and wood drum are Tusk Foam removable. Scraper Est. $200-400 HWAC #55837 This probable walrus tusk (Native Alaskan) foam scraper is 7” long. Simple and appealing. It is identical to the many foam scrapers c1900 we have sold in auction before. They are typically inscribed, but this one is Lot# 3299 , Alaska unadorned. Est. $100-200 HWAC #55857 Three Interesting Animal Sculpture Pieces Includes a walrus Lot# 3304 , Alaska Whalebone Statue on a wood base, musk ox of a Polar Bear and a Whale This 11” with highlighted horns high artistic piece features a whale on and eyes, and a seal her nose and a polar bear that seems sitting on a rock. Largest to be looking up at the whale’s tail. pieces tands 1 inch tall. Impressive desktop piece. Bottom is Est. $100-200 HWAC marked “8112-1784”. Est. $300-500 #55826 HWAC #55814 Bid online at FHWAC.com or call 775-851-1859 183

Day 3 - Native Americana Lot# 3310 Mendocino, California Grace Hudson Art of Pomo Child Circa 1890’s photo or print by Hudson, hand painted and enhanced by her with water colors at the time, given to Col. M. H. Hecht. Original oak frame and mat, approximately 16 Lot# 3305 , Ivory Kayak without Seal Paddler seems to be covered x 20”, from an important in some sort of thin, wiry material. Face is carved. Remains of a hat are Mendocino family. Grace still on the Eskimo. Three ivory tools are included. This piece is almost Carpenter Hudson (1865- 14” long. Est. $1000-4000 HWAC #55818 1937) was a well known artist of the Pomo people. Col. M. H. Hecht worked under California Lot# 3306 , Soapstone Governor Markham until 1891, Figure of Native Alaskan when he resigned to manage and Bear Native Alaskan the Yosemite and Big Tree with a small bear on his groves. Sometime in the late back. Bear has a fish in his 1890’s, Hecht moved to San mouth. Nice detail. This Francisco, became a capitalist, a Board member of a bank, and owned is a very large soapstone the Emporium and Golden Rule Bazaar. There, he sold pieces such as carving: 12” long and 6” this. The work here has clearly been enhanced by water color. It has tall. Written on the back been reported the work is original enhancement by Hudson, which is something like “Pars makes sense since the piece was presented by her to Hecht. A photo of Hamicau / Tuki Gucassie Grace and John Hudson comes with the piece. The last Hudson original / c1935”. A fabulous show oil sold for over $40,000 recently. Provenance: important Little Valley piece. Est. $300-600 family. Est. $1000-3000 HWAC #55965 Lot# 3307 , Alaska Collection of Alaskan Native American Art 3 Lot# 3311 Lincoln, Nebraska Native American on Horseback 2008 Oil painting decals of sea mammals and a froglike of Native American on horseback by John T. animal. 2 x 4.75” x 3.75” and 1 3.75” Jones. “I started making my living painting x 3.75”. 15 cards of a loaded canoe, in 1971. I learned how to improve on my wooden chest, totems, halibut painting by studying other artists work and dish, ceremonial dagger and rattle, by doing a lot of paintings. Over the years I monster mask and more. Toning and have done a few thousand paintings, mostly water stains on some cards, please inspect. Est. $100-150 HWAC #53279 western and wildlife, but a lot of landscapes and figures came off my easels too. Est. $200-300 HWAC #54870 Lot# 3312 Jemez Pueblo, New Mexico Eagle by Victor M. Vigil Eagle by Victor M. Vigil. Alabaster, 22” x 7.5” x 6”. This exceptional one of a kind sculpture was created by award winning Jemez Pueblo artist, Victor Vigil. The piece is hand made from incredibly gorgeous Colorado alabaster and features an absolutely stunning eagle design. With intricate detail and beautiful variations of color this piece is highly collectible and eye-catching in every way. Est. $1500- 2500 HWAC #49334 Lot# 3313 Jemez Pueblo, New Mexico Indian Maiden/Eagle Sculpture, Victor M. Vigil 1994 Lot# 3308 Hopi, Arizona Vintage Shalako Kachina c.1910 Vintage Indian Maiden/ large carved cottonwood, painted and overall and fine looking Hopi Eagle sculpture Shalako Kachina. A Hopi Shalako from the classic Zuni Shalako by Victor M. Vigil. ceremonies. A very collectible and rare Kachina. In good condition for 19” x 17.5” x 7” its age. Feathers are missing, paint peeling. 22.5” h x 12.5” w x 3” d. on wood base. Amazing piece! Est. $1200-2000 HWAC #50759 Incredible design with Native Lot# 3309 , Arizona Indian Scout by American woman on one side wearing 3 necklaces and an eagle on the other side, wings Don Crowley “Indian Scout” by Don spread. One wing appears to for the woman’s hair. Very unique and Crowley. Tempera painting, 9.5” x beautiful piece. Est. $1500-3000 HWAC #52757 7.5”, linen liner, framed 18” x 16”. Est. $1000-2000 HWAC #48560 184 December 1st, 2nd, and 3rd, 2017

Day 3 - Native Americana Lot# 3314 Jemez Pueblo, New Mexico Native Lot# 3318 , New Mexico Indian Chief, Veloy American Chief, Victor M. Vigil 2006 Slender Joseph Vigil 1989 Indian Chief by Veloy Joseph alabaster sculpture of a Native American Chief Vigil,1931-1997. Carved signature “V Vigil” verso. by Victor M. Vigil (1957-) 25” x 6” x 5”. An This is a powerful carving in alabaster of a Chief- intricate sculpture of a chief in a long decorated -he is wearing the headdress and a large carved robe wearing a breastplate and sash with a floral necklace. Minor surface wear. 15” x 9.5” x 8.25”. design. Est. $800-1600 HWAC #52754 Veloy Vigil (1931- 1997) was born in Denver, Colorado. Veloy was well known for his painting, but he also enjoyed making sculpture and liked to work on several projects at one time. Vigil was born during the depression in 1931. Eventually, Vigil was able to own his own gallery and produce his artwork full time, and his two sons have followed in his artistic footsteps. For the last part of his life, he lived and worked in Taos, New Mexico. Est. $1500-3000 HWAC #52756 Lot# 3319 , Floating Red Square II, William Gatewood Floating Red Square II by William Gatewood a print Lot# 3315 Jemez Pueblo, New from the series of collages. Framed Mexico Native American Sculpture and matted, 33.25” x 33.25”. The by Victor Vigil 2006 Smaller carving artwork of William Gatewood (1943- in marble of a Native Chief wearing a large necklace by Victor M. Vigil. 1994) combines the iconography 13.5” x 5” x 6” on a wood base. Victor M. Vigil, a world renowned of the East with a Western painting sculptor from Jemez Pueblo in New Mexico, is a self-taught artist who approach. Borrowing from Japanese has been sculpting since 1978. Born in San Francisco, California he traditions and form, gold or silver returned to the Pueblo when he was 15 years old. His chosen medium leaf is frequently used as background, is alabaster from Utah, Colorado and New Mexico, although he also overpainting with transparent works in marble and limestone. A prize-winning Artist, Victor has won and opaque layers playing random awards 13 times at the prestigious SWAIA Indian Market competition patterns against more geometric ones. References to flight, space and in Santa Fe, including Best of Show in 2007 and Best of Show at the fragility are represented by structures or objects constructed from New Mexico State Fair in 2008. His work has been exhibited in New paper and wood such as kites, panels and screens. Gatewood said, “My York; Scottsdale, Arizona; Nevada City, California; Taos, New Mexico art is experiential. It is aimed at the heart. I work to create an energy and Florence, Italy, to name a few. Est. $700-1500 HWAC #49312 field within each piece which may be felt by the viewer who shares my vision of beauty.” Est. $150-300 HWAC #54821 Lot# 3316 Jemez Pueblo, New Mexico Wolf Alabaster Sculpture, Lot# 3320 , Outsider Art by Anthony Rod Victor M. Vigil 1994 Alabaster Outsider art style painting and collage on sculpture of wolf by Victor M. Vigil. canvas by Anthony Rochiozo. 44” x 30”. No Beautifully carved and detailed, information on artist. Est. $100-200 HWAC 15” x 14.5” x 13.5”. Vigil is a world #54822 renowned sculptor from Jemez Pueblo in New Mexico, is a self- taught artist who has been sculpting since 1978. Born in San Francisco, California he returned to the Pueblo when he was 15 years old. Victor’s images in stone are of traditional men, women and wildlife.His Lot# 3321 , Arizona Group of chosen medium is alabaster from Vintage Papago Baskets Three Utah, Colorado and New Mexico, vintage baskets and two hot pads: although he also works in marble 1) Small tray, coyote track design, 1” and limestone. Est. $1200-2500 x 6.75” diameter. 2) Basket, coyote HWAC #52755 tracks, 3.5” x 6.5” diameter. 3) Small basket, step/cross design, 2.75” x 5” Lot# 3317 Santa Fe, New diameter. 4) Small hot pad, coyote Mexico Eagle Sculpture by tracks, 8” dimeter. 5) Larger tray, bat Jeff Grandbois 1992 Eagle wing pattern, 9.5” diameter. Est. $230-500 HWAC #54852 Sculpture by Jeff Grandbois. Lot# 3322 , Arizona Tohono Modern stone sculpture, O’odham Lizard Basket c.1940’s sleek and powerful. 11.25” h x 13.75” w x 4” d, on wood Tohono O’odham lizard and turkey base. Est. $500-1000 HWAC basket. Beautiful piece, tightly coiled; very good condition, tiny area of #49311 missing weave. 3.75” h x 6.5” diameter. Est. $400-700 HWAC #52147 Lot# 3323 , Arizona Tohono O’odham Pictorial Basket c.early 20th century Early 20th century Tohono O’odham pictorial basket. female figures and diamond shapes. 7.25” h x 11.25” diameter. Very good condition, a few small areas of missing wrap on rim. Est. $900-1500 HWAC #52146 Bid online at FHWAC.com or call 775-851-1859 185

Day 3 - Native Americana Lot# 3324 , Arizona Two Akimel Lot# 3331 , Sioux O’odham Baskets Two Akimel or Lakota Painted O’odham (Pima) baskets: 1) Tray, Parfleche Box step design, 2” x 11.5” diameter. 2) Sioux or Lakota Basket tray, radiating line design, 3” Painted Parfleche x 11” diameter. Both in very good Box. These boxes condition. Est. $350-450 HWAC were fundamental #54853 to a Plains way of Lot# 3325 , Arizona Two Large life. This box is in very good condition Papago Baskets Large Papago with original ties. baskets: 1) Lidded cylindrical basket, 8.5” x 15.5” x 8.5”. woven from willow and devil’s claw A parfleche is a over bundle grass. 8” x 8.5” diameter. Native American Diamond, square-stepped design. 2) rawhide container. This cylindrical basket has coyote Enveloped-shaped perfleches have historically been used to contain track design, 7.5” x 12.25” diameter. items such as dried meats and pemmican. The word was originally Both baskets are in great condition. used by French fur traders, and derives from the French language Est. $350-550 HWAC #54850 parer meaning “to parry” or “to defend”, and flèche meaning “arrow”, Lot# 3326 , Arizona Vintage Pima so called because the hide was tough enough to be used as a shield. Traditionally women are the main creators of parfleches, first painting Basket c.1900’s Vintage Pima maze stretched out raw hides, then shaping them into their final form. In design basket. 2.75” h x 5” diameter. Very good condition, tiny rim damage. Est. $300-500 HWAC #52149 contemporary culture, both women and men make them. The bags are traditionally decorated with a distinctive style of graphic artwork, Lot# 3327 , California Small Mono/ usually depicting landscape features such as rivers and mountains, and Paiute Cone Basket Mono/Paiute even serving as maps.” [Wikipedia] Est. $2500-4000 HWAC #49767 Native American small burden basket c1900, handle attached. Very good condition. 7.25” h x 6.5” diameter. Lot# 3332 , Great Lakes Region Est. $300-500 HWAC #52148 Ceremonial Rattle Has a colorful, floral design, cloth rap. Tomahawk Lot# 3328 , California Vintage Hupa, shaped gourd on top. Feathers, mask Karuk, or Yakut Basket Beautiful hanging! Leather tassels off of the Yurok, Hupa or Karuk twined Basket: end of the handle with two small 1) very unusual basket--oval pedestal gourds. Eleven inches tall and six bowl. 3.25” x 8.5” x 9.5”. Very good inches across at the rattle. Late 20th condition. 2) small Northwest Coast Century. Est. $80-100 HWAC #55807 (possibly) lidded basket red color Lot# 3333 , Vintage Ute design bamboo base, 2.25” x 4.25” diameter. Est. $200-400 HWAC Beaded Hide Cradleboard #54855 c.1880’s Vintage Ute wood board, tanned elk hide, glass beads, red wool trade cloth. 38’ long 17.5” at widest. Amazing piece! Not authenticated, however, a prize cradleboard. Est. Lot# 3329 , Nevada Paiute $2000-5000 HWAC #42076 Basket Wrapped Jar Vintage Paiute basket woven wrapped Lot# 3334 octagonal jar. Good condition Cloverdale, but rim weaving broken. 6” California x6.5” diameter. Est. $100-150 Vintage Pomo HWAC #54854 Headdress Choice vintage, c1900, Pomo headdress and a choice vintage Native American themed frame containing two real Lot# 3330 , Vintage Woven Alarm photo postcards of a Pomo woman with a near identical headdress in “Clock” Vintage Native American Cloverdale, 1907. The woman wearing the headdress is “Delida, Queen woven “Clock”. Good condition, one of Sanel Tribe. About 12” tall, 15” diameter, constructed of feathers. of feet bent. Roman numerals and hands are embroidered. 6” x 4.25” x Base appears to be newly reinforced. This is an absolutely marvelous 2.5”. Very unusual! Est. $200-400 HWAC #52150 original piece of an important cultural part of California history. The Hopland band of Pomo today live at Hopland Rancheria, established in 1907. Est. $1000-3000 HWAC #55961 186 December 1st, 2nd, and 3rd, 2017

Day 3 - Native Americana Lot# 3335 Mendocino, California Pomo Lot# 3339 , Northern Plains Bead Collection Massive and impressive Ojibwe Beaded Belt Bag Ojibwe Pomo bead collection, with perhaps beaded belt bag, restored, bead thousands of pieces strung on perhaps a work on tanned deer hide on dozen strands, beautifully framed. 24 x velvet, 10” x 8”. Box framed, under 48”. The beads were collected in the upper glass, 16.25” x 12.25”. absolutely reaches of Potter Valley in the 1930’s to beautiful! Est. $700-1500 HWAC 1940’s. Est. $2000-5000 HWAC #55967 #50715 Lot# 3340 , Northern Plains Parfleche Packet A parfleche packet in an envelope form, finely painted in an abstract design. 26” x 13.5”. Appears unused, hanger attached for Lot# 3336 , Central Plains Sioux Beaded Hide display. Est. $2000-4000 HWAC #50717 Pouch c. 1890 Central Plains Beaded Hide Pouch, Lot# 3341 , Northern Plains Plains Sioux, U-shaped, multicolored geometric designs on Beaded Buffalo Hide Bag, c.1850s both sides, fringed along the bottom, 4.25” x 5”. Est. $100-150 HWAC #50761 Plains beaded buffalo hide bag, c. mid-19th century, the ends and flap beaded with geometric designs. Front panel with striped pattern using in white-heart red, yellow, white, green, and black seed beads, tin cone danglers with horse hair down the sides. 20” x 14.5”. Beading intact, very good condition. Est. $4000-10000 HWAC #50716 Lot# 3342 , Northern Plains Northern Plains Beaded Moccasins Lot# 3337 , Northern Plains Northern Plains beaded moccasins. Beaded Piece from Cheyenne Small women’s size, 8.5” long. Est. Leggings Beaded piece from $150-300 HWAC #50723 Cheyenne leggings; c. last quarter 19th century, with red, blue, green, yellow geometric designs on a white background. 16” x 13” piece, excluding fringe. Please see photon Est. $500-800 HWAC #50756 Lot# 3343 , Northern Plains Plains Lot# 3338 , Northern Plains Great Lakes Beaded Legging Just one legging, plains, beautifully beaded. good Beaded Octopus Bag 1940’s Great Lakes Condition. 15” x 6”. Est. $400-600 beaded octopus bag. New condition, HWAC #50713 beading on black velvet. Incredible!!! Est. $1500-4000 HWAC #50710 Lot# 3344 , Northern Plains Plains Beaded Pipe Bag Plains Indian bead and quilled pipe bag measuring approx. 30” in length (including fringe) by 7.25” in width; very good condition. Est. $3000-6000 HWAC #50711 Bid online at FHWAC.com or call 775-851-1859 187

Day 3 - Native Americana Lot# 3345 , Northern Plains Plains Lot# 3350 Navajo, Arizona/New Beaded War Club Native American Mexico Two Grey Hills Navajo Rug stone war club. Beaded, wood, sinew Two Grey Hills Navajo Rug. 77” x 45.5. wrapped handle. 22.5” length. Stone Double diamond shapes with valero star in center, kiva step designs. head attached with sinew. Hand This is a floor rug, larger weave; it has some ravelling on edges. Good carved stone makes this piece a truly condition otherwise. Two Grey Hills weavings are recognized by their unique specimen. Est. $500-700 use of natural, undyed wool. This was the first style to be attributed HWAC #52761 to a specific location - the Two Grey Hills Trading post. This style is recognized throughout the world as the finest in Navajo weaving. The Lot# 3346 , different shades of brown are masterfully woven together to create Northern Plains this handsome piece. The earthen tones would compliment nearly any Sioux Pipe Bag-- decor. Black wool is only found in sheep less than a year old; the wool Beaver and Army becomes more gray as the sheep ages. Est. $500-800 HWAC #50758 Cloth c. 1930 Sioux beaded pipe bag Lot# 3351 Haida/ of army cloth and Tlingit, Northwest beaver. Beading Coast Button Blanket, intact, well used, Raven Design Haida/ however. 28” x 6”. Tlingit--button blanket, Est. $1000-2000 raven design handmade by Irene Collinson. This Lot# 3347 , zCanada Two Iroquois is a beautiful example Beaded Bags 1) Iroquois beaded of Haida/Tlingit button purse by Betty Willems. Bag is in blanket--black wool perfect condition, beautiful beaded gaberdine and red flower and leaves on dark red velvet. wool felt. 59” x 49” Beaded handle and trim. 7.75” x 7” Est. $900-1200 HWAC excluding bottom beaded fringe. This is #54814 a gorgeous piece. 2) Iroquois Tuscarora glass beaded checkbook holder by Sam Thomas. gorgeous beaded flower and leaves on velvet with satin trim and more beading. Est. $200-300 HWAC #50760 Lot# 3352 , Northwest Coast Lot# 3348 Navajo, Arizona Klagetoh Button Blanket, Rug c.1940 Large Klagetoh rug, 83” Whale Design Haida x 54”, needs cleaning. Otherwise / Tlingit button good condition. Klagetoh is located blanket, killer whale just south of Ganado and 10 miles design. Black and red wool felt, 64” x 60”. north of Wide Ruins. The English Nicely done, however translation is ghidden springsh. one side is not The Klagetoh weaving is very similar finished with the red to the Ganado rugs, but with a felt. Needs cleaning. predominantly gray background instead of the Ganadofs red. Some experts do not consider Klagetoh a specific regional rug but a sub-type A button blanket of Ganado. Est. $700-1200 HWAC #54812 is wool blanket embellished with mother-of-pearl buttons, created by Northwest Coastal tribes, that is worn for ceremonial purposes. Lot# 3349 , Arizona Ceremonial robes and their associated regalia have been among the Second Phase Navajo most spectacular creations of the Indian people of the Northwest Chief’s Blanket Coast of North America. For generations, these robes have served Incredible Chief’s as insignia of family and clan histories, duties, rights, and privileges, blanket, professionally and they are beginning to mark as well a determined presence in framed. Blanket is 41” contemporary Canadian society. These robes are powerful statements x 53”, framed 45.75” x of identity and, donning them, people become in a real sense what 58”. The weaver was they wear. (Wikipedia) Est. $500-700 HWAC #54813 Albert Jackson, Navajo weaver living near Cove, Lot# 3353 , zMexico AZ. Chief’s blankets are Vintage “Navajo Style” more distinguished by Rug “Navajo style” wool its rectangular shape rug, possibly a Mexican which originally started copy. Overall geometric out as a plain design pattern in grays and tans. of stripes.Phase I, dated from the early 19th century, is characterized Shows some wear, a couple by alternating broad horizontal stripes of white, black-brown, red, of tears on borders. Rug and indigo blue. Phase II innovations appeared by 1850, as Navajo has fringe, which is not weavers incorporated small red blocks into the ends and centers of characteristic of Navajo the blue stripes. Phase III emerged by the 1860s. Blankets made at this weaving--some fringe is time typically display a full terraced diamond in the center, quarter missing. Nice tight weaving. diamonds at each corner, and half diamonds in the center of each edge. Est. $200-500 HWAC The stripes of white, black-brown, red, and indigo blue were retained. #54811 Est. $10000-20000 HWAC #54827 188 December 1st, 2nd, and 3rd, 2017

Day 3 - Native Americana Lot# 3358 , Ivory Fetish Necklace, Center Kachina Pendant Ivory Fetish necklace, center Kachina pendant, inlaid turquoise, coral and onyx. Small fetishes include: bears, birds, armadillos, squirrels, fish, frogs, rabbits, coyotes, ducks, and more. This beautifully detailed Zuni fetish necklace was carved from fossilized Walrus tusk. “Squaw wrapped” neck part. “This beautiful full stack necklace was part of a very high quality Native American collection. However, we think this may be an imported item, Lot# 3354 Navajo, Arizona Concho Belt, Victor Moses Begay not Native American made, unknown origin. A c.1970’s A vintage Victor Moses Begay (VMB), Navajo handmade silver, “squaw wrap” is where the ends of a necklace turquoise and coral concho black leather belt. Twelve conchos (2” are permanently wrapped together so the necklace is slipped over the diameter) plus buckle (2.75” diameter) in perfect condition. Leather of head to take it on and off. This necklace has a faux squaw wrap, that belt (36” ) is worn, could be replaced. Stamped VMB to verso of buckle. is, a tube of material that looks like a wrap has been slipped over the Belt is circa 1970’s piece. We think of this style as Zuni, not Navajo, but necklace cord. This results in the squaw wrap “look” and comfort but Victor made a career out of these amazing small stone cluster pieces. is not an authentic squaw wrap. It has been said that during the Native American jewelry boom he had The Native American ivory item(s) in this lot were made or acquired his own plane that would fly him around the country to deliver orders. prior to the US Fish and Wildlife Service Mammal Marine Protection Begay was a Navajo master silversmith active from around 1950 until Act of 1972. As such, the item(s) must be sold to a United States 1983. He is renowned for his traditional fabricated, cluster, petit-point, resident, with the purchased item(s) remaining inside the United (needlepoint inlay) jewelry. He resided in Lukachukai, AZ. Victor States. Foreign parties wishing to purchase these items may receive Moses Begay pieces are extremely rare since he stopped producing a permit to transfer them to a foreign country after filing the in the early 1980’s and his work commands top dollar in the jewelry appropriate permit application with the USFWS and paying attendant market. Victor Begay was known for meticulously hand cutting his fees. FHWAC complies with the MMP Act of 1972 by reporting the stones and this belt is a real beauty! Est. $2500-5000 HWAC #52762 sales to the USFWS. The items may be subject to tracking. Certain items may be identified herein as post-1972 Native American constructed art pieces, which may not be subject to the MMPA of 1972. Lot# 3355 Zuni Pueblo, New Mexico None of the items sold herein are subject of the Endangered Species Vintage Amber Fetish Necklace Amber carved lizard fetish necklace, 29”. 13 Act, as amended. After December 31, 2017, sales of similar items will carved lizards, just fabulous. Strung with be limited to Nevada residents only. Est. $130-260 HWAC #49362 turquoise and oyster, tiny beads. Est. $200-400 HWAC #49357 Lot# 3359 , Native American Jewelry Lot includes: beaded earrings, feather earrings, turquoise/ silver pendant, bone and bead bracelet and necklace, beaded feather barrette and more. Est. $100-200 HWAC #54865 Lot# 3360 Hopi, Arizona Badger, Delbert Silas Badger (Honan Kachina) by Delbert Silas. Great condition, but some part is missing--right hand appears to have been holding something, 12” x 5.5” x4.5”. Est. $300-600 HWAC #49308 Lot# 3356 Zuni Pueblo, New Mexico Vintage Fetish Necklace, Onyx Bird Pendant Fetishes of various stones, each with a turquoise or other stone attached, Center fetish of onyx. necklace is 27”. Est. $130-260 HWAC #49363 Lot# 3357 , Oklahoma Traditional Cherokee Bone & Silver Necklace Traditional buffalo hairpipe bone choker necklace w/ silver beads- -Cherokee regalia. Center piece is Lot# 3361 Hopi, Arizona Black piece of bone carved with image of Ogre, Carl Bahnimptewa Black Ogre buffalo. Approx 18” long. Used, good condition, in a display case. Est. by Carl Bahnimptewa. Beautifully $200-500 HWAC #52759 carved ogre running on a log.cape flying. 11.5” x 13” x 5.5”. This is an incredible piece by this well-known carver. Est. $600-900 HWAC #52138 Bid online at FHWAC.com or call 775-851-1859 189

Day 3 - Native Americana Lot# 3362 Hopi, Arizona Black Ogre, Elliott Lot# 3368 Hopi, Arizona Early Morning Kachina, Selestewa Black Ogre Kachina by Elliott Selestewa. H. Naha Early Morning Kachina by H. Naha. 12.5” x 8” x 3.5” x 4”Active carver since 1960’s. He is the 5” x 5.5”. Great condition, awarded 3rd place at the father of Leonard Selestewa. - With his beady eyes O’Odham Tash Casa Grande Fair. Henry Naha was and large mouth, the Black Ogre (Nata-aska) comes born in 1964 in Moenkopi (Third Mesa) and began to the dances whipping his blade to scare the carving in the 1980s. He is a well known carver who children. The Ogres are known to eat children so the specializes in detailed carvings. He is of the Spider kids run around trying to stay away while the Ogres and Lizard clans, and signs his dolls “H. Naha.” Est. give chase, threatening to consume them in their $400-600 HWAC #49320 large clapping jaws. Est. $300-500 HWAC #52136 Lot# 3363 Hopi, Arizona Butterfly Lot# 3369 Hopi, Arizona Great Kachina by Lawrence L. Acadiz Horned Owl, N. Jacob 1993 Great 1995 Butterfly Kachina by Lawrence Horned Owl, N. Jacob. This is an Acadiz (1964-2014). 13.5” h x 4” w x 4” d. One butterfly wing missing. impressive example of Hopi artistry. 8.25” x 4” x 3”. This Kachina Acadiz was a member of the Deer and Kachina clans of the Hopi Doll was made by master Hopi carver Nate Jacob. This traditional, tribe. Recognized as a gifted artist at a young age, he attended the Hopi Indian made Crow Kachina Doll has been captured in an artful prestigious Institute of American Indian Art in Santa Fe, N.M., where pose. This incredible Kachina Doll was made the old fashioned way, he formally studied painting. It wasn’t until 1984 that he began hand carved out of genuine cottonwood root. It was masterfully hand carving. A self-taught kachina doll carver for 20 years now, Lawrence painted with traditional designs. Est. $700-1000 HWAC #52442 came from a line of well-known Hopi artists. Est. $200-300 HWAC #48850 Lot# 3370 Hopi, Arizona Ho-ote Kachina, H. Nequatewa Ho-ote Kachina by Harold Nequatewa. Lot# 3364 Hopi, Arizona Butterfly Maiden, Alvin 9” x 4.5”x 4”. Very good condition. “Ho-ote is an Navasie Butterfly Maiden by Alvin Navasie, Sr. One extremely popular kachina because of his well- wing is missing, 8.5” x 3” x 4”. Est. $100-200 HWAC liked songs. He appears as a group in the ordinary #49343 kachina dances and sometimes in the Niman [Home Dance]. The symbols between his eyes and on his forehead are said to be those of flowers, and therefore his dance forecasts the flowers of spring. Est. $250-400 HWAC #49341 Lot# 3371 Hopi, Arizona Kneeling Maiden, Bryan Loma Kneeling Maiden Kachina by Bryan Loma is Lot# 3365 Hopi, Arizona Cactus featured in a traditional but rarely carved position Kachina by Terrance Lewis Cactus with a wooden rasp in her right hand and a bowl in Kachina by Terrance Lewis. 19” h x 7” her left. 7” x 3.5” x 4.25”. Very good condition. Est. w x 6.5”d. Amazing carved kachina--possibly Rain Dancer. Est. $1000- $200-400 HWAC #49340 3000 HWAC #48852 Lot# 3366 Hopi, Arizona Crow Mother by M.M, 1991 Crow Mother kachina, signed by M.M. 11” x 4” x 2.5”. Four of the crow feathers are broken off--see photo. Otherwise, very good condition. Est. $200-400 HWAC #49319 Lot# 3372 Hopi, Arizona Koshare by Clarence Cleveland Koshare by Clarence Cleveland. This charming clown is gathering corn. 12.2” x 8.25” x 7”. Clarence Cleveland married Sadie Laban (Hopi) - as a Navajo he would not traditionally carve kachina figures, but was given special permission through his marriage by the clan which allowed him to carve clowns only. He has been an active carver since the Lot# 3367 Hopi, Arizona Eagle 1970’s. He uses other materials than wood to create Dancer Kachina, Henry Naha Eagle the tassels tied to his wrists and calves - as well as Dancer Kachina by Henry Naha. 9” x the fringe atop his cap, and the leather bag around 13.5” x 5”. One feather on headdress his neck. He also uses rabbit fur to recreate the is missing. Henry Naha was born in “hair” of the clown. Est. $200-400 HWAC #52140 1964 in Moenkopi (Third Mesa) and began carving in the 1980s. He is a Lot# 3373 Hopi, Arizona Long Hair Kachina, M.M. well known carver who specializes in 1992 Long Hair Kachina by M.M. 7” x 3” x 3”. Two detailed carvings. He is of the Spider feathers missing from headdress. The Long Hair and Lizard clans, and signs his dolls Katsina is a singer of sweet songs who brings rain with his clan hallmark followed by “H. Naha.” His Navajo last name is and flowers. His beard and loose tassels of feathers Attakai, but he takes the name of Naha as a result of his Hopi adoption symbolize rain and clouds. They appear as dancers in a and cultural heritage. His figures always have an excellent stance and group at Niman and at plaza dances with manas. Their pose...which suggest great strength and pride. The body proportions purpose is to bring rain, and it is said that they seldom are right on, and the figure has well-defined musculature. The hands dance without the appearance of a soft gentle rain. are extremely well carved with detailed fingers and fingernails. Est. $100-150 HWAC #49342 Henry’s favorite carvings are the Velvet Shirt and the Red Tail Hawk. Est. $500-800 HWAC #52137 190 December 1st, 2nd, and 3rd, 2017

Day 3 - Native Americana Lot# 3374 Hopi, Arizona Mocking Kachina, Lot# 3380 Hopi, Arizona Two “Old Style” Leonard Selestewa Mocking Kachina, Leonard Kachinas, Vern Mansfield, Jr. Two “Old Style” Selestewa. 10.75” x 6” x 8”. Great piece in great Kachinas by Vern Mansfield, Jr. Painted in pale condition, wears cowboy boots! Leonard is colors simple designs, each is about 7” high. a traditional Hopi farmer from the village The “Old Style” or Traditional Hopi Kachina of Moenkopi on the western border of the dolls are our favorite because this style gets reservation, near Tuba City, Arizona. He is also a back to the roots. Many are wonderfully water-rights activist but manages to find time for simple, they are carved of cottonwood root, and his carvings when he is not busy. Est. $500-800 are colored with natural pigments. Est. $120- HWAC #49321 240 HWAC #52143 Lot# 3375 Hopi, Arizona Mudhead by Tino Youvella Lot# 3381 Hopi, Arizona Warrior Maiden, Preston Mudhead by Tino Youvella. Handprints on body of this Ami Warrior Maiden kachina by Preston Ami. 6.75” mudhead, hands appear to be holding some missing x 2.5” x 2.5”. Note: feathers are missing from top of parts. 11.25” x 5” x 3.5”. Tino is of the Kachina/ head, and handle of item held in left hand missing. Parrot Clan belonging to the Village of Sitsomovi Artist Preston Ami is from First Mesa(old Hopi Village) (Sichomovi) at Hopi. He began carving kachina dolls Northeastern Arizona Est. $100-200 HWAC #49318 in 1962, and with limited employment opportunities in fire fighting, he pursued carving to supplement his income. Tino is a self-taught artist who used books to study and practice carving anatomy. Est. $100-150 HWAC #52145 Lot# 3376 Hopi, Arizona Owl Kachina, Gene Dawahoya Owl Kachina by Gene Dawahoya. 8.25” x 3.5” x 3”Gene C. Dawahoya, “Lapan-Hyeoma”, (Icicle), member of the Bear Strap Clan (rope made of bear hide), was born into the Hopia nation in 1963. Gene is a self taught Hopi kachina carver. He was inspired artistically to experiment with wood carving at the age of 13. Est. $300-500 HWAC #49344 Lot# 3377 Hopi, Arizona Priest Killer, Eloy Wytewa Priest Killer by Eloy Wytewa. Some pieces are missing. 3” x 9.5” x 4”. Est. $100-150 HWAC #49314 Lot# 3378 Hopi, Arizona Ram Kachina by Ivan Wytewa Ram Kachina by Ivan Wytewa, Immaculate, carving is fabulous. 10.75” x 3.5” x4”. Little information Lot# 3382 Hopi, Arizona Wi Haru--White Ogre Wi Haru--White of this artist. Est. $600-1200 HWAC #52144 Ogre. This amazing piece is not only finely detailed, but there is a completely finished scene carved and painted on the back of the piece. The scene shows a black ogre and a corn maiden, plus two other figures--just fabulous. 10” x 3.5” x 3.5”. The kachina is unsigned, but my research finds the artist may have been Brian Honyouti (1947-2016). He had started carving katsina dolls in the 1960s after graduating from high school. He helped his dad paint his dolls and learned to carve his own at that time. According to Helga Teiwes, he was the first carver to use wood preservers and wood sealers as an Lot# 3379 Hopi, Arizona Scavenger, undercoat for the carvings. She said he was also the first to substitute wood preserver for paint and to use oil paints in lieu of acrylic paints. Fred Chapella Scavenger by Fred These innovations provided a mellow tone to his carvings rather than Chapella. Scavenger is carrying a the shiny gloss of acrylics. Est. $1000-1500 HWAC #52141 basket, holds a knife and a cane. This is an incredible kachina, amazing detail. 10.25” x 6” x 3”. Est. $400-800 HWAC #49309 Bid online at FHWAC.com or call 775-851-1859 191

Day 3 - Native Americana Lot# 3383 Hopi, Walpi, Kerry David, Arizona Lot# 3386 Mendocino, California Pomo Warrior Mouse, Kerry David 1998 Warrior Mouse Region Projectile Point Collection by Kerry David. 6.75” x 2.25” x 3.5”. Great condition, Spectacular projectile point collection of Judge has been repaired. The “Warrior Mouse” is not a William Whitney of Little Valley, Mendocino, katsina but is a Hopi legend loved by the young and collected in the 1930’s-1940’s. More than 60 old alike.According to legend, a Hopi village was points of obsidian, flint, chert and quartz. Four being threatened by a bothersome old hawk. He pieces exceed 4” length. Modern frame, 16 x was eating all the village chickens. Everyone knew 24”. Est. $1000-2000 HWAC #55966 he must be killed but no one knew how. Late one night, a little mouse sat smoking in his kiva and he felt bad for the people and decided that he would kill the hawk. So that night he went to the home of the Village Chief. The chief invited him in, he ate and Lot# 3387 , Georgia Carved Stone smoked, and the chief smoked, and the mouse told him why he had Artifacts, Chatahoochee region come. He was going to kill the hawk. At first the chief was amused, and A group of carved stone artifacts, then he was concerned, but he accepted the offer anyway. When the primarily sinkers, from the Bradley villagers heard about the mouse’s plans, they shook their head and Junior collection of Roswell Georgia. questioned the village leader. Most were in doubt but some thought Approximately 25 Native American maybe the mouse had special powers, so they prepared anyway. A stone artifacts varying in size from an date was set and preparations took place. People came from all the inch in diameter to 4 inches long. The other villages to see their friends and relatives, to talk and joke, and pieces show signs of carving and use of course to eat. They came to see the mouse that was to kill the and are clearly of Native American hawk. The mouse had also prepared. He had sharpened the end of a origin. Est. $300-600 HWAC #50865 greasewood stick and dug a long tunnel from his kiva into the plaza. There, he dug another hole reaching to the surface. He smoked all Lot# 3388 , Georgia Chattahoochee night before the day of the warrior’s dance. He dressed himself in war Projectile Points and Fragments paint and feathers and took his club and bow. He set the warrior’s Bradley collection. Projectile standard on the ladder of his kiva, and when it was time he emerged points and fragments from the dancing and singing his little warrior song: “The hawk kills chickens, Chattahoochee River area near and the hawk kills rabbits, but the hawk will not kill the warrior Roswell Georgia. This group consists mouse!” The people all watched in amazement and some in doubt as of approximately 200 projectile the hawk sat watching from far away. He was angry with this mouse points and fragments of points from and flew off to destroy him but the mouse danced close to the opening the Chattahoochee region. They are of his kiva and ducked inside each time the hawk came close. Then mostly quartz with some Flint points finally he went into the tunnel he had dug and drove the sharp spear and other projectile pieces. Most of these are less well-defined in up through the ground next to the opening in the earth, and he went comparison to the rest of the other lots in this sale, however this is a back out singing and dancing. This time he went far away from his nice broad cross-section and includes rock fragments that have been kiva and all the people thought the hawk would get him for sure. It partially worked but not completely worked or points which have was just then that the hawk swooped down low to snatch up the pesky been broken. Est. $50-150 HWAC #51065 mouse, but the mouse dropped down into the hole he had dug, and the hawk, who did not see the spear in the ground, impaled himself, slicing Lot# 3389 , Georgia Chattahoochee his throat, and rolled over dead. The villagers were amazed, and the Region Figural Clay Pot Bradley little mouse was honored as a hero and they celebrated. That is how collection. Original clay pot, the mouse defeated the hawk and earned his name “Warrior Mouse.” approximately 6 inches diameter and (Website Reference: www.firstpeople.us) Est. $300-600 HWAC #49307 tall, with a three-dimensional face of an Lot# 3384 , Arizona/New Mexico Zuni Eagle unknown animal protruding from the pot with an open mouth as a pour spot. Dancer 1992 This Eagle Dancer is very colorful, This is the only complete pot in the wears a yarn neck collar, necklace, feathers and a Bradley collection, and exactly where painted skirt. Very nicely detained. 13” x 7” x 6.5”. Signed Luther Lutse. Est. $150-200 HWAC #52139 she found it is unknown. It resembles many of the clay pot shards that Mrs. Bradley picked up over the years in the Chattahoochee region near Roswell. This is an important pot, figural, complete, with minor damage, as expected. It was a prized piece in the Bradley collection. Est. $800- 2000 HWAC #51069 Lot# 3390 , Georgia Cherokee Lot# 3385 Zuni, New Mexico Zuni Kachina, Ben Cabinet Card Portraits Two cabinet Seciwa c.1970’s Zuni Kachina by Ben Seciwa. 11” card portraits of a Cherokee family x 4.5” x 4”. Hand carved and painted design with about 1890. From the collection of applied felt, fur, yarn, feathers, beads and crushed Roswell Georgia Native American turquoise. Est. $100-200 HWAC #49322 researcher Mrs. Bradley. One portrayed is of the male holding a single shot rifle. The second portrait is of the female and child. The male portrait has no photographer identification. The female portrait is printed by the photographer on the obverse, Saunders Art Gallery, Woodward, Oklahoma. Est. $300-500 HWAC #50861 192 December 1st, 2nd, and 3rd, 2017

Day 3 - Native Americana Lot# 3391 , Georgia Cherokee Lot# 3396 , Georgia Cherokee Interviews Cherokee. Two reel-to- Nation Stone Hammers from the reel tapes of interviews between Chattahoochee Region Three well a Roswell Georgia researcher Mrs worked, fine stone hammerheads Bradley and Native Americans from the Bradley, Junior collection, regarding their ancestry. Content collected from the Chattahoochee unpublished. Circa 1940s to 60s. Est. River region near Roswell, Georgia $200-400 HWAC #50860 about 1940-60. These three hammerheads are markedly different, Lot# 3392 , Georgia Cherokee brown chert, another ultramafic, and Nation Ephemera Cherokee nation the third slate. These are a nice trio of hammerheads. Est. $300-900 ephemera. Includes a number of HWAC #50863 books and publications on the history and craftsmanship of the Lot# 3397 , Georgia Cherokee Cherokee. Includes a large red Nation, Chatahoochee River Region Cherokee nation flag, and a reprint Pot Chards Large collection of clay of volume 1 number four of the pot shards collected by Roswell Georgia Native American researcher Cherokee Phoenix, 1828, what may Mrs. Albert T Bradley Junior along the banks of the Chattahoochee be America’s first newspaper printed River near Roswell, Georgia. This collection of hundreds of pot shards in a Native American language. A nice was collected in rural Georgia in the 1940s through the 1950s. They group that also includes other Native include a number of shards with widely differing patterns, from American ephemera that is non-Cherokee which is playing cards crosshatches, to circles, a variety of geometric patterns as well as several reference books etc. A nice group. Est. $100-200 HWAC #51066 circular patterns, indented patterns, and perhaps more rarely painted patterns. At least one shard shows a three-dimensional image of a Lot# 3393 , Georgia Cherokee pig. Some shards appear to protrude from the pot, indicating the Nation Projectile Point Group possibility of a footed base. This is a fascinating study group. Probably Arrowheads and stone points from all Cherokee. Mrs. Bradley collected only one full pot, also in this sale. the Bradley collection, Roswell Est. $500-1000 HWAC #50862 Georgia. Mounted on two pieces of thin black state slate with Lot# 3398 , Georgia Clay Pipes from approximately 100-150 projectile the Chattahoochee River region points found by Mrs. Bradley along Bradley collection, three early clay the banks of the Chattahoochee River pipes found along the Chattahoochee at Roswell. These projectile points River near Roswell Georgia by Mrs. are obviously Cherokee Nation in Bradley, circa 1940s to 1950s. Possibly from the American Civil War.. origin. They appear to date from different epochs. Some points are Please inspect, One is a pictorial face pipe, one is a handcrafted crude made from flint or chert, obsidian, a few in quartz, and some in less clay pipe, the other is also a clay pipe with vertical patterns. Est. sturdy rock such as slate/schist. All of the points show good working $100-200 HWAC #51067 by Native American craftsmen. The points vary in size from 1 1/2” Lot# 3399 , Georgia Fancy Projectile long to perhaps 2 inches or 2 1/2 inches. This is a nice varied group, Mostly non-quartz. Est. $200-400 HWAC #51060 Points from the Chattahoochee Region This group of approximately Lot# 3394 , Georgia Cherokee 25 points were hand selected by Mrs. Nation Projectile Points Bradley Bradley for mounting. They include collection, collected along the larger projectile points up to 3 1/2 Chattahoochee River near Roswell, inches, two drills and other uniquely Georgia. Two trays of widely differing shaped points. This is a very nice points. The first tray which numbers group, probably much older in origin up are what Native American than some of the obsidian points. collectors call “bird” points. They From the Chattahoochee River near Roswell Georgia Est. $100-300 are generally very small points half HWAC #51064 inch to 1 inch long made of flint or Lot# 3400 , Georgia Mixed obsidian. A few of the points are Projectile Points from the made from clear quartz. A second group of possibly much older origin Cherokee Nation Bradley collection. are of a variety of rocks from volcanic to metamorphic and generally Arrowheads and projectile points larger points on the order of 2 inches to 4 inches. This is a very nice group that comprises approximately 35 points of all designs. Est. collected along the Chattahoochee $200-400 HWAC #51063 River near Roswell Georgia. Two thin black slate plates with projectile Lot# 3395 , Georgia Cherokee Nation Stone points adhered by Mrs. Bradley. Artifacts Group of six Native American stone These projectile points number approximately 150. They include artifacts from the Bradley Junior collection of Roswell Georgia, collected along the Flint or chert, obsidian, quartz, and some metamorphic rock. The Chattahoochee River, c 1940-60. Includes hand general size is about 1 1/2 to 2 inches. This is a nice varied collection. worked chert ax heads and scrapers as well as a Est. $200-400 HWAC #51061 carved schist sinker. The size varies from about 2” inches up to 6 inches long. This is a nice group of early Native American stonework from the Cherokee nation region. Est. $300-600 HWAC #50864 Bid online at FHWAC.com or call 775-851-1859 193

Day 3 - Native Americana Lot# 3401 , Georgia Quartz Lot# 3406 Snake River Area, Idaho Projectile Points, Cherokee Nation Projectiles, Set 3 Projectiles, set 3, Bradley collection. Projectile points includes: Rhyolite “picture rock”, dark from the Chattahoochee River area carnelian agate, chert, moss agate, slate, obsidian, and more. Set also at Roswell Georgia, collected c1940- includes bone needles, scrapers and tools. Over 65 pieces. Est. $300- 50’s. This collection of points is 500 HWAC #52766 mostly quartz. Other points include obsidian and Flint. The collection Lot# 3407 Snake River Area, Idaho numbers approximately 120 pieces, Scrapers, Awls, Blades, Set 4 and includes some very crude Scrapers, awls, blades, set 4, includes: projectile points. This lot takes on additional significance when we jasper, silicified rhyolite, obsidian, realize that America’s first Gold Rush took place in Georgia in 1828 moss agate, chalcedony, rose agate, which displaced the Cherokee. The Cherokee sought hard rock to chert, etc. Over 60 pieces. Nicely make projectile points. Quartz, one of the hardest minerals from the arranged display. Est. $200-400 region, is found tin the metamorphic rocks of the Appalachian gold HWAC #52767 belt. There is no significant mineralization visible in the points, but it is notable that the quartz points probably came from the same geologic region as ultimately the gold did. These may have been traded Lot# 3408 Snake River Area, Idaho with other groups along the way. Quartz points take on additional Projectiles, Blade, Shaft, Set 5 significance, as Native Americans were searching the local region for Projectiles, blade, shaft, hooked rocks hard enough to make sturdy projectile points for sustained use. scraper, scraper, set 5, includes: Quartz, while hard, has no cleavage pattern, while flint or chert has a obsidian, jasper, chert, bone chonchoidal fracture pattern, easily conducive to the flaking process projectile shaft. Ten amazing pieces. necessary for quality points. A very nice collection of historical The two large pieces could possibly importance. Est. $200-400 HWAC #51062 be original chert; they are weathered pieces. Est. $400-600 HWAC #52768 Lot# 3402 , Georgia Stone Artifacts from Chatahoochee Region Lot# 3409 , Round Poll Ax of Collection of stone items from the French origin and Oneida Tribe Bradley Junior collection of Roswell This poll ax has its origin in the Georgia. Approximately three dozen French Bay of Biscay to be a trade stone pieces collected as Native goods item in the Americas. This American artifacts, but do not show Bay of Biscay pattern round poll ax clear Native American use to this has maker’s marks associated with the Jesuits of the Biscay region observer. Please inspect. This group of France; (1575 at the Cameron Oneida site). The blade dimensions varies in size from small cobbles are 3 3/4 in. X 7 1/2 in. There are three makers marks of a circle that are spherical to ellipsoid, to others that are elongated and flat or intersected by an internal cross. This pattern appears three times on ellipsoidal and flat. They vary in size from an inch in diameter to 8 the left side of the blade (representing the Trinity?). Archaeologists inches long and 2 inches wide. Est. $100-200 HWAC #50866 have documented 32 variations of this theme on axes and hatchets from the French Wars and Fur Trade era in American sites. This poll ax Lot# 3403 Snake River Area, Idaho has the thee maker’s marks but only three of the incuse stampings are Group of Projectiles and Sinkers visible, possibly that the dies were badly worn or broken at the time of Nicely encased group of projectiles, manufacture. Four variations of this mark have been noted by Kennith scrapers and sinkers, includes brown Kidd in his studies. They have been found in the Cameron (Oneida jasper, banded agate, obsidian, chert. site 1575 to 1670) , New York; the Saint Marie (site 1570-1670), and Part of a great collection. Est. $100- found among the neutral Indian tribe of the Great Lakes, southern 200 HWAC #52763 Ontario, form New York to Ohio. This blade is heavily oxidized but the maker’s marks are still visible. The handle is a replacement of straight grained hardwood. Background info at: furtradetomahawks.com/ Lot# 3404 Snake River Area, Idaho biscayne-trade ax Est. $500-1000 HWAC #51164 Projectiles, Set 1 Projectiles, set Lot# 3410 Hopi, Arizona Bird Bowl, 1, includes: red, white and black Jake Nampeyo c.1994 Bird Bowl by chert; obsidian; carnelian agate; banded agate; translucent banded Jake Nampeyo. An early piece, round agate; jasper; light green chert; slate- bowl, square opening with four birds -erosion worn from dry lake bed; with heads toward the opening. 3.5” multi-colored banded agate; over 50 h x 10.75” diameter. Early in his pieces! Est. $200-400 HWAC #52764 career, Jacob Koopee made traditional Hopi-Tewa pottery with traditional Nampeyo family design patterns. At Lot# 3405 Snake River Area, Idaho that time, in the mid-1990s, he signed Projectiles, Set 2 Projectiles, set his pottery Jake Nampeyo. Later, he made traditional pottery vessel 2, includes: Banded agate, slate, shapes but modernized the designs to those related to the Sikyatki- Spheroidal Jasper, carnelian agate, revival designs. He signed the later pieces Koopee. Est. $300-600 chalcedony, volcanic silicified HWAC #52132 rhyolite, chert, obsidian and more. 40 plus pieces. Est. $200-400 HWAC #52765 194 December 1st, 2nd, and 3rd, 2017

Day 3 - Native Americana Lot# 3411 Hopi, Arizona Bird Lot# 3415 Hopi, Arizona Hopi Hano Tile, Design Bowl c.1940 Bird design Sadie Adams c.1970 Tile by Sadie Adams bowl, black & red on yellow. Beautiful (1905-1995) Flower Woman, 6” x 4.75”. She stylized bird. Hallmarked with a signed her pottery with a flower symbol. 4-petal flower. 4.5” h x 6.5” diameter. She was a Hopi-Tewa of the Kachina/Parrot Est. $300-500 HWAC #49777 Clans and lived in the Tewa village at First Mesa on the reservation. She was recognized by collectors and her contemporaries as an outstanding potter. She had a long, successful career making and selling pottery on the Lot# 3412 Hopi, Arizona reservation and supported her family in this Butterfly Bowl by manner following the death of her husband. Yvonne Analla Lucas She supported her family solely from sales of Incredible butterfly bowl her pottery, even sending her daughter to nursing school. Est. $250- by Yvonne Analla Lucas. 400 HWAC #48878 Elaborate geometric designs form the abstract Lot# 3416 Hopi, Arizona Jar by butterfly. 3” h x 11” Colleen Poleahla Small jar by diameter. Born in 1959, Colleen Poleahla, Fire / Coyote. Yvonne Analla Lucas grew Batwing design, 4” h x 4.5” diameter. up in Gallup, New Mexico. Mostly unpolished. Est. $150-200 Her father is from Laguna HWAC #49303 Pueblo, her mother is Navajo. She shares her pottery tradition with her brother, Calvin Analla, Jr., along with their grandmother, Evelyn Cheromiah and their aunt, Gladys Paquin. These four potters together Lot# 3417 Hopi, Arizona Mouse Bat have worked hard to revive the Laguna Pueblo pottery tradition. Design Pot, Dorothy Ami Mouse Yvonne made her first small jar in the summer of 1997, encouraged bat design pot, Dorothy Ami. Design by her husband, Steve Lucas, and his aunt, Dextra Quotskuyva, both on top of seed pot, appears to be a esteemed potters from the Nampeyo family of Hopi. After having mouse/bat. Geometric design on observed their pottery making techniques, Yvonne began to devise side of pot. 4.75” h x 6.75” diameter. her own creations with Hopi clay and Laguna designs. Her pots Dorothy Ami is a relatively new Hopi are gracefully formed, well painted and finely polished. Her design potter whose work shows creativity portfolio includes stunning geometric designs and floral motifs. Her in design. Her vessel shapes are very polychrome pieces use deep black and terracotta colors with mineral- precise and her designs carefully based oranges and reds. Est. $500-800 HWAC #52131 drawn and beautifully painted. Traditionally, an artist would use a paint brush made from yucca and use all natural pigments for the designs. It has been said by some Lot# 3413 Hopi, Arizona Effigy Box/Lidded, of her collectors that Dorothy Ami does not use yucca brushes. She Nyla Sahmie Small effigy and feather design makes brushes out of her own hair. Ami is a cousin of Mark Tahbo who box with lid. 4” h x 2.75”, very nice. Nyla has been her mentor. Her painting is very precise. She has mastered “Nampeyo” Sahmie, member of the Corn Clan, the technique of thin walled pottery and firing her wares to achieve was born in 1954 into the Hopi Reservation. beautiful areas of blush. Est. $250-400 HWAC #52134 She was taught the art of constructing Hopi pottery using ancient traditional methods Lot# 3418 Hopi, Arizona Nellie passed down to her from her mother, Nampeyo Hopi Pot c.1935 Vintage Priscilla Namingha-Nampeyo. Nyla began Nellie Nampeyo pot. Pot is in good experimenting with pottery at the age of 13. condition, 4.5” h x 7” diameter. Nellie She has continued this long lived tradition just Douma Nampeyo (1896-1978), Hopi like her ancestors have before her. Her goal is Pueblo, was one of three daughters to become one of the finest potters ever just of Nampeyo and Lesso. Nellie was like the famed Nampeyo. Nyla is a fifth generation of Nampeyo potters taken to the Grand Canyon, when currently working with clay. Est. $200-300 HWAC #49302 just a child, when her mother was convinced to spend the summer Lot# 3414 Hopi, Arizona there at the newly constructed “Hopi House” built by the Fred Harvey Historic Bowl, Cactus, Company. Nampeyo was there to demonstrate pottery making for Checkerboard c.1880 tourists but the whole family was intended to show the manner in Historic Polacca-style which the Hopi lived. For the 1910 Exposition in the Chicago, ever bowl with cactus and aware of an opportunity to lure travelers to the southwest, the Santa checkerboard designs. Fe Railway commissioned a brown stucco pueblo style house on-site to 3.5” x 6.5”, some chipping be inhabited by Indians from Hopi. Of course, Nampeyo was requested on rim and crackling in to represent the Hopi as the pottery maker, and her daughter Nellie, glaze. Unsigned. Est. who was about 16 at the time, accompanied her parents on the Santa $500-1000 HWAC #49779 Fe train to Chicago. Nellie was perhaps one of the very few young Hopi who had spent a summer at the Grand Canyon and ridden a train to Chicago. Est. $400-600 HWAC #52133 Bid online at FHWAC.com or call 775-851-1859 195

Day 3 - Native Americana Lot# 3419 Hopi, Arizona Pot by Lot# 3425 Hopi, Arizona Wedding Vase, Legendary Hopi Artist White Swan Vernida Polacca Nampeyo c.1995 Wedding c.1998 Small pot by legendary Hopi vase, Vernida Polacca Nampeyo. Migration artist White Swan. Migration design, pattern, 6.75” h x 5” diameter. Est. $250-350 2” h x 4.5” diameter. Great condition. HWAC #49301 Dollie Navasie is the daughter of the renowned Hopi potter Eunice “Fawn” Navasie. Her Hopi name, by which she is widely known in the art world, is White Swann. Est. $200-400 HWAC #50751 Lot# 3420 Hopi, Arizona Two Painted Hopi Tiles Two painted Lot# 3426 Hopi, Walpi, Arizona Hopi tiles: 1) Hopi maiden, geometric Plate by Matt K. Plate by Matt K. border by Gwen Setalla. 5” square. Kachina head and headdress image, Gwen “Aas-Ku-Mana” (Mustard Juice intricate. 8-5/8” diameter. Est. $130- Girl) Setalla was born into the Hopi 250 HWAC #48879 Reservation in 1964. She is a member of the Bear Clan and the Water Clan. When working with clay, Gwen is always reminded of what her parents taught her as a child, “when creating a pot, you bring it to life and you breathe life into it, always treat it with the greatest respect”. 2) Image of a kachina, by L. Dashee (Coyote--Sholak Mana). 3.5” x 5.25”. Laura Dashee (1927 - 2011), Hopi Pueblo, also signed her work as L. Dashee. Laura had been actively making pottery since 1970, and produced red and black on white jars, wedding vases and tiles with her favorite Lot# 3427 Hopi, Walpi, Kerry David, designs of Mudheads, clouds and parrots. Est. $100-150 HWAC #52135 Arizona Two Tiles, Gwen Setalla & Darlene Nampeyo 1) Gwen Lot# 3421 Hopi, Arizona Vintage Setalla tile, bird figure, textural Bird Ashtray c.1930 Bird design background--5.5” x 3-7/8”--beautiful vintage ashtray. Unsigned, 1.25” h x tile! Gwen “Aas-Ku-Mana” (Mustard 4” diameter. Est. $150-200 HWAC Juice Girl) Setalla was born into #50752 the Hopi Reservation in 1964. She is a member of the Bear Clan and the Water Clan. She has been an active potter since 1985. She was primarily taught by her mother Pauline Setalla with added lessons and experience from her godmother, Rainy Naha and members of Lot# 3422 Hopi, Arizona Vintage the Navasie family.and Darlene Nampeyo. 2) Round tile by Darlene Bowl w/ Interior Design c.1940 Nampeyo, sun design--4.75” diameter. Darlene James Nampeyo (1956 -) Hopi/Tewa, Corn Clan, Polacca, was active 1986-present; black and Vintage bowl w/ interior design. Bird red on yellow vases, figurines of maidens, tiles, plates, jars and bowls. figure on the inner bowl with a wide Darlene is the Great-great granddaughter of Nampeyo; grand-daughter sky band, nice detail with stippling. of Rachel Nampeyo; daughter of Ruth James Nampeyo and Dalton 3.25” h x 7.5” diameter. Some small James. Darlene won numerous awards over the years, including seven chipping on outside of bowl. Est. $450-650 HWAC #49778 from Indian Market in Santa Fe, New Mexico. “I feel very fortunate coming from a family of well know Hopi-Tewa potters...Each of us is unique in our own style... I draw inspirations from the landscape, Lot# 3423 Hopi, Arizona Vintage songs, dances, stories and prayers. The combination of these elements Bowl, Kiva Step, Leaf Design c.1930 goes into each pot I create. Clay is the earth and its existence is molded into beauty by the artistic talents that we possess.” - Darlene Nampeyo Vintage bowl with kiva step, leaf, geometric border design. 2.5” h x 6” (Schaaf 1998) Est. $400-600 HWAC #50753 diameter. Unsigned, good condition. Lot# 3428 Navajo, Arizona Fire Est. $150-300 HWAC #50750 Cloud Jar by Alice Cling Beautiful fire cloud polished red ware jar by Alice Cling. 5.25” x 6.5”. Alice Cling is renowned for her mastery of form Lot# 3424 Hopi, Arizona Vintage in contemporary Navajo pottery. She was certainly pivotal in the evolution Paqua Naha Pitcher C. 1945 Paqua of Navajo pottery from folk art to fine Naha Pitcher, 3.25” x 3.5”. Paqua Naha art since the 1990’s. Her perfectly was the original Frog Woman from Hopi balanced pottery seems to hover on Pueblo and the mother of Joy Navasie a narrow base and gracefully rise to (also known as Frog Woman). She was amazing heights only to be accented born around 1890 and passed away in with a wide shoulder. Alice has won numerous awards for her pottery 1955. Paqua, which means Frog, signed and has been featured in books such as “Legacy of Generations” Est. her pottery with a frog hallmark. Her $200-500 HWAC #54808 hallmark is distinguishable from her daughters because she used straight- lined feet (toes) and Joy uses webbed feet in her hallmark frog signature. She was an outstanding and well-respected potter throughout her entire productive life. Est. $280-400 HWAC #49304 196 December 1st, 2nd, and 3rd, 2017

Day 3 - Native Americana Lot# 3429 Navajo, Arizona Samuel Lot# 3433 Navajo, Arizona/New Mexico Manymules Melon Jar Gorgeous firecloud Fire Cloud Jar by Alice Cling c.1992 melon jar by Samuel Manymules. 7” x 6” Polished red ware, black fire clouds by diameter. From Samuel: “Born August 30, Alice Cling. Unfortunately, there is a 1963, of the Bitterwater Clan of the Nakai large chip at the base--price reflects this. Dine Clan. Unemployment is extremely high 5.24” x 5.5” diameter. Navajo artist Alice on the Navajo Nation. Through my adult Cling was born around 1946 in a hogan life, I have been employed sporadically at Cow Springs, in the Tonalea section among many trades: I once made jewelry of Arizona. Her pots, embellished with for the late Herbert Taylor; drove a tow the traditional thin coat of pitch, are truck for several years; and worked at deceptively simple. Their lasting beauty an auto dealership. After dabbling in comes from her unusual use of clay making pottery for over a decade, it is only and from the striking colors caused by very recently that I considered myself a potter. I am self-taught. At outdoor firing. Alice learned how to make pottery from her mother, the moment, I consider myself more serious and engaged with my Rose Williams, an innovative Navajo potter who had been trained by pottery.” Est. $250-500 HWAC #54810 her aunt, Grace Barlow, who had raised Rose at Shonto. Grace, Rose, and Alice have been the inspiration for many Navajo potters who have Lot# 3430 Sonoita, Arizona Mimbres “Bat” recently tried to make pottery for the “market.” After graduating from Replica Bowl and Bear Figurine Mimbres an Indian school, Alice married Jerry Cling. They have four children “Bat” replica bowl, by Thornburg. 3” h x who make pottery now, too. The family digs the brown-firing clay from 7.25” diameter. Since 1987 Paul & Laurel a special place near Black Mesa, screens it to eliminate impurities, and Thornburg have been making museum mixes it with sand for temper and with water to make it workable. quality replicas of prehistoric Southwestern Alice’s particularly unusual aesthetic contribution to the Navajo ceramics. Their specialty is accurately made pottery renaissance is the magnificent coloration she achieves on the custom private orders of 1000 year old softly burnished and lightly pitch-coated surfaces of her forms. Est. Mimbres bowl designs using wild clays and $100-200 HWAC #54806 pigments with wood firings. For over 20 years the Thornburg’s work has been shown at the Lot# 3434 Navajo, Arizona/New museum shops of the Arizona State Museum, Mexico Jar Cut w/ Bear Paw at the University of Arizona in Tucson, as Opening Unusual Navajo pot with well as at Western New Mexico University Museum in Silver City--this a cutout opening shaped like a bear bowl is from WNMUM. Also included in this lot is a small white bear paw. Feather and geometric designs. figurine (3” x 2”) by Andrew Padilla is from the Laguna Pueblo and Signed with a hallmark ( B, or M with the Santa Clara Pueblo. He was inspired to learn the art of working an arrow), 4” h x 5 “ diameter. Hand with clay from his grandmother, Reycita Padilla. She taught him all painted designs in red, green and the fundamentals to hand coil Santa Clara pottery. When he moved black. Est. $180-250 HWAC #52746 to the Laguna Pueblo, he began experimenting with white clay. His mother, Gladys Paquin taught him where to find the best clay. Andrew combined his Santa Clara and Laguna cultures to create his elegant Lot# 3435 Navajo, contemporary style of art. Est. $60-120 HWAC #49353 Arizona/New Mexico Lot# 3431 , Arizona Parrot Design Miniature Navajo Seed Plate, Maynard and Veronica Jar, Wallace Nez c.1996 Miniature Navajo seed Navasi Hopi Pueblo Indian Pottery jar by Wallace Nez. Jar by Maynard and Veronica Navasi. Wallace Nez, originally They use a frog hallmark and sign M. N. & V. N. Est. $300-500 HWAC from Aneth, Utah is a #49300 Navajo potter. Wallace was raised by loving grandparents, Roy Harvey and the late Daisy J. Harvey, whom he dedicates his success in pottery. Wallace Lot# 3432 Navajo, Arizona/New became interested in Mexico Etched Navajo Jar, Fabian art at an early age. Wallace involved himself in pencil sketching and de Vallenti Norberto Etched Navajo ceramic projects. He formed his pottery by the traditional method, coil jar by Fabian de Vallenti Norberto. and pinch, working with traditional clay. His designs are traditional Fabian Norberto was a Navajo Indian and transform into the future. Incredible finely etched designs of wolf, potter who worked exclusively in the feathers, and geometrics on this small seed pot. 1.5” h x 3” diameter. Santa Clara Pueblo pottery style. He Absolutely beautiful. Est. $1000-1500 HWAC #52752 was born in 1960 & died in 1994 at a young age. He lived in Albuquerque, Lot# 3436 Navajo, Arizona/New New Mexico. This pot is signed on the Mexico Navajo Teapot Navajo bottom Fabian De Vallenti Norberto, polished teapot, two corn appliques. 1994, the year he died. This is an Signed, “95” or possibly “56”. 3.25” h exquisite pot, 3.25” h x 3.5” diameter. Highly polished black pot, carved x 6.25” w. Est. $50-80 HWAC #52747 & etched. Geometric design around the rim, 2 carved Navajo “Yei” figures on opposite sides of the pot, one side shows Kachina dancer. Est. $250-400 HWAC #52753 Bid online at FHWAC.com or call 775-851-1859 197

Day 3 - Native Americana Lot# 3437 Navajo, Lot# 3440 Chemehuevi Reservation, Arizona/New Mexico California Lidded Pot w/Figures, Six Navajo Folk Art Theresa Wildflower Lidded pot Ceramic Animals Six w/figures, Theresa Wildflower. Navajo folk art ceramic (Wildflower’s hallmark is a lizard) animals. Four charming 8 tiny figures climb on the vase. sheep wrapped in The figure on the lid is doing a sheep fur, one with a backbend over a dog! Chemehuevi rider. One horse with (The Chemehuevi are an indigenous rider. One bull with people of the Great Basin. They are rider. All about 4” the southernmost branch of Paiute). long. Possibly by Elsie Teresa’s specialty was miniatures Benally. Great group! and she was prolific in making them. Est. $100-150 HWAC Because the Chemehuevi pottery tradition was almost wiped out a #49364 century before (and the examples available in museum collections look very Hohokam-influenced), it’s hard to see anything in her Lot# 3438 Navajo, Arizona/ pottery that makes it specifically Chemehuevi. However, her work is New Mexico Two Wedding Pots light-hearted and reflects a way of looking at nature that is simple, Traditional wedding vase by direct and exquisitely to the point. Her pieces are very well made and Michelle Williams, 8.25” h x 4” meticulously painted. Her subject matter is all over the place, from diameter. Michelle Williams comes penguins to tropical birds to frogs, lizards, bears and coyotes. Her from a family of renowned Navajo creations are exacting, built to a scale where 1” is equal to 1’. It’s easy potters including Alice Cling and enough to confuse her work with Hopi, Zuni or Cochiti pieces as she Rose Williams, and has been making created with styles and shapes and painted designs from all across the pottery herself since the early Southwest Native American pottery world. Wildflower’s works are 1990s. The color variations in this truly fabulous! Est. $300-500 HWAC #49417 piece are due to stone polishing and developing a deep red slip. The Lot# 3441 Chemehuevi Reservation, application of a pitch-pine veneer California Miniature Vase w/ Lid, and to the use of a traditional wood Theresa Wildflower Miniature firing brings a beautiful gold, brown, vase w/ lid by Theresa Wildflower. and black fire clouds flow around the pottery. Also included in this (Wildflower’s hallmark is a lizard) lot is an old style triple spout wedding vase by Bertha and Silas Claw. 6 tiny figures climb on the vase. The Orange/back firecloud, appliqued leaves and acorns. 4.75” h x 3.25” figure on the kid is holding a beach diameter. Silas (c1913-2002) and Bertha (1926 - present) Claw were bill. Chemehuevi (The Chemehuevi of the Shonto/Cow Springs region of the Navajo Reservation. Silas are an indigenous people of the Great passed away in 2002 but there is no record of Bertha passing away Basin. They are the southernmost so it is assumed she is still alive. Although both her grandmother and branch of Paiute). Teresa’s specialty was miniatures and she was stepmother were potters, Bertha did not make pottery until early prolific in making them. Because the Chemehuevi pottery tradition 1970s. Around 1968, Silas began working in clay even though pottery was almost wiped out a century before (and the examples available making (like basket making) was considered women’s work. Bertha in museum collections look very Hohokam-influenced), it’s hard to assisted him from the very beginning. Together, the Claws continued see anything in her pottery that makes it specifically Chemehuevi. to make a variety of pottery shapes: traditional-style cooking jars, However, her work is light-hearted and reflects a way of looking at wedding vases, triple-spouted jars, and ceramic beads. It is not known nature that is simple, direct and exquisitely to the point. Her pieces which one did which part of the production but it is believed Bertha are very well made and meticulously painted. Her subject matter is would form the vessels and Silas would decorate them with a variety all over the place, from penguins to tropical birds to frogs, lizards, of appliquéd and incised plant and animal motifs-usually in high relief bears and coyotes. Her creations are exacting, built to a scale where and occasionally in full round. Est. $350-600 HWAC #52736 1” is equal to 1’. It’s easy enough to confuse her work with Hopi, Zuni or Cochiti pieces as she created with styles and shapes and painted designs from all across the Southwest Native American pottery world. Wildflower’s works are truly fabulous! Est. $300-500 HWAC #49428 Lot# 3439 , Arizona/New Mexico Turquoise Chip/Fetish Lot# 3442 Acoma Pueblo, New Wedding Vase Zuni Turquoise/ Mexico Acoma Pot by Corrine Lewis Fetish wedding vase attributed 2016 Acoma Pot by Corrine Lewis. to the Tulley Family, unsigned. Beautiful bowl with fine line detailing Horney toad fetishes, turquoise and figures around the rim. 6.5” h x chips, feathers and beads. 6” 7” diameter. Excellent condition. Est. x 3.5” diameter. Est. $80-140 HWAC #54807 $350-500 HWAC #48867 Lot# 3443 Acoma Pueblo, New Mexico Triple Canteen, Yolanda Trujillo Triple Canteen, Yolanda Trujillo. 4.5” h c 12”. Yolanda has been making pottery for about 30 years. She began by helping her mother, Becky Pasquale, when she was 8 years old.Like most artisans, skills and knowledge is exchanged, and Yolanda credits her grandmother and aunts with also helping her learn her art.This vessel seen is a fine examples of the Acoma potters art. Est. $150-250 HWAC #52151 198 December 1st, 2nd, and 3rd, 2017