Digital Photographer 170 - 2016 UK

PANASONIC LUMIX DMC-GX8 POST- FOCUS The GX8 boasts Panasonic’s new Post Focus capability, whichenables users to shoot quickly and refocus later. Newer models will feature it as standard, but it’s available to download for the GX8, as well as the G7 and the FZ330.PanasonicLUMIX DMC-GX8 Features Megapixels 20.3 The headline-grabbing feature is 4K video, along with a flexible viewfinderMax resolution and touchscreen LCD 5184x3888Sensor information17.3 x 13.0 mm Live Build quality MOS Weather-sealing means that you’re Lens data never caught unawares, and the By lens magnesium alloy body feels robustFocus/macro By lens HandlingShutter speed1-1/16,000sec A great mix of traditional andISO sensitivity contemporary buttons and dials, A, 100-25600 with a touchscreen thrown in too (extended) Quality of resultsExposure modes Excellent, vibrant images with no Auto, P, A, S, M noise up to ISO 3200. The dualMetering options image stabilisation works well CW, S, MFlash modesA, RE, Fon, Foff, SS Value for money Connectivity It’s more expensive than the GX7 at USB, HDMI, AV launch, but you get video capability, Weight high-quality specs and superb stills597g with batteries Above Dimensions Overall Bulky build133.2 x 77.9 x 63.1mm The electronic viewfinder The design is larger Batteries and vari-angle touch- and heavier than Li-ion screen are among the the previous model best we’ve used and are Storage just some of the many Right SD, SDHC, SDXC design features that make the GX8 a pleasure to use Eye-level sensor LCD 3” A useful sensor detects when you’re Viewfinder looking through the electronic viewfinderElectronic, 236K pixels 101

REVIEWS SRP: £549 / $550 Inset LeftThe Ice Light 2 Digital display Soft light on the move The Ice Light 2 is fully The Ice Light has been dimmable and the digital designed to work, display makes it possible effectively, as a portable to recall power settings window light, providing soft quickly and easily light that’s versatileIt may look like the weapon of a Jedi rather than aphotographer’s must have, but this packs a punch One of the main developments in the the battery was fully integrated and sealed Above & inset world of photographic lighting since inside the original unit, which meant that you digital imaging technology muscled had to charge the device and hope that it Ice Light 2 in actionin on film’s territory has been the increase in would hold out during a shoot – now, with thepopularity of continuous lighting for shooting Ice Light 2, the battery can be removed and Taken at 1/60 sec, f4 andstills. Wedding and portrait photographers a second battery can be used as a back-up. ISO 3200, the model is verybegan using what were often referred to as Another problem with the original Ice Light underexposed due to the poorvideo lights – because they were so closely was the absence of a brightness indicator and ambient light. When set to full power,associated with lighting for video footage – and this, too, has been resolved with the Ice Light we were able to overcome the poorfinding that, thanks to the instant feedback of 2. If, for example, you find a pleasing result in light and also lower the ISO sensitivitydigital and the help of adjustable white balance, a certain environment, you can make a notecontinuous lighting often delivered high-quality of the brightness level and recall this later. Summaryresults with less fuss than flash. When switched on, the light automatically One such photographer was Australian returns to the level that was being used prior Ease of usewedding and portrait photographer Jerry to switching it off. Fifty per cent brighter than Value for moneyGhionis (www.jerryghionis.com). With LED its predecessor, the Ice Light 2 is very bright at Featureslamps now having superseded, largely, halogen full strength and you’ll need to be cautious not Quality of resultslamps, Ghionis has created, in conjunction to temporarily blind your model while workingwith Wescott, the Ice Light and its second with it, but if you want to use this as a key light Overallincarnation, the Ice Light 2, a 1740 Lumen in environments with fairly high ambient lighthandheld LED light unit that’s 5500K daylight- levels, you do need this extra brightness. This is a quality product that’s bound to appeal tobalanced and flicker-free. With a lamp life of plenty of portrait and wedding photographers, butat least 50,000 hours, this dimmable unit is If you are working without an assistant to its price may well be off-putting for manydesigned to provide a soft, wrap-around effect help you, the good news is that the Ice Light 2that’s highly flattering. isn’t nearly as heavy as you might expect it to The Westcott Ice Light 2 addresses some be based on its appearance. There’s also afundamental limitations that were identified 1/4-20-inch thread at either end, enabling it towith the first-generation model. For example, be tripod-mounted so that you can concentrate on the actual photography.102

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REVIEWS DOWNLOAD THE TEST SHOTS www.filesilo.co.uk/digitalphotographer SRP: £630 / $750NikonNikkor 24mm f1.8G EDKevin Carter takes a look at the update to the moderately fast24mm for Nikon’s FX-format DSLRs Nikon has launched a number of Left moderately fast f1.8 primes to replace the firm’s aging AF-D models that date Chromatic aberrationback to Nikon’s film cameras of the Nineties.There was a time when the Nikkor 24mm f2 AIS If you look hard there’s some colourfrom the Eighties was considered high-speed,so this new lens is impressively fast. Given fringing, but it’s very low and in anythat model was replaced by the 24mm f1.4, anextreme lens with a hefty price tag, this new case, easy to removelens looks like an attractive alternative. On paper this new model is smaller, lighter Bottom-leftand cheaper and only 2/3 of a stop slower atmaximum aperture. Like others in the line up, it Contrast and definitionhas a sonic-type (SWM) AF motor and focus isinternal (rear focusing), so there’s no extending Regardless of the aperture selected,barrels and is a lot more durable and practicalwhen using large and heavy filters. this lens has consistently impressive As for image quality, the lens is impressive– really impressive. It easily outperforms contrast and resolutionthe 28mm f1.8, so you could buy the 24mminstead and crop. And if you don’t need that Technicalspecsfaster maximum aperture then you could easilychoose this over the 24mm f1.4, as it’s on par at Manufacturer Nikonwider apertures and even a little sharper when Model Nikkor 24mm f1.8G EDstopped down. It’s less troubled by chromatic Webaberration, too. Saying that, the f1.4 model is Elements/construction www.nikon.co.ukmore appealing, and there isn’t another prime Angle of view 12 / 9under 200mm that’s better made. Max aperture The all-plastic exterior is definitely one of Min aperture 84 degreesthe weak areas. The other is the focusing. Min focus distance f1.8Autofocus is fast and near silent, but the focus Mount f 16collar has a short throw and focusing tends to Filter sizebe somewhat woolly. Length 0.23 m Diameter Nikon F (G) Weight 72mm 77.5mm 83mm 355g Summary Consistent and reliable performance throughout the aperture range is impressive. However, the build quality is less convincing and manual focusing is a little vague104

LENSES SRP: £579 / $599Tamron35mm f1.8 Di VC USDTamron has introduced a brand new 35mm f1.8 withstabilisation for full-frame and APS-C format DSLRs This isn’t the first 35mm with Left stabilisation – that distinction goes to Canon’s EF 35mm f2 IS – so how will Definition at f5.6this model stand out against that and otherslike Sigma’s ultra-high-speed 35mm f1.4 Art This lens redefines performance at thisseries? After all, those models are spectacular. Well, with a mix of metal and engineering level and is sharp from corner to corner.plastic,s the build is similar to the Sigma andis better made than the Canon. It’s not exactly Contrast and resolution are exceptionalsmall though – in fact, it’s really rather large,but it does balance well on larger bodies. Bottom-left Focusing is smooth and well damped and it’srelatively easy to focus manually, but autofocus Wide openisn’t particularly fast. It may use a near-silentsonic-type motor, but unit focusing, where the A few years ago most lenses like this wereentire lens group consisting of 11 elements isracked back and forwards, can rarely be called rather soft wide open, even in the centre, but,quick, if ever. Still, it does seem accurate. Tamron is still building a reputation for happily, things have moved on since thenstabilisation, unlike Canon of course, but itoffers rock-steady viewing and is great to cut Technicalspecsblur from shake in dimly lit scenes. Best of all, though, is the image quality. Manufacturer TamronAdmittedly it’s not as bright as the Sigma, but Model 35mm f1.8 Di VC USDit is easily on par with that and the Canon. It Webhas the flatter field of the three, which helps Elements/construction www.tamron.eu/ukwhen shooting at wide apertures. Chromatic Angle of view 10 / 9aberration is low and the resolution is excellent Max apertureand hardly varies across the aperture range. Min aperture 63 degrees Image quality this good was once extremely Min focus distance f 1.8rare in this focal length and at this price. It’s still Mount f16not exactly cheap, but for once, you actually get Filter sizewhat you pay for. Length 0.2m Diameter Canon EF, Nikon F, Sony A Weight 67mm 80.8mm (Canon fit) 80.4mm 480g (Canon fit) Summary This lens redefines performance at this level. It’s staggeringly good, and with built-in stabilisation to counter blur from shake, making it a sensible and practical alternative to ultra high-speed options 105

KIT FOCUSWork with gimbal headsUse telephoto lenses with ease with these specialist tripod heads Many people are put off from you are using it give yourself plenty of room Top three attempting wildlife and action to move around and make sure you engage gimbal head tips photography using big, telephoto any safety features on the gimbal or attachinglenses because of the difficulties involved plate. The last thing you want to see is your 1Get your tripod level Rather as youin using them. However, one way to achieve lens and camera sliding from the gimbal head would when shooting a panorama, it’sgreater success with more ease and fluidity is if it isn’t attached properly. When setting up, very important to ensure that your tripodto use a gimbal head, as professional wildlife use a camera hotshoe spirit level if your tripod is level when you get everything set up.photographer Alan Hewitt explains. doesn’t have one to get absolutely level. It is “A gimbal head is ideal for photographers who incredibly frustrating when panning with a 2Get the centre of gravity right Thisrequire fast freedom of movement and balance tripod and head that isn’t level.” is very important and is what usingfor tracking moving subjects. They really come gimbal heads is all about. You shouldinto their own when using heavy lenses for An important consideration is the plate. be able to move the lens (and camera)an extended period of time, [as in] wildlife “You will probably need to buy a lens-specific freely and easily, but it should not movephotography. It’s effortless to go from keeping plate to attach the lens to the gimbal head,” of its own volition.the camera and lens static, to panning, ideal explains Hewitt. “These can be expensive, sofor photographing a subject like a perched bird, make sure you build this into your budget. Do 3Choose the right plate The use ofwhich then takes flight. When lying prone and some research online to make sure you get the a plate that’s a little longer thanphotographing wildlife at ground level, a gimbal correct plate or ask the dealer where you buy the foot of the gimbal head itself giveshead allows more movement than is possible your gimbal head.” you greater ability to adjust the exactwhen balancing your camera and upper body position of the lens when finding thewith your elbow and forearms.” As with other bits of kit that have featured centre of gravity. What’s more, he says that it’s not only in in this series, it’s worth taking the time towildlife photography that the advantages practise with a gimbal head before attempting Opposite-bottomare clear. “I know sports and aircraft to use one on a serious shoot. “They canphotographers who enjoy the advantages and take a little bit of getting used to,” Hewitt says. Beyond birdsconvenience, too,” he explains. “Instead of panning using our hips with our feet You must employ a stable tripod when using static we are moving around with the camera “I often like to photograph from grounda gimbal head, Hewitt says. “You will still need as it rotates. A gimbal head can be quite large level. With my lens and camera ona solid support to use a gimbal head to its full and heavy. My Wimberley weighs nearly 1.5kg a gimbal head I get the freedom ofadvantage and when moving it rapidly. When and it’s not the easiest of items to pack in a movement to track red squirrels as camera bag with other equipment, especially they race across the woodland floor” when travelling.”Get to grips with gimbal heads© Alan Hewitt STURDY SUPPORT KIT SELECTION WIMBERLEY In order to provide your telephoto lenses with a very sturdy Gimbal heads are, as you’d expect, significantly heavier and Many consider the Wimberley to be the pinnacle of gimbal yet flexible support, gimbal heads need to be used on a bulkier than something like a ball head, so they are not ideal heads and favour these above all other brands. In the UK the solid tripod for every situation, but are ideal for use with long lenses Wimberly is distributed by www.bobrigby.com106

GIMBAL HEADS 4x © Alan Hewitt Above Take the strain “If you spend a long day somewhere like the Farne Islands in Northumberland you need a good support to take the strain from your arms. A gimbal head offers support and effortless movement, ideal for tracking super-fast puffins!” Far-left Unpredictable speed Arctic terns have a very fast and erratic flight path. Using a gimbal head gives you the freedom of movement you need to track them in flight Left Fluid motion Gimbal heads enable smooth panning from right to left, here tracking a whooper swan in flight 107

REVIEWS SRP: $149 / £100 (approx) OS: Mac OS X 10.10 or later, Windows 8 or laterExposure XAlien Skin unleashes its next-gen photo-editor,but can this sit comfortably as a plug-in? Exposure X is the latest incarnation plug-in version an excellent choice for fitting Summary of Alien Skin’s photo-enhancement into an existing workflow. The Standalone package and can be purchased as version has a couple of extra benefits over the Ease of useeither a standalone kit or as a plug-in to sit plug-in, such as being able to tag and colour Value for moneyalongside host apps such as Photoshop and code your images, as well as add star ratings. FeaturesLightroom. Taking into consideration that Quality of resultsmany photographers already have a polished There is a good variety of traditional black-workflow, it’s likely to be the latter of the and-white and colour effects, with options Overalltwo formats that will prove most desirable. to correct faded images or to make tonalFortunately for Alien Skin, fitting Exposure X corrections. The Cross Processing, Lo-Fi, and The software makes it easy to create beautifullyinto our post-production workflow got off to Infrared categories are just some of the more layered filters in just minutes, if you can stomacha good start, as there is the option to either creative filters Exposure X has on offer. Digging the asking priceapply the plug-in non-destructively to an image around inside the preset filters is only halfor permanently via the software’s settings. the story though, as adjustments and editing New to Exposure X are tools such as the features give further control over the effect.Eyedropper for manually correcting whitebalance and a Detail panel that includes If you’re big into retro looks and roughed-noise reduction and sharpening adjustments, up photo effects then Exposure X could bewhich are akin to those in the latest Camera what you’ve been looking for all along. WithRaw and Lightroom software. We found that hundreds of filters to tempt your creativity,when applying these types of adjustments and all the adjustments you’ll ever need, thereto filters, results come out looking excellent. really are no complaints in the software’sAdjustments and filters are applied without features department. It does seem a shamecompromising final image quality, making the that Alien Skin has to tag Exposure X with such steep pricing, which in this market might be a tad off-putting. Top New shortcuts Shortcuts have been added to Exposure to make editing seamless. Holding down the backslash key, for example, will quickly reveal how your image looks without any adjustments applied Above Bespoke styles The Tone Curve adjustment, as well as Clarity, Highlights and Shadows, all help to achieve professional results. Customising your own vintage effect is rewarding Left Colour effects The software’s presets are split into two main categories: Color and B&W. Categories inside Color include Cinema, Polaroid, Vintage, Infrared and Lo-Fi, with each one previewing upon rollover108

SOFTWARESRP: $399 / £265 (approx) OS: Mac OS X 10.7 or later, Windows XP or later AppsFilter Forge 5 Can these popular apps improveBecome an architect of your own filters and achieve your mobile snaps?unprecedented control over how they look Pixelmator Using Filter Forge gives you a Above backstage pass to the creation Price: £3.99/$4.99 process of filters. Filters can be Textures and patterns OS: iOS 9 or laterscrutinised and picked apart, making this more An app that’s designed just for Apple mobileof an art form than anything else. The Textures category contains techno-inspired overlays, devices will leave everyone else who’s not an At first, Filter Forge seems like an out-of- electricity and metallic surfaces Apple fan wishing they were. This mobiledate software that has failed to keep up with editor includes layers, selections andthe times. But, on closer inspection, this just Summary transformation tools to suit those who areisn’t the case. Filter Forge has been divided looking for more than just a basic, one-clickinto two categories: Textures and Effects. The Ease of use effect booster.first of these is where you can create a photo- Value for moneyrealistic texture; for example a wet stone effect Features Camera51or wooden planks. This also includes abstract Quality of resultspatterns, such as electricity, as well as organic Price: Freeand bacterial looking objects. The Effects Overall OS: Android 4.0section of the plug-in applies the more popular or later, iOS 8 or laterimage effects, and so naturally requires a While this plug-in won’t win any awards for looks, Camera51 attempts tophoto to work from. Effects in this area include what it’s capable of makes it worth it. You can improve thecreative blur, plastic wrap, vintage styles, Lomo rearrange elements, restack and add in other composition of youreffects and many more. elements – Filter Forge shouldn’t be dismissed smartphone stills by Now, if all this sounds like just another plug- analysing the subjectin, well you’re in for a shock. The difference and finding the sweetis that each and every filter in Filter Forge spot. Great in principle,can be customised from the inside out. The but if you know whatFilter Editor button takes you into a sort of you’re already trying tomatrix of elements, showing you how a filter capture then you couldis constructed. This enables you to fine-tune find yourselfthe blending, sizing and detail involved in every disagreeing with whatcomponent of that filter. the app is telling you, as we soon discovered. Layout from Instragram Price: Free OS: Android 4.1 or later, iOS 7 or later The Photo Booth option in Layout shoots four images using your smartphone’s front-facing camera. Pick images from your gallery to mix up a collage and then Replace, Mirror, Flip and add a Border to each image to smarten up your collage. But with no in-app sharing option makes this all seem a bit pointless. PIP Camera Price: Free OS: Android varies with device, iOS 6 or later The app enables you to present images inside a magazine layout, collage, or even in a bottle using this app. There are many different objects to experiment with, such as glass, filmstrip and bubbles, making this surprisingly addictive. The Pro Edit section provides an arrangement of filters, for example, Fantasy, to polish things off. 109

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Accessories 1 Manfrotto Messenger bag for DSLR PWreicbes:it£e8:0w/w$w1.0m0anfrotto.coA.uCk CESSORIESFrom fun to essential, a collection of some of the best photography accessories on the market This bag is the ideal size for travelling around for a day’s shooting and, like a lot of modern kit bags, is 2 designed to look relatively inconspicuous so that you don’t attract undesired attention while out and about 3 shooting. With room for a DSLR with a lens attached, a spare lens and a laptop compartment, there’s all the space that you could wish for here when you don’t need to carry excessive amounts of kit with you. The bag feels well made and the padded interior compartment clearly provides plenty of protection. 2 Toshiba Canvio Ready 2TB USB 3.0 Hard Drive Website: www.toshiba.co.uk Price: £73 / $130 Offering transfer speeds of up to 5 Gbit/s, this portable hard drive offers capacities up to 2TB and the USB 3.0 plug and play connectivity is backwards compatible. This device promises to transfer 350 photos in 15.2 seconds when a USB 3.0 compatible device is being used and 36.6 seconds with a USB 2.0. This 2TB version can cope with the equivalent of 16 64GB SD cards worth of images, which is ideal back-up for a few weeks of on-location shooting. 3 Kuangren KX-800 Macro Twin Lite Website: www.venuslens.net Price: £229 / $ 279 A dedicated macro flash unit is often an absolute necessity in order to facilitate both narrow apertures and fast shutter speeds. The KX-800 model is designed for power, with a Guide Number of 190 feet at ISO 100, eight levels of power and independently adjustable left and right arms, both in terms of power and position. Somewhat confusingly, however, some of these are being shipped in the packaging used for the lower spec KR-800 – a caveat potential purchasers need to be aware of. 4 Manfrotto Off Road ThrilLED Website: www.manfrotto.co.uk Price: £75 / $85 Action cameras have become increasingly popular in recent years and this model is designed with GoPro models in mind. This continuous LED light attaches via an aluminium bracket and features three dimmable levels of intensity. It fits the GoPro cameras’ shape and size perfectly and boasts ‘Surface Mount LED Technology’, which helps improve performance when there is a lot of vibration, a 60-degree beam angle and a luminance of 225 lumens. Colours and skin tones are of a high standard, and it recharges via USB. 5 Transcend CFast 2.0 CFX700 – 32GB Website: www.transcend-info.com Price: £264 / $398 (approx) Though it might not be a brand that you are readily aware of, Transcend has developed a card here that, as the name suggests, is designed for fast speed, rather than high capacity, first and foremost. Available in 16GB and 32GB options, this card boasts read speeds of 530MB/s and write speeds of 260MB/s, thanks to the combination of a SATA III interface and built-in SLC NAND flash. Compact Flash is generally reserved for high-end models these days, but this is a worthwhile consideration if you own a pro camera. 111

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Student, Anna SellenOpen College of the Arts0800 731 2116oca.ac.uk