SpencerVolume4No1Flipbook2023

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the Spencer Publishing Company, Inc. 52 www.spencer-magazine.com

Spencer Style with Roger Lamoureux, STYLE EDITOR De-Mystifying The Metaverse and Digital Fashion; A Conversation with Marie Copps; New Fashion Style; Andrew Bank: Creating A Culture; Ooobaby; Lifestyle Toronto Presents Riwayat; Salon Dew Andrew Bank \"Creating A Culture\" 53 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE De-mystifying the METAVERSE and DIGITAL FASHION \"No great mind has ever existed without a touch of madness.\" - Aristotle By Estelle Ohayon To most of us the emergence of the Metaverse, most With the emergence of digital and immersive spaces, it only often associated with Web3, NFT's and The Blockchain, seems fitting that the digital fashion market evolved as well. seems to be yet another confusing concept that simply Not only is digital fashion a fun and creative way to individu- adds to the never ending vocabulary we can't keep up with. alize and accessorize our Metaverse avatar but it is so much Just when you thought you had grasped the most recent con- more. cept, another one rapidly emerges. Seemingly in an attempt The new age of digital fashion and wearables is inevitably the to remind us that we are possibly not as smart as we thought next step in the advancement of fashion and design. As digital we were. wearables, metaverses and NFTs will allow us to redefine the Leaving us perplexed with skepticism, what on earth is the boundaries of the fashion industry and open it up to a brand Metaverse? new demographic. \"The metaverse is really any 3d immersive experience. This can In order for us to understand where we are going, we must include VR and AR but doesn't have to. I am really excited about take a closer look at how we got here - the history of fashion, the application of digital fashion and art in the Metaverse. The art and cinema as creative industries that have historically art and fashion that we choose in the Metaverse is an expression been driven by ideating fantasy-like narratives and perso- of ourselves. No different than in the real world. I am really ex- na-like icons. For example, the cinema industry played a large cited about the future and the opportunity for the creators.\" role in innovation when it introduced 'images in movement', in the early 20th century. Lorne Sugarman, CEO of Metaverse Group the Spencer Publishing Company, Inc. 54 www.spencer-magazine.com

DE-MYSTIFYING THE METAVERSE In art, we saw Old Masters enhance features in portraits, constant human desire to expand the body and mind be- painting important figures with the intent to highlight and yond the physical limits of this world, taking our beings emphasize power, status, wealth and into an environment where they are not present flawless beauty through a tradi- limited by genetics, geographies, athlet- tional medium.. ic abilities, looks or even physics. The Metaverse has simply given us a new Fashion has also had a long history of “Digital fashion medium to execute and grow our per- embellishing and glorifying reality. High sonal and public persona with never heels to improve height and posture, ending bounds. corsets to emphasize the female form. and Similarly, this idealistic beautification With the emergence of Metaverses we was seen emphasized in upper classes have seen designers, creators and artists through other mediums such as: wigs, self-expression of all walks experimenting with these new make up, jewelry, etcetera... virtual worlds, learning to use the digital realm as a new medium to bring value to These methods of artistic glorification will become the their collectors. Creating their own com- soon influenced the norm, where at times munities and narratives virtually. we can't distinguish the real self from the persona created. Society normalized next development Digital fashion and self-expression will these elements as a collective shared become the next development to the value, highlighting that today technolo- layers with which we can add to our gy is directly related to self identity and to the layers with personas. As this segment of the market expressionism as well as cultural diver- grows, fashion designers are under- sity and growth. Such examples are most standing that digital design and fashion evident on social media platforms with which we can add are a part of their brands ability to story our personal realities being enhanced to tell and will organically grow into the next build an augmented public persona. stage of Web3 e-commerce. ”to our personas. The Metaverse has given us yet anoth- Once digital clothing becomes as avail- er virtual world we are able to conquer able as an Instagram filter, we may begin through our imagination and creativ- to see a merger between the physical and ity. It is simply a byproduct of our continuous evolution, in digital worlds. At that moment, NFT's and digital fashion will our never-ending search for revolutionary ways to visualize be normalized and could become a very powerful asset to our our deepest desires and fantasies. Virtual reality fulfills the society. 55 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

the Spencer Publishing Company, Inc. 56 www.spencer-magazine.com

Fashion, Art, Dance and Cinema have always been inter- DE-MYSTIFYING THE METAVERSE twined. Shaping our identity and tracking our cultural transformations. This new wave of technology is here to When thinking of fashion specifically, Metaverse capabilities accentuate the mundane reality, grow our creativity, promote provide designers and creators an opportunity to truly tap greater transparency in asset transactions and lower the bar- into another dimension ultimately expanding their creative riers of entry into a well guarded sector. Fashion will forever capabilities without constraints of the physical world. be a tangible instrument of self expression, a powerful tool for tracking a generation's growth and humanity's common Similarly, in cinema these benefits are also extremely prom- shared values. inent and untapped to date. Enabling immersive experiences For the first time we are now able to merge technology, art, with the ability to shop directly during that experience. Picking streaming capabilities and expression like never before. Al- up a \"skin\", item of clothing, accessory, or even the choreography lowing for an amazing opportunity for consumer experienc- of your favorite actor and celebrity and add it to your cart while es. Everyday we interact with these elements on demand and viewing a stream or in theater. The possibilities are endless not at our fingertips. Whether it be via a YouTube video, online only in fashion, art and cinema but in everyday commerce. shopping, or taking a deep dive into online forums - all with a simple swipe of our phones. In closing, the Metaverse is not as confusing as the public Fast forwarding to Web3, we have the exact same needs, yet perceives it to be, nor is it an iteration of Sims. The Metaverse with a heightened experience. Perhaps you want to go shop- is the net portal into e-commerce, granting limitless creativi- ping, but don't have the time to visit a mall or boutique, yet ty, access and innovations into all sectors physical or digital. you also don't trust your online providers. With Web3 and Bridging these gaps will become more prominent as the Metaverse capabilities you can now bridge the best of both worlds. Merging the convenience and accessibility of the technology advances, where we will internet with the experience and trust of a physical store, be able to acquire physical assets gallery or boutique. through Metaverses and NFTs or The ability to create these experiences propose an unbeliev- buying digital assets in real world able opportunity for retailers, designers, artists and creators. retailers. The opportunities are endless to those willing to open their eyes to its capa- bilities. Special to Spencer Magazine: Written by Estelle Ohayon, President & CEO Art Concierge Inc, Co-founder NFT BAZL Collaborators on this article: Lorne Sugarman, CEO Metaverse Group Dr. Giovanna Graziosi Casimiro, Senior XR Web3 Producer & Head of Metaverse Fashion Week Rebecca Batterman, Strategic Advisor & Consultant Web3 + NFTs Gerald Deluca, Investor, Founder, Web3 Advisory 57 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE Spencer Feature Interview MARIE COPPS A Conversation With MARIE COPPS the Spencer Publishing Company, Inc. By Maddie Hession The soulful Marie Copps is quickly becoming a Toronto household name. From a childhood in the Czech Re- public to a Canadian acclaimed artist and designer, Marie Copps uses her voice and art to dive into the true human experience with confidence and grace. From floral arrangements to gowns, to elaborate jewelry & millinery, Marie has sold her paintings in European auctions, created gowns for the Cashmere Collection, Czech Republic beauty pageants and “She is a Queen” collection for FAT. An underlying beauty of many of Marie’s works is the plat- form she gives to social and environmental issues around the globe. Her painting, Queen of the Arctic, brought attention to arctic drilling, her monumental Toronto-based Fashion Shoot Extravaganza event was held in support of the Breakfast Club of Canada. Today, Marie speaks out about the environmental impact of the fashion industry itself. With a passion for unique personal style and a heart of female empowerment, Marie opens up about her life and the inspira- tions that drive her today. 58 www.spencer-magazine.com

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the Spencer Publishing Company, Inc. 60 Photot Credit: Jonathan Levy www.spencer-magazine.com

MARIE COPPS: FEATURE INTERVIEW Maddie Hession: As a child in the Czech Republic, you were This is a big one. I’ve come from a country where we only had a few things to choose from. Here, we have more than we alienated for wearing your own hand-made clothing. How need. The opposition still blows my mind. On top of this, we does that impact your design style today? now have a social media culture where we show our outfits once and it’s over. This is damaging to our environment and to Marie Copps: I grew up during the ‘80s in a much different our mental health. We are bombarded with fashion “trends”, era. In the Czech Republic, we did not have much fashion and the race to keep up with this social construct is insane. choice. Luckily, I had creative women around me, including Some people have a huge following base where the power my mom, who made beautiful clothing for my sister and I. of influence is immense. There are some incredible influ- Learning to knit and sew before the age of 10, I started mak- encers promoting thrifting and wearing vintage pieces. ing my own garments. I loved the fact no one else had the same outfits as me. In grade school, I encountered one very challenging and traumatic experience that impacted That is something I would like to see more of in the future. my life. A schoolmate of mine did not approve, or was jeal- My hope is that each individual person will realize the un- ous of my unique self-expression, and convinced our class importance of these trends and start cultivating their own to ignore me for weeks. I was too young then to understand personal styles instead. how it might impact me as an adult. When we go through As a designer, what is important to you these hurtful moments at such a young for the future of fashion? age, we come to think it is not safe to be ourselves. I now understand the I think fashion needs to change profound feelings that come when “I think fashion needs to worldwide. Our consumption is wearing original clothing. That being unhealthy and unsustainable. The said, the expressive way I dress today metrics are already screaming at us is something I started only 3 years ago. change worldwide. loud and clear. Fast fashion is re- I had to clear those blocks from early Our consumption is sponsible for 1/3 of industrial water childhood and go through very pain- pollution and consumes 98 million ful personal transformations. Now, in tons of non-renewable resources my fifties, I am finally able to be myself unhealthy and annually. Even more alarming, less and am okay with the fact some people unsustainable. The than 1% of materials for clothing will not like it. I learned the hard way production is recycled, and 30% of that it has nothing to do with me. metrics are already fast fashion items go unsold. Even This issue of Spencer Magazine is screaming at us loud and though I love fashion and am a fash- ion designer myself, I dislike the industry and its practices. It has focusing on women’s empowerment. clear. Fast fashion is secrets nobody, especially in the As a successful artist and business woman, what does women’s empow- responsible for 1/3 of mainstream, wants to talk about. We erment look and feel like to you? must admit to ourselves that we are I can honestly say I am not where I industrial water facing a major problem and change want to be myself and am still learning our approach to fashion. 713 gallons every day. It is a slow growth journey pollution and consumes of water to produce a single white with lots of twists and turns. Going cotton t-shirt is a huge price to pay. down this path, you come to face many 98 million tons of Statistics from www.herbones.com/ challenges and obstacles. I would call fast-fashion-statistics/ myself a workaholic, so learning how non-renewable resources to pace myself is still a challenge. I What are some things you do, and we have been through a few bad burn- annually.” can do at home, to make a positive outs. We are taught to believe different impact on these fast-fashion statis- things about “success” and some are tics? What more can Canadians do to not true. We are told to compete with be mindful in their fashion purchases? each other and I believe that is detrimental and unsustain- What I would like to say is focus more on your unique per- able. I believe we each have unique gifts and skill sets that are sonal style and forget about the trends. Before a purchase, I aligned with who we are at the core. If we find a way to share urge everyone to think hard about this new piece. Do I know these with the world to make it a better place, that is ultimate how it was made? Do I really need it? How long will I wear this success. I am thrilled when I see someone finding the cour- piece? Original personal style will always be more attractive age to take small steps toward their dream career. I am a big than the latest dress from a famous fashion house. I love using cheerleader to everyone who wants to break free from what pieces over again and I upcycle my garments as much as I can. makes them unhappy. Life is too short to wait for the perfect What was a long skirt years ago is now a blouse or sleeves to moment. There is no such thing. You have to go get it. Being a new jacket. I rotate the textile and try to use what I have stuck somewhere you feel you don't belong is draining. I love to minimize the waste. I have put together a Fashion Self hearing success stories of people who navigate hardship, but Discovery Guide for readers to start uncovering their own make it work anyways. It is so inspiring and uplifting. personal style! I know you have major concerns on the environmental SHOT ON LOCATION in Yorkville, Toronto, Canada. impact of the fashion industry, as do I. Can you talk to me by Photographer and Creative Director Jonathan Levy about some of your biggest concerns? 61 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

the STYLE GUIDE according to Copps Photot Credit: Jonathan Levy the Spencer Publishing Company, Inc. 62 www.spencer-magazine.com

SPENCER STYLE NEW FASHION STYLE Self Discovery Guide by Marie Copps Do you like your style as it is right now? If not, what is it that you would love to change first if you could? What is your style icon and fashion inspiration if you have one? What are your five favourite colors and patterns? What are your five favourite garments that you are frequently wearing now? What is your ultimate dream look? What is your silhouette? Do you understand what looks great on your body type? Do you like attention when it comes to wearing fashion? Are you comfortable when people look at you when you go out? Do you take compliments easily or do you feel shy? Do you like to stand out or blend in with the crowd? Are you afraid of what people will think of you or their reactions? If you want to introduce more colours to your wardrobe start with smaller items e.g., scarf, belt, shoes, necklace, or other smaller accessories. Build your confidence by adding more every time you dress up. If you want to add more drama to your look, e.g., headpieces or bold jewelry, start with smaller designs first. Make sure your posture is correct. Stand tall and own your style! Embrace yourself fully! There is only one YOU. Share yourself with the world and have fun, you will inspire others to become themselves too… 63 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE Spencer Feature Interview ANDREW BANK BANK: Creating a Culture ‘‘Andrew Bank is not just another generic fashion brand, this is art. These pieces are alive because of the life we breathe into them. These are masterpieces in part created by the very person you see wearing it.’’ Andrew Bank By Joseph Edward Schur Bringing together the finest of materials and craftsman- ship, with a focus on contemporary design, Andrew Bank is a luxury designer based in Toronto, Canada. I caught up with Andrew in Yorkville, Toronto to find out about his brand, what projects he is working on, and what his goals were for the future. During our conversation, he made a statement that resonated with me: \"If you want something to last forever, create a culture around it.\" Profound, yes? Read on and enjoy this interview. the Spencer Publishing Company, Inc. 64 www.spencer-magazine.com

ANDREW BANK: FEATURE INTERVIEW Collegiate Bomber Jacket, Orange, Deer Suede Made in Italy. $1,595 CAD Tuxedo Trousers, Dark Blue, Leone Napoli Made in Italy. $595 CAD Velvet Loafers, Signature Red Leather Sole, Leone Napoli. Made in Italy. $495 CAD Available at Leone Napoli, Toronto Sunglasses, Black, Cartier CT0220S Made in France. $915 CAD Available at All Eyes On Me Eyewear, Toronto Joseph Edward Schur: I understand that you had your start Looking like everyone else, no thank you. I completely understand in the luxury market with... diamonds. And jewellery design. your logic. Andrew Bank: That's correct, selling diamonds and designing Right. So yes, there was a defining moment. custom made jewellery was the first time I ventured into the luxury space. The Bank collection includes jewellery design, duffle bags, wallets, perfume/cologne, silk scarves and even cool kicks. There must have been a moment, a defining moment when What was the biggest challenge when starting the Bank you decided to launch your own luxury line. brand? I recall walking into Holt Renfrew in Toronto with the thought The high-end jewellery portion of Andrew Bank is actually a of purchasing a Louis Vuitton duffle bag for my upcoming trip joint venture between Andrew Bank and my jewellery company to Miami. I remember thinking to myself, 'everyone has this, Maison Centauri. Having the ability to design and manufacture I'm going to spend $5,000 to look like everyone else?\" Some- the highest quality pieces made the expansion into high-end thing about that didn't sit right with me. jewellery makesense.The biggest challenge for me was deciding 65 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE Meeting so many amazing people along the way. Fashion is the thing that we are all a part of in some way because we all pick an what piece to lead with. It had to be something bold, some- outfit every single day. We select colours, patterns and textures thing that clients would use regularly, something that makes based on our mood and how we want to be viewed, but more a statement from across the street. A duffle bag was the first importantly how we view ourselves. From brainstorming to choice! From shopping to traveling, business to leisure, no delivering a piece to a client, I'm constantly having conver- matter your age or gender, everyone needs a duffle bag! It's sations with people and it is absolutely incredible to see what one size fits all and that is a huge advantage when developing you can learn about them. I love how people project who they are your brand. The main focus was; quality and exclusivity. I to the world through their personal style. wanted people with the bag to feel unique, not like everyone else and I wanted people who saw the bag to feel like they were Your focus is obviously on providing outstanding quality, which looking at art, the Mona Lisa! is an expensive undertaking. The luxury brand marketplace is incredibly competitive. How do you stand out from the crowd? Art. I like that. No cookie-cutter nonsense. What has been the most rewarding for you, creating the Bank collection? the Spencer Publishing Company, Inc. 66 www.spencer-magazine.com

ANDREW BANK: FEATURE INTERVIEW Andrew Bank is not just another generic fashion brand, this is art. These pieces are alive because of the life we breathe into them. These are masterpieces in part created by the very person you see wearing it. The Fitzgerald Duffle (our flagship piece) is customizable, from colour to functionality to number selection. We will only release 100 duffle bags each year which, of course, makes each piece very exclusive. Of course, creative expression can take many forms... art, music, etc. Where do you find “Every single day your inspiration, Andrew? I venture off into Life! Every single day I venture off into the world and experience everything it has to offer. the world and See, touch, smell, listen, taste... what better way to get inspired than to just live life to the experience fullest. everything it But you must have been influenced by someone or something, beyond inspiration. Can you has to offer. See, list some of your design influences, or the designers who have influenced you, both past and present? touch, smell, listen, taste... Absolutely. Virgil Abloh who I had the pleasure of meet- ing. My short list includes Kanye West, Yves Henri Donat what better Mathieu-Saint-Laurent, Tom Ford, Karl Lagerfeld, Martin way to Margiela, Jean-Paul Gaultier... Icons, all visionaries. get inspired A short list to be sure! Icons, yes. Brilliant, creative minds. than to just live Which leads me to this question: There's a lot of work in coming up with new collections. How do you handle the life to the pressure of being on trend, creating somethimg fresh? fullest.” Easy! I don't give in to pressure. I personally feel zero pres- sure to be trendy because I aim to be timeless. Trends come and go, I want to stay forever. Let's talk for a moment about your Bank \"Fitzgerald\" duffle bag collection. What's with the Fitzgerald name? I can trace a lot of my success back to a chance meeting when I first met my friend John Kennedy Fitzgerald and later his family. If I had never met him, I do not think I would have had the opportunity to bring Andrew Bank to life. So it was only right to name my flagship piece after him. 67 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE The Birkin has set the bar, the Birkin is in my opinion, perfect. You could have manufactured these duffle bags offshore, Perfection. I can see how that would be an intoxicating ideal at much less expense. And yet, you chose to have them pro- to reach for. Right now, you're producing a limited edition of duced right here in Toronto, Canada. 100 numbered duffle bags per year, and each are numbered from 1 to 100. I'm curious, why is this? Quality control is paramount. I have the ability to walk right onto the manufacturing floor and inspect every If you want something to last forever, create a culture around stage of production within 40 minutes of leaving my it. In 100 years I want some to say \"I have a season 1 number 1 home. In Canada, we have the capacity and ability to Fitzgerald duffle in my collection and I'm trying to add num- match the high quality standards set by famous fashion bers 2 and 3 as well.\" At this point the individual owners of cities such as Paris, London, Napoli and Milan. each piece can set the price based on what that piece means to them. There you go, you've just created the perfect collectors Upon inspection and handling, the first thing I noticed about culture. It's something that everybody now wants to have in the Bank Fitzgerald bags was the quality and attention to de- their wardrobe, it's sought after. tail, such as the fine Italian leather, the lining and the hard- ware. Dramatic color as well! In fact, I'd go so far as to say it reminds me of the quality of Hermès. Lardini Jumper Top, in Navy, Microfibre Made in Italy. $498 CAD PT Torino Cargo trousers, Khaki, Japanese Microfibre fabric. Made in Italy. $688 CAD Available at Nicolas, Toronto White Sneakers, Andrew Bank Duffle Bag in Blue, Bank Fitzgerald, Limited Edition the Spencer Publishing Company, Inc. 68 www.spencer-magazine.com

ANDREW BANK: FEATURE INTERVIEW Gabriele Pasini Camo Cotton Jacket Made in Italy. $1298 CAD PT Torino \"Active\" Epsilon trousers, kinetic fabric. Made in Italy. $688 CAD Available at Nicolas, Toronto White Sneakers, Andrew Bank Duffle Bag in Blue, Bank Fitzgerald, Limited Edition 69 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE “If you want something to last forever, create a culture around it. In 100 years I want some to say: I have a season 1 number 1 Fitzgerald duffle in my collection and I'm trying to add numbers 2 and 3 as well.” the Spencer Publishing Company, Inc. 70 www.spencer-magazine.com

ANDREW BANK: FEATURE INTERVIEW Evening Suit, Peaked Lapel, Neapolitan Style, Midnight Blue Made in Italy. $1,795 CAD Available at Leone Napoli, Toronto Sunglasses, Black, Gold Frame, Cartier Made in France. $1,295 CAD Available at All Eyes On Me Eyewear, Toronto Duffle Bag in Red, Bank Fitzgerald, Limited Edition 71 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE Firstly, Thiago is a GENIUS and master at what he does. This was my first time de- veloping a fragrance and we worked really hard to create something that is so perfect. I learned so much from Thiago and we are ex- tremely proud of what we've made. Prendimi translated from Italian to English is \"take me.\" Take me away, take me in your arms, take me right here, right now... Prendimi. It's perfect. I've had the chance to enjoy the Prendimi scent and it's quite remarkable. This luxurious eau de parfum (30% concen- tration) is a citrus, woody, musk with top notes of bergamot, grapefruit, green apple and elemi. The mid notes consist of vanilla, sandalwood and patchouli. And finally, the base notes are made up of amber and white musk to give this fragrance a perfectly bal- anced and well-rounded array of aromas. Beyond creating a luxury brand, what are you passionate about? I'm passionate about motorcycles and cars! I hope to one day collaborate with a major luxury manufacturer such as Bentley, Mer- cedes or Rolls Royce (the list goes on) to create an Andrew Bank edition interior. So, Andrew, how would you describe your own personal style? It's a perfect reflection of my mood and how I feel that day. It's easier that way... not adhering to a specific dress code. What can we expect to see in the future with Bank? You can expect to see our shoes and the official launch of our high-end jewellery collection in 2023. During our photo shoot for this article in Yorkville, Canada, Finally, what does luxury mean to you? we happened to run into a customer of yours, Andrew. He It's simple, something that everybody wants, but not every- proudly mentioned that he invested in three Fitzgerald duffle body can have. That's luxury. bags, with the numbers starting at 7. That must be quite the rewarding feeling to have achieved such a great following in a SHOT ON LOCATION in Yorkville, Toronto, Canada. relatively short period of time. I mean, Gucci, Bottega Veneta, Photographer Evens Belleus (@ebsince19xx) captured these Dior, Louis Vuitton, Celine, Brunello Cucinelli and many oth- images in the heart of Toronto's luxury \"Fashion District.\" ers have been around for a long time. Special thanks to Nicolas Kalatzis of Nicolas Men's Wear, and David Petrash of Leone Napoli. That feeling is something that is difficult to articulate, but it's incredible! It's been amazing to see people excited to own something I've created from scratch. Blows my mind every time! Prendimi, your scent that is available right now. You collaborated with Thiago Snow to create this exclusive fragrance. Was this your first experience developing an Eau De Parfum? the Spencer Publishing Company, Inc. 72 www.spencer-magazine.com

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SSPPEENNCCEERR SSTTYYLLEE @ooobaby is the new generation of handbags: designed $358.00 CAD for the always moving & invariably role-changing The Urban Handbag - 1969 Woodstock Brown woman wherever she may go. width: 11.5 in (29 cm) height: 8.5 in (22cm) Designed in Canada and handcrafted with luxurious Italian depth: 5 3/4 in (21.25cm) leather. * soft grained Italian pebbled leather Ooobaby was launched in 2017 by Tulin Sallabank when Tulin * secure zipped interior was unable to find the perfect bag suited to stand up to the * 4 interior compartments rigours of everyday life. Recognizing a gap in the affordable * detachable crossbody strap luxury range, Tulin interviewed Italian manufacturers that * one exterior end pocket work with top luxury brands, to produce unique handcrafted * polished nickel hardware designs. Designed in Canada Each collection is handmade in small batches by industry ar- Handmade in Italy tisans with premium Italian leather. Ooobaby is a slow fashion label that designs minimalistic $448.00 CAD handbags encouraging the wearer to avoid overconsumption The Urban Backpack and keep high quality and classic handbags that last for many 1969 Woodstock Brown years. Working with artisans in Italy, ooobaby handcrafted width: 12 1/2 in (32 cm) luxurious leather and affordable handbags are made in small height: 11 3/4 in (30 cm) batches with great attention to detail. Biodegradable, ethical, depth: 4 3/4 in (12 cm) sustainable and slow fashion is what inspires ooobaby. * Italian pebbled leather * secure zipped interior * 6 internal sections * interior key holder * waterproof interior lining * 2 exterior end pockets (magnetic closure on one) * 37 in (94 cm) adjustable and removable straps * polished nickel hardware Designed in Canada Handmade in Italy the Spencer Publishing Company, Inc. www.ooobaby.com 74 www.spencer-magazine.com

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SPENCER STYLE Lifestyle Toronto's RIWAYAT the Spencer Publishing Company, Inc. 76 www.spencer-magazine.com

LIFESTYLE TORONTO: RIWAYAT RUNWAY SHOW a 2-day South Asian Fashion Extravaganza 77 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE THE RED CARPET LIFESTYLE TORONTO'S RIWAYAT By Joseph Edward Schur Minus the 15+ hour flight, I was transported from Toronto to South Asia for one exciting weekend this year at the luxurious Fairmont Royal York Hotel. Thanks to \"Lifestyle Toronto,\" an extension of Riwayat and Pakistan Fashion Week London, I experienced one of the most remarkable runway shows and exhibitions to ever land in Toronto. The beautiful collections, presented on both days, featured emerging and accomplished designers, as you will see from the following pages. Riwayat ( meaning: tradition) is helmed by Adnan Ansari, the Founder and CEO. With a decade of experience presenting events in London, Prague, Rome, Geneva, Karachi, Lahore, and now Toronto, he is achieving his mission of spreading aware- ness of the beauty of South Asian couturiers and artisans. According to this visionary, \"Fashion has no boundaries. I always say fashion is not limited to any race, class, nation, community or even gender; fashion is for everyone!\"\" It was a runaway hit with a packed house of diplomats, fashion connoisseurs and even the Consulate General of Pakistan Toronto. Yes, this was one of the grandest events I have ever enjoyed, and you can bet that I'm looking forward to their return! All Photot Credits: Courtesy of Riwayat the Spencer Publishing Company, Inc. 78 www.spencer-magazine.com

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SPENCER STYLE Gogi by Hassan Riaz A brand that empowers women's personality through style and fashion. Fashion consultant, Creative director, Stylist, fashion Artist. https://www.instagram.com/official_hassanri- azgogi Lahore, Pakistan the Spencer Publishing Company, Inc. 80 www.spencer-magazine.com

LIFESTYLE TORONTO: RIWAYAT RUNWAY SHOW Komal Nasir Komal Nasir has made her name within a niche circle of designers doing amazing work in re- viving our rich heritage and dying crafts, by producing bespoke shawls, scarves & stoles. Komal has her hands full being a mommy of four with a running business that is flourishing. Her work is a labor of love which is a testimony to her sheer mastery over design aesthetics. https://komalnasir.com 81 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE Zarsha Established in 2018, Zarsah is their commitment to providing a contemporary design solution to all our clothing needs. The design label offers a broad range of apparel ranging from wedding formals, luxury pret and casual pret for both men and women. https://zarsah.com the Spencer Publishing Company, Inc. 82 www.spencer-magazine.com

LIFESTYLE TORONTO: RIWAYAT RUNWAY SHOW Sophia Lahore Sophia specializes in female casual, formal and bridal wear. The brand caters to all age groups and has dressed brides around Pakistan as well as in India. https://sophia.com.pk/ 83 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE Hamna Amir Designer Jewelry Jewelry with the classic embodiment of ele- gance and class perfect for the modern woman of today. https://www.hamnaamir.com/ the Spencer Publishing Company, Inc. 84 www.spencer-magazine.com

LIFESTYLE TORONTO: RIWAYAT RUNWAY SHOW Samsara by Khadija Batool Samsara is all about art and elegance trans- lated through fashion, for the conscious, evolving woman. With more than 10 years of experience in the market, our company believes in contemporary and traditional craft artistically assembled on this platform by our specialized team of designers and pattern makers. https://samsarabykb.com 85 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE Moazzam Hussain Abbasi Designer in Pakistan. https://m.facebook.com/AbbasiMoazzam/ https://www.instagram.com/moazzam.abbasi the Spencer Publishing Company, Inc. 86 www.spencer-magazine.com

LIFESTYLE TORONTO: RIWAYAT RUNWAY SHOW Ash/Designers The global online market in Indian Ethnic Fashion, Ash Designer offers end-to-end customizable eth- nic wear solutions to all India-lovers, ranging from Sarees, Lehengas, Salwar Kameez & Indo-western Wear to Accessories. 87 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE Raheila Junaid Raheila Junaid’s collection grabbed the attention of the audience with bold colours and glamourous golden touches. We could see the beautiful, intri- cate bead work with floral accents. the Spencer Publishing Company, Inc. 88 www.spencer-magazine.com

LIFESTYLE TORONTO: RIWAYAT RUNWAY SHOW MDs Fashion House MDs Fashion House’s collection took our breath away with the pop of colours blended with traditional patterns. You could almost feel the models dancing in a Bollywood movie. 89 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

SPENCER STYLE Faiza Saqlain Faiza Saqlain has imbued Pakistani luxury fashion with its endearingly intricate designs. Established in 2012 in Lahore, the fashion powerhouse earned success because of its chic and modern silhouettes infused with elegant yet traditional embellishments. www.faizasaqlain.pk the Spencer Publishing Company, Inc. 90 www.spencer-magazine.com

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SPENCER STYLE still creating looks As Fresh As DEW By Rose Marie Bresolin Salon Dew is a chic yet sophisticated salon in Yorkville that After a little time in the Salon, what stands out is the upbeat specializes in modern, contemporary and versatile hair- interaction among staff, despite a setting that compartmen- cuts and colors to enhance hair texture and personality. talizes services to allow for clients to be matched with the It has been a Go-to for hair-care by Toronto & Celebrities for right stylist or colourist, ensuring they come away with that many years. Word still has it that at Dew, there’s always the coveted look. chance of an A-List celebrity taking up the chair next to you. the Spencer Publishing Company, Inc. 92 www.spencer-magazine.com

SALON DEW Asked how it feels to be in the salon again, Maia says, “It’s great to be back doing what we love to do. That we can make a positive difference in how our clients look and feel. There’s a new energy in the salon.” Partner Vicky who manages the desk and is the designated PR person adds, “Many of our clients are regulars that seem really grateful to be back, and eager to support the salon.” A business that is surviving the pandem- ic, proudly shares that it has celebrated 18 years at the Yorkville location. A team that works hard together and plays together. Photot Credits: Jonathan Levy 93 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

the Spencer Publishing Company, Inc. 94 www.spencer-magazine.com

ASperntcesr &Culture with Joanne McLennan, ARTS & CULTURE EDITOR Haris Sardar: Spencer's Featured Artist; The Bodo Story: Journey Of An Artist; Hope Rises Like A Phoenix; Defining The Great Canadian Blockbuster; Lynne Stoltz: Sons 2 The Grave; Film Review: Carmen By Director Valerie Buhagiar Haris Sardar's \"Paint Pallette\" 95 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

ARTS & CULTURE Spencer Feature Artist HARIS SARDAR What is it with Haris Sardar? Lotus 96 c. 2020 Oil on gallery-wrapped www.spencer-magazine.com canvas, 60\" x 48\" x 1.5\" the Spencer Publishing Company, Inc.

HARIS SARDAR: FEATURED ARTIST INTERVIEW Actuary by day, referential surrealist painter by night By Joseph Edward Schur I'm a lucky guy. As the Publisher of Spencer, I get the chance to rub elbows with some extraordinary people. Case in point: Haris Sardar, one of the most imaginative, creative artists whom I have ever met. What's intriguing to me, and why I absolutely had to interview him was because I wanted to know what makes him tick. He has the rare ability of being able to harness both the left and right hemispheres of his mind, achieving great success. Genius? Yes, that's taken for grant- ed, partially explaining how he can excel both as an incredibly successful actuary and a highly sought after painter. But really, what is it with Haris Sardar? I suggest that you take a few moments and read his interview. You'll be inspired. Flowerin' Audrey at Tiffany's c. 2021 Oil on gallery-wrapped canvas, 72\" x 60\" x 2\" Boxed Golden Temple c. 2020 Oil on gallery-wrapped canvas, 30\" x 40\" x 1.5\" 97 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

ARTS & CULTURE Joseph Edward Schur: Tell us about your early childhood... where exactly are you from? Mardi Gras Sax Fantasy Haris Sardar: I was born in the historical and stunning city of Lahore Paki- c. 2022 stan. The land of the Mughal Empire (16th - 19thC) with astounding archi- Oil on canvas, tectural jewels along with a rich and colorful culture of dance, gastronomy, 40\" x 40\" x 2\" sports, arts and fashion. I am the baby of the family with 2 older siblings and grew up in a tight net- work of extremely creative cousins, uncles, aunts, and family friends. I was blessed with a very loving family and my childhood was full of wonderful experiences. Especially being born in a non-secular country as Pakistan, my parents brought us up in a tremendously liberal environment where freedom of thought, expression, creativity, and belief were encouraged and nurtured. From the very beginning music, poetry, painting, arts, crafts, jewelry design, clothing design and all forms of creativity were prac- ticed in the household. My father, in addition to being an agriculturist was also a hobbyist painter, mum took several cracks at designing clothes and jewelry, sister went on to become an uber successful set designer for lavish weddings and fashion events and brother sang and played the guitar. As a matter of fact, a num- ber of my cousins and school friends are now primary art practitioners in Pakistan and beyond. These include professors at the National College of Arts, singers, internationally renowned fashion designers and chefs and owners of major clothing brands. Then there were the annual trips to our summer house in Murree where all the extended family would gather to escape the sweltering heat of Lahore. Murree, set in the beautiful foothills of Kashmir, for the young troupe of cousins was like being at theatre camp. We would rehearse, and put-up talent the Spencer Publishing Company, Inc. 98 www.spencer-magazine.com

HARIS SARDAR: FEATURED ARTIST INTERVIEW shows for family and other local residents. Dancing, painting, singing and acting were all part of the 3-month long gig. Of course, between the creative performances we would regu- larly hike through the stunning mountains and geographical landscape of the area taking in all sights, sounds and smells. “My main Some of the other child- hood memories that have inspiration comes a special place in my from the ultimate heart are fishing trips creator, call it with dad, learning how nature, the to cook and bake with the aunts and mum, swim- universe, God or ming and dance lessons the higher with my brother, drawing and creative arts with my power.” sister and cousins. At- tending and dancing at the flurry of 7-day wed- dings full of vibrant co- lours and characters with even more vibrant per- sonalities. All in all, I had an amazing childhood and would not trade it for the world. What was your motivation to move to Canada? Flowerin' Marilyn c. 2020 The primary motivation to move to Canada was for university. Oil on gallery-wrapped canvas, However, quickly realizing the privilege of my upbringing, the 36\" x 48\" x 1.5\" main strife evolved to become an academically trained, self- made man free of nepotism and any silver spoon treatment. Let's talk about your work as an artist, Haris. Do you find That is also the primary reason why I abandoned the arts to inspiration from other art genres, such as music, film and pursue a career in finance. literature? And do they influence your sense of aesthetics? My main inspiration comes from the ultimate creator, call it I understand that you attended Western University. What nature, the universe, God or the higher power. You will always degree did you earn, and when? find an element of nature in my paintings such as flowers, water, clouds, figures etc. Antonio Gaudi’s famous saying has I graduated from Western University back when it was called definitely left a mark on me “Those who look for the laws of the University of Western Ontario in 2006 with a double degree Nature as a support for their new works collaborate with the in Honors Bachelor of Actuarial Science and Statistics. creator.” Coming back to other art genres and given that I am a very And now, you're are an actuary for the not for profit Colleges visual person, most of my inspiration comes from film, tele- of Applied Arts and Technology (CAAT) Pension Plan. How vision, dance and ballet. Although, there is a significant in- do you overcome the challenge of shifting from your profes- fluence from Sufi poetry, music and of course fashion. For sional career as an actuary to facing a blank canvass as an example, in my Flowerin’ Ladies series “Flores de primavera,” artist? For this particular series, inspirations were also drawn from the mammoth sized personalities of the leading ladies in my Yes, that is correct, I am the Director of Pension Solutions at life, mother dear, sister and my spouse. I wanted to desexu- the CAAT Pension Plan. With $18bn in assets, CAAT is one of alize the female body by presenting it as radiant flowers yet the largest jointly sponsored defined benefit pension plans in maintaining the sense of elegance, strength, beauty and intel- the country open to employers across Canada. At this point in ligence, all which envelop the essence of a woman. time and with the nontraditional actuarial position at CAAT, I don’t even feel like it’s a shift to a blank canvas. I would classify it as more of a natural transition going from one to the other.. I get to be a creative actuary during the day to ensure sustain- able lifetime pension for as many Canadians as possible whilst making a national impact. During the night and on weekends, I am able to translate the mathematical analysis and conver- sations with the c-suite employers into fuel for expressing my inner self on the canvas. Think of it as the art enables me to completely divorce myself from the math and in turn refuels the pension tank for the next day and vice versa. 99 S p e n c e r M a g a z i n e w Vo l u m e 4 , I s s u e 1 w 2 0 2 3

ARTS & CULTURE You work exclusively with oil. Was this always the case or was there a specific transition to using this medium? Flowerin' Fighter, O-Ren Ishii c. 2020 My art training went only as far as high school with water Oil on gallery-wrapped canvas, colour being the main medium. In middle school years I did 48\" x 36\" x 1.5\" learn dry and oil pastels along with pencil, charcoal and clay. I still remember my high school teacher saying once you have What is your creative process like? mastered water co- My creative process is like the number 8 or infinity, whichever lour you can paint in way you want to look at it. Number 8 is the luckiest in Chinese any medium. tradition and I feel extremely lucky that my creative process works in an infinite loop. Be it while on vacation, in transit, After the 18 year hi- “I am determined working on pension merger pricing, attending social events, atus and having vis- presenting to the board of trade and even while dreaming. ited most of the ma- to define my own Images of fully realized surrealistic paintings pop up in my jor museums across unique style with mind as soon as I see something that inspires me. It can be the globe, I realized something as small as a lily in the garden or as big as the Sa- the pigmentation in elements of grada Familia itself. Right away I write down the composition the old classical oil surrealism, impasto and elements of that image and email it to myself, so it serves paintings has not only as a repository of ideas for the future. weathered the test impressionism as The process varies slightly between when I am doing commis- of time but the bril- well as references sioned works or collecting for a show. I call the commission liance in colours can process “Haris’ Art Therapy” which begins with a question- never be replicated in to pop art.” naire to hone down the collector’s affinities with a subsequent the newer mediums. discovery call to finalize the subject matter. Next comes the Thus, when I started sketch reflecting the agreed upon details sent for the client’s to paint again, I went approval. Then the sketch goes on to the canvas followed up straight to oils and by a 50% completion call with the collector, one at the 80% never looked back. mark, finally one at the completion stage. In contrast, the col- You seem to gravitate lection is completely my voice and no formal timelines. to producing large works. Why? To be frank, it’s as much of a business decision as a requirement to express my- self. My first commission was on a 7ft x 5ft canvas which set my introductory pricing and left me addicted to scale and the corresponding pay cheque. I do believe art should be accessible and that’s the reason for the limited edition, museum grade giclee reproductions, most revenue of which I plan on donating to charities. Your work is incredibly detailed. I can only imagine that you invest a considerable amount of time into each piece. Yes, a lot of time. Art not being my means to the next meal, I do have the luxury of time on my side. I want to produce my best work on every canvas I touch and fortunately/unfortunately the detail-oriented day career has forced me at times to bring out the single bristle brush and a magnifying glass to paint oils on a gigantic canvas. From my actuarial consulting years and billing by the hour, I do keep a log of hours spent on every canvas. The time var- ies based on the scale and complication of the composition. On average I would say anywhere from 200-400+ hours per canvas. I'm curious. What is the one tool that you use in your art that you couldn’t live without in your studio? Oh this one is hard. If you count my hands and eyes as tools then that would be the first. Apart from that I love my highest quality artist grade oil paints some of which come from Paris. the Spencer Publishing Company, Inc. 100 www.spencer-magazine.com