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FASHION Spencer Feature Interview DAVID DIXON DAVID DIXON Catching up with the Canadian Fashion Designer in his studio! By Joseph Edward Schur David Dixon probably won't admit to being one Furtado, Meagan Follows, Catherine O'Hara, Jann Arden, of Canada's most important fashion designers, Sarah Polley, Meg Ryan, Nicole Kidman, Katie Holmes, but he certainly is. Alanis Morissette, Jennifer Love Hewitt, Kristin Booth, Dixon has made a mark on the international fashion scene Coco Rocha, just to name a few! with his feminine, romantic style, using the finest fabrics It was a pleasure to meet with David in his studio for the in the world. No wonder he has earned a following with photo shoot, and later with his brother Glenn at Gotstyle celebrities, including Jeanne Beker, Suzanne Rogers, Nelly in Toronto's Distillery District. 51 Spencer w Volume 3, Issue 1 w 2022

SPENCER STYLE a black dress comes to mind, during prom, maybe? Joseph Edward Schur: David, how would you describe Yes, my first attempt at sewing was a bean frog and a pair your introduction to fashion? of track pants. My first actual design was a mermaid style David Dixon: My introduction to fashion was through black strapless lace dress for our school fashion show. televison, specifically \"Loveboat.\" On this episode they had designers acting as themselves for a fashion show on And in your last year of high school, you apprenticed the high seas. Gloria Vanderbilt, Geoffrey Beene, Halston, with the iconic Canadian designer, Alfred Sung. What an and Bob Mackie were the designers and they put a name incredible opportunity for you! What did you learn from to a career I didn't knew existed. Finally my drawings this valuable experience? made sense. My time at Alfred Sung was amazing. It really secured that I understand that your first fashion show was when you this is what I wanted to do. I learned so many skills from were still in high school... something about introducing cutting, pattern making, fitting, quality control and collection development. Shortly after, you attended Ryerson University and upon graduation, you joined the Toronto Fashion Incubator. After graduation, I had worked for another Canadian Designer and what was to be a paying job, did not turn out to be as all the cheques bounced! So I decided if I was going to work for free, I would do it for myself. I applied the TFI in 1995-2000, where I began wholesaling my collection. And then you established your own signature label, out of TFI. At the best of times, it's chal- lenging to start a new business, so what was the catalyst for you taking the risk? For me the catalyst was the lack of jobs within the industry at the time. My parents and family were very supportive of me developing a business and branding. That same year, in 1995 you were named City of Toronto's \"New Designer of the Year.\" This amazing achievement must have been a great encouragement for you as a fashion designer. Yes, being recognized so early on gave me the encouragement to keep going. 52 www.spencer-magazine.com

FASHION Fabric for me is like pages in a book, the fabric has a voice and I am listening to it, observing it and working with it to create a piece that will relate to others. What's next for you, David? I mean, it's 2022 and follow- ing so many successful runway shows, introducing your collections to the world... you must have something up your sleeve! 2022 is shaping up to be an exciting year, especially after 2 years of pivoting and restructure due to COVID. As a designer we always have something up our sleeves, as we design them as well. Photo Credits: Jonathan Levy Your signature style can be found around the world, from the United States to Tokyo, from Switzerland to Kuwait. International acclaim from a kid born in Toron- to. Other than your creative vision, what do you attribute your success to? My achievements are not just my own, they are shared with the people I share my life with, work with and a little bit of luck! You're currently teaching in college, sharing your knowledge with aspiring designers. That suggests an undeniable spirit of generosity. But you're known to be rather shy, reserved even, and yet, you're now a teach- er?! What changed? I started teaching very early on as a way of getting out of my comfort zone, to speak with confidence and share my journey. I've visited you at your fabulous studio. It's exciting to see how your eyes light up when you are looking at a sheet of fabric stretched out on your work table. Scissors in hand. What are you thinking in that moment, before making the cut? Creating something that's voluminous? Streamlined? Something glamorous? 53 Spencer w Volume 3, Issue 1 w 2022

SPENCER STYLE Roger Gingerich. Photo Credit: Brogan McNab 54 www.spencer-magazine.com

FASHION & FILM Photot Credit: Jack Hathaway the Roger Gingerich Formula: fashion + film = The Canadian International Fashion Film Festival By Harlen Troost As CEO of the Canadian International Fashion Film Festival (CANIFFF), Roger Gingerich brings over 35 years of various roles in the fashion industry. Roger was also recently appointed to the Board of Directors of the Commonwealth Fashion Council (CFC). Based in London, England, the CFC is a fashion body of 54 nations promoting fashion education, youth and gender empowerment, and responsibility. Gingerich, 54, served eight years on the board of directors of Fashion Group International Toronto, including three years as its Regional Director. Furthermore, he sat on the board of directors of Canada Fashion Group Inc. which hosted the largest fashion weeks in Canada: Toronto Men’s Fashion Week and Toronto Women’s Fashion Week. Opposite: Roger Gingerich, CEO of CANIFFF. Above: Eva Fydrych and Marie Copps. Photo Credit: Jack Hathaway 55 Spencer w Volume 3, Issue 1 w 2022

Photo Credit: Arina Mikhailova The Canadian International Fashion Film Festival curates fashion film screenings. This past March, CANIFFF collaborated with Beauty Hub Magazine and the chic Yorkville’s LashGod Salon, showcasing an evening of fashion films from around the world with the theme of “Beauty.” VIP guests included Alex Jordan (pro- ducer of Mayor of Kingstown & Private Eyes TV Show) and wife Lara Amersey (actress), Alysha Newman (Pole Vault Canadian Olympian), Penny Oleksiak (Canada’s most decorated Olympian), Paul Mason (model, Fashion Santa), Kristy Neagle (Supermodel Search Canada Winner). Early in 2022, CANIFFF has already been engaging with brands, designers, filmmakers, and consumers to show- case the very best international fashion films, and host engagements with like-minded brands and creatives. Top Left: Raquel Da Silva. Paul Mason and Cheryl Gushue. Bottom Right: Roger Gingerich and Penny Oleksiak. Photo Credits: Jack Hathaway 56 www.spencer-magazine.com

\"Best Set Design 2021\" Deena Lynch X Christian Louboutin 2021 CANIFFF AWARDS In the Fall of 2021, the Canadian International Fashion Film Festival’s annual “Award Show” was pre-recorded in the his- toric atelier of designer Stephan Caras. Co-hosts Keysi Sayago (former Miss Universe Venezuela) and Shanye Stephens (Host of Style Scout), interviewed Skylar Cambell and Jackie Oakley (principal dancers with the National Ballet of Canada), Deanna Sciortino, (president of CAFT CAD), and designer Kyriako Caras (House of Caras). The 2022 CANIFFF Festival edition will be celebrating its nominees and winners this November 28th - 30th with multiple screenings, along with industry panels and a culminating Award Show. Left: Co-hosts Keysi Sayago ( former Miss Universe Venezuela) and Shanye Stephens (Host of Style Scout). Photo Credit: Brogan McNab 57 Spencer w Volume 3, Issue 1 w 2022

Top Left: Kyriacko Caras. Photo Credit: Brogan McNab Top Right: Deanna Sciortino and Shayne Stevens. Photo Credit: Brogan McNab Middle Left: Skylar Campbell and Jackie Oakley (Principal Dancers, National Ballet of Canada). Photo Credit: Brogan McNab Middle Right: Dani Doucette and Reno Silva. Photo Credit: Brogan McNab Bottom Left: Carolina Lopez. Photo Credit: Brogan McNab Bottom Right: Martine Gingerich, Roger Gingerich. Photo Credit: Brogan McNab www.canifff.com 58 www.spencer-magazine.com

JEWELLERY Family TREASURES By Analucia Beltran How many of us have ever received a family These “family jewellery traditions” transcend the actual heirloom? A piece of jewellery passed down gemstones or gold value itself, and turn into emotional pieces that form a deep attachment with each person that from generation to generation receives it, especially because these pieces are given with in our own familes? love by a family member. The most wonderful part of this type of family tradition There is a special feeling that only ‘jewellery that is that it can remain in a family for several generations. stays in the family’ can give us. A unique sensation of pride, joy, care, and love. Stories to Tell How special is receiving our first piece of fine jewellery as There is a magical component which is the rich meaning a child in response to a religious celebration, a birthday imbedded in each piece of jewellery. As many of out moth- or even our first pair of earrings as a baby? ers and grandmothers go through their own jewellery box, they can tell us the exact moment and describe the ‘feeling’ Have any of us played with our mom’s pearls? That was they experienced when they received each piece, who gave me, as a little girl, yet back then I didn’t understand the it to them, the occasion it represented and much more. A powerful meaning behind each piece of jewellery. beautiful trip down memory lane. We’d be surprised at the many amazing stories behind From the engagement ring to the wedding and anniversary each piece of jewellery. bands, each piece of jewellery carries a story behind it, that then becomes a part of a family legacy, something of tre- mendous value you can pass down to the next generation. Also, given that each gemstone comes from Mother Na- ture, carrying thousands, millions and in some cases billions of years in them, each gemstone has a very special energy that serves a purpose for each person that wears it. Whether you love precious emeralds, rubies, sapphires or fabulous diamonds, it is truly fascinating that these alluring gemstones are natural formations that are then transformed into remarkable pieces of wearable art. It begins with a Ring For example, let’s think about how a diamond engagement ring marks the beginning of a union, symbolizing the love of two people that then start a family. Maybe many of you have even received an engagement ring that once belonged to a dear family member, a true piece of family history. When we look into it deeper, I find it truly fascinating that many of the most memorable family “gifts,” the ones that truly stand the test of time, are predominantly jewellery. 59 Spencer w Volume 3, Issue 1 w 2022

SPENCER STYLE mom with a celebratory ring: five diamonds to represent the four children and himself. It gives me goosebumps just When you think about it, that jewellery box of ours is like to remember it. This was such a big deal because these a precious and sparkling “Scrapbook.” In Royalty for in- diamonds represented so much for them. I remember the stance, jewellery is a symbolism for family and tradition at its joy and the celebration; my mom’s pride on receiving the maximum splendour. jewellery and my father’s pride in having worked hard to Who can forget Princess Diana’s blue sapphire and diamond be able to afford it, captured in the moment, and recorded engagement ring, that now belongs to Kate, Duchess of in the piece. Cambridge? This memory has stayed with me and had such great Or Diana herself, wearing a stunning diamond tiara on impact in my life, so much so that it is one of the main her wedding day to Charles, known as “The SpencerTiara,” reasons I got into the diamond industry and became a from her own family tradition. jewellery designer. I am sure many of you reading this From Royalty to Celebrities to our own families, it is right now have at least one family jewellery memory that astonishing how much history these pieces carry. comes to mind and remains in your hearts. What special memory do you have when it comes to family The Power of Jewellery treasures? For that and much more, all of us at some point, have or With that said, I remember the precise moment I fell in will experience the power of jewellery. love with jewellery within my own family. My youngest brother had just been born and my father surprised my TORONTO DESIGN The duo has tangentially known of each other for over COLLABORATION WINS 20 years, but this was their first collaboration. Their THREE PRESTIGIOUS INTERNATIONAL friendship and partnership were expedited by the global JEWELLERY DESIGN AWARDS pandemic, when Bhandari, a board member of Fashion Group International Toronto (FGI Toronto), asked Agraw- Anita Agrawal of Jewels 4 Ever (Aka Best Bargains Jew- al to participate in an Instagram live session to discuss ellery) and Anita Bhandari of Aarkish Diamonds win jewellery trends. three international jewellery design awards, INSTORE Of the recognition, Agrawal says “it’s an honour to be magazine’s 2021 annual design contest. The duo won recognized as a small business owner and Canadian the following awards: Second place by the judges’ selection manufacturer. I’ve worked in this industry for so long, and also won the Retailer's Choice Award in the Best Earring and both of us have made 1000’s of pieces, but it feels far Over $5,000 Category for their “Spring Goddess Earrings” more significant an achievement when other industry and the Retailer's Choice Award in the Colored Stone Jewelry retailers select your designs.” Bhandari adds “We were Over $5,000 Category for their “Blue Flame Pendant”, in the up against legendary designers and multi-million-dollar 2021 INSTORE Design Awards. businesses in this competition, such as Gabriel & Co, and Erica Courtney. So, there were a lot of very strong Both second-generation jewelers and daughters of im- submissions.” migrant parents, Agrawal and Bhandari have a combined Agrawal and Bhandari are also grateful to the several local experience of 72 years in the jewellery industry. Their goldsmiths, artisans, CAD designer and stone setters that contrasting specialties, allowed for the duo to take bold helped bring their creations to life. Agrawal says “This steps in the design process. Jewels 4 Ever (Agrawal) spe- pandemic really highlighted the necessity of small busi- cializes in affordable fine coloured stone jewellery and nesses to come together and collaborate.” Bhandari adds Aarkish Diamonds (Bhandari) specializes in high-end “There is so much talent in this city.” custom diamond jewellery. Blue Flame Pendant: 14kt Spring Goddess White and Yellow Gold Earrings: 14kt Green Gold Pendant with over 18cts Earrings set with 84 rare of natural sapphires and colour graduating 0.73cts of natural yellow alexandrite stones fancy diamonds. Total approximately 7.5cts, weight 35.7grams. 2 large green Afghan Evaluated at Aquamarines, weigh- $26,000 CDN ing 30.96cts, and several diamonds. Total Weight 30.96gms. Evaluated at $50,000 CDN Reach Anita Agrawal: www.jewels4ever.ca Reach Anita Bhandari: www.aarkishdiamonds.com www.spencer-magazine.com 60

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Spencer Design with Chris Daly, DESIGN EDITOR Architect Brigitte Shim: The Point William Project, Glenn Dixon: Interior Designer Feature Interview Brigitte Shim's Point William Project 67 Spencer w Volume 3, Issue 1 w 2022

Point William Project THE EXPERIENCE By Rose Marie Bresolin An ExcluBsiRveIIGnIteTrvTieEwSwHithIMArchitect As part of my research, I began with a visit to The Corkin Gallery in Toronto’s Distillery District. Touring a space www.spencer-magazine.com that brought the outside in, while still protecting vis- itors from the elements, I began to get a feel of a space that Brigitte Shim shaped. And after watching several videos on social media, I was left thinking that this was an amazing and humble individual that I would soon be meeting. In a clip from an engagement as keynote speaker, Brigitte was introduced by a former student whose generous recounting of his experi- ence with her stand outs. More remarkable is that on reaching the podium, Brigitte didn’t give the usual thanks and break quickly into speaking of herself, to an audience who had come for exactly that. Instead, she began to share her experience of having mentored that very student. It made me fling off my editor’s hat, and I found myself uttering out loud, “I like this person!” As a teacher, I recognize that this is the stuff that makes a difference in the shaping of the future. 68

Point William is one of three slender peninsulas jutting into Lake Muskoka, located on the Canadian Shield with a rich Above, Photo Credit: Scott Norsworthy geographic and cultural history. The masterful work at Point William intertwining landscape and the building of Point William is documented in the publication of a wonderful book by Kenneth Frampton and Michael Webb. Its con- struction has been a multi-decade tale of innovation and obstacles. The Architecture of Point William: Shim Sutcliffe, features striking illustrations and photography by some big names like Edward Burtynsky. With detailed write-ups that include the masterly crafted article by writer Ben Dreith and stunning photos by Scott Norsworthy of Nuvo magazine 2018 edition, Spencer turns its spotlight on the brilliant creative minds behind the 21-year project. A project that was begun in 1997 and completed in 2018, the Above, Left: Rose Marie Bresolin with Architect Brigitte Shim Point William home stands as a tribute to critical region- alism. Built on granite, a part of this large granite mass rises untampered from the ground between the site’s home and cottage that afford spectacular views of the water and a generous streaming of light. The compound is a testament to underscore that the needs of man and nature need not be seen in opposition to one another. 69 Spencer w Volume 3, Issue 1 w 2022

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For the Interview, Brigitte Shim and I met at the Toronto You mentioned that in the evolution, they came to love Convention Centre in a media room with a view of the their home and the land it sits on. I’m thinking you must bustle of the Toronto Interior Design Show 2022. have done the same. Rose Marie Bresolin: Let’s start from behind the scenes Oh yeah. We learned a lot, and it’s such a very special for the Point William Peninsula Project. Did the owners place. Being on the Canadian Shield is very special. It’s a seek you out at the onset or were you part of a selection unique landscape; to the whole world it’s a special place. process? Wow, how lucky they are and how lucky am I to be listen- Brigitte Shim: They came to us. So, they asked us to visit ing to the experience. the site before they purchased it, and we told them that they should buy it. Actually, most of these properties Between when you completed the boathouse and moved stay in families for generations, and are seldom offered on to the guest cottage, did the owners have second for sale. There are only small windows of when they are thoughts, like, ‘maybe we should stop now?’ available, and if you don’t go for it, the window closes. Well we did the boathouse first, and then we didn’t do the It’s apparent that your guidance was important to them cottage until 10 years later. There was time for them to even before they bought the property. Would I be correct adapt. It was kind of a 1907 building, and because it was a to think that in launching the journey for the build with vernacular building, we had to keep to the same footprint them you also began to build a relationship? and the same silhouette. The cottage that was there was a turn of the century cottage and was falling apart. But to For sure. receive permission to retain it on the same sight we had to follow certain rcuoltetas.geA,nadndthtahte’syPwmhhootaovteCdwredeinitdt: oSidhti.hmSa-Stouw, tcthlhiefafnet What was the first major obstacle that set the project became the guest date back, because we’re looking at something that took we demolished the main cottage. They got to stay there a long time. while the next building was under construction. It did. We actually had to get to know what they really “Educating needed, and we had to do a master plan in order to re- the next quest a rezoning for the whole property. The owners then presented it to the local municipality to get their generation of approval before starting. The rezoning was completed architects in 1997, which was quite a while ago. But without doing that they would not have been able to build all the various is essential to buildings that we built over time. the fostering of design excellence We then told the owners that they should start with the smallest project, which was the boathouse. There was a in Canada boathouse there, but it was a one-boat garage, very small and helping to and had no sleeping accommodation. With these lakes, guide the future Muskoska, Rosseau, and Lake Joseph, there’s a long tra- dition of these incredible boathouses, and they’ve been of our world.” around for several hundred years. So instead of starting with the largest project, we began with the smallest. But the boathouse is actually so much a part of the cultural heritage of this entire section of Ontario. We built it in 2004, and over time we constructed all of the other buildings. I would say that when we first started, they didn’t know if they would like living there or not, but they came to really love it, and it became a family centre for them. So as we built the one, they loved it. Then we built the second, the third and the fourth. It’s really kind of a process where they not only got to know the place Muskoka, but they came to love their property and spent a lot of time there, so It was kind of an evolution. As we said, by building the first; a) because it was not a very nice boathouse, and b) you’re adding value to the property, it was a great way for them to spend time right on the water. Do the owners have children? Yup, and that puts them in a good position to start a new tradition for their family. 71 Spencer w Volume 3, Issue 1 w 2022

Photo Credit: Scott Norsworthy The owners are from Toronto. Living on a peninsula Humour? would have been quite an adjustment for them? Oh Yeah. I think that they just love being there and while they take the project seriously, they’re not overly serious Well, they still have a house in the city, so this was never about themselves, so they’re a pleasure to be with. their permanent residence. Did the relationship between yourselves and the owners Howard Sutcliffe, the other brilliant mind behind your morph into a lasting one? several undertakings, your husband and partner. You’ve For sure, a very special one. been together since your days in university. Working on projects of this magnitude must get pretty intense at Looking back now, what were some of the highlights? times, yes? I just think an ongoing conversation over a time period is really amazing, right? Really positive. Oh for sure. We work out of a small studio here in Toronto on Queen Street East that is very small, and we work on Brigitte breaks into a large smile. every project together. It’s not like my project, your proj- ect. We work collaboratively, so sharing space has never been a real issue. 72 www.spencer-magazine.com

ARCHITECTURE I would imagine that you would have had to ‘re-imagine’ the Point William House Project a number of times, given the 21 years that it took to accomplish the project. (they both laugh.) And given the constraints. I actually think that constraints are always good, because they force a certain creativity, and you just have to work with them. I believe that’s a positive thing. Have any of your other projects lasted nearly as long, or been nearly as challenging? Yup – Our very first project was for Barbara Frum. We actually worked with Barbara and her partner-husband Murray and Murray’s second wife, Nancy Lockhart, on a property for 30 years. Given the number of educational institutions you’re aligned with, it’s clear that teaching is very important to you. Can you elaborate? Educating the next generation of architects is essential to the fostering of design excellence in Canada and helping to guide the future of our world. I see teaching as a form of design advocacy; part of permeating, contributing and being deeply invested in what really matters. The Daniels Faculty at the University of Toronto for ex- ample, fosters an environment of tremendous reciprocity. Your advice for architectural students before they enter their professional life. I believe the perceived boundaries between the disciplines of architecture, landscape and ur- ban design, visual art and forestry are artificial. Given the importance of linking site, design and place-making, as teachers we can provide students with the advantageous opportunity to discover each discipline and the very interesting territories in between. You’re a keynote speaker here at IDS2022 on the occasion of its real-time revival since 2020. You must feel happy to go live again; to find yourself immersed in the energy of the countless eager designers from around the world. Not to mention the vibrant energy of a welcoming Toronto public! Can you share a little about your presentation? Yes; it’s really great to be here, seeing my colleagues again and interacting with the public. So, in the talk, I tried to share more about what we do. Architecture of course, but we also do furniture and hardware. I tried to share a little of that, and I also tried to share that there were some early furniture pieces. We worked with a company called Virtu, owned by Esther Shipman that’s been around for a long time. So as young architects, we designed a lot of fur- niture. Some of them for Barbara and some for other people. But they were largely experiments in materiality, how things go together, and for us there was an important learning curve and a knowledge base for how to put things together. Photo Credit: Scott Norsworthy And in closing, back to the little girl Brigitte. Take us from there to becoming an architect. What mo- tivation do you recall, and were there players to encourage you along the way? 73 Spencer w Volume 3, Issue 1 w 2022

That’s complicated really. I was born in Kingston, Jamaica, Photo Credit: Scott Norsworthy and my parents moved to Toronto when I was in grade one. I never knew any architects and we didn’t have any in the Awards and Recognition family. It was just something I was interested in. I went to the University of Waterloo where I met Howard, and it was The Order of Canada year – 2013, Ottawa more like, ‘I’ll just stay until I don’t like it.’ It was just inter- 16 Governor General Awards esting to have a leap of faith to take the journey. Sometimes, if you know someone it really helps, but it wasn’t something Non-profit projects for housing in Toronto I experienced. Constructing a Dining Hall at a campsite about 3 hours out of Toronto that’s operated by Mooreland Community Yeah but you did it! And there’s a message in that. Services in Toronto. The summer camp built in the wil- Sometimes there just isn’t that hand. From an architect derness supports young people who are at risk and has working for a company to an entrepreneur working out of your own studio. You and Howard went into business been in existence since 1907 for yourselves. That was another leap! Tell us something Professor at the University of Toronto about that experience. Visiting professor at Yale, Harvard and Calgary Yeah, so we worked in a lot of offices. I worked for Arthur Universities Erickson and Baird Sampson in Toronto. My husband The Aga Khan Award for Architecture – Brigitte has worked for Ron Thom Architect and then Barton Myers. served on their master jury and their steering committee We also worked at Bloomberg, so we had a lot of expe- rience. We kind of decided we didn’t want to work for a many times large firm, and we wanted to do our own work. For us, The American Institute of Architects National Honour bigger was not better. It was about us wanting to control the work and doing things that were really meaningful. Award- the highest honour awarded architects And so we just decided to work on our own. was received by Brigitte and Howard in 2012 Canadian Architect RAIC Gold Medal 2021 – Meaningful and lasting! You inspire others. What, who keeps you inspired? The publication is a special issue of Canadian Architect that is a celebration of Shim-Sutcliffe’s masterful transfor- I feel like I’ve been pretty lucky to meet some amazing mation of Point William through architecture, landscape, women, like Barbara Frum for inspiration. Phyllis Lam- bert who founded the Canadian Center for Architecture furniture and fittings over two decades. is another source of inspiration. I think that there have been some remarkable and compassionate women who have been really important role models for me. As Brigitte set off to catch a colleague’s speech, I was left feeling how remarkably fortunate our up-and-coming architects are in having Brigitte as a guiding force. And next I realized I hadn’t asked the whereabouts of the font of energy she drinks from…. Right: Brigitte Shim with Howard Sutcliffe 74 www.spencer-magazine.com

Spencer Feature Interview GLENN DIXON GLENN DIXON Meet one of Canada's most likeable Interior Designers By Joseph Edward Schur Many of you will know Glenn Dixon from Kimberly I met with Glenn at one of his recently completed interior Carroll's hit television series 'Take This House and design projects in a luxurious mansion in Oakville. Seeing Sell It' on the W Network from 2004 to 2010. But first-hand his design aesthetic gave me a real insight to there is much more to his story. just how incredibly talented he is. Charming and witty, it's no wonder that he's gained Curious to learn how he tackles the challenge of retail success as a television personality. Glenn is a brand design, Glenn suggested that we drop by another of his expert, strategist and a highly respected Interior De- projects, 'Simply for Life,' a wonderful store promoting signer specializing in retail, commercial and residential real food, nutrition and a healthy lifestyle. It proved design. to me that through excellent design practices, you can He's also co-developed an internationally successful establish a relationship between the consumer and the fashion company from the ground up, along with his retailer. The store was warm and inviting. brother, the iconic fashion designer, David Dixon. See In this interview, Glenn shares with us his professional page 51 of this issue for David's feature interview. journey and even some really great design tips! 75 Spencer w Volume 3, Issue 1 w 2022

SPENCER DESIGN Joseph Edward Schur: Glenn, what are some of your That's wonderful! What are the big lessons that you have earliest influences that drew you to interior design? learned during your career? Glenn Dixon: I would have to say my earliest influence The biggest lessons I've learned during my career is to would be my mother, when I was just a kid, my mother never doubt yourself or your creative vision. There are and I would often rearrange furniture while everyone was so many people that cast doubt your way, don't listen and out of the house and wait for the surprise keep the people closest to you that support when the family came home to see the you and only want the best for you. \"new improved\" layouts! This was fun for me. “Good Of all the projects you have worked on, both big and small, which of those would I understand that your design aesthetic interior you say have changed and impacted your includes being inspired by nature. perceptions as an interior designer? One of my major influences is nature it- design must In the beginning of my career, I thought self. Every space I've ever designed has one that designing a beautiful space was what common denominator - Nature. Be it water, act as vessel, Interior Design was, I was wrong. Good flowers, clouds, branches of trees and birds interior design must act as vessel, con- that fly. They all inspire me. Have you ever conduit or duit or translator for people. The goal noticed that nature never gets colour or with design is to bring out the best in all composition wrong? It comes so natural and of us, whether it's a home and a reflection beautiful. translator of the people living in it, or a store, where What would you consider as one of your for people.” you want the customer to understand your brand and feel great being there. All design has to be focused on the human experience. most career-defining moments? It should always make us feel something. One of the most career defining moments would have to be designing the Barbie home collec- tion for Mattel. As a kid, my brother David and I would What is the design process you adopt at the start of a spend hours playing with Barbie and re imagining her project that you hope has a profound and lasting im- life. I would build the perfect Barbie dream home out of pact? I mean, when you walk into a room, do you have an cardboard boxes and popsicle sticks as hardwood floors. immediate design vision? To have a full circle moment in life and design a real life When I walk into any space, always my first reaction is home collection and naming it Barbie by Glenn Dixon was \"How do I feel in this space?\" I always check in with me. truly special. The universe always responds when we put One of the most important aspects to design is listening dreams out there. to your customer, who they really are and what do they want the space to say about themselves. It has very little to do with actual design. One of my super powers though is to immediately detect bad space planning and layouts, I can in- stantly tell what's wrong with the room. As seen in the pictures here, your interior design of the Oakville, Ontario mansion, is nothing less than spectacular. How did you come up with your overall design concept? My clients wanted a modern, yet approachable home that re- flected their love of entertaining and family. They wanted a warm palette and putting it together was taking their favourite things about life and incorporating it into the house. What room was your favourite place to design in this home? 76 www.spencer-magazine.com

INTERIOR DESIGN How do you approach a commercial project versus a residential project? Although the approach is very similar for me, ie: under- standing the client’s goals and aspirations etc. Com- mercial design casts a wide net and has very distinct requirements, could be a restaurant, clothing store, bank etc. and each has it's own very different needs whereas a residential project generally has the same requirement, creating a home to love. Also in residen- tial design, I'm solely focused on the client/s and family. Like most homes, I love starting in the Kitchen, that is where the heart is and sets the tone for the rest of the house. Did you work closely with the owners? I consider the owners like friends as well in this case, we've worked together on sever- al projects and we work together perfectly. In fact, many of my customers still are a big part of my life. There is something very intimate about working with people in their homes, you create a very large bond. You also had another project debut recently, but it was commercial, in a retail setting. Can you tell us a little about your design there? The healthy living store in Oakville - \"Simply for life\" was a dream come true for me, I spent months in development to make this store a place for all. I started with space planning and integrated Nature and it gives me great joy to know that everyone who walks in, has their breath taken away and feels immediately at ease. It was very important for me to build an immersive environment for people to not only want to shop there, but stick around as well. 77 Spencer w Volume 3, Issue 1 w 2022

SPENCER DESIGN In commercial design, it is imperative that you focus on the brand, the building and most importantly a wide range of customers so that they are satisfied. What would you say is your biggest design pet peeve? Poor lighting. It's really important to have various level lighting that is soft and also accomplishes several duties, be it task like in the kitchen or reading in the living room, I love a well lit room. Also as I get older, I like to take off a couple of years with the right amount of lighting! Dimmers are your friends. What are your favourite home design tips that you can share with us? - Start with a mood board, take clippings and colours and objects that inspire you. This will be your blueprint in designing your home - Don't buy a patterned sofa, stick to solids. While you may love a rose garden today, it will ultimately wither in time. Add texture and prints through things like throw cushions and accessories. - Keep neutral walls, rooms should flow from one to another. Make the rooms stand out through through artwork and your life's belongings; the walls should be the blank canvas. - Pay attention to lighting and make it feel wonderful during all times of the day. - At all cost, avoid vertical blinds! If you hadn't become an interior designer, what would you have been? A super model! Truthfully, what I love most in life is the ability to communicate with people and make them smile. So perhaps a comedian or an actor. You are a media personality and an interior designer. In your career, you have spent a lot of time in front of the cameras, whether on \"Take This Home and Sell It\" or co-hosting \"Daytime Toronto.\" Any plans for returning to television? I've just finished a project for a new television show that's debuting soon, only this time, it's behind the scenes. I still get that rush from the work and I love it immensely. As for \"in front of the camera,” who knows what time will bring. What do you see as the overall future of interior design over the next decade? I believe that given the world's direction that the \"disposable design\" aka: poorly made, instant gratification pieces will no longer play a role. I think that what people will demand will be sustainable pieces that will look good today and in a hundred years. People will be buying quality. What's currently keeping you excited as a designer? The most exciting thing about my job is to make my clients happy; it's never changed. Photo Credits: Jonathan Levy 78 www.spencer-magazine.com

Spencer Arts & Culture with Joanne McLennan, ARTS EDITOR Ann Shin's A.rtificial I.mmortality, Heidi von Palleske, Defining Moments by Stephen Wallis, Rosita Stone, Alyssa Rubino, NFT BAZL Miami Event, Eric McKinnon's Broken Cage Gallery: Featuring Todd Monk, Greg Benz, FaMnanxy RJaicmea, lSi'tseFeepaDtuarenieInlste, rLvoigewan+Fo\"LridfeaInsdASMonynsyte,rTyr\"anSshfoowrmaEt xthheibVita: gPaabinotinndgoTRheesWtobaayrF, orward Estelle Ohayon's The End of the \"Art Oligarchy,\" Joseph Zambri's \"Journey of an Artist\" Series Max Jamali's Canad\"Liaifne Iins daigMenysotuesryA\"rStihsot,w Joseph Saga 79 Spencer w Volume 3, Issue 1 w 2022

ARTS & CULTURE Spencer Feature Interview MAX JAMALI taking luxury art to the MAX As one of Canada's leading contemporary artists, Jamali is taking on the world by storm By Joseph Edward Schur Ifirst met Max through a friend of mine, Korrie Smith. She insisted that I get to know this guy... Max, as she vouched for him being a really cool, leading-edge artist. Now I owe her a debt of gratitude for the introduction, as Max, in my very humble opinion, is truly a gifted artist, and further, a really down-to-earth guy. Joseph Edward Schur: You lived in the beautiful city of Dubai during your teenage years. How did that influence your interest in art? Max: Growing up in Dubai certainly taught me to trust my imagination, to always think outside of the box and not to limit myself. And then you arrived in Canada, quite a contrast from where you grew up. Yes, I came to Canada in 2004 at the age of 17, to continue my education. Adapting to a whole new environment and not knowing a word of English was certainly the most challenging thing I have done to this date. 80 www.spencer-magazine.com

Photo Credit: Jonathan Levy Opposite and Above: Max Jamali's \"Life is a Mystery\" Show at the Vagabondo Restobar in Toronto, Canada 81 Spencer w Volume 3, Issue 1 w 2022

ARTS & CULTURE My day starts by me going through my day's schedule and 'to do list' that I usually organize the day before. I dedicate about half an hour of my morning to browsing the internet and specific social media pages for innovative design ideas. The next hour is focused on my daily sales and Marketing mentorship with Cardone men- toring program. Then I get ready to either head to my office or my first meeting of the day. I am usually busy with meetings and designing ideas and proposals the remaining of the day. The days that I am in studio, I dedicate the whole day to my art creation process. How would you like people to interpret your art? Your background was originally in fashion photography. One of the most meaningful parts of my work is seeing individual interpretation of my artworks. I love hearing What was the catalyst for you transitioning to become an about every single first impression of my artist? art on my collectors and the story it creates Throughout the 10 years prior to my “When I for them. transition to art, I was a portrait and fashion photographer. I loved expressing my artistic side through the camera lens, Do you believe that art is important to but one thing that was missing, was cre- create a society? ating a form of art that lasted a long time. Expressiveness and Storytelling are two Unfortunately, in photography, even major human elements that are constantly after shooting a cover editorial, after series, the repeated in society. I believe sharing that a short period of time, that form of art is forgotten, which inspired me to want to element through art gives us the power to become a mixed media artist. create a positive movement within society. direction and You're famous for using materials such details on that Name a couple of artists, past and/or pres- ent that you would like to be compared to. as diamond dust, Swarovski crystals, series are all There are certainly artists that I constantly silver and gold. What was the inspiration based on what get inspired by, but I honestly never wanted to create artworks using such expensive to be compared to anyone. I always wanted to materials? I mean, most artists don't makes me create something new and innovative that have the luxury of utilizing such valuable personally has never been created before, hence the materials. excited to use of Augmented Reality in my last series \"THE MOST COLLECTABLE\" Mixed Media Going back to spending my teenage years Art Series. in Dubai, I wanted to create a form of art- work that by bringing harmony between Financial stability is a rarity for most luxurious materials, would elevate the artists. However, you have achieved an client's living space and give it an ultimate enviable level of success, including a luxurious touch. loyal following of collectors and investors. Diamond dust. What an interesting ma- have in my How does that make you feel, Max? terial to work with! I understand that When I create a series, the direction and you have partnered with Analucia Beltran details on that series are all based on what makes me personally excited to have in my to supply you with diamond dust. own living Analucia Beltran and I created a one-of- space.” own living space. I am honestly happy that a-kind concept that uses lab grown dia- what I create excites my followers enough mond dust/powder as one of the layers that they would like to collect it and have it of the artwork. This series will be the as a part of their lives. first one of its kind in the world that will come with Diamond Certification from And speaking of the business aspect of art, Analucia Beltran. We are working on launching the series I used my marketing background to create the direction sometime in the Fall of 2022. of my brand and its marketing, which is extremely vital. I strongly believe every artist should either invest the time, learning the right way of creating a brand and mar- Please, take us through a typical day in the life of Max keting it or find the right agent to partner with. Jamali. What is the creative process like for you? 82 www.spencer-magazine.com

The price of a Max Jamali painting has skyrocketed ART recently. What are the primary factors that influence the price of one of your paintings? You are the \"Head of Business Development\" at New World Inc. How did that opportunity happen? And how It's all related to the brand created and the right part- is it going? nerships that elevates that brand. When I launched my New World Inc. was co-created by one of my close friends first series, the most challenging part of my branding was and amazing artists, Diogo Snow. I was introduced to sticking with the evaluation I believed represented my the company through Diogo, and I loved the innovative brand properly and it took about year after my launch til direction they were creating to take the traditional art that value was created through proper partnerships. That experience we are all familiar with to a completely new year taught me a lot about marketing a luxury product and level. After I worked with the team for about two weeks, I have been working on elevating that ever since. because of my experience in design, creative brand de- velopment and marketing, they brought me onboard as Of course, establishing a network of like-minded people the Head of Business Development. in the arts is important for an artist. What is your net- At the moment we are working on multiple super innovative work like and do you support each other? projects that will be launched by this summer. I strongly agree with that, I have networks of both artists Where do you see your work taking you in the next 10 that I always get inspired by, both design and marketing years? wise and also business minded individuals that constantly I want to see innovative art enhancing the experiences challenge me to want to be more innovative and create a within industries such as tourism and hospitality. I would stronger brand. see myself working towards creating meaningful expe- riences using mixed media art and augmented reality to What does generosity as an artist mean to you? I mean, achieve that. there are artists who you know, engaged in philanthropy, for example, Daniel Mazzone, Peter Triantos and the list Thank you, Max. Any closing comments that you would goes on. like to share? I just want to invite everyone reading this article to not be Giving back has always been a huge part of my brand. My afraid of dreaming. I know we hear that often, but that is partnerships with multiple fundraising channels every the only way we will have access to the gifts we were all year from Sick Kids and Daily Bread Foodbank all the way born with and one step at a time make this world a better to private fundraisings that helped people in need during and happier place with those gifts. Covid, makes my brand so much more meaningful to me, and gives me much more inspiration to want to grow more to be able to help more individuals in need. Photo Credit: Jonathan Levy 83 Spencer w Volume 3, Issue 1 w 2022

\"Life is a Mystery\" max jamali's show at the Vagabondo Restobar in Toronto, Canada I recently attended Max's latest show in one of Toronto's coolest venues: the Vagabondo Restobar. Packed house. It was tough navigating through the huge crowd, suggesting just how popular Jamali has become. \"It was an evening of celebrating the future of art,\" says Jamali. With innovative Augmented Reality powered butterflies attached to the 'Most Collectable' mixed media art series.\" Not surprisngly, each piece was sold. THE MOST COLLECTABLE Series was created with a combination of elements, all using the number 'twenty two,' inspired by the year 2022. The series consists of twenty-two, one-of-a-kind originals. The series features Jamali's photorealism design of Kate Moss. Each piece is layered with a unique, transparent hand-painted butterfly, painted python skin, resin, diamond dust and 2,000 crystals. Cheers, to another amazing event in Toronto! Joseph Edward Schur 84 www.spencer-magazine.com

ART The End of the A new wave of art start ups had the art world in its sights. ‘Art Oligarchy’ Since 2013, $1 Billion has been raised for this sector. Bringing to market products such as provenance trackers, & the Democratization collection management systems, blockchain, and virtual of the Art Market! reality gallery experiences. Technology promises to affect every aspect of the art world for artists, galleries, dealers By Estelle Ohayon and auction houses. This digital disruption effectively is fueling the democra- As a novice art buyer, the art market seemed like a tization of the art market, expanding the traditional difficult space to navigate. Seemingly controlled boundaries of the art market to mass audiences in by art dealers, gallerists, curators, art influencers combination with virtual reality platforms expanding the and the select elite who had access to their knowledge reach of art. By decentralizing and expanding the market and insight. place, savvy collectors will find many more opportunities. How would one know where to enter this space without New buyers will find it easier to navigate the art market the direct introduction or knowledge of the art or artists with easier access to artists on different platforms such work themselves? This daunting undertaking has kept the as NFT BAZL. art market and its buyers, in both primary and second- NFT BAZL was the brainchild of GDA Capital and Elitium. ary art markets, very small and exclusive with no rights of The platform is now bridging the gap between the anti- entry. Plagued with inefficiencies, lack of transparency quated art world and disruptive technology, harnessing and regulation, it was overdue for an overhaul. the NFT phenomenon. It’s a showcase of how the blockchain will eliminate the need for tracking art, its provenance and source, which will not only facilitate the transaction itself but will ul- timately reduce transaction time and the security the buyer will feel when completing a transaction. The globalization of the art market has opened many opportunities to reach broader audiences, with more transparency and efficiency by eliminating many un- knowns of these unregulated markets. As collectors gain confidence in this new and accessible democratized art market, they will be able to evaluate and purchase art as an asset class further spurring the growth of this phenomena. 85 Spencer w Volume 3, Issue 1 w 2022

ARTS & CULTURE Journey of an Artist Series The MMaunricalMSatonrnyequin By Joseph Zambri As a graphic designer and illustrator, most of the While working as a graphic designer and event organizer artwork I have done up until now has been smaller for a beauty company in Yorkville, I was helping to set up in scale and size. preparations for our grand opening event. To make our While using heavily detailed ink linework, I have usually office look stunning, we acquired the help of artists Max stuck to using smaller sized canvases and then scanning Jamali and Diogo Snow to spray paint a stunning mural them afterwards to bring them into a digital environ- above our stairwell. ment. This has been effective for me refining my style and During this project I took the opportunity to learn as providing a lightning quick output of content. I have been much as I could from Diogo and Max, who I now view as anxious to grow as much as I can as an illustrator and my mentors in the art world. designer. I've had goals of putting myself out there more Before this whole installation took place, I was surprised as I have been designing and creating in the shadows for to find several mannequins in my office waiting for me in the entirety of my career. the dark. Which, of course scared the hell out of me. Im- I was determined that my next project would be something mediately I took a photo of the bizarre set-up and thought large scale, utilizing a physical medium. I had no idea that to myself. “I can do something very cool with this!” Diogo this project would begin as a spontaneous, collaborative and Max were meant to decorate these mannequins during effort with many struggles along the way. our event and they created amazing work out of them. 86 www.spencer-magazine.com

JOURNEY OF AN ARTIST SERIES After Diogo and Max finished with their mural, we set up a giant piece of cardboard about 96” x 44” in size. This originally contained Max’s piece of art. Diogo started to spray paint on the left side of the canvas. He then handed me the can. Keep in mind that I had never used spray paint before this point! So, what ended up hap- pening was a cool contrast between Diogo’s precision and my sporadic style of spraying the paint. I thought, \"Why not show Diogo what I am good at?\" I took out some ink and started drawing on the cardboard with fine linework in a super fast manner. Diogo seemed impressed with my style and told me I should take the canvas with me and finalize it, almost like he was handing me the reins to the project. I kept this giant piece of cardboard in my condo for months, meticulously doing fine linework on every inch of this canvas over my kitchen island. I had set up several live streams using Instagram as I continued working on this piece, with a very curious audience popping in every now and then. Once I was done with the ink I wanted to incorporate elements of graphic design within it. So the next phase was to take a quality photo of the canvas and bring it into Photoshop to set a scene, manipulating photos I had taken of the mannequins and myself wearing my signature hat. I imple- mented vectorized versions of the linework I have done over the images to create a surreal effect. At this point I had the images of the mannequins and the face printed as vinyl decals that I had carefully added to the canvas. Once this was done I used golden ink and painted highlights over key areas of the design to add more variety and bring more colour to the design. 87 Spencer w Volume 3, Issue 1 w 2022

ARTS & CULTURE At this point I added a subtle coat of metallic, re- flective spray paint to the top of the hat image. This, of course, started peeling off the vinyl from the canvass. This gave it a cool touch like the piece was starting to melt away and decay. And it gave it so much texture. Once this was done I brought things into risky territory. The thing is I am a digital artist first and foremost. So a great deal of time my work is preserved as a crisp, digital file. However, this was a giant piece of cardboard and my concern was that it would get damaged over time. I was told that a great way to have this piece protected and looking good would be to use adhesive on the canvas, attached to a giant piece of wood. Then coat the top with resin and diamond dust and the result would be stunning. This was my first time using resin and of course with a canvas this big the chance of failure would be high. Immediately the resin soaked through the cardboard. That provided a cool, almost concrete wall texture to every white part of the design. This wasn’t my intention but it was a huge improvement to the look of the piece overall. After a few days I noticed a bunch of red flags. The artwork looked gorgeous but The piece wasn’t dry yet. In fact, the artwork was sticky and pretty much destroyed everything it touched! There was an awful odor to it as well, which was seriously concerning me. My goal was to get this thing into a gallery or have it up on my wall and at that point it almost didn’t seem possible. Not to mention I couldn’t put this thing away as it was the size of my living room and it couldn’t touch anything, much less get it out of my place. I felt like I bit off more than I could chew with this project. 88 www.spencer-magazine.com

After about a week tragedy struck. The wood in behind JOURNEY OF AN ARTIST SERIES the artwork was starting to warp and curve. I realized that this art was a ticking time bomb and had an expiration thrilled to see that MG did a brilliant job and was able to date. Chemistry 101: If you don’t mix resin 50/50 it won’t take a truly amazing photo of it. Which is what you are dry. Also putting it on cardboard is a horrible idea as it seeing in this article. I am so incredibly satisfied with the soaks right through and destroys the surface. Further, the end result of this project. weight of the coat of resin overall is enough to destroy From this project I was able to successfully learn and wood. Stick with using it on canvas. That’s my advice. perfect the diamond dust resin mix for my follow-up I was left with only one option. project. The “Golden Gothic Trilogy” piece. Unfortunately I hired a professional photographer (MG Ommert) to for the Manic Mannequin Mural piece the original has bit come in and take high-resolution photographs of this the dust. Which is incredibly disappointing but it’s been piece to preserve it before the piece bit the dust. I was so a real valuable journey. Most importantly, I learned an worried that all that detail I put in would get lost through incredibly valuable lesson in the creative process of the photograph; so much of it was microscopic. I was large-scale artwork. Never be afraid to ask for advice from people who have done this million’s of times as they may very well save your art. Photo Credits: MG Ommert ABOUT JOSEPH ZAMBRI Joseph Zambri is a graphic designer and illustrator based out of Toronto, Ontario, who began his creative career in 2010. His specialty is mixing various forms of art cohesively. Joseph finds inspiration from a large number of sources: album art, film, graffiti, punk rock music, pop-art and German expressionist paintings. What helps give his work an edgy, psychedelic and at times surreal feel is incorporat- ing retro and modern design methods, as well as using ink to create abstract hyper detailed line work. ‘Chaotic while contained within organized structure’ is how he best describes his work. Such artists who are a key influence to Joseph’s Work are (H.R. Giger, Jackson Pollock, Aiden Hughes, Raymond Pettibon, Mike Parsons, Derek Riggs, Andy Warhol, Stefan Sagmeister, Art Chantry and Otto Dix) 89 Spencer w Volume 3, Issue 1 w 2022

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Spencer Lifestyle with Darren Dobson, LIFESTYLE EDITOR Vian Andrew's Picking Olives Under the Sun, Subhasish Chakraborty's Apatanis of Ziro Valley, Paola Ortiz's \"The Future of Sustainable Beauty,\" Canada's Brown Spirits in the Spotlight with Blair Phillips and Davin De Kergommeaux, GV80 Genesis Debut by Darren Dobson, \"Ask Captain Joey\" New Series by Joey Benoliel, featuring the Cirrus Aircraft Ask Captain Joey: Featuring the CIRRUS Aircraft 91 Spencer w Volume 3, Issue 1 w 2022

PICKING OLIVES UNDERTHE SUN By Vian Andrews On the steep slopes of the west facing Appenine I am 73, recently arrived in Italy from Vancouver with my mountains in northeastern Umbria, three hundred Italian-American-born wife of almost 40 years. We are meters or so behind the house in which I now live, not visitors; we will live here for the rest of our lives, close people like Aldo have one, two, three or more groves of to family. Therein lies a long, fraught, beautiful tale that olives, each a hectare or less. Aldo has three, none of we will save for another day. them contiguous. Together they contain nearly three The first day or two of November, when Aldo and I began hundred trees. the pick (Claudio would join us later after dropping our Aldo is my son-in-law, Claudio’s, 79-year-old father. His grandkids at school), frigid air, driven by stiff winds from father and his father’s father and great grandfathers born the Adriatic, poured down the mountain side, nipped at before the invention of the camera have been growing our ears and kept our coated bodies moving. But those olives here for generations. Down in the Val di Cucco days gave way to the Estate di San Martino, St. Martin’s below the slopes, other farmers grow grains and hay. Summer, what we call Indian Summer in Canada. And so Sheep and horses graze the mountain tops in the clement our coats and gloves came off and our labours brought months, but by olive harvest time, they are back in their sweat to the brow. Days of glory, let’s call them. pens and corrals at the foot of the mountains. I was minded, as the olives dropped to the nets stretched Aldo speaks little English and I speak less Italian, so beneath the trees, of working in my stepfather’s apple during the olive harvest this year, we worked together, orchards north of Burlington, Ontario during my teenage silently for the most part, picking the fruit off the local years. My muscles then, and my clear, sunlit mind were as cultivars, all of it grown for oil, the kind you will pay at glad and happy in those days, as I was in the olive groves least $30 a litre for at your local market in Canada. Extra this year. But, back then, I did virgin, the real stuff, green to golden-green in the bottle, not know it. pungent to the nose and peppery in the throat, and far rarer than you probably know. 92 www.spencer-magazine.com

LIFESTYLE Back then, I would arrive at the orchard and step into its light, into its ordered rows, into the new cut grass between them, and register a release that until these last years, remained well below my consciousness and obdurately inarticulate. I came to those orchards out of a surrounding darkness, out of a dark and dangerous wood, for my mother’s new marriage was beset with intractable problems, including six kids, my mother’s three and the rest my stepfather’s children, all of us in the throws of loud, fractious and chaotic adolescence. Especially me. My father’s people were farmers in back road Nova Scotia. But, my father had enlisted in the Canadian Air Force when World War Two broke out, and once he’d seen the busted and broken streets of Paris and London and a hundred war torn towns, where, despite the tragedy, there was comedy, and despite the scarcity there was booze-ad- dled fun and man-mischief in the tent cities and barracks where he and his surviving buddies rode out the hostilities on squeaky bunks, in those far off places where a young man could dream of a better life than hang- ing on to slack reins behind a plodding ox-pulled plough, or marrying a strict and officially sexless Baptist girl, there was no going “down home” again. He married my city-born mother just after the war ended in Toronto where, when he was de-mobbed, he met her. It was a short-lived mar- riage. Maybe eight years or so, during which conflicts rose and became interminable. His thwarted ambitions. Her burden of motherhood, three kids born close together. Not enough money. Divorce by decree absolute. Years of struggle later, working the three jobs she held because she had to feed us, an old girlfriend introduced her to a charming widower from Burlington. They married and we moved out of the big city to the Burlington suburbs from which he, and now I and my brothers, commuted to the orchards. Suddenly, I became a kind of weekends and summer-time farm boy who, quite unable to know his own mind, could not, therefore, appreciate the subtle privileges and delights of the work he was asked to do by his stepfather, or how fabulous was the taste and feel in the mouth of a ripe, new-picked McIntosh. But I can taste them now, cold and tangy, each bite a snap. Once off to university, once away from home, once I fell into the embrace of city noises and city smells and city traffic, fell into the night time glitter and the daily busyness, and, it must be said, into the arms of the flowering girl-women of my generation who had seized upon the looser morals of the ‘60s as a right (to the wild applause of we young men, lusty as ever), I stayed city-bound. Without realizing it, I had followed in my father’s footsteps and fled the family and the farm, and later, in furtherance of a career started in Toronto, I put even more distance between us. I fetched-up in the gold-paved streets of a far-off city, Vancouver where in time, I also learned the agonies of my own thwarted ambitions and the searing pains of devastated relationships. I did not return to the farm, to farm life. Well, not until I touched down here in Italy, decades later. Here the rhythm and flow of the sunlit work, in the quiet, unchattering groves, one has time to harvest one’s own memories, to squeeze the life-giving and life-affirming juices out of them, all bitterness and hurt removed in the process, and to drink deeply of them, a farm boy at heart. 93 Spencer w Volume 3, Issue 1 w 2022

SPENCER LIFESTYLE Apatanis of Ziro Valley World’s Anthropological Hotspot! By Subhasish Chakraborty Anative of North East somewhere in India’s remote India, I graduated from North Eastern state of As- Arya Vidyapeeth Col- sam, you as a visitor will be lege in Guwahati in 1990, taken into to the bewildering with Anthropology as one wildlife drama of the world of my subjects. It has been famous Kaziranga National nearly three decades since Park. Or you could choose to I left the city of Guwahati, experience the wilderness the capital of Assam and from the cosy uber-luxury gateway to the North East of the tented accommoda- Region of India. tions at Abor Country. With Since then, I have become immersed in the fascinating Nature Beckoning at Your world of travel & tourism and have come to believe Doorstep, any of the settings make for an invitation that Indigenous Tourism or may I as an Indian put it this that is hard to resist! way – Tribal Tourism - is presently the coolest thing in the And yes, these incredible experiential moments are every competitive world’s tourism arena. Australia’s Aboriginal bit original, every bit Indian or Bharat as they come! And Tourism, New Zealand’s Māori Tourism and Canada’s I as a Travel Writer based out of the metropolitan city Inuit Tourism are receiving a lot of attention. Native of Kolkata, have no hesitation in declaring that India’s Americans in the US have generated a momentum which Marlboro Land, The North East which for centuries has compelled the global tourism industry to innovate was neglected and given a step-motherly treatment, and evolve to a degree previously unthinkable. is beginning to make an indelible mark on the exploding Today’s jaded travellers are on the lookout for tourism global tourism arena. experiences that are immersive, healing and slow. Yes The North Eastern Tribal Apatani Odyssey is a story with SLOW! a purpose, a commitment as well as an ode to humanity From the comfort of a regally appointed Victorian era to become more aware, to see more, to seek more and tea bungalow or the Royal Suite restored to perfection ultimately to transform from within the never-ending rat race of contemporary civilization. 94 www.spencer-magazine.com

TRAVEL 95 Spencer w Volume 3, Issue 1 w 2022

SPENCER LIFESTYLE The outside world is largely unaware that Anthropologists are gradually unravelling the tribal diversity of India’s India’s North East has remained in splendid isolation for North East and learning how tribal societies have evolved centuries and the tourism path still remains largely un- within their own indigenous web of social relationships trodden. But then, this region is also the most sustainable from the earliest prehistoric times, by way of kinship organic and carbon neutral in the whole of the great Indian groups such as the family, the lineage, the clan, the subcontinent. Attuned to the global tourism pulse, I can moiety and the Village Council. safely say that holidaying in India’s North East provides The Apatanis maintain their lives in an ecological balance an opportunity to learn what sustainability is all about with the environment and have developed their own in- directly from the indigenous and original settlers of the digenous method of sustainable cultivation, particularly land. You just might come away with some incredibly Raw wet-rice harvesting. An informal exchange with wizened & Awesome moments to add to your personal travel Apatani folk reveals an intrinsic knowledge of Botany that journey on our Planet Earth! will leave even the best of agriculture scientists speechless. One such fascinating indigenous tribe in India’s North The trademark of the Apatani model of agro ecosystem Eastern state of Arunachal Pradesh is the Apatanis of is in the harmony between nature and land utilization. Ziro Valley. Cut off from civilization, the picturesque Ziro As a result, the region (Ziro Valley) is extremely rich Valley is where most Apatanis dwell. The valley itself is in biodiversity, inclusive of best practices in terms of around 32 square kilometres with a panorama of undu- watershed. The greatest gift of the Apatanis to the scien- lating mountains of the Eastern Himalayas offering a tific agriculture/horticulture world is their indigenous magnificent kaleidoscopic vignette. method of preserving soil fertility year after year through Anthropologists worldwide are guided by the vision their unique crop recycling phenomenon. of Augustine – “Man wonders over the restless sea, the The landscape of Ziro Valley is dramatic, and oral history flowing waters, the sight of the sky and forgets that of points to the existence of Apatanis in Ziro Valley as far all wonders, man himself is the most wonderful”. This is back as the 8th century. Having been a student of an- the overwhelming feeling that strikes you as you enter the thropology, it amazes me no end, the manner in which world of the mysterious Apatanis of Ziro Valley. Anthro- these innocent tribals have developed the Valley into one pology being a study of human societies and cultures and of the world’s most harmonious indigenous hubs where their development, it isn’t surprising that India’s remote humanity and nature can coexist. North East has emerged as the world’s Anthropological hotspot. It is blessed with close to 250 tribes, each one with its own distinct culture, traditions, rituals, and ancestry. 96 www.spencer-magazine.com

TRAVEL The Apatanis numbering around 60,000 are blessed with The Music Festival that attracts some of the best bands to a mystical civilization of their own, and their culture is entertain the thronging crowds. Outdoor music festivals invigorating – festivals of great pomp and grandeur, are by far the best way to become immersed in cultural elaborate handloom heritage, intricate cane and bamboo experiences, and many visitors use the Ziro Valley Music works – all these and much more under their own super- Festival as a launch for exploring the fascinating Apatani visory setup of Bulyan or the Village Council. villages. The manner in which Apatanis run their administrative matters through the Village Council or Bulyan is truly Festivals in previous years saw the introduction of artistic outstanding. The stress is on ethics and not the fear of workshops, design induction, and comedy as well as law or policing; the end result of which is a society that storytelling sessions. And, when you inject creativity with is the epitome of peace, harmony and togetherness. Per- some adrenalin pumping adventure sports, it makes for a haps a lesson for contemporary lawyers on how a legal truly compelling experience. system should operate. In addition to being recognized for their sustainable agro Ziro Valley is India’s Anthropological treasure, and it is forestry heritage, the Apatani cultural traditions have hoped that this outstanding place of universal significance also been acclaimed on a global level, with Ziro Valley’s will offer us not just ancient wisdom, but also an under- inclusion in the hallowed UNESCO’s World Heritage List. standing of the totality of human existence through the Under the heading of Justification of Outstanding Universal prism of conscience. Value, the report submitted by The Permanent Delegation of India to UNESCO declares that ‘The Apatanis are among Bronislaw Malinowski, the renowned Anthropologist the few tribes in the world who continue to worship na- made an observation long ago which I believe holds true ture. It is their relation with nature that regulates their today, particularly in the context of Indigenous Tourism: cultural practices. All the traditional festivals are, in a “The Anthropologist must relinquish his comfortable way, celebration of nature. Such a system designed for position in the long chair on the veranda of the missionary nature, culture and man to mutually support each other compound, Government station, or planter’s bungalow, has timeless universal value.’ where, armed with pencil and notebook and at times with The focal point of attraction in Ziro Valley is the cluster a Whiskey and Soda, he has been accustomed to collect of 7 villages located at an elevation of 2200 m. And what statements from informants ...He must go out into the characterizes these villages are the tribal hutments that villages, and see the natives at work in gardens, on the are built in a straight row; a combination of bamboo & beach, in the jungles, he must sail with them to distant timber that provides a rugged ambience. sandbanks and to foreign tribes.” Belonging to the Tibeto-Mongoloid racial stock, these mythical people trace their ancestry to “Abotani” and For further information and reservations, please feel free their abiding faith in this supreme spiritual being. Apatanis to get in touch with: are known to lead a patriarchal social system and their Abor Country Travels & Expeditions (ACTE) religion, Donyi Polo is every bit inspiring. A major B sector, Itanagar, distinguishing mark of an Apatani, the out-of-the- Arunachal Pradesh – 791 111 world tattooed on their face, is a practice that is slowly Phone: +91 9863553243 disappearing. +91 9436053870 Time permitting, a week’s stay at Ziro Valley will unravel +91-360-2292969 how the Apatanis have achieved a balance of their nat- ural, social and supernatural world, while meeting their biological and spiritual needs. First time visitors find the archaic belief system, their ancient observances, folk tales, legends and riddles to be awe-inspiring. For those visitors desiring a dose of India’s own indige- nous Cowboy Culture, Ziro Valley is the perfect place to descend upon. The ancient practice of domesticating and rearing animals is still prevalent in Apatani society. In fact, prosperity and the social status of a person is still measured in terms of the number of animals he or she possesses. The prized Mithun (Bos frontalis) is the most sought after, as the tribals just love the meat! A particularly good time to visit Ziro Valley is in late September when the entire valley resounds with music. The Ziro Valley provides a breath-taking backdrop for 97 Spencer w Volume 3, Issue 1 w 2022

SPENCER LIFESTYLE The Future of SUSTAINABLE BEAUTY By Paola Ortiz More than ever before, after fifteen years of ex- Consider glycerine, a natural derivative of palm oil. The perience in the beauty industry, I can see that clear, non-toxic liquid is used in soaps, pharmaceuticals consumers aren’t interested in a specific product. and cosmetics. Since it is a humectant, glycerine can They’re interested in the “personal experience” of the retain water, making it an excellent moisturizer. Glyc- benefits to protect their health and the planet. erine enhances the body hygroscopic characteristics, In the process of delivering beauty services to clients, I encouraging the skin to absorb and hold onto water. As notice the attraction to sustainable cosmetics, and the a non-irritating substance, it can be applied anywhere urgency in their acquisition outweighs extra costs or on the body. It is an effective anti-aging ingredient research. and, due to its anti-microbial properties, can also serve as an acne treatment. Three major draws of green cosmetics include envi- An oleochemical that has all the power of synthetic ronmental responsibility, increased effectiveness, and chemicals without any of the toxicity, glycerine is a long-term health. perfect example of the natural effectiveness of sustain- able cosmetics. That being said, I can tell you that the 1. Environmental Responsibility use of glycerine will continue for many more years. Nowadays consumers have a growing global conscious- 3. Long-Term Health ness, and they care more than before about social and environmental responsibility. One of the main benefits While petrochemicals may deliver short-term results, of sustainable products is their reduced environmental the long-term effects can be highly toxic to humans and impact. the environment. Years of synthetic cosmetics use has Everyday, new stories surface about dangerous carbon been traced to headaches, eye damage, acne, hormonal output or vast plastic islands in the ocean. Many petro- imbalance and premature ageing. Phthalates have even chemicals in conventional cosmetics are toxic pollutants been linked to cancer and type two diabetes. By choosing and degrade the environment, as well as our bodies. As sustainable cosmetics, a consumer forgoes the stress we become more ecologically-aware, consumers demand and uncertainty of toxic, synthetic products and invests natural, low-polluting products. in their long-term health and beauty. A recent example of pollution and consumer demand is As consumer interest in sustainability continues to the ban of microbeads by Health Canada. Microbeads are increase, many cosmetic manufacturers are looking for tiny pieces of plastic found in many shower scrubs and more natural and environmentally-friendly emulsifiers exfoliating products. However, they do not dissolve. and ingredients for their products. The benefits of “green” beauty products goes beyond trend. Constant display of 2. Increased Effectiveness studies showing the toxicity of conventional cosmetics, are changing people’s mind and perception of their ways Natural and oleochemical ingredients are less likely to to take care of themselves. The natural cosmetics mar- cause skin irritation or allergic reactions. Without syn- ket continues to grow rapidly and in a consistent way. thetic, toxic chemicals or artificial colours, sustainable One company that is changing the game in the “Vegan” products rely on the healing properties found naturally and “Cruelty Free” category is “TONOS”, a Colombian in plants and animals, the ingredients humans have used Cosmetic Company that entered the Canadian Market 4 for centuries. One perfect example of natural substances years ago, passing all the Health Canada requirements used in a product that targets physical and mental health to be safe for the responsible consumer. Their strategy is is the company “Saje Wellness”; they created a new culture growing in the way that the consumer could re-use their of self-care, giving the consumer the opportunity to enjoy containers in the near future, contributing to reduce the all-natural oils in a full range of options, from healing a waste on the planet. headache to soothing your soul with the use of a diffuser. In my personal experience, the oils are effective for all the purposes described. 98 www.spencer-magazine.com

Manufacturers shifting to sustainable cosmetics produc- HEALTH & BEAUTY tion have a promising future. Many manufacturers have found success using oleochem- Drunk Elephant: Committed ical-based products, and beyond creating high-quality to using clean, natural ingre- and effective products, they have gained a loyal customer dients, they manufacture a following. Here are some of the most well-known, sustain- range of sustainable skin care able cosmetics companies and their products: products. They have a devoted consumer following and strive Native: Native produces to create products that are deodorants with organic, both clinically-effective and natural ingredients. Native naturally-sourced. has built their brand around. After all the information and “Simple non-toxic ingredi- research about the topic, the conclusion should be ents you can understand”. to develop a very conscious mind by the time we are Their oleochemical-derived choosing a product for our skin care routine, our body, ingredients include shea or our mental-health. We need to read the labels to make butter, coconut oil and sure the ingredients are what they said and what we really castor bean oil. need. As we read the food labels, we have to be careful with the percentages of each ingredients, so we don’t Burt’s Bees: From sim- saturate our cells with some actives that we know they ple beeswax candles to could be good, or your friend recommended to you, but a lip-product empire, don’t forget that, what is working for your best friend the company has be- won’t necessarily work for you. Learn more about your come an international body and what it is telling you everyday. leader in sustainability. The company creates cosmetics and personal care products, and in addition to natural, organic ingredients, it has a “no-waste” manufacturing policy. They rely on botanical oils, herbs and beeswax to come up with their world-recognized products. RMS Beauty: provides a wide range of cosmetics, from foundation to mascara. Dedicated to using organic ingredients, RMS creates non-toxic makeup products that heal and protect the skin. Low-heat processing ensures their ingredients remain as natural as possible. Blissoma: Focusing on Feel free to send me your questions and suggestions to skincare, Blissoma offers a my email: [email protected] or give me a call large selection of products if you want to talk about publishing your brand in Spencer: organized by skin type 1-800-719-2468. Ext 832 and need. Their preserva- tive-free cosmetics include natural ingredients like fruit enzymes, Vitamin C and organic herbs and grains. 99 Spencer w Volume 3, Issue 1 w 2022

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