VOLUME 06 - NUMBER 04 WINTER 1970-71

Only one-THE LIBERATION OF L. B. JONEs-my col - Michael Wilson laboration was with Jesse Hill Ford , the author of the novel on which the film was based . I by no means ONE. What projects did you work on tha t were not consider myself the author of this film . filmed? LOOK HOMEWARD , ANGEL , based on the novel by FOUR. Which screenplay gave you the most satis- Thomas Wolfe , MONTSERRAT, based on a play by faction (a) as a script, (b) as a film? Lillian Hellman , APRIL MORNING , based on a novel by Howard Fast, OUTER DARKNESS , an original None. Possibly several of my TV scripts, but certainly screenplay on revolutionary black nationalism , THE no screenplay. YEAR OF THE IDIOT, an original story about environ- mental pollution. All the above works are owned by FIVE. Which directors did you find most congenial or optioned by established film production compa- to work with? Which tampered least with your work? nies, but have never been made. In my view, these shelved properties represent much of my better The ones who tamper least I find the least congen ial. work. I enjoy a spirited give and take with the directors TWO. Did you work in close collaboration with the of my scripts. I enjoyed most working with Peter writers who shared screen credit with you? Yates on MURPH Y' S WAR , Norman Jewison on HEAT In every case save one (THE SANDPIPER ) there was OF THE NIGHT, and Ralph Nelson on CHARLY. no collaboration . I either preceded or followed an- other writer. SIX. Did-or does-a screenwriter have to be partic- ularly cynical about his own work 's vulnerability to THREE. On which films did you collaborate most stay sane in Hollywood? ex tensively? 00 you consider yourself the \" author\" of these films? A posture of cynicism-in anything-is to me a pos- My \" collaborations\" were with the involved directors ture of bullshit. The act of writing-even nihilistic (Stevens , Lean , etc.). The collaboration consisted work-is at its core an affirmation . One 's vulnera- of extended story conferences in which such mat- bility has little to do with his sanity. In short , I do ters as continuity, plot , characterization and pro- not find Hollywood a destructive place in which to duction costs were debated. The directors did little function . actual writing but had the power to make key cre- ative decisions. Such collaborations were therefore SEVEN. Was most of the tampering done by the hard on the writer's ego but perhaps often beneficial producer, the director, the actor, or by other writers to the film . at the producer's instigation? FOUR. Which screenplay gave you the most satis- \" Tampering \" -for me at least-is the wrong word . faction (a) as a script, (b) as a film? I have, especially in the last fi'Y'e years , stayed with Probably SALT OF THE EARTH , because I was in con- my work up to and through shooting . Therefore, any trol all the way. That is to say , of the script. No one changes in my script have been at the hands of could alter it without my permission ; therefore I was the director, who may \" interpret\" a scene differently more easily persuaded to change it when reason , than I had intended . not power, was brought to bear. EIGHT. In the assembly-line years, did you have a FIVE. Which directors did you find most congenial \" specialty \" -construction , dialogue , comedy to work with? Which tampered least with your work? scenes, etc.? No comment. I was not writing during that period . SIX. Did-or does-a screenwriter have to be partic- ularly cynical about his own work 's vulnerability to NINE. Are scripts any more inviolate in the current stay sane in Hollywood? \" age of the director\" than they were in the bygone The cynical screenwriter is finished before he starts. \" era of the producer\" ? He cannot possibly do his best work if he is con- vinced it will never be filmed. The good writer pur- If you collaborate with the director and you respect sues the illusory goal of getting his own way. Falling each other , your work comes to the screen as close short of one's mark usually produces a better picture to itself as it can-short of you directing your own than a cop-out. work. FRIENDLY TEN. Wh ich screenwriters do you most admire? PERSUASION . Which writers? Any stylistic influences on your film work? Gary Cooper, Richard Eyer, Robert Bolt-to me he is the best. and Anthony Perkins. FILMOGRAPHY: STIRLING SILLIPHANT 1954 THE JOE LoUIS STOR Y (Robert Gordon ) prod 1955 FIVE AGAINST THE HOUSE (Phil Karlson ) co-scr , co-prod 1956 HUK (John Barnwell ) story , scr 1957 NIGHTFALL (Jacques Tourneur) scr 1958 MARACAIBO (Cornel Wilde) from his novel. DAMN CITIZEN (Robert Gordon ) story, scr THE liNEUP (Don Siegel) story, scr 1960 THE VILLAGE OF THE DAMNED (Wolf Rilla) co-scr (Between 1960 and 1965, Silliphantworked exclusively in television , writing more than 200 one-hour original dramas and some 45 half-hour origi- nals. It was during this period that he learned his craft. The best of this work , in his opinion, was for Naked City and Route 66, both of which he co-created for TV with producer Herbert B. Leonard .) 1965 THE SLENDER THREAD (Sydney Pollock) story, scr 1967 IN THE HEAT OF THE NIGHT (Norman Jewison) scr 1968 CHARLY (Ralph Nelson) scr 1969 MARLOWE (Paul Bogart) scr 1970 A WALK IN THE SPRING RAIN (Guy Green) scr, prod THE liBERATION OF L. B. JONES (William Wyler) co-scr 1971 MURPHY'S WAR Yates) scr THE PARTY 'S OVER (Cy Howard) co-story, co-scr AMERICA , THE BEAUTIFUL story, scr, prOd. FILM COMMENT 99

SEVEN. Was most of the tampering done by the TARNISHED ANGELS. Rock Hudson and Chris Olsen. produc er, the director, the actor, or by other writers SEVEN. Was most of the tampering done by the at the producer's instigation ? producer, the director, the actor, or by other writers Anyone permitted to tamper with a script will cer- at the producer's instigation? tainly do so, including the gaffer and the producer's wife. Most tampering by actors occurs when the That depended upon my repute and power at the producer and / or director are weak and insecure. time. The tampering began with producers , shifted I have a strange feeling about actors-such respect to directors, and then to stars. for the best of them that I ex pect they ' ll write better dialogue than my own. They never do . EIGHT. In the assembly-line years, did you have a EIGHT. In the assembly-line years, did you have a \" specialty\" -construction , dialogue , comedy \" specialty \" -construction, dialogue , comedy scenes, etc.? scenes, etc.? I had an ear for dialogue before I came to Hollywood . No. It took me long years to learn construction . There are at least a half dozen pictures that, at the behest NINE. Are scripts any more inviolate in the current of the front office (at Universal when Ed Muhl ran \" age of the director \" than they were in the bygone the show), I \" doctored \" and did not take credit for. \" era of the producer\" ? NINE. Are scripts any more inviolate in the current No . In fact, there is more improvisation-which fails \" age of the director\" than they were in the bygone more often than it succeeds. \" era of tf producer\" ? TEN. No answer. Can 't answer this. I've been out of the picture busi- ness for too long . I do know that the man in power, FILMOGRAPHY: MICHAEL WILSON whoever he is, gets his picture up there . And the writer still doesn 't have the power. Unless he's also 1941 THE MEN IN HER LIFE (Gregory Ratoff) co-scr 1943 the director and / or the producer. After WRITTEN ON BORDER PATROL ( Lesley Selander) scr COLT COMRADES THE WIND , I was offered a writing-directing-producing ( Lesl ey Se lander) scr BAR 20 (Lesley Se lander) co-sc r 1944 pact by Universal. I turned it down to take my FORTY TH IEVES ( Lesley Selander) co-scr 1951 A PLACE IN chances , alone , as a Broadway playwright and then THE SUN (George Stevens) co-scr 1952 FIVE FINGERS (Jo- as a novelist. se ph L. Man ki ewicz) scr 1954 SALT OF THE EARTH (Herbert Biberman) scr 1956 FRIENDLY PERSUASION (William Wyler) TEN. Which screenwriters do you most admire? scr [uncredited] 1957 THE BRIDGE ON THE RIVER KWAI Which writers? Any stylistiC influences on your film (David Lean) co-scr [uncredited] 1962 LAWRENCE OF ARABIA work? (David Lean) c o-scr [uncredited] 1965 THE SANDPIPER (Vin- cente Minnelli ) 1968 PLANET OF THE APES (Frankl in J . All in the past. The Mankiewiczes, the Epsteins , Schaffner) co-scr. Charles Schnee. Hemingway, Fitzgerald , Raymond Chandler. Stylistic influences depended on nature George Zuckerman of material or story. ONE. What projects did you work on that were not In my novel THE LAST FLAPPER , Davis O 'Donnell filmed? (based on F. Scott Fitzgerald) admits that the film is the finest art form. That 's my admission , too. But WINE OF YOUTH by Robert Wilder; CALIFORNIA STREET it's a trap for the writer who wishes to tell his own by Niven Busch ; SUTTON PLACE , an original ; stories , in his own ways , to his own conclusions . WOODGATE , an original. And for his own fulfillment. TWO. Did you work in close collaboration with the FILMOGRAPHY: GEORGE ZUCKERMAN writers who shared screen credit with you? 1947 WHISPERING CITY (Fedor Ozep) co-story 1949 BORDER Not once. I followed or was followed by others. INCIDENT (Anthony Mann ) co-story TRAPPED ( Richard Fleischer) co-story, co-scr 1950 Spy HUNT (George Sher- THREE. On which films did you collaborate most man) scr UNDER THE GUN (Ted Tetzlaff) scr 1951 IRON MAN extensively? Do you consider yourself the \" author\" (Joseph Pevney) co-scr 195399 RIVER STREET ( Phil Karl- of these films? son ) story 1954 RIDE CLEAR OF DIABLO (Jesse Hibbs) co-scr DAWN AT SOCORRO (George Sherman) story, scr THE YELLOW Tough question. I \" authored \" the screenplays of MOUNTAIN (Jesse Hibbs) co-scr 1955 THE SQUARE JUNGLE William Faulkner's Pylon (THE TARNISHED ANGELS) (Jerry Hopper) story, scr 1956 THE BRASS LEGEND (Gerd and Robert Wilder 's WRITTEN ON THE WIND . Because Oswald) co-story WRITTEN ON THE WIND (Douglas Sirk) scr censorship and construction demands necessitated 1957 THE TATTERED DRESS (Jack Arnold) story , scr THE a great deal of invention . I did author, alone, my TARNISHED AN GELS (Douglas Sirk) scr original screenplays. FOUR. Which screenplay gave you the most satis- faction (a) as a script, (b) as a film? (a) THE TARNISHED ANGELS (b) WRITTEN ON THE WIND. FIVE. Which directors did you find most congenial to work with? Which tampered least with your work? Douglas SirkoDouglas Sirko SIX. Did-or does-a screenwriter have to be partic- ularly cynical about his own work 's vulnerability to stay sane in Hollywood? He must remember he's a paid whore when he's not working on material that is his own and that he controls. (My magazine fiction and my novel The Last Flapper are my work. Not Douglas Sirk's. Or Rock Hudson 's. Or the studio 's. 100 WINTER 1970-71

FIFTY FllmOGI~AI~IHIIIES KEY: directors in parentheses; \" co- \" means the credit play WATERLOO BRIDGE (Mervyn LeRoy) co-scr 1941 Two- is shared; abbreviations are : adapt/ adaptation ; dial l FACED WOMAN (George Cukor) co-scr *** 1951 Quo VADIS dialogue; prod / produced ; scrl screenplay. (Mervyn LeRoy) co-scr * * 1956 GABY (Curtis Bernhardt) remake of WATERLOO BRIDGE 1958 ME AND THE COLONEL JOHN L. BALDERSTON (Peter Glenville) adapt, co-scr. (1889- ) \" co-scr or co-dial with Sonya Levien 1931 DRACULA (Tod Browning) from his and Hamilton **co-scr or co-dial with Sonya Levien and another writer Deane 's stage adaptation of Bram Stoker's novel. FRANKEN- ·***co-scr with Salka Viertel and other writers STEIN (James Whale) adapt 1932 THE MUMMY (Karl Freund) 1933 BERKELEY SQUARE (Frank Lloyd) co-scr, from his play CHARLES BENNETT 1934 MAD LOVE (Karl Freund) co-scr 1935 THE MYSTERY (1889- ) OF EDWIN DROOD (Stuart Walker) co-scr THE LIVES OF A 1929 BLACKMAIL (Alfred Hitchcock) co-scr, from his play BENGAL LANCER (Henry Hathaway) co-scr THE BRIDE OF 1934 THE MAN WHO KNEW Too MUCH (Alfred Hitchcock) FRANKENSTEIN (James Whale) co-scr 1936 BELOVED ENEMY co-story, co-scr 1935 THE THIRTY-NINE STEPS (Alfred Hitch- (H . C. Potter) story, co-scr THE LAST OF THE MOHICANS (George B. Seitz) co-scr 1937 THE PRISONER OF ZENDA cock) co-scr THE CLAIRVOYANT (Maurice Elvey) scr KING (John Cromwell) co-scr ROMANCE AND RICHES (Alfred OF THE DAMNED (Walter Forde) co-scr 1936 THE SECRET Zeisler) adapt 1940 LITTLE OLD NEW YORK (Henry King) AGENT (Alfred Hitchcock) scr SABOTAGE (Alfred Hitchcock) adapt VICTORY (John Cromwell) scr 1941 SCOTLAND YARD scr 1937 YOUNG AND INNOCENT (Alfred Hitchcock) co-scr (Norman Foster) co-scr SMILlN ' THROUGH (Frank Borzage) KING SOLOMON'S MINES (Robert Stevenson) co-scr 1938 co-scr 1942 STAND BY FOR ACTION (Robert Z. Leonard) THE YOUNG IN HEART (Richard Wallace) co-scr 1939 BALA- co-scr TENNESSEE JOHNSON (William Dieterle) co-scr 1944 LAIKA (Reinhold Schunzel) co-scr 1940 FOREIGN CORRE- GASLIGHT (George Cukor) co-scr 1951 I'LL NEVER FORGET SPONDENT (Alfred Hitchcock) co-scr 1941 THEY DARE NOT You (Roy Baker) remake of BERKELEY SQUARE 1952 RED LOVE (James Whale) co-scr 1942 JOAN OF PARIS (Robert PLANET MARS (Harry Horner) co-story, co-adapt THE PRIS- Stevenson) co-scr REAP THE WILD WIND (Cecil B. De Mille) ONER OF ZENDA (Richard Thorpe) co-scr. co-scr 1944 THE STORY OF DR . WASSELL (Cecil B. De Mille) co-scr 1947 UNCONQUERED (Cecil B. De Mille) scr Ivy S. N. BEHRMAN (Sam Wood) scr 1948 THE SIGN OF THE RAM (John Sturges) (1893- ) scr 1949 BLACK MAGIC (Gregory Ratoff) scr 1950 WHERE 1930 HE KNEW WOMEN (Hugh Herbert) from his play, The , ::~ FOREIGN Second Man . lILiOM (Frank Borzage) dial , co-scr \" lIGHTNIN ' : CORRESPONDENT. (Henry King) co-scr *, co-dial * THE SEA WOLF (Alfred San- tell) dial 1931 DADDY LONG LEGS (Alfred Santell) co-dial * THE BRAT(John Ford) co-scr *, co-dial ** SURRENDER (William K. Howard) co-dial * , co-scr * 1932 REBECCA OF SUNNY- BROOK FARM (Alfred Santell) co-scr *, co-dial * TESS OF THE STORM COUNTRY (Alfred Santell) co-scr ** 1933 BRIEF Mo- MENT (David Burton) from his play My lips BETRAY (John Blystone) dial HALLELUJAH, I'M A BUM (Lewis Milestone) scr QUEEN CHRISTINA (Rouben Mamoulian) dial 1934 As Hus- BANDS Go (Hamilton MacFadden) co-scr * BIOGRAPHY OF A BACHELOR GIRL (Edward H. Griffith) from his play, Biog- raphy 1935 ANNA KARENINA (Clarence Brown) co-scr* A TALE OF Two CITIES (Jack Conway) co-scr 1937 CONQUEST (Clarence Brown) co-scr *** PARNELL (John M. Stahl) co-scr 1938 THE COWBOY AND THE LADY (H . C. Potter) co-scr\" 1940 No TIME FOR COMEDY (William Keighley) from his FILM COMMENT 101

DANGER LIVES (John Farrow) scr 1951 KIND LADY (John 1962 SWEET BIRD OF YO UTH ( Ric hard B rooks) scr 1965 Sturges) co-scr 1952 THE GREEN GLOVE (Rudolph Mate) LORD JIM (Richard Brooks) scr 1966 THE PROFESSIONALS story, scr 1953 No ESCAPE (C harles Bennett) scr 1954 ( Richard Brooks) scr 19671N COLD BLOOD (Richard Brooks) DANGEROUS MISSION ( Loui s Ki ng ) co-scr 1957 THE STORY scr 1969 THE HAPPY ENDING (Richard Brooks) story, scr. OF MANKIND (I rwin Allen) co-scr 1958 CURSE OF THE DEMON (Jacques T ourneur) co-scr 1959 THE BI G CIRCUS (Joseph SIDNEY BUCHMAN M. Newman) co-scr 1960 THE LOST WORLD (Irwi n Allen ) co-scr 1961 VOYAGE TO THE BOTTO M OF THE SEA (Irwin (1902- ) Allen) co-scr 1962 FI VE WEEKS IN A BALLOON (Irwin Al len) 1931 DAUGHTER OF THE DRAGON ( Ll oyd Corrigan) dial BE- co-scr. LOVED BACHELOR ( Ll oyd Corrigan) dial 1932 No ONE MAN ( Ll oyd Corrigan) adapt , dial TH UN DER BELOW ( Ri chard Wal- CHARLES BRACKETT la ce) adapt THE SIGN OF THE CROSS (Cecil B. De Mille) adapt, (1892- ) dial IF I HAD A MILLION (Ernst Lubitsch , Norman Taurog , 1934 ENTER MADAME ( Elliott Nugent) co-scr 1935 COLLEGE Norman Z . McLeod , James Cruze , William A. Seiter, Ste- phen Roberts , H . Bruce Humberstone) co-scr 1933 FR OM SCANDAL ( Elliott Nugent) co-scr THE LAST OUTPOST (Louis HE LL TO HE AV EN ( Erie C. Kento n) co-scr RI GHT TO ROMANCE Gasnier, Charles Barton ) co-scr WITHOUT REGRET (Harold (Alfred Santell) co-scr 1934 ALL OFME (James Fl ood) co-scr YOU NG) co-scr 1936 ROSE OF THE RANCHO (M arion Gering) WHOM THE GODS DE STRO Y (Walter Lang) co-sc r HIs co-scr PICCADILLY JIM ( Robert Z . Leonard) co-scr WOMAN GREATEST GAMBLE (John S. Robertso n) co-scr BROADWAY TRAP ( Haro ld You ng) story 1937 LIVE , LOVE AND LEARN BILL ( Frank Capra) co-scr [uncredited] 1935 I'LL LOVE You (George Fitzm aurice) co-scr 1938 BLUEBEARD 'S EIGHTH WIFE ALWAYS ( Leo Bulga kov) co-sc r LO VE ME FOREVER (Victor ( Ernst Lubitsch ) co-scr \" 1939 WHAT A LIFE (J . Theodore Schertzinger) co-scr SHE MARRIED HER Bo ss (G reg o ry La Reed) co-scr \" MIDNIGHT ( Mitchell Leisen) co-scr \" NINOTCH- Cava) scr 1936 THE KING STEPS OUT (Josef vo n Sternberg) KA (Ernst Lubitsch ) co-scr \" ,,,:' 1940 ARISE MY LOVE (Mitchell scr THEOD ORA GOES WILD ( Ri cha rd Boleslawski) scr ADVEN- Leisen) co-scr * 1941 HOLD BACK THE DAWN (Mitchell Lei- TURE IN MANHATTAN ( Ed ward Ludwig) scr THE MUSI C GOES sen) co-scr \" BALL OF FIRE (Howard Hawks) co-scr \" 1942 ROUND (Vic tor Schertzinger) from his story 1937 THE AWFUL THE MAJOR AND THE MINOR ( Billy Wilder) co-scr * 1943 FIVE TRUTH (Le o McCarey) co-scr [uncredited] 1938 HOLIDAY GRAVES TO CAIRO (Billy Wilder) co-scr *, prod 1945 THE (George Cukor) co-scr LOST HORIZON ( Frank Capra) co-scr LOST WEEKEND (Billy Wilder) co-scr *, prod 1946 To EACH [un c redited] 1939 MR. SMITH GOES TO WASHINGTON (Fran k HIS OWN ( Mitchell Leisen) story, co-scr, prod 1948 THE Capra) scr 1941 HERE COMES MR. JORDAN ( Alexander Hall) EMPEROR WALTZ (Billy Wilder) co-scr\" , prod A FOREIGN co-scr 1942 THE TALK OFTHE TOWN (George Stevens) co-scr AFFAIR (Billy Wilder) co-scr \"\", prod MIss TATLOCK 'S MIL- 1943 SAHARA (Zo ltan Ko rda ) co-scr [uncredited] 1945 A LIONS ( Richard Haydn ) co-scrt, prod 1950 SUNSET BOULE- SONG TO REMEMBER (C harles Vidor) scr OVER 21 (C harles VARD (Billy Wilder) co-scr *':' , prod 1951 THE MATING SEASON Vidor) scr, prod 1948 To THE ENDS OF THE EARTH ( Robert ( Mitchell Leisen) co-scrH , prod THE MODEL AND THE MAR- Stevenso n) scr, prod 1949 JOLSON SINGS AGAIN ( Henry RIAGE BROKER (George Cukor) co-scrH , prod 1953 NIAGARA Levin) st, scr, prod 1951 SATURDAY'S HERO (David Miller) ( Henry Hathaway) co-storyt , co-scrt , prod TITANIC (Jean scr 1961 THE MARK (G uy Green) scr 1963 CLEOPATRA Negulesco) co-storyt, co-scrt , prod 1955 THE GIRL IN THE (Joseph L. Mankiewicz) co-scr 1966 THE GROUP ( Sidney RED VELVET SWING (Richard Fleischer) co-storyt , co-scrt, Lumet) scr, prod . prod 1956 TEENAGE REBEL (Edmund Goulding) co-scrt , prod 1959 JOURNEY TO THE CENTER OF THE EARTH (Henry Levin) co-scrt , prod. ':' with B illy Wilder ''':' with Billy Wilder and another writer \"*\" with Bil ly Wilder and Walter Reisch twith Richard Breen H with Richard Breen and Walter Reisch t with Walter Reisch LEIGH BRACKETT MR . SMITH GOES TO WASHINGTON. James Stewart. 1945 THE VAMPIRE 'S GHOST (Lesley Selander) story, scr W. R. BURNETT CRIME DOCTOR'S MAN-HUNT (William Castle) scr 1946 THE (1899- ) BIG SLEEP (Howard Hawks) co-scr 1959 RIo BRAVO (Howard 1930 LITTLE CAESAR (Me rvyn LeRoy) fro m his novel 1931 Hawks) co-scr 1961 GOLD OF THE SEVEN SAINTS (Gordon Douglas) co-scr 1962 HATARI! (Howard Hawks) scr 1967 FINGER POINTS ( John Francis Dillon) co-story THE IRON MAN EL DORADO (Howard Hawks) scr. (Tod Browning) from his no ve l 1932 BEAST OF THE CITY (C harles Brabin) story SCARFACE (Howard Hawks) co-scr, RICHARD BROOKS co-dial LAw AND ORDER ( Edward Cahn) from his novel , Saint John son 1934 DARK HAZARD (Alfred E. Green) from his (1912- ) novel 1935 DR . SOCRATES (William Dieterle) from his nove! THE WHOLE TOWN 'S TALKIN G (John Ford) from his short 1943 WHITE SAVAGE (Arthur Lubin) scr 1944 My BEST GAL story, Jail Break 1936 36 HOURS TO KILL (Eugene Forde) from his novel , Across the Aisle 1937 WINE , WOMEN AND ( Anthony Mann) story COBRA WOMAN (Robert Siodmak) HORSES (Louis King) from his novel , Dark Hazard. SOME BLONDES ARE DANGEROUS ( Milton Carruth) fr0 m his novel , co-scr 1946 SWELL GU Y (Frank Tuttle) scr 1947 BRUTE The Iron Man 1939 KING OF THE UNDERWORLD ( Lo uis Seiler) from his magazine sto ry 1940 DARK COMMAND ( Raoul FORCE (Jules Dassin) scr CROSSFIRE (Edward Dmytryk) from Wal sh) from his novel , Dark Command: A Kansas Iliad. LAW AND ORDER ( Ray Taylor) from his novel . Saint Johnson his novel 1948 To THE VICTOR (Delmer Daves) story , scr 1941 DANCE HALL (Irving Pichel) from h is novel . Giant Swing THE GET-AWAY (Edward Bu zze ll) co-scr HIGH SIERRA (John KEY LARGO (John Huston) co-scr 1949 AN Y NUMBER CAN Husto n) co-scr, from his novel 1942 THIS GUN FOR HIRE (Frank Tuttl e) co-scr WAKE ISLAND (John Farrow) co-scr PLAY (Mervyn LeRoy) scr 1950 CRISIS (Richard Brooks) 1943 BACKG ROUND TO DANGER (Raoul Walsh ) scr CRASH scr MYSTERY STREET (John Sturges) co-scr STORM WARNING (Stuart Heisler) co-story, co-scr 1951 THE LIGHT TOUCH ( Richard Brooks) scr 1952 DEADLINE-USA ( Richard Brooks) scr 1953 BATTLE CIRCUS (Richard Brooks) scr 1954 THE LAST TIME I SAW PARIS ( Richard Brooks) co-scr 1955 BLACKBOARD JUNGLE (Richard Brooks) scr 1956 THE LAST HUNT (Richard Brooks) scr 1957 SOMETHING OF VALUE ( Richard Brooks) scr 1958 THE BROTHERS KARAMAZOV ( Richard Brooks) scr CAT ON A HOT TIN ROOF (Richard Brooks) co-scr 1960 ELMER GANTR Y (Richard Brooks) scr KEY: directors in parentheses; \" co-\" means th e credit is shared ; abbreviations are : adapt/adaptation ; dial l dia logue ; prod / produced ; scr l screenplay . 102 WINTER 1970-71

DIVE (Archie Mayo) story 1945 SAN ANTONIO (David Butler) DOUBLE INDEMNITY. co-scr 1946 NOBOOY liVES FOREVER (Jean Negulesco) Fred MacMurray and scr, from his novel 1948 BELLE STARR ' S DAUGHTER (Lesley Edward G. Robinson . Selander) story , scr YELLOW SKY (William A . Wellman) story 1950 THE ASPHALT JUNGLE (John Huston) from BETTY COMDEN & ADOLPH GREEN his novel VENDETTA (Mel Ferrer [and , uncredited , Preston Sturges, Max Ophuls, Stuart Heisler]) scr 1951 THE IRON (1919- ) & (1915- ) MAN (Joseph Pe vney) from his novel 1953 LAw AND ORDER 1947 GOOD NEWS (C harles Walters) scr 1948 TAKE ME OUT (Nathan Juran ) from his novel. ARROWHEAD (Charles Marquis TO THE BALL GAME (Busby Berkeley) songs, with Roger Edens Warren) from his novel, Adobe Walls 1954 DANGEROUS 1949 THE BARKLEYS OF BROADWAY (Charles Walters) story, MISSION (Louis King) co-scr 1955 CAPTAIN liGHTFOOT scr ON THE TOWN (Gene Kelly , Stanley Donen) scr, from (Douglas Sirk) co-story , co-ser I DIED A THOUSAND TIMES their musical play; songs, with Roger Edens 1952 SING IN ' (Stuart Heisler) scr, from his novel , High Sierra 1956 IN THE RAIN (Gene Kelly , Stanley Donen) story, scr; songs, ACCUSED OF MURDER (Joe Kane) from his novel, Vanity Row, co-ser 1957 SHORT CUT TO HELL (James Cagney) from with Roger Edens 1953 THE BAND WAGON (Vincente Min- his scr, This Gun For Hire 1958 THE BADLANDERS ( Delmer nelli) story, scr 1955 IT'S ALWAYS FAIR WEATHER (Ge ne Daves) from his novel , The Asphalt Jungle 1962 SERGEANTS Kelly , Stanley Donen) story, scr 1959 BELLS ARE RINGING THREE (John Sturges) story, scr 1963 CAIRO (Wolf Rilla) (Vincente Minnelli) scr, from their musical play; songs, with from his novel THE GREAT ESCAPE (John Sturges) co-scr. Jule Styne 1964 WHAT A WAY TO Go! (J . Lee Th ompson) LlTILE CAESAR. Edward G. Robinson . scr; songs, with Jule Styne. NIVEN BUSCH BLAKE EDWARDS (1903- ) 1932 THE CROWD ROARS (Howard Hawks) co-scr SCARLET (1922- ) DAWN (William Dieterle) co-scr , co-dial MISS PINKERTON 1948 PANHAN DLE (Lesley Selander) co-scr , co-prod , actor (Lloyd Bacon) co-scr , co-dial 1933 COLLEGE COACH (William A. Wellman) co-scr 1934 BABBITT (William Keighley) THE 1949 STAMPEDE (Lesley Selander) co-scr , co-prod 1952 MAN WITH Two FACES (Archie Mayo) co-scr HE WAS HER MAN (Lloyd Bacon ) co-scr THE BIG SHAKEDOWN (John SOUND OFF (Richard Quine) co-scr 1953 ALL ASHORE (Ric h- Francis Dillon) co-scr 1935 THREE KIDS AND A QUEEN (Edward Ludwig) co-scr [uncredited] LADY TUBBS (Alan ard Quine) co-story , co-scr CRUISIN ' DOWN THE RIVER (Rich- Crosland) co-scr [uncredited] 1938 IN OLD CHICAGO ( Henry King) from his story We the O 'Leary 's 1939 OFF THE RECORD ard Quine) co-scr 1954 DRIVE A CROOKED ROAD ( Richard (James Flood) co-scr ANGELS WASH THEIR FACES ( Ray Enright) co-scr 1940 THE WESTERNER (Wi lliam Wyler) co-scr Quine) scr 1955 BRING YOUR SMILE ALONG (Blake Edwards) 1941 BELLE STARR (Irving Cummings) story 1946 THE POSTMAN ALWAYS RINGS TWICE (Tay Garnett) co-scr TILL co-story, scr My SISTER EILEEN (Richard Quine) co-scr THE END OF TIME (Edward Dmytryk) from his novel That Dream of Home 1947 DUEL IN THE SUN (King Vidor) from 1956 HE LAUGHED LAST (Blake Edwards) co-story, scr 1957 his novel. Moss ROSE (Gregory Ratoff) scr PURSUED (Raoul Walsh) story, scr 1950 THE FURIES (Anthony Mann) from MISTER CORY (Blake Ed wards) scr OPERATION MAD BALL his novel. THE CAPTURE (John Sturges) scr, prod . from his novel 1951 D)STANT DRUMS (Raoul Walsh ) story 1953 THE ( Richard Quine) co-ser 1958 THIS HAPP Y FEELING (Blake MAN FROM THE ALAMO (Budd Boetticher) co-scr THE MOON- LIGHTER (Roy Rowland) story, scr 1955 THE TREASURE OF Edward s) scr 1962 THE COUCH (Owe n Crump) co-story PAN CHO VILLA (George Sherman) scr. THE NOTORIOUS LANDLADY ( Richard Quine) co-scr 1963 RAYMOND CHANDLER (1888-1959) SOLDIER IN THE RA IN ( Ralph Nelson) scr 1964 THE PIN K 1942 TIME TO KILL (Herbert I. Leeds) from his novel. THE FALCON TAKES OVER (Irving Reis ) from his novel , Farewell PANTHER (Blake Edward s) co-story, co-scr A SHOT IN THE My Lovely 1944 DOUBLE INDEMNITY (Billy Wilder) co-scr AND Now TOMORROW (Irving Pichel) co-scr 1945 THE UN- DAR K (Blake Ed wards) co-scr , prod 1965 THE GREAT RACE SEEN (Lewis Allen) co-scr MURDER My SWEET (Edward Dmy- (Blake Edwards) co-sto ry 1966 WHAT DID You Do IN THE tryk) from his novel , Farewell My Lovely 1946 THE BIG SLEEP (Howard Hawks) from his novel. THE BLUE DAHLIA WAR , DADDY? (Blake Edwards) co-story , prod 1967 GUNN (George Marshall) story, scr 1947 LADY IN THE LAKE (Robert Montgomery) from his novel. THE BRASHER DOUBLOON (John (Blake Edwards) co-ser , co-prod 1968 THE PARTY (Blake Brahm) from his nove l, The High Window 1951 STRANGERS ON A TRAIN (Alfred Hitchcock) co-scr 1969 MARLOWE (Paul Edwards) story, co-scr , prod 1970 DARLING liLi (Blake Bogart) from his novel , The Little Sister. Ed wards) co-story , co-scr , prod . JULIUS J. EPSTEIN (1909- ) 1935 LIVING ON VELVET (Frank Borzage) co-story, co-scr IN CALIENTE (Lloyd Ba con) co-scr BROADWA Y GONDOLIER ( Lloyd Bacon ) co-ser LITTLE BIG SHOT (Michae l Curtiz) co-scr I liVE FOR LOVE (Busby Berkeley) co-story, co-scr STARS OVER BROADWA Y (Wil liam Keighley) co-scr 1936 SONS O 'GUNS (Lloyd Bacon ) co-scr 1937 CONFESSION (Joe May) co-ser 1938 SECRETS OF AN ACTRESS (Wi lliam Keigh- ley) co-ser FOUR DAUGHTERS (Mic hael Curtiz) co-scr 1939 DAUGHTERS COURAGEOUS (Michael Curtiz) co-ser \" FOUR WIVES (Michael Curtiz) co-scr ''':' 1940 SATURDAY 'S CHIL- DREN (Vincent Sherman) co-ser ':' No TIME FOR COMEDY (William Keighley) co-scr \" 1941 STRAWBERRY BLONDE (Raoul Walsh) co-scr \" THE BRIDE CAME C.O .D. (Wi lliam Keighley) co-scr \" THE MAN WHO CAME TO DINNER (William Keighley) co-scr \" 1942 THE MALE ANIMAL (Elliott Nugent) co-ser '''' CASABLANCA ( Michael Curtiz) co-scr \" ':' 1944 MR. SKEFFINGTON ( Vincent Sherman) co-prod , co-scr ':' ARSENIC AND OLD LACE (Frank Capra) co-scr \" 1948 ROMANCE ON THE HIGH SEAS (Mic hael Curtiz) co-scr \" 1949 CHICKEN EVER Y SUNDAY (George Seaton) from his and Philip G . Epste in 's stage adaptation of the novel by Rosemary Taylor My FOOLISH HEART (Mark Robson ) co-ser \" 1950 BORN YESTERDAY (George Cukor) co-scr \" [uncredited] 1951 TAKE CARE OF My liTTLE GIRL (Jean Negulesco) co-ser ':' FILM COMMENT 103

1953 FOREVER FEMALE (Irving Rappe r) co-scr * 1954 THE Welles) co-scr [uncredited] 1948 THE TREASU RE OF THE LAST TIME I SAW PARIS (Richard Brooks) co-scr 1955 SIERRA MADRE ( John Huston) scr, actor KEY LARGO (John YOUNG AT HEART (Gordo n Douglas) co-scr THE TENDER TRAP Hu ston) co-scr 1949 WE WERE STRANGERS ( John Husto n) (Charles Walters) scr 1957 KIss THEM FOR ME (Stan ley co-scr 1950 THE ASPHALT JUNGLE (Jo hn Huston) co-scr Donen) scr 1958 THE BROTHERS KARAMAZOV ( Richard 1951 THE RED BADGE OF COURAG E (John H usto n) scr 1952 Brooks) co-adapt \" 1959 TAKE A GIANT STEP ( Philip Lea- THE AFRICAN QUEEN (Jo hn Huston) co-scr 1953 MOULIN cock) prod , co-scr 1960 TALL STOR Y (Joshua Logan ) scr ROUGE (Jo hn Hu ston) co-scr 1954 BEAT THE DE VIL (John 1961 FANN Y (Joshua Logan ) scr 1962 THE LIGHT IN THE Hu ston ) co -sc r 1956 MOBY DI CK (John Huston ) co-s cr 1957 PIAZZA (G uy Green) scr 1964 SEND ME No FLOWERS ( Nor- HEAV EN KNOWS , MR. ALLISON (John Huston) co-scr 1964 man Jewison) scr 1965 RETURN FROM THE ASHES (J . Lee THE NIGHT OF THE IGUANA (Joh n Huston) co-scr 1967 CASINO Thompson ) scr 1966 AN Y WEDNESDAY (Robert Ellis Miller) ROYA LE (John Huston & 4 others) co-scr [un cre dited] , prod , scr. actor 1970 THE KREMLIN LETTER ( John Huston) co-scr. ':'4 & 5 reel documentaries for the U.S . Signal Corps \" co-scr with Philip G. Epstein THE AFRICAN QUEEN . Katharine Hepburn . ':' \" co-scr with Ph ilip G . Epstein and another writer NUNNALLY JOHNSON W. C. FIELDS (1897- ) (1879-1946) 1933 A BEDTIME STORY ( Norman Taurog ) co-adapt 1934 1934 THE OLD-FASHIONED WAY ( William Beaudine) story ':' HOUSE OF ROTHSCHILD (Alfred Werker) scr BULLDOG DRUM- IT'S A GIFT ( Norman McLeod) co-story':' 1935 THE MAN ON MOND STRIKES BACK ( Roy Del Ruth ) scr 1935 THE MAN WHO THE FLYING TR AP EZE (Clyde Bruckman) co-story ':' 1939 You BROKE THE BANK AT MONTE CARLO (Stephen Roberts) scr, CAN 'T CHEATAN HONEST MAN (George Marshall) story ':' 1940 prod CARDINAL RI CH ELIEU ( Rowland V. Lee) 1936 THE My LITTLE C HI CKAD EE (Eddie Cline) co-story , co-scr THE PRI SO NER OF SHARK ISLAND (John Ford) scr THE ROAD TO BANK DI CK (Eddie Cline) story ':\":', scr ':\":' 1941 NEVER GIVE GLORY (Howard Hawks) 1937 CAFE METROPOLE (Ed ward A SUCKER AN EVEN BREAK (Eddie Cline) story ':\"\"'. Griffith) prod SLAVE SHIP ( Tay Garnett) assoc prod 1939 JESSE JAMES (Henry King) story, scr, assoc prod ROSE OF \" Under his pseudonym Charles Bogle WASHINGTON S~UARE (Gregory Ratoff) scr, prod 1940 THE \"':' under his pseudonym Mahatma Kane Jeeves GRAPES OF WRATH ( John Ford) sc r, assoc prod CHAD HANNA ,,,:' \" under his pseudonym Otis Criblecoblis ( Henry King) scr, assoc prod 1941 TOBAC CO ROAD ( John Ford) scr 1942 RO XIE HART ( William Wellman ) scr, prod FRANCES GOODRICH & ALBERT HACKETT THE PIED PIPER ( Irvi ng Pi c hel ) scr, prod 1943 THE MOON ( ) & (1900- ) IS DOWN (Irving Pichel) scr, prod 1944 THE WOMAN IN THE WINDOW ( Fritz Lang ) scr , prod CASANOVA BROWN (Sa m 1931 UP PoPs THE DEVIL (Edward Sutherland) from their Wood) scr, prod KEYS OF THE KINGDOM ( John M. Stahl) play 1933 THE SECRET OF MADAME BLAN CH E (C harles Brabin) co-scr 1945 ALONG CAME JONES (Stuart Heisler) scr 1946 adapt PENTH OUS E (W. S. Van Dyke) adapt 1934 FUGITIVE THE DARK MIRROR ( Robert Siodmak) scr, prod 1949 LO VE RS ( Richard Boleslawski ) co-scr ':' THE THIN MAN ( W . EVER YBOD Y DOES IT (Edmund Goulding) scr, prod 1950 S . Van Dyke) scr HIDE-OUT ( W . S. Van Dyke) scr 1935 THREE CAME HOME (Jea n Negulesco) scr, prod THE NAUGHTY MARIETTA ( W . S. Van Dyke) co-scr AH , WILDERNESS! GUNFIGHTER ( Henry King) prod THE MUD LARK ( Jean Negule- (Clarence Brown ) scr 1936 ROSE MARIE (w. S. Van Dyke) sco ) scr, prod 1952 PHONE CALL FROM A STRANGER ( Jean co-scr AFTER THE THIN MAN (W . S . Van Dyke) scr 1937 THE FIREFLY ( Robert Z . Leonard ) co-scr 1938 THAN KS FOR --~THE GRAPES OF WRATH . Henry Fonda, Russell Simpson and THE MEMORY (George Archainbaud ) remake of UP POPS THE DEVIL 1939 SOCIETY LAWYER (Edward L . Martin) co-scr Frank Darien. ANOTHER THIN MAN (W . S. Van Dyke) scr 1944 LAD Y IN THE DAR K (Mitche ll Leisen) scr THE HITLER GANG (Joh n Farrow) scr 1946 THE VIRGINIAN (Stuart Gilmore) scr IT'S A WON DERFUL LIFE (Frank Capra) co-scr 1948 THE PIRATE ( Vincente Minnelli) scr SUMMER HOLIDA Y ( Rouben Mamou- lian) scr, remake of AH , WILDERNESS! EASTER PARADE (Charles Walters) story, co-scr 1950 FATHER OF THE BR ID E ( Mic hael Curtiz) scr 1951 FATHER 'S LITTLE DIVIDEND (Vin- cente Minnelli) sc r Too YOUNG TO KISS (Robert Z. Leonard) scr 1953 GIVE A GIRL A BREAK (Stanley Donen) scr 1954 THE LONG LONG TRAILER (Vi ncente Minnelli ) scr SEVEN BRIDES FOR SEVEN BROTHERS ( Stanley Donen) co-scr 1956 GABY (Curtis Bernhardt) co-scr 1958 .A CERTAIN SMILE (Jean Negulesco) scr 1959 THE DIAR Y OF ANNE FRANK (George Stevens) scr, from their play. ':\" 'co-scr \" means they wrote the screenplay with another writer JOHN HUSTON (1906- ) 1932 A HOUSE DIVIDED ( William Wyler) dial LAw AND ORDER (Edward L . Cahn) co-scr , co-dial MURDERS IN THE RUE MORGUE ( Robert Florey) dial 1938 THE AMAZING DOCTOR CLiTTERHOUSE (Anatole Litvak) co-scr 1939 JUAREZ (Wil- liam Dieterle) co-scr 1940 DR . EHRLI CH'S MAGIC BULLET ( William Dieterle) co-scr 1941 SERGEANT YO RK (Howard Hawks) co-scr HIGH SIERRA ( Raoul Walsh ) co-scr THE MALTESE FALCON (Jo hn Huston) scr 1942 IN THIS OUR LIFE (John Huston ) co-scr 1943 REPORT FR OM THE ALEUTIANS ( John Huston) scr, narrator, co-photography ':' 1944 THE BATTLE OF SAN PIETRO ( John Huston) scr, narrator, co- photog raphy ':' 1945 LET THERE BE LIGHT ( John Huston) scr, co- photograph y, editor \" 1946 THREE STRANGERS ( Jean Negulesco) co-sto ry, co-scr THE STRANGER (Orson KEY : directo rs in paren theses; \" co- \" means the credit is shared; abbreviations are: adapt/ adaptation ; dial l dialog ue; prod I prod uced ; scrI screenplay. 104 WINTER 1970-71

Negulesco) scr, prod WE 'RE NOT MARRIED (Edmund Gould- Hawks) scr 1955 KISMET ( Vincente Minnelli) co-story, co-scr ing) scr, prod My COUSIN RACHEL (Henry Koster) scr, prod 1956 GAB Y (Curtis Bernhardt) co-scr 1957 THE SPIRIT OF 1953 How TO MARRY A MILLIONAIRE (Jean Negulesco) scr, ST. LOUIS ( Billy Wilder) adapt TIP ON A DEAD JOCKE Y( Richard prod 1954 NIGHT PEOPLE (Nunnally Johnson) scr , prod Thorpe) scr 1959 NEVER STEAL AN YTHING SMALL (Charles BLACK WIDOW (Nunnally Johnson) scr, prod 1955 How TO Lederer) story, scr IT STARTED WITH A KIS S (George Mar- BE VER Y, VERY POPULAR (Nunnally Johnson ) scr, prod 1956 shall) scr 1960 CAN-CAN (Walter Lang ) c o-scr OCEAN 'S THE MAN IN THE GRAY FLANNEL SUIT (Nunnally Johnson) scr ELEVEN ( Lewis Milestone) co-scr 1962 FOLLOW THAT DREAM 1957 THE TRUE STORY OF JESSE JAMES (Nicholas Ray) re- (Gordon Douglas) scr MUTIN Y ON THE BO UNTY (Lewis Mile- make of JESSE JAMES , story THE THREE FACES OF EVE stone) scr 1964 A GLOBAL AFFAIR (Jack Arnold) co-scr. (Nunnally Johnson) scr , prod 1959 THE MAN WHO UNDER- STOOD WOMEN (Nunnally Johnson) scr, prod 1960 THE ':' co-story or co-scr with Ben Hecht ANGEL WORE RED (Nunnally Johnson) scr FLAMING STAR (Don ':' \" with Ben Hecht and another writer Siegel) co-scr 1962 MR . HOBBS TAKES A VACATION (Henry Koster ) scr 1963 TAKE HER , SHE ' S MINE (Henry Koster) SONYA LEVIEN scr 1964 THE WORLD OF HENRY ORIENT (George Roy Hill) (1895- ) co-scr 1967 THE DIRTY DOZEN (Robert Aldrich ) co-scr . GARSON KANIN (1912- ) 1945 THE TRUE GLORY (Garson Kanin , Carol Reed) co- compilation 1948 A DOUBLE LIFE (George Cukor) co-story ':', co-scr ':' 1949 ADAM 'S RIB (George Cukor) co-story ':', co- scr':' 1950 BORN YESTERDAY (George Cukor) from his play 1952 THE MARRYING KIND (George Cukor) co-story ':', co- scr \" PAT AND MIKE (George Cukor) co-story ':', co-scr ':' 1954 IT SHOULD HAPPEN TO You (George Cukor) story, scr 1960 THE RAT RACE (Robert Mulligan) story, scr 1969 WHERE IT'S AT (Garson Kanin ) story, scr SOME KIND OF A NUT (Gar- son Kanin) story, scr. \" with Ruth Gordon DRUMS ALONG BURT KENNEDY THE MOHAWK. (1923- ) 1956 SEVEN MEN FROM No w (Budd Boe tticher) story , scr Henry Fonda. GUN THE MAN DO WN (Andre w V. Mc Laglen ) scr MAN IN THE 1919 WHO WILL MARRY ME ( Paul Powell) story 1922 FIR ST VAULT (Andrew V. McLaglen) scr 1957 THE TALL T (Budd LO VE ( Maurice Campbell ) story THE Top OF NE W YOR K Boetticher) scr 1958 FORT DOBBS (Gordon Douglas) co-scr ( William D. Taylor) story PINK GODS ( Pensh yn Stanla ws) 1959 RIDE LONESOME (Budd Boetticher) scr YELLOWSTONE co-scr 1923 THE SNOW BRIDE (Henry Kolker) co-story, scr KELLY (Gordon Douglas) scr 1960 COMANCHE STATION (Budd THE EXCITERS ( Maurice Campbell) co-scr 1925 SALOME OF Boetticher) scr 1961 THE CANADIANS (Burt Kennedy) scr THE TENEMENTS ( Sidney Olcott) 1926 CHRISTINE OF THE BIG 1962 SIX BLACK HORSES (Harry Keller) scr 1964 MAIL ORDER Tops (Archie Mayo) THE LO VE Toy (Erie C Kenton ) scr BRIDE (Burt Kennedy) scr 1967 WELCOME TO HARD TIMES WH Y GIRLS Go BACK HOME (James Flood) 1927 THE PRIN- (Burt Kennedy) scr 1969 YOUNG BILLY YOUNG (Burt Ken- CESS FROM HOBO KEN (Allan Dal e) HEART THIEF ( N. O . Chri - nedy) scr. sander) HARP IN HOCK ( Renaud Hoffman) 1928 A SHIP COMES IN ( Wm . K . Howard) co-scr POWER OF THE PRESS HARRY KLEINER ( Frank Capra) co-scr 1929 YOUNGER GENERATION (Frank Capra) scr TRIAL MARRI AGE (Erie C . Kenton) story, scr (1916- ) BEHIND THAT CURTAIN (Irving Cummings) co-scr [uncredited] LUCK Y STAR ( Frank Borzage) scr THE Y HAD TO SEE PARIS 1946 FALLEN ANGEL (Otto Preminger) scr 1948 STREET WITH (Frank Borzage) scr SOUTH SEA ROSE (Allan Dwan) scr FROZEN JUSTICE (Allan Dwan) scr 1930 SONG 0 ' My HEART NO NAME (William Keighley) story, scr 1952 RED SKIES OF (Frank Borzage) co-scr LlGHTNIN ' (Henry King ) co-scr ':', co-dial ':' So THIS IS LONDON (John Blystone) co-scr [uncred- MONTANA (Joseph M . Newman) scr 1953 SALOME ( William ited] LlLlOM (Frank Borzage) co-scr ':' 1931 THE BRAT (John Ford) co-scr ':', co-dial ':\":' SURRENDER ( William K. Howard) Dieterle) scr 1954 MISS SADIE THOMPSON (Curtis Bernhardt) c o-dial ':', co-SCr':' DELICIOUS ( David Butler) co-scr DADDY LONG LEGS ( Alfred Santell) scr, c o-dial ':' 1932 SHE WANTED scr 1955 CARMEN JONES (Otto Preminger) scr THE VIOLENT A MILLIONAIRE (John Blystone) story AFTER TOMORROW ( Frank Borzage) scr , dial REBECCA OF SUNNYBROOK FARM MEN ( Rudolph Mate) scr THE HOUSE OF BAMBOO ( Samuel (Alfred Santell ) co-scr':', co-dial ':' TESS OF THE STORM COUNTRY (Alfred Santell) co-scr \" ':' 1933 STATE FAIR (Henry Fuller) scr 1957 THE GARMENT JUNGLE ( R. Aldrich , Vincent King) co-scr CAVALCADE ( Frank Lloyd ) co-adapt WARRIOR 'S HUSBAND (Walter Lang ) c o-adapt BERKELE Y SQUARE (Frank Sherman) scr, prod 1959 CRY TOUGH ( Paul Stanley) scr , Lloyd) co-adapt MR . SKITCH (James Cruze) c o-adapt, co-dial 1934 As HUSBANDS Go ( Hamilton MacFadden) co-sc r':' prod 1960 ICE PALACE (Vincent Sherman) scr 1961 FEVER CHANGE OF HEART (John G. Blystone) c o-scr THE WHITE PARADE ( Irving Cummings) co-scr 1935 HERE 'S TO ROMANCE IN THE BLOOD (Vincent Sherman) co-scr 1966 FANTASTIC (Alfred E. Green) co-story NAVY WIFE (Allan Dwan) scr 1936 THE COUNTRY DOCTOR ( Henry King ) scr REUNION (Nor- VOYAGE (Richard Fleischer) scr 1968 BULLITT (Peter Yates) man Taurog) co-scr 1938 IN OLD CHICAGO (Henry King ) co-scr KIDNAPPED (Alfred Werker) co-scr FOUR MEN AND co-scr. A PRAYER (John Ford) co-scr THE COWBO Y AND THE LADY (H . C . Potter) co-scr ':' 1939 DRUMS ALONG THE MOHA WK CHARLES LEDERER (John Ford) co-scr THE HUNCHBAC K OF NOTRE DAME ( William Dieterle) co-scr 1941 ZIEGFELD GIRL (Robert Z . Leonard ) (1906- ) co-scr 1943 THE AMAZING MRS . HOLLIDA Y (Bru c e Manning) 1931 FRONT PAGE (Lewis Milestone) co-dial 1932 COCK story 1945 THE VALLE Y OF DECISION ( Tay Garnett) co-s cr OF THE AIR (Tom Buckingham) dial , co-story, co-scr 1933 RHAPSOD Y IN BLUE (Irving Rappe r) story STATE FAIR ( Walter TOPAZE (Harry D'Abbadie D 'Arrast) co-scr [uncredited] Lang) remake , from her co-scr 1946 THE GREEN YEARS ( Victor Saville) c o-scr 1947 CASS TIMBERLANE (George 1937 DOUBLE OR NOTHING (J . Theodore Reed) co-scr Sidney) co-adapt 1948 THREE DARING DAUGHTER S ( Fred MOUNTAIN MUSIC (Robert Florey) co-scr 1939 BROADWAY M . Wilcox) co-scr 1951 THE GREAT CARUSO ( Richard SERENADE (Robert Z. Leonard) scr WITHIN THE LAw (Gustav Machaty) scr 1940 HIS GIRL FRIDAY (Howard Hawks) scr COMRADE X (King Vidor) co-scr I LOVE You AGAIN ( W. S. Van Dyke) co-scr 1941 LOVE CRAZY (Jack Conway) co-scr 1943 SLIGHTLY DANGEROUS (Wesley Ruggles) scr THE YOUNGEST PROFESSION (Edward Buzzell) co-scr 1947 KISS OF DEATH (Henry Hathaway) co-scr \" RIDE THE PINK HORSE (Robert Montgomery) co-scr ':' HER HUSBAND ' S AFFAIRS (S . Sylvan Simon) co-story \" , co-scr ':' 1949 I WAS A MALE WAR BRIDE (Howard Hawks) co-scr RED , HOT AND BLUE ( John Farrow) story 1950 WABASH AVENUE (Henry Koster) co-scr 1951 THE THING (Christian Nyby) scr 1952 FEARLESS FAGAN (Stanley Donen) scr MONKE Y BUSINESS (Howard Hawks) co-scr *\" 1953 GENTLEMEN PREFER BLONDES (Howard FILM COMMENT 105

Thorpe) co-scrt Quo VADIS? (Mervyn LeRoy) co-scr *'\" 1952 A WONDERFUL WORLD (W. S. Van Dyke) co-story 1941 THE MERRY WIDOW (Curtis Bernhardt) co-scrt 1954 THE CITIZEN KANE (Orson Welles) co-scr RISE AND SHINE (Allan STUDENT PRINCE (Richard Thorpe) co-scrt 1955 HIT THE Dwan) scr 1942 THE PRIDE OF THE YANK EES (Sa m Wood) DECK (Roy Rowland) co-scrt INTERRUPTED MELODY (Curtis co-scr STAND BY FOR ACTION ( Robert Z. Leonard) co-scr Bernhardt) co-story, co-scrt OKLAHOMA! (Fred Zinnemann) 1943 THE GOOD FELLOWS (Jo Graham) from his and George co-scrt 1956 BHOWANI JUNCTION (George Cukor) co-scr S. Kaufman 's play 1944 CHRISTMAS HOLIDA Y ( Robert Siod- 1957 JEANNE EAGELS (George Sidney) co-scr 1960 PEPE mak) scr 1945 THE ENCHANTED COITAGE (John Cromwell) (George Sidney) story 1962 STATE FAIR (Jose Ferrer) re- co-scr THE SPANISH MAIN ( Frank Borzage) co-scr 1949 A make, from her co-scr. WOMAN 'S SECRET ( Nicholas Ray) scr 1952 THE PRIDE OF ST. LOUIS (Harmon Jones) scr . * co-scr or co-dial with S. N. Behrman \"\"'co-sc r or co-dial with S. N. Behrman and others JOSEPH L. MANKIEWICZ (1908- ) tco-scr with William Ludwig 1929 THE DUMMY (Robert Milton) titles CLOSE HARMONY CHARLES MacARTHUR (John Cromwell) titles THE STUDIO MURDER MYSTERY (Frank (1895-1956) Tuttle ) titles THE MAN I LOVE (William A . Wellman) titles THUNDERBOLT (Josef Von Sternberg) titles THE MYSTERIOUS 1930 THE GIRL SAID No (Sam Wood) dial BILLY THE KID (King DR . Fu MANCHU (Rowland V. Lee) titles THE SATURDAY NIGHT Vidor) co-dial WAY FOR A SAILOR (Sam Wood) co-scr , co-dial KID (Edward Sutherland) co-dial [uncredited] FAST COMPANY 1931 PAID (Sam Wood) co-scr , dial THE FRONT PAGE (Lewis (Edward Sutherland) dial 1930 SLIGHTLY SCARLET (Louis Milestone) from his and Ben Hecht's play . THE UNHOLY Gasnier, Edwin H. Knopf) co-scr , co-dial PARAMOUNT ON GARDEN (George Fitzmaurice) co-story ', co-scr \", co-dial \" PARADE (Edward Sutherland and others) co-scr [uncredited , THE SIN OF MADELON CLAUDET (Edgar Selwyn) scr, dial THE for Jack Oakie sequence] THE SOCIAL liON (Edward Suther- NEW ADVENTURES OF GET RICH QUICK WALLINGFORD (Sam land) co-scr , dial SAP FROM SYRACUSE (Edward Sutherland) Wood) scr, dial 1932 RASPUTIN AND THE EMPRESS (Richard co-scr [uncredited] ONLY SAPS WORK (Cyril Gardner, Edwin Boleslawski) story, scr 1934 THE TWENTIETH CENTURY H. Knopf) co-scr THE GANG BUSTER (Edward Sutherland) (Howard Hawks) co-scr '~ from his , Ben Hecht's and Charles dial 1931 FINN AND HAITIE (Norman Taurog , Norman Z . Milholland 's play . CRIME WITHOUT PASSION (Ben Hecht, McLeod) dial JUNE MOON (Edward Sutherland) co-scr , co- Charles MacArthur) co-scr \" 1935 ONCE IN A BLUE MOON dial SKIPPY (Norman Taurog) co-scr DUDE RANCH (Frank (Ben Hecht, Charles MacArthur) co-story*, co-scr\", co- Tuttle) co-scr [uncredited] FORBIDDEN ADVENTURE (Norman prod \" THE SCOUNDREL (Ben Hecht, Charles MacArthur) Taurog) co-scr TOUCHDOWN (Norman Z . McLeod) co-scr co-story *, co-scr \", co-prod \" BARBARY COAST (Howard [uncredited] SOOKY (Norman Taurog) co-scr 1932 THIS Hawks) co-adapt * 1936 SOAK THE RICH (Ben Hecht, Charles RECKLESS AGE (Frank Tuttle) scr SKY BRIDE (Stephen Rob- MacArthur) co-scr \", co-prod *, from his and Ben Hecht's erts) co-scr MILLION DOLLAR LEGS (Edward Cline) story, play 1939 GUNGA DIN (George Stevens) co-scr \" WUTHERING co-scr IF I HAD A MILLION ( Norman Z. McLeod and others) HEIGHTS (William Wyler) co-scr \" 1940 HIs GIRL FRIDAY co-scr [for Jack Oakie sequence] 1933 DIPLOMANIACS (Howard Hawks) from The Front Page . I TAKE THIS ' WOMAN (William A. Seiter) story, co-scr EMERGENCY CALL (Edward (W S. Van Dyke) story 1947 THE SENATOR WAS INDISCREET Cahn) co-scr Too MUCH HARMONY (Edward Sutherland) (George S. Kaufman) scr 1948 LULU BELLE (Leslie Fenton) scr ALICE IN WONDERLAND (Norman Z . McLeod) scr 1934 co-scr MANHAITAN MELODRAMA (W. S. Van Dyke) co-scr OUR DAILY BREAD (King Vidor) dial FORSAKING ALL OTHERS (W S. Van \"' with Ben Hecht Dyke) scr 1935 I liVE My liFE (W S. Van Dyke) scr [Mankiewicz contributed to but did not sign the screenplays HERMAN J, MANKIEWICZ of the films he produced for MGM : 1936 THREE (1897-1953) GODFATHERS (Richard Boleslawski) FURY (Fritz Lang) THE GORGEOUS Hussy (Clarence Brown) LOVE ON THE RUN (W. 1926 STRANDED IN PARIS ( Herbert Rosson ) scr 1927 FASH- S. Van Dyke) 1937 THE BRIDE WORE RED (Dorothy Arzner) IONS FOR WOMEN (Dorothy Arzner) scr 1928 AVALANCHE DOUBLE WEDDING (Richard Thorpe) MANNEQUIN (Frank Bor- (Otto Brower) co-scr, titles ABlE'S IRISH ROSE (Victor Flem- zage) 1938 THREE COMRADES (Frank Borzage) THE SHINING ing) co-titles GENTLEMEN PREFER BLONDES (Mal St . Clair) HOUR (Frank Borzage) A CHRIST-MAS CAROL (Edwin L. Marin) co-titles SOMETHING ALWAYS HAPPENS (Frank Tuttle) titles 1939 THE ADVENTURES OF HUCKLEBERRY FINN (Richard NIGHT OF MYS TERY (Lothar Mendes) titles HIs TIGER LADY Thorpe) 1940 STRANGE CARGO (Frank Borzage) THE PHIL- (Hobart Henley) titles DRAG NET (Josef von Sternberg) titles ADELPHIA STORY (George Cukor) 1941 THE WILD MAN OF BIG KILLING (Richard Jones) titles THE MAGNIFICENT FLIRT BORNEO (Robert B. Sinclair) THE FEMININE TOUCH (W. S. (Harry D'Arrast) titles WATER HOLE (F. Richard Jones) titles Van Dyke) 1942 WOMAN OF THE YEAR (George Stevens) MATING CALL (James Cruze) titles TAKE ME HOME (Marshall CAIRO (W. S. Van Dyke) REUNION (Jules Dassin)] 1944 Neilan) titles THE BARKER (George Fitzmaurice) titles THREE THE KEYS TO THE KINGDOM (John M. Stahl) prod , co-scr WEEK ENDS (Clarence Badger) co-titles 1929 THE CANARY 1946 DRAGONWYCK (Joseph L. Mankiewicz) scr 1947 MURDER CASE (Mal St. Clair) titles MARQUIS PREFERRED SOMEWHERE IN THE NIGHT (Joseph L. Mankiewicz) co-scr (Frank Tuttle) titles MIGHTY (John Cromwell) titles LOVE 1949 A LEITER TO THREE WIVES (Joseph L. Mankiewicz) DOCTOR (Melville Brown) titles THE DUMM Y (Robert Milton) scr, dial THUNDERBOLT (Joseph von Sternberg) dial THE MAN ALICE IN WONDERLAND . Charlott Henry. I LOVE (William Wellman) story, dial 1930 MEN ARE liKE THAT (Frank Tuttle) co-scr , d ial THE VAGABOND KING ( Ludwig Berger) scr, dial SLIGHTLY SCARLET (Louis Gasnier, Edwin H. Knopf) co-scr , co-dial LADIES LOVE BRUTES (Rowland V. Lee) co-scr, co-dial HONEY (Wesley Ruggles) scr, dial THE ROYAL FAMILY OF BROADWAY (George Cukor, Cyril Gar- diner) co-scr TRUE TO THE NAVY (Frank Tuttle) dial LOVE AMONG THE MILLIONAIRES (Frank Tuttle) dial 1931 LADIES MAN (Lothar Mendes) scr , dial MAN OF THE WORLD (Richard Wallace) story and scr 1932 DANCERS IN THE DARK (David Burton) co-scr GIRL CRAZY (William A. Seiter) co-scr , co-dial LOST SQUADRON (George Archainbaud) co-dial 1933 MEET THE BARON (Walter Lang) co-story DINNER AT EIGHT (George Cukor) co-scr ANOTHER LANGUAGE (Edward H. Griffith) co- scr 1934 THE SHOW-OFF (Charles F. Reisner) scr STAMBOUL QUEST (Sam Wood) scr 1935 AFTER OFFICE HOURS (Robert Z . Leonard) scr ESCAPADE (Robert Z . Leonard) scr 1937 JOHN MEADE 'S WOMAN (Richard Wallace) co-scr My DEAR MISS ALDRICH (George B . Seitz) story and scr 1939 IT'S KEY: directors in parentheses; \" co-\" means the credit is shared; abbreviations are: adapt/adaptation ; dial / dialogue; prod / produced ; scr / screenplay. 106 WINTER 1970-71

scr 1950 No WAY OUT (Joseph L . Mankiewicz) co-scr ALL scr PARTNERS AGAIN-POTASH AND PERLMUTTER (Henry King) ABOUT EVE (Joseph L . Mankiewicz) scr 1951 PEOPLE WILL scr PARIS AT MIDNIGHT (Mason Hopper) scr, prod THE TALK (Joseph L . Mankiewicz) scr 1953 JULIUS CAESAR SON OF THE SHEIK (George Fitzmaurice) co-scr THE SCARLET (Joseph L . Mankiewicz) scr 1945 THE BAREFOOT CONTESSA LETTER (Victor Seastrom) scr THE WINNING OF BARBARA (Joseph L. Mankiewicz) scr 1955 GUYS AND DOLLS (Joseph WORTH (Henry King) scr 1927 THE RED MILL (William L . Mankiewicz) scr 1957 THE QUIET AMERICAN (Joseph Goodrich) scr THE CALLAHANS AND THE MURPHYS (George L. Mankiewicz) scr 1963 CLEOPATRA (Joseph L. Mankie- W . Hill) scr MADAME POMPADOUR (Herbert Wilco x) scr LOVE wicz) co-scr 1967 THE HONEY POT (Joseph L. Mankiewicz) (Edmund Goulding) scr 1928 BRINGING UP FATHER (Jack scr. Conway) scr THE COSSACKS (George W . Hill) scr EXCESS BAGGAGE (James Cruze) scr THE WIND (Victor Seastrom) FRANCES MARION scr THE AWAKENING (Victor Fleming) from her story. THE (1890- ) MASKS OF THE DEVIL (Victor Seastrom) scr 1929 THEIR OWN DESIRE (Mason Hopper & James Forbes) scr 1930 ANNA 1915 A DAUGHTER OF THE SEA (Charles Seay) from her story, CHRISTIE (Clarence Brown) scr THE ROGUE SONG (Lionel Fisher-Girl. CAMILLE (Albert Capellani) scr 1916 THE Barrymore) co-scr THE BIG HOUSE (George W . Hill) story, FOUNDLING (John B. O'Brien) story, scr THE YELLOW PASS- scr, dial LET Us BE GAY (Robert Z . Leonard) scr GOOD NEWS PORT (Edwin August) co-scr THEN I'LL COME BACK TO You (Nick Grinde & Edward J . MacGregor) scr MIN & BILL (George Irving) scr THE SOCIAL HIGHWAYMAN (Edwin August) (George W . Hill) co-scr 1931 THE SECRET SIX (George W . scr THE FEAST OF LIFE (Albert Capellani) story, scr TANGLED Hill) story, scr THE CHAMP (King Vidor) story, scr 1932 FATES (Travers Vale) scr THE BATTLE OF HEARTS (Oscar C . EMMA (Clarence Brown) story BLONDIE OF THE FOLLIES (Ed- Apfel)from her story, The Iron Man. LA VIE DE BOHEME (Albert mund Goulding) story CYNARA (King Vidor) co-scr 1933 Capellani) scr THE CRUCIAL TEST (John Ince & Robert SECRETS (Frank Borzage) scr PEG 0 My HEART (Robert Z . Thornby) story, scr A WOMAN 'S WAY (Barry O ' Neil) scr THE Leonard) adaptation DINNER AT EIGHT (George Cukor) co- SUMMER GIRL (Edwin August) scr FRIDAY , THE 13TH (Emile scr THE PRIZEFIGHTER AND THE LADY (W. S . Van Dyke) story Chautard) scr THE REVOLT (Barry O ' Neil) scr THE HIDDEN GOING HOLLYWOOD (Raoul Walsh) story 1935 RIFFRAFF SCAR (Barry O 'Neil) scr THE GILDED CAGE (Harley Knoles) (Walter Ruben) story, co-scr 1937 CAMILLE (George Cukor) scr BOUGHT AND PAID FOR (Harley Knoles) scr ALL MAN (Emile co-scr LOVE FROM A STRANGER (Rowland V. Lee) scr KNIGHT Chautard) scr THE RISE OF SUSAN (S. E. V. Taylor) story, WITHOUT ARMOUR (Jaques Feyder) adapt 1940 GREEN HELL scr ON DANGEROUS GROUND (Robert Thornby) scr 1917 (James Whale) story, scr 1945 MOLLY AND ME (Lewis Seiler) A WOMAN ALONE (Harry Davenport) scr TILLIE WAKES UP story 1953 THE CLOWN (Robert Z. Leonard) story. (Harry Davenport) scr THE HUNGRY HEART (Emile Chautard) scr A SQUARE DEAL (Harley Knoles) scr A GIRL'S FOLLEY STELLA DALLAS. Ronald Colman and (Maurice Tourneur) co-story , co-scr THE WEB OF DESIRE Lois Moran. (Emile Chautard) scr A POOR LITTLE RICH GIRL (Maurice Tourneur) scr As MAN MADE HER (George Archainbaud) EDWIN JUSTUS MAYER scr THE SOCIAL LEPER (Harley Knoles) scr FORGET-ME-NOT (1896- ) (Emile Chautard) story, scr DARKEST RUSSIA (Travers Vale) scr THE CRIMSON DOVE (Romaine Fielding) story, scr THE 1928 BLUE DANUBE (Paul Sloane) co-titles MIDNIGHT STOLEN PARADISE (Harley Knoles) story, scr THE DIVORCE MADNESS (F. Harmon Weight) titles DEVIL DANCER (Fred Niblo) co-titles LOVE MART (George Fitzmaurice) titles WHIP GAME (Travers Vale) scr THE BELOVED ADVENTURESS (Wm . WOMAN (Joseph C. Boyler) titles MANMADE WOMAN (Paul A . Brady & George Cowl ) story, scr THE AMAZONS (Joseph L. Stein) titles 1929 THE DIVINE LADY (Frank Lloyd) titles Kaufman) scr REBE CCII OF SUNNYBROOK FARM (Marshall NED MCCOBB 'S DAUGHTER (William J . Cowen) titles SAL OF Neilan) scr A LITTLE PRINCESS (Marshall Neilan) scr 1918 SINGAPORE (Howard Higgin) titles UNHOLY NIGHT (Lionel STELLA MARIS ( M a rshall Neilan) scr AMARILLY OF CLOTHES- Barrymore) co-scr LOVES OF CASANOVA (Alexandre Volkoff LINE ALLEY (Marshall Neilan) scr M 'LlSS (Marshall Neilan) and Rudolf Klein-Rogge) titles 1930 IN GAY MADRID (Robert scr How COULD YOU , JEAN? (Wm . D. Taylor) scr THE CITY Z. Leonard) co-scr , co-dial ROMANCE (Clarence Brown) OF DIM FACES (George H . Melford) story, scr JOHANNA EN- co-scr, co-dial REDEMPTION (Fred Niblo) dial NOT SO DUMB LISTS (Wm . D. Taylor) scr HE COMES UP SMILING (Allan Dwan) (King Vidor) dial LADY OF SCANDAL (Sidney Franklin) co-dial scr THE TEMPLE OF DUSK (James Young) story, scr THE GOAT OUR BLUSHING BRIDES (Harry Beaumont) co-dial 1931 (Donald Crisp) story, scr 1919 CAPTAIN KIDD , JR . (Wm . NEVER THE TWAIN SHALL MEET (W. S. Van Dyke) scr, dial D. Taylor) scr THE MISLEADING WIDOW (John S. Robertson) PHANTOM OF PARIS (John S . Robertson) co-dial 1932 scr ANNE OF GREEN GABLES (Wm. D . Taylor) scr A REGULAR MERRILY WE Go TO HELL (Dorothy Arzner) scr, dial WILD GIRL (James Young) story, scr 1920 THE CINEMA MURDER GIRL (Raoul Walsh) co-scr, co-dial 1933 TONIGHT IS OURS (George D. Baker) scr POLLYANNA (Paul Powell) scr Hu- (Stuart Walker) scr , dial 1934 I AM SUZANNE (Rowland V . MORESQUE (Frank Borzage) scrTHE FLAPPER (Alan Crosland) Lee) co-scr AFFAIRS OF CELLINI (Gregory La Cava) from his story, scr THE RESTLESS SEX (Robert Z. Leonard & Leo D play, The Firebrand. THIRTY-DAY PRINCESS (Marion Gering) Usseau) scr THE WORLD AND HIS WIFE (Robert G. Vignola) co-scr HERE IS My HEART (Frank Tuttle) co-scr 1935 So scr 1921 THE LOVE LIGHT (Frances Marion) story, scr RED THE ROSE (King Vidor) co-scr PETER IBBETSON (Henry STRAIGHT IS THE WAY (Robert G. Vignola) scr 1922 JUST Hathaway) co-scr 1936 GIVE Us THIS NIGHT (Alexander AROUND THE CORNER (Frances Marion) scr BACK PAY (Frank Hall) co-scr DESIRE (Frank Borzage) co-scr 'TIL WE MEET Borzage) scr THE PRIMITIVE LOVER (Sidney A . Franklin) scr AGAIN (Robert Florey) co-scr 1938 THE BUCCANEER (Cecil SONNY (Henry King) scr EAST IS WEST (Sidney A. Franklin) B . DeMille) co-scr 1939 EXILE EXPRESS (Otis Garrett) story scr THE ETERNAL FLAME (Frank Lloyd) scr THE TOLL OF THE MIDNIGHT (Mitchell Leisen) co-story RIO (John Brahm) co- SEA (Chester M. Franklin) story , scr 1923 THE VOICE FROM scr 1941 UNDERGROUND (Vincent Sherman) co-auth THEY THE MINARET (Frank Lloyd) scr THE FAMOUS MRS. FAIR (Fred MET IN BOMBAY (Clarence Brown) co-scr 1942 To BE OR Niblo) scr THE NTH COMMANDMENT (Frank Borzage) scr NOT To BE (Ernst Lubitsch) scr 1945 A ROYAL SCANDAL WITHIN THE LAw (Frank Lloyd) scr THE LOVE PIKER (Mason Hopper) scr POTASH AND PERLMUTTER (Clarence G. Badger) scr THE FRENCH DOLL (Robert Z. Leonard) scr 1924 THE SONG OF LOVE (Chester M. Franklin & Frances Marion) scr THROUGH THE DARK (George W . Hill) scr ABRAHAM LINCOLN (Philip Rosen) story, scr SECRETS (Frank Borzage) scr CYTHEREA (George Fitzmaurice) scr TARNISH (George Fitz- maurice) scr IN HOLLYWOOD WITH POTASH AND PERLMUTTER (Alfred E . Green) scr SUNDOWN (Laurence Trimble & Harry O . Hoyt) co-scr 1925 A THIEF IN PARADISE (George Fitz- maurice) scr THE LADY (Frank Borzage) scr THE FLAMING FORTIES (Tom Forman) scr HIS SUPREME MOMENT (George Fitzmaurice) scr ZANDER THE GREAT (George W. Hill) scr lIGHTNIN ' (John Ford) scr GRAUSTARK (Dimitri Buchowetzki) scr THE DARK ANGEL (George Fitzmaurice) scr LAZY BONES (Frank Borzage) scr THANK You (John Ford) scr SIMON , THE JESTER (George H. Melford) scr, prod STELLA DALLAS (Henry King) scr 1926 THE FIRST YEAR (Frank Borzage) FILM COMMENT 107

(Otto Preminger) scr MASQUERADE IN MEXICO (Mitchell Lei- SILVER CORD (John Cromwell ) adapt DOUBLE HARNESS (John sen) co-auth 1958 THE BUCCANEER (Anthony Quinn) remake Cromwell ) adapt ANN VICKERS (John Cromwell) adapt AFTER of THE BUCCANEER 1938. TONIGHT (George Archaimbaud) story, adapt 1934 CRIME DOCTOR (John S. Robertson ) scr SPITFIRE (John Cromwell) SETON I. MILLER co-scr THIS MAN IS MINE (John Cromwell ) scr THE LIFE OF (1902- ) VERGIE WINTERS (Alfred Sante\" ) scr THE FOUNTAIN (John Cromwell) co-scr ROMANCE IN MANHATTAN (Stephen Rob- 1926 BROWN OF HARVARD (Jack Conway) 1927 PAID TO erts) co-scr LITTLE MINISTER (Richard Wallace) co-scr 1935 LOVE (Howard Hawks) co-scr 1928 GIRL IN EVERY PORT ROBERTA (William A. Seiter) co-scr ALICE ADAMS (George (Howard Hawks) scr FAZIL (Howard Hawks) co-scr AIR Stevens) co-scr 1936 COME AND GET IT (Howard Hawks, CIRCUS (Howard Hawks) co-scr 1930 THE DAWN PATROL William Wyler) co-scr THAT GIRL FROM PARIS (Leigh Jason) (Howard Hawks) co-scr, co-dial 1931 CRIMINAL CODE story 1937 I'LL TAKE ROMANCE ( Edward H. Griffith) co-scr (Howard Hawks) co-scr 1932 SCARFACE (Howard Hawks) 1938 THE SHINING HOUR (Frank Borzage) co-scr 1939 co-scr, co-dial THE CROWD ROARS (Howard Hawks) co-scr STAND UP AND FIGHT (W . S. Van Dyke II ) co-scr THE WOMEN IF I HAD A MILLION (7 directors) co-scr 1933 EAGLE AND (George Cukor) co-scr 1940 PRIDE AND PREJUDICE (Robert THE HAWK (Stuart Walker) co-adapt 1934 MARIE GALLANT Z. Leonard) co-scr 1941 ANDY HARDY 'S PRIVATE SECRETAR Y (Henry King) co-scr [uncredited] 1935 THE G-MEN (William (George B. Seitz) co-scr SMILlN ' THROUGH (Frank Borzage) Keighley) story, scr FRISCO KID (Lloyd Bacon) co-story, from her play 1944 DRAGON SEED (Jack Conway) co-scr. co-scr 1937 KID GALAHAD (Michael Curtiz) scr 1938 THE ADVENTURES OF ROBIN HOOD (William Keighley and Michael FRANK S. NUGENT Curtiz) co-story, co-scr PENITENTIARY (John Brahm) co-scr (1908-1965) THE DAWN PATROL (Edmund Goulding) co-scr 1940 CASTLE ON THE HUDSON (Anatole Litvak) co-scr THE SEA HAWK 1948 FORT APACHE (John Ford) scr THREE GODFATHERS (Michael Curtiz) co-scr 1941 HERE COMES MR. JORDAN (John Ford) co-scr 1949 TULSA (Stuart Heisler) co-scr SHE (Alexander Hall) co-scr 1942 THE BLACK SWAN (Henry WORE A YELLOW RIBBON (John Ford) co-scr 1950 WAGON- King) co-scr My GAL SAL (Irving Cummings) co-scr 1950 MASTER (John Ford) co-story, co-scr Two FLAGS WEST CONVICTED (Henry Levin) co-scr 1953 THE MISSISSIPPI (Robert Wise) co-story, co-scr 1952 THE QUIET MAN (John GAMBLER (Rudolph Mate) story, scr 1954 THE SHANGHAI Ford) scr 1953 ANGEL FACE (Otto Preminger) co-scr 1954 STORY (Frank Lloyd) co-scr 1957 ISTANBUL (Joseph Pev- THE PARATROOPER (Terence Young ) TROUBLE IN THE GLEN ney) story, co-scr. - (Herbert Wilcox) 1955 MISTER ROBERTS (John Ford , Mervyn LeRoy) co-scr THE TALL MEN (Raoul Walsh) co-scr 1956 THE SEARCHERS (John Ford) scr 1957 THE RISING OF THE MOON (John Ford) scr 1958 GUNMAN 'S WALK ( Phil Karlson) scr THE LAST HURRAH (John Ford) scr 1961 Two RODE TOGETHER (John Ford) scr 1963 DONOVAN 'S REEF (John Ford) co-scr 1966 INCIDENT AT PHANTDM HILL (Earl Bellamy) scr. HERE COMES PAUL OSBORN MR . JORDAN. , (1901- ) Benny Rubin and 1933 SHOULD LADIES BEHAVE (Harry Beaumont) from his Robert Montgomery. play, The Vinegar Tree 1938 THE YOUNG IN HEART (Richard Wallace) co-scr 1939 ON BORROWED TIME (Sidney Franklin) JANE MURFIN from his play 1943 MADAME CURIE (Mervyn LeRoy) co- (1893-1955) adapt CRY HAVOC (Richard Thorpe) adapt 1947 THE YEAR- LING (Clarence Brown) 'scr 1948 HOMECOMING (Mervyn 1917 DAYBREAK (Albert Capellani) from her and Jane Cowl's LeRoy) 'scr PORTRAIT OF JENNIE (William Dieterle) co-scr play 1919 THE RIGHT TO LIE (Edwin Carewe) scr MARIE , 1952 INVITATION (Gottfried Reingardt) adapt 1955 EAST OF LTD. (Kenneth Webb) scr 1921 THE SILENT CALL (Laurence EDEN (Elia Kazan) scr 1957 SAYONARA (Joshua Logan) scr Trimble) prod , scr 1922 BRAWN OF THE NORTH (Laurence 1958 SOUTH PACIFIC (Joshua Logan) scr 1960 THE WORLD Trimble) prod , scr SMILlN ' THRU (Sidney Franklin) from her OF SUZIE WONG (Richard Quine) from his play. WILD RIVER and Jane Cowl's play 1924 FLAPPER WIVES (Jane Murfin) (Elia Kazan) scr. scr THE LOVE MASTER (Laurence Trimble) prod , scr 1925 WHITE FANG (Laurence Trimble) prod, scr 1926 MADEMOI- ABRAHAM POLONSKY SELLE MODISTE (Robert Z . Leonard) scr THE SAVAGE (Fred (1910- ) Newmeyer) scr MEET THE PRINCE (Joseph Henaberry) scr 1927 NOTORIOUS LADY (King Baggott) scr THE PRINCE OF 1947 GOLDEN EARRINGS (Mitchell Leisen) co-scr * BODY AND HEADWAITERS (John F. Dillon) scr 1928 LILAC TIME (George SOUL (Robert Rossen) story, scr 1948 FORCE OF EVIL (Abra- Fitzmaurice) from her and Jane Cowl's play 1929 HALF ham Polonsky) co-scr 1951 I CAN GET IT FOR You WHOLE- MARRIAGE (William J. Cowan) scr STREET GIRL (Wesley SALE (Michael Gordon) scr 1968 MADIGAN (Donald Siegel) Ruggles) scr SEVEN KEYS TO BALDPATE (Reginald Barker) co-scr 1969 TELL THEM WILLIE Boy IS HERE (Abraham scr 1\"930 DANCE HALL (Melville Brown) co-scr, co-dial Polonsky) scr. RUNAWAY BRIDE (Donald Crisp) scr, dial LAWFUL LARCENY (Lowell Sherman) scr, dial THE PAY OFF (Lowell Sherman) '''' I know there isn 't a single scene or word of mine in it .. . \" scr, dial LEATHERNECKING (Eddie Cline) co-scr 1931 Too -Abraham Polonsky MANY COOKS (William A. Seiter) scr WHITE SHOULDERS (Melville Brown) adapt FRIENDS AND LOVERS (Victor Schert- NORMAN REILLY RAINE zinger) co-scr 1932 WAY BACK HOME (William A Seiter) story, scr, dial YOUNG BRIDE (William A. Seiter) co-dial WHAT 1933 TUGBOAT ANNIE (Mervyn LeRoy) from his novel, dial PRICE HOLLYWOOD? (George Cukor) co-dial SMILlN' THROUGH WHITE WOMAN (Stuart Walker) from his and Frank Butler's (Sidney Franklin) from her play ROCKABYE (George Cukor) play 1936 GOD 'S COUNTRY AND THE WOMAN (William Keigh- co-scr 1933 OUR BETTERS (George Cukor) adapt THE ley) scr 1937 THE LIFE OF EMILE ZOLA (William Dieterle) co-scr THE PERFECT SPECIMEN (Michael Curtiz) co-scr KEY : directors in parentheses; \" co-\" means the credit MOUNTAIN JUSTICE (Michael Curtiz) co-story, co-scr 1938 is shared ; abbreviations are : adapt/adaptation ; dial / THE ADVENTURES OF ROBIN HOOD (Michael Curtiz, William dialogue; prod / produced ; scr/ screenplay. Keighley) co-story, co-scr MEN ARE SUCH FOOLS (Busby Berkeley) co-scr 1939 EACH DAWN I DIE (William Keighley) co-scr THE PRIVATE LIVES OF ELIZABETH AND ESSEX (Michael Curtiz) co-scr 1940 THE FIGHTING 69TH (William Keighley) co-story, co-scr 1942 CAPTAINS OF THE CLOUDS (Michael Curtiz) co-scr EAGLE SQUADRON (Arthur Lubin) scr 1943 WE 'VE NEVER BEEN LICKED (John Rawlins) story, co-scr 1944 LADIES COURAGEOUS (John Rawlins) co-story, co-scr 1945 NOB HILL (Henry Hathaway) co-scr A BELL FOR ADANO (Henry Kinl=j) co-scr CAPTAIN KIDD (Rowland V. Lee) scr 108 WINTER 1970-71

1951 M (Joseph Losey) co-scr 1952 WOMAN OF THE NORTH Murphy) adapt 1934 EIGHT GIRLS IN A BOAT (Richard COUNTRY (Joseph Kane) scr. Wallace) co-scr SHE MADE HER BED ( Ralph Murphy) co-scr HERE COMES THE GROOM ( Edward Sedgwick) co-scr 1935 SAMSON RAPHAELSON McFADDEN 'S FLATS ( Ralph Murphy) co-scr I FOUND STELLA (1896- ) PARRISH ( Mervyn LeRoy) scr CAPTAIN BLO OD ( Michael Cur- tiz) scr 1936 I MARRIED A DOCTOR (Archie Mayo) co-scr 1927 THE JAZZ SINGER (Alan Crosland) from his play 1930 HEARTS DI VIDED (Frank Barzage) co-scr GIVE ME YOU R BOUDOIR DIPLOMAT (Mal St. Clair) co-scr [uncredited) 1931 HEART (Arch ie Mayo) scr STOLEN HOLIDA Y (Michael Curtiz) THE SMILING liEUTENANT (Ernst Lubitsch) co-scr , co-dial scr 1937 CALL IT A DA Y (Arc hie Mayo) scr IT 'S LOVE I'M MAGNIFICENT liE (Berthold Viertel ) scr, co-dial 1932 ONE AFTER (Archie Mayo) scr TOVARICH (Anatole Litvak) scr HOUR WITH You (Ernst Lubitsch) scr BROKEN LULLABY [THE 1938 FOUR 'S A CROWD (Michael Curtiz) co-scr 1939 DAR K MAN I KILLED) (Ernst Lubitsch) co-scr TROUBLE IN PARA- VICTORY (Edmund Goulding) scrYEs , My DARLING DAUGHTER DISE (Ernst Lubitsch) scr 1934 THE MERRY WIDOW (Ernst (William Keighley) scr THE OLD MAID (Edmund Goulding) Lubitsch) co-scr CARAVAN (Erik Charrell) scr SERVANTS' scr 1940 ALL THIS , AND HEAVEN Too (Anatole Litvak) scr ENTRANCE ( Frank Lloyd) scr 1935 LADIES LOVE DANGER (H . 1941 MILLION DOLLAR BAB Y (C urtis Bernhardt) co-scr ONE Bruce Humberstone) co-scr DRESSED TO THRILL (Ha rry FOOT IN HEAVEN (Irving Rapper) scr KINGS Row (Sam Wood) Lachman) scr ACCENT ON YOUTH (Wesley Ruggles) from scr 1942 Now, VO YAG ER ( Irving Rapper) scr 1943 THIS his play 1937 THE LAST OF MRS. CHEYNEY ( Ri chard Boles- Is THE ARM Y (Mi chael Curtiz) co-scr 1944 PASSAGE To lawski ) co-scr ANGEL (Ernst Lubitsch) scr 1940 THE SHOP MARSEILLE (Michae l Curtiz) co-scr DA YS OF GLORY (Jac ques AROUND THE CORNER ( Ernst Lubitsch ) scr 1941 SUSPICION Tourneur) prod , scr THE RACKET MAN ( D. Ross Lederman) (Alfred Hitchcock) scr SKYLARK (Mark Sand rich) from his story, co-scr 1945 THE CORN Is GREEN ( Irving Rapper) scr novel and play 1943 HEAVEN CAN .WAIT (Ernst Lubitsch) SARATOGA TRUNK (Sam Wood ) scr 1947 THE MACOMBER scr 1946 THE PERFECT MARRIAGE (Lewis Allen ) from his AFFAIR (Zoltan Korda) co-scr , co-prod 1949 FATHER WAS play 1947 GREEN DOLPHIN STREET (Victor Saville) scr 1948 A FULLBACK (John M. Stahl) co-scr 1950 UNDER My SKIN THAT LADY IN ERMINE ( Ernst Lubitsch) scr 1949 IN THE GOOD (Jean Negulesco) scr, prod Two FLAGS WEST ( Robert Wise) OLD SUMMERTIME (Robert Z . Leonard) co-scr 1950 MR. co-scr , prod 1952 DIPLOMATIC COURIER ( Henry Hathaway) MUSIC (Richard Haydn) from his play, Accent on Youth co-scr , prod THE SNOWS OF KILIMANJARO (Henry King) scr 1951 BANNERLINE ( Don Weis) from hi s short story, A Ro se 1954 A BULLET Is WAITING (John Farrow) co-scr THE EGYP- Is Not a Ro se 1952 THE JAZZ SINGER (Michae l Curtiz) from TIAN ( Michael Curtiz) co-scr 1956 WHILE THE CITY SLEEPS his play 1953 MAIN STREET TO BROADWAY (Tay Garnett) ( Fritz Lang) scr 1959 THIS EARTH Is MINE (Henry King) scr 1956 HILDA CRANE ( Philip Dunne) from his play 1959 prod , scr. BUT NOT FOR ME ( Walter Lang) from his play Accent on Youth . WALDO SALT (1914- ) ROBERT RISKIN (1897-1955) 1938 THE SHOPWORN ANGEL (H. C . Potter) scr 1941 THE WILD MAN OF BORNEO (Robert B. Sinclair) co-scr TONIGHT 1931 ILLICIT (Archie Mayo) from his and Edith Fitzgerald 's WE RAID CALAIS (John Brahm ) scr 1944 MR . WINKLE play. MANY A SLIP (Vin Moore)from his and Edith Fitzgerald 's GOES TO WAR (Alfred E. Green) co-scr 1948 RACHEL AND play. MEN IN HER liFE (William Beaudine)dial , co-scr MIRACLE THE STRANGER (Norman Foster) scr 1950 THE FLAME AND WOMAN (Frank Capra) from his play, Bless Your Sister. PLATI- THE ARROW (Jacques Tourneur) story, scr 1962 TARAS NUM BLONDE (Frank Capra) dial 1932 THREE WISE GIRLS BULBA (J . Lee Thompson) co-scr 1964 FLIGHT FROM ASHIYA (William Beaudine) dial BIG TIMER (Edward Buzzell ) dial ( Michael Anderson) co-scr WILD AND WONDERFUL (Michael AMERICAN MADNESS (Frank Capra) story, scr, dial NIGHT Anderson) co-scr 1969 MIDNIGHT COWBOY (John Schles- CLUB LADY (Irving Cummings) scr, dial VIRTUE (Edward inger) scr 1971 THE DAY OF THE LOCUST (John Schlesinger) Buzzell) scr SHOPWORN (Nick Grinde) co-dial 1933 ANN scr. CARVER 'S PROFESSION (Edward Buzzell) adapt, from his story, Rules for Wives. LADY FOR A DAY (Frank Capra) adapt CHARLES SCHNEE 1934 IT HAPPENED ONE NIGHT (Frank Capra) scr BROAD- (1916- ) WAY BILL (Frank Capra) scr 1935 CARNIVAL (Walter Lang) scr THE WHOLE TOWN 'S TALKING (John Ford) co-scr 1936 1947 I WALK ALONE (Byron Haskin) scr 1948 THEY liVE MR . DEEDS GOES TO TOWN (Frank Capra) scr 1937 WHEN BY NIGHT [THE TWISTED ROAD) (Nicholas Ray) scr RED RIVER YOU 'RE IN LOVE (Robert Riskin) scr LOST HORIZON (Frank (Howard Hawks) co-scr 1949 SCENE OF THE CRIME ( Roy Capra) scr 1938 You CAN 'T TAKE IT WITH You (Frank Rowland) scr EASY liVING (Jacques Tourneur) scr 1950 Capra) scr 1939 THEY SHALL HAVE MUSIC (Archie Mayo) PAID IN FULL (William Dieterle) co-scr THE NE XT VOICE Yo u associate prod THE REAL GLOR Y (Henry Hathaway) asso- HEAR (William A. Wellman) THE FURIES (Anthony Mann) scr ciate prod 1941 MEET JOHN DOE (Frank Capra) scr 1944 THE RIGHT CROSS (John Sturges) story, scr 1951 BANNERLINE THIN MAN GOES HOME (Richard Thorpe ) story, co-scr 1947 (Don Weis) scr WESTWARD THE WOMEN (William A. Wellman) MAGIC TOWN (William Wellman ) co-story, scr, prod 1950 scr 1952 WHEN IN ROME (C larence Brown) co-scr THE BAD MISTER 880 (Edmund Goulding) scr RIDING HIGH (Frank AND THE BEAUTIFUL (Vincente Minnelli) scr 1953 TORCH Capra) remake of Broadway Bill, scr 1951 HALF ANGEL SONG (Charles Walters) executive prod JEOPARDY (John (Richard Sale) scr HERE COMES THE GROOM (Frank ~apra) Sturges) executive prod 1955 THE PRODIGAL (Richard from an unpublished story by Riskin and Llam 0 Brien Thorpe) prod TRIAL (Mark Robson) prod 1956 SOMEBODY 1956 You CAN'T RUN AWAY FROM IT (Dick Powell) remake of UP THERE liKES ME (Robert Wise) prod 1957 THE WINGS You Can 't Take It With You ; co-scr 1961 POCKETFUL OF OF EAGLES (John Ford) prod HOUSE OF NUMBERS (Russell MIRACLES (Frank Capra) remake of Lady for a Day. Rouse) prod UNTIL THEY SAIL (Robert Wise) prod 1960 BUTIERFIELD 8 ( Daniel Mann) co-scr THE CROWDED SKY CASEY ROBINSON (Joseph Pevney) scr 1962 Two WEEKS IN ANOTHER TOWN (1903- ) (Vincente Minnelli) scr. 1928 BARE KNEES (Erie C. Kenton) titles CHORUS KID (How- R. C. SHERRIFF ard Bretherton) titles HAWK 'S NEST ( Benjamin Christenson) (1896- ) titles TURN BACK THE HOURS (Howard Bretherton) titles UNITED STATES SMITH (Jose ph Henabe rry) titles MAD HOUR 1930 JOURNE Y'S END (James Whale) from his play 1931 (Joseph C. Boyle) co-titles WATERFRONT (William A. Seiter) DIE ANDERE SEITE (Heinz Paule) remake of JOURNEY 'S END co-titles Do YOUR DuTY (Wi lliam Beaudine) co-titles COM- 1932 THE OLD DARK HOUSE (James Whale) dial 1933 PANIONATE MARRIAGE (Eri e C. Ke nton) titles THE PRIVATE INVISIBLE MAN (Ja mes Whale) adapt 1934 ONE MORE RIVER liFE OF HELEN OF TRO Y (Ale xander Korda) co-titles HEAD (James Whale) scr 1937 THE ROAD BACK (James Whale) OF THE FAMILY (Joseph C. Boyle) titles OUT OF THE RUINS co-scr 1939 FOUR FEATHERS ( Zoltan Korda) co-scr (John F. Dillon) titles 1929 TIMES SQUARE (Joseph Boyle) GOODBYE, MR. CHIPS (Sam Wood) co-scr 1941 THAT HAMIL- titles 1931 LAST PARADE (E rie C. Kenton) story 1932 LU CKY TON WOMAN (Alexander Korda) co-scr 1942 THIS ABOVE DEVILS (Ralph Ince) co-story Is My FACE RED? (William A . ALL (Anatole Litvak) scr STAND BY FOR THE ACTION (Robert Seiter) scr 1933 STRICTLY PERSONAL ( Ralph Murphy) co-dial Z . Leonard) co-adapt 1943 FOREVER AND A DAY ( Rene Clair , I LOVE THAT MAN (Harry Joe Brown) co-dial SONG OF THE Victor Saville , Herbert Wilco x, Edmund Goulding , Frank EAGLE ( Ralph Murphy) co-adapt GOLDEN HAR VEST ( Ralph Lloyd, Cedric Hardwicke, Robert Stevenson) co-scr 1947 FILM COMMENT 109

ODD MAN OUT (Carol Reed) co-scr 1949 QUARTET ( Ralph di a l ATTORNEY FOR DEFEN SE ( Irvi ng C umm ing s) scr , dial HOLLYWO OD SPEAKS (Eddi e Buzze ll co-sc r, co-dial WAR Smart, Arthur Crabtree, Harold French , Ken Annakin) co-scr CORRESPONDENT ( Paul Slo a ne) sc r , d ial WASHI NGTON MERR Y-GO-R OUND ( Ja mes C ruze) scr, d ia l MAN AGAINST 1950 TRIO (Harold French , Ken Annakin) co-scr 1951 No WOMAN ( Irvi ng C umm ing s) scr 1933 THE CIR CUS QUEEN MURDER ( Roy William Neill) adapt BELOW THE SEA (AI Rogell) HIGHWAY IN THE SKY ( Henry Koster) co-scr 1953 HOME AT story, adapt, dial THE WOMAN I STOLE ( Irving Cummings) adapt As THE DEVIL COMMANDS ( Roy W illiam Neill) adapt SEVEN (Ralph Richardson) 1955 THE NIGHT My NUMBER THE WRECKER (Albert Rogell ) adapt, d ial EAST OF FIFTH AVENUE (AI Rogell ) adapt MAN 'S CA STLE (Frank Borzage) CAME UP (Leslie Norman) scr THE DAM BUSTERS (Michael adapt 1934 No GREATER GLOR Y (Frank Borzage) scr ONCE TO EVERY WOMAN ( Lambert Hillyer) scr 'SISTERS UNDER THE Anderson) scr 1956 STORM OVER THE NILE (loltan Korda SKIN (David Burton) scr THE DEFENSE RESTS ( Lambert Hil- lyer) story, scr LADY BY CHOICE ( David Burton) scr 1935 Terence Young) scr. ' THE WHOLE TOWN'S TALKING (John Ford) co-scr LOVE ME FOREVER (Victor Schertzinger) co-scr 1936 THE MUSIC GOES ROBERT E. SHERWOOD 'ROUND (Victor Schertzinger) scr PENNIES FROM HEAVEN (1896-1955) (Norman l. McLeod) scr 1937 DOUBLE WEDDING (Richard Thorpe) scr 1938 DR . RHYTHM (Frank Tuttle) co-scr I AM 1930 THE ROYAL BED (Lowell Sherman) from his play, The THE LAw (Ale xander Hall) scr 1939 MADE FOR EACH OTHER Queen 's Husband. LE ROI S 'ENNUIE (Leon d 'Usseau & Henri (John Cromwell ) scr THE REAL GLORY (Henry Hathaway) de la Falaise) remake of THE QUEEN'S HUSBAND 1931 c: o-scr 1940 THE WESTERNER (William Wyler) co-scr 1941 WATERLOO BRIDGE (James Whale) from his play 1932 Two b l OOD AND SAND (Rouben Mamoulian) scr NEW YORK TOWN KINDS OF WOMEN (William DeMille) from his play, This Is (Charles Vidor) story, co-scr CONFIRM OR DENY (Archie New York. COCK OF THE AIR (Tom Buckingham) co-story , Mayo) scr 1942 THE PRIDE OF THE YANKEES (Sam Wood) co-scr 1933 ROMAN SCANDALS (Frank Tuttle) co-story RE- co-scr 1943 CRASH DIVE (Archie Mayo) scr A LADY TAKES UNION IN VIENNA (Sidney Franklin) from his play 1935 THE A CHANCE (William A. Seiter) story 1944 LIFEBOAT (Alfred SCARLET PIMPERNEL (Alexander Korda) co-story , co-scr Hitchcock) scr 1945 LEAVE HER TO HEAVEN (John M . Stahl) 1936 THE PETRIFIED FOREST (Archie Mayo) from his play . scr 1946 IT'S A WONDERFUL LIFE (Frank Capra) co-scr THE GHOST GOES WEST (Rene Clair) scr 1937 THUNDER 1953 THUNDER IN THE EAST (Charles Vidor) scr 1955 GUYS IN THE CITY (Marion Gering) co-story, co-scr TOVARICH AND DOLLS (Joseph L. Mankiewicz) from his and Abe Bur- (Anatole Litvak) from his Broadway adaptation of Jacques rows ' musical play 1961 KING OF THE ROARING 20 's-THE Deval's play 1938 THE ADVENTURES OF MARCO POLO (Archie STORY OF ARNOLD ROTHSTEIN (Joseph M. Newman) scr. Mayo) scr 1939 IDIOT'S DELIGHT (Clarence Brown) scr, from his play 1940 OVER THE MOON (Alexander Korda) co-story FRANK TASHLIN REBECCA (Alfred Hitchcock) co-scr ABE LINCOLN IN ILLINOIS (1913- ) (John Cromwell) co-scr , from his play. WATERLOO BRIDGE (Mervyn LeRoy) from his play 1945 ESCAPE IN THE DESERT 1947 VARIETY GIRL (George Marshall) co-story , co-scr 1948 (Edward A . Blatt) from his play, The Petrified Forest 1946 THE FULLER BRUSH MAN (S. Sylvan Simon) co-scr ONE THE BEST YEARS OF OUR LIVES (William Wyler) scr 1947 TOUCH OF VENUS (William A . Seiter) co-scr PALEFACE (Nor- THE BISHOP 'S WIFE (Henry Koster) co-scr 1953 MAN ON man l . McLeod) co-story , co-scr 1949 MISS GRANT TAKES A TIGHTROPE (Elia Kazan) scr MAIN STREET TO BROADWAY RICHMOND (Lloyd Bacon) co-scr LOVE HAPPY (David Miller) (Tay Garnett) story 1955 JUPITER 'S DARLING (George Sid- co-scr 1950 KILL THE UMPIRE (Lloyd Bacon) story, scr THE ney) from his play, Road to Rome 1956 GABY (Curtis GOOD HUMOR MAN (Lloyd Bacon) scr THE FULLER BRUSH Bernhardt) from his play, Waterloo Bridge. GIRL (Lloyd Bacon) story, scr 1952 THE FIRST TIME (Frank Tashlin) co-scr SON OF PALEFACE (Frank Tashlin) co-story , JO SWERLING co-scr 1953 MARRY ME AGAIN (Frank Tashlin) scr 1955 (1894- ) ARTISTS AND MODELS (Frank Tashlin) co-scr 1956 THE LIEUTENANT WORE SKIRTS (Frank Tashlin) co-scr THE SCAR- THE WHOLE TOWN'S LET HOUR (Michael Curtiz) co-story, co-scr 1957 THE GIRL TALKING . Jean Arthur CAN 'T HELP IT (Frank Tashlin) co-story , co-scr WILL SUCCESS SPOIL ROCK HUNTER? (Frank Tashlin) scr 1958 ROCK-A-BYE and Edward G. BABY (Frank Tashlin) scr THE GEISHA Boy (Frank Tashlin) Robinson. scr 1960 CINDERFELLA (Frank Tashlin) scr 1961 BACHELOR FLAT (Frank Tashlin) co-scr 1963 WHO 'S MINDING THE 1929 MELODY LANE (Robert F. Hill) tram his play 1930 THE STORE? (Frank Tashlin) co-story , co-scr 1964 THE DISOR- KIBITZER (Edward Sloman) from his and Edwin G . Robin- DERLY ORDERLY (Frank Tashlin) scr 1967 CAPRICE (Frank son 's play. LADIES OF LEISURE (Frank Capra) scr, dial AROUND Tashlin) co-scr 1968 THE PRIVATE NAVY OF SGT. O'FARRELL THE CORNER (Bert Glennon) story, scr, dial SISTERS (James (Frank Tashlin) scr. Flood) scr, dial LADIES MUST PLAY (Raymond Cannon) dial RAIN OR SHINE (Frank Capra) co-scr , co-dial THE SQUEALER ERNEST VAJDA (Harry Joe Brown) dial HELL' S ISLAND (Edward Sloman) scr, (1887-1954) dial , editor MADONNA OF THE STREETS (John Robertson) scr, dial 1931 LAST PARADE (Erie C. Kenton) scr DIRIGIBLE (Frank 1927 SERENADE (Harry D'Arrast) SERVICE FOR LADIES (Harry Capra) co-scr , dial TEN CENTS A DANCE (Lionel Barrymore) D'Arrast) 1928 NIGHT OF MYSTERY (Lothar Mendes) scr story, scr, dial GOOD BAD GIRL (Roy William Neill) scr, dial HIS TIGER LADY (Hobart Henley) scr 1929 INNOCENTS OF PLATINUM BLONDE (Frank Capra) co-scr MIRACLE WOMAN PARIS (Richard Wallace) dial, co-auth , co-scr \" MARQUIS (Frank Capra) co-scr, dial THE DECEIVER (Louis King) dial PREFERRED (Frank Tuttle) co-scr \" 1930 SUCH MEN ARE 1932 FORBIDDEN (Frank Capra) scr, dial SHOPWORN (Nick DANGEROUS (Kenneth Hawks) scr, dial THE LOVE PARADE Grinde) co-dial LOVE AFFAIR (Thornton Freeland) co-scr , (Ernst Lubitsch) co-scr MONTE CARLO (Ernst Lubitsch) scr dial BEHIND THE MASK (John Francis Dillon) story, co-scr , 1931 SON OF INDIA (Jacques Feyder) scr, co-dial ** THE GUARDSMAN (Sidney Franklin) co-scr *\" , co-dial \"· TONIGHT KEY: directors in parentheses; \" co-\" means the credit OR NEVER (Mervyn Leroy) scr SMILING LIEUTENANT (Ernst is shared; abbreviations are: adapt/adaptation ; dial / Lubitsch) co-scr , co-dial 1932 SMILIN ' THROUGH (Sidney dialogue; prod / produced ; scr / screenplay. Franklin) co-scr BROKEN LULLABY [THE MAN I KILLED) (Ernst Lubitsch) co-scr , co-dial PAYMENT DEFERRED (Lothar Mendes) co-scr ''':' RESERVED FOR LADIES (Alexander Korda) from his play, Service For Ladies 1933 REUNION IN VIENNA (Sidney Franklin) co-scr * * 1934 THE MERRY WIDOW (Ernst Lubitsch) co-scr THE BARRETTS OF WIMPOLE STREET 1936 A WOMAN REBELS (Mark Sandrich) co-scr 1937 PERSONAL PROPERTY (W. S . Van Dyke) co-scr THE GREAT GARRICK (James Whale) scr 1938 MARIE ANTOINETTE (w. S . Van Dyke) co-scr \"\" DRAMATIC SCHOOL (Robert B . Sinclair) co- 110 WINTER 1970-71

THREE BRILLIANT SCREENPLAYS IN BOOK FORM Noonday Original Screenplays Each $2.25 in Noonday paperback. Also available in cloth at $4.95 And don't miss . . . THE MOVIES AS MEDIUM edited by LEWIS JACOBS. 22 top filmmaking experts discuss every aspect of their art. Cloth $8.95; Noonday paper- back $3.65 FARRAR, STRAUS & GIROUX Now at your bookstore ~ FILM COMMENT 111

scr 1940 HE STAYED FOR BREAKFAST (Ale x ander Hall) co-scr (Allan Dwan) story MOON OVER BURMA ( Louis King ) co-scr 1941 THEY DARE NOT LOVE (James Whale) co-scr. 1941 INTERNATIONAL SQUADRON ( Lothar Mendes) from his play and screenplay, CEILING ZERO. DIVE BOMBER (Michael \" co-SCr with Ethel Doherty Curtiz) story, co-scr 1943 DESTROYER (William A . Seiter) \" \"' co-scr or co-dial with Claudine West story, co-sc r 1945 THE Y WERE EXPENDABLE (John Ford) scr 1946 THE HOODLUM SAINT (Norman Taurog) story, scr ANTHONY VEILLER 1947 THE BEGINNING OR THE END (Norman Taurog) scr (1903-1965) BLAZE OF NOON ( John Farrow) co-scr 1957 THE WINGS OF EAGLES ( John Ford) from his life , the biography Wings 1932 BREACH OF PROMISE (Paul Stein) dial 1934 THE No- of Men by him , and his novels, plays and screenplays. TORIOUS SOPHIE LANG ( Ralph Murphy) scr MENACE (Ralph Murphy) co-scr 1935 STAR OF MIDNIGHT ( Stephen Roberts) BILLY WILDER co-scr JALNA (John Cromwell) co-scr SEVEN KEYS To BALD- (1906- ) PATE (William Hamilton , Edward Kelly) co-scr 1936 THE LADY CONSENTS (Stephen Roberts) co-scr THE Ex-MRS . 1929 MENSCHEN AM SONNTAG (Robert Siodmak) co-scr 1930 BRADFORD (Stephen Roberts) scr A WOMAN REBELS (Mark SEITENSPRUNGE ( Stefan Szekely) story 1931 DER FALSCHE Sand rich) co-scr WINTERSET (Alfred Santell) scr 1937 THE EHEMANN ( Johannes Guter) co-scr EMIL UND DIE DETEKTIVE SOLDIER AND THE LADY (George Nichols Jr .) co-scr STAGE (Gerhard Lamprecht) scr IHRE HOHEIT BEFIEHLT (Hanns DOOR (Gregory La Cava) co-scr 1938 RADIO CITY REVELS Schwarz) co-scr DER MANN , DER SEINEN MORDER SUCHT (Ben Stoloff) co-scr 1939 LET Us LIVE (John Brahm) (Robert Siodmak) co-scr 1932 DAS BLAUE VON HIMMEL co-scr DISPUTED PASSAGE (Frank Borzage) co-scr 1942 (Viktor Janson) co-scr EIN BLONDER TRAUM (Paul Martin) HER CARDBOARD LOVER (George Cukor) co-scr [1942-1945 : co-scr Es WAR EINMAL EIN WARZER (Viktor Janson) scr helped write the WHY WE FIGHT series for the Office of War SCAMPOLO , EIN KIND DER STRASSE (Hans Steinhoff) co-scr Information] 1943 ASSIGNMENT IN BRITTANY (Jack Conway) 1933 MADAME WUNSCHT KEINE KINDER (Hans Steinhoff) co-scr 1946 THE KILLERS (Robert Siodmak) scr THE co-scr ADORABLE (William Dieterle) remake of IHRE HOHEIT STRANGER (Orson Welles) scr 1948 STATE OF THE UN ION BEFIEHLT. WAS FRAUEN TRAuMEN (Geza von Bolvary) co-scr (Frank Capra) co-scr 1952 RED PLANET MARS (Harry MAUVAISE GRAINE (Billy Wilder) story 1934 MUSIC ON THE Horner) co-scr , prod MOULIN ROUGE (John Huston) scr 1955 AIR (Joe May) co-scr ONE EXCITING ADVENTURE (Ernst L. THAT LADY (Terence Young) co-scr 1956 SAFARI (Terence Frank) co-story 1935 LOTTER Y LOVER (William Thiele) co-scr Young) scr 1957 MONKEY ON My BACK (Andre de Toth) 1937 CHAMPAGNE WALTZ (Edward Sutherland) co-story co-scr 1959 TIMBUKTU ( Jacques Tourneur) co-scr SOLOMON 1938 BLUEBEARD 'S EIGHTH WIFE (Ernst Lubitsch) co-scr \" AND SHEBA (King Vidor) co-scr 1963 THE LIST OF ADRIAN 1939 WHAT A LIFE (J . Theodore Reed) co-scr MIDNIGHT MESSENGER (John Huston) scr 1964 THE NIGHT OF THE (Mitchell Leisen) co-scr * NINOTCHKA (Ernst Lubitsch) co- IGUANA (John Huston) co-scr . scr *\" 1940 ARISE My LOVE (Mitchell Leisen) co-scr \" RH YTHM ON THE RIVER (Victor Schertzinger) co-story 1941 SALKA STEUERMANN VIERTEL HOLD BACK THE DAWN (Mitchell Leisen) co-scr * BALL OF FIRE (Howard Hawks) co-story, co-scr \" 1942 THE MAJOR AND 1933 QUEEN CHRISTINA (Rouben Mamoulian) co-auth , co-scr THE MINOR (Billy Wilder) co-scr * 1943 FIVE GRAVES TO CAIRO 1934 THE PAINTED VEIL (Richard Boleslawski) co-scr 1935 (Billy Wilder) co-scr* 1944 DOUBLE INDEMNITY (Billy Wilder) ANNA KARENINA (Clarence Brown) co-scr '\" 1937 CONQUEST co-scr 1945 THE LOST WEEKEND (Billy Wilder) co-scr * (Clarence Brown) co-scr \" 1941 TWO-FACED WOMAN 1947 THE EMPEROR WALTZ (Billy Wilder) co-scr * 1948 A (George Cukor) co-scr \" 1959 LES BATELIERS DE LA VOLGA FOREIGN AFFAIR (Billy Wilder) co-scr ':'\" A SONG IS BORN (I BATTELLIERI DEL VOLGA) (Howard Hawks) remake of BALL OF FIRE 1950 SUNSET BOULEVARD (Billy Wilder) co-scr *\" 1951 ACE IN THE HOLE * co-scr with S. N. Behrman and another writer [THE BIG CARNIVAL] (Billy Wilder) co-scr 1953 STALAG 17 (Billy Wilder) co-scr 1954 SABRINA (Billy Wilder) co-scr MAE WEST 1955 THE SEVEN YEAR ITCH (Billy Wilder) co-scr 1957 THE (1893- ) SPIRIT OF ST. LOUIS (Billy Wilder) co-scr LOVE IN THE AFTERNOON (Billy Wilder) co-scrt 1958 WITNESS FOR THE 1933 SHE DONE HIM WRONG (Lowell Sherman) from her PROSECUTION (Billy Wilder) co-scr 1959 SOME LIKE IT HOT play, Diamond Lif. I'M No ANGEL (Wesley Ruggles) co-story (Billy Wilder) co-scrt 1960 THE APARTMENT (Billy Wilder) 1934 BELLE OF THE NINETIES (Leo McCarey) story, scr co-scrt 1961 ONE , Two, THREE (Billy Wilder) co-scrt 1963 1935 GOIN ' TO TOWN (Alexander Hall) scr 1936 KLONDIKE IRMA LA DOUCE (Billy Wilder) co-scrt 1964 KISS ME , STUPID ANNIE (Raoul Walsh) scr, dial , from her play. Go WEST, (Billy Wilder) co-scrt 1966 THE FORTUNE COOKIE (Billy YOUNG MAN (Henry Hathaway) scr 1937 EVERY DAY'S A Wilder) co-scrt 1970 THE PRIVATE LIFE OF SHERLOCK HOLMES HOLIDAY (Edward Sutherland) story, scr 1940 My LITTLE CHICKADEE (Eddie Cline) co-story with Cline, co-scr 1970 (Billy Wilder) co-scrt. MYRA BRECKINRIDGE (Michael Sarne) her own dialogue [uncredited] . *with Charles Brackett \"·with Charles Brackett and another writer (LT. COM.) FRANK WEAD ( -1947) twith I. A. L. Diamond 1929 FLYING FLEET (George Hill) co-story 1931 DIRIGIBLE PHILIP YORDAN (Frank Capra) story SHIPMATES (Harry Pollard) co-scr HELL DIVERS (George Hill) story 1932 AIR MAIL (John Ford) 1942 SYNCOPATION (William Dieterle) co-scr 1943 THE co-story , co-scr , dial ALL AMERICAN (Russell Mack) co-scr , UNKNOWN GUEST (Kurt Neumann) scr 1944 JOHNNY DOESN'T dial 1933 MIDSHIPMAN JACK (Christy Cabanne) co-story, LIVE HERE ANYMORE (Joe May) co-scr 1945 DILLINGER (Max scr dial 1934 FUGITIVE LOVERS (Richard Boleslawski) co- Nosseck) scr 1946 THE CHASE (Arthur Ripley) scr WHISTLE sto'ry I'LL TELL THE WORLD (Edward Sedgwick) co-story STOP (Leonide Moguy) scr 1948 BAD MEN OF TOMBSTONE 1935 WEST POINT OF THE AIR (Richard Rosson) co-scr (Kurt Neumann) scr 1949 HOUSE OF STRANGERS (Joseph MURDER IN THE FLEET (Edward Sedgwick) co-scr STRANDED L. Mankiewicz) scr ANNA LUCASTA ( Irving Rapper) scr 1951 (Frank Borzage) from his and Ferdinand Reyher's novel, DETECTIVE STORY (William Wyler) co-scr 1952 MARU MARU The Lady with a Badge. CEILING ZERO (Howard Hawks) story , (Gordon Douglas) co-story 1953 HOUDINI (George Marshall) scr STORM OVER THE ANDES (Christy Cabanne) co-scr THE scr BLOWING WILD (Hugo Fregonese) story, scr 1954 THE GREAT IMPERSONATION (Alan Crosland) co-scr 1936 CHINA NAKED JUNGLE (Byron Haskin) co-scr JOHNNY GUITAR (Ni- CLIPPER (Ray Enright) story, scr 1937 SEA DEVILS (Ben cholas Ray) scr * BROKEN LANCE (Edward Dmytryk) story Stoloff) co-story SUBMARINE D-1 (Lloyd Bacon ) story, co-scr 1955 CONQUEST OF SPACE (Byron Haskin) co-adapt THE MAN 1938 TEST PILOT (Victor Fleming) story THE CITADEL (King FROM LARAMIE (Anthony Mann) co-scr THE LAST FRONTIER Vidor) co-scr 1939 TAILSPIN (Roy Del Ruth) story, scr 20,000 (Anthony Mann) co-scr 1956 THE HARDER THEY FALL (Mark MEN A YEAR (Alfred E. Green) story 1940 SAILOR 'S LAD Y Robson) scr, prod 1957 FOUR Boys AND A GUN (William Berke) co-scr MEN IN WAR (Anthony Mann) scr GUN GLORY KEY: directors in parentheses; \"co- \" means the credit (Roy Rowland ) from his novel Man of the West. No DOWN PAYMENT(Martin Ritt) scr STREET OF SINNERS (William Berke) is shared ; abbreviations are : adapt/a daptation ; dial / dialogue; prod / produced ; scr/ screenplay. scr 1958 THE BRAVADOS (Henry King) scr GOD'S LITTLE ACRE (Anthony Mann) scr ISLAND WOMEN (William Berke) 112 WINTER 1970-71

praeger film books Antonioni Film Culture Reader Ian Cameron and Robin Wood.Film s and Filming called thi s film·by·film analysis of Antonioni's ca· Edited by P. Adams Sitney. \"Discu ssio n s of the work reer, \" definitive and eminently readable.\" 84.95; Paper, 82.50 and th eo ri es of such innovators in the fi eld of serious Lindsay Anderson motion picture art as Maya Deren, Stanley Brakhage, Elizabeth Sussex. The author di scusses all of Ander· Gregory Markopoulos, Jona s Mekas, John Cassevetes, son's film work including hi s two feature s, This Sport. Shirley Clarke, and others. . ..The book is for initiates ing Li;e and If. $4.95; Paper, 51.95 and serious students of film.making.... I1lustrated .\"- Arthur Penn Publishers' Weekly SI2.50; Paper, 54.95 Fibn Essays a nd a Lecture Robin Wood. The first publi shed book on Penn ex· amines all hi s film s, including Bonnie and Clyde and by Sergei Eisenstein . \"Edited by Jay Leyda with a Alice's Restaurant. S4.95; Paper, 52 .50 hi gh degree of competence and insight, the se articu· The Films of Robert Bresson late and sometimes polemi cal essays deal with theo· reti cal aspects of film makin g, while taking sharp Edited by Ian Cameron . Bresson's style and hi s issue with co nformi sts, opportuni sts and faker s.... film s, including Diary of a Country Priest, are an· 'Mu st' r ea din g for all serious student s of the film alysed by a group of critics with widely divergent at· rraft.\"- Film News S6.95; Paper, $2.95 titudes to hi s work. $4.95; Paper, 52.50 Claude Chabrol Ingmar Bergman Robin Wood and Michael Walker. Thi s book cov· Robin Wood. \"An excellent evaluation.\"- Vincent Canby in Th e New York Tim es S5.95; Paper, 52.95 ers all Chabrol's feature s, concentrating on major works from Les Cousins and Les Bonnes Femmes to The Heavies Les Riches and Le Boucher. S4.95; Paper, $2.50 Rossellini Ian and Elisabeth Cameron. A Hollywood rogues' gallery-more than 80 crooks, brutes, and gangsters. Jose Luis Guarner. The author start s with Ro ssel· \"The photographs are good, the texts are brief enough, Iini's early documentaries and covers hi s recent work and they have that heavy 'buff' aura.\"-New York for televi sion as well as hi s great feature film s. Magazine $4.95; Paper, 52.50 Samuel Fuller 84.95; Paper, S2.50 Dames Phil Hardy. Hardy examines the themati c and styl· Ian and Elisabeth Cameron . Dames assembles so me of Hollywood's most memorable players of dolls, istic continuity of Fuller's work, assessi ng its defects molls, and floozie s. \"Well·documented and thoroughly entertaining.\"-Films and Filming $4.95; Paper, 82.50 as well as its powerful virtues. S4.95 ; Paper, S2.50 Fritz Lang in America Second Wave Peter Bogdanovich. A remarkably frank interview Edited by Ian Cameron. Surveys of post·New Wave book in which Lang di scu sses the problems of work· directors from Brazil, Europe, and Japan, including in g with the big Hollywood studio s. S4.95; Paper, 82.50 Skolimowski, Rocha, and Straub. S4.95; Paper, S2 .50 The Films of .Jean-Luc Godard Edited by Ian Cameron. An international group of critics examines all Godard's films, presenting a wide range of interpretations and evaluations. S5.95; Paper, $2.95 111 Fourth Avenue , New York, N. Y. 10003 FILM COMMENT 113

scr THE FIEND WHO WALKED THE WEST (Gordon Douglas) film thru film ... co-scr ANNA LUCASTA (Arnold Laven) story, scr 1959 DAY OF THE OUTLAW (Andre De Toth) scr 1960 THE BRAMBLE A new kind of film to do a new kind of BUSH (Daniel Petrie) co-scr STUDS LONIGAN (Irvi'ng Lerner) job on a subject that is new to most teach- prod , scr 1961 KING OF KINGS (Nicholas Ray) scr EL CID ers ... Four films that create an essential (Anthony Mann) co-scr 1963 THE DAY OF THE TRIFFIDS base for an entire first course in film for (Steve Sekely) executive prod, scr FIFTY-FIVE DAYS AT High Schools, Colleges and Universities ... PEKING (Nicholas Ray) scr 1964 THE FALL OF THE ROMAN EMPIRE (Anthony Mann) co-scr CIRCUS WORLD (Henry Hath- Written, direefed and produced by Gerald away) co-story 1965 CRACK IN THE WORLD (Andrew Marton) Noxon, Professor of Film, Direefor of Film Stud- prod BATTLE OF THE BULGE (Ken Annakin) prod . ies and Peter Chvany, Instruefor in Film Pro- duction, AFI Fellow, both aefive in teaching and * Yordan is reputed to have signed and sold Ben Mad- research in the Film Department of the School dow's screenplay. of Public Communication, Boston University. WALDEMAR H, YOUNG The first four films of the Series: 1. Eye and Camera - relationship between ( -1938) motion piefure camera and human visual 1919 THE FIRE FLINGERS (Rupert Julian) scr UNPAINTED perception - similarities and differences - limitations and special capabilities of WOMAN (Tod Browning) scr PRETTY SMOOTH (Rollin Stur- the camera in the struefuring of cinema narrative. geon) scr 1920 SUDS (John Francis [Jack] Dillon) scr 16mm, color, optical sound, 10 min., $100. 1923 JAVA HEAD (George Melford) You CAN'T FOOL YOUR 2. Camera and Shot - definition and ter- minology of camera shots - basic metrics WIFE (George Melford) SALOMY JANE (George Melford) 1924 of shot terminology - changing the shot by changing the camera set-up and by DOROTH Y VERNON OF HADDON HALL (Marshall Neilan) POI- the movement of subjeefs relative to the camera. SONED PARADISE (Louis J . Gasnier) 1925 THE GREAT DIVIDE 16mm, color, optical sound, 10 min., $100. (Reginald Barker) THE DIXIE HANDICAP (Reginald Barker) 3. Shot and Scene - basic distinefion be- tween shot and scene as a basic narrative THE UNHOLY THREE (Tod Browning) THE MYSTIC (Tod unit in cinema - control of temporal, in- formational and emotional elements in the Browning) 1926 FLAMING FOREST (Reginald Barker) THE scene as a narrative unit. 16mm, color, optical sound, 10 min., $100. BLACK BIRD (Tod Browning) 1927 THE SHOW (Tod Browning) 4. Fragmenting the scene - how the scene WOMEN LOVE DIAMONDS (Edmund Goulding) THE UNKNOWN is fragmented into various kinds of cam- era shots - relationships between chron- (Tod Browning LONDON AFTER MIDNIGHT (Tod Browning) ological and cinematic time - faefors governing the seleefion of shots - faefors 1928 TIDE OF EMPIRE (Allan Dwan) scr TRAIL OF '98 of time, aefion, information and emotion in fragmenting the scene. (Clarence Brown) co-scr THE BIG CITY (Tod Browning) scr 16mm, color, optical sound, 10 min., $100. SEALED lips (Gustaf Molander) * 1929 WHERE EAST IS EAST And, continuing the Series - For January, 1971 release: (Tod Browning) co-scr BOHEMIAN DANCER (Frederick Zelnik) 5. Who Is the Camera? titles SALLY (John Francis Dillon) dial 1930 LADIES LOVE 6. Parallel Aefion. BRUTES (Rowland V. Lee) co-scr, co-dial GIRL OF THE GOLD- Films are for sale only. EN WEST (John Francis Dillon) scr, dial 1931 CHANCES For preview write to: (Allan Dwan) scr, dial PENROD AND SAM (William Beaudine) ART and NATURE scr , dial COMPROMISED (John Adolfi) scr 1932 THE MIRACLE 21 Maple Ave. Bridgewater, Mass. 02324 MAN (Norman Z . McLeod) scr, co-dial SINNERS IN THE SUN (Alexander Hall) co-scr, co-dial SKY BRIDE (Stephens Rob- erts) story LOVE ME TONIGHT (Rouben Mamoulian) co-scr ISLAND OF LOST SOULS (Erie C. Kenton) co-scr SIGN OF THE CROSS (Cecil B . DeMille) co-scr, co-dial 1933 A BEDTIME STORY (Norman Taurog) co-adapt 1934 MEN IN WHITE (Richard Boleslawski) scr CLEOPATRA (Cecil B . DeMille) co-story, co-scr 1935 LIVES OF A BENGAL LANCER (Henry Hathaway) co-scr THE CRUSADES (Cecil B. DeMille) co-story, co-scr PETER IBBElSON (Hathaway) co-scr 1936 DESIRE (Frank Borzage) co-scr POppy (A . Edward Sutherland) co- scr THE PLAINSMAN (Cecil B. DeMille) co-scr 1938 MAN- PROOF (Richard Thorpe) co-scr TEST PILOT (Victor Fleming) co-scr. 11111111 * Young wrote English titles from Dr. Paul Merzbach's script of FbRSEGLADE LAPPAR THE UNHOLY THREE. Lon Chaney. KEY: directors in parentheses; \" co-\" means the credit is shared ; abbreviations are : adapt/ adaptation ; dial / dialogue; prod / produced ; scr/ screenplay. 114 WINTER 1970-71

film schedules Movies and Society I. C. Jarvie Museum of Modern Art No one has ever written about movies in quite this way. Using published literature and his own The Museum of Modern Art has announced its field work, I. C. Jarvie shows why and how tentative schedule for special film programs: movies have become a potent force in our lives. He answers three key questions: Who makes films continuing to January 10: The Films of Hal Wallis . and why? Who sees films and why? How do we January 11-31: Film Preservation Show. learn about and appraise films? Among the films February 1-14: The Films of Elia Kazan. discussed in depth are John Houston's Red Badge February 15-28: A selection of films from RIA , (the of Courage, Cleopatra, The Graduate, the films Italian National TV Network), including Fellin i' s THE of Cocteau, Welles, and Kurosawa, and the CLOWNS . James Bond genre. $10.00 March 1 through April : The Films of Alan Dwan . Ifbooks Cineprobe presents independent filmmakers and could win the ir new films . There is always a discussion with the filmmaker following the screening. Oscars... December 15: Saul Landau : FIDEL. January 5: The Films of Ian Hugo. Now at your bookstore, or write January 19: The Films of Robert Nelson . February 2: The Films of Ernie Gehr. BASIC BOOKS, Inc. February 16: The Films of Storm de Hirsch . March 2: The Films of Harry Smith . 404 Park Avenue South, N.Y. 10016 March 16: The Films of Peter Kubelka. ~!~$~p!~!J~ne ~~!:I!!~!~g In addition to the special programs , the regular film showings will continue. Confirmation of these Ads Film Comment 100 Walnut Pl ace Brookli ne MA 02146 tentative schedules will appear in the Museum 's Cl assified dead l ine for next issue: 29 January 1971 . monthly calendar ; and all information is posted daily in the Museum lobby, where tickets are avail- books and magazines able for all programs. The Museum of Modern Art is at 11 West 53rd Street, Manhattan . CINFMABILIA - NEW YORK ' S FIlM BOOK CENTER - CINFMABILIA All current and out-of-print titles, periodical s in- Los Angeles County Museum of Art cluding back issues, and numerous related materials and ephemera. New catalog #4 avail abl e Jan 1971 at $1 .50 . The Los Angeles County Museum of Art has an- Inquiries we l come. Ci nemabi l i a 10 Cornelia St(off W4th nounced its tentative schedul e for film showings for Winter 1970-71 . The schedule is : &6th Av) NYC 10014. 212/989 -8519. Open 1- 7 Mon -Sat. December: No sh owings December 13 to 31. FILMMAKERS EVER~~RE read Filmmakers News letter. $5.00 January 8-23: The Films of David Lean . for 11 issues . Send check or MO t o Filmmakers News l etter 80 Woos t er St reet New York NY 10012 Samp l e on r equest. January 29-February 21 : Retrospective of Swedi sh Cinema (in cooperation with the Swedish Film Insti - FIlM COMMENT now avai l able in microfilm. Inquire: univ- tute and the American Fi lm Institute). Jan 29 at 8: 30 , ersity ~licrofilms 300 North Zeeb Road Ann Arbor ~1I 48106 THOMAS GRALL'S BEST FILM (Stiller) and FARO ; DOCU- MENT (Bergman ); Jan 30 at 8:30 , LIKE NIGHT AND DAY film festivals (Cornell ); Jan 31 at 3:00, LOVE AND JOURNALISM (Stiller) and GIRL FROM STORM YC ROFT (Sjostrom ); Feb START DUNKING \"SINKING\"! 2nd Annual Sinking Creek Film 5 at 8:30 , THE YANKEE (Forsberg ) and THE FATHER Cel ebration Shor t Film Competition. $2000 in Awards. (Sjoberg ); Feb 6 at 8:30 . EROTIKON (Stiller); Feb 7 Renta l for entries pr ogr ammed at Celebration April 29- at 3:00 , MISHANDLING (Forsberg ); Feb 12 at 8: 30, OUT May 1, 1971. Students, independents WRITE William S. OF AN OLD MAN 'S HEAD (Dan ielsson ) and THE MYSTE- Russell, Gen. Chm . , Sinking Creek Film Celebration, RIOUS NIGHT OF THE 25TH (Klerker); Feb 13 at 8:30 , Tusculum College, Greeneville TN 37743 (full entry info) A BALTIC TRAGED Y (Bergenstrahle) and PIANO LESSON ; Feb 14 at 3:00 , HARR Y MUNTER (Grede ) and IT'S UP personals TO YOU (Olsson ); Feb 19 at 8:30, JOE HILL (K lider- berg ); Feb 20 at 8: 30, THOMAS GRALL'S BEST CHILD want ed: material on DANNY KAYE, DEAN MARTIN, JERRY (Stiller) and A SWEDI SH LOVE STOR Y (Andersson ); Feb LEWIS. M. Shear, 282 E. 35 St ., Bklyn., N.Y . 11203 21 at 3:00 GIRL WITH HYACINTH S (Ekman ) and THE IMMIGRANTS (Trb ell ). PRIVATE COLLECTION FOR SALE A mo re exact schedule , with last minute changes , l6mm/features &shorts /sound &sil ent /domes tic &for eign is printed in th e museum 's quarterly bull etin. A copy of th e sc hedule and tic ket info rmatio n may be ob- Inquire: Box 364, Jackson Height ~, New York NY 11372 . tained by calling or writing Linda Johnson, Educa- tion Department, Los Ang eles County Museum of Art, 5905 Wiltshire Boulevard , Los Ang eles CA 90036 . 21 3 / 937-4250. extension 265. Tick et offi ce hours are Tuesday-Friday 11 AM -4PM . FILM COMMENT 115

George Axelrod 12 n Balderston 101 Illnll~ John L. Behrman 101 The editorial staff of FILM COMMENT is grateful to S. N. Bennett 101 the persons who helped make this issue possible : Brackett 102 Gary Carey, who contributed a dozen filmographies Charles as well as the two critical articles ; Stephen Farber; Brackett 102 who introduced us to the author of the James Poe to filmographies Charles Brooks 102 interview ; Allen Rivkin of the Writers Guild of Amer- Leigh Brown 89 ica West, who forwarded our questionnaires to the Buchman 102 writers ; Robin Mahler, De Witt Bodeen , and Axel Richard Burnett 102 Madsen, who compiled filmographies used here ; Busch 103 Mary Yushak Corliss, for her editorial suggestions Harry Chandler 103 and scrupulous proofreading. Chase 20 Sidney In compiling filmographies , the editor and his as- Comden & Adolph Green 103 sociates made most use of these publications: Film w.R. Daves 90 Daily Yearbook , 1922-1970 ; Trente Ans du Cinema Dunne 91 Americain (screenwriters section) ; Title Guide to Niven Edwards 103 the Talkies ; Film-Lexicon degli Autori e delle Opere; Epstein 103 Variety (individual reviews) ; and The Motion Pic- Raymond Fields 104 ture News (for film credits in the silent era) . The Foreman 25 Screen Writers Guild has published Who Wrote the Borden Furthman 29 Movie?, which lists writers' screen credits from Goodrich & Albert Hackett 104 1936 to 1969 ; none of our research was based on Betty Hayes 92 this volume. Hecht 37 Delmer Huston 104 The specific contributions of several screenwriters Johnson 104 active in the Silent Era could not be determined ; Philip Kanin 105 thus , the writer's function on these early films is Kennedy105 occasionally omitted. (Publication of the American Blake Kleiner 105 Film Institute's National Film Catalog for movies Koch 93 from 1921 to 1930, which is scheduled to appear Julius J. Krasna 93 this winter, should help fill in the blanks.) Lardner Jr. 49 W. C. Laurents 94 Our sources for the \" uncredited \" citation that ac- companies some writers ' filmographies included : Carl Lederer 105 references in Trente Ans du Cinema Americain ; Lehman 95 articles and books on the producers, directors and Jules Levien 105 actors with whom screenwriters collaborated ; and Loos 34 interviews, articles and books by the writers them- Frances MacArthur 106 selves . Maddow 96 John Michael Mahin 96 Because of the nebulous nature of his work on any Mainwearing 97 given film , no screenwriter's filmography is com - Ben Mankiewicz 106 pletely satisfactory. We believe, however, that the Mankiewicz 106 credits in this issue approximate , more closely than John Marion 107 other research sources, the general contributions Mayer 107 of Hollywood's best screenwriters. Nunnally Miller 108 Murfin 108 With the exception of the Frances Marion and Billy Garson Nichols 62 Wilder filmographies, the articles and research in Nugent 108 this issue of FILM COMMENT have never before Burt Paxton 98 been published. Poe 73 Harry Osborn 108 coming in the spring Polonsky 108 Howard Raine 108 FILM COMMENT Raphaelson 109 Norman Riskin 109 articles on Ozu Robinson 109 Ring Ryskind 98 and Truffaut; Salt 109 Arthur Schnee109 an interview with Sherriff 109 Charles Sherwood 110 Eleanor Perry; Silliphant 99 Ernest Stewart 79 more film favorites Sonya Sturges 84 and book reviews Swerling 110 Anita Tashlin 110 Vajda 110 Charles Veiller 112 Viertel 112 Ben West 112 Wead 112 John Lee Wilder 112 Wilson 100 Daniel Yordan 112 Young 114 Herman J. Zuckerman 100 Joseph L. Frances Edwin Justus Seton I. Jane Dudley Frank S. John James Paul Abraham Norman Reilly Samson Robert Casey Morrie Waldo Charles R. C. Robert E. Stirling Donald Ogden Preston Jo Frank Ernest Anthony Salka Mae Frank Billy Michael Philip Waldemar H. George 116 WINTER 1970-71

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THE ED ••