G-Note Entertainment April 2019 Issue

Southwest Michigan’s Source for Music, Entertainment and Culture Artist Spot Light: Gary Hoey G-Note’s Featured Interview: NEVERWONDER G-Note Interviews: ENCORE: Johnny Winter Guitarist-Paul Nelson FEATURE: GRAMMY Award Nominee -Saxophonist-Boney James Live Performances at the Griswold in Allegan Mi. Country Music Legend Tanya Tucker New Music Alerts From: Tab Benoit on Tour Head Honchos * THE ROYAL * Visions Of Atlantis Rage Of Light * Luke Winslow-King * Jonathon Long Christone ‘Kingfish’ Ingram * The Spear Shakers Issue 21 April 2019

www.g-noteentertainment.biz IN THIS ISSUE • Facebook & Instagram: Featured G-Note Interview @GNoteEntertainmentMagazine Members of Neverwonder…...........……4-8 EDITOR’S SOAP BOX Interviews by G-Note Multi GRAMMY Nominee-Saxophonist April showers brings May flowers and the outdoor festival Boney James………………….………....9-11 season will soon begin. ENCORE: We continue our Spring edition with Los Angeles based NEVERWONDER as this month’s featured artists and cover. GRAMMY Winner and former Johnny Winter Guitarist-Paul Nelson……………. 18-21 This we will continue to feature one our many incredible interviews from past editions (Encore) so our new readers Live Entertainment Events: can enjoy them as well, if you have a favorite interview from Kalamazoo State Theatre Events………12 the past that you would like to see again, just let us know. The Lerner Theatre Events………..….....32 Stories & Songs Series……………...…..…33 As always, we always appreciate you throwing us a thumbs National Record Store Day-Promo..…..37 up and a share and follow us on our Facebook! Keep on continuing to support live entertainment and the Artist Spot Light venues that bring it to you! Cheers, Gary Hoey……………………………..….13-14 Nick & Sam FEATURE: Publisher. Writer. Advertising. Tab Benoit on Tour……………………26-27 Nick Hatzinikolis [email protected] Country Legend: Tanya Tucker……28-29 Editor. Webmaster. Creative Director. Sam McDaniel New Music Alerts & Artist Features [email protected] Rage Of Light……………………………….15 Contributing Writers. Head Honchos…………………………....…16 Angie Jackson THE ROYAL……………………………..…17 Robin Nadolny Visions Of Atlantis……………….….……23 Luke Winslow-King…………………..……29 Disclaimer! Jonathon Long……………………….……..34 G-Note Entertainment Magazine LLC provides a platform for The Spear Shakers………………………..,.35 artists and musicians to promote their work. Because they have Christone ‘ Kingfish’ Ingram……..……..36 a unique way of expressing themselves, it is important for people National Record Store Day Promo..….35 who read this stellar publication to understand you might not always like what you see. Articles may contain sarcasm and In Memoriam:…………………….…24 & 30 adult content. This magazine is intended for mature audiences. Supporting Our Community The Griswold in Allegan Mi …………..23 Stories & Songs : Hosted By Carrie McFerrin………….…33 G-Note Supporters Samurai Phoenix Design Studio On-Purpose Branding Three Chord Bourbon 2|Page @GNoteEntertainmentMagazine www.G-NoteEntertainment.biz

Samurai Phoenix Design Studio Web Design. Graphic Design. Resume Design. Photo Editing. Video Editing. Custom Computer Builds. Website Coming Soon! The Man. The Legend (sort of). The CEO: Sam McDaniel • (269) 362-7950 • [email protected] 3|Page @GNoteEntertainmentMagazine www.G-NoteEntertainment.biz

Interview: NEVERWONDER THE G-NOTE FEATURE INTERVIEW: All the Members Of L.A. Based NEVERWONDER L.A.-based alternative-rock group NEVERWONDER NEVERWONDER came into existence from has been through a lot as a band over the last several their home base of Los Angeles with a unique years with various personnel changes, but one thing sound fusing rock, pop, and funky grooves. was very clear to me during our team interview, they Their music is driven by strong musicianship are just a passionate and loving every opportunity to and is rooted in life’s experiences. The band play together and make meaningful music and they has performed at venues including the House are having a great time doing it! of Blues (Los Angeles and Orange County) The Roxy, Key Club, Viper Room, Whisky A Go Go, Reviewing a recent NEVERWONDER live show in their Galaxy Theater and The The Coach House, and November 2018 issue, longtime national publication has been featured on the KLOS 95.5 show Music Connection writes, \"From the moment the highlighting top unsigned L.A. bands, \"Local band strikes the opening notes and beats to the Licks.\" NEVERWONDER has been a dynamic act opening song, it's clear that this is a talented and in the Rock and Roll Marathon series all over tight hard rock unit. Songs such as \"Spell\" and the the West Coast and Las Vegas. glam fun of \"Movin' On\" have a driving rock vibe that, combined with (lead vocalist) Fabienne Grisel's The pulse and backbone of NEVERWONDER powerful vocals, offer a sound that sits somewhere are Andres Ramos and Vincent Ramos. in the middle of Heart and Fleetwood Mac. The These talented brothers are the heartbeat of rhythm section (Vincent Ramos, bass; Andres Ramos, the band. The Ramos Brothers have also drums) translates to a solid spine for the other two recorded and performed extensively to work from. (Guitarist Jay) Wise has proven to be a through@oGuNtottheeEnLotesr tAaningmeleenstMaraegaa.zine thrilling addition. Neverwonder is building a fan- base, they're having a blast, and they're getting bett4e|rPalal gthee time.\" www.G-NoteEntertainment.biz

Andres and Vincent being fans of strong grooves, heavy With the addition of Fabienne Grisel and Jay Wise, the rock beats and alternative music, accompanied by their band’s creative synergy is an undeniable force to be combination of creativity and entrepreneurship reckoned with. Their obvious chemistry has already established the band, NEVERWONDER. created some powerful songs accompanied by unforgettable performances. NEVERWONDER is excited The new front woman of NEVERWONDER is classically- for the path that lies ahead starting with their new EP trained vocalist, Fabienne Grisel. Hailing from Geneva, which is out now and their next album that is on the Switzerland, Fabienne’s vocal style effortlessly ranges horizon. from beautiful soprano tones to an edgy growl. Fabienne has been a solo pop/blues/jazz recording artist for many NEVERWONDER continues to produce lasting music that years, and now has joined forces with NEVERWONDER to their die-hard music fans will love and for the new music deliver a fresh blend of rock, pop and funky grooves. As a lovers they gain along the way. singer/songwriter, her presence draws you in. The passion and emotions that she conveys through her G-Note- Thank you all for joining me today! For those out songs, lyrics and performances leaves the audience there that have not met you yet, please tell us how the wanting more. This new partnership with these talented band NEVERWONDR came to be. musicians has allowed her vocal abilities to soar to new heights. Vincent- “The vision of NEVERWONDER came from years of playing music, my brother ‘Dre’ and I were playing in a NEVERWONDER’s new guitarist is Jay Wise. Jay is an band before this one, it did what it did, and it went away. accomplished California native who has many years of So, we were talking that we needed to get into another experience playing nationally and internationally. Jay band and do our own thing, we had a vision and wanted to has been involved in the rock and roll circle for many get going, so the name NEVERWONDER came about years, working with successful bands such as because you never wonder what is behind you but what is Kansas. Jays’ rich musical influences can be traced back in front of you because if you always wonder about the to Steve Vai, Joe Pass and AC/DC, to name a few. past, on why this band didn’t work or what happened here with this project or even your relationships, the only thing As fate would have it, it would only be a matter of time promised is today and all you can do is plan for the future, until these SoCal natives Jay, Andres and Vincent, ended plan to be great and that is where we are at.” up crossing paths that lead them to forming this new version of NEVERWONDER. “We want to be kind of funky-cool, groovy with great hooks and a solid rhythm section, through trials and tribulation, we are where we want to be, we added Fabienne and Jay and we couldn’t happier that we are today!” ‘Dre- “I agree! Like Vincent says, the name says it all, never wonder about the past just keep moving forward. The never, woulda, coulda, doesn’t mean so much, just keep looking ahead and just keep rolling! “Regarding the band, yeah, there has been some changes but this current lineup we have (as a band) sounded any better. There was a point especially in the very beginning, that our sound was heavier. It was definitely ‘Rock’ but we have evolved and progressed to a ‘Funkier’ and ‘Groovier’ along with the ‘Rock’ style of music, so I think right now, we have the best of both worlds and again, with the addition of Jay and Fabienne, it’s just incredible, they are easy to work with and are truly professionals!” @GNoteEntertainmentMagazine 5|Page www.G-NoteEntertainment.biz

G-Note- From looking at your videos, that’s one of the first thigs I noticed, yeah, you are working at the business of making music, but it seems like you are all having fun at the same time, Fabienne and Jay, do you agree? Jay- “These guys are total jerks! (Laughing) Fabienne- ‘Yeah, right back atcha! (Laughing) Jay- “Dude, I’m kidding, working with Vin and ‘Dre has been great, when I was looking for a band to work with, I made the decision to join up with these guys because they were a ‘Pro’ band, that was key for me with my experience. I didn’t want to go ‘down’ in level to a cover or garage band, you know? No disrespect to any of those guys but that’s not what I wanted. I couldn’t any happier with the way each one of them approach music.” “Being in the band is great, I get to work with 3 other professionals what come up with great music and still, continue to create great music.” Fabienne- “I too agree with everything that’s been said, I feel like we found each other, I found them, and they found me we kind of fell into this. I have worked with many bands in the past in Europe and when I was a kid, and I felt like that this was supposed to happen.” “Vincent contacted me, and I felt that as we were talking that we had this, ‘connection’ and I was like, ‘wow’ it felt like I was talking to myself with all of the things he was saying about the band and the music and he made me want to pursue this opportunity and I wanted to see where this might go.” “Then, I met the others in the band, and it was very easy for me to want to be a part of this, it really felt like we already knew each other, we didn’t really, but it felt like it and like the others, I couldn’t be any happier, I always say, I inherited 3 brothers!” “We are constantly pushing and encouraging each other to be better and we really do love what we do, and we have fun for sure, but we also have to be serious. It’s a nice balance between the 2 and I think all of that hard work we have been doing is starting to show and pay off, the audiences really seem to like what we are doing and there is no better feeling!” G-Note – So, what is the current music scene in L.A. and how are you fitting in? Fabienne- “There is a lot of Hip- Hop and a lot of Metal out here right now, but straight up Rock & Roll is making a comeback right now. You’re from Michigan correct? How about the band, Great Van Fleet? Those are the kinds of bands that we are starting to see again around the L.A. It’s good to see that style make it back, it’s the music that me and the guys grew up on and we all enjoy it a lot I for one, am very happy to see it, I think that is something that has been missing and missed by the fans of Rock & Roll are ready for the wave.” G-Note- Let’s step back for a minute, you had mentioned that in the ‘early’ days of the band you had a heavier sound, do you still have some of that as an influence in the music you create today? ‘Dre- “The Band is a mash up of all the incarnations and it is what it is, when you have players and you have singers, what it comes down to really is the singer. You can have the best songs ever and if the singer doesn’t perform them well or with the feeling or emotion you need, it’s not going to work. What you need to do is understand the style of the singer and work and develop your songs and style around that.” “NEVERWONDER had always had great singers, if we had a ‘funkier’ kind of singer at the time, that’s what the music was crafted around, same with a full out Rocker. Fabienne bring us a little bit of everything and she does it very well and that gives all of us ‘breathing’ room to write, create, arraign and things are really clicking with all of us and as you can see, we are having a blast with all of it.” G-No6te|-CPoanggreatulations to all your ‘Best EP’ and ‘Bands to Watch’ and Reader Poll awards / nominations out there in L.A. itw’swnwot.Gof-tNeonttehEatnatlelrtthaei nmmemenbte.rbsizof the same band get nominated. @GNot eEnter t ainmen tMagazine

Band- “Thank you, we really have to thank our friend Brian Lush at “Rock Wired.com” magazine, he has been very good to us as has the people that come out to check us out and that continue to support us.” G-Note-I know you play most of your shows out West, any chance you’ll get to the Midwest anytime soon? Vincent- “The short answer is yes, but we have a short term and a long-term plan. We are writing a new album and after that release, we’ll see how that goes, same with the release of singles. We will look at where the territories where it may be ‘hot’. We are currently working on some things, but we really can’t say anything for sure at this time, but we will let you know when we have it locked down.” “Currently we have been on what is called ‘The Rock & Roll Marathon’ series. That entails shows in ‘Frisco, San Diego, Phoenix, Vegas, the Tri-state area. We are using our ‘weapon’ of music to get it out there and see and talk to new bands out there, but the Midwest is next to conquer!” G-Note-Can you talk at all about the fore mentioned album that you are working on? Who does the writing? Jay- “As a band we made a decision, we all come from different areas and musical influences and we can all write songs and share them with the group but what makes the NEVERWONDER songs sound like the NEVERWONDER sound is that we work on them together in a studio.” “That way, we all have our creative aspects or footprint on how we play, how we sing, and it all shows up on a song and in my opinion, it shows up in the flavor of the song, and it kick some ass when it happens that way.” “Right now, we have 4 songs written and we are coming together on another 4 or 5 songs and that’s our plan for the next couple of months in between playing gigs.” Fabienne-“ We do some file sharing back and forth with each other as well as rehersals so when we get ready to record in the studio, we pretty much have the sound that we are looking for down, we just work on the production at that point.” “As Jay mentioned, it really is a wonderful collaboration between everyone, it’s great! We get in a room and start jamming and recording, then we go our separate ways then come back and show each other what we all came up with and we tweak it from there. As the singer, I like the meoody and lyrics, Jay does his thing on the guitar, ‘Dre and Vincent have their parts and we all bring it back and the collaboration happens until we are happy the finished product, everyone has a say in it.” G-Note- I always like to ask this question of song writers, what are the themes or topics that you like to write about for a song? Fabienne- “Jay and I had some some songs written previous to our joining the band, we worked them to make it what it is for sound that is NEVERWONDER. For me, I reallly love the way they changed and the way they sound today.” “Regarding writing the new material, I like to tell stories in songs that touch me, it could be personal, or something going on around me or in the world that I want to talk about, so for me, it depends on what’s happening around me or something that speaks to me at the time, but I will say, there is a whole lot happening in the world and I have a lot of ideas.” Jay -“I like to write about girls and Blues…that pretty much it! (Laughing) Dre- “I think what we all do, we bring something to table, but we all have our processes that we do but I’ll say when we do share over a computer, it’s hard to say, how about more of this, or less of that, can we change this around but there is the free-flow of inputs and ideas and for us, it is working really well but all 4 of us have to be in the room when it’s decision time.” G-Note- Who were some of your musical influences before joining NEVERWONDER? Fabienne- “Being from Europe, I have a lot of different types of music that I grew up on, my father was a t7ru|mPpaegt e player, so@JGazNzoatnedEBnluteerstwaains malwenatyMs aavgaailzaibnle to enjoy, my mom was a huge Elviswawnwd .SGte-vNieotWeEonndterrtfaninbmuteInatl.sboiz

very much enjoy classical music, I studied classical music for many years, I was also into Prince, Pat Benatar, Radio Head, Led Zeppelin with New Wave and British Rock bands, so my influences are very diverse.” Jay- “M. y first album that I owned the ‘Greatest Hits of the Beatles’ that album was huge in influencing my musical tastes. The vocals, the melodies and the song hooks for me were addicting. But I also was really into Kansas, Rush, and bands like that. I was a product of the 80’s and I really liked the ‘Hair Bands’ the 1000 note per whip stuff, then I got into Gospel music and I was into Jazz as well as Queen. I do some teaching in music theory and progressions and I try to bring all of my tool box to the band when we make music.” ‘Dre- “I am sitting here thinking the best album of all time had to be from the ‘Spice Girls’ (All Laughing) Just like everyone else. I like al of the same stuff as they do, I gravitate to drummers, I love to hear an amazing drum solo you know, guys like Neil Peart from Rush, I love me some Bonham from Zeppelin.” “As we got older, Vincent and I grew up listening to Disco, the Funky stuff that makes people bounce to the music. I don’t think we were supposed to like it, but we do, but I was into Gangster Rap and I still like Pearl Jam. I really like listening to the new bands that are out there, and I’ll tell you, I like a lot of the Country music out there these days.” Vincent- “I agree with everything everyone has said, the music I like is the hip, moving and grooving, popping and when we bring all of these influences to the table or recording studio, that’s when the magic happens!” Fabienne- “I have a lot of friends in the music business and I really like the mixture of music out there these days, everything from Folk / Americana to Hip Hop to Metal and straight up Rock & Roll, Pop and EDM is getting big again.” For more information on NEVERWONDER, please go to: www.neverwonder.com Also check them out on Instagram at: www.instagram.com/neverwonderband/ Facebook: www.facebook.com/NEVERWONDER and Twitter: twitter.com/NEVERWONDERBAND 8|Page @GNoteEntertainmentMagazine www.G-NoteEntertainment.biz

Multi-GRAMMY Nominee-Saxophonist: Boney James Interview with Multi GRAMMY With his now, 16th CD, ‘Honestly’ contains Nominee and Acclaimed Saxophone original songs produced and written or co- written by James. Player -BONEY JAMES G-Note- Please explain the “new” way to When you’re good, you’re good and Saxophonist and composer collaborate with artist you are working with. Boney James has been doing very well these days! B.J.- “Twitter and emailing of files back and G-Note Entertainment Magazine had the opportunity to talk to forth to other artists. It really is the way to Boney James. James is a Four-time GRAMMY nominee and multi- do it now days, versus meeting in a studio platinum selling sax-man from his home studio as he heads back on and getting everyone together in one place. the road. Sometimes it does take a little longer based on schedules, but it also is an efficient way Honestly is his 16th album, and finds him and his stellar band, of sharing ideas and music as well as celebrating his 20 plus year anniversary as a solo artist after working recording.” with and still influenced by Morris Day and the Isley Brothers. We talked about the production on Honestly differs considerably from “We travel all the time, 100 -200 days a year Futuresoul. “It’s different, but it’s kinda the same, I will work and touring and the practicing all of the time. work on a song then when I love it, that’s when it goes on the tone, or the ‘sound’ of my horn, is really album.” Said James important to me,” says James. “I practice my saxophone in my backyard studio every “I have to give credit to vocalist Avery Sunshine on the title track day except on Sunday when I’m9 |nPotaognethe single ’Honestly’ She has a sultry singing style and it works well with road.w” w w. G- N ot eE ntert ai nmen t. biz what me and the band is playing Also, the song, ‘Tick Tock’ is the instrumental single co-wrote Jarius Mozee (Anthony Hamilton, Robin Thicke).” Boney James will be in Kalamazoo at the beautiful and historic Kalamazoo State Theatre on April 24th as he continues his artistic evolution with the dynamic new album, ‘Honestly’. Fusing his love for vintage soul music with his mastery of modern production, Boney has created another genre-bending work following on the heels of his 2014 GRAMMY-nominated album The Beat. “The forms I’m working with are rooted in my early influences,” says James, dropping names like King Curtis, the Stylistics and Earth, Wind & Fire. “But recently I’ve been listening to contemporary artists like Tinashé, Sam Smith and Ellie Goulding, and I’m inspired by the sound of their recordings. The production is layered and fantastic.” When asked about his latest effort ‘Honestly’ and how he came up with the name James said “As I started the new record, I was in my backyard studio messing around with this “gearhead” stuff I’ve collected. Ideas started flowing and it sounded like modern soul music to me. I thought to myself, ‘What is this?’… And then it hit me: @GNoteEntertainmentMagazine ‘Honestly.’

Boney continued on to say, “I’m still trying to be a better player and musician. I spend much of my time with a keyboard next to me and a computer behind me. So, when I get a creative idea, which happens pretty randomly, I’ll pick out a few notes or record myself humming a few bars or a melody. I start gathering pieces. Then I’ll build on them and gradually they’ll turn into songs.” “I get more and more excited and start spending 14-hour days out there. Before I know it, I’ve made an album. It’s amazing how it happens – like a ball rolling down a hill, it develops its own momentum.” Of course, this process would not be possible if James weren’t so skilled with the production technology – he says he views digital production as an instrument itself. He almost certainly could not have imagined such a thing when, at age eight, he picked up his first instrument: the clarinet. “I really wanted to play the trumpet, but when we went to the local music store, all they had were clarinets,” he explains. “I had to have something that day, so I took one home. The saxophone came up two years later because there were so many clarinet players in the band. My teacher kind of leaned on me to switch instruments,” James laughs. “It was all fate.” “The ‘analog’ tone of the sax combined with the ‘digital’ sounds of modern production contribute to the sonic tension that fuels ‘honestly’.” Boney says, “The track ‘Honestly’ really embodies the blending of retro and modern.” G-Note- Let’s talk a few minutes about your early days starting out in the music business and how you got your nickname ‘Boney’ B.J.- “I got seriously interested in music in the mid ‘70s, a very vibrant and freewheeling period for popular music. You could hear different genres all over the radio. Contemporary jazz was everywhere – people like Grover Washington Jr., Herbie Hancock and George Benson were stars. Artists like Stevie Wonder and Earth, Wind & Fire were incorporating jazz into what they were doing, and the jazz guys were mixing R&B into their sound. It was a great time to be a young musician. I also enjoyed Jethro Tull and YES among others of the day.” “I was jamming in basements and garages.” One summer during college, James found himself sitting in with some friends at a club. “Playing in a real club, with the energy of a real audience was such a fantastic rush,” he remembers. “That was the spark for my decision to become a professional musician.” “About my nickname, I was born James Oppehheim but by age 13, I received the nickname “Boney” because in my mid- 20’s I wasn’t making a lot of money, I was just a hired hand musician so I only had a small touring per diem and I wasn’t eating very well and I became thinner and thinner hence the name Boney. It has stuck with me ever since.” G-Note- What about a story I heard when you referred to yourself as a “Culinary transport engineer” B.J. – “(Chuckling), “Yeah that’s true, that’s when I was going to college and delivering pizzas to make money.” I really wasn’t very good at it, but it helped pay some bills.” Following the days of being a “culinary transport engineer”, Boney’s early pro gigs included sideman stints with Morris Day, the Isley Brothers, Randy Crawford and Teena Marie. This led to James release his debut album as a leader, Trust, in 1992. Some 23 years James has racked up sales of more than 3 million records, four RIAA gold albums, four GRAMMY nominations, a Soul Train Award, nominations for two NAACP Image Awards and 10 CD’s atop Billboard’s Contemporary Jazz Albums chart. In 2009 Billboard magazine named him the #3 Contemporary Jazz Artist Of The Decade (trailing just Kenny G. and Norah Jones). James says, “When people ask me what category my music falls under, I always say, ‘It’s Boney James music. Let’s just call it retro music for a modern age. I know people like to put you in a genre or a group, really I get it, but I just do what I do, and I believe my music is different enough to we stand on our own and so far, the audiences have responded well to it!1”0 | P a g e www.G-NoteEntertainment.biz @GNoteEntertainmentMagazine

Tickets for Boney James show on April 24th are available at the Kalamazoo State Theatre Box Office and usual outlets. @GNoteEntertainmentMagazine 11 | P a g e www.G-NoteEntertainment.biz

Kalamazoo State Theatre 404 S. Burdick Street Kalamazoo Mi 49007 (269) 345-6500 Behind the curtain - a living legacy Experience the historic State Theatre for your next show The State Theatre has been a fixture in downtown Kalamazoo since 1927. The original founder of the theatre was Colonel William Butterfield. John Eberson was the renowned architect who designed the theatre. APRIL 12th Tanya Tucker wsg. Curtis Braly APRIL 13th Comedian / Actor Kevin James APRIL 14th Beatles vs Stones - A Musical Showdown APRIL 24th BONEY JAMES APRIL 28th OK Go- The Live Video Tour Tickets are available through our website, through Ticketmaster online at ticketmaster.com, or by phone at 1-800-745-3000. Tickets are also available in-person-only at the Kalamazoo State Theatre Box Office. 12 | P a g e @GNoteEntertainmentMagazine www.G-NoteEntertainment.biz

Intrepid Records Recording Artist: Gary Hoey G-Note Entertainment He went on to score the successful Magazine Artist Spotlight: “Endless Summer II” soundtrack for New Line Cinema and in 1995 started a Singer, Guitarist and trilogy of “Ho!Ho!Hoey,” a collection of instrumental Christmas classics that Performer: continues each year in his Rockin’ Holiday shows. And in 2013’s release, Gary Hoey Deja Blues, he came home to the blues. Neon Highway Blues, Gary’s latest release, carries its 11 tracks Gary’s release in 2016, Dust & Bones, with the confidence and assuredness of a veteran, and the displayed an exuberant fusion of blues freshness of someone who’s still in the process of discovery and and rock. But whatever style he plays, refinement –with the help of famous friends such as Eric Gales, one thing is certain, Gary Hoey is a fiery, Lance Lopez, Josh Smith and Hoey’s 17-year-old son Ian Hoey. charismatic player who connects with The release of Neon Highway Blues will, of course, take Gary the crowd. Hoey back on the highways and byways for plenty of touring and playing, well, the blues –and more. He can’t yet predict 13 | P a g e where the next road will take him, but Hoey is confident it will be an adventure. www.G-NoteEntertainment.biz “It’s great to hear Gary sing and play the blues with his trademark intensity, feel and authenticity. And the guitar tones…both vintage and modern at the same time.”– Joe Satriani In 2012, he produced and co-wrote The Queen Of Metal, Lita Ford’s latest release Living Like Runaway for SPV records to rave reviews. As Music Director for Rock ‘n’ Roll Fantasy Camp, he’s worked with legends like Joe Perry, Roger Daltrey, Yes, blues icon Johnny Winter, Robben Ford, Leslie West, and KISS drummer, Peter Criss. And he has toured and traded licks with the likes of Jeff Beck, Brian May of Queen, Ted Nugent, Joe Satriani, Steve Vai, Peter Frampton, and Dick Dale. With a collection of 21 albums it’s no wonder Gary Hoey is listed as one of the top 100 guitarists of all time. The world- renowned rock guitarist’s first break came in 1987 when Ozzy Osbourne liked Hoey’s tape enough tofly him to LA for an audition and encouraging him to move to the West Coast. In 1990 Hoey was signed to Reprise Records with a short-lived band called Heavy Bones, but followed up in 1993 with a solo album, and Gary’s cover of “Hocus Pocus” rocketed into the Billboard’s Top 5 Rock Tracks. @GNoteEntertainmentMagazine

Whether he’s playing scorching originals or classic rock covers, his solos are thrilling and reminiscent of Clapton or Stevie Ray in their fiery youth. One thing that remains consistent is Hoey’s impassioned command of the guitar. He can attack his instrument with feral intensity and then play something very soft and achingly beautiful. This ability to mix feeling, phrasing, technique and tone is the true mark of a master guitarist. 14 | P a g e @GNoteEntertainmentMagazine www.G-NoteEntertainment.biz

New Music Alert: Rage Of Light [Photo Credit: Pascal Knecht] RAGE OF LIGHT – Release New Video For “Fallen” Debut Album Imploder Out on March 29th! It’s time to melt melodic death metal and trance together! RAGE OF LIGHT, the rising stars from Switzerland around charismatic lead singer Melissa Bonny prove that these styles can build a very strong symbiosis. The result is a musical monster! Today, RAGE OF LIGHT unleashes the official video for their first single “Fallen”, taken from the new album Imploder! Their mix of sharp riffs, electronic beats, melody and screaming violence gets perfectly illustrated by the art of producer and bandfounder Jonathan Pellet, filmed by Roger Simon and Sylvain Pellet. \"We are thrilled to share the first single of our album Imploder. This song reflects the evolution of the band and its music and gives a first taste of the universe in which the album will guide the listeners.\" Released on March 29th, RAGE OF LIGHT will release their debut album \"Imploder\" on Napalm Records. RAGE OF LIGHT are: Melissa Bonny - Main vocals Jonathan Pellet - Vocals, keyboards, synth & drums programming Noé Schüpbach - Guitars, bass For more info on RAGE OF LIGHT visit: 15 | P a g e Facebook Instagram Twitter Bandcamp www.G-NoteEntertainment.biz @GNoteEntertainmentMagazine

New Music Alert: Head Honchos Bring It On Home (Grooveyard Records) is the debut studio disc by this hard- working band from Valparaiso featuring the dual twin-guitar attack of father and son, Rocco Calipari Sr. and Rocco Calipari, Jr. They're on a mission to rock the blues, family-style. Rocco Calipari Sr. is a skilled teacher of guitar, who, since 1995, has also played lead guitar for renowned Chicago-based blues group, Howard and The White Boys. Famed blues guitar great and Legends club owner Buddy Guy - who lent his skills to H&TWB's album, on The Big Score - has been a longtime mentor the group. During his long career, Calipari Sr. - one of Chicago's great contemporary blues guitarists - has played with Bo Diddley, Chuck Berry, Carl Weathersby, Son Seals, and many more, in some forty states and twelve countries around the world. Rocco Jr. first sat in with Howard and the White Boys when he was fifteen years old. He attended the Guitar Institute in Los Angeles where he studied with Carl Verheyen (of SuperTramp renown), jazz/blues great Scott Henderson, and famed blues inst1r6u|cPtoa rg/ewriter, Keith Wyatt. His approach to the guitar, while grounded in rock and bluewsw,wi.sGk-NeoetneElyntaeirmtaeindmaent ta.bipzost-modern interpretation@oGfNAotmeEenrtiecrataninrmoeonttsMmaguazsiince.

New Music Alert: THE ROYAL Dutch Metal Band THE ROYAL keeps exploring the wide variety of today's metal scene. After the release of their first label release \"Seven\" - which was hailed for its catchy riffs and uplifting songs -THE ROYAL played numerous club shows and festivals across 25 European countries during a 2 month tour. This was followed by a series of intercontinental shows during a 4-week tour in Japan and China. Writing songs on tour and 5 guys discussing rather heavy topics at times, THE ROYAL decided to explore the darker side of metalcore on their upcoming album \"Deathwatch\". The new record is a mix of catchy riffs with heavy breakdowns and ambient sounds. There is a lot of raw emotion put into this upcoming record, in which the band processes what has been a very emotional past year. Writing, producing, designing and a ton of DIY work brings this album closest to what it should be. Whether it's vocalist Sem Pisarahu writing about life struggles, or the exceptional guitar work of JD and Pim; if you like shadowy, epic sounding, emotional metal music, rest assured; this album is for you. Line Up: Sem Pisarahu - VocalsJD Liefting – Guitar Pim Wesselink - Guitar Youri Keulers - Bass Tom van Ekerschot - Drums For More Info Visit: 17 | P a g e https://twitter.com/theroyalmetal www.G-NoteEntertainment.biz http://www.theroyalofficial.com/ https://www.instagram.com/theroyalmetal/ https://www.facebook.com/theroyalofficial @GNoteEntertainmentMagazine

ENCORE Interview: With Former Johnny Winter Guitarist Paul Nelson G-Note Entertainment reaching #16 on the Billbord top 200 and staying at #1 on Magazine’s ‘Encore’ Interview the Billboard Blues Charts for weeks. He is also a recipient of the Blues Foundation's KBA \"Keeping The with Former Johnny Winter Blues Alive Award\". Guitarist and GRAMMY Winner: Nelson and his music have reached millions with Paul Nelson appearances on Late Night with David Letterman and Jimmy Kimmel Live, in the award-winning So, you think you’re as Badass huh? Well then, I have documentaries: \"Down and Dirty\" The Johnny Winter a musical sound track just for you! Story and \"Sideman: Long Road to Glory\"(featuring: Bonnie Raitt, Greg Allman, Hubert Sumlin), to the music Badass Generation is the latest from the sizzling 6 written/performed and broadcast nationally on NBC on strings and mind of Paul Nelson. multiple major album releases, in books, instructional guitar columns, live Concert DVD's, and guest Please let me introduce and acquaint you with Paul performances on countless recordings. Nelson, Paul - is recognized as one of this generation’s “Badass” guitarists/songwriters around today. When Staying at #1 on the \"Hot New Releases\" charts for he is not slaying it on stage with a face-melting guitar months Nelson's latest project \"Badass Generation\" on lick or solo, he is also an accomplished music producer Sony Records still maintains his unmistakable connection with the high honor of being handpicked by the to the Blues, but it also finds the guitarist showing his legendary rock/blues icon the late great Johnny many other musical influences fans have come expect Winter to be Winter’s guitar wing man. considering him one of music's most respected and influential contemporary artists... If that wasn’t enough, Paul has toured the world over performing with or recorded alongside an envious list *Some content t@akGenNfrootme EPanutlNeerlstoani.ncommen tM ag a zine of who's who list of top artists including: Eric Clapton, Slash, Billy Gibbons, Ben Harper, Robben Ford, Vince Gill, Warren Haynes, Derek Trucks, James Cotton, Joe Perry, Susan Tedeschi, Kenny Wayne Shepherd, John Popper, Dr. John, Larry Carlton, Leslie West, Joe Bonamassa, Sonny Landreth, Dickey Betts to Joe Walsh and many more... Paul Nelson is a multi-Grammy nominated artist, Nelson received the Grammy award for his work performing on and producing Winter's \"Step Back\" Megaforce/Sony release winning \"Best Blues Album of the1Y8ea| rP\" aangdethe BMA \"Blues Music Award\" for \"Best Bluewsw/Rwo.cGk -ANlboutmeE\" ntert ai nmen t.biz

G-Note Entertainment Magazine had the pleasure to talk to Paul Nelson from his home recently to talk about his new album “Badass Generation”, Johnny Winter and other projects he has been involved in these days. G-Note- Paul, thank you again for your time! I know how busy you are, and I truly appreciate you taking time to talk with us. PN- “Oh no problem, it’s my pleasure.” G-Note -So what’s been going on? Are you keeping yourself busy these days? PN- (Laughing) Well, I’m building a gigantic tour! It’s unbelievable! The dates just keep coming in like crazy, I don’t know what’s going on but were loving it -I guess I got a couple of friends out there!” G-Note- Well, when you a top gunslinger (guitar) like you are, people want to see you and part of that experience. PN- “Nah, but I hope so, there aren’t too many of us out there. The top of the pyramid is getting kinda thin. When you start to think about how many players that are out there, then you look at who is doing it professionally and you break it down like how many are in fusion or how may are playing the blues or straight up rock and roll especially when they quickly realize oh wow, I actually have to do this and constantly work at it to make a career, not to mention the endless hours practice, travel, eating crappy food on the road or only getting a few hours of sleep in between gigs and it’s like whoa, whoa, whoa. This is not what I thought it was!” Nelson continued to say, “I’m lucky, I played with so many people and I also produce, and I keep building this body “stuff” so that help keep the phone ringing, that’s what it’s all about. Let me tell you, just being part of Johnny Winter’s band opened so many opportunities that I’ll be forever grateful for.” “Again, I’m so thankful that the tour dates for in support of “Badass Generation” just keep coming in. I want to get this music in the hands of the fans! G-Note- Let’s talk about “Badass Generation” what was the force behind it? PN “I wanted to create an album / CD with a series of songs that when you took a long drive you would listen to it in its entirety. I wanted to recreate a classic kinda feeling sort of like what you felt the first time you heard Led Zeppelin all the way through, not is a concept way but the way one song led you into another and it made sense, feel wise, groove wise, lyrically and instrumentally.” “I’m a big fan of the early sound of Boston, Queen, Nugent, Petty, etc. I study how did they record the drums, how did they get the sound correct – I see where fans are going back to the British Blues and bands like Bad Company, that means Page, that means Beck and Clapton and they all went in different directions but eventually I all come back around.” G-Note- When I heard the “Badass Generation” album in its entirety- I heard very rich influences of Deep Purple, ZZ Top, The Eagles, and so on, it was “Rockestra” of classic rock that was very comfortable and familiar with. I connected with emotionally, so I wanted to hear it over and over. Was that your goal? PN- “Absolutely! I have heard it said by people that have listened to ‘Badass Generation” that this the vinyl album I should have in my collection but forgot to get. It would be record next to my Boston or Sabbath in between the Queen or whatever. That is exactly what I wanted to do, to fill that hole, this stuff has been stuck in my head it just had to come out!” “Having top notch musicians, is inspirational. It gives you the freedom to say let’s go and you know it’s going to be incredible. We recorded the drums in mono, we used overhead mic’s and a kick drum to get that classic effect but still make it current and you must ask, where the hell are all the front men? We are losing front men!” @GNoteEntertainmentMagazine 19 | P a g e www.G-NoteEntertainment.biz

G-Note- Good point, without have a front man in the style of a Paul Rogers or Robert Plant in the band, how difficult is it to get commercial air play? PN- “You know, it hasn’t been too bad, the problem is there isn’t that many blues stations and a couple of the songs are “bluesy” but I was expected to do another Johnny Winter like album and I easily could have done that because I was next to him for so many years and it would have been like ok, so you’re playing his riffs, and playing his style but that’s not what I wanted to do. “ “When this album was getting picked up by blues stations, they would listen to it and they would say not everything on it is exactly a fit for us, but I’ll send this on the rock hour or 3 other formats where it does it in the same station so this has been extremely helpful in getting it out!” “I also find that touring is very helpful, the promoters of the venues contact the radio stations that sponsor the venue events and after they give it listen they say wow- this works and it gets played on the air and in front of people – It’s not always easy but you have to bring it to the people!” G-Note- Let’s name drop a bit and talk about the people you have shared the stage with over the years, do you ever step back and say wow who would have though I be jamming with ….? PN- “Oh yeah, you know I really do appreciate every musical opportunity I’ve been given either as a producer or a session guitar player. Does It hit me?... Yeah, one of the coolest things that I did was a jam session with Johnny Winter, Eric Clapton, Warren Haynes, Eric Clapton and Vince Gill and I at the control board working on mix of the jam session and this album I look down and it struck me while my hands are on the mixing board, I look down and the board tape says, Eric Clapton, Johnny Winter and Paul Nelson on the tape. I had my hand there and I call over to the engineer and asked him to come over and do me a favor, can you take a picture of my hand right now? He said why, what going on? That’s when I realized that need to be documented!” “Another time was Johnny (Winter) was at my house in my living room watching the Simpson’s on TV, I’m in the kitchen and I’ve been with him for a long, long time but it hit me, Johnny Winter is in my living room, watching the Simpsons and we’re ready to eat Chicken McNuggets and I thought to myself- how cool is that!” G-Note- I wouldn’t be doing my job if I didn’t ask you about your time with Johnny Winter? PN- “Have you seen the show “Down and Dirty?” I worked to build him back up physically. I took him to get laser surgery for his eyesight issues. We had a father-son relationship together. We were very, very close. We spent holidays together, we hung out before and after the shows. For goodness sake, we did Letterman together, we went to Japan together. I took him on a cruise… seriously, an Albino on a cruise! I took him to Hawaii! How do you offer something to an artist like Johnny Winter that he already hadn’t done? He was of fan of my guitar playing as I was of his. He introduced me to deep blues, the serious stuff I never would have known about if it wasn’t for him.” “Johnny did leave us on a high note, beside his lung which eventually gave out, he was healthy as an ox, I miss him very much! I still do Johnny Winter all-star shows which are great, we have a lot of special guest that come in for these shows.” G-Note- Let’s get back to “Badass Generation” Tell me a little about your album cover artwork. PN- That was international and though out. a cassette was Iconic of that time. It had to have the look and feel of someone pulling the cassette tape out of someone’s pocket or from under their car seat just before they put it in the player. It had to be retro but with an Andy Warhol New York feel to it and the title was how we used to describe people or things…You know, it was “Badass” to do this or that guy is a “Badass.” G-Note- Anything else to share? PN- I hope everyone check’s out “Badass Generation” and hope to see you soon on the road!” Che2ck0 o| uPt aalgl tehe latest happenings with Paul Nelson on his social media. www.paulnelsonguitar.com and wwwww.fawc.eGb-Noookte.cEonmte/rptaaui nlnmeelsnot.nboizfficial @GNoteEntertainmentMagazine

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The City of Allegan Announces The April Series: Live Performances at the Griswold The City of Allegan, in association with the Griswold Auditorium and Positively Allegan, is thrilled to announce The April Series: Live Performances at the Griswold. The April Series is the planned launch of regular entertainment at the historic, 600-seat Griswold Auditorium in Allegan, Michigan and will feature the extraordinary talents of Luke Winslow-King, Lazer Lloyd, Asamu Johnson & The Associates of the Blues, and EG Kight. Adept at mixing country, blues, R&B, rock ‘n’ roll, and folk influences intuitively and masterfully, Luke Winslow-King kicks off the concert series on April 4. Singer-songwriter Lazer Lloyd, a world-renowned guitarist, will bring his talents to the stage on April 11. The following week, veteran jazz and blues musicians Asamu Johnson & The Associates of the Blues will be “keeping the blues alive” on April 18, while EG Kight, a singer-songwriter and guitarist, and a preeminent voice in roots music, will showcase her craftsmanship as the closer to the series on April 25. Doors open at 7pm every Thursday in April for the two hour 8- 10pm shows. Tickets are $10 in advance at thegriswoldallegan.com and $15 at the door. Alcoholic beverages will be available for purchase. The Griswold Auditorium is located at 401 Hubbard Street in Downtown Allegan, Michigan. Allegan’s beloved civic auditorium is an undiscovered gem for most, and as it turns 90 years old in 2019, its resurgence and continued longevity is highly anticipated @GNoteEntertainmentMagazine 23 | P a g e www.G-NoteEntertainment.biz

New Music Alert – VISIONS OF ATLANTIS VISIONS OF ATLANTIS Symphonic metal masters VISIONS OF ATLANTIS reveal a brand-new lyric video for the live version of “Words Of War “. The band on the video and the upcoming live activities: “After a successful Tour which was the first as co-headliner, we are really excited to present 'Words Of War' in its live version. The promotion for our very first live album will bring VISIONS OF ATLANTIS over the Atlantic to the 70,000 tons of Metal cruise, Mexico, a South American tour and back to the venues all around Europe as special guest for KAMELOT & EVERGREY.” VISIONS OF ATLANTIS take you to a world of myths, tales and the long-forgotten seas: With a unique mixture of symphonic metal and power metal, paired with a fantastic female/male vocal duo, the Austrian quintet has been enchanting the metal world since 2000. On February 22nd, 2019 the band will release its very first live album: The Deep & The Dark Live @ Symphonic Metal Nights proves that VISIONS OF ATLANTIS are at the top of their genre when it comes to atmosphere and live skills. With focus on songs of the latest studio album THE DEEP & THE DARK (2018), this live opus pushes the m24y|sPtiacgale adventure of VISIONS OF ATLANTIS to another level – powerful and pwewrfwe.cGt-lNyoetexEenctuertteadin. ment.biz @GNoteEntertainmentMagazine

In Memoriam Kofi Burbridge Karl Lagerfeld Kofi Burbridge, the longtime keyboardist and Karl Lagerfeld, the most prolific designer flautist for Tedeschi Trucks Band, died on Friday of the 20th and 21st centuries and a man at the age of 57. whose career formed the prototype of the modern luxury fashion industry, died The multi-instrumentalist, who moved to Atlanta on Tuesday in Paris. He was 85. in 1987 to join the band Knee-Deep, was hospitalized last month after a setback stemming His death was announced by Chanel. from his 2017 emergency heart surgery in Atlanta. In January, TTB alerted fans about “More than anyone I know, he represents Burbridge’s condition and his inability to join the soul of fashion: restless, forward- them on their current tour, which played looking and voraciously attentive to our Washington D.C. on Friday with fill-in keyboardist changing culture,” Anna Wintour, editor Gabe Dixon. of American Vogue, said of Mr. Lagerfeld when presenting him with the The news of Burbidge’s passing was shared early Outstanding Achievement Award at the by former bandmate Yonrico Scott; the cause of British Fashion Awards in 2015. death has not been announced. Burbridge was in Atlanta when he died. Creative director of Chanel since 1983 and Fendi since 1965, and founder of his Also, on Saturday, Tedeschi Trucks Band posted a own line, Mr. Lagerfeld was the simple statement on their Twitter and Facebook definition of a fashion polyglot, able to pages - “We will miss our brother” - with a photo speak the language of many different of Burbridge. brands at the same time (not to mention many languages themselves: he read in @GNoteEntertainmentMagazine English, French, German and I2t5a|liPaang).e www.G-NoteEntertainment.biz

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ON THE ROAD WITH TAB BENOIT AND WHISKEY BAYOU TAB BENOIT One of the most impressive guitarists to emerge from the rich Bayous of Southern Louisiana in recent years, Tab Benoit’s guitar tone can be recognized before his Otis-Redding-ish voice resonates from the speakers. He doesn’t rely on any effects and his set up is simple. It consists of a guitar, cord, and Category 5 Amplifier. The effects that you hear come from his fingers. In 1992 Benoit released his first recording Nice and Warm on the Justice Label. The title track became a AAA Radio hit and Benoit’s touring career kicked into high gear. Nice and Warm prompted comparisons to blues guitar heavyweights like Albert King, Albert Collins and even Jimi Hendrix. Tab began playing two-hundred and fifty shows a year, a schedule he has kept up for over twenty years. He recorded four albums for Justice Records before being signed to the Vanguard label and became Louisiana’s Number One Blues export. Vanguard allowed Tab to produce his own recordings; Tab wanted to record the sound that he was trying to create and in 1999 Vanguard Records released These Blues Are All Mine. Tab Benoit’s music evolved again after he signed with the Telarc International/Concord Music Group in 2002. He began to strip it down to a three-piece group, where he found more freedom as a guitarist. He was also on a mission in wanting to use his music and his energy to bring attention to Louisiana's coastal erosion issues. Tab began to spend more time in the Wetlands and it was where he began to write his songs. Wetlands was the title of his first Telarc/Concord International release. The record combined many musical styles that are indigenous to Louisiana, while he began to play accordion lines and washboard on guitar. Wetlands was a mile marker that definitively marked Tab’s further musical progression into his own original sound and style. Following the release of Wetlands in 2004 Benoit founded the Voice of the Wetlands non-profit organization (www.voiceofthewetlands.org) and began to use music and gather other musicians to use their platforms for getting the message out. He put together an all-star band that featured Cyril Neville, Anders Osborne, George Porter Jr, Big Chief Monk Boudreaux, Johnny Vidacovich, Johnny Sansone, and Waylon Thibodeaux that became The Voice of the Wetlands All-Stars. The Voice of the Wetlands All-Stars have released two CDs and occasionally tour throughout the country. Benoit recently launched his own imprint, Whiskey Bayou Records, with partner and manager, Rueben Williams. The label has thus far released albums by such established artists as Eric McFadden, Damon Fowler, Eric Johanson, Jeff McCarty, and Dash Rip Rock. In 2019 Benoit hits the road for a major U.S. Tour, the Whiskey Bayou Revue, featuring Benoit and several of his label’s artists. Benoit recently launched his own imprint, Whiskey Bayou Records, with partner and manager, Rueben Williams. The label has thus far released albums by such established artists as Eric McFadden, Damon Fowler, Eric Johanson, Jeff McCarty, and Dash Rip Rock. In 2019 Benoit hits the road for a major U.S. Tour, the Whiskey Bayou Revue, featuring Benoit and several of his label’s artists. @GNoteEntertainmentMagazine 27 | P a g e www.G-NoteEntertainment.biz

TAB BENOIT ON TOUR April 2 (Tues.) CITY WINERY Nashville, TN April 3 (Wed.) TERMINAL WEST Atlanta, GA April 4 (Thur.) THE FOUNDRY Athens, GA April 5 (Fri.) RIVES THEATER Martinsville, VA April 6 (Sat.) BOATHOUSE LIVE Newport News, VA April 7 (Sun.) LINCOLN THEATER Raleigh, NC April 9 (Tues.) THE BIRCHMERE Alexandria, VA April 10 (Wed.) RAMS HEAD ONSTAGE Annapolis, MD April 11 (Thur.) STATE THEATER Greensville, NC April 12 (Fri.) NEIGHBORHOOD THEATRE Charlotte, NC April 13 (Sat.) PONTE VEDRA CONCERT HALL Ponte Vedra Bch, FL April 14 (Sun.) TAMPA BAY BLUES FESTIVAL Tampa Bay, FL April 26 (Sat.) NEW ORLEANS JAZZ FESTIVAL New Orleans, LA April 27 (Sun.) REPUBLIC New Orleans, LA April 28 (Mon.) MID CITY LANES ROCK 'N' BOWL New Orleans, LA 28 | P a g e @GNoteEntertainmentMagazine www.G-NoteEntertainment.biz

FEATURE: Tanya Tucker Edgy. Classic. Country. A defining voice of country music and a modern- day legend, Tanya Tucker inspired many female artists who still top the charts today. From the signature classic songs to the unforgettable sass and soul of her voice, Tucker has paved a path in country music and beyond through an unprecedented level of success and continues her longevity today due to a natural, undeniable talent. When producer Billy Sherrill received a demo tape of Tucker, he quickly signed her to a record deal at Columbia Records. Her style has proven to be timeless ever since she recorded her debut single “Delta Dawn,” at age 13. The single earned a Grammy nomination for “Best Female Country Vocal Performance” and launched Tucker into the national spotlight during the beginning of her teenage years. In 1972, she earned the “Top New Female Vocalist” award by the Academy of Country Music. With a wildly growing career at such a young age, the Tucker craze co2n9ti|nPuaegde with he@rGfNirostteEnnutmertbaeinrmoennetMsaingagzlein,ein 1973, “What’s Your Mawmwaw’s.GN-NaomteeE.n”tertainment.biz

Tucker achieved an unusual feat for a female country artist at the time with a 1974 Rolling Stone cover story with the headline, “Hi, I’m Tanya Tucker, I’m 15, You’re Gonna Hear From Me.” As additional hits continued, Tucker added an edgy rock image, which she still embraces, to her musical taste with the album T.N.T, which was released in 1978. The gold certified album peaked at number two on the album charts. Through a collaborative relationship with Glen Campbell, Tucker transitioned to a new label in the early 1980’s and was back in the Top 10 with “Can I See You Tonight,” co-written by hitmaker Deborah Allen (Patty Loveless). Just a few years later, Tucker experienced another hit with “One Love at a Time,” co-written by Paul Overstreet (Randy Travis, Kenny Chesney, Blake Shelton). With four additional number one charted hits between 1986-1988, Tucker’s career, nearly two decades already underway, was proving to be one for the record books. The 1990’s gave rise to some of Tucker’s most recognizable and career defining songs, “Two Sparrows in a Hurricane” and “It’s a Little Too Late.” New albums, along with multiple versions of greatest hits and live compilation projects, propelled Tucker to become one of the bestselling female artists in country music. With a 1994 Super Bowl XXVIII halftime appearance, Tucker was a household name to stay. Tucker’s latest honor, a special exhibit at the Country Music Hall of Fame and Museum in Nashville, Tennessee, gives visitors the chance to step into Tucker’s rich personal life. “Tanya Tucker: Strong Enough to Bend” runs through May 2015 and features many of Tucker’s favorite items from various eras of her career. From her pink Harley Davidson to her own line of salsa, Tucker’s life is chronicled in a never-before-seen way for fans to get up close and personal with the legend. In February of 2017, Tanya performed at Nashville’s Bridgestone Arena for a packed house and was featured in Rolling Stone Magazine. She belted out Randy Travis’s “I Told You So,” paying tribute to her dear friend. She is currently out on her 2018 International Tour, including shows in Canada. She is managed by James Garner and Jerilyn Sawyer of Sawyer & Garner LLC and her agents are Lance Roberts and Nick Meinema of United Talent Agency. Stay tuned for a long- awaited new album from the songbird herself. Ms. Tanya Tucker will be at The Kalamazoo State Theater on April 12th with special guest Curtis Braly. 30 | P a g e @GNoteEntertainmentMagazine www.G-NoteEntertainment.biz

In Memoriam Peter Tork Actor Luke Perry Bassist for the Monkees Peter Tork, a blues and folk musician who Actor Luke Perry, known for roles in “Beverly became a teeny-bopper sensation as a Hills 90210” and “Riverdale,” has died after member of the Monkees, the wisecracking, suffering a stroke on Wednesday. He was 52. made-for-TV pop group that imitated and briefly outsold the Beatles, died Feb. 21. He Born in Mansfield, Ohio, Perry moved to Los was 77. Angeles after high school to pursue acting. His TV career began when he was 16, and the His death was confirmed by his sister Anne actor cut his teeth acting in soap operas like Thorkelson, who did not say where or how ABC’s “Loving” and “Another World” on NBC he died. Mr. Tork was diagnosed with and doing voice work for animated series such adenoid cystic carcinoma, affecting his as “The Incredible Hulk” and “Biker Mice From tongue, in 2009. Mars.” If the Monkees were a manufactured However, in 1990 Perry became a household version of the Beatles, a “prefab four” who name for playing the brooding loner Dylan auditioned for a rock-and-roll sitcom and McKay on the smash hit teen drama “Beverly were selected more for their long-haired Hills, 90210” on Fox. The show became a good looks than their musical abilities, Mr. phenomenon, catapulting Perry to full-blown Tork was the group’s Ringo, its lovably teen idol status. He appeared on a racy Vanity goofy [email protected] Fair cover in July 1992. Perry had two runs on “90210,” one from 1990 to 1995 and another from 1998 to the show’s end in 2000, during which time his character struggled with alcohol abuse and drug addiction and went through a series of tumultuous relationships with several other main characters including Brenda (played by Shann31en| PDaoghee rty) and Kelly (playwewdwb.Gy -JNeontneiEenGtearrttahi)n.ment.biz

New Music Alert: Luke Winslow-King BLOODSHOT RECORDING ARTIST LUKE WINSLOW-KING Singer, songwriter, and guitarist performs a handful of Michigan shows before heading South for New Orleans Jazz & Heritage Festival in late April. LUKE WINSLOW-KING PLAYS AN INTIMATE SOLO PERFORMANCE AT GRISWOLD AUDITORIUM COMPANY ON THURSDAY, APRIL 4. “Seamlessly melds Delta blues, gospel and jazz themes with personal, simplified lyrics that speak to his personal and artistic evolution.” — New York Times “Steeped in the muddy Delta blues, but prickles with the raunch of a more Mid-Western take on the genre” — Consequence of Sound Winslow-King brings his eclectic mix of material to Griswold Auditorium in Allegan, Michigan on Thursday, April 4. Whether solo, or with a band, he offers an original sound that is both rustic and elegant. He delivers energetic and dynamic performances, with his burgundy voice and versatile slide guitar playing. Luke Winslow-King has collaborated with New Orleans legends and wunderkinds alike, including Dr. John, John Boutté, Roberto Luti, Little Freddy King, Washboard Chaz, Hurray for the Riff Raff, and George Porter Jr. In addition to holding down residencies at numerous notable venues on Frenchman Street and releasing six studio records over the course of nine years, he has toured extensively in North America and Europe, appearing on notable stages such as Austin City Limits, New Orleans Jazz Fest, Azkena Rock Festival (Spain), Paradiso (Netherlands), Maverick Festival (UK), and countless more. According to the Austin Chronicle, “[Luke] doesn’t shy away from biting into his heartbreak with gusto…he demonstrates] a wide range of songwriting worthy of comparison to Jason Isbell and John Fullbright.” Luke Winslow-King’s latest album, Blue Mesa, is an example of craftsmanship at the highest level, radiating a warmth and timeless elegance. Adept at mixing country, blues, R&B, rock ‘n’ roll, and folk influences intuitively and masterfully, Luke shapes a mood from many sources and shepherds it to a unifying place of acceptance and hope. Who: Luke Winslow-King 32 | P a g e When: Thursday, April 4, 2019 - 8:00 PM www.G-NoteEntertainment.biz Where: Griswold Auditorium @GNoteEntertainmentMagazine Tickets: $10

Pop / Classic Music at The Lerner Theatre The Temptations APR 07 Doors open 5:30PM Show starts 7:30PM For more than fifty years, The Temptations have prospered, propelling popular music with a series of smash hits and sold-out performances throughout the world. \"The crowds are bigger, the sales are sizzling,\" says one industry report. \"The outpouring of affection for this super-group has never been greater.\" The history of The Temptations is the history of contemporary American pop. An essential component of the original Motown machine, that amazing engine invented by Berry Gordy, The Temps began their musical life in Detroit in the early sixties. It wasn't until 1964 however, that the Smokey Robinson written-and-produced \"The Way You Do the things You Do\" turned the guys into stars. An avalanche of hits followed, many of which - \"My Girl,\" for instance - attained immortality. \"It's Growing,\" \"Since I Lost My Baby,\" \"Get Ready,\" \"Ain't Too Proud to Beg,\" \"Beauty Is Only Skin Deep,\" \"I Wish It Would Rain\"... the hits kept coming. The classic lineup was Otis Williams, Melvin Franklin, Paul Williams, Eddie Kendricks and David Ruffin. Beyond the fabulous singing, The Temps became known for smooth stepping and flawless presentations. The Temptations Walk became a staple of American style. Flair, flash and class. Millions of fans saw their Temptations as cultural heroes. No matter the change in personnel, The Temptations remained true to The Temptations tradition. They survived the whims of fashion, whether disco or techno, and stuck to their guns. The current lineup consists of Otis Williams, Ron Tyson, Terry Weeks, Larry Braggs, and Willie Greene Jr. \"The more we change,\" says veteran Ron Tyson, \"the more we stay true to ourselves. We're about singing straight-up soul. It's a style that will live on forever.\" Herman's Hermits starring Peter Noone APR 27 Doors open 7:00PM Show starts 8:00PM Universally regarded as one of Rock and Roll's finest and most versatile entertainers, Peter Noone is second to none! Star of stage, screen and record, Noone's performances are the stuff of legend, deftly delivering a broad palette of music, all gems that, through his voice, defined a generation. Herman's Hermits starring Peter Noone is a must-see concert experience with over 60 million records sold and 20 top 40 Hits including, \"I'm Into Something Good,\" \"Mrs. Brown, You've Got a Lovely Daughter,\" \"I'm Henry VIII, I Am,\" \"Can't You Hear My Heartbeat,\" \"There's a Kind of Hush,\" and \"Listen People.\" The Lerner Theatre - 410 South Main Street. Elkhart, IN (574) 293-4469 Administration Office Hours: Monday-Friday: 9:00am - 5:00pm Box Office Hours: 33 | P a g e Monday-Friday: 9:00am - 5:00pm www.G-NoteEntertainment.biz Saturday: 9:00am - 1:00pm Phone: (574) 293-4469 / (800) 294-8223 Fax: (574) 293-8096 Email: [email protected] @GNoteEntertainmentMagazine

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New Artist Alert: Jonathon Long Jonathon Long recently recorded a live album at Phil Brady's Blues Club in front of a standing-room-only hometown audience, to be released this coming April, once again on Samantha Fish's imprint, Wild Heart Records. Fish previously produced and released Long's well-received 2018 album, Jonathon Long, on Wild Heart 2019 started on a blazing note for the talented musician, with Long nominated for three Offbeat Magazine 'Best Of The Beat' Music Awards: \"Best Blues Artist,\" \"Best Guitarist,\" and \"Best Blues Album.\" What the Media Is Saying About Jonathon Long \"Jonathon Long’s latest is an unembellished, honest expression of individuality that is deeply spiritual, introspective and occasionally mournful, but also tough and resilient.\" ELMORE MAGAZINE \"The entire recording sets a high bar for Long, and the collaboration with (album producer) Samantha Fish, is truly magical...he transitions from Boogie to Southern Blues Rock, and it's dripping with raw soulful emotion.\" BLUES HIGHWAY \"With a beautiful singing voice and some monster guitar chops, Jonathon Long cruises through the album with engaging storytelling and a voice that goes down easy. The themes of struggle and overcoming challenges are present, conveyed with a sense of hope and inspiration. Stunning guitar riffs and solos, and a couple hint of The Allman Brothers.\" ROCK AND BLUES MUSE \"Discovering that the album was produced by Samantha Fish definitely pricked my attention – I have long been a fan of her music and seeing her involved here suggested that the project would be worth a listen. The result is that I am now a fan of Jonathon Long as well – this is a fine example of Southern rock with a strong Blues tinge to it. My favorite is ‘The River’, dark, slow and with a hint of The Band about it, stunning guitar work and35w|itPh ahigs evoice set way @bGacNkoint etEhentmerixt ,aiitnwmoernktsMoangma zainnyedifferent levels.\" Music-News.comww w. G- N ot eE ntert ai nmen t. biz

New Music Alert: The Spear Shakers Cincinnati-based 'Female Power Duo' The Spear Shakers (guitarist/vocalist Kelly Richey; percussionist Sherri McGee) has received high media praise since forming in late 2018: \"2019 is shaping up to be a big year for The Spear Shakers...guitarist Kelly Richey and drummer Sherri McGee are one hell of a spirited rock duo, bringing some much-needed revelry and recklessness to blues rock\" ROCKWIRED \"'Something's Going On' is a blues-rock smoker from The Spear Shakers, featuring the incredible guitar licks of Kelly Richey and perfect drums by Sherri McGee. The perfect start to this 'back to work' day.\" LA MUSIC CRITIC \"Leaving It All Behind' is a marvelous hard rock/blues-inspired piece of music...the video only captures a fraction of the power and is a mere example of the talent of these consummate performers.\" INDIE PULSE MUSIC Kelly Richey, dubbed \"Queen of the Road Warriors\" by WHAS-TV Channel 11 in Louisville, has twenty-five years of touring and sixteen albums on her lengthy resume, including a stint as lead guitarist on Stealin Horses, a popular Kentucky-based rock group once signed to Arista Records. Drummer Sherri McGee is an in-demand session musician who previously was a member of successful rock group Velvet Elvis on Enigma Records. Richey was recently profiled on Blues Highway, whose Host, Garry Goldsmith, wrote, \"Kelly Richey may be the hardest-working recording artist in the business. She has a natural Blues voice that she pairs with a Rock 'n’ Roll soul. With those two components firmly rooted in Americana, she has developed a unique style. She has a sen3s6ib| iPlitaygaebout her approach to music and prides herself in being independent in producing her work. www.G-NoteEntertainment.biz @GNoteEntertainmentMagazine

New Music Alert: Christone ‘Kingfish’ Ingram Alligator Records is pleased to announce the signing of 20-year-old guitarist, vocalist and songwriter Christone \"Kingfish\" Ingram. This 21st century bluesman's debut album, KINGFISH, is set for release on May 17, 2019. Today, February 19, RollingStone.com will premiere the album track Fresh Out, a sizzling duet featuring music legend Buddy Guy. The first radio single, Outside Of This Town, will be released on April 15. Additionally, on May 16, Kingfish will showcase at WXPN-FM's annual, influential NON-COMMvention in Philadelphia. The convention brings together public (non-commercial) radio music programmers and managers, music industry representatives, and music media from across the US. From there, Kingfish will tour, headlining his own shows and opening dates for Buddy Guy and Vampire Weekend. Alligator Records president Bruce Iglauer considers Kingfish a natural fit for the blues and roots label. “At the age of 20, Kingfish is one of the most exciting and passionate young artists I’ve seen in many years. He’s creating new music that feels like blues but doesn’t copy what’s already been done. His roots are firmly in the Mississippi Delta, and you can hear that raw Delta honesty in his playing and singing. His guitar work is technically dazzling, but it’s all about the emotions of the song and moving the audience. He’s perfectly capable of crowd-pleasing shredding, but his music is remarkably mature. He knows which the important notes are, the notes that tell the story and grab the audience, and he leaves out the extraneous ones. He sings with the intensity and directness of a seasoned blues artist. He venerates the blues masters of the past and present but is eagerly making his own statement, inspired by the music they created. I’m watching him become a young, visionary blues giant. He has an amazing future ahead of him, and I’m proud that he’s joined the Alligator family.” Sprung from the same earth as so many of the Delta blues masters, Kingfish comes bursting out of Clarksdale, Mississippi, just ten miles from the legendary crossroads of Highways 61 and 49. A student of the Delta’s musical history, he is acutely aware of the musicians and the music that emerged from his corner of the world. “I do think I have an old soul, that I’ve been here before,” he says. “I’m moving forward with one foot in the past. You don’t see too many kids into blues music. In my town, every kid wants to be a rapper – I wanted to do something no one else was doing.” And although he grew up near the crossroads where Robert Johnson allegedly cut a deal with the devil, Kingfish insists he didn’t do any of that to make his guitar how3l 7th|ePbalugees. “I just prac@ticGeNaollt ethEenttimeret,a”inhemseanytMs, a“tghaazti’nsethe only deal I made, and it’s withwmwwys.eGl-f.N\" oteEntertai nmen t.biz

National Record Store Day Record Store Day is an annual event, founded in 2007, held on the third Saturday of April each year to celebrate the culture of the independently owned record store. This year’s celebration will be held on April 13th. Across the country as well as the G-Note Entertainment Magazine reading audience, special vinyl and CD releases and various promotional products are made exclusively for the day. Festivities include performances, cook-outs, body painting, meet & greets with artists, parades, DJs spinning records, and on and on. In 2008 a small list of titles was released on Record Store Day and that list has grown to include artists and labels both large and small, in every genre and price point. In 2015, 60% of the Record Store Day Official Release List came from independent labels and distributors. The list continues to include a wide range of artists, covering the diverse taste of record stores and their customers. Although Record Store Day, the day, only occurs once a year, Record Store Day, the organization, provides promotions, marketing, and other opportunities for stores throughout the year, maintaining a website, social media and other means of promulgating its views about the value of independent record stores. Record Store Day is managed on a day- to-day basis by the Dept. of Record Stores, along with the Coalition of Independent Music Stores and the Alliance of Independent Media Stores. According to Wikipedia, the event began by a comment by Bull Moose employee Chris Brown that something could be done along the lines of Free Comic Book Day, and with inspiration from a brainstorming session during a record store owners' meeting in Baltimore, Record Store Day was officially founded in 2007 by Eric Levin, Michael Kurtz, Carrie Colliton, Amy Dorfman, Don Van Cleave and Brian Poehner, and is now celebrated at stores across the world, with hundreds of recording and other artists participating in the day by making special appearances, performances, meet and greets with their fans, the holding of art exhibits, and the issuing of special vinyl and CD releases along with other promotional products to mark the occasion. This is a day for the people who make up the world of the record store—the staff, the customers, and the artists—to come together and celebrate the unique culture of a record store and the special role these independently owned stores play in their communities. On the first Record Store Day, Metallica spent hours at Rasputin Music in San Francisco meeting their fans and now each year hundreds of artists, internationally famous and from the block, flock to record stores around the world for performances, signings, meet and greets and to fill their own shopping bags with music. In 2009, Jesse \"Boots Electric\" Hughes (Eagles of Death Metal) declared himself the \"Record Store Day Ambassador\" as a way of shouting out how important the stores were to artists and since then Joshua Homme (Eagles of Death Metal, Them Crooked Vultures, Queens of the Stone Age), Ozzy Osbourne, Iggy Pop, Jack White, Chuck D and Dave Grohl have worn the ceremonial sash. For 2016, that sash is based to Metallica, to officially mark their involvement with Record Store Day and support of independent record stores. Regarding the importance of Record Day, Wilco's Jeff Tweedy has been quoted to say on a recent Records Store Day celebration “My introduction to all this great music and to ‘the music business’ came from hanging around, and eventually, working at independent record stores. Nothing beats browsing in your favorite store, listening to music, finding something new or old that you’ve been searching for, all that. And without these stores, there’s just no way Wilco would still be around.\" Tweedy continued to say, \"There would be no Wilco if it weren't for independent record store3s8.\"| P a g e www.G-NoteEntertainment.biz @GNoteEntertainmentMagazine

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