Decolonizing Design Reader_printed_v2_otis at book fair_summer 2019_final

P R I N T E D I T I O N , V 2.0 / OT I S A R T B O O K FA I R / S U M M E R 201 9, LO S A N G E L E S , C A / (an in-progress, collaborative project) THE DECOLONIZING / PUNCTURING / EX- DESIGNPANDING / DE-WESTERNIZING READER -tinyurl.com/y43sukuu REA-DINGS & RESOUR-CES -→TINYURL.COM/Y43SUKUU →tinyurl.com/y43sukuu →tinyurl.com/y43sukuu →tinyurl.com/y43sukuu →TINYURL.COM/Y43SUKUU - (by no means an exhuastive list)… ↑Pi-Sheng, 11th Century AD, Inventor of the 1st movable type in China. —THE DANGER OF THE SINGLE STORY, CHIMAMANDA NGOZI ADICHIE (LOOK AT THIS!!!!) HTTPS://YOUTU.BE/D9IHS241ZEG —THE POLITICS OF DESIGN BY RUBEN PATER HTTPS://WWW.AMAZON.COM/POLITICS-DESIGN-GLOBAL-MANUAL/DP/9063694229 HTTPS://YOUTU.BE/YNF3QLYCQ78 —GOOD HISTORY/BAD HISTORY, TIBOR KALMAN, J. ABBOTT MILLER, AND KARRIE JACOBS(PDF) HTTP://WWW.PRINTMAG.COM/WP-CONTENT/UPLOADS/GOODHISTORYBADHISTORY.PDF?91875E —WHAT ARE THE DANGERS OF A SINGLE STORY? HTTPS://WWW.NPR.ORG/TEMPLATES/TRANSCRIPT/TRANSCRIPT.PHP?STORYID=186303292 —DECOLONISER, OLIVIA U. RUTAZIBWA, TEDXFLANDER HTTPS://YOUTU.BE/Z0B6WFDGSEUF WHY THIS READER? PART 1 —HOW WILL WE QUEER DESIGN EDUCATION WITHOUT COMPROMISE? Lascaux Cave Paintings — GRAPH- WALKER ART CENTER, READER, AUGUST 2018 IC DESIGN’S HISTORY (AND ART HISTORY HTTPS://WALKERART.ORG/MAGAZINE/SOUNDBOARD-QUEERING-DESIGN-EDUCATION-RAMON-TEJADA FOR THAT MATTER) usually starts here, BUT… HOW HAS THIS HISTORY —bell hooks BEEN TOLD? WHO WROTE THIS HISTO- HTTPS://OPINIONATOR.BLOGS.NYTIMES.COM/2015/12/10/BELL-HOOKS-BUDD RY? HISTORY IS ABOUT THE INTERPRE- HISM-THE-BEATS-AND-LOVING-BLACKNESS/ TATION BY THE WRITER/AUTHOR WHO HTTPS://SJUGENDERSTUDIES.FILES.WORDPRESS.COM/2013/09/KILLINGRAGE-BELL-HOOKS.PDF WRITES IT FROM HIS (USUALLY A WHITE HTTPS://WWW.CDS.HAWAII.EDU/SITES/DEFAULT/FILES/DOWNLOADS/RESOURCES/DIVERSITY/KILLINGRAGEENDINGRACISM_PART1.PDF MALE) PERSPECTIVE. WHERE DOES THAT HTTPS://WWW.CDS.HAWAII.EDU/SITES/DEFAULT/FILES/DOWNLOADS/RESOURCES/DIVERSITY/KILLINGRAGEENDINGRACISM_PART2.PDF LEAVE THE REST OF US… THE SOUTH- HTTPS://CHARLIEROSE.COM/VIDEOS/12053 ERN HEMISPHERE? INDIGENOUS PEO- HTTP://SITES.UTEXAS.EDU/LSJCS/FILES/2018/02/TEACHING-TO-TRANSCEND.PDF PLES? PEOPLES OF COLOR? HOW CAN WE BEGIN THE PROCESS OF EXPAND- —PAULO FREIRE (PEDAGOGY OF THE OPPRESSED/ HUMANIZATION) ING THIS NARRATIVE? WHO SHOULD WE HTTPS://SELFORGANIZEDSEMINAR.FILES.WORDPRESS.COM/2011/08/FREIRE_PEDAGOGY_OPPRESED1.PDF HIGHLIGHT, READ, ENGAGE AND TALK HTTPS://YOUTU.BE/DTWY2NGONS8 WITH? WHOSE WORK, NARRATIVES, EX- AMPLES, IDEAS, THOUGHTS, PERSPEC- —COLONIZATION AND DECOLONIZATION TIVES SHOULD WE BE IN CONVERSA- TION WITH, OR BETTER YET INCLUDE IN HTTPS://EN.WIKIPEDIA.ORG/WIKI/DECOLONIZATION THE ROOM AND AROUND THE TABLE? HTTPS://EN.WIKIPEDIA.ORG/WIKI/WESTERN_EUROPEAN_COLONIALISM_AND_COLONIZATION THIS READER IS COLLABORA- THIS READER IS AN ATTEMPT TO GATH- ER MATERIALS TO BEGIN THE PROCESS HTTP://WWW.UN.ORG/EN/DECOLONIZATION/ TIVE (OPEN SOURCED) COM- OF EXPANDING AND MAKING DESIGN HTTPS://WWW.METMUSEUM.ORG/TOAH/SEARCH/?SEARCH-TERM=COLONIZATION PILATION OF READINGS, RE- MORE INCLUSIVE. IT IS ABOUT READ- HTTPS://WWW.KHANACADEMY.ORG/HUMANITIES/ART-AFRICA/AFRICAN-ART-INTRO/A/AFRICAN-ART-EFFECTS-OF-EUROPEAN-COLONIZATION SOURCES AND BITS AND PIECES ING AND ENGAGING WITH OTHERS. IT ABOUT EXPANDING GRAPHIC IS BY FAR FROM COMPLETE, ACTUALLY, IT WILL NEVER BE FINISHED. WE HAVE HTTPS://WWW.THEGUARDIAN.COM/CULTURE/2015/JUN/29/MUSEUMS-LOOTING-ART-ARTEFACTS-WORLD-CULTURE DESIGN/DESIGN’S HISTORI- SO MUCH TO READ AND CONSID- CAL NARRATIVES AND FIND- ER TO EXPAND THIS STORY OF WHAT DESIGN IS, SHOULD BE AND CAN BE. ING WAYS TO ALTER, EXPAND ¡ADELANTE! —COLONIALISM AND (GRAPHIC) DESIGN AND INCLUDE THE PEOPLES - HTTP://WWW.DECOLONISINGDESIGN.COM/ AND NARRATIVES THAT ARE HTTPS://DEPATRIARCHISEDESIGN.WORDPRESS.COM/PAGE/1/ MISSING (WHICH IS A LOT). THIS READER IS BY NO MEANS HTTPS://EYEONDESIGN.AIGA.ORG/WHAT-DO-SEXISM-PLAGIARISM-AND-COLONIALISM-HAVE-TO-DO-WITH-YOUR-JOB/ EXHAUSTIVE AS THERE IS SO HTTPS://ONLINELIBRARY.WILEY.COM/DOI/FULL/10.1111/J.1755-618X.2004.TB02179.X MUCH WE NEED TO ENGAGE HTTPS://WWW.FASTCOMPANY.COM/1661859/IS-HUMANITARIAN-DESIGN-THE-NEW-IMPERIALISM WITH AND ELEVATE AS PART OF DESIGN HISTORY AND DIS- COURSE THAT DOES NOT CON- —JAMES BALDWIN TINUE TO PRIVILEGE WESTERN EUROPE AND ITS CHILDREN. I AM NOT YOUR NEGRO, DIRECTED BY RAOUL PECK, TEXTS BY JAMES BALDWIN HTTPS://YOUTU.BE/RNUYDGIYAPM HTTPS://WWW.YOUTUBE.COM/WATCH?V=DND1XH-BNBE MOVIE SCRIPT: HTTPS://WWW.SPRINGFIELDSPRINGFIELD.CO.UK/MOVIE_SCRIPT.PHP?MOVIE=I-AM-NOT-YOUR-NEGRO HTTPS://SCHOLARWORKS.UMASS.EDU/CGI/VIEWCONTENT.CGI?ARTICLE=1042&CONTEXT=CIBS HTTPS://WWW.NEWYORKER.COM/MAGAZINE/2017/11/13/RICHARD-AVEDON-AND-JAMES-BALDWINS-JOINT-EXAMINATION-OF-AMERICAN-IDENTITY HTTPS://WWW.THEGUARDIAN.COM/BOOKS/2017/NOV/16/BALDWIN-NOTHING-PERSONAL HTTPS://WWW.NEWYORKER.COM/MAGAZINE/1962/11/17/LETTER-FROM-A-REGION-IN-MY-MIND —ON SUPER-DIVERSITY BY TARIQ RAMADAN HTTPS://WWW.AMAZON.COM/SUPER-DIVERSITY-REFLECTIONS-ENGLISH-DUTCH-ARABIC/DP/1934105775/REF=SR_1_1?S=BOOKS&IE=UTF8&QID=1532265330&SR=1-1&KEYWORDS=ON+SUPER+DI- VERSITY — A HISTORY OF DESIGN IDEOLOGY FOR THE FUTURE BY MARJANNE VAN HELBERT (ED). ↑The Politics of Design by Ruben Pater. IN PARTICULAR, THE INTRODUCTION, DESIGN HISTORY INTERRUPTED: A QUEER-FEMINIST PERSPECTIVE, ECE CANLI; IF NOT TOMORROW, THEN TODAY: PARADIGMS OF LATIN AMERICAN DESIGN, LUISA PRADO DE O. MARTINS & PEDRO JS VIEIRA DE OLIVERA. HTTP://UNTOLD-STORIES.NET/?P=THE-RESPONSIBLE-OBJECT HTTP://DIRTY-DESIGN.NET/ HTTP://DIRTY-DESIGN.TUMBLR.COM/ —A TASTE OF DUTCH COLONIALISM, RUBEN PATER HTTP://UNTOLD-STORIES.NET/?P=DUTCH-SWEETS —THE SHORT CENTURY: INDEPENDENCE AND LIBERATION MOVEMENTS IN AFRICA, 1945–1994 AN INTRODUCTION HTTPS://DRIVE.GOOGLE.COM/FILE/D/1VYZ44UTYNAS3CVU2HHDX_8N4XYUN_HIV/VIEW —ROXANNE GAY WE ARE MANY. WE ARE EVERYWHERE, ROXANNE GAY HTTPS://THERUMPUS.NET/2012/08/WE-ARE-MANY-WE-ARE-EVERYWHERE/ —TONI MORRISON: THE RADICAL VISION OF TONI MORRISON HTTPS://WWW.NYTIMES.COM/2015/04/12/MAGAZINE/THE-RADICAL-VISION-OF-TONI-MORRISON.HTML HTTPS://WWW.NYPL.ORG/BLOG/2017/02/15/WHERE-START-TONI-MORRISON HTTPS://WWW.THEGUARDIAN.COM/BOOKS/2015/APR/25/TONI-MORRISON-BOOKS-INTERVIEW-GOD-HELP-THE-CHILD HTTPS://WWW.HISTORYTODAY.COM/ALEXANDER-LEE/PORTRAIT-AUTHOR-HISTORIAN-TONI-MORRISON HTTP://WWW.HUP.HARVARD.EDU/CATALOG.PHP?ISBN=9780674976450 HTTPS://WWW.THEGUARDIAN.COM/BOOKS/2017/OCT/18/ORIGIN-OF-OTHERS-TONI-MORRISON-REVIEW HTTPS://WWW.YOUTUBE.COM/WATCH?V=FAS3E1AGNEM HTTPS://YOUTU.BE/F4VIGVKPT1C HTTPS://YOUTU.BE/Q5D5PLI7KVC decolonizing Designg Reader_printed_v2_otis at book fair_newspaper club_350x500mm.indd 1 6/25/19 1:41 PM

↑@bgwaybright, informal survey of graphic design his-HTTPS://SCHOLARBLOGS.EMORY.EDU/POSTCOLONIALSTUDIES/2014/05/31/AFRICAN-AMERICAN-STUDIES-AND-POSTCOLONIALISM/ tory (makers). HTTPS://WWW.NYTIMES.COM/VIDEO/BOOKS/1194834031847/A-CONVERSATION-WITH-TONI-MORRISON.HTML HTTPS://YOUTU.BE/ZLR_TCGHZRU ↑ from A History of Design Ideology for the future by Marjanne van Helbert. TADANORI YOKOO HTTP://WWW.TADANORIYOKOO.COM/INFO/INDEX_E.HTML ↑Decolonize your bookshelf, HTTP://WWW.DESIGNISHISTORY.COM/1960/TADANORI-YOKOO/ Greenboxshop.com HTTPS://WWW.TATE.ORG.UK/WHATS-ON/TATE-MODERN/EXHIBITION/EY-EXHIBITION-WORLD-GOES-POP/ARTIST-INTERVIEW/TADANORI-YOKOO HTTPS://WWW.SSENSE.COM/EN-US/EDITORIAL/CULTURE/AESTHETIC-SHOCK-DESIGNER-TADANORI-YOKOO-2 —ADRIAN PIPER, A READER (A SYNTHESIS OF INTUITION, MOMA) HTTPS://YOUTU.BE/E5LUE0FFZGQ HTTPS://WWW.AMAZON.COM/DP/1633450333/?COLIID=I3KAJB7VFCRCNU&COLID=2SNBWXO0XWX10&PSC=0&REF_=LV_OV_LIG_DP_IT —WHAT IS AT STAKE WITH DECOLONIZING DESIGN? A ROUNDTABLE (PDF) HTTPS://WWW.RESEARCHGATE.NET/PUBLICATION/323463776_WHAT_IS_AT_STAKE_WITH_DECOLONIZING_DESIGN_A_ROUNDTABLE —RAMON GROSFOGUEL: “DECOLONIZING THE UNIVERSITY” HTTPS://YOUTU.BE/LKGL92YQYGK HTTPS://YOUTU.BE/HAJIQDKYLRC HTTPS://DIALNET.UNIRIOJA.ES/DESCARGA/ARTICULO/3982167.PDF —1491 & 1493 BY CHARLES C. MANN HTTPS://WWW.YOUTUBE.COM/WATCH?V=BGHLHJ-C8OS HTTPS://WWW.AMAZON.COM/1491-REVELATIONS-AMERICAS-BEFORE-COLUMBUS/DP/1400032059/REF=SR_1_1?S=BOOKS&IE=UTF8&QID=1532266090&SR=1-1&KEY- WORDS=1491 HTTPS://WWW.AMAZON.COM/1493-UNCOVERING-WORLD-COLUMBUS-CREATED/DP/0307278247/REF=SR_1_1?S=BOOKS&IE=UTF8&QID=1532266104&SR=1-1&KEY- WORDS=1493 —DIVERSITY IN DESIGN: PERSPECTIVES FROM THE NON-WESTERN WORLD, VIBHAVARI JANI HTTPS://WWW.AMAZON.COM/DIVERSITY-DESIGN-PERSPECTIVES-NON-WESTERN-WORLD/DP/1563677555/REF=SR_1_1?S=BOOKS&IE=UTF8&QID=1532266182&S- R=1-1&KEYWORDS=DIVERSITY+IN+DESIGN%3A+PERSPECTIVES+FROM+THE+NON-WESTERN+WORLD%2C+VIBHAVARI+JANI —WHY CAN’T THE US DECOLONIZE ITS DESIGN EDUCATION? HTTPS://EYEONDESIGN.AIGA.ORG/WHY-CANT-THE-U-S-DECOLONIZE-ITS-DESIGN-EDUCATION/ HTTPS://EYEONDESIGN.AIGA.ORG/4-MORE-QUESTIONS-ABOUT-DECOLONIZING-U-S-DESIGN-EDUCATION/ —BLACK IN DESIGN, HSD, 2017 EDITION (LOOK AT THE DESIGN FUTURING PANEL) HTTP://WWW.GSD.HARVARD.EDU/EVENT/BLACK-IN-DESIGN-2017/ —BLACK DESIGNERS: MISSING IN ACTION, CHERYL D. MILLER HTTP://WWW.PRINTMAG.COM/DESIGN-CULTURE-2/HISTORY-2/BLACKS-IN-DESIGN-1987/ —DECOLONIZE BROOKLYN MUSEUM HTTPS://DECOLONIZEBROOKLYNMUSEUM.WORDPRESS.COM/ HTTPS://HYPERALLERGIC.COM/437542/GROWING-COALITION-CALLS-BROOKLYN-MUSE- UM-OUT-OF-TOUCH-AND-DEMANDS-DECOLONIZATION-COMMISSION/ —THE QUILTMAKERS OF GEE’S BEND HTTPS://VIMEO.COM/50174695 —THE WESTERN GRAPHIC DESIGN CURRICULUM MUSN’T CONTINUE TO RESIST DIVERSITY, HARSH PATEL HTTP://DRAWER.HARSHPATEL.COM/ —WHY IS GRAPHIC DESIGN 93% WHITE? HTTPS://WWW.AIGA.ORG/AIGA/CONTENT/TOOLS-AND-RESOURCES/DIVERSITY-AND-INCLUSION/WHY-IS-GRAPHIC-DESIGN-93-WHITE/ —LEMONADE, BEYONCE HTTPS://WWW.YOUTUBE.COM/RESULTS?SEARCH_QUERY=LEMONADE+BEYONCE HTTPS://WWW.SPIN.COM/2016/04/BEYONCE-LEMONADE-HBO-ALBUM-FILM-ANALYSIS/ —LEMONADE, SYLLABUS HTTPS://GISELLEPR.FILES.WORDPRESS.COM/2016/05/LEMONADE-SYLLABUS.PDF —THE MEANING BEHIND THE CLASSICAL PAINTINGS IN BEYONCÉ AND JAY-Z’S “APESHIT,” VOX (ADDED BY ELENA FORAKER) HTTPS://WWW.VOX.COM/CULTURE/2018/6/19/17476212/APESHIT-VIDEO-BEYONCE-JAY-Z-CARTERS-PORTRAIT-NEGRESSE-BENOIST —BLACK PANTHER HTTPS://YOUTU.BE/XJDJIWPWCPU —GET OUT, JORDAN PEELE HTTPS://YOUTU.BE/DZFPYUB60YY —BLACKKKLANSMAN, SPIKE LEE HTTPS://WWW.YOUTUBE.COM/WATCH?V=PFC6I0RGMGY —AFRICAN INFLUENCES IN MODERN ART HTTPS://WWW.METMUSEUM.ORG/TOAH/HD/AIMA/HD_AIMA.HTM —CHEF’S TABLE, NETFLIX SERIES, LOOK AT SEASON 2, EPISODE #4 ON ENRIQUE OLVERA AND VOLUME 3, EPISODE #1 ON JEONG KWAN (SEE ARTICLE ON JEONG KWAN BELOW) HTTPS://WWW.NYTIMES.COM/2015/10/16/T-MAGAZINE/JEONG-KWAN-THE-PHILOSOPHER-CHEF.HTML —AIGA RESPECTFUL DESIGN VIDEO HTTPS://WWW.YOUTUBE.COM/WATCH?V=SESVWI5AAHA —THE NATIVE GRAPHIC DESIGN PROJECT HTTP://WWW.NEEBIN.COM/NATIVEDESIGN/?PAGE_ID=27 —AMERICANS, SMITHSONIAN, NATIONAL MUSEUM OF THE AMERICAN INDIAN HTTPS://NMAI.SI.EDU/AMERICANS/ HTTPS://NMAI.SI.EDU/AMERICANS/#STORIES/THE-INVENTION-OF-THANKSGIVING —A CANADIAN MUSEUM PROMOTES INDIGENOUS ART. BUT DON’T CALL IT ‘INDIAN.’ HTTPS://WWW.NYTIMES.COM/2018/07/13/ARTS/DESIGN/ART-GALLERY-OF-ONTARIO-INDIGENOUS-ART.HTML?RREF=COLLECTION%2FTIMESTOPIC%2FNATIONAL%20 MUSEUM%20OF%20THE%20AMERICAN%20INDIAN&ACTION=CLICK&CONTENTCOLLECTION=TIMESTOPICS&REGION=STREAM&MODULE=STREAM_UNIT&VERSION=LATEST&- CONTENTPLACEMENT=2&PGTYPE=COLLECTION —DECOLONIZING THE ART MUSEUM: THE NEXT WAVE, OLGA VISO HTTPS://WWW.NYTIMES.COM/2018/05/01/OPINION/DECOLONIZING-ART-MUSEUMS.HTML —HISTORY REFUSED TO DIE, EXHIBIT THE MET IN NYC HTTPS://WWW.METMUSEUM.ORG/EXHIBITIONS/LISTINGS/2018/HISTORY-REFUSED-TO-DIE —PEDAGOGY OF THE DECOLONIZING HTTPS://WWW.YOUTUBE.COM/WATCH?V=IN17OS8JAR8 decolonizing Designg Reader_printed_v2_otis at book fair_newspaper club_350x500mm.indd 2-3

—BERLIN BIENNALE: REAL DECOLONIZATION HAS TO HURT HTTPS://WWW.DW.COM/EN/BERLIN-BIENNALE-REAL-DECOLONIZATION-HAS-TO-HURT/A-44112263 —MALCOLM GLADWELL, REVISIONIST HISTORY PODCAST HTTP://REVISIONISTHISTORY.COM/ —MAKING AFRICA: A CONTINENT OF CONTEMPORARY DESIGN (LOOK AT THE ESSAY ON “GRAPHIC DESIGN AND THE DECOLONIZATION AESTHETIC”) HTTPS://WWW.AMAZON.COM/DP/393193652X/?COLIID=I37MY3M9UJRU98&COLID=2SNBWXO0XWX10&PSC=0&REF_=LV_OV_LIG_DP_IT HTTPS://YOUTU.BE/JZIMBVBEGYI —YINKA SHONIBARE HTTPS://WWW.NYTIMES.COM/2018/06/12/ARTS/DESIGN/YINKA-SHONIBARE-EXHIBITION-LONDON.HTML HTTP://WWW.STEPHENFRIEDMAN.COM/EXHIBITIONS/PAST/2018/TALISMAN-IN-THE-AGE-OF-DIFFERENCE/ HTTP://MEDIA.STEPHENFRIEDMAN.COM/FILES/BLACK-MAGIC.PDF HTTPS://YOUTU.BE/X0RAIMV0K4M HTTPS://YOUTU.BE/FSANE1OW5RM HTTPS://YINKASHONIBARE.WORDPRESS.COM/COLONIALISM-AND-POST-COLONIALISM/ —OKWUI ENWEZOR, CURATOR HTTPS://YOUTU.BE/MJKAYB1UXPM HTTPS://POSTWAR.HAUSDERKUNST.DE/EN/ —SYMPOSIUM: THE SEA IS HISTORY: ART AND BLACK ATLANTIC CULTURES HTTPS://YOUTU.BE/VGJH6F7YI60 —AVA DUVERNAY HTTPS://WWW.NYTIMES.COM/2016/01/26/MOVIES/AVA-DUVERNAY-ON-HOLLYWOODS-INCLUSION-PROBLEM.HTML HTTPS://WWW.YOUTUBE.COM/WATCH?V=DHQ75RHJ9WU (LOOK AT THIS!!!!) —OPRAH WINFREY HTTPS://WWW.NYTIMES.COM/2018/01/07/MOVIES/OPRAH-WINFREY-GOLDEN-GLOBES-SPEECH-TRANSCRIPT.HTML HTTPS://YOUTU.BE/FN5HV79_8B8 —ASIKO: ON THE FUTURE OF ARTISTIC AND CURATORIAL PEDAGOGIES IN AFRICA HTTP://WWW.EDDIECHAMBERS.COM/ASIKO-BOOK/ HTTPS://NUBLOCKMUSEUM.BLOG/2017/08/09/BISI-SILVA-ON-BUILDING-SUSTAINABLE-CONTEMPORARY-ARTS-ORGANIZATIONS-IN-NIGERIA-VIDEO/ —JOHN LEGUIZAMO HTTPS://WWW.NYTIMES.COM/2017/11/08/THEATER/JOHN-LEIGUIZAMO-MUSIC-LATIN-HISTORY-MORONS.HTML HTTPS://WWW.NYTIMES.COM/2017/03/27/THEATER/JOHN-LEGUIZAMO-LATIN-HISTORY-FOR-MORONS-REVIEW.HTML HTTPS://YOUTU.BE/RHYAWTU498E HTTPS://YOUTU.BE/IELQKSRYWV4 HTTPS://YOUTU.BE/QHKTJ1_NS_W HTTPS://YOUTU.BE/EXZMEDJ3V8U FREAK, COMIC BOOK, BE AWARE THAT THERE ARE 3 VOLUMES HTTPS://WWW.AMAZON.COM/FREAK-PART-1/DP/0692951717/REF=SR_1_1?IE=UTF8&QID=1532438465&SR=8-1&KEYWORDS=JOHN+LE- GUIZAMO+FREAK%2C+COMIC+BOOK —EMORY DOUGLAS HTTPS://YOUTU.BE/HNY_S4Z4VPW HTTPS://YOUTU.BE/OSXQPG0POHE HTTPS://YOUTU.BE/SIDNKW7NPUC —HISTORY AND ART HISTORY (MISSING) HTTPS://WWW.SMITHSONIANMAG.COM/SMITHSONIAN-INSTITUTION/TWO-ARTISTS-SEARCH-MISSING-HISTORY-180968651/ HTTP://NPG.SI.EDU/EXHIBITION/UNSEEN-OUR-PAST-NEW-LIGHT-KEN-GONZALES-DAY-AND-TITUS-KAPHAR HTTP://GALLERYOFLOSTART.COM/ HTTPS://WWW.NYTIMES.COM/2006/03/07/ARTS/DESIGN/REVISING-ART-HISTORYS-BIG-BOOK-WHOS-IN-AND-WHO-COMES-OUT.HTML HTTPS://WWW.METMUSEUM.ORG/TOAH/ —FELA KUTI HTTPS://WWW.YOUTUBE.COM/WATCH?V=PCPUA4DVUXS (AUDIO) HTTPS://YOUTU.BE/Z7OB9W0CAZS (LIVE IN PERFORMANCE) —THE SHORT CENTURY: INDEPENDENCE AND LIBERATION MOVEMENTS IN AFRICA, 1945–1994 (CATALOGUE, OF HIGHLY INFLUENTIAL SHOW CURATED BY OKWUI ENWEZOR, IS IN THE RISD LIBRARY AND CONTAINS SEVERAL ESSAYS OF INTEREST FOR THIS COURSE) HTTP://MOMAPS1.ORG/EXHIBITIONS/VIEW/193 HTTPS://WWW.NYTIMES.COM/2002/02/17/ARTS/ART-ARCHITECTURE-FERMENT-LIBERATION-COMES-REVOLUTION-AFRICAN-ART.HTML —KADER ATTIA HTTP://KADERATTIA.DE/THE-COLONIAL-MODERN/ HTTPS://NEWS.ARTNET.COM/ART-WORLD/KADER-ATTIA-REPARATIONS-REPAIR-834059 HTTPS://WWW.SPIKEARTMAGAZINE.COM/EN/ARTICLES/RE-APPROPRIATING-COLONY HTTPS://WWW.APOLLO-MAGAZINE.COM/ARCHIVAL-IMPULSE-AN-INTERVIEW-WITH-KADER-ATTIA/ —JANELLE MONAE HTTPS://YOUTU.BE/IHALL95JNYA HTTPS://WWW.THEM.US/STORY/JANELLE-MONAES-DIRTY-COMPUTER-DELIVERS-A-BLACK-FEMINIST-AND-QUEER-VISION-OF-FREEDOM —MARTINE SYMS HTTPS://WWW.YOUTUBE.COM/WATCH?V=IUG5T6YPLDK&INDEX=17&LIST=PL5AJYOXLOMO0CIBC7V68BVTMPIYFMBAJ7 HTTP://MARTINESY.MS/ HTTPS://WWW.THEGUARDIAN.COM/ARTANDDESIGN/2016/MAY/09/MARTINE-SYMS-FACT-AND-TROUBLE-ICA-ART-NOT-MOST-EFFECTIVE-PROTEST —WHY SELF-PUBLISHING IS A “DECOLONIZING” ACT IN THE PHILIPPINES HTTPS://EYEONDESIGN.AIGA.ORG/WHY-SELF-PUBLISHING-IS-A-DECOLONIZING-ACT-IN-THE-PHILIPPINES/ HTTP://WWW.OFFICEOCD.COM/ —MEMORIES OF UNDERDEVELOPMENT: ART AND THE DECOLONIAL TURN IN LATIN AMERICA, 1960–1985 HTTPS://WWW.FUNDACIONJUMEX.ORG/EN/EXPOSICIONES/98-MEMORIAS-DEL-SUBDESARROLLO-EL-GIRO-DESCOLONIAL-EN-EL-ARTE-DE-AMERICA-LATINA-1960-1985 HTTPS://FRIEZE.COM/ARTICLE/ART-AND-DECOLONIAL-TURN-LATIN-AMERICA-1960-1985 —ADAM PENDLETON, BLACK DADA READER HTTP://ADAMPENDLETON.NET/CATEGORY/IMAGE HTTP://ADAMPENDLETON.NET/CATEGORY/TEXT HTTPS://WWW.AMAZON.COM/ADAM-PENDLETON-BLACK-DADA-READER/DP/3960983174/REF=SR_1_1?IE=UTF8&QID=1532440030&SR=8-1&KEYWORDS=BLACK+DADA+READERS —AZTEC CODICES HTTPS://WWW.THEGUARDIAN.COM/TECHNOLOGY/2016/AUG/21/HIDDEN-CODEX-REVEALS-SECRETS-OF-LIFE-IN-MEXICO-BEFORE-SPANISH-CONQUEST HTTPS://EN.WIKIPEDIA.ORG/WIKI/AZTEC_CODICES HTTP://WWW.LIBRARY.ARIZONA.EDU/EXHIBITS/MEXCODEX/INTRO.HTM HTTP://WWW.LIBRARY.ARIZONA.EDU/EXHIBITS/MEXCODEX/AZTEC.HTM —DECOLONIZING DESIGN, PLATFORM HTTP://WWW.DECOLONISINGDESIGN.COM/ —THE ANTI-RACIST CLASSROOM, CONFERENCE AT ART CENTER, LA, 2018 #OSCARSOWHITE 6/25/19 1:41 PM

—@DECOLONIZETHISPLACE (INSTAGRAM)↑As, Not For: Dethroning Our Absolutes, cu- HTTP://WWW.DECOLONIZETHISPLACE.ORG/rated by Jerome Harris. HTTPS://WALKERART.ORG/MAGAZINE/2016-THE-YEAR-ACCORDING-TO-DECOLONIZE-THIS-PLACE HTTPS://FRIEZE.COM/ARTICLE/DOES-OUR-AGE-ART-WORLD-BOYCOTTS-AND-MUSEUM-PROTESTS-PROVE-RESISTANCE-NOT-FUTILE↑Chimamanda Ngozi Adichie —ESTUDIO TEZONTLE (MEXICO) / TEZONTLE_STUDIO (INSTAGRAM)↑Beyonce + Jay-Z, On the Run II. HTTPS://WWW.ARCHITECTURAL-REVIEW.COM/AREA/TEZONTLE-FORM-FOLLOWS-DECAY/10018187.ARTICLE —CRONOCAOS, EXHIBITION BY OMA HTTP://OMA.EU/NEWS/CRONOCAOS-AT-THE-NEW-MUSEUM HTTP://OMA.EU/PROJECTS/VENICE-BIENNALE-2010-CRONOCAOS HTTPS://WWW.NYTIMES.COM/2011/05/24/ARTS/DESIGN/CRONOCAOS-BY-REM-KOOLHAAS-AT-THE-NEW-MUSEUM.HTML —APPROPRIATION/ CULTURAL APPROPRIATION HTTPS://EN.WIKIPEDIA.ORG/WIKI/CULTURAL_APPROPRIATION HTTPS://WWW.THEATLANTIC.COM/ENTERTAINMENT/ARCHIVE/2015/10/THE-DOS-AND-DONTS-OF-CULTURAL-APPROPRIATION/411292/ HTTPS://WWW.THECUT.COM/2018/03/A-DESIGNER-AND-AN-ACTIVIST-TALK-CULTURAL-APPROPRIATION.HTML HTTP://TIME.COM/4203112/BEYONCE-CULTURAL-APPROPRIATION/ HTTPS://WWW.THENATIONAL.AE/LIFESTYLE/FASHION/THE-DELICATE-ART-OF-CULTURAL-APPROPRIATION-IN-DESIGN-1.696941 —AIMÉ CESAIRE, DISCOURSE ON COLONIALISM, 1950 HTTPS://EN.WIKIPEDIA.ORG/WIKI/DISCOURSE_ON_COLONIALISM TRANSLATED FROM THE FRENCH: HTTP://ABAHLALI.ORG/FILES/_DISCOURSE_ON_COLONIALISM.PDF HTTPS://WWW.GOODREADS.COM/AUTHOR/QUOTES/49591.AIM_C_SAIRE —FAIRVIEW, PLAY BY JACKIE SIBBLIES DRURY HTTPS://WWW.NYTIMES.COM/2018/07/06/THEATER/FAIRVIEW-PLAY-RACE.HTML FAIRVIEW READER, @ SOHOREP.ORG —MELINA MATSOUKAS, VIDEO DIRECTOR HTTPS://WWW.NEWYORKER.COM/MAGAZINE/2017/03/06/THE-PROVOCATEUR-BEHIND-BEYONCE-RIHANNA-AND-ISSA-RAE HTTPS://WWW.ELLE.COM/CULTURE/NEWS/A43667/DIRECTOR-MELINA-MATSOUKAS-CAREER-ADVICE/ —DESIGN GETS MORE DIVERSE HTTPS://WWW.NYTIMES.COM/2011/03/21/ARTS/21IHT-DESIGN21.HTML —CIVILIZATIONS BBC/PBS 2018 SERIES ON ART (HISTORY) *NOTE THE PBS AND THE BBC SERIES ARE SLIGHTLY DIFFERENT: HTTP://WWW.PBS.ORG/CIVILIZATIONS/HOME/ HTTPS://HYPERALLERGIC.COM/452722/THE-NEW-BBC-TV-SERIES-AND-WHAT-WE-MEAN-WHEN-WE-SAY-CIVILIZATION/ HERE IS A LINK TO STREAM THE BBC SERIES ONLINE (NOT ALL ARE FOR STREAMING): HTTPS://YOUTU.BE/G26DTLEBIN8 HTTPS://WWW.DAILYMOTION.COM/VIDEO/X6FMXBW HTTPS://WWW.DAILYMOTION.COM/VIDEO/X6FP9AL HTTPS://WWW.DAILYMOTION.COM/VIDEO/X6FQNG2 HTTPS://WWW.DAILYMOTION.COM/VIDEO/X6FU6EX —AN INTERVIEW WITH SWEDISH DESIGNER PARASTO BACKMAN HTTP://BLOG.TYPOGRAPHICS.COM/2018/AN-INTERVIEW-WITH-PARASTO-BACKMAN/ HTTPS://WWW.THEDESIGNKIDS.ORG/INTERVIEWS/STUDIO-PARASTO-BACKMAN —IS THERE A CANON IN GRAPHIC DESIGN HISTORY? BY MARTHA SCOTFORD HTTP://VERYINTERACTIVE.NET/CONTENT/4-LIBRARY/24-IS-THERE-A-CANNON-OF-GRAPHIC-DESIGN-HISTORY/SCOTFORD-IS-THERE-A-CANNON-OF-GRAPHIC-DESIGN-HISTORY.PDF —DESIGN HISTORY IN GLOBALIZATION AND THE PLACE OF EAST ASIAN DESIGN, BY WEN HEUE CHOU HTTP://READINGS.DESIGN/PDF/DESIGN-HISTORY-IN-GLOBALIZATION.PDF —DECOLONIZING AZTEC PICTURE WRITING, BY JANICE ROBERTSON HTTPS://DRIVE.GOOGLE.COM/OPEN?ID=1HZRHV9PRW0WWR_X2WNMEVHFZM4ZXYH5O —BIZARRE FOODS—AZTEC ROUTES OF MEXICO, 2018 HTTPS://YOUTU.BE/55D6OBLNZ88 —BEYONCE, COACHELLA PERFORMANCE HTTPS://YOUTU.BE/2YNUE705GFC OR HTTPS://DRIVE.GOOGLE.COM/FILE/D/1V0LVV8RAD7AZP7FGJEFAOMC-S3JPXXPA/VIEW?USP=SHARING HTTPS://WWW.NYTIMES.COM/2018/04/16/OPINION/BEYONCE-COACHELLA-BLACKNESS.HTML —BLACK TO THE FUTURE: AFRO-FUTURISM 1.0 HTTP://WWW.DETRITUS.NET/CONTACT/RUMORI/200211/0319.HTML —THE MUNDANE AFROFUTURIST MANIFESTO, MARTINE SYMS HTTP://RHIZOME.ORG/EDITORIAL/2013/DEC/17/MUNDANE-AFROFUTURIST-MANIFESTO/ —DESIGN AND INTERSECTIONALITY, ECE CANLI AND LUIZA PRADO DE O. MARTINS HTTP://WWW.DECOLONISINGDESIGN.COM/WP-CONTENT/UPLOADS/2017/06/CANLI-PRADO_DESIGN-AND-INTERSECTIONALITY.PDF —TEACHING TO TRANSGRESS, bell hooks HTTPS://ACADEMICTRAP.FILES.WORDPRESS.COM/2015/03/BELL-HOOKS-TEACHING-TO-TRANSGRESS.PDF HTTPS://RISD.KANOPY.COM/VIDEO/BELL-HOOKS-CULTURAL-CRITICISM-TRANSFORMATION —4 MORE QUESTIONS ABOUT DECOLONIZING U.S. DESIGN EDUCATION, MARGARET ANDERSEN HTTPS://EYEONDESIGN.AIGA.ORG/4-MORE-QUESTIONS-ABOUT-DECOLONIZING-U-S-DESIGN-EDUCATION/ —AIGA, RESPECTFUL DESIGN, VIDEO HTTPS://YOUTU.BE/SESVWI5AAHA —DECOLONIZATION AS AN URGENT IMPERATIVE, 2016 AIGA DESIGN CONFERENCE, SADIE RED WING HTTPS://YOUTU.BE/HI7D_XGI6HK —OPEN UP THE FUTURE, CLAUDIO FERLAUTO HTTP://WWW.EYEMAGAZINE.COM/FEATURE/ARTICLE/OPEN-UP-THE-FUTURE —EYE MAGAZINE, SEARCH FOR “DIVERSITY IN DESIGN,” NOTHING CAME UP WHEN YOU SEARCH “DECOLONIZING DESIGN” HTTP://WWW.EYEMAGAZINE.COM/SEARCH/YTO1ONTZOJG6IMTLEXDVCMRZIJTZOJE5OIJEAXZLCNNPDHKGAW4GZGVZAWDUIJTZOJEXOIJZZWFYY2HFBW9KZSI7CZOZOIJHBGWIO3M6MTE6INJLC3VSDF9WYWDLIJTZOJY6IN- NLYXJJACI7CZOXMDOIY29SBGVJDGLVBII7YTO4ONTPOJA7CZOXOII4IJTPOJE7CZOXOIIYIJTPOJI7CZOXOII5IJTPOJM7CZOXOII1IJTPOJQ7CZOXOII3IJTPOJU7CZOXOIIZIJTPOJY7CZOXOII0IJTPOJC7CZOXOII2IJT9CZOXM- DOIBG9VC2VFZW5KCYI7YJOXO30 —APPROPRIATION HTTPS://WWW.TATE.ORG.UK/ART/ART-TERMS/A/APPROPRIATION CULTURAL APPROPRIATION HTTP://WWW.THEWEEK.CO.UK/CULTURAL-APPROPRIATION WHAT DOES ‘CULTURAL APPROPRIATION’ ACTUALLY MEAN? BY CONOR FRIEDERSDORF HTTPS://WWW.THEATLANTIC.COM/POLITICS/ARCHIVE/2017/04/CULTURAL-APPROPRIATION/521634/ APPROPRIATION AND THE ART OF THE COPY, BY ELIZABETH MIX decolonizing Designg Reader_printed_v2_otis at book fair_newspaper club_350x500mm.indd 4-5

HTTP://CITESEERX.IST.PSU.EDU/VIEWDOC/DOWNLOAD?DOI=10.1.1.893.8601&REP=REP1&TYPE=PDF ↑I am not your Negro, James Baldwin. ANDRÉ ALEXIS: THE COMPLEX ISSUES WITHIN CULTURAL APPROPRIATION AND ART, BY ANDRE ALEXIS HTTPS://WWW.THEGLOBEANDMAIL.COM/ARTS/ANDRE-ALEXIS-THE-COMPLEX-ISSUES-OF-CULTURAL-APPROPRIATION-AND-ART/ARTICLE34976557/ —KELLY MARIE TRAN: I WON’T BE MARGINALIZED BY ONLINE HARASSMENT HTTPS://WWW.NYTIMES.COM/2018/08/21/MOVIES/KELLY-MARIE-TRAN.HTML —A PEOPLE’S HISTORY OF THE UNITED STATES, BY HOWARD ZINN HTTPS://MVLINDSEY.FILES.WORDPRESS.COM/2015/08/PEOPLES-HISTORY-ZINN-1980.PDF HTTPS://EN.WIKIPEDIA.ORG/WIKI/A_PEOPLE%27S_HISTORY_OF_THE_UNITED_STATES HISTORY IS A WEAPON: WHAT IS RADICAL HISTORY, BY HOWARD ZINN HTTP://WWW.HISTORYISAWEAPON.COM/DEFCON1/ZINNWHATISRADICALHISTORY.HTML —AUGUST WILSON, THE GROUND ON WHICH I STAND, A SPEECH ON BLACK THEATER AND PERFORMANCE,1996 HTTPS://WWW.AMERICANTHEATRE.ORG/2016/06/20/THE-GROUND-ON-WHICH-I-STAND/ THE GROUND ON WHICH WE STAND: DIVERSITY AND OPPORTUNITY IN AMERICAN THEATRE—APRIL 18, 2016 (THIS IS A CONFERENCE AT PRINCETON, RELATED TO AUGUST WILSON SPEECH ON AMERICAN THEATER IN 1996 ABOUT THE LACK OF DIVERSITY IN THEATER, ESSAY IS ABOVE). HTTPS://YOUTU.BE/NLKR-IU5UHC THE GROUND ON WHICH I STAND, PBS DOCUMENTARY ON AUGUST WILSON HTTPS://YOUTU.BE/8EFEDHGUZQW —TA-NEHISI COATES, WRITINGS IN THE ATLANTIC HTTPS://WWW.THEATLANTIC.COM/AUTHOR/TA-NEHISI-COATES/ —HOW FOLK ART BECOMES DESIGN — AND VICE VERSA HTTPS://WWW.VITRA.COM/EN-US/MAGAZINE/DETAILS/HOW-FOLK-ART-BECOMES-DESIGN —BLACK CREATIVES AREN’T JUST AROUND IN FEBRUARY: AN INTERVIEW WITH MAURICE CHERRY HTTPS://DESIGNOBSERVER.COM/FEATURE/BLACK-CREATIVES-ARENT-JUST-AROUND-IN-FEBRUARY-AN-INTERVIEW-WITH-MAURICE-CHERRY/39819 —SEARCH FOR “RACIAL DIVERSITY” IN DESIGN OBSERVER HTTPS://DESIGNOBSERVER.COM/SEARCH.PHP —ANTIONETTE CARROLL HTTP://WWW.CREATIVEREACTIONLAB.COM/ HTTPS://YOUTU.BE/EEBMX5ZEJL0 HTTPS://MEDIUM.COM/EQUAL-SPACE/JUSTICE-BY-DESIGN-A-TED-TALKS-ABOUT-EQUITY-COMMUNITY-DESIGN-AND-LIVING-EXPERTS-BCC34778F3AB HTTPS://DESIGNOBSERVER.COM/FEATURE/ANTIONETTE-CARROLL-AND-ALBERT-SHUM-LEARNING-THROUGH-ACTION/39899 HTTPS://YOUTU.BE/SFMED3P8YKQ HTTPS://YOUTU.BE/Z9XKBGDORHU —AIGA: DIVERSITY AND INCLUSION HTTP://AIGANY.ORG/GET-INVOLVED/DIVERSITY-AND-INCLUSION/ —THE LANGUAGE OF DESIGN IMPERIALISM, MARIA POPOVA HTTPS://DESIGNOBSERVER.COM/FEATURE/THE-LANGUAGE-OF-DESIGN-IMPERIALISM/14718 —LIST OF READINGS ON RACE IN DESIGN (NAVIGATE TO RACE) ALSO TAKE A LOOK AT THIS REALLY GOOD RESOURCE OF READINGS HTTP://READINGS.DESIGN/ —WHAT’S THE “CRYSTAL GOBLET” IN KOREAN? JIWON LEE HTTPS://DESIGNOBSERVER.COM/ARTICLE.PHP?ID=29138 —GETTING OTHERS RIGHT, TEJU COLE, 2017 HTTPS://WWW.NYTIMES.COM/2017/06/13/MAGAZINE/GETTING-OTHERS-RIGHT.HTML?RREF=COLLECTION%2FBYLINE%2FTEJU-COLE&ACTION=CLICK&CONTENTCOLLECTION=UNDEFINED&REGION=STREAM&MOD- ULE=STREAM_UNIT&VERSION=LATEST&CONTENTPLACEMENT=4&PGTYPE=COLLECTION —SEARCHING FOR A BLACK AESTHETIC IN AMERICAN GRAPHIC DESIGN, SYLVIA HARRIS HTTP://READINGS.DESIGN/PDF/HARRIS-BLACKAESTHETIC.PDF —DORI TUNSTALL, DEAN AT OCAD UNIVERSITY IN TORONTO HTTPS://WWW.AZUREMAGAZINE.COM/ARTICLE/ELIZABETH-DORI-TUNSTALL-OCAD/ HTTP://DORI3.TYPEPAD.COM/ HTTP://DORI3.TYPEPAD.COM/ HTTPS://WWW.COMMARTS.COM/COLUMNS/TUNSTALL HTTPS://EYEONDESIGN.AIGA.ORG/DESIGNS-ROLE-IN-ACTIVISM-CAN-GO-DEEPER-THAN-POSTERS-AND-T-SHIRTS/ HTTPS://DESIGNOBSERVER.COM/FEATURE/CHAIN-LETTERS-DORI-TUNSTALL/39886 HTTPS://DESIGNOBSERVER.COM/FEATURE/DORI-TUNSTALL/30258 HTTPS://WWW.YOUTUBE.COM/WATCH?V=IEUYGRGQAAM (ADDED BY AISHA JANDOSOVA) HTTPS://VIMEO.COM/204728326 HTTPS://YOUTU.BE/IEUYGRGQAAM —DECOLONIZE IN CANADA HTTPS://WWW.CBC.CA/NEWS/CANADA/PRINCE-EDWARD-ISLAND/PEI-DECOLONIZING-EDUCATION-1.4316838 HTTPS://MONTREALGAZETTE.COM/NEWS/NATIONAL/OPINION-DECOLONIZING-CANADA HTTPS://WWW.CBC.CA/RADIO/IDEAS/DECOLONIZATION-THE-NEXT-150-ON-INDIGENOUS-LANDS-1.4295523 —SLANTED MAGAZINE (LOOK FOR ISSUES DEDICATED TO PARTICULAR COUNTRIES/CITIES, WITH CONTEXTUAL AND HISTORICAL INFORMATION ABOUT THE DESIGN COMMUNITIES IN THOSE PARTICULAR AREAS) CUBA ISTANBUL ATHENS TOKYO —CHICHA POSTERS, PERU CHICHA POSTER ART FROM PERU (2ND LINK HAS A VIDEO) HTTPS://WWW.PINTEREST.COM/PIN/427490189600894972/?LP=TRUE HTTP://CREATIVEROOTS.ORG/2012/08/CHICHA-POSTER-ART-FROM-PERU/ HTTPS://WWW.GOOGLE.COM/SEARCH?BIW=1057&BIH=1041&TBM=ISCH&SA=1&EI=4ED-W6NKHZTB7GK-7KEOCW&Q=CHICHA+POSTER+ART&OQ=CHICHA+POSTER+ART&GS_L=IMG.3...70558.74371.0.74506.23.19.2.0.0.0.224.1 903.0J10J2.12.0....0...1C.1.64.IMG..9.12.1608...0J0I67K1J0I10K1J0I10I24K1J0I8I30K1J0I30K1.0.KK_UA2XCUL0 HTTPS://WWW.YOUTUBE.COM/WATCH?V=IWQMTLIEJJQ —W.E.B. DUBOIS HTTP://WWW.WEBDUBOIS.ORG/INDEX.HTML HTTPS://HYPERALLERGIC.COM/306559/W-E-B-DU-BOISS-MODERNIST-DATA-VISUALIZATIONS-OF-BLACK-LIFE/ THE COMET, SHORT STORY BY DUBOIS (LAST SECTION HERE): HTTPS://WWW.GUTENBERG.ORG/FILES/15210/15210-H/15210-H.HTM —THE NEW CULTURAL POLITICS OF DIFFERENCE, CORNEL WEST HTTPS://DRIVE.GOOGLE.COM/FILE/D/1OFXRJ1SQRWUHV5KKXIMHVQPQ6KQIWATW/VIEW?USP=SHARING —THE GHOST OF CORNEL WEST, MICHAEL ERIC DYSON HTTPS://NEWREPUBLIC.COM/ARTICLE/121550/CORNEL-WESTS-RISE-FALL-OUR-MOST-EXCITING-BLACK-SCHOLAR-GHOST 6/25/19 1:41 PM

↑Adrien Piper @ MOMA. —POST-COLONIAL THEORY: ORIENTALISM, EDWARD SAID HTTPS://YOUTU.BE/FVC8EYD_Z_G ↑@johnleguizamo, a syllabus for Latin HTTPS://SITES.EVERGREEN.EDU/POLITICALSHAKESPEARES/WP-CONTENT/UPLOADS/SITES/33/2014/12/SAID_FULL.PDF History for Morons. HTTPS://ARTHISTORYUNSTUFFED.COM/POST-COLONIAL-THEORY-EDWARD-SAID/ YOCUBA BONDE, BURKINA FASO —AARON DOUGLAS HTTP://WWW.AARONDOUGLAS.KU.EDU/RESOURCES/FAMILY_GUIDE.PDF —LOUISE E. JEFFERSON HTTPS://WWW.AIGA.ORG/DESIGN-JOURNEYS-LOUISE-E-JEFFERSON —CHARLES DAWSON HTTPS://WWW.AIGA.ORG/DESIGN-JOURNEYS-CHARLES-DAWSON HTTPS://WWW.LIB.UCHICAGO.EDU/COLLEX/EXHIBITS/RACE-AND-DESIGN-AMERICAN-LIFE/KINGDOM-COMMERCE/CHARLES-DAWSON/ —ROMARE BEARDEN HTTPS://BEARDENFOUNDATION.ORG/ HTTP://WWW.ARTNET.COM/ARTISTS/ROMARE-BEARDEN/ —MINNIE PWERLE HTTP://WWW.REDROCKGALLERY.NET/PAGES/MINNIE-PWERLE.HTML —GLORIA PETYARRE HTTP://WWW.ARTCOLLECTOR.NET.AU/GLORIATAMERREPETYARRETRUECOLOURSOFUTOPIA HTTPS://EN.WIKIPEDIA.ORG/WIKI/GLORIA_PETYARRE —OOSPAL HTTP://WWW.OSPAAAL.COM/ HTTPS://EN.WIKIPEDIA.ORG/WIKI/ORGANIZATION_OF_SOLIDARITY_WITH_THE_PEOPLE_OF_ASIA,_AFRICA_AND_LATIN_AMERICA —ARTHUR BISPO DO ROSARIO HTTP://WWW.PHAIDON.COM/AGENDA/ART/ARTICLES/2012/NOVEMBER/09/WHY-IS-ARTHUR-BISPO-DO-ROSARIO-SO-REVERED-RIGHT-NOW/ HTTPS://THECULTURETRIP.COM/SOUTH-AMERICA/BRAZIL/ARTICLES/ARTHUR-BISPO-DO-ROS-RIO-ART-AS-SALVATION/ HTTPS://YOUTU.BE/IST22V1U-HY —AEKENE IJEOMA HTTPS://STUDIOIJEOMA.COM/ABOUT HTTPS://YOUTU.BE/SCLFITSV3FC HTTPS://PIGEONSANDPLANES.COM/INTERVIEWS/2018/01/EKENE-IJEOMA-JAZZ-DATA-MASS-INCARCERATION-INTERVIEW —BEA FEITLER HTTPS://WWW.AIGA.ORG/MEDALIST-BEAFEITLER HTTP://WWW.HISTORYGRAPHICDESIGN.COM/THE-AGE-OF-INFORMATION/THE-NEW-YORK-SCHOOL/251-BEA-FEITLER —REI KAWAKUBO, COMME DE GARCON HTTPS://WWW.NYTIMES.COM/2017/05/01/FASHION/REI-KAWAKUBOS-COMMES-DE-GARCONS.HTML HTTPS://WWW.THEGUARDIAN.COM/FASHION/2017/MAY/05/REI-KAWABUKO-FASHION-MET-GALA-INTERVIEW HTTPS://WWW.NYTIMES.COM/2012/05/31/FASHION/REI-KAWAKUBO-OF-COMME-DES-GARCONS-VEILED-LIKE-MONA-LISA.HTML HTTPS://WWW.NYBOOKS.COM/ARTICLES/2017/09/28/REI-KAWAKUBO-CLOTHES-THAT-DONT-NEED-YOU/ —SIMONE LEE HTTPS://WWW.NYTIMES.COM/2018/08/29/ARTS/DESIGN/SIMONE-LEIGH-SCULPTURE-HIGH-LINE.HTML?RREF=COLLECTION%2FSECTIONCOLLECTION%2FARTS&ACTION=CLICK&CONTENTCOLLECTION=ARTS&RE- GION=RANK&MODULE=PACKAGE&VERSION=HIGHLIGHTS&CONTENTPLACEMENT=1&PGTYPE=SECTIONFRONT —ARTURO ESCOBAR: DESIGNS FOR THE PLURIVERSE HTTPS://YOUTU.BE/8OUY7AN6XPS HTTP://ROROTOKO.COM/INTERVIEW/20180423_ESCOBAR_ARTURO_ON_BOOK_DESIGNS_PLURIVERSE_RADICAL_INTERDEPENDENCE/ —GLORIA E. ANZALDUA HTTP://COURSES.WASHINGTON.EDU/COM597J/PDFS/ANZALDUA,BORDERLANDS.PDF HTTPS://EN.WIKIPEDIA.ORG/WIKI/GLORIA_E._ANZALD%C3%BAA HTTP://COURSES.WASHINGTON.EDU/COM597J/PDFS/ANZALDUA,BORDERLANDS.PDF —TERESITA FERNANDEZ HTTP://AUTUMNNOTHINGPERSONAL.ARTS.HARVARD.EDU/ —DIVERSITY IN TELEVISION HTTPS://WWW.NYTIMES.COM/2018/09/02/ARTS/TELEVISION/TV-WRITERS-DIVERSITY.HTML?RREF=COLLECTION%2FSECTIONCOLLECTION%2FARTS&ACTION=CLICK&CONTENTCOLLECTION=ARTS&REGION=RANK&MOD- ULE=PACKAGE&VERSION=HIGHLIGHTS&CONTENTPLACEMENT=1&PGTYPE=SECTIONFRONT —CLAUDIA RANKINE, CITIZEN: AN AMERICAN LYRIC HTTPS://YOUTU.BE/I-SNKU3T7IA HTTPS://YOUTU.BE/8RYLFX9OG54 HTTPS://YOUTU.BE/2SBPWNN09N8 HTTPS://YOUTU.BE/8RYLFX9OG54 HTTPS://WWW.NYTIMES.COM/2014/12/28/BOOKS/REVIEW/CLAUDIA-RANKINES-CITIZEN.HTML HTTPS://WWW.NYBOOKS.COM/ARTICLES/2015/04/23/CLAUDIA-RANKINE-NEW-WAY-WRITING-ABOUT-RACE/ HTTP://1.DROPPDF.COM/FILES/ZBFF0/CITIZEN-AN-AMERICAN-LYRIC-CLAUDIA-RANKINE.PDF —TONY FRY HTTPS://YOUTU.BE/A-THYIYP7MU —MANUEL DE LANDA, A THOUSAND YEARS OF NON-LINEAR HISTORY HTTPS://YOUTU.BE/U3AE3Z6LLMC —GD HISTORY FROM A GLOBAL PERSPECTIVE, WEN HUEI CHOU HTTPS://DRIVE.GOOGLE.COM/FILE/D/1M1IPIZ55OUIFQLG8BAYRQLNKKFNMHB0U/VIEW —CHEAT SHEET FOR A NON (OR LESS) COLONIALIST SPECULATIVE DESIGN HTTPS://MEDIUM.COM/A-PAREDE/CHEAT-SHEET-FOR-A-NON-OR-LESS-COLONIALIST-SPECULATIVE-DESIGN-9A6B4AE3C465 —7 THINGS YOU CAN DO TO MAKE YOUR ART LESS RACIST—A COMPREHENSIVE HOW TO GUIDE HTTP://MICMOVEMENT.COM/2013/02/7-THINGS-YOU-CAN-DO-TO-MAKE-YOUR-ART-LESS-RACIST-A-COMPREHENSIVE-HOW-TO-GUIDE/ —LITTLE BY LITTLE (1969), JEAN ROUCHE (EL) HTTPS://WWW.YOUTUBE.COM/WATCH?V=OFX90VYI0JK —GLOBAL FUTURES LAB (EL) HTTPS://WWW.GLOBALFUTURESLAB.COM/ HTTPS://VIMEO.COM/259035687 —DESIGN HISTORY ISN’T REPEATING ITSELF—SO WHY IS THE WAY WE TEACH IT? AIGA, EYE ON DESIGN MAGAZINE, 2018 HTTPS://DRIVE.GOOGLE.COM/OPEN?ID=1TUYP9AKH-0BM3JRFRUHYETB6ME8OWSXF —THE WORK OF DESIGN IN THE AGE OF CULTURAL SIMULATION, OR, DECOLONIALITY AS EMPTY SIGNIFIER IN DESIGN HTTPS://MEDIUM.COM/@AANSARI86/THE-SYMBOLIC-IS-JUST-A-SYMPTOM-OF-THE-REAL-OR-DECOLONIALITY-AS-EMPTY-SIGNIFIER-IN-DESIGN-60BA646D89E9 decolonizing Designg Reader_printed_v2_otis at book fair_newspaper club_350x500mm.indd 6-7

—W. E. B. DU BOIS’S DATA PORTRAITS. VISUALIZING BLACK AMERICA, WHITNEY BATTLE-BAPTISTE, BRITT RUSERT ↑1491, Charles C. Mann. HTTPS://WWW.AMAZON.COM/W-BOISS-DATA-PORTRAITS-VISUALIZING/DP/1616897066/REF=SR_1_2?CRID=104F0BEQ38YGS&KEYWORDS=WEB+DUBOIS+DATA+PORTRAITS&QID=1561467909&S=GATEWAY&SPREFIX- =WEB+DUBOI%2CAPS%2C128&SR=8-2 —HOW WE GET FREE: BLACK FEMINISM AND THE COMBAHEE RIVER COLLECTIVE EDITED BY KEEANGA-YAMAHTTA TAYLOR HTTPS://WWW.AMAZON.COM/HOW-WE-GET-FREE-COLLECTIVE/DP/1608468550 —DAPPER Q’S SHOW AT NY FASHION WEEK — QUEERING / DECOLONIZING FASHION WEEK HTTPS://WWW.INSTAGRAM.COM/EXPLORE/TAGS/DAPPERQNYFW/ —REVIEWS OF BERLIN BIENNIAL WE DON’T NEED ANOTHER HERO (A SHOW CURATED COLLABORATIVELY BY BLACKS FROM AFRICA OR FROM THE DISPORA), THE CURATOR GABI NGCOBO SAID “WE ARE NOT HERE TO EDU- CATE PEOPLE ABOUT POSTCOLONIALITY, DECOLONIALITY,” SHE SAYS. “WE REFUSE TO PROVIDE THIS AS A SERVICE—TO EDUCATE, TO HELP DECIPHER, TO CORRECT.” HTTPS://WWW.ARTINAMERICAMAGAZINE.COM/REVIEWS/BERLIN-BIENNALE-2/#SLIDESHOW_98733.2 —AGE, RACE, CLASS AND SEX: WOMEN REDEFINING DIFFERENCE, AUDRE LORDE HTTPS://WWW.COLORADO.EDU/ODECE/SITES/DEFAULT/FILES/ATTACHED-FILES/RBA09-SB4CONVERTED_8.PDF —BLACK DESIGNERS EXHIBIT AT MICA, SEPT. 2018 HTTPS://EYEONDESIGN.AIGA.ORG/CELEBRATING-THE-AFRICAN-AMERICAN-PRACTITIONERS-ABSENT-FROM-WAY-TOO-MANY-CLASSROOM-LECTURES/ HTTP://WWW.BMOREART.COM/2018/09/BLACK-GRAPHIC-DESIGN-AN-EXHIBIT-AT-MICA.HTML HTTP://AFROPUNK.COM/2018/09/BLACK-GRAPHICS-CELEBRATING-DESIGNERS-OF-COLOR/ —BUILDING HUMANE CITIES, TED RADIO HOUR, FRIDAY, SEPT. 28, 2018 HTTPS://WWW.NPR.ORG/PROGRAMS/TED-RADIO-HOUR/ —ACHILLE MBEMBE. RETHINKING DEMOCRACY BEYOND THE HUMAN. 2017 HTTPS://YOUTU.BE/A_K3YIUPGOK —PHILOSOPHY IS THE NEW BATTLEGROUND IN SOUTH AFRICA’S FIGHT AGAINST COLONIALISM HTTPS://QZ.COM/1332351/PHILOSOPHY-IS-THE-NEW-BATTLEGROUND-IN-SOUTH-AFRICAS-FIGHT-AGAINST-COLONIALISM/ —REWRITING HISTORY, JEANNETTE EHLERS (VIDEO, MAD LAB) HTTPS://WWW.MADFEED.CO/VIDEO/REWRITING-HISTORY-JEANNETTE-EHLERS/ HTTP://WWW.JEANNETTEEHLERS.DK/INDEX.HTML —EMERGE INTERVIEW: SADIE RED WING HTTP://EMERGE.AIGA.ORG/2018/10/02/INTERVIEW-SADIE-RED-WING/ —ALEXANDRA BELL HTTP://WWW.ALEXANDRABELL.COM/ HTTPS://WWW.NYTIMES.COM/2017/12/07/ARTS/DESIGN/ARTIST-ALEXANDRA-BELL-DISSECTS-THE-NEW-YORK-TIMES.HTML —TANIA BRUGUERA ON THE TATE COMMISSION HTTPS://WWW.APOLLO-MAGAZINE.COM/TANIA-BRUGUERA-ON-TRANSFORMING-TATE-MODERNS-TURBINE-HALL/ —IN LITERATURE, WHO DECIDES WHEN HOMAGE BECOMES THEFT? HTTPS://WWW.NYTIMES.COM/2018/10/08/T-MAGAZINE/LITERATURE-HOMAGE-THEFT-APPROPRIATION.HTML?RREF=COLLECTION%2FSECTIONCOLLECTION%2FT-MAGAZINE&ACTION=CLICK&CONTENTCOLLEC- TION=T-MAGAZINE&REGION=STREAM&MODULE=STREAM_UNIT&VERSION=LATEST&CONTENTPLACEMENT=2&PGTYPE=SECTIONFRONT —RALPH LEMON (NO HIERARCHIES) HTTPS://WWW.MOMA.ORG/LEARN/MOMA_LEARNING/RALPH-LEMON-UNTITLED-2008-2/ HTTPS://WWW.FOUNDATIONFORCONTEMPORARYARTS.ORG/RECIPIENTS/RALPH-LEMON HTTPS://WWW.YOUTUBE.COM/WATCH?V=ZD_0VREV02S HTTPS://WWW.ARTANDEDUCATION.NET/CLASSROOM/VIDEO/168608/ADAM-PENDLETON-RALPH-LEMON-AND-TRIPLE-CANOPY-NEITHER-HERE-NOR-NOW —TITUS KAPHAR HTTPS://KAPHARSTUDIO.COM/ HTTPS://WWW.TED.COM/TALKS/TITUS_KAPHAR_CAN_ART_AMEND_HISTORY HTTPS://WWW.NYTIMES.COM/2018/08/10/OPINION/CHARLOTTESVILLE-CONFEDERATE-MONUMENTS.HTML —(RE)MAKING HISTORY: THE REAL STORY IS BIGGER AND BETTER | KEVIN GOVER HTTPS://WWW.YOUTUBE.COM/WATCH?V=PTHEAF7OQMW —AFRICOBRA HTTP://WWW.AREACHICAGO.ORG/THE-HISTORY-PHILOSOPHY-AND-AESTHETICS-OF-AFRICOBRA/ HTTPS://WWW.THEGUARDIAN.COM/ARTANDDESIGN/2018/JUN/15/AFRICOBRA-NOW-EXHIBITION-NEW-YORK-BLACK-ARTS-MOVEMENT —SEARCHING FOR A BLACK AESTHETIC IN AMERICAN GRAPHIC DESIGN, SYLVIA HARRIS HTTP://READINGS.DESIGN/PDF/HARRIS-BLACKAESTHETIC.PDF —POSING MODERNITY: THE BLACK MODEL FROM MANET AND MATISSE TO TODAY @COLUMBIA UNIVERSITY, WALLACH ART GALLERY HTTPS://WWW.NYTIMES.COM/2018/10/25/ARTS/NEW-ATTENTION-FOR-FIGURES-IN-THE-BACKGROUND.HTML HTTPS://WALLACH.COLUMBIA.EDU/EXHIBITIONS/POSING-MODERNITY-BLACK-MODEL-MANET-AND-MATISSE-TODAY —THE UNREALITY OF RACIAL JUSTICE CINEMA, NY TIMES HTTPS://WWW.NYTIMES.COM/2018/10/24/MOVIES/RACIAL-JUSTICE-CINEMA.HTML?RREF=COLLECTION%2FSECTIONCOLLECTION%2FARTS&ACTION=CLICK&CONTENTCOLLECTION=ARTS&REGION=RANK&MODULE=PACK- AGE&VERSION=HIGHLIGHTS&CONTENTPLACEMENT=2&PGTYPE=SECTIONFRONT —DECOLONIZATION IS NOT A METAPHOR, EVE TUCK HTTPS://JPS.LIBRARY.UTORONTO.CA/INDEX.PHP/DES/ARTICLE/VIEW/18630/15554 —SAFI MAFUNDIKWA HTTPS://WWW.AIGA.ORG/DESIGN-JOURNEYS-SAKI-MAFUNDIKWA HTTP://AFRICANDIGITALART.COM/2009/09/SAKI-MAFUNDIKWA/ HTTPS://WWW.TED.COM/TALKS/SAKI_MAFUNDIKWA_INGENUITY_AND_ELEGANCE_IN_ANCIENT_AFRICAN_ALPHABETS?UTM_CAMPAIGN=TEDSPREAD&UTM_MEDIUM=REFERRAL&UTM_SOURCE=TEDCOMSHARE —DECOLONIAL DOCUMENTS, PART 1 & 2 FRIEZE MAGAZINE, 2018 HTTPS://FRIEZE.COM/ARTICLE/DECOLONIAL-DOCUMENTS-PART-ONE HTTPS://FRIEZE.COM/ARTICLE/DECOLONIAL-DOCUMENTS-PART-TWO —LATIN HISTORY FOR MORON’S—SYLLABI BY JOHN LEGUIZAMO, NOV. 2018 HTTPS://WWW.NETFLIX.COM/TITLE/80225421 —TYPEGEIST.ORG (TYPE DIRECTORS CLUB) HTTP://TYPEGEIST.ORG/ —QUEER. ARCHIVE. WORK, EDITED BY PAUL SOULELLIS HTTPS://QUEER.ARCHIVE.WORK/ —DECOLONISING ARCHIVES, L’INTERNATIONALE HTTP://WWW.INTERNATIONALEONLINE.ORG/MEDIA/FILES/DECOLONISINGARCHIVES_PDF_DEF_02.PDF —DOES ABSTRACTION BELONG TO WHITE PEOPLE?, BY MIGUEL GUTIERREZ, BOMB MAGAZINE HTTPS://BOMBMAGAZINE.ORG/ARTICLES/MIGUEL-GUTIERREZ-1/ —EXPANDING KNOWLEDGES: PEDAGOGIES OF FREEDOM FOR VISUAL COMMUNICATION HTTPS://DEPATRIARCHISEDESIGN.COM/ 6/25/19 1:42 PM

↑The Bauhaus at 100. — “HOW I LEARNED TO STOP WORRYING AND LOVE DISCUSSING RACE,” JAY SMOOTH HTTPS://WWW.YOUTUBE.COM/WATCH?V=MBDXEFCQTAU —QUEER ARCHIVE, BY PAUL SOULELLIS HTTPS://QUEER.ARCHIVE.WORK/ —THE TRANSFORMATION OF SILENCE INTO LANGUAGE AND ACTION HTTPS://WGS10016.COMMONS.GC.CUNY.EDU/LORDE-POETRY-IS-NOT-A-LUXURY/ →TINYURL.COM/Y43SUKUU →TINYURL.COM/Y43SUKUU →TINYURL.COM/Y43SUKUU →TINYURL.COM/Y43SUKUU →TINYURL.COM/Y43SUKUU →TINYURL.COM/Y43SUKUU —AFRICAN AMERICAN DESIGNERS IN CHICAGO: ART, COMMERCE AND THE POLITICS OF RACE HTTPS://YOUTU.BE/4FS_3O1GB5W HTTPS://WWW.CHICAGO.GOV/CITY/EN/DEPTS/DCA/SUPP_INFO/DESIGNERS.HTML HTTPS://WWW.CHICAGO.GOV/CONTENT/DAM/CITY/DEPTS/DCA/CCC%20EXHIBITS/DESIGNERS/AADEXHIBITEXPLORER.PDF —THE HISTORY OF THE RENAISSANCE WORLD: FROM THE REDISCOVERY OF ARISTOTLE TO THE CONQUEST OF CONSTANTINOPLE. A NON EUROCENTRIC LOOK AT CONCURRENT EVENTS AROUND THE WORLD DURING THE RENAISSANCE PERIOD. IT OPENS BY CREDITING ISLAM FOR PRESERVING CLASSICAL LITERATURE WHICH WAS TRANSLATED TO ARABIC DURING THE ISLAMIC PERIOD IN SPAIN AND OTHERWISE WOULD HAVE BEEN LOST. HTTPS://WWW.AMAZON.COM/HISTORY-RENAISSANCE-WORLD-REDISCOVERY-CONSTANTINOPLE/DP/0393059766 — —TITUS KAPHAR ON PUTTING BLACK FIGURES BACK INTO ART HISTORY AND HIS SOLUTION FOR THE PROBLEM OF CONFEDERATE MONUMENTS HTTPS://NEWS.ARTNET.COM/ART-WORLD/TITUS-KAPHAR-ERASURE-ART-HISTORY-1497391 —BEYONCE, HOMECOMING HTTPS://WWW.NETFLIX.COM/TITLE/81013626 —THE UNDERCOMMONS, FUGITIVE PLANNING & BLACK STUDY, FRED MOTEN AND STEFANO HARNEY HTTP://WWW.MINORCOMPOSITIONS.INFO/WP-CONTENT/UPLOADS/2013/04/UNDERCOMMONS-WEB.PDF —FRED MOTEN’S RADICAL CRITIQUE OF THE PRESENT HTTPS://WWW.NEWYORKER.COM/CULTURE/PERSONS-OF-INTEREST/FRED-MOTENS-RADICAL-CRITIQUE-OF-THE-PRESENT —CHRISTINA SHARPE AND TORKWASE DYSON IN CONVERSATION HTTPS://WWW.YOUTUBE.COM/WATCH?V=BMMVQXZ2HEG&T=167S WHY THIS READER? PART 2 AS A DESIGNER, I HAVE COME TO TERMS —WHAT DOES IT MEAN TO DECOLONIZE DESIGN? DISMANTLING DESIGN HISTORY 101, BY ANOUSHKA KHANDWALA WITH THE FACT THAT WHAT AND WHO HTTPS://EYEONDESIGN.AIGA.ORG/WHAT-DOES-IT-MEAN-TO-DECOLONIZE-DESIGN/ DESIGN HISTORY HAS BEEN INTERESTED IN CANONIZING, UP TO THIS POINT, DOES —THE POLITICS OF DESIGN: I READ THE BOOK. HOW CAN DESIGN BECOME MORE RESPONSIVE AND INCLUSIVE? BY RUBEN PATER NOT REFLECT ME, MY CULTURES, MY VAL- HTTP://THEPOLITICSOFDESIGN.COM/ UES, AND MANY OF THE TENETS THAT MAKE ME A CITIZEN, A DESIGNER, AND A —CAN HISTORY BE CORRECTED? BY VICTOR MARGOLIN TEACHER. I DON’T SEE MYSELF REFLECTED HTTPS://CHICAGODESIGNARCHIVE.ORG/RESOURCE/CAN-HISTORY-BE-CORRECTED IN MUCH OF THE NARRATIVE OF DESIGN— NOT IN THE HISTORY, THE THEORY, THE —THE BAROQUE AND THE MARVELOUS REAL, BY ALEJO CARPENTIER PRACTITIONERS OR THE OUTCOMES…” HTTPS://ACADEMICS.SKIDMORE.EDU/BLOGS/TRANSNATIONAL-S19/FILES/2014/07/CARPENTIER_THE-BAROQUE-AND-THE-MARVELOUS-REAL-.PDF —HOW CAN FASHION BE INDIGENIZED? HTTPS://WALKERART.ORG/MAGAZINE/SOUNDBOARD-INDIGENIZING-FASHION-AMBER-DAWN-BEAR-ROBE —RAMON TEJADA, “WE MUST TOPPLE THE —SUBCULTURE: THE MEANING OF STYLE TROPES, CRIPPLE THE CANON, ” WALKER ART HTTPS://EN.WIKIPEDIA.ORG/WIKI/SUBCULTURE:_THE_MEANING_OF_STYLE CENTER SOUNDBOARD READER, JULY 2018 —SO, GUTENBERG DIDN’T ACTUALLY INVENT THE PRINTING PRESS: ON THE UNSUNG CHINESE AND KOREAN HISTORY OF MOVABLE TYPE - HTTPS://LITHUB.COM/SO-GUTENBERG-DIDNT-ACTUALLY-INVENT-THE-PRINTING-PRESS/ —NONTSIKELELO MUTITI ON INTERROGATING THE EURO-CENTRIC DESIGN CANON HTTPS://EYEONDESIGN.AIGA.ORG/NONTSIKELELO-MUTITI-ON-THE-SPECIFICITY-OF-LOCALITY-IN-GRAPHIC-DESIGN/ - ↑#oscarsowhite. - TEFAoRLOTIFMA3uIYNPROCA.ORN20PRCHERR0STYFENIOVDTRAICN1APAbFSSMEI9UTIATWLOEYSFMBZTPUyEATIJ,OHAANSANCITMIOOR/TRTMLAITAENROLE,NTDK,ILOKDIBODLORDNALPGTHLINIJUAIOIYRNZYALIIRNYK&Vá.MLT2,LISTC,(GXETIECAN0I&IGnDT.AIOHRDUAF1NSCTGDHRTUOP9PAINNIUSESDTYEOEAADAAARIIIPSIRPEMROFTPNKPTRNLCEATPLD:IiADRIHNHISTWATAOKTVEAETElT//RGIIIIT2CARHLACRSTMLGSOCBíAET,1T0OYSNTLISEE.KIPVM)pOUN0O1TUGO,SITK4T8OTeRT,DAEEODOSNIN/OPH–SO2GNRH3kONRI2EACEKF.WV:OD0LAS0OESFBSTTT,CUEEWTA1REU,OCJFEIEITR,TFY9MGSUIJAAVAYTBG&HLTOROSFUNEHICBSANRURKHUERBREGRLYDCTSEHIEITTEYLRTSYDDCPPTURSAIOOHRAEDASuNDARIESH©,TL,TWNOEDL2ECERU,SNO,AkOELI0LCD:-AOFHGW-HERNFAJAL1.O-UOADMAG9AOAENBIID.OTDGFTRLLECREOO-.BLHOCRTEH-IT-TUNNKARE-.THTGSM-.EE- - - - - decolonizing Designg Reader_printed_v2_otis at book fair_newspaper club_350x500mm.indd 8 6/25/19 1:42 PM