video-magazine-1987-03

Hot VHS Editing VCR Y$1.95 i The #1 Magazine of Home Video Unbeatable Budget SystemsMARCH 1987 TV/VCR Duos Under $600 54 Brands & Grades Flirting With Chip Thrills BERGER-BRAITHWAITE VIDEOTESTS NEC Digital-Effect VCR e Olympus 8mm Camcorder @ Pioneer LaserDisc Player Marantz VHS VCR 0 \"\"70989°3 7869

PICK FROM OVER 200 MOVIES ON THESE TWO PAGES. TITLE SELECTION TITLE SELECTION alNUlMaBER THE BRIDGE ON THE THE NATURAL NUMBER RIVER KWAI 1606062 ELEN! 1649052 TO CATCH A THIEF 2050052 |THECLANOFTHECAVEBEAR 3196082 ENEMY MINE MOONRAKER 3584082 _| FRIGHT NIGHT | 3580092 JANE FONDA’S NEW WORKOUT [_ 1820062 WUTHERING HEIGHTS 0677102 _|ROMANCING THE STONE 0894092 A VIEW TO A KILL 0607152 THE GREAT ESCAPE 5112042 _| FANTASTIC VOYAGE 0564162 DR. STRANGELOVE {3555032 ANIGHTMARE ON 3126032_| STAR WARS 6072002 ELM STREET 2 0584122 0989052 | COMMANDO 4847092 0043092 0638002 _| BONNIE AND CLYDE [6033082 3208042 1521082 _| SOME LIKE IT HOT 5423082 7113252 RE-ANIMATOR 3382022 [PATTON 5361102 SLEEPING BEAUTY 3 2. ROCKY IV = memes CRUISING 3500252 _| RISKY BUSINESS 4001272 DELTA FORCE JAGGED EDGE 0895082 5437022 THE GOLDEN VOYAGE OF SINBAD 1653082 _|THE BEST OF TIMES 0502032 ‘SMOOTH TALK 4858052 _|ALICE IN WONDERLAND 4101002 TITLE [3103002 [ ROCKY ALL THE PRESIDENT'S MEN 6070022 _|STAGECOACH 5119072 1803072 THE TEXAS CHAINSAW 3383012 3570042 1813052 |_SILVERADO 1810082 | PINOCCHIO MASSACRE 5378032 THE HOWLING SELECTION SELECTION WEST SIDE STORY 0505342 | CABARET THE BIG CHILL |SELECTION |DEATH WISH 2027132 | YENTL 2035132 RAGING BULL NUMBER TITLE NUMBER TITLE 3100032 | ANNIE HALL PURPLE RAIN NUMBER _| THE COTTON CLUB 5176002 | STALAG 17 1510192 THE CARE BEARS MOVIE 0563172 | BUTCH CASSIDY AND THE WARGAMES 0828002 | STING—BRING ON THE NIGHT 3507022 TRUE GRIT 0935002 SUPERMAN SUNDANCE KID 0517302 |GREMLINS 6082082 | PORKY'S 0775112 | THE GRADUATE 6020032 CITY LIGHTS 3256052 | LOVE STORY 2040082 | POWER 6043062 OLD YELLER 3305062 _[CHARLOTTE’S WEB 2095022 | IT'S AWONDERFUL LIFE 5251052 |POLICE ACADEMY 6049002 _| ST. ELMO'S FIRE 2025152 A CHORUS LINE [2055182 | COCOON 3553052 | 20,000 LEAGUES THE PARENT TRAP 0527202 | FORT APACHE 5526042 |DUMBO |_0579012 A SOLDIER'S STORY UNDER THE SEA 1527022 | THE GOOD, THE BAD AND THE UGLY | 0582222 | EDDIE MURPHY—DELIRIOUS STAR TREK— 6115092 JANE FONDA'’S WORKOUT THE MOTION PICTURE 0856212 0500132 | GUYS AND DOLLS 3533002 6080002 CHALLENGE CLOSE ENCOUNTERS OF TO LIVE AND DIE IN L.A. 6048012 |STARMAN 1723042 THE THIRD KIND 3288072 MARY POPPINS MY FAIR LADY 1503002 PLACES IN THE HEART 7110022 | PALE RIDER 6097012 BILL COSBY—HIMSELF 6079032 EATING RAOUL BODY HEAT BODY DOUBLE 2028122 | FRIDAY THE 13TH 2042062 THE RIGHT STUFF 0855062 AGNES OF GOD CHINATOWN 0013132 | FUNNY GIRL 1511002 SESAME STREET PRESENTS FOLLOW THAT BIRD 0669022 | TWICE IN A LIFETIME 4857062 5289012 | REDS 2029032 3193012 |THE BLACK STALLION 0504012 5288022 | AGAINST ALL ODDS 1633032] 1733282 | TERMS OF ENDEARMENT 2014182 RED RIVER 7507032 = CLEOPATRA IRON EAGLE 5260042 [|MISTER ROBERTS 6095032 REVOLUTION 7225042 | CHARIOTS OF FIRE 6014012 OCTOPUSSY 5276062 | PRIZZI'S HONOR 4802022 GIANT 0978082 | THE EMPIRE STRIKES BACK 0910092 A NIGHTMARE ON 0793012 | THE CARE BEARS MOVIE II 1862052 | ELM STREET 1713062 |BLADE RUNNER 3104092 KRAMER VS, KRAMER ‘| 1812062] Guess wHo's COMING FIREFOX TO DINNER |_ 1819092 4224022 3588042 THE GREATEST STORY 6117072 [ARTHUR 6024092 EVER TOLD A lot of savvy VCR owners just for joining the Club. We’ll even SAVE 50% WITH 4 have been finding out how good our pay the shipping and handling. OUR BONUS PLAN. deal is. And how good our movies are. Just keep reading and you'll see for You can also order a fourth Once you've bought five yourself four reasons why the CBS movie right now and save up to $60 movies at regular Club prices, you can Video Club has the best deal around on more (see box at right). And that’s only cancel your membership at any time. the movies you want to own. And you the beginning. But most members prefer to keep can get in on that deal right here buying from the Club. Because under and now. PAY NO our current generous Bonus Plan, each MEMBERSHIP FEE. movie you buy allows you to take 3547042 Even with an upfront deal as THREE MOVIES good as ours, there’s no mem- ONLY $3.30 EACH. bership fee. All we ask is that you buy five more movies at WITH MEMBERSHIP regular Club prices within the next two Seems too good to be true? years—movies Then take a good look at the listing you'd probably above. We'll send you any three of over buy anyway. 200 terrific movies here for $3.30 each, Club prices cur- rently range from $29.95 to $79.95, plus shipping and handling (extra-long films and specials may cost a bit more). Then you can start saving all over again with our Bonus Plan.

GOOD DEAL WHEN THEY SEE ONE. JUST $3.30 EACH. WITH MEMBERSHIP PICK FROM OVER 200 MOVIES ON THESE TWO PAGES. SELECTION SELECTION TITLE NUMBER TITLE NUMBER 5505092 HALLOWEEN 3250012 _|THE THING (ORIGINAL) 0735102 STOP MAKING SENSE 7545002 AIRPLANE 1759192 _|ARSENIC AND OLD LACE 2030002 TEEN WOLF 2033232 __|CAT BALLOU 5409062 STAR TREK Ili— 4104072 | AMERICAN GIGOLO 6089012 THE SEARCH FOR SPOCK 5299092 THE SWORD IN THE STONE 1742012 NORTH TO ALASKA 0011072 THE SEVEN SAMURAI 2016162 |MAD MAX: BEYOND THE KARATE KID 0002822 ALL ABOUT EVE 7310002 | THUNDERDOME THE TEN COMMANDMENTS SPIES LIKE US JEWEL OF THE NILE e 3108052] ROBIN HOOD 0018002 nico HELLO DOLLY 5304022 7710092 __|GHOSTBUSTERS 4114052 VERLY FOOTLOOSE 0044082 |\"10\" ~_[ 0577032 THE RUSSIANS ARE COMING HILLS a DOODLE DANDY 0609052 _|ALIEN RETURN OF THE DRAGON oo [2019052 | THE GODFATHER—PART II paleLocate 0948052_| SPLASH 0574062 _|WITNESS 0818022 _|THE LONGEST DAY SoU ile 2026062 6116082 3571032 5426052 puntstehoneoany _§ ene SELECTION SELECTION SELECTION Sally Field cereeanrart” {Time NUMBER TITLE NUMBER TITLE NUMBER va PRIVATE BENJAMIN | 6018072 | REBECCA |_0664072 “|COUNTRY §341072 DAS BOOT [1520092 | OKLAHOMA! [0054052 | THE MAN WHO SHOT LIBERTY 2092052 6028052 THE POSTMAN ALWAYS BLUE HAWAII [70673142 |VALANCE RINGS TWICE fata’ THEMUPPETS TAKE ae THE ROAD WARRIOR 1603092 ANNIE t RICHARD PRYOR—LIVE ON 6084062 STRIPES 1516052 a 0561012 | THE SUNSET STRIP 0690212 CARNAL KNOWLEDGE | 1513162 | THE PINK PANTHER 2017152 THE AFRICAN QUEEN 2003032 |THE KILLING FIELDS 0042422 | 3122072 | SUNSET BOULEVARD FROM RUSSIA WITH LOVE CASABLANCA TRADING PLACES 6096022 TOOTSIE 0511022 THE FRENCH CONNECTION 0925022 MAD MAX yY THE DAY THE EARTH 1533042 NUROPEAN VACATION: STOOD STILL 0507162 REVENGE OF THE NERDS. THE FALCON AND 1509042 THE SNOWMAN 7109052 : |BEVERLY HILLS COP 0717122 _|FLASHDANCE ‘ AFTER HOURS 0576042 CITIZEN KANE 5501032 6167062 0008022 | THE MAGNIFICENT SEVEN —_ onepiceia MeA‘S*H 4808062 LAWRENCE OF ARABIA 7514072 1853062 7140062 _|SUMMER RENTAL 2053102 KING KONG (ORIGINAL) 5502022 THE WAY WE WERE 1529002 _]WITNESS FOR THE 0512012 |FANNY AND (oie 2018142 PEE WEE’S BIG PROSECUTION 6023002 | 48 HOURS 0534212 SATURDAY NIGHT FEVER 2020282 3506112 _|A SOLDIER'S STORY 0055122 GREASE 2074072 ADVENTURE 6098002 | THE GODFATHER 4173032 KISS OF THE | AN AMERICAN WEREWOLF IN THE EMERALD FOREST ee GUNG HO LOST IN AMERICA 6088022 SPIDER WOMAN 2022182 4225012 THE MAN WHO WOULD BE KING 0856032 3187092 |LONDON 2021192 | DIRTY HARRY 1733282 THE MALTESE FALCON 0508072 ON GOLDEN POND [0523162 _|LA CAGE AUX FOLLES 3145002 GOONIES [6081092 | CADDYSHACK 6017082 THE ALAMO 0583052 NOTORIOUS [0567132 _| SOUTH PACIFIC MR. MOM 7104002 NEVER SAY NEVER AGAIN |SHE WORE A YELLOW RIBBON 5504002 6042072 | AN OFFICER AND A PASSAGE TO INDIA 1741022 THE WOMAN IN RED 7105092 _|A GENTLEMAN MOMMIE DEAREST 2000142 another movie of equal value or less Advance Selection I CBS VIDEO CLUB 1400 North Fruitridge Avenue at 50% off. And we'll see to it that you always have plenty to choose SAVE UP TO $60 MORE— Dept. 715, P.O. Box 11H, Terre Haute, IN 47811 from. HAVE LESS TO BUY LATER! Please enroll me in the CBS Video Club under the terms HUNDREDS OF Order a fourth movie now for only $19.95 outlined in this advertisement. As a member, I need to buy HIT MOVIES. (that’s up to $60 savings! )—and your mem- | just five more movies at regular Club prices within the next bership obligation is immediately reduced About every four weeks (up to (you then need buy only 4 more, instead of 5). | two years. 13 times a year), we'll-send you our CBS Video Club Magazine, reviewing See coupon at right. I SEND ME THESE # our Director’s Selection plus a wide choice of alternate movies. Including specified. (If you ever receive a tape } 3 MOVIES FOR # recent hits like Pretty in Pink and before having had a full two weeks to ONLY $3.30 EACH. Return ofthe Jedi. Classics like Casa- decide, send it back at our expense.) blanca and The African Queen. And You can also call us toll free with any I That's only $9.90 for all 3! family favorites like The Sound of questions or service requests. I Check one: 1)VHS (1 BETA| Music and Sleeping Beauty. Join today and we'll send your | Please check how paying: In addition, up to four times a first three movies for just $3.30 each year you may receive offers of special along with more details on how the {_) My check is enclosed. X19/X21 selections, usually at a discount off Club works. regular club prices, for a total of up to {_] Charge my introductory movies and future Club purchases to: 17 buying opportunities. If you’re not satisfied, re- turn everything within 10 days for a {| MasterCard [_] Diners Club X20/X22 If you want the Director's Se- full, prompt refund—no further (J American Express [_] VISA lection, don’t do a thing. It will arrive obligation. automatically. If you prefer an alternate Account # or none at all, just let us know by For faster service, use your mailing the enclosed card by the date credit card to order and call toll free Expiration Date. 1-800-CBS-4804 (in Indiana, cail 1-800-742-1200). Or mail the coupon. Signature. CBS VIDEO CLUB L] Also send my first selection for $19.95 plus $3.00 for 1400 North Fruitridge Avenue, Terre Haute, IN 47811 l shipping/handling, which I’m I adding to payment above. I then need buy only 4 more # I (instead of 5) in two years. Name Address Ic ity State ! Zip Phone ( ) I NOTE: CBS Video Club reserves the right to reject any application or cancel any membership. Offer limited to continental U.S. and Canada I (excluding Alaska). 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March 1987 Contents Volume X, Number 12 DVIDIEO GIEFTFEACLTS DIGITAL Hi-Fi ERE 42 46 73 Features Programming Departments The $600 Solution News & Views Channel One It’s certainly possible By Mark Fleischmann..........00.0006+. 71 Digital/Priorvities 4 s.ci0. sees oe to break the bank on Reviews top-notch video gear, but you Heartburn, Back to School, Running Fast Forward can also get a good quality Scared, Howard the Duck «....+++++++++ 73 Colorization Scorecard .............. TV and VCR duo for under $600. Directory By Gordon McComb .........00c00022005 39 Feedback New Releases on Tape & Disc........ 80 Letters from Readers ............... Let’s Get Digital The addition of digital Videotests The Gazette technology to VCRs is Paul Prudhomme, Bruce Jenner, opening new worlds of special NEC DX-2000U VCR with Digital Effects Milton Berle, Michael Winner effects and image quality, Olympus VX-801 8mm Camcorder Edited by Ira Robbins...........0..4. with more magic to come. A Pioneer LD-838D LaserDisc Player look at what’s available now. Marantz VR560 HQ VHS VCR Top 40 By Roderick Woodcock.............000045 42 Tape & Disc Sales & Rentals ..... By Berger-Braithwaite Labs ............ 88 1987 Blank Tape Tests New Products Part Il: Beta Hot VHS Editing VOR The: Latest:Gear.y i.e Bee Our Technical Editor gives the lowdown on the current Fine Tuning crop of Beta tapes: 54 brands Video Questions & Answers....... and grades analyzed, graphed, and charted in detail. TV Den By Lancelot Braithwatte..........-.006+. 46 A New Deck for VHS Edits By Roderick Woodcock..........+++++ Tho #1 MagaoafiHnomee Video The Camcorner Unbeatable Budget Systems The Essential Camcorder By Roderick Woodcock............+++ TV VCR Duos LlInder $600 Audio Input Beta Tape Tests The Digital Difference 54 Brands & BS TVQN BOV BCR cwcrvscoesnactaasestat Grades Video Bookshelf First Digital- “Reel Power” Effect VCRs By LEOUISMROSTONG: erat ceh tokensce Hirting With Chip Thrills Off the Air Sell-Thru Success Story George Romero On By Bob Brewin. oaciinweanionesstsns The Colorized ‘Dead’ About the Cover. This month we NMDaEJErCaRmaGcnDotEirsgRdie-ttVaGlHRA#AEPIMVfiToEocHnRteWeArVIETLERas#eOrVlDIyiDamEcpOuTsPElSaATySowr: balance the scales of economy and quality for a selection of highly et affordable TV/VCR combinations. Construction by Ajin. Photographed by Les Morsillo. 4 Video March 1987

S INTERNATIONAL previa “FAIR GAME’ + PETER FORD-DAVID SANDFORD -GARRY WH Produced by HARLEY MANNERS and RON SAUNDE! play ROBGEORGE music ASHLEY IRWIN y ANDREW LESNIE Fim Editor A.J.PROWSE Action Co-ordinator GLENNBO ® KIMBLE HILDER made with thaessistancoefthe AUSTRALIAN ibe need Artwork and Design ©1987 Charter Entertainment,” Printed in B.

Channel One Editor Doug Garr Managing Editor Stan Pinkwas Setting Digital Priorities Technical Editor Lancelot Braithwaite West Coast Editor Roderick Woodcock This month’s feature, “Let’s Get Digital,” is a state-of-the-chip report on how digital technology is transforming the familiar VCR. It describes the cluster of Senior Editor Ira Robbins digitally-enhanced decks already on shelves, and some of the many more to which Art Director Eileen M. Goldstein consumers can look forward. “Audio Input” examines how digital processing is being applied to audio recordings. Digital enhancement is an important step in the Acting Art Director Carol Dietz VCR’s evolution, and we'll be following it closely. But it’s not too early to ask a few Associate Editor Lou Kesten questions about the direction in which digital applications are heading. Assistant Editor Dan Wishnoff Contributing Editors VCR makers first applied binary power to regulate LCD displays and some Ivan Berger, Bob Brewin, Steve Daly programming functions, uses now taken for granted. For a time, the digital focus shifted to monitor/receivers. Toshiba, for example, used digital technology to (Directory), Mark Fleischmann, Frank Lovece, stitch together the two “interlaced” segments of a broadcast image for a better, Tim Onosko, Murray Slovick clearer picture. Then, last year, VCRs reentered the arena. A lineup of new digital features appeared, with manufacturers offering slightly different combinations in Asst. to the Editor Adam Philips their models. Asst. Art Director _ Patricia Quon The new enhancements range from frivolous to important. “Gee-whiz” fea- Art Assistant Julie Thurer tures, like picture-in-picture and picture swap, dominate. RCA included the digital Typesetting Janet M. Holland gimmick of the year, a control that turns the picture into a mosaic of fuzzy rectangles, leaving users to figure out its possible value. The serious side of digital Editorial Assistant Lily Schwartzberg video is represented by NEC’s efforts to reduce visual noise and, to a lesser degree, by Toshiba’s and RCA’s unusually clear special effects. REESE COMMUNICATIONS We hope more firms follow their lead. Why? Because, for serious videophiles, @& INCORPORATED the flashiest special effect is a high-quality picture—an image dazzling enough to make viewers forget they’re gazing at a pane of flickering glass. The truly digital President and _Jay Rosenfield VCRs able to deliver such magic by storing pictures and sounds in digital form are Managing Director several years away. Until they arrive, digitally-enhanced VCRs will have to do: they hold the best hope of better quality. And that’s where VCR-makers should be Publisher — Debra Halpert concentrating their digital energies. Production Manager _ Linda M. Vallely It may be that the focus on novel, but inessential, features is a stage through Production Assistant _ Lisa Paisal which digital VCR technology must pass, but it would be heartening to see Circulation Director Joseph Muccigrosso companies pay more attention to raising picture quality before adding glitz. PIP, swap, strobe, posterization, and the like are great features to have on command, Circulation Manager _ Rena Adler but not if they’re at the expense of improvements that would otherwise have been Fulfillment Manager — Sue Wirtz made in the basic image we spend most of our viewing time watching. Financial Officer Albert Mineo Brighter, truer colors, non-interlaced images, higher resolution, busted ghosts, fewer dropouts, and crisper edges are the kind of special effects digitally-aided Business Manager Janette Evans VCRs should be offering first. With this as a foundation, the multi-image/mul- Assistant to the — Gabrielle Macari ti-speed effects will look even better, and give us more value for our digital dollars. Managing Director 460 West 34 Street —tThe Editors National Editorial N.Y., N.Y. 10001 (212) 947-6500 6 Video March 1987 and Sales’ Advertising Director Eric C. Schwartz Promotion Manager Luanne Rao Ad Coordinator Noel Boyle East Coast Sales — Beth Cahill Linda DeRogatis Classified Sales Janet Rubin Midwest Sales Milton Gerber, Gerber & Associates, 1309 North Rand Rd., Arlington Heights, Ill. 60004 (312) 253-7500 West Coast Sales Sales Manager: Deborah Kern. Adv. Asst.: Ellyn Rubin, 16661 Ventura Blvd., Encino, Calif. 91436 (818) 905-5303 VIDEO (ISSN 0147-8907) is published monthly by Reese Communications Inc., 460 West 34th Street, New York, N.Y. 10001. Second-class postage paid at New York, N.Y. and additiona il mailing office. * 1987 by nants,resened, “ under Uni copy price $1 ( One-year subse ription 0; C nin 2 $16.00 U.S.; foreign, air mail, $37. Address subscription orders, change of add eusrescoaueice and inquiries to: VIDEO, P. O. Bo: Boulder, Colorado 80322- 6293. Change of addre () days to process: send old address label, new add nd zip code. All material listed in fis ees is subjetcot manufacturer's change without notice, and publisher assumes no responsibility for such change. Printed in the U.S.A. Address changes to VIDEO, P.O. V3

oO Computers and Communications The first VCR that makes a bad tape good. NEC m<- aeen DEP ay sot ON SCREE In this imperfect world, some copying, etc.) You can see snow, grain, picture from any VHS cassette, see your videocassette recordings look worse than and glitches. On the right isthe effect of NEC dealer. He’s got good news for bad others. That's why NEC invented the new the same tape, as itwould be played on tapes: the DX-2000U with Digital Noise DX-2000U. It’s the world's first VCR with NEC's DX-2000U. The snow has melted. Reduction. Digital Noise Reduction —a computerized system that actually improves the picture. The fuzz has fled. And the glitches are NEC gone. Digital Noise Reduction not only On the left is a dramatization of a improves the picture on bad tapes, ithelps We bring high technology home. even well-recorded tapes look their best. noisy videocassette. (Noise can arise from FOR MORE INFORMATION CALL: (312) 860-9500. repeated playing, off-air recording, So ifyou want to see the cleanest NEC Home Electronics (U.S.A.), Inc., 1255 Michael Drive, Wood Dale, iL 60191

ast Forward Late-Breaking News Colorization The First Fiber venerable Domesday Still Waiting After Scorecard Optic LCD TV? Book, costing $3.75 mil- All These Years lion to produce, squeezes It was once said of Save a spot on your a mind-bogging 250,000 Casio promises to be slapstick comedians like wall for what its in- pages of text, 50,000 pho- first off the block this The Three Stooges that ventors claim will be the tographs, and 24,000 summer with an elec- nobody liked them except long-awaited break- maps into two twelve- tronic still camera for the public. The same may through in flat-screen inch discs. The discs use consumers that will hold true for colorization. TVs. Tru-Lyte Systems in a new format, LV-ROM, shoot snapshots on a vid- Despite critical roastings, Pennsylvania says it will that combines a video eo floppy disc and play VCR owners are buying have a 36-inch set ready waveform with CD-ROM them back either on a TV and renting tapes of col- to hang on a hook by the data where the sound or an optional color orized black & white end of the decade. Tru- would normally go. Users printer. The 2.1-pound classics in numbers the Lyte president Michael can instantly see pictures camera will probably cost film studios call encour- Reidinger says the set of and statistics about somewhat more than its aging. The colorized It’s a will use thousands of fi- virtually any locale in $625 price in Japan, and Wonderful Life racked up ber optic strands, each Britain. The only draw- may be the first of many. more than 70,000 sales ending in a liquid crystal, backs are that the discs at $19.95 a cassette, to create an LCD image cost $6000 a set and re- Brightness though it seems to be in far sharper than today’s quire a special player and Breakthrough a league by itself. Other CRT pictures. The proto- computer to use. Likeliest strong colorized titles in- type is due this summer. bets are schools and li- Look for unusually clude a Rin Tin Tin tape braries, but you may need bright images in Mitsu- by Monterey Home Video Beta Jitters a travel agent to find bishi’s new 21-inch plus that outsold an earlier ones that have them. TVs thanks to a new sub- black & white version by Beta not cry, beta not stance added to the cath- 40 percent, and Hal pout...Santa Claus came Once More ode ray tube. The compa- Roach Studios’ Topper to town this year for Beta Unto The Niche ny says scandium oxide and The Music Box with owners. Blank tapes in will boost brightness by Laurel & Hardy. the declining format Two decks in one VCR? 50 percent by quadru- were suddenly back in de- Sharp and Samsung had pling the usual number Year Of The mand over the Christmas their prototypes shot of electron beams hitting Camcorder season, catching some down. by film industry the inner surface of the tape makers by surprise. opposition. But the idea’s screen. Camcorders should TDK, in fact, culled Beta too hot to bury. The lat- continue their galloping tape purchases from eli- est candidate for the Designer Decks popularity this year with gibility for a consumer product niche is the VCR- an amazing 33.3 percent sweepstakes for fear it 2, a dual-well VHS ma- The trend Quasar start- increase in sales over would run out of the cas- chine Go-Video of Scott- ed a couple of years ago 1986, according to a sur- settes. TDK advertising with its brightly-colored vey of video equipment manager Lou Abramo- sdale, Arizona is seeking TVs is spreading to VCRs. makers by TV Digest, a witz speculated that fears to sell through licensed There will be a handful of trade newsletter that that “Beta may not be manufacturers. Go-Video tinted decks in coming forecast the leap forward available much longer” chief Richard Lang pre- months, including Pan- at 71.6 percent. Full-size caused the surge. But dicts his VCR-2, which asonic’s pink PV-2700. VHS models will main- tape makers say there’s no need to hoard, and our can adapt to 8mm and The Fourth R tain their dominance own blank Beta tape Beta formats, will soon with 45 percent of all tests, elsewhere in this be “as common as photo- Better add “recording” camcorder sales, predict- issue, show there’s plenty copying machines.” But to the reading, writing, ed the manufacturers, to go around. he’ll have to contend first and ’rithmatic once con- while Compact VHS with the Motion Picture sidered the building Britain Association of America, blocks of grade school. camcorders will close the On A Disc which promises a “swift” More than 70,000 public gap with 40 percent, and response likely to include schools have at least one 8mm models will trail The British Broadcast- VCR, according to Quality with 15 percent. They al- ing Company may have an appeal for a crack- Education Data, a Den- so foresaw steady, possi- created the ultimate down by Congress. With ver-based firm. That’s bly declining prices for videodisc. Its 900th anni- the MPAA batting so 86.1 percent of the coun- versary edition of the strongly, its hard to try’s public schools. VCRs, which is good imagine we'll be seeing a news for consumers, if not for themselves. double-decker soon. 8 Video March 1987

AN EMBRYO OF NEW TERROR Here's a great J ve)oJofeymelallay to rent the = Corlifarep Yea te)al packed ialaiiteys “ALIEN PREDATORS” AND.... WIN $10,000!!! Starring DENNIS aN JOHNSON TRANS WORLD ENTERTAINMENT Presentation CHRISTOPHER MARTIN HEWITT LYNN-HOLLY Executive Producers: HELEN SARLUI and EDUARD SARLUI Music by: CHASE /RUCKER PRODUCTIONS Co-produced by: MICHAEL SOURAPAS WE \\TA) (_f Produced by: DERAN SARAFIAN and CARLOS AURED WAV, i, | RESTRICTED &) Written and Directed by: DERAN SARAFIAN COLOpR/eSe2s MIN. TRANS WORLD ENTERTAINMENT R JNDPEARRE1NT7REQOURIRAEDS! ACCOMPDAINAYNING $79.95 For additional information, circle No. 2 on Reader Service Card. What you need to do is take the attached TWE video outlets, Video Magazine and Video Review not eligible. Winner solely re- coupon to your nearest Video Retail Dealer sponsible for all taxes. TWE will withhold and rent “ALIEN PREDATORS”. IMPOR- taxes where required. TANT!!! Don’t forget to fill in store’s name Name and address. In addition, your dealer’s sig- nature as well as receipt for proof of rental Address is required. “ALIEN PREDATORS” must be Store Name and Address. rented between April 10 and 20, 1987. Trans World Entertainment must receive Mgr. Signature. Trans World Entertainment (U.S.A.) coupon and receipt by May 13, 1987. Draw- ing will be held May 31, 1987. Void where 6464 Sunset Blvd., Penthouse Suite, Hollywood, CA 90028 prohibited by law. Employees and family of Attach receipt here.

Feedback Readers Air Their Views Color Clash profits. Most people are not in love with that the completely unexpurgated ver- the majority of films produced by the sion was X-rated and would not be re- I fail to see the logic behind Peter D. motion picture industry. Thompson’s so-called “Color Commen- leased. If it is never to be released, why tary” (“Feedback,” Jan. ’87). Colorizing Even in a group of first-class movies was it made in the first place? Maybe it a film is like painting a mustache on the very few rented tapes warrant the effort was for the private entertainment of the Mona Lisa. Even with the advent of col- it takes to copy them for repeated view- executives at MGM/UA? One of the or in the ’30s, many directors still chose ing. Because of low expectations from black & white for purely aesthetic rea- perks of the job, I imagine. sons. By altering the films, Ted Turner unfamiliar titles, the consumer is more William Breckon and his clan are violating the aesthetic inclined to rent more movies—including Hobbs, N.M. integrity of the original artists. those he wouldn’t normally bother with—in the hope of finding one worth What happened to all those scenes that Turner claims he owns the films and copying. If the ability to copy movies for that, therefore, he has the right to do home use increases interest in renting were to be included in MGM/UA’s Sep- whatever he wants to them. I’m sure the owners of priceless paintings would movies, then the industry should encour- tember video release of 9 1/2 Weeks? never consider altering them, nor do they have the right to do so. Turner and age rather than seek to block it. When I purchased the tape at $78.98, I others fail to recognize that film is art. James Stover These media-moguls are more con- thought I was getting the complete un- cerned with a film’s commercial profita- Spring Mills, Penn. bility than its artistic value. cut version but, aside from one scene, James M. Fortier the film is exactly like the one shown in Mountain View, Calif. Vexed Videophile theaters. David Clark The home video industry’s colorization of movies is just a fad. Throughout the Etna, Oh. ’60s and ’70s the record industry thought no one would buy a record un- I enjoyed Lancelot Braithwaite’s “The In fact, the unexpurgated version of the less it had the magic word “stereo” on Year in Gear” (Jan. ’87), especially the film was released in Europe. the cover. So it took great older record- section on VHS VCRs. I appreciate his ings, made by everyone from Arturo expertise and avidly read his “Video- Take it from a Pro Toscanini to Elvis Presley, and issued tests.” But “Videotests” lacks informa- them in “electronically rechanneled ster- As a professional videographer, I have eo sound.” tion on the reliability of the gear tested. been frustrated by the lack of reviews of professional VHS hardware. The video The processes produced sounds rang- Having owned several VCRs that failed trade magazines concentrate mostly on ing from passable to horrible, never like a true stereo recording. Usually the early and are expensive to maintain, I broadcast equipment and the consumer sound was so distorted you could not re- magazines mainly review hardware in- store the original sound by switching to am especially sensitive to the problem. mono. Now, these same recordings are My first VCR failed in the first ten tended for the home. This leaves the being reissued, restored to their original growing number of pro video users with- mono sound. Colorization is not going to days; the second was purchased with a go away until viewers become more so- out a source of unbiased articles on the phisticated and realize that the phony two-year warranty and broke down 25 tools of our trade. I hope you will ex- color images are ugly and fuzzy, and that pand “Videotests” to include products a properly reproduced black & white months later; and my current machine is such as Panasonic’s AG and WV series, movie can be truly beautiful. and its professional VHS editing deck. ten months old and already in the repair Craig Andersen shop. It’s good to know which VCRs Howard Becker Baltimore, Md. Hicksville, N.Y. perform best, but how long will they last Is Copying Profitable? before they need repairs? Reliability I concur with your “Deja View” editorial (“Channel One,” Dec. ’86). The Motion testing should be a part of your Picture Association of America should consider very seriously the effects its “Videotests.” L. Kasarjian myopic greed may have on its industry’s Red Bank, N.J. Our policy is not to cover professional equipment unless, like Panasonic’s AG- Lancelot Braithwaite replies: The only 1950 VHS VCR, it is also available to way to test for reliability is to use the ma- consumers. See this month’s “TV Den” chine for a year or more under normal for a hands-on report about the AG-1950. and abnormal conditions and see if it Surround Sound Found fails. But by that time a review would be Why do so many people buy surround hopelessly out of date. You can, however, sound processors when they can decode check the service records of machines surround signals for free? The VIDEO made by the major manufacturers. Write article “Found Sound” (Apr. ’85) details to Electronics Industries Assoc., 2001 Eye St. N.W., Washington, D.C. 20006. Un-Cut Complaints the steps required to set up a surround One thing that puzzled me about your sound system. I followed the article’s in- article “After the Final Cut” (Dec. ’86) structions and now have true surround was the statement by MGM/UA’s Peter sound when I watch movies and TV Anderson about 9 1/2 Weeks. He says shows on my VCR. Dean Olson Santa Clara, Calif. nee ee eee ene ne e eer ————e 10 Video March 1987

HUEYIEWIS Nourne The home video experience without equal! Videos, Concerts, Opera, and Jazz. LiI acatiics Compact disc quality Digital Audio and Laser Only on LaserVision. Video Resolution. Two state-of-the-art tech- See nologies combined into one. Movies, Music For More Information please call 1-800-255-2550 in Alaska 1-800-447-0890 / Coal /. LaserVision © 1987 LDC America, 200 W. Grand Ave., Montvale, N.J_ 07645 LaserDisc is a trademark of Pioneer Electronic Corp.

Feedback os Cheaper Discs, Please Introducing Digital Video Technology In the beginning, Pioneer advertised videodiscs as the solution to high-priced Now you can watch two live broadcasts on your TV at the same time! software. Videodiscs were $19.95, or MultiVisionm introduces a whole new world of viewing possibilities $24.95 at most, while tapes were $70. with the MultiVisionm 3.1. This innovative video accessory allows you to Paramount must have forgotten this ra- project a second channel on any corner of your existing TV screen, for tionale for disc ownership when it priced digital video technology at an affordable price. Indiana Jones and the Temple of Doom CLV discs at $40 and tapes at $30. Remote Control! with Sure, it used two discs for the film, but if CBS/Fox can put all 120 minutes of Video Switching The Empire Strikes Back onto one disc by slightly compressing it, Paramount With a touch of the remote, you can swap the inset could have gotten the 118 minutes of and full-screen images, scan other channels or your Temple of Doom onto a single $29.95 VCR while watching your favorite show. You can disc. freeze action, vary the size and placement of the inset, or eliminate it altogether. Multivision’sm remote control Michael J. Hill allows switching capability from multiple external video Honolulu, Hi. sources. You can even electronically monitor any room in the house while watching TV by connecting a video camera Disruptive Instructions to Multivision for step-saving peace of mind. Of all the instructions that come with Broadcast Stereo Sound on your TV camcorders and cameras, the manual for Zenith’s Character Generator takes the The Multivision» 3.1 is compatible with any TV or monitor cake. After three days of errors and including projection TVs and can be used with a VCR, cable or cussing, I’m still confused by its use of satellite receiver. In addition to its simultaneous live-channel view- such terms as scroll, zoom, cursor, ing possibilities, MultiVisionm receives and amplifies MTS stereo page, etc. If companies would take the sound broadcasts through its two 139 cable-ready tuners. Simply time to simplify the instructions by using hook up MultiVision™ to any TV set and stereo speakers and experi- common English, it would make learning ence true broadcast stereo sound. about camcorders as enjoyable as using them. For information or your nearest dealer call: 1-800-922-7477 Fred Ito MULTIVISIOMN. 1751 Fox Drive, San Jose, CA 95131-2312 (408) 947-8877 Sacramento, Calif. PRODUCTS, INC Zenith responds: “Zenith’s TV & VCR manuals have been recognized for their A Digital Video Technology Company clarity, and our instruction guides on vid- Sc4NRiaFCoioenadenr.rfdacdvoidl.irteecmireaotniaoln, All TV Pictures simulated and specifications subject to change without notice. ©1986 MultiVision Products, Inc. eotape for VCRs have set new standards for helpfulness to consumers. However, 12 Video March 1987 your reader has identified the one product in recent years that, because of its ex- tremely limited distribution, has an oper- ating guide that does not represent the quality of Zenith manuals.” Readers with questions about operating the character generator may write to Zenith, Attention: Operating Guide, 1000 Milwaukee Ave., Glenview, Ill. 60025. Ripping Yarn After reading about a film called The Quiet Earth in your Directory (Jan. ’87), I ran out and rented it. I was disappoint- ed, to say the least. While it is an excel- lent piece of cinema, the film did not live up to your description: “Experiment causes rent in universe that could wipe out human race.” I expected a film about my landlord. Brian Markovitz Van Nuys, Calif. Errata The price for Magnavox’s VR8295/97 VHS Video Escort Camcorder that appeared in February’s “New Products” should have read $1895.95. This same model is also available as the Sylvania VCC155.

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Inside Paul Prudhomme’s America’s Louisiana Kitchen Ist Laser “YOU REALLY Characterized on the back let them cook. It’s like with HAVE TO GET cover of his Louisiana Kitch- any great dish, you give the Boutique en videos as “the Pavarotti of same ingredients to two different people and one dish For many people, the in- INTO THE POT. American chefs,” Paul comes out well and the other troduction of lasers to the Prudhomme is actually quiet- not so well—the difference is entertainment world occurred in the cooking method.” in 1964, when Goldfinger WITH THE er and more contemplative, tried to saw James Bond in as he revealed in a recent The tapes demonstrate half with one, but the versa- Prudhomme’s famous black- tile light has come a long way FOOD: ’ conversation from his country ening method with a special since. There are now a diz- home in Opelousas, Louisiana. skillet cut in half to focus on zying array of names, for- the highly heated cooking mats, and uses for laser-read Having seen other cooking surface. “That was the most video and audio discs: CD-In- exciting thing about the teractive, which combines au- videos, Chef Paul “kept them tapes. I felt I was really com- dio, video, and computer da- municating how to blacken. ta; CD-Read Only Memory, in mind. I didn’t want to do a That’s a dramatic sight!” which contains computer pro- gramming and data; and tape where you stand up cut- Prudhomme uses the vid- CD-Video, a CD-sized, com- eos not only to describe his patible video disc. That’s in ting onions and peeling pota- technique but to convey the addition to regular CDs and proper attitude as well. “You two sizes of videodiscs. toes—people had seen really have to get into the pot with the food—mentally, Recognizing the growing enough of that. I wanted I mean.” He feels that a true popularity of laser-based sensitivity to the ingredients equipment and programming, to explain what hap- is what the average cook a Colorado company called needs to become a really LaserLand is selling fran- . pened when you put good cook. “I was raised on chises for stores that carry a farm where you caught a only laser-based video '\\ the ingredients in live chicken and you felt the and audio hardware and breast and legs through the programming. The first the pot; why you feathers to tell whether to outlet opened in Aurora, Col- fry it, make gumbo with it, orado last December, and put them in the bake it, broil it, make barbe- Laserland plans to eventually cue—that’s how you figured license original software. sequence you it out!” —Ira Robbins Sm did, and —Matthew Pimm iar} ea eee how you sie pw oe aa wil 14 Video March 1987

Tips For Fear Phobes Do you have someone in LIGHT MY FIRE Jenner your life who is perfectly (right) wonderful and normal in ev- What’s a person to do after cassettes, the latest of on the ery regard except for an un- being declared the World’s which is The Coleman Guide set of controllable passion for dis- Greatest Athlete? Make vid- to Camping (Twin Tower). his new gusting slasher films? Does eos—what else? At least video. he/she insist that watching that’s one of the pastimes Three years ago, Jenner cinematic gore together will Bruce Jenner’s engaged in. group,” he says with a smile. make for a better mutual ex- Although his gold medals made his home video debut “Rather, it’s just basics, but istence? Do you, however, have not made him a major in Bruce Jenner's Winning it’s a tough little workout. I wince at Band-Aid commer- screen star, Jenner’s mean, I may be smiling in the cials? Here are some hints to appeared in a slew of sit- Workout (Active) which he video, but I’m dying.” help you survive your next coms, directed two TV mov- video ordeal. ies, starred in one feature jokingly refers to as “the Despite offers of super-cop film, and hosted two video- Olympic Team’s answer to and other action/adventure @ Watch closely. Very Jane Fonda. It’s not geared roles, Jenner has opted out closely. You are looking for of a serious acting career. “It wires, seams, faults, and for Americans training for the takes too much dedication flaws of any type in the spe- and I’m in a position where I cial effects. When you find decathlon because we figured can make a buck and still one (and you will), point it have a lot of time for my out. Your partner will be im- that was a pretty select little family and hobbies.” Never- pressed. I don’t know why. theless, he gave films a go in possession can be a source of thing old. The older, the bet- 1980’s Can’t Stop the Music. @ Always look at the face. ter. You are also looking for “We should’ve renamed the No matter what gross, horri- great comfort. the worst acting and direc- film Can’t Sell a Ticket,” ble thing is happening to the @ Never close your eyes. tion, the poorest production, jokes Jenner. “We tried to body, the face will look like a and the most preposterous ruin Steve Guttenberg’s ca- fifth-grade papier-mache proj- You can always imagine far plot. Junkiness will help you reer in that one, but it didn’t ect. Why? First, the filmmak- worse than the producer can remember it’s only a movie. work.” —Clifford Meth er assumes you will look at afford. the gore, not what surrounds —Linda Vallely Hot Hits it. So, less attention is paid @ Insist on choosing the to that which is not being film. You’re looking for some- oo a’ Hit $100 hacked. Second, the face doesn’t look real because it Despite the growing tend- isn’t real. There are laws ency of video companies to about things like that. You mark down the prices of ma- can’t run around killing peo- jor titles once they’ve been in ple in movies. Just ask John circulation awhile—to encour- Landis. age consumers to purchase tapes they’ve already rent- ® Repeat after me: Red ed—this year’s watchword is paint. Red paint. Red paint. inflation. CBS/Fox and Red paint. Red paint. HBO/Cannon have announced their intentions to price se- @ Insist on retaining custo- lected blockbuster titles $10 dy of the remote control. or $20 above the current Even if you don’t use it, palm norm of $80. It’s not clear whether renters will find ADabnriaelham their nightly fees increasing as well, but it’s sure not go- ing to send rental rates down. March 1987 Video 15

Ready, Funny, and Abel LOOK WWHHAATT'S BURIED INSIDE YOUR TELE>VIStIOO}N Can you vaguely remem- “abominable and reprehensi- If your ultimate TV nightmare involves blown fuses, ber something on TV about ble.” He wrote Dave Garro- overpriced repairmen, or eight channels of endless an organization dedicated to way (then host of the Today Gidget reruns, just imagine what The Video Dead, a lurid clothing naked animals? The Show) and volunteered to dis- shocker from Manson International (soon to be a major school for professional pan- cuss the topic on the air. He videotape) will do for your sleeping habits. handlers? No? Idi Amin’s enlisted Buck Henry to front wedding in exile at New for him the and the gag was York’s Plaza Hotel? The “spontaneous” 1985 six- off and running. person fainting incident on In 1971, Abel and his wife the Phil Donahue Show? made Is There Sex After The string-puller behind Death?, a crazed pseudo-docu- these outrageous put-ons is mentary film which Vestron author-lecturer-filmmaker-ac- will release on video. tor Alan Abel, the only man ever favored by The New York Abel is now considering Times with both an obituary video as a commercial arena and a retraction thereof, dur- for his leg-pulling. “I’m in- ing his lifetime. Abel’s hoax- terested in spoofing the ing career started in 1959 af- ter the Saturday Evening world and I think the video Post rejected a satirical story market is ready.” So if you about the moral imperative of ever hear of a celebrity wait- ers competition or a how-to- clothing animals, calling it beg-for-a-living video, you'll know who’s been hard at work. —Ira Robbins |TOP 40 SALES AND RENTALS CASSETTE CASSETTE : VIDEODISC : RENTALS : SALES SALES 1. Cobra (7). 1986. 87m. (R) : 1. Sleeping Beauty (2). 1959. 1. Indiana Jones and the Tem- : 1. Sleeping Beauty (1). 1959. $79.95. Warner. : 75m. (G) $29.95. Disney. ple of Doom (—). 1984. 118m. : 75m. $29.95. Disney. 2. Indiana Jones and the Tem- ple of Doom (1). 1984, 118m. 2. Indiana Jones and the Tem- : (PG) LV $29.95. Paramount. : 2. Pinocchio (2). 1940. 87m. (PG) $29.95. Paramount. ple of Doom (1). 1984. 118m. 2. Out of Africa (1). 1986. $29.95. Disney. 3. Raw Deal (3). 1986. 90m. 161m. (PG) LV $34.98. MCA. : 3. Alice in Wonderland (3). (PG) $29.95. Paramount. 3. The Jewel of the Nile (5). = 1951. 75m. $29.95. Disney. (R) $79.95. HBO/Cannon. 3. Jane Fonda’s Low Impact 4. Short Circuit (—). 1986. Aerobic Workout (3). 1986. 1985. 106m. (PG-13) LV 4. Dumbo (4). 1941. 64m. 99m. (PG) $79.98. CBS/Fox. 5. Poltergeist Il:The Other Side 50m. $39.95. Karl. $34.98. CBS/Fox. $29.95. Disney. (—). 1986. (PG-13) $79.95. 4. White Christmas (4). 1954. 4. Back to the Future (2). 1985. : 5. The Sword in the Stone (5). MGM/UA. 120m. $19.95. Paramount. 116m. (PG) LV $34.98. MCA. : 1963. 79m. $79.98. Disney. 6. Down and Out in Beverly 5. Jane Fonda’s New Workout 5. Legend (—). 1986. 89m. : 6. Robin Hood (6). 1973. 83m. Hills (2). 1986. 103m. (R) (5). 1985. 90m. $39.95. Karl. (PG) LV $34.98. MCA. $29.95. Disney. $79.95. Touchstone. 6. Raiders of the Lost Ark (6). 6. Police Academy 3: Back in 7. Mickey’s Christmas Carol 7. The Money Pit (4). 1986. 1981. 115m. (PG) $39.95. Pa- + Training (9). 1986. 84m. (PG) (—). 1983. 25m. $14.95. 91m. (PG) $34.98. MCA. 8. SpaceCamp (—). 1986. ramount. LV $34.98. Warner. Disney. 115m. (PG) $79.95. Vestron. 7. The Sound of Music (8). 7. Murphy’s Romance (8). : 8. Charlotte’s Web (—). 1973. 9. The Gods Must Be Crazy (—). 1986. 109m. (PG) $79.98. 1965. 174m. (G) $29.98. 1985. 107m. (PG-13) LV, CED + 94m. $14.95. Paramount. Playhouse. 10. Legend (10). 1986. 89m. CBS/Fox. $29.95. RCA/Columbia. 9. Winnie the Pooh and Tigger (PG) $79.95. MCA. 8. Star Trek Il—The Wrath of 8. Brazil (3). 1985. 131m. (R) Too (8). 1974. 25m. $14.95. Khan (—). 1982. 113m. (PG) LV $34.98. Embassy. Disney. $19.95. Paramount. 9. Gung Ho (—). 1986. 111m. ; 10. Pound Puppies (7). 1985. 9. Star Trek: The Motion Pic- (PG-13). LV $29.95. Para- : 37m. $14.95. Family. ture (—). 1980. 145m. (G) mount. ‘ $19.95. Paramount. 10. Sleeping Beauty (—). 1959. - 10. Star Trek IlI_The Search 89m. (G) LV $34.95. Disney. for Spock (—). 1984. 105m. (PG) $19.95. Paramount. Number in parentheses indicates position last month; (—) indicates a new listing. Copyright 1987 by Billboard Publications. Reprinted by permission. 16 Video March 1987

Mary, Mary,IRISTINA FERRARE is Blondy Mary IS©1NU9TM8E7M,RINTATIONAL WHY MUST ALL HER LOVERS DIE? Yith Ain Mmerlurtttite David Young For additional information. circle No. 19 on Reader Service Card

VCRadio’s Uncle Miltie’s Digital Debut Home Screen Here’s an audio tip for Berlesque Boston-area videophiles: you Charles Bronson evens the score in ‘Death Wish.’ Predating Tootsie by over can use your VCR to receive 35 years, Milton Berle began experimental digital audio “Death Wish is probably a sea of blood. The posse in bringing his outrageous fe- broadcasts. Public TV station the most accurate prediction the wild west normally got male imprersonations to mil- WGBH, which also operates in film history,” declares its the wrong man. It’s only in lions of Americans in 1948, a radio station, is using the director, Michael Winner. via a then-new medium. “I broad band of a spare UHF “The movie simply said that the movies that they got the appeared on television for channel (44) to transmit FM society had reached such an right person.” years dressed as a woman,” radio programs in digital, extraordinary point that, if a says the 78-year-old com- rather than the conventional man took the law into his Not only was the original edian. “It was my schtick.” analog form. own hands against muggers Now TV’s first drag queen is and criminals, he would be Death Wish a box office bo- presenting an all-male cast of Any VCR or monitor/re- applauded by the public.” female impersonators on a ceiver can pick up the broad- Referring to the Goetz case, nanza, it actually received new videocassette, Milton cast, but you need a decoder some critical plaudits. The Berle Invites You to a Night (such as Sony’s 501ES) to Winner says, “Of course, it next two installments scored at La Cage. Uncle Miltie convert the ultra-high fidelity doesn’t necessarily mean he’s big in theaters and on home directed and produced the signal for your stereo sys- in the right.” show, which features stars of tem. If the FCC approves video, but observers called the Los Angeles night club WGBH’s experiment, digital The ebullient English au- La Cage. He also portrays audio may become the wave teur is “totally against vigilan- them inferior carbon copies. gender chameleon Boy of radio’s future. tism. We cannot go around Winner, a former film critic, George and heckles from becoming our own judge, ju- is unperturbed. “Critics have the audience. Exercise Essentials ry, and executioner. If that to look at these films for Heavy metal fans may re- According to a survey what they represent to the call Berle’s cameo appear- done for Entertainment audience,” he explains. “I Merchandising magazine, ex- was brought up on gangster ercise videos should follow films. In their day, they were four rules for success: star a big name, run 20-30 minutes, mention the length in the ti- tle, and cost over $20. happens, we'll just end up in written off as cannon fodder. Nowadays, they’re looked at VideoVote: Colorization in a much different light be- cause they hit a nerve with the paying public.” With all the controversy surrounding computer coloriza- Despite the Death Wish tion of black & white films (see “News & Views” for the films, Winner “would rather latest installment), we’re curious how VIDEO readers feel be remembered for my early about two of the key questions that have been raised: comedies, like The Jokers with Oliver Reed, or possibly 1. Does colorization of classic black & white movies en- something like The Nightcom- ances in two rock videos by hance or detract from their entertainment value? ers with Marlon Brando.” the group Ratt. “Maybe all enhance detract Yet, as he quickly adds, “I the young kids will know me from watching Ratt.” Kids of 2. Do companies have the right to colorize a movie with- don’t really mind being all ages will get to see more known as the Death Wish di- Berle later this year with the out its director’s consent? rector. Film directors make a yes [] no lot of money and lead a very release of his old Texaco Star Clip this box and send to The Gazette, VIDEO Maga- glamorous life. It’s really a Theater TV shows on a video zine, 460 W. 34 St., New York, N.Y. 10001. Deadline is poor subject to moan and series called The Best of April 1. We’ll announce the results in July. Thanks! groan about in the press.” Berle. —Lowell GoldmanSOSSSCCHSHHSSSHSSSSSSSSSSSHSSSSHSSSSSSHSSSSSSHHSSSSSSHSSSHSHSSSSHSESSSHSSSESSESSSSSSSSSSSSESS @eoeeeeseeeeeseeeeeeseseeeeeeeeeeoeese —Dan Wishnoff 18 Video March 1987

akes isone little emergency the big differienncrceedit cards. at “* id Q es os To find out just how big a difference, turn the page. Select One: C] Citibank MasterCard® or C} Citibank Visa. PLEASE TELL US ABOUT YOURSELF Print full name First Middle Last You need not include spouse's income, alimony, child support, or maintenance payments paid to you if you are not relying on them to establish creditworthiness. as you wish it to appear on card Yearly Amount of other Salary $ Yearly income $ Social Date of Security Number Birth Source(s) of Other Monthly Rent Yearly Income or Mortgage $ Your Home Address State O Own Number and Street O Rent Checking Account Bank Name State (Joint or Individual) City, Town Zip or Post Office Code Savings Account Bank Name (Joint or Individual) Home Phone ( ) Years at and Area Code Current Address O Money Market Funds Institution Previous Years O CD/Treasury Bills Institution Home Address There FOR FREE ADDITIONAL CARDS City, Town Zip 0 Yes or Post Office Code Would you like an additional card for a member of O No your family or household at no additional cost? Name of Relative or Close Friend not living with you If yes, full name of authorized user Relative’s or Friend’s Home Phone ( ) and Area Code PLEASE TELL US ABOUT YOUR JOB PLEASE SIGN THIS AUTHORIZATION Business Name Years at By signing below |authorize Citibank (South Dakota), N.A. to check my credit history and exchange or Employer Job information about how |handle my account with proper persons and with credit bureaus if! am issued acard. |authorize my employer, my bank, and any other references listed above to release and/or verify Position If Retired, indicate Former Employer information to Citibank (South Dakota), N.A. and its affiliates in order to determine my eligibility for the Citibank credit card. |am aware that information gathered about me is used to determine my eligibility Check Here If O Retired for the credit card account and any renewal or future extension of credit. If! ask, |will be told whether O Self-Employed or not consumer reports on me were requested and the names of the credit bureaus with their addresses that provided the reports. If |designate an authorized user to use my card, |understand that account Business Address, information will also be reported to credit bureaus in the authorized user's name. |~etnid that lam 18 Number and Street years of age, or older, and that the information provided is accurate. |understand that if |use the card or authorize its use or do not cancel my account within 30 days after | receive the card, the Citibank City, Town State Zip Agreement sent to me with the card will be binding on me. Terms are subject to change. or Post Office Code in order to be considered for a Citibank MasterCard or Citibank Visa card you must complete and sign Business gl ) tne sppncation. Omission of any of the information requested in this application may be grounds for AMSSFMALDPATINOEEOLIRNLADTIEOLIEDL.,APSTN,,SCTEGEHDNand Area Code enial. PLEASE ALLOW 30 DAYS TO PROCESS YOUR APPLICATION DB3759-90 Applicant's Signature Date Citibank (South Dakota), N.A. Member FDIC

How a person behaves in an ment card within one day. So you you never have to lose your card can enjoy the convenience of your to discovetrhe difference in credit emergency is usually very reveal- Card again as soon as possible. cards. But ifyou do have an emer- ing. And the same holds true of gency, isn’t itgood to know we'll banks. That’s why itmakes sense Suppose you need an emer- be there? To start enjoying the to choose a Citibank MasterCard® gency upgrading of your credit Citibank difference, just fill in and or Visa card. Because we're the limit. Or simply need to know your mail the application today. largest issuer of MasterCard and available credit line in a hurry. All it CITIBANS Visa cards in the world, we're at takes is one toll-free call. our best when you need us most. Citibank Customer A CITICORP COMPANY CITIBANK MAKES THEM BETTER. Suppose your Citibank Service Representatives MasterCard or Visa card is lost or are SO experienced, stolen. All you have to do is call our emergency 800 number any- they can solve almost time, day or night. And we can any problem quickly and efficiently. send out an emergency replace- Of course, we hope The Annual Membership fee is $20.00. The Annual Percentage Rate for cash advances and purchases is 19.8% and there is a minimum Finance Charge of 50¢ for each billing period in which a eeq Finance Charge, based on a periodic rate, is payable. Grace Period: You will not be assessed a Finance Charge if you pay your bill in full by the payment due date (as indicated on your statement) and take no cash advances during that billing period. If your new balance is not paid in full on or before the payment due date, Finance Charges will be assessed on your outstanding balance and on future purchases from the date the purchases are posted to your account. On cash advances, Finance Charges are assessed from the day you take the cash advance until the day we receive payment in full. Other fees and charges: There will be an additional Finance Charge for each cash advance recorded during the billing period. If you requested a cash advance at a Financial Institution, the additional Finance Charge will be equal to 2% of the amount of the cash advance, but not less than $2 or more than $10. If you requested a cash advance at an Automatic Teller Machine (ATM), this additional Finance Charge will be $1.75. You will be charged a late payment fee of $10 for each billing period in which the minimum payment is not received within 25 days of your payment due date. You will be charged a $10 fee if your check is not honored or if we must return it to you because it cannot be processed. Copyright, Citicorp 1987 Citibank (South Dakota), N.A. Member FDIC PLEASE DETACH ALONG DOTTED LINE. FOLD, SEAL AND MAIL lu ° 2f)e 1a2) NEMICFAEITUINS.HLSSE.ADRY ie) = &)NVELLIO = ‘SWAGNAAVHALGLLVIAWILGID < = oa7i.aHMDAGERSTOWN, W“”w) NP7O3E.7RMIT < PBWAAEIYODILSDDLTRAEGSESEE =fDm FCILRASSTS C(DN.IASATKOcCS(I./riInOeUMcoetrTBDT.OCdiDvA)icrHni)tioNceHMivr2,eKcepa1sog7r,r4eyp9rl-sa9tn9od0w1n, __|——___—_

New Products 35-Inch Direct View Screen from Sanyo The Sanyo AVM350 monitor/receiver has a 35-inch direct view screen with a black matrix tube and comb filter for op- timum clarity. The manufacturer boasts a horizontal resolution of 560 lines from a direct video input. Audio highlights in- clude an MTS/dbx stereo decoder, dy- namic noise reduction, a 7.5-watt-per- Third-Generation Kyocera Finemovie 8 camcorder Sanyo AVM350 Camcorder from Kyocera The Finemovie’s recorder has the channel amplifier, external speaker Kyocera’s latest Finemovie 8 cam- usual functions, along with picture jacks, three sets of audio/video inputs, corder—its third U.S. model—is its search, still picture, record and playback and variable audio outputs. The lightest yet, weighing 3.75 pounds with at SP, and play-only at LP. Automatic 181-channel tuner and Sanyo’s Digicon track finding improves the playback qual- on-screen display can be controlled from battery and cassette. The KD-1100U’s ity of tapes made on other 8mm units. the 32-button infrared remote. The high-resolution solid state image sensor An RF converter and direct-line audio AVM350 was previously available only resists image lag, streaking, and burn-in and video outputs permit connection to as a component in the AV800 A/V sys- from bright objects. The f/1.6 2.5x1 any TV, monitor/receiver, or VCR. An tem. edit switch improves picture detail when zoom lens has macro capability, optional dubbing tapes. Price: $3200. autofocus, and auto iris. the unit also Price: $1500. For additional information, features a 2/3-inch electronic view- circle no. 153 on Reader Service Card. finder, LED information displays, and For additional information, auto white balance. circle no. 152 on Reader Service Card. March 1987 Video 19 Low and Mid-Priced three hours of remote recording in VCRs from Sanyo 30-minute increments. Sanyo has introduced two new VCRs, Prices: VHR500, $279-299; the VHR500 and the VHR2700, featur- VHR2700, $500. ing HQ circuitry, picture search, auto- For additional information, matic rewind and playback, and auto circle no. 154 on Reader Service Card. power on. The VHR500 is an inexpen- sive model with 107-channel cable-com- Sanyo VHR2700 VHS HQ VCR patible tuning, 14-day/4-event program- ming, and a 14-function infrared remote. A rotary programming control simplifies timer recording. The VHR2700 is a more full-featured model with Dolby noise reduction and an MTS/dbx stereo decoder. It has a 111-channel frequency synthesized tun- er, l-year/8-event programming, and full on-screen display. Both VCRs also fea- ture “quick start” recording for up to

New Products NOW AVAILABLE ON VIDEO MULTI-SYSTEM BY MAIL ORDER ONLY more eeMAGETRANSL ES YOUNG MEN TORN BETWEEN Global Video With records NTSC, PAL, MESECAM, and PHYSICAL DESIRE The Image Translator French SECAM. The Image Translator AND includes tuners and modulators for PAL RELIGIOUS Instant Replay’s Image Translator B/G, PAL I, NTSC, MESECAM, and DISCIPLINE World Traveler VHS VCR plays and re- cords programs from different broadcast RGB signals. The four-head Hi-Fi “GRAPHIC standards. It plays PAL or NTSC signals machine has 4-event/14-day program- EROTICI— SVMI’LL’AGE VOICE on PAL, NTSC, or RGB monitors, and ming, still frame, pause, fast scan, and a built-in test signal. “Takes one behind ‘ the walls of a The Image Translator is available trom Catholic seminary Instant Replay, 2951 S. Bayshore Dr., where students and 8th floor, Coconut Grove, Fla. 33133 priests alike are (305-448-7088). Struggling to resist the temptations of Price: $1595. the flesh.” For additional information, — NEW YORK DAILY NEWS circle no. 155 on Reader Service Card. “FILLED WITH OUT- - NEC Zooms In RAGE OVER THE On VHS Camcorder SUPPRESSION OF NATURAL The new V-30 VHS camcorder from INSTINCTS.” NEC features an unusual f/1.2 8x power — NEW YORK MAGAZINE zoom lens with macro position, full infra- red autofocus, and a CCD image sensor “REMARKABLE... that reduces image lag and retention and AMAZINGLY performs in light as low as 7 lux. Other SED—ULCOTSIAVNGEE.L”ES TIMES advances include off-air recording capa- bility, automatic date imprinting, fade-in/ “fhe fade-out capability, and an input for a character generator. The V-30 has a ‘ Puayhracnd 2/3-inch electronic viewfinder, auto white balance, and HQ circuits for white A Film by Fred Schepisi NEC Squares Off clip and detail enhancement. DIRECTOR OF ICEMAN, PLENTY With 26-Inch TV Price: $1859. IFEX FILMS NEC’s CT-2620A 26-inch monitor/re- ceiver uses a tinted Square 90 picture For additional information, 201 West 52 Street tube to reveal more information in the circle no. 157 on Reader Service Card. New York, NY 10019 corners, reduce geometric distortion, and cut ambient light reflection. The Gentlemen: new set also incorporates a high-band comb filter, to reduce color spill and in- Please send_____———_—svvideoccasssette(s) crease resolution, and cable-compatible of THE DEVILS PLAYGROUND in frequency synthesized tuning. Audio highlights include stereo speakers, a VHS Format ' |Beta Format stereo amplifier, and an MTS/SAP ster- at $59.95 (plus $5.00 shippiftg and eo decoder. handling charge) for each cassette. The CT-2620A also has two sets of direct-line audio/video inputs, two RF in- ALLOW 3-4 WEEKS FOR DELIVERY. puts, monitor and TV outputs, and fixed or variable audio outputs. Other features METHOD OF PAYMENT: include a 90-minute sleep timer, on- screen channel and time displays, and Check or Money Order Enclosed “quick view,” which alternates back and (New York residents include sales tax) forth between two selected channels. The infrared remote also controls any Charge: American Express NEC 900-series VCR. Visa MasterCard Price: not available. [_| | | For additional information, INTERBANK EXP. DATE | circle no. 156 on Reader Service Card. NO | hereby certify that | am at least 18 years of age and that | am purchasing this videocassette for home use only. Signature 3 ALL ORDERS MUST BE SIGNED SHIP TO NAME __ ADDRESS CITY_ Fia3RcSNCoodni4eaenr.dfraciovddltrieeimcroaentailon, 20 Video March 1987

THERE’S ONLY ONE LUCY. INTRODUCING /LOVE LUCY: THE COLLECTOR’S EDITION. GET YOUR FIRST VIDEOCASSETTE-—THREE EPISODES—FOR JUST $4, 95. with subscription deleted. Each videocassette will carry a call toll-free (credit card orders only): theme, such as “Lucy Wants to Be a Star,’ 1-800-CBS-4804 (in Indiana: 7 and come ina handsome case specially 1-800-742-1200). designed for the Collection. The video- CBS VIDEO LIBRARY tape itself will have enhanced sound 1400 North Fruitridge Ave., Terre Haute, IN 47811 and picture, and be of the highest quality | Love Lucy™ is a trademark ofCBS, Inc ss == Piavailable. She was America’s favorite housewife— Take 10 days to enjoy each video- zany, lovable, incurably stagestruck. And now, for the first time, her most priceless ctehLahaausenccsydhe,lptirtvinteichg.dee.ereoiFA’csoslajrtsunhsseoeotatuc$mtghe2hi9nao.wisne9me'5umremuypcoslhuunursuedamessbcyheoiyiurdop'uepllinltgolovoevakeneedp,tertmosYE|SLd,eODsVecpE|rtSi.TbLIeCUAdLCGLBYG:i,SnLOTtPVhH.iEOEsV. aLBCIdUoO.CxDLYLS!E1Ee1nC1Od1ET,nOtTRmeeer’rLSrme“IyLEuHcBaDsyuIu'tTbRsesI,cOATrNriI,RopNutYbi4ulo7nen8ds1e1r the capers are on videocassette, for you to you have to buy. And you can cancel Managing Money” (three episodes), at the low introductory delight in again and again. your subscription at any time. price of $4.95, which I’m paying as indicated below (fi// in). The CBS Video Library presents / Love Lucy:\" The Collector’s Edition—a series of FREE “I LOVE LUCY’™ BOOK! Please include FREE “The! Love Lucy Book.’ Also, send me future videocassettes (at $29.95 plus $2.45 shipping and handling), on 10 days’ approval, with no obligation to purchase. favorite episodes from the original TV show. As a special bonus, if you act right Check one:] VHS_[] BETA Check how paying: Remember Lucy and Ethel earning their now, we'll send you a copy of “The billCeHd EwCiKth EshNiCpLmeOnStE).D for $4.95* (future cassettes L17 | Love Lucy Book,’ absolutely bread inthe chocolate factory? Or “saving free. Packed with photos and = CREDIT eat al my series purchases, ee on bulk” by stocking their freezer with : P P \\ eginning with $4.95* for my first cassette, to: wo entire sides of beef? Or how abo behind-the-scenes action, this American Express (] VISA [] MasterCard (J Diners tbottling Lucy’s own salad dressing, auntd Club treasury of Lucy, Ricky, Fred and losing money on each bottle sold, but “mak- Ethel also includes plot summa- ing up for it in volume?” All three of these ries of every single episode. Yet Account # Expires classic episodes are on the first video- even if you decide to return your Signature cassette, “Lucy's Troubles Managing Money.” And it’s just $4.95 when you subscribe to first videocassette, you can keep the \\ Name (please print) the series fora10-day, risk-free trial. book as our gift. () Here’s how your subscription will work: |Love Lucy: The Collector's \\ Phone Every six weeks, we’ll send you a video- Edition brings you all the magic of the baA nies Apt. cassette for a free trial. Each video- most-watched, most-loved comedy ii n cassette will feature three of the “| Love Lucy” shows that always delighted you television history—and it's available exclu- “ State Zip most, in a way you never see them any- sively through the CBS Video Library. So NOTE: All subscriptions subject to review. CBS Video more: uncut, without one hilarious word start your collection right now, by sending in X\\Library reserves the right to reject or cancel any sub: scription, Offer limited to continental U.S. (ex- the coupon. For faster service, cluding Alaska). *Applicable sales tax added to all orders.

New Products three video inputs with two-way dubbing _ processing, a VCR noise filter, and an and simultaneous recording, along with a _ audio adapter loop. Pioneer Receivers 40-key/53-function remote. The 3000’s Prices: VSX-2000, $299.95; VSX- Unify A/V Equipment audio highlights include surround sound 3000, $349.95. Pioneer’s two new audio/video receiv- ers, the VSX-2000 and VSX-3000, fea- For additional information, circle no. 158 on Reader Service Card. ture the System Remote unified control, which operates numerous Pioneer com- Pioneer VSX-3000 ponents. Both receivers feature 20 ran- dom station presets with automatic and Introducing manual station search, a five-band graph- ic equalizer, a signal selector for sepa- CANON CREDIT rate audio and video switching, quartz- PLL synthesizer tuning, connections for two pairs of loudspeakers, and a floures- cent multi-function front panel with a clock and a programmable digital timer. The VSX-2000 has 50 watts per chan- nel and two video inputs, with a 24-key/34-function remote. The VSX- 3000 offers 60 watts per channel and NEC PJ-4625A Canon makes it easy to buy the best! Brighter, More Vivid The new Canon Credit Card Program lets you Projection TVs from NEC buy Canon products for your home or office with ,~ rv.) no money down and easy extended payments. 2¢ 95 NEC’s two new projection TVs use an optically-coupled, liquid cooled CRT and With one card for personal purchases and lens system to reduce internal reflec- another for business, Canon Credit will suit tions and create brighter, more vivid pic- your needs. No annual membership fee, and tures, according to the company. A credit is approved fast for qualified applicants— on) black stripe pattern on the screens re- you can buy right away with no cash outlay. ¢ duces ambient light reflection for better contrast. Comb filters provide a manu- So don’t hesitate to buy the best— facturer-rated 500 lines of horizontal res- Canon Credit makes it easy! olution from high-quality video inputs. The 41-inch PJ-4100A and the 46-inch See your participating Canon dealer PJ-4625A both use 6.5-inch picture or retailer for more details on this tubes, f/1.0 hybrid glass lenses, stereo exciting program. speakers, and terminals for external speakers. STEVE HOGAN ACCOUNT CONSUMER XYZ, INC. Both TVs offer two sets of direct-line stereo audio/video inputs and outputs, BUSINESS ACCOUNT two RF inputs, and one RF loop output. Other features include cable-compatible Canon U.S.A.,Inc., Headquarters, One Canon Plaza, Lake Success, NY 11042 tuning, on-screen time and channel dis- Atlanta Office/ Chicago Office/Dallas Office/Los Angeles Office/Honolulu Branch/Santa Clara Branch/Washington D.C., Branch plays, and one-touch switching between two channels. The infrared remote also ©1986 Canon US.A., Inc. controls many NEC VCRs. Available only in US. Prices: PJ-4100A, $2800; PJ-4625A, CiRa7FcSNoaiodenenrr.dfacdivodl.tireeicmroeantailon, $3000. For additional information, circle no. 159 on Reader Service Card. 22 Video March 1987

The first steps tostardom Captured on the new Canon 8mm video camera/ recorder. __ sharp, crisp pictures even in light as low as 8 lux. And When you get your hands on Canon’s new the Canon-developed 6X £/1.2 power zoom lens with macro and infrared active autofocus lets you get the Canovision 8™ camcorder, you'll think you're a great shots you want on the first take. Hollywood director. And your whole family will become stars overnight. Then just plug the camera into your TV set for instant playback. Look! Here comes your daughter The Canovision 8, with its tiny 8mm tape in her first unforgettable performance. cassette, is so light (3.5 lbs) and easy to use you can go “on location” anywhere—to the beach, the mountains, For more information and the name of the playground, or even your own living room. your nearest Canon Video Canon’s advanced - : 4 dealer, call 1-800-348-4300, Canovision 8 CCD image sensor delivers 1 _ ie | ext. 942. ; Pent | | : Sma We putthe whole world in your hand.™ Canon oes New VM-E2 PRECISION ENGINEERED Camcorder AF200M LEKS & Canon U.S.A., Inc., One Canon Plaza, Enjoy easy extended payments with Lake Success, NY 11042. © 1987 Canon U.S.A., Inc the Canon Credit Card. Ask for details at participating Canon dealers and retailers Simulated picture. Available only in U.S CNS8Raoconeie.n,racvdliecre iaFndofdoirrtmional

New Products RCA Goes Compact With VHS Camcorder RCA enters the Compact VHS field with its CPR100 “Small Wonder” cam- corder. The new model features the same metal oxide semiconductor (MOS) image sensor used by RCA’s full-size Pro Wonder for improved resolution. The CPR100 weighs approximately 4 pounds with tape and battery, and re- cords in light as low as 10 lux. The f/1.4 6x power zoom lens has macro capabili- ty, autofocus, and auto iris. The Small Wonder also features HQ circuitry, auto white balance, and a 2/3-inch black & white electronic viewfinder with LED displays. Accessories include a TC-20 Compact VHS cassette, a VHS cassette adapter, a one-hour battery, an earphone jack, a shoulder strap, an A/V output cable, a RF adapter, and an AC adapter/charger. For a short time RCA will also include the KK044 hard-shell carrying case with each purchase. Price: $1399. For additional information, circle no. 160 on Reader Service Card. -] Enclosed is $7.95 ($5.95 + $2 shipping) cash, check Peeeccececoecececee® Compact Camcorder or money order. Send your new Video Catalog, plus Light from Cool-Lux periodic updates. NOTE: Foreign orders (except APO, 6736 Castor Avenue « Philadelphia, PA 19149 Canada, Mexico) add $20 shipping/handling. 215/722-8298 Cool-Lux’s Micro-Lux camcorder light _] Enclosed is additional $3.50 ($11.45 total, $31.45 weighs only 3 ounces and can mount on foreign). Include your Adult Video Catalog. |am over the top of most camcorders. It provides 18 years old. 9000 beams candlepower of illumination for sharper images and deeper focusing Name in low light. The 35-watt Micro-Lux can run continuously for 1-3/4 hours when Address powered by a 12-volt battery. It can also be powered from a car cigarette lighter City State Sve eeeZip! or through an AC adapter. The lamp is available in black, silver, gold, red, or Phone ( en betel ae a SY blue. Price: $79.95. For additional information, circle no. 161 on Reader Service Card. J 24 Video March 1987

BP VideoDO P| roceéssor gives Preserve your memories Increase the life of your you precision picture control. on videotape VCR head and tape with BP VHS or Beta Tape Rewinders. You'll get 5 units in one! The BP Video The video-cine con- Processor functions as a Stabilizer to end verts your slides and Don't risk worn-down heads and tape video guard distortion...as an Enhancer to home movies to VCR damage by rewinding on your VCR. BP provide peak sharpness...as an RF Con- Tape Rewinders feature counter, soft verter to feed signals from video cameras, tape with any video computer or VCR in your TV...as a Video camera. This easy to button action, controlled speed and Fader for professional fade-in and fade- automatic shutoff. out effects...and as a Dual Output Distri- use model features bution Amplifier to send TV signals to precision optics and Model V-7779 Model V-7780 other sets. rear projection. Macro lens attachment available VHS BETA Model V-1880 for cameras without close-up capability. Model V-1701 Macro Lens Attachment Model V-14 Get true-to-life color. ..and reduce noise... with Audio Video Color Processor. Add Stereo FM Antenna fine-tunes to your your fm/stereo reception. The mini speaker with maxi sound. You'll get clear, crisp, undistorted sound This versatile color processor corrects off 3” long throw woofer; 1” soft dome from this high quality, directional FM color tape, eliminates single color tweeter; 2” extended midrange speaker. antenna. Mounts instantly indoors, comes dominance and restores sharpness in complete with coaxial cable and detail. Plus, it stabilizes copy guarded Max power 50 watts. transformer. tapes and filters audio noise. Model FM-9700 Model V-1895 | Model HF-9 per palr Send for FREE catalog of hundreds of items. Service & Shipping Charge Schedule Continental U.S.A. FordhamMoney orders, checks accepted. C.0.D.’s require 25% deposit. izes FOR ORDERS ADD $25-$100 ia 5 $4,50 $101-$250 he 3 $6.00 . $8.00 $251-500 75 a sth f . $10.50 $501-750.. i $12.50 $751-1,000.......- ‘ $16.50 . ..$20.00 $1,001-1500 .... 4 ..... $25.00 $1,501-2000 . . 260 Motor Parkway, Hauppauge, NY 11788 $2,001 and up For additional information, circle No, 9 on Reader Service Card

Fine Tuning Your Video Questions Answered All Out the quality of the videotape were common back then, so onto another VCR, such as stock, and how the tape has a broken belt is one explana- the RCA VLP-970 you’re Thanks for the “Fine been stored. Tape is a plastic tion for your problem. considering. Simultaneous re- Tuning” item about the medium and environmental cordings are possible, too, “secret” remote eject feature To check it out, you'll have with an 8mm and VHS tape on Sony’s SL-HF 750 Be- factors can cause it to stretch to take the bottom off the rolling in both machines. tamax (Dec. ’86). On my or shrink imperceptibly. machine and unscrew and Sony SL-HF550 VCR, remote fold back a couple of circuit Both tapes made would be eject can also be obtained by Tapes recorded at faster boards. If the belt is broken, considered first generation. A pushing the record button on speed have better in- you can buy a replacement second generation tape would the remote. If the knock-out terchangeability, although from an RCA repair center. be any copy made from ei- tab on the cassette is missing, they are still vulnerable to Many large electronics stores ther of the two originals, re- the VCR simply eects it. the effects of old or poorly stock the more common belts gardless of format. aligned VCRs, bad tape, or used in earlier VCRs, as well Jeff Blystone worn video heads. That’s as service manuals for them. While some of the features Ene, Penn. why SP is the favored speed If the belt is not the cause, of the Sony (such as the for prerecorded tapes. you'll need the manual to find non-sticking characteristics of Many of Sony’s recent the problem. If you get in the solid-state CCD pickup), Beta machines have this The solution? Avoid taping over your head, we recom- will carry over to both ma- feature. In addition, if you try anything you want to keep at mend you give up the ma- chines, the clean cut feature to use your VCR’s timer the slow speed. It’s not suit- chine. The labor charges on of the flying erase head is mode with a cassette that able for long-term video ar- non-warranty VCR repairs built into the 8mm’s tape has had the tab removed, the chiving. If possible, try to transport. The quality of the machine will eject the tape. dub whatever you want to translate into expensive re- edits achieved with the RCA Some VHS machines also save from your existing EP pairs: an authorized ser- will depend on its own back- work this way. The Toshiba collection to a faster SP tape. vice center will most likely space editing circuitry. M-5900 and DX-7 eject tapes There will be some loss of missing the knock-out tabs if video quality, but the longer charge more than your European PALs you try to record. On some you wait, the more risk there machine is now worth. other makes and models, will be that your EP collec- I know you can’t play pressing record will just give tion may one day become un- Dualing Camcorders NTSC videotapes in you play instead. playable. PAL-type VCRs. But does After reading and re- this also apply to videodiscs? I EP Or Not EP? Worn Belt searching, I’m ready to have friends in Romania, buy a video camera. I’m con- where the system is PAL, and I own two VHS VCRs—a I recently purchased a sidering the new Sony CCD- I want to send them some Fisher FVH-810 and an used RCA VCT-200 V110 8mm camcorder and the videodiscs. Are American NEC N-915U. Is there a rea- VCR. It worked fine for RCA VLP-970 VHS portable. videodiscs compatible with son why many of the tapes I’ve awhile. But, one day, when Since the Sony has audio/vid- PAL videodiscs, the way that recorded in the EP mode, and the tape reached the end of a eo outputs, will I be able to CDs are? which have sat on the shelf for reel, the rewind wouldn't record directly onto VHS? Al- some time, now play back with work. Neither would fast for- so, will I be able to record on Petra Duna video noise that only goes ward. When I ejected the cas- 8mm and VHS machines at Cicero, IIl. away after I alter the tracking the same time? If so, will my knob? Since the problem ap- sette, a large mess of tape VHS tape be considered a first NTSC format videodiscs pears with both machines, I came out with it. I was told generation or second genera- won't play back on PAL can only blame the tapes. this was probably due to a tion recording of the 8mm videodisc players or vice- broken belt. If this is the prob- tape? Finally, will the flying versa. In many instances, the Ben R. Wilkie lem, can I fix it myself? erase head and other features players can be adjusted to York, Me. on the 8mm camcorder im- operate on different voltages Ed Clossen prove the VHS recording? or line frequencies. Once you Tape “interchange”—the Springfield, Ohio have the machine operating, ability to play a tape Louis Savetsky you will be able to hook it to made on one VCR on another A RCA’s VCT-200 dates Englewood, N.J. an NTSC TV (also running VCR—is influenced by many back to 1978, so yours off the proper power supply) factors. They include the tap- A While the Sony camcord- and view the discs. To view ing speed (in this case EP), probably had more than a few er is designed to be used PAL videodiscs over here, the age and condition of the miles on it when you bought you'll need a PAL video- VCRs and video heads, it. While most of today’s ma- alone, with an 8mm tape, it disc player and a PAL TV. chines use direct drive mo- is possible to use it as a cam- tors for many functions, era head, recording the signal belt-driven reels and idlers 26 Video March 1987

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(Columbia) 287003. Eagles—their Garfunkel’s Greatest 337659. U2—The 336222. Dire Straits— Greatest Hits 1971-1975. Hits. El Condor Pasa; etc. Unforgettable Fire. Top 346270. Wham! Music 246868. Jim Brothers In Arms. 342097 Barbra (Asylum) (Columbia) 10 MTV hits! Pride (In The From The Edge Of Croce—Photographs (Warner Bros.) Streisand—The 293597. Led Zeppelin— 337519. Heart. Top 10 Name Of Love); The Heaven. (Columbia) And Memories—His 345553. Branford Broadway Album. Houses Of The Holy. Album. What About Love; Unforgettable Fire; plus Greatest Hits. Time In A Marsalis—Romance Includes hit O'Yer Maker; Never; etc. (Capitol) more. (Island) 346205. Belinda Carlisle Bottle; etc. (Saja) for Saxophone. (Digital Somewhere; Something's more. (Atlantic) 341305. Robert Palmer —Belinda. Includes Top —CBS Masterworks) Coming; more. 331645. Madonna—Like —Riptide. Addicted to 322024. Huey Lewis & 344705. Patti 343327, Wynton (Columbia) A Virgin. #1 album & hits Love; more. 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Of All; etc. (Arista) (Columbia) Symphony Orchestra. 343582. Van Halen— more!!! (Elektra) No. 5. Berlin Phil. (Digital—CBS) 5150. (Warner Bros.) 328435. Prince And The 333286. Phil ANDREAS GERSHWIN Yo-Yo Ma, Cello. (Digital— Revolution—Purple Rain. Collins—No Jacket VOLLENWEIDER 347054. David Lee LINDA RONSTADT CBS Masterworks) #1 hit: When Doves Cry. Required. Album of the Roth—Eat 'Em and =. RHOARIPGSINOADLY VEIRNSBIOLNUE e (Warner Bros.) Year! (Atlantic) = Smile. (Warner Bros.) 348110-398115. Buddy ROUND MIDNIGHT LOBANGE Holly—From The Original 345785. Top » MADONNA g DOWN TO THE MOON AND HiSELOSROCNHEISDTORLAE Master Tapes. (MCA) Gun—Original 339226 Soundtrack. (Columbia) 346643 348987 398982 341073. Steely Dan— A Decade of Steely Dan. Reeling In The Years; Hey Nineteen; more. (MCA) OS DIGITAL AUDIO We've built-in a wide range of without having 10 days to decide, you may [oeCBS COMPACT DISC CLUB, 1400 N. Fruitridge Fa | PO. Box 1129, Terre Haute, Indiana 47811-11 | choices. You can select from a wide variety return it at our expense. of current hits and classical favorites. Our The CDs you order during your Please accept my membership application under the terms outlined | | inthis advertisement. Send me the 3 Compact Discs listed here and reat introductory offer lets you choose any membership will be billed at regular Club | bill me only $1.00 for all three. |agree to buy two more selections | 3CDs listed in this ad for just $1.00. Fill in and prices, which currently are $14.98 to | mail the application—we'll send your CDs $1598—plus shipping and handling, and at regular Club prices in the coming year—and may cancel my | and bill you for $1. You simply agree to buy 2 sales tax where applicable. (Multiple-unit | mem ership at any time after doing so. more hae regular Club prices) in the next sets may be higher.) There will be special year—and you may then cancel your sales throughout your membership: After SEND ME THESE 3 CDS: membership anytime after doing so. completing your enrollment agreement you How the Club works. About every four may cancel membership at any time. | My main musical interest is (check one): (But |may always choose from any category) weeks (13 times a year) youll receive the Special Bonus Plan: After you buy 2 CDs Clubs music magazine, which describes the at regular Club prices, you can build your col- Mr OROCK/POP COCLASSICAL | Selection of the Month for your musical lection quickly with our money-saving bonus | interest. ..plus many exciting alternates. In plan. Itlets you buy one CD at half price for | MMirs. addition, up to six times a year, you may re- each CD you buy at regular Club prices. | 10-Day Free Trial: We'll send details of the | Maiee First Name Initial Last Name ceive offers of Special Selections, oni Gat Club's operation with your introductory ship- | a discount off regular Club prices, for a total ment. Ifyou are not satisfied for any reason | Address Apt. of up to 19 buying opportunities. whatsoever, just return everything within 10 days and you will have no further obligation. | City | Ifyou wish to receive the Selection of the Month, you need do nothing—it will be | State Zip | shippedautomatically. Ifyou prefer an alter- So why not choose 3 CDs for $1 right now? | Do you have a VCR? (Check one.) O1Yes CINo 179/S87 | | nate selection, or none at alll, fillin the ADVANCE BONUS OFFER: As a special N Do you have a credit card? (Check one.) 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Fine Tuning Stereo Trends vision Sound) system was agreed upon This method of stereocasting is still widely used, and not just by PBS. Some Why is it that PBS stations simulcast back in 1984. There’s no technical rea- cable services use it as well—which is son why they can’t switch to the MTS why even the newest MTS VCRs con- their stereo audio over an FM radio system, which is compatible with VHF tinue to give you the capability to mix an external audio source with the video station, rather than using the MTS sys- and UHF broadcasters, and eventually coming from the VCR’s tuner. some stations may make the switch. In tem that’s now available on so many new Light’s Out the meantime, you've got to get stereo TVs and VCRs? Gary Hedges audio by recording it from your FM re- I have a Sony KP-4110 projection: Tustin, Calif. Q TV, which has three sets of audio/ ceiver, and mixing it with the video com- video inputs, in addition to a built-in Most PBS TV stations are stereo ing in from your VCR’s tuner, using the tuner. When I have it switched to the tun- pioneers, and have been simulcast- “simulcast” or “2 CH” setting on the er mode, the MTS stereo light comes on ing stereo audio programs for years— VCR. when I’m tuned to stations broadcasting long before the MTS (Multichannel Tele- in stereo. I also have several VCRs hooked into the three A/V inputs. One has THE POWER Revitalize your camcorder or portable VCR its own MTS tuner, while two are mono. PACKAGE with the replacement batteries you've been Sometimes, when I’m viewing the signal searching for! from one of the mono VCRs, the red ster- A new line of eo light on the TV stays lit. Other times it products de- POWER EXTENSION doesn’t. The same problem afflicts the signed to extend MTS VCR. Even though its own stereo the performance VDO-PAK’s complete line of replacement batteries supplement the life of light is on, I don’t always get the stereo of your cam- even the oldest camcorder and portable VCR These are the batteries you light on the TV. corder through haven't been able to find before that will keep your comcorder/VCR in top shape for a guaranteed year! Ifyou can’t locate VDO-PAK’s extensive Is there a problem with the set, or am I Tiviveh (elites misunderstanding its operation? eTToTlNAMelie Me(=m filtaareplacement battery line—ask your dealer. Tell him VDO-PAK has the Fred Griswald PARTIII:pendability. power extension your camcorder/VCR needs! San Francisco, Calif. Manufactured EQUIVALENT TO A Simply put, the stereo light comes on when the set’s tuner is on a stereo only by Sony NP-1 station, and goes off if you happen to VDO-PAK RCA NB-009 be on a non-stereo station, regardless of Products JVC NBP- } which audio/video you have selected. JVC NBP-4 Just ignore the stereo light when you're (vo0-Pak) JVC NBP-8 viewing a signal from one of the A/V in- JVC PBP-1 puts. The only time it’s valid is when Sony NP-22 you're looking at a signal coming on from Sony BP-60 the set’s own tuner. This confusion Panasonic LCR-1812 could have been avoided had the sets Panasonic LCS-2012 been designed to extinguish the super- Panasonic PV-BP80 fluous MTS pilot light when you switch Panasonic PV-BP20M away from the main tuner. Maybe future RCACB-120 models will fix this feature. Available Soon —Matsushita (Olympus) 8mm Pane-less 73 Hitachi (Pentax) 8mm 93 Please explain why front-loading VCRs no longer have a clear top P.O. Box 67 “not pictured window. With the window, the user can Port Orange, look inside and see how much tape re- Florida 32029 Outfit your camcorder and portable VCR with the products that support mains or has been used up, as well as Toll Free U.S.A. the professionalism of your video hobby—only from VDO-PAK Products read the label on the cassette. 800-874-5906 Fla.iaF1NcSRoodni3een.rdfraciovldtrieeimcoraentailon, 800-342-4900 Myron Shulman Brooklyn, N.Y. 28 Video March 1987 A Not all Sony’s VCRs have given up on the window. It’s on the current SL-HFT7 SuperBeta Theater Betamax, which comes in two colors: sand and mauve, but not black. The SL-HF550 al- so has a window although it only comes in black. VIDEO welcomes your questions. Please do not enclose self-addressed envelopes as the volume of mail does not allow personal replies. Questions may be edited for clarity and space. Address letters to Fine Tuning, VIDEO Magazine, 460 West 34th St., New York, N.Y. 10001.

INTRODUCING THE NEXT ELXOPGEIRCIAELNCE. STEP BEYOND THE STEREO FAR BEYOND. SHURE VIDEO/HI-Fi SYSTEM EXPANDER REMOTE SENSOR The new Shure AVC30 Power Station™ economical way to add Dolby Sur- TOTAL CONTROL AT brings your audio and video compo- round to your system. All you need YOUR FINGERTIPS. nents alive in ways you never imagined. are four speakers, a TV monitor, and a stereo VCR. No additional A 17-function EXPERIENCE THRILLING power amps are required. Plus, the wireless remote DOLBY SURROUND® MULTI- AVC20 amps can be “bridged” to control makes it CHANNEL MOTION PICTURE create a 60-watt-per-channel stereo possible. You'll be amplifier to use alone or with your truly amazed by the SOUND IN YOUR HOME. existing amp or receiver. endless possibilities the AVC20 brings Dolby Stereo has become the TRANSFORM YOUR VIDEO you. In addition to standard sound format for almost AND AUDIO COMPONENTS Dolby Surround, all major motion pictures. This INTO A SINGLE, TOTALLY there are two other surround modes Dolby information is encoded on to enhance stereo sound. You can the most popular stereo VCR cas- INTEGRATED SYSTEM. wrap the sound stage around you, settes and laser discs you buy or create concert hall ambiance, mix rent. The Shure AVC20 accurately The Power Station lets you link and balance the room any way you decodes this information, wrapping inputs from up to five sources. With wish. All without leaving your chair. the sound around you with explosive one touch of a button, audio and big picture realism and romance. video signals are internally routed, The new Shure AVC20 Video/Hi-Fi so there’s no need for daisy- System Expander is everything you chaining, plugging and unplug- need to transform your audio and TAKE ADVANTAGE OF FOUR ging. Tape dubbing is effortless. The video components into a truly excit- BUILT-IN POWER AMPS. AVC20 can also route video signals ing home entertainment center. to two separate monitors and Audition the Power Station for your- With four 30-watt amplifiers built enhance images both in recording self at your local authorized Shure in, the AVC20 is the simplest, most and playback modes. Dealer. For more information, write or call Shure Brothers Inc., 222 Hartrey Avenue, Evanston, IL 60202-3696 Call 1-800-257-4873. (In Illinois 1-800-624-8522) Dolby Surround® is a registered trademark of Dolby Laboratories Licensing Corporation. SHURE MAKING THINGS THE WAY THEY SHOULD SOUND FOR OVER 60 YEARS.~ For additional information, circle No. 11 on Reader Service Card.

TV Den Techniques and Technology New Deck The wait is over. The VHS rests on four “hockey puck” an M-loading VHS VCR For VHS Edits camp has finally introduced a legs, each nearly two inches meant changing the way the by Roderick VCR with editing features in diameter, which help tape normally threads and equal to such “ultimate” Beta dampen vibrations and stabi- shuttles. Woodcock decks as Sony’s SL-HF1000 lize the machine. Betamax. Panasonic’s new Beta and VHS formats dif- SRASREASIARER AG-1950 VHS VCR should Three innovations set the fer in the way tape threads please the fussiest home AG-1950 apart from other around the video drum. Beta Panasonic’s AG- videophiles, especially those VHS VCRs. One is its edits, tape threads around the drum 1950 is a sophisti- accomplished by a frame- as soon as the cassette is cated VHS VCR with who prefer VHS for its mam- width flying-erase head on loaded, and remains there Special features for moth film library but envy the video drum. In fact, the during every operation, unusually clean Beta for the relative sophisti- video drum on the AG-1950 retracting into the cassette edits. cation of its editing decks. is an octopus of heads: there only when ejected. Since the are four video heads, two Hi- tape touches the VCR’s con- The AG-1950 is being dis- Fi audio heads, one fly- trol head during all the shut- tributed by Panasonic’s In- ing-erase head, and an inac- tle modes, it was possible for dustrial Video Division, but is tive “blank” to maintain head- available to non-pros. This wheel balance. Beta to offer a linear time isn’t the video version of Jan- readout on its machines some itor in a Drum. It’s true in- Another innovation gives time ago. dustrial strength video. Make you instant forward and re- no mistake, this machine is verse tape motion control In VHS, the tape un- not meant for the average through a jog/shuttle dial. threads from the video drum videophile, not with a sug- You can jog back and forth in the stop mode, losing con- gested price of $1500. Even between frames in either di- tact with the control head. with the usual discounts, the rection. You can move from a During regular fast forward machine will still sell for well still frame, through several and rewind, the tape moves over $1000. slow motion speeds (1/5, 1/7, directly from one reel in the 1/10, 1/20, and 1/30), toa 3 cassette to the other, by- For that kind of money, or 5 times SP search speed however, you get a full-fea- (5, 7, 9, or 11 times for EP passing the video drum and tured, very sophisticated tapes). control head. VCR, designed to be a work horse. It’s housed in a dull Search quality is extremely So how did Panasonic de- black metal cabinet that good at both SP and EP vise a system that calculates measures about 5-1/2-inches speeds, thanks to double-azi- the linear time readout? In- high by 17 wide by 15-1/2 muth video heads and supple- stead of having the tape un- deep. At 23.1 pounds, it’s mental circuitry designed to thread completely from the heavier than most consumer minimize noise-bar interfer- drum, the AG-1950 retracts VCRs, but is sturdily built. It ence. While the AG-1950 is it into an inverted V-shape, billed as an SP/EP machine, with a special sub-loading it will play back LP format arm keeping the tape in con- tapes, although the search stant contact with the control quality and special effects head on the right side of the won't equal the other two video drum. speeds. For even better tape mo- Perhaps the AG-1950’s tion continuity, the rotation most important innovation is of the take-up reel in the cas- its highly accurate linear time sette is locked whenever the VCR threads or unthreads, readout, which is calculated preventing any tape slippage and displayed in hours, min- utes, and seconds. The infor- that could mar the accuracy mation is derived from the of the counter. Counter ac- control track on the lower curacy is crucial, since it in- edge of the videotape. Mak- fluences the amount of pre- ing this feature possible on cision needed to edit tapes. Editing of course is how this VCR shines and Pana- 30 Video March 1987

Not pe mlutionary. Olereniaars Ww ) Pi°oneers9 Revolutie onary CD/LaserVisgeion PlayerPRO Na ee Ifthere was everamachine ahead of its time, it's it’s one of the best-sounding CD players you can Pioneer’s new CLD-909. The most remarkable buy: Ité also fully programmable, so you can play machine ever invented to play compact discs, music —any audio or v‘ideo track in any order. One viewing of Pioneer’ ‘CLD-909, and you'll video discs and LaserVision discs. not only be a believer, you'll soon be a possessor Its engineering is incredibly sophisticated. Its superior benefits are really quite simple. Asa video of the finest sight and sound machine modern source, it produces a 60% sharper picture than any man has ever witnessed. For more information, VHS machine in existence. As an audio source, call 1-800-421-1404. Oeel(e) laces CATCH THE SPIRIT OF A TRUE PIONEER. ©1986 Pioneer Electronics (USA) Inc., Long Beach, CA mn For additional information, circle No. 12 on Reader Service Card

TV Dery sonic makes the most of it with a host of by an automatic pause of about four track. An audio-mute button assigns professional features. The AG-1950 off- seconds. This creates a time-lapse video these spots as needed. ers an animation mode, in which you can effect, so that T-160 tape (which nor- obtain four or five frames (about one- For maximum editing flexibility, the sixth of a second) of recorded video by mally has a total EP time of eight hours) AG-1950 has two sets of audio/video in- touching the record button once in the can record more than 22 hours of puts and outputs, with one set of inputs record/pause mode. The VCR records time-expanded video. Of course, it be- on the front for fast hook ups. In anoth- the four or five frames, stops, and auto- comes “time compressed” video when er welcome departure, the video jacks matically recues for the next segment. you view it in real time. provided are the heavy-duty BNC (bayo- To take this feature the next step, an There’s also a cue feature to rapidly net nut connector) variety, which are “intervalometer” mode gives a fixed re- locate any spot on the tape where very rugged. cording of about two seconds followed you've left an index point, which appears as a slight blank space in the audio As expected, the AG-1950 is an HQ machine with all four of the HQ picture SuperLabel enhancing elements: a 20 percent white When you want ®* to TAKE CONTROL of your tapes! clip expansion, luminance and chromi- nance noise reduction, and detail en- FINALLY! You can know: Patent Pending hancement. The test tapes I made with @ What’s there How much time is left @ What’s where it were the equal of any other HQ ma- © How long it is chine I’ve examined recently and clearly @ What it’s all about e Date Recorded better than some of the less costly “half- HQ” machines, which scrimp by with on- In fact—just about anything you want to know about what's on your tapes! ly the white clip expansion and lumi- Called, “the best new accessory for VCR's I’ve seen” by a buyer for a major nance noise reduction. video distributor, SuperLabels™ give you up to 30 sq. in. of recording space While the AG-1950 comes with a fre- quency-synthesized cable-ready tuner compared to the 3 sq. in. available on standard labels—10 times more room! and records in Hi-Fi stereo, it doesn’t have a broadcast stereo MTS tuner. Nor Only .024 of an inch thick when folded and securely closed by unique can it record or play back linear, split- double-locking tabs, SuperLabels™ save time, money, and...more track stereo; it offers only a single, monaural linear channel. Adding MTS importantly...let you take control of your tapes! Dealer/Distributor Inquiries Invited would certainly broaden the AG-1950’s Order yours TODAY! VHS only available (616) 887-1654 appeal, but the lack of two separate line- RECORDIT, Inc. P.O. Box 357 Sparta, MI 49345 ar audio channels is a more serious limi- I Please Send me: ___ pkgs. of VHS SuperLabels™ [12/pkg.] @$2.95$____ JJ tation for a machine touted as an “edit- ing” deck. i Postage/Handling (per order)$_50 §f Split-track audio doesn’t always mean 'eaAeDDRESS Michigan residents, add 4% $ | stereophonic sound. Often, it’s useful to TOTAL $ 1 be able to combine one channel of audio, like narration, with audio recorded at the gp cry STATE ZIP One Dozen SuperLabels™ : scene of a shoot, or with background : PAYMENT C] CHECK C]MST.CD. C1 VISA music. It’s possible to dub in these other only $2.95 i audio elements later—replacing the orig- inal mono track, while preserving the | CARONG: eae Immediate Delivery! r same audio on the Hi-Fi tracks—but Hi- Fi audio can’t be edited since it com- FaicN1RCSodnioe0aenrdrf.raciovdlAdtrieeimcoraentailonE,R Hee oy eS, Se SSS SS a ee ee bines with the video signal. The machine would have had more flexibility if it had two separate, and dub-able audio chan- nels. Inevitably, there will be comparisons made between Sony’s SL-HF1000 Be- tamax and the AG-1950. The Sony 1000 offers an MTS stereo tuner, on-screen programming, a linear time readout with a frame counter, on-screen and at the VCR, an elaborate remote control that duplicates the VCR’s jog/shuttle, a four font titler, a black-screen generator, a tape indexing system that can hold 15 eraseable cues, and an editing interface able to remember up to eight edit events. On a feature-by-feature basis, the Be- ta machine beats the VHS. But the AG- 1950 has demonstrated the true poten- tial of VHS VCRs. It’s not perfect, but if you're a fastidious videophile looking for the best value in a high-end VHS VCR, this one is definitely worth looking into. 32 Video March 1987

| FRIES ENTERTAINMENT presents |||| DISTRIBUTED BY AN ALAN SACKS PRODUCTION oF 4 DAVID WINTERS Fitm “THRASHIN’ ” sTarRING JOSH BROLIN ROBERT RUSLER and introducing PAMELA GIDLEYasChrissy CHUCK McCANN CONTINENTA! VIDEO | Executive Producers CHARLES FRIES MIKE ROSENFELD written by PAUL BROWN and ALAN SACKS Produced by ALAN SACKS Directed by DAVID WINTERS [me MateriaayBenapproprietTorCaronUader13] © 1987 VIRGIN VIDEO

The Camcorner New Equipment & Shooting Tips The Essential the features that are coming Modular Video System, and able lenses could be just an- Camcorder to be considered essential Zenith’s VM7100, a VHS ma- other aspect of a modular ap- now include auto iris expo- chine with stereo Hi-Fi and proach. by Roderick sure systems, with manual mono linear audio. The MVS- Woodcock - overrides or backlight con- 5000 not only records in Multifunction Remotes: trols; a zoom lens that allows While most camcorders offer Since the first Betamovie a choice between two or stereo, it’s digital stereo, full control over the tape camcorder debuted a scant more speeds; record/review four years ago, the popularity for playing back the last few using the digital standard es- transport through buttons on of the all-in-one camcorder tablished for 8mm. Many oth- the housing, not all let you has grown tremendously, seconds of a tape to see er 8mm camcorders, includ- access the controls with a re- with Beta, VHS, Compact what has just been shot; ing the Kodak, also record mote. Panasonic’s PV- 300, VHS, and 8mm camcorder date, time, and character Hi-Fi audio. It’s not stereo sales eclipsing those of the generators for titling and log- Hi-Fi, however; it’s higher for example, has a simple bulkier two-piece camera/re- ging tapes; and fade controls quality mono audio which corder combinations that mixes the audio with the vid- pause control for its remote, were available “BC” (Before that progressively turn a while Sony’s CCD-V8AF lets Camcorders). scene black or white, so that eo signal, instead of record- you plug in an RM-84 remote less abrupt transitions be- ing “low fi’ audio on the edge Regardless of your dream tween one scene and the of the slow moving vid- control that controls virtually camcorder’s format, you'll next can be created. eotape. want to get as many features every function, even lens as you can for your hard Impressive as these fea- Low-fi or not, a camcorder zooming. earned dollars. What are the tures are, many have ap- that offers split-track linear essentials? For most buyers, peared only in some models. audio capabilities would be a Detachable Viewfinder: they include a power zoom Here’s a quick wish list of Most camcorders with elec- lens, macro focusing, an elec- additional features that versatile performer, with two tronic viewfinder with tape would be included on the channels of audio that could tronic viewfinders let you re- playback capability, and au- ideal camcorder: be manipulated to better ef- dio/video inputs and outputs. fect. For example, one chan- move them. The feature is Flying-Erase Head: This nel could carry narration, Some specialized camcord- new advance is fast becoming designed for storage con- ers, like Sony’s Betamovie indispensable for situations while the other could carry venience. But detachability and Handycam and the new where the tape is stopped background music. JVC GR-C9, have opted and started many times as has other advantages. When delete features such as elec- scenes are shot and added to Modular Design: This tronic viewfinders and tape sequences. Instead of having shooting scenes that don’t re- playback. By reducing size a fixed head inside the cam- has been used in professional and weight and simplifying corder erase the tape before camcorders for years. Its quire constant monitoring of their machines they hope to a new signal is recorded, a major advantage is that if one the viewfinder, unplugging it create “point-and-shoot” more accurate rotating video saves power and extends camcorders that may be head mounted on the video part of the system needs re- the life of the battery. In the less intimidating for some drum does the job instead. pair or adjustment the other case of the Hitachi series of users. The result is seamless, invis- half is still usable. One-piece ible editing between scenes VHS camcorders (which ap- In addition to the above without any of the tearing or designs don’t offer this flexi- staples, many manufacturers rainbow-like stains produced bility. When something pear under Hitachi, RCA, and have added extra bells and with conventional backspace breaks, the whole thing is whistles to increase their ma- editing. Flying erase heads rendered unusable. Minolta brand names, among chines’ versatility and appeal are available on most 8mm others), the socket from the to first-time buyers. In these machines, and on at least one Interchangeable Lens- more sophisticated models, high-end Beta and one table- unplugged viewfinder doubles model VHS VCR, so why es: Before camcorders stole as the socket for the external the limelight, many deluxe not on VHS camcorders as video cameras offered in- video signal recording adapt- well? terchangeable lenses, allow- er. ing the user to select the op- Stereo Sound: So far on- Intervalometer: The ly two camcorders offer ster- tic needed to accommodate eo audio—Kodak’s MVS- particular shots. Wildlife pho- clean-cut editing provided by tographers, for example, who 5000, which is part of its thrive on super-long telepho- flying-erase heads makes it possible to build a VCR that to lenses, must be frustrated by the relative inconvenience can accomplish smooth ani- of camcorders, none of which mation or time-lapse effects. let them add lenses that go beyond the standard 6:1 or The intervalometer, a timing 8:1 zoom ratios. Interchange- device which allows the sin- gle frame exposures needed for time lapse photography, is already available on models such as the Sony deluxe CCD-V110 8mm. When fly- ing-erase heads become standard for VHS camcord- ers, this important feature should also be added. SSS 34 Video March 1987

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Audio Input The Sound Side of Video The Digital cording. If the event was a analog signal, measuring and twice as precisely, we halve Difference sound wave’s quivering varia- recording the signal’s level at the noise and distortion. tions in air pressure, we regular, closely-spaced inter- by Ivan modeled it as voltage varia- vals. Both the number of Since signal quality de- Berger tions on a telephone wire, measurements per second, pends on the sampling rate wiggles in a phonograph known as the sampling rate, and the number of bits per Digital audio has been groove, or varying magnetic and the precision with which sample, the signal quality is making its mark for several fields along a wire or tape. as good as the number of da- years in such readily availa- the signal levels are recorded ta bits we can afford to give ble forms as phonograph rec- Year by year, for over a affect the quality of the re- it. On the other hand, we can ords made from digital mast- century, we've brought these cording. never make a signal better er tapes, all-digital Compact models closer to perfection. without changing the entire Discs, and PCM converters Today it’s possible to make The sampling rate controls system. For example, a that let you make digital re- the system’s frequency re- Compact Disc player’s 44.1 cordings on your VCR. More analog tapes in the studio kHz sampling rate and 16-bit recently we've had LaserVi- that capture all the frequen- sponse. In practice, the high- samples ensure a frequency sion players and discs and cies of sound about as per- est frequency you can record response to 20 kHz and a 8mm VCRs with digital sound fectly as any ear can discern, is a bit less than half the signal-to-noise ratio of 96 tracks. Sometime in 1987 we and add only barely percepti- decibels. You could make a should be able to buy digital ble noise and distortion to sampling frequency. Compact better recording if you used audio tape (DAT) cassette the signal. The recordings Discs, for instance, by sam- more bits and sampled more you hear at home, however, pling the signal 44,100 times often, but no CD player could systems. are copies of these master per second (at a rate of 44,1 decipher it; it would no long- So far, though, digital’s im- tapes, several generations kilohertz), can record audio er meet the system’s stan- removed. And with each frequencies up to 20,000 dards. pact on video has been small: generation the quality gets Hertz, the nominal upper lim- a few TVs with digital pro- worse: information that be- Because those standards cessing for sharper pictures longs in the signal gets lost, it of human hearing. (The set a top as well as a bottom and flashy extra features like information that does not be- digital recorders used in re- limit on signal quality, we picture-in-picture, along with long is added as distortion or cording studios use an even must be sure those standards a handful of VCRs that also noise. higher rate, 48 kHz). Be- are selected with care. Set concentrate on special effects. them too high, and we’re But the trickle of innovations With analog, that’s inevita- cause the digital soundtracks paying for improvements that will become a flood in the ble. As long as both the de- on 8mm VCRs use a sam- no one can hear. Set them sired information and the un- pling rate of only 35 kHz, too low, and we have a coming years, with more digi- desired noise are represent- they can only handle audio system that’s permanently al features in TVs and VCRs, ed the same way—by squig- frequencies up to 15 kHz. crippled. and perhaps the introduction gles in the groove or by mag- of all-digital, professional netic variations—the player That’s about the same as FM Once we've set our stan- VCRs. has no way of telling which is or TV broadcasts, but less dards, however, we can be- which. than LP records or half-inch gin to enjoy another vital Since the 19th century Hi-Fi VCRs. advantage of digital records. (when the telephone, phono- Digital recording doesn’t With digital, we can copy and graph, and magnetic record- build models. It builds maps, The numerical preci- recopy for as many genera- ing were invented) we’ve lists of numerical coordinates sion—the number of digits tions as we like without any used analog techniques to that describe, instant by in- with which the signals are store and transmit signals. stant, the signal and its varia- transcribed—controls the sig- signal degradation. In an That is, we’ve been building tions. Then it records and nal’s noise and distortion upcoming column, we'll see transmits those coordinates levels. The more precisely how digital’s binary number electronic models of the as binary numbers, eventual- we describe the waveform system makes possible such events we're sending or re- ly using them to redraw an when we record its levels, flawless duplication. accurate map of the original the more precisely we can signal. recreate it during playback, Ivan Berger is Technical Edi- and the less noise and distor- tor of Audio Magazine, and To make these digital tion it will contain. The digits co-author of The New Sound maps, a digital system sam- are binary, each standing for of Stereo. ples an audio wave or other a power of two. Each added digit doubles the size of our vocabulary. In other words, if we describe the signal levels anne nnn nnn SSS 36 Video March 1987

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Photo/Herbert Migdoll See What Monitor picture The Joffrey Ballet in John Cranko’s, “The Taming of the Shrew.” You've Been Proton’s 625 Color Stereo Monitor/Receiver Missing with matching 313 two-way, self-powered speakers. Introducing the Proton 625 Stereo Monitor/Receiver One look is all it takes to see the difference between a Proton and other stereo monitor/receivers. There’s absolutely no comparison. It begins with our design. The perfect synthesis of fine art and high technology, Proton’s sleek, all-black cabinets with discreetly concealed controls were a breakthrough when we created them. Today, they've become the industry standard in monitor/receivers. You won't find a more fitting complement to the decor of any viewing or media room. More reasons to look at Proton first We've built in a number of technical advantages which give Proton monitor/receivers a picture that’s superior to all the rest. So you'll see pure blacks and brilliant whites. 15% more picture. More accurate shapes and colors. PROTON — TYPICAL TV And much greater detail with almost 400 lines of ‘actual’ resolution — far exceed- reece PROTON ing the broadcast industry standard. Plus, VIDEO VIDEO our exclusive VNR™ (Video Noise Reduction) L J System polishes the picture even closer to Control of Overscan perfection. Incomparable stereo sound BlacakbiLevel 5 What about sound? Also virtually flaw- ee PROTON less. In fact, Proton’s high fidelity stereo __ VIDEO | VIDEO sound far surpasses the audio of conven- tional television. Especially when you add i Linearity Convergence our optional matching two-way, self-power- 52a) ae > ed speakers for even greater impact. PROTON | |PROTON At Proton, we put much more into our VIDEO VIDEO [= 2\" stereo monitor/receivers, so you can get Detail much more out of them. Which is why they cost slightly more. But once you've seen them, you'll agree that it’s a very small price to pay. For the Proton audio/video dealer nearest you, call (800) 772-0172. In California (800) 428-1006. party Hebef 737 West Artesia Blvd., Compton, Calif. 90220

TV/VCR Duos You Can Buy he first commercially available tele- needn’t send you fleeing to Uncle Sam for a A Quality vision set appeared during 1928 ina Third World loan. If you look carefully, you small advertisement in Television can buy top quality for under $600, less Video System magazine by the Daven Corporation than the cost of a dinner for six at some top For Less of Newark, New Jersey. The price of prog- restaurants. You can ratchet your video ress? For $75, you could get a TV that tab up to $700 if you're buying at retail Than The Cost received either 24, 36, or 48 line transmis- prices, but hardly anyone does. At the oth- Of A Dinner sions (the transmission standard in the er end, discount stores can cut your total U.S. today is 525 lines). Never mind that by as much as 40 percent, so that a modi- For 6 there were no television stations beaming cum of shopping savvy can equip you witha At Lutece programs on a regular basis then; these good quality color TV and an equally fine initial sets were but the first phase in a VCR for around $500. This won’t always glorious 20th Century experiment. Own- be the case, but it’s certainly possible given ing one meant you were a visionary. today’s price wars. A little less effort will Thousands of Daven sets sold, as did still let you score a full video system for others like them in the following years, under $600. though relatively few people had the $75 to $650 these consumer electronics com- Because actual, or “street,” prices vary manded. At today’s prices, the range so widely, we'll be quoting manufacturers’ would be about $500 to $4500 (for a nine- suggested prices up to $700 for a TV/VCR inch console TV). Of course, television en- duo. But think of them as ceilings, not tertainment has never been particularly minimums. If you’re wondering how much cheap. It’s still true today, if not more so, you need to spend for a good quality TV because a TV is no longer considered com- and VCR, especially if they'll be used as a plete if it doesn’t have a VCR to go along second system, $600 or less is a realistic with it. answer, and you may come away from your shopping as pleased by how much you’ve Still, a good TV/VCR combination “saved” as by the images on your new By Gordon McComb March 1987 Video 39

home video equipment. isn’t high quality. During fast scanning and groups and larger rooms. The point is to Budget combos come in handy as starter slow motion, for instance, the picture fills get a set with a screen big enough to ac- with rolling bars of snow—video noise. commodate the room it’s likely to go in and systems, for use in the home or at college, Higher-end VCRs often use a fourth video the number of people likely to watch at as second sets in a den or bedroom, in a head for special effects. The additional once. camper on your next cross-country trek, head removes or reduces the noise and even at the office. Stretching your video presents a cleaner picture. An increasing number of under-$400 — dollars takes nothing more than analyzing sets are monitor/receivers. They have your needs, deciding which features are SuperBeta and HQ circuits, used in Beta regular VHF and UHF antenna terminals — really important to you, and not being and VHS decks, respectively, increase pic- as well as direct audio and video jacks. The afraid to ask for less costly models. jacks improve picture and sound quality TVs and VCRs are when watching tapes. A few low-cost sets CHOOSING A LOW-COST VCR routinely discounted. are monitors only; models such as NEC’s © A model with a $350 12-inch PM-1271 ($400) and Sears’ 14-inch As with their more expensive brethren, suggested price can 40801 ($300) lack VHF and UHF inputs. the majority of VCRs with retail price tags often be purchased They are best suited for use as satellite under $400 are VHS. There are only a few for less than $260. receiver monitors or when you don’t plan Beta models left, all sold by Sony and to do off-air viewing. Sears. Portable and 8mm VCRs cost at Find a couple of least $100 more. models you like and Low-cost VCRs come with many of the — Shop around for the features found in higher priced models, but With very few exceptions, such as economical TVs are routinely stripped of best prices. advanced capabilities. You won't find any — RCA’s VMT-385 ($399), budget VCRs with MTS stereo decoders, or MPX jacks come with only two video heads. The ture resolution by 10 to 30 percent. At this for use with an external decoder. Front and — heads are designed to provide optimum writing, there are no SuperBeta VCRs in rear panel controls are kept to a minimum, picture quality at the fast SP speed. This the under-$400 price range. There are a small audio amplifiers and speakers pro- means there is some picture degradation few HQ VHS decks in the range, including duce marginal sound, and remote control is when recording and playing back tapes at GE’s 9-7100 and new 9-7135 ($399.99 limited or absent. the other, slower speeds. But the slight each) and models built by Sanyo. But most loss of quality often isn’t noticeable. You include only the two most basic of the four On the other hand, many low-cost sets, need a four-head VCR if you want maxi- HQ circuits. like the 13-inch Magnavox RG-40495L mum picture quality at both fast and slow ($349), have cable-ready tuners, and speeds. You can even find a few low-cost VCRs, some, like the 13-inch Sears 40803 ($340) like Fisher’s FEH919 ($400), that can rec- have direct digital and analog RGB inputs, Programmable timers are standard on all ord and play back tapes in stereo audio. for use with personal computers. VCRs, low-cost models included. Origin- There aren’t many yet, but the situation ally, timers found on most low-end mod- may change so it’s worth keeping an eye Most tabletop VCRs have similar dimen- els only let you program one event during a out for stereo models. sions, but the physical size of TVs varies one or seven-day period. Now, the major- widely, even among sets with the same ity of decks for under $400 let you program SCREENING TVS screen size. You'll want to consider size if a minimum of four events over a 7- or space is an important factor. The average 14-day period, on any channel. It’s not hard to find a color television dimensions of a 9- or 10-inch set are ap- anymore for under a $400 suggested price; proximately 11 inches in height by 14 inch- A good number of low-cost VCRs are there are dozens, though not all may be es in width by 12 inches in depth. Being equipped with cable-ready tuners. If you available at a given time in your area. only 12 inches deep, the very small sets have cable service, you canattach the VCR Small-screen models are legion, and every can be perched atop a shelf in a den or a directly to the cable outlet and receive major manufacturer has at least one 19- dorm room, or tucked ina cubby in a camp- channels without a converter box (the VCR inch version. er or Office. does not decode a scrambled channel; you still need a decoder box for that). Cable and Low-cost sets tend to be in the 9- to Sets with 13-inch screens are usually an non-cable-ready tuners can dial in regular 19-inch screen size class. A set witha 9- or inch or two larger all the way around and UHF and VHF channels. Surprisingly, re- 10-inch screen, like Emerson’s EC-10R may not fit easily on a shelf. Sets with 15- mote control is standard on almost all ($379.95) or Sylvania’s CZF105CH ($289), or 19-inch screens, though often touted as VCRs, low-cost models included. Virtually can be viewed by a couple of people, as “portable,” are heavier and bigger than all are now wireless, and operate from up long as they’re friends and aren’t too far you’d think, and best suited for a TV cart or to 20 feet away from the VCR. from the set; larger TVs are suitable for table. Pay attention to the number and type of SHOPPING SMART functions the remote provides. At the very least, the remote should let you change Hardly anybody buys video equipment at channels and operate the main controls on the VCR—including stop, play, rewind, its suggested, or list, price. The tens of fast forward, and record. Better remotes millions of VCRs and TVs sold each year allow more functions, like special video ef- make them extremely attractive to mass fects (if offered by the VCR). merchandisers who make their money by buying and selling in quantity. Speaking of special effects: all but a few decks offer visual fast scan in forward and VCRs are routinely discounted 10 to 30 reverse, as well as freeze frame (or visual percent, and sometimes more, so that a pause). A couple of models, including the deck with a suggested price of $349 may RCA VMT-285 ($329), come with frame actually cost less than $260 in the store. By advance. And a couple of low-cost models, the same token, it’s not hard to finda VCR such as the RCA VMT-385 ($399) and the with a suggested price of $550 actually Sanyo VHR-1350 ($349.95), offer slow selling for under $400. If you’re on a budg- motion video. et, find a couple of models that appeal to you and shop around for the best price. The Though most under-$400 VCRs have video special effects of one type or anoth- same goes for TVs, although the discounts er, the on-screen appearance of the effects continued on page 114 40 Video March 1987

Videophiles who want a second TV/VCR IN THE FAMILY ROOM $399 set-up—for home, office, or on-the-road— can buy an inexpensive combo for well un- @ Sanyo 91C511 19-inch TV der $700. Following are five affordable @ RCA VMT-385 VHS VCR suggestions for different applications. Pric- es are suggested by the manufacturers, Family rooms and living rooms, where but most models can be purchased for con- siderably less. many people gather at once, require larger IN THE DEN screens. The Sanyo 91C511 color TV has a cc)Magnavox RG4049SL 19-inch screen and tunes to all VHF and UHF channels (but not cable channels). $329 The RCA VMT-385 VHS VCR is a 3-head HQ machine with 4-event/14-day program- The Magnavox RG4049SL color TV has a 13-inch screen and a UHF/VHF random ming, frame advance, freeze frame, slow access tuner that also receives up to 24 non-scrambled cable channels. The TV has motion, one-touch record, and an infrared onscreen channel display and a 17-button remote control. Total price: $679. remote. The RCA VMT-285 VHS VCRisa two-head machine with HQ circuitry, a 4- Sanyo 910511 event/14-day timer, cable-compatible tun- 19-inch TV and ing, frame advance, freeze frame, one- RCA VMT-385 touch record, and infrared remote control. VHS VCR The condensed size of the combo makes it perfect for small gatherings in the den. Total price: $678. IN THE OFFICE VCR.... $350 @ Sears 40843 13-inch monitor/receiver @ Panasonic PV-1360 VHS Magnavox RG4049SL 13-inch TV The Sears 40843 is a high-resolution and RCA VMT-285 VHS VCR monitor/receiver that accepts signals from off-the-air, from a VCR, or from a comput- er. It features 30 percent screen compres- sion to make RGB signals from computers easier to read. The Panasonic PV-1360 VHS VCR is a two-head machine with 14- day/4-event programming, HQ circuitry, freeze frame, one-touch record, and an infrared remote. The versatility of this combo makes it deal for office set-ups. Total price: $690. IN THE DORM IN THE CAMPER e@ Samsung C3901F 13-inch @ Sylvania CZF105CH 9-inch TV... $289 monitor/receiver. @ Sony SL-250 Beta VCR e@ Sanyo VHR-1250 VHS VCR The Sylvania CZF105CH is a portable $369 9-inch color TV set that operates off either AC or DC power, making it ideal for use in The Samsung C3901F is a monitor/re- a camper or other locations where a wall ceiver small enough for most desks. It can socket isn’t available. It comes with a car double as a TV or a video monitor, making adapter cord for hooking up to a cigarette it perfect for use with a VCR or a personal lighter. A separate DC battery pack is op- computer. The set tunes all UHF and VHF tional. The Sony SL-250 is a SuperBeta channels. The Sanyo VHR-1250 VCR is a VCR with a 6-event/7-day timer, fast for- two-head HQ model with a 107-channel ward, and an infrared remote control. The cable-compatible tuner, infrared remote deck is not portable, but can be hooked to an AC/DC converter to run off DC power. control, and 4-event/14-day programming. Total price: $649. Samsung C3901F 13-inch monitor/receiver Total price: $689. —L. Kesten and Sanyo VHR-1250 VHS VCR March 1987 Video 41

Lets Get Digital DIGITAL oy ti IIGITAL By Roderick Woodcoc 42 Video March 1987

magine a cool autumn Sunday a couple Newly Enhanced Not all of the extra “digital” VCRs add of years from now. A World Series to the watching of films and home tapes game’s on NBC and a big football VCRs Offer come in the form of improved special ef- matchup’s on CBS. Which to watch? fects. In most, the digital circuitry is also Probably both, and on the same monitor, Novel Effects used to improve the overall picture quality, with baseball on the big screen and football and the viewability of pictures during on a smaller screen inset into the main And The searches. With digital signal processing, picture. That’s not all: You'll be able to it’s possible to obtain a clean and almost switch the football game to the big screen Promise Of noisebar-free picture search at SP, even when your team’s on the goal line, and with a two-head VCR that normally deliv- freeze the touchdown to study it more Digital Treats ers wider noisebars. carefully. Or tape both games to watch later, when you can study Darryl Straw- To Come NEC’s two digital-effect machines also berry’s home run swing frame-by-frame, in use a noise reduction process that feeds crystal-clear slow or fast motion (forward piece at a time, each purchase of one of the the signal from a noisy tape, even one or reverse), or with a stroboscopic new “digital” VCRs will be like a vote for its made on another machine, into digital en- stop-motion effect. Tired of blue Astro- package of digital features. If all you want is hancing circuitry to improve the onscreen turf? Enhance different colors, or enlarge digital freeze and slow motion, and you're picture. The range of enhancement varies parts of the image for a checkerboard ef- not interested in MTS stereo or Hi-Fi, you from one to ten, with ten reserved for the fect. You may even be able to zoom in ona can buy a relatively inexpensive machine noisiest tapes. fumble or print out a high-quality snapshot like Toshiba’s DX-3 for $449. The step-up of Jim Kelly heaving a TD pass. DX-7, for $849, offers the same roster of PIPS AND CHIPS A wave of new digitally-enhanced VCRs digital special effects, but augments the VCR’s overall performance with a four- Digital-effect VCRs use versatile mi- can put most of these special effects at head video cylinder, MTS stereo, and Hi- croprocessors to complement the signal videophiles’ fingertips today, and the rest Fi sound. processing circuitry of conventional analog in the not-too-distant future. A handful of machines. These chips convert the video digital-effect VCRs are on their way to NEC’s DX-1000U and DX-2000U also signal into electrical pulses representing stores, with so many more due to be in- eschew picture-in-picture, mosaic, and the numbers zero and one. These numbers troduced that RCA marketing director Jos- posterization effects in favor of a simple form an accurate binary map of the video eph Clayton called digital this year’s “buzz- digital freeze, still, and 1/3 speed slow mo- signal that can be used to reproduce the word” for VCRs. tion. (See sidebar for a guide to digital ef- picture with no loss in quality. The map can fects.) But the NEC models are the only also be altered with no damage to the origi- Already or soon to be available are two digital-effect VCRs, so far, that offer nal signal, allowing all sorts of enhance- NEC’s DX-1000U and DX-2000U, Toshi- an adjustable digital noise reduction circuit ments and special effects. ba’s DX-3 and DX-7, RCA’s VMT-400, to improve the appearance of noisy tapes JVC’s HR-D570, and Hitachi's VT-1570A. during playback. The chips that store the digital informa- (See this month’s “Videotests” for a re- tion are known as DRAM, for Dynamic view of the DX-2000U, Jan. ’87 for the While RCA’s VMT-400 is built for the Random Access Memory. Most of the cur- DX-1000U and the DX-7, and Nov. ’86 for company by Hitachi, and shares the same rent VCRs with digital effects use DRAM the VMT-400.) Others from Toshiba, three-head transport used by the Hitachi chips that each hold 256 kilobytes of binary Sanyo, Panasonic, Quasar, Magnavox, and VT-1570A, the RCA machine clearly has data. G.E. should also appear this year; some more sophisticated digital special effects. will probably have been announced by the In addition to PIP, picture swap, freeze, RCA’s VMT-400 has nine, arranged to time you read this. The VCRs aren’t fully still, and variable slow motion (all present provide sufficient memory to hold two sep- digital, but the elements that are give them on the Hitachi), the RCA sports the mosaic arate fields of color video data. Two of the a range and quality conventional machines effect and posterization. But all these elab- DRAMs are dedicated to the pic- lack. That they offer different, only some- orate features are wrapped around a mon- ture-in-picture feature, while six more are times overlapping effects, shows that VCR aural machine, while the Hitachi has linear used as the main memory for the freeze, makers are still probing for what consum- stereo (MTS) with Dolby noise reduction. mosaic, and posterization (or “paint- ers really want as the digital race heats up. brush”) special effects. The last chip is The most extensive digital-effects VCR used to process synchronizing signals. With digital technology coming on line a so far is JVC’s HR-D570. It offers freeze, still, frame advance, double-speed play, When the picture-in-picture feature is Zeros and ones map out the signals for 1/4 and 1/8 slow motion, mosaic, and selected, the video signal is divided into its digital effects. Top to Bottom: RCA’s posterization. It also adds the strobe effect color and black & white components and VMT-400 offers PIP, mosaic, and poster- in a two-step mode that simulates a time- routed to a special circuit that converts the ization; Toshiba’s DX-7 provides clear lapse effect onscreen. Non-digital high- analog signals into binary data and stores freezes, slow-mo, and search; NEC’s DX- lights include a double-azimuth, four-head them in the memory. Only part of the infor- 1000U digitally repairs noisy pictures. video drum, Hi-Fi stereo with MTS, anda mation is released, resulting in a picture versatile 181-channel direct access tuner. one-twelfth the size of the original. This small digital picture is then re-converted to analog and superimposed on the screen.

Digital-Effect VCRs offer bonuses like labels, among others. Its features may in- PIP and picture swap, and enhance clude a nine-window multi-screen, strobe features like slow-motion and picture search. display, mosaic, paintbrush, multi-speed slow motion, and some new form of timer programming as icing on the cake. Sanyo’s forthcoming machine may offer a one-third speed slow motion, still frame, and frame advance, as well as a one-ninth A similar technique processes the other been announced for professional use, it’s size PIP. Mitsubishi’s will likely include a special effects. In the freeze mode, the just a matter of time before an “all-digital” nine-screen stroboscopic display, color video signal from one field is digitized and VHS or Beta machine appears. tone control, and mosaic. Toshiba, which introduced the first digital-effects VCR a read out repeatedly. In slow motion, the THE NEXT WAVE year ago, is readying an update on its DX- picture for one digitized field is displayed 7. Anew model from Toshiba only available repeatedly until the tape advances and the Virtually every major VCR manufactur- in Japan offers a four-window split-screen, image is replaced by a newer one. or er is readying some form of digital-effect onscreen programming using a light-pen mosaic, the horizontal line rate of the video (which you touch to your TV screen to signal is repeated every six lines, and for VCR for introduction in 1987. Matsushita initiate program commands), digital still, each field, creating the blockish effect. will have one that will appear under the slow motion, and strobe. Posterization is accomplished by withhold- Panasonic, Quasar, Magnavox, and G.E. continued on page 116 ing some of the data coming from the main memory, diminishing the luminance and Digital Dictionary resolution and creating the painted effect. Current digital-effect VCRs, like com- puters, use memory chips, but aren’t as Digital technology has opened up tape or the video heads. sophisticated. While a computer stores new vistas for consumers who like to Digital still converts the informa- and processes its information in the form of play with special effects. Some of the binary digits, the new VCRs only use the digital techniques enhance effects al- tion from a single video field (the diago- chips to obtain a range of special effects. ready available on VCRs, but many of nal track left by one video head on the the effects will be totally new to home tape) from analog to digital, and displays Because of its digital format, a computer users. A guide to the most popular dig- it onscreen as a rock-steady still pic- diskette can be copied any number of ital features follows: ture. The forward motion of the tape is times, with the tenth, or even one- stopped, and the video heads continue hundreth copy, identical to the first one. Digital freeze isolates a frame from to scan its surface. A technique called a tape and displays it as a still image “digital interpolation” builds a complete That’s not true of digital VCRs. They TV frame out of the single field grabbed still record the video as an analog signal. indefinitely, even though the videotape off the tape. Since the digital still is an Multiple generation copies of an original continues to move ahead and the sound continues to pour out of the speaker. all-electronic image, there’s none of the tape will still suffer losses in resolution and Since the still frame is not produced quality. VCRs that digitize all the video directly from the videotape, there’s no delay common with conventional spe- signal and record it on tape that way have abnormal wear and tear on either the cial-effect VCRs, which have to jog the yet to be introduced for the home video market, although, since they’ve recently continued on page 114 Digital-Eftect VCRs: The First Wave Brand, | Audio Tuner, Digital Other | Model, Price __—_| VideoHeads| Features' | Tim_e|rEff’ects’ = —_—_| Features’ seit CV se | NEC DX-1000U 2 record/play| M 110ch. | FF, SF FA, OSP, remote eject, OTR , unified remote, $699 4/24 1/3x SM, NR 2-speed search NEC DX-2000U 2 record/play| HF,D,MTS | 110ch. | FF, SF, FA, OSP, remote eject, OTR, unified remote, n.a.! 4/21 1/3x SM, NR 3 A/V line inputs, 2-speed search Toshiba DX-3 2 record/play, M 117ch. | FF, SF, 2xFP, program index, locking picture search, $449 4/7 1/4x SM OTR, auto power on, edit switch Toshiba DX-7 4 record/play |HF, MTS 117ch. | FF, SF, 2x FP, program index, locking picture search, $849 4/7 1/4x SM OTR, auto power on, edit switch RCA VMT-400 2 record/play| M 119ch. | FF, SF, FA, PIP, PSw, OSP, auto programming, express record, fa.’ 1 effects 4/365 1/5-1/30x SM, M, P auto rewind JVC HR-D570 4record/play| HF, MTS | 181ch. | FF, SF, FA, 2x FP, M, image edit, music scan, switchable AC $1050 8/14 1/4 & 1/8x SM, P, PSt outlet on timer, digital sharpness control Hitachi VT-1570A | 2record/play| D, MTS 119ch. | FF, SF, FA, 2x FP, OSP, OTR, unified remote n.a.’ 1 effects 4/14 1/5-1/30x SM, PIP, PSw 'M, mono audio; HF, Hi-Fi; D, Dolby stereo: MTS, multichannel television sound stereo. *Events/days. FF, freeze frame; SF, stillframe; FA, frame advance: FP, : fast play; SM, slow motion; M, mosaic; P, posterization; PIP, picture-in-picture; PSw, picture swap; PSt, picture strobe; NR, digital noise reduction. ‘Not available; prices may vary from dealer to dealer. 8|OSP, onscreen programming; OTR, one-touch record. 44 Video March 1987

He was half man. ) BROOKSFILMS miss DAVID CRONENBERG Half insect. aw THE FLY aAnd comp,letel JEFF COLDBLUM GEENA DAVIS JOHN GETZ woew HOWARD SHORE A brilliant experiment cans MARC BOYMAN yo KIP-ORMAN goes slightly wrong in this srw CHARLES EDWARD POGUE update of the horror classic. w DAVID EE noo STUART CORNFELD Jeff Goldblum and Geena Davis star in this scary, THE FLYwwDAVID CRONENBERG suspenseful tale about a man who is transformed into an -\\ insect. Both gd love story and an intense drama, The Fly boasts sizzling special effec that create a nightmarish film you'll never forget. a ema on ovriidgeionaclascsletatsesiTche Fl oeReturn of the Fly. i Coming soon on Laser Videodisc ane : in ™

Part Il: Beta 1987 Blank Tape Tests Complete Guide to 54 Brands and Grades hough Beta’s portion of the rough: all the gains were on the low end of the and tumble VCR market continues audio frequency response. to contract, tape makers have re- We measured the audio frequency re- mained as loyal to the format as fer- sponse on the Hi-Fi track and found the vent videophiles. There’s no shortage of difference between tapes so small that we blank Beta brands or grades. But the really no longer consider the results a useful cri- good news is less Beta’s availability than teria for differentiating between tapes. that the tapes of all Beta manufacturers However, there was a small difference be- have gotten better in the past two years. tween the tapes’ dynamic range on the In the 54 Beta tape tests that follow, it’s Hi-Fi tracks, a difference that parallels our clear there’s an increasing emphasis on measurements of the two chroma S/N fig- quality, a finding that parallels the results in ures. If you still want to compare the tapes’ our report last month on 67 VHS tests. Hi-Fi tracks, it’s better to use the chroma (Next month, we'll conclude this series numbers. But the differences seem too with tests on Compact VHS and 8mm small to hear. tapes. ) SURFACE TREATMENTS Although no single Beta tape is best at everything, a few tapes come closest to This illustrates how tapes in general are perfection. These are top grade tapes that carry premium prices. In alphabetical or- nearing theoretical perfection. As they der, they are Fuji Super HG Hi-Fi L-500, Konica Super Pro L-500, Maxell RX Pro close in, further improvements will be- L-500, Scotch EXG Pro L-750, Sony Pro-— X L-500, and TDK HD Pro L-750. come more difficult. The biggest improve- Each has slightly different strengths and ments seem to come from modifications of weaknesses, so between even these you should choose with care. One of our favor- the format like SuperBeta, and HQ for ites is missing from the above list because the manufacturer failed to provide sam- VHS. Judging from the rate at which ad- ples. The tape is Fuji Super HG H351 L- 500. We are so confident about its per- Next Month: Part III LBRACPJEYOHIWBNONIESTSRTOTRvGUaRCnATPcIHeONs are taking place, the most promise formance that, if you find any, itis certainly may lie in 8mm which, like a small child, worth trying. Compact VHS & 8mm seems to be growing faster than the more mature formats. Among the more modestly priced tapes New format features like SuperBeta go that performed well are TDK E-HG L-750, Sony ESX-HiFi L-750 and ES-HG L-750, hand in hand with improvements made on Scotch EXG Camera, Maxell HGX Gold L-750, Kodak XHG L-750, and Fuji Super 37 15-microsecond dropouts per minute. tape itself. The improvements come HG Hi-Fi L-750. Note that some may have significant weaknesses in one area. About half the tapes had above 27 dropouts mainly from finer tape particles and from Clearly, not all Beta is created equal. In per minute. In our March, 1985 Beta tape processing changes that more evenly apply the following paragraphs, we’ll get into just how Beta tapes have improved, some of tests, the average number of 15-microsec- the magnetic pigment on the base film. the differences between tapes, their im- portance, and some features, like Super- ond dropouts was 16.1 per minute. In this These, in turn, lead to lower dropout Beta, that appeared since our last tests. year’s tests, the average is down to 13.7 counts and higher signal-to-noise ratios. In VIDEO’s first blank tape tests, in Oc- per minute. Unlike VHS Hi-Fi, there is no special tober, 1982, the worst tape had more than There have been similar gains in the need to add abrasives to Beta Hi-Fi formu- 46 Video March 1987 signal-to-noise ratios for the video, chroma lations because the Hi-Fi signal is mixed on AM, chroma PM, and audio parts of the the tape surface with the video signal, rath- signal. Audio frequency response on the er than buried below it deep in the tape. linear track and the output loss also im- Also, Beta VCRs do not use separate video proved. However, output loss was meas- heads that add to the wear on the tape. ured at 2 megahertz instead of 3MHz, and Video professionals use Betacam By Lancelot Braithwaite camcorders and tapes that use the same cassette as consumer-grade Beta. While it is possible to get a picture using a Betacam cassette, it is not recommended. Betacam

tape is metal particle, not metal oxide, and You may decide on a middle grade for gen- or at least set the specifications at the fac- the metal will cause premature wear of the eral taping, and reserve the best grades for tory. This means that machines seem to video heads on a consumer machine. The signals will also be affected because metal special occasions. Of course, if cost is not a exhibit a preference for a specific brand. tape requires different bias and equaliza- tion than oxide tape. factor there’s no reason not to use only You'll probably find that one brand seems One of the most frequently asked ques- “the best.” to give slightly better pictures than the tions about Beta tapes is: aren’t they the No matter what the condition of your - others. It is not your eyes playing tricks. It pocketbook, try different brands when you is probably the brand the VCR manufactur- get anew VCR. Each VCR manufacturer er used in its plant during the deck’s design same as VHS? According to Sony, the for- uses a particular tape to align its machines continued on page 118 mat licensor, they shouldn’t be. For exam- How to Use the Beta Tape Chart ple, the luminance signal for standard Beta The chart on the next four pages, and audio is a must, look closely at those is recorded at a higher frequency than VHS. Sony’s 2000 series Beta machines record at an even higher frequency. Super- the evaluations that follow, are to help columns. Many of today’s top machines ’ Beta is recorded at a yet higher frequency, you pick the Beta tape that’s best for use a Hi-Fi recording system that will you, and to better understand the dif- even let you ignore the linear audio and the new High Band SuperBeta is re- ferences between products that seem track characteristics we measured. (Hi- corded at a frequency 1.2 megahertz high- alike. Fi tracks are more like video tracks.) er than the original Beta. In short, Beta VCRs require a tape with a wider frequen- Before working with the chart— If you’re enough of a videophile to try cy response than VHS machines. Though which leaves blank spaces for your own various tapes, we’ve set up the chart to maintaining a separate tape stock for Beta ratings—think about what you'll be us- allow you to record your own blank Be- tape is expensive unless a manufacturer ing the tape for and the characteristics ta tape experiences. We suggest you has a large market, Sony says it definitely that seem most important. If dropouts clip the chart and keep it ina folder. You uses a different formulation for Beta tapes. may also want to photocopy the chart are likely to cause a bigger problem GRADE EXPECTATIONS than graininess, pay more attention to and use the copies as worksheets. As the “Dropout Count” column. If good you experiment with different tapes, Another question we often hear is Rating Scale you can record your performance im- whether there really is any difference be- pressions (or measurements, if you’re tween grades of tape or between the for- so equipped) in the columns provided. mulas used to make the grades. All the EXCELLENT Here’s how to use the chart: Sim- manufacturers we talked to insist that the ply rate the tapes by writing letter formulas and processes used to make the grades or numbers in the blank col- various grades significantly differ. But, umns. If you use letters, count up, at even if we doubted them, our tests show the end of each row, the number of distinct performance differences between excellents, very goods, goods, etc. grades—and both picture and sound quali- each tape receives. You can cover your ty seem to improve with step-up grades. personal preferences in tape quality by However, the differences may not al- adding or dropping a grade on the rat- ways be as big as you might imagine. ings for the characteristics you value That’s why you should try a top grade tape most. » at least once. Ask yourself, your family, Let’s say we've rated a tape good on and friends if the differences are notice- continued on page 50 able, and compare the differences in cost. ‘Numerical Guide to the Beta Test Rating Scale | | Chroma | Consistency | Chroma Dropout Audio Audio | _ Video S/N’ AMS/N' | Between | Frequency | PM S/N Count— | S/N i Batches’ | Response? Excellent over +0.7 over + 1.5 Oto 1 over + 0.7 0to5 over 53.5 40 to 12k VeryGood == +0.5t0 +0.7, +1.0t0 +1.5 0.2 +0.5to +0.7| 6to 10 Borinous. 0 40 to 10k 50 to 12k | Good |+0.2t0 +04 +0.4t0 +09) 0.3 +0.2to +04) 11to20 52 610 53.0 50 to 10k ,- Average |= —-0.1to+0.1| —0.3to +0.3| 0.4 ||-0.1to +0.1 211030 52.1 to 52.5 63 to 10k —0.4to 0.2, 31 to 40 50 to 8k Fair | -0.4to -0.2, -0.9to -0.4/ 0.5 | 51.6t052.0 —0.7to -0.5) 41 to 50 |63to 8k Weak 0.7to -0.5|} —1.5to —1.0| 0.6 under 0.7 | over 50 5 Tato 5125 50 to 6.3k | Poor |_-under —0.7 |under —1.5 over 0.6 i 5: under 51.1 63 to 6.3k i\\ i March 1987 Video 47 1. In decibels. 2. In Hertz.

] ] Brand | Video | Our Your | Consis- Our Your § Chroma | Our | Your Chroma | Our Grade, Length’ S/N2 Rating Rating | tency? | Rating Rating AM S/N2 Rating Rating | PMS/N2 | Rating \"FUJI | ae F Std 0d: Mn “Std. L-750 203 A | b= olatdaae [SdperHG PSO ue tese MORE Gare togae | Super HGHi-FiL-500 +09 Super HG Hi-FiL-750 | +0.3| G aSeeer _KODAK eee 3 PI ME | Std. L-500 | -0.6 : |0/=/_9)mim) eet Se Ce oie Misiiedii ae eWe —am ine) | ole | _XHG L-500 } +13) e€ T co ine) <i>: Sz41e6 Be Pe64| |MHGL-7500 a V G | RHG EMBO a6 #05 | V Hi-Fi L-750 +05 Vv +11 V a, i|=<im #13) V LF02 | _KONICA High Perf. Std.L-500 | —0.4/ F High Perf. Std.L-750 = -12) P |SuperHGL-750 =| -0.2| F Ny + oo aS rep) Super Hi-FiL-750 (+01, AA a 4] oF Super Pro L-500 G a | 40.4 =|<||mi-0 QQ>)\\|nQ MAXELL bes | EXE ew | |= ee ae —nN | HGX L-500 405) Vy. ae 1 +| [HGXL 750 ea er PHGX L830 9F | + Qo ioe) Oo ij || Hi-Fi HGX L-500 40.5 Ll <oQ\\= “Hi-FIHGXL-750 | +0.2 | G f iE= :|| URXProL-600— | tog | E Q<O>2|OF i—| m|G>|>=@>m|G| 3|)iL \"MEMOREX | || os ab oO |a Ow ia I E Std. L-750 oe ee - 0.4 | |= p HighGradel-7500 0-01)AL hl —@- > |POLAROID i ee eee eee High Grade L-750_ oo re ae oe 08 Le oo +0.4 | ae oe | RCA |Stereo Hi-Fi L-500 [ee Rea ot | - Std. L-750 Se REALS bea Ses ae \"SHG L-750 POSES Oh ee +14 | <|@ SeS Saio b SCOTCH EOP a Ee PEGE Oa 047 & 12071 F | +02) Vv Oa ele 7 tag bo ee (FO eee MEGaLye eee ee OU ea ere eee 4096 eo ‘Approximate re times at BIl speed: L-500, 2 hrs.; L-750, 3 hrs.; L-830, 4 hrs., 20 min. 2S/N: signal-to-noise ratio, in decibels. Between batches of