video-magazine-1990-11

ty $2.50 NOV. 1990 aS , »“E. | i é : AS : a magazine YOUR NEXT FRONTIER ~ Journey Into m\\VUlsasee INSIDE LASERS ai ae a Hot New Advances = “4« A NEW FEATURE ’ | OUSiopan aston — BETA LOVERS | SPEAK OUT GULF CRISIS VIDEO: BRINGING THE STORY HOME VIDEOTESTS 32-inch TV Set Sonlommeic 2 8mm Genieor=sn ie __ ne

7 V7 | 1 OV Le an} eh “M1IACGKUSAOENL * y “\\ Moomwarwer / y iE via : Dae e. ” Sy. ag ! « >} 6 ¢AS ‘ i : :Witisa ‘< F BI _ Now Available On LaserDisc

BRING THE “BAND” INTO YOUR Tan) = WITH LeserDises THE FINEST TECHNOLOGY. .. THE FINEST SELECTION. .. HlaWsellUaoKeell NAc MoKeoii elelame ens A wide selection of full-length concerts superb, but why just listen to music when orate Manlfomle (tor MeltMaroNN mehVell(e16) mela you can watch the performance on a LaserDisc, featuring the top performers video LaserDisc and experience: in the world: e SUPERB PICTURE CLARITY— e MICHAEL BOLTON « KATE BUSH Delivers 60% greater video resolution than VHS tape. ¢ PINK FLOYD * GLORIA ESTEFAN e DIGITAL SOUNDTRACK— e NEW KIDS ON THE BLOCK « BASIA Offers the identical full-fidelity sound e THE BANGLES * GEORGE MICHAEL of a digital compact disc. e HARRY CONNICK, JR. * THE WHO e BILLY JOEL ¢ BRANFORD MARSALIS e INSTANT RANDOM ACCESS— e ROLLING STONES « ROSANNE CASH Allows push-button access to any e LUTHER VANDROSS « JULIO IGLESIAS scene within seconds. e AEROSMITH ¢ JOHN HAMMOND ¢ MIDNIGHT OIL ¢ MICHAEL JACKSON e LONG TERM RELIABLITY— WitelaelasmiatcmeraatleeKeWell NAon after thousands of plays. ob GES NT ENTERTAIN The[<9 Fienest In LaserDisecs 99 1990 IMAGE\" ENTERTAINMiEmeNT, INC. ALL RIGHTS RESERVED (A PUBLIC CORPORATION— SYMBOL “DISK Visit Your Nearby LaserDisc Retailer Today FCaSiR1cNoodaenioenrr.drfracviodldirteecmieraotniaoln,

SPECIAL SECTION: MULTIMEDIA FEATURES MULTIMEDIA: VIDEO*S NEW WAVE 54 Add zing to tapes with interactive systems that mix images & effects. By Brent Butterworth 57 62 3 AMIGAS How a trio of savvy buffs developed their own multimedia video systems. By James McBride 64 72 ULTIMEDIA 74 How powerful is multimedia? An inside look at the state of the art. By Bob Barlow 79 THE LASER’S EDGE New features, models and ideas add dash to the appeal of disc players. By Roderick Woodcock 90 92 INSTALLATION OF THE MONTH: DESERT CLASSIC Vacationing in style with audio/video in every room and total interactivity. By Stan Pinkwas GO VIDEO: FIRST TEST OF THE FIRST 2-DECK VCR In a special “Videotest,” we explore the VCR-2, a new dubbing deck that breaks the dual-well barrier. By Berger-Braithwaite Labs PROGRAMMING REVIEWS Back to the Future Ill, Cinema Paradiso, The Cook, The Thief, His Wife and Her Lover, Mystery Train, special interest tapes and more KIDVID / Reviews of musical tapes for kids DIRECTORY / The latest releases on tape and disc TOSHIBA CF3264K 32-INCH TV SET, 44 Sony CCD-TR7 8mm camcorder, Canon E06 8mm camcorder, DEPARTMENTS Sony MDP-333 combination player. By Berger-Braithwaite Labs CHANNEL ONE / Beta get busy, Sony 6 FEEDBACK / Letters from readers 10 LATE NEWS / Super NTSC, cable TV by satellite, Macrovision for laserdiscs 14 GAZETTE / Wayne Gretsky, VSDA convention, Sony pro VCR, more 16 COLLECTOR'S CLEARINGHOUSE / Desperately seeking Barbra Streisand, Cover: Jimmy Stewart, Boris Karloff, Macbeth, Bruce Lee and more 18 Computers, camcorders YOUR MONEY'S WORTH / Are secondhand VCRs and camcorders overlooked and VCRs create the bargains or dubious deals? 2 framework for multi- 6 media video READER’S FORUM / Cries from the heart for Sony’s 15th Anniversary Beta VCR productions. Photo- NEW PRODUCTS / Mitsubishi & Sharp A/V receivers, Panasonic A/V mixer 30 graph by Jay Brenner & 45-inch projection TV, Zenith VHS camcorder, more 34 Video Magazine Q & A/ Technical queries answered 43 Volume XIV SPECIAL REPORT / Hi8 and Flyaway feed a video hotline from the Mideast 134 Number 8 OFF THE AIR / Forget the late fee, this tape is haunted! The VIDEO Magazine (ISSN 1044-7288) is published monthly by Reese Communications, Inc., 460 W. 34 St., New York, NY 10001. Second-class postage paid at New York, NY and additional mailing | PR GIE Bureau office. © 1990 Reese Communications, Inc, All rights reserved. © under Universal, International, and Pan American Copyright Conventions. Reproduction of editorial or pictorial content in any manner is prohibited. Single copy price $2.50: $2.95 in Canada; £2.50 in U:K. One-year subscription (12 issues) $15.; Canada, $21 U.S.; foreign, air mail, $40 U.S. Address subscription orders, change of address. correspondence and inquiries to: VIDEO. Box 56293. Boulder. CO 80322-6293. Change of address takes 60 days to process: send old address label. new address. and zip code. All material listed in this magazine is subject to manufacturer's change without notice, and publisher assumes no responsibility for such change. Printed in the U.S.A. POSTMASTER: Send address changes to VIDEO. Box 56293. Boulder. CO 80322-6293. For microform copies of issues or articles. write to: Serials Acquisition Dept., University Microfilms, Inc., 300 North Zeeb Rd., Ann Arbor, MI 48106. 4 VIDEO NOVEMBER 1990

OUR 30 TO q yheye) Prnasonic introduces the OmniMovie camcorder with the +AN ooh G (00 30 to 1 Digital Zoom. You raise your camcorder to your eye as the ball’s snapped. The quarterback hands the ball to your son. At least you think it's your son. You're not sure because you're so far away. And your camcorder just can't zoom in close enough to see the action, let alone what might be the biggest moment in your kid's life. Now Panasonic intro- duces the OmniMovie camcorder, PV-660, with a digital 30 to 1 zoom lens. It lets you grab close-ups of the action from almost anywhere. And there's also a Digital EIS Stabilizer system that can hold the picture steady even if your hand shakes. So you can be sure your shots will come out fm smooth and steady. aig So to catch those great shots, os close up, get the new 30 to 1 OmniMovie camcorder. [ji Illustration depicts 30 to 1 Zoom Power, not picture resolution EVEN WHEN YOU'RE_, OFFICIAL SPONSOR @) THIS FAR AWAY.~ 1992 U.S. OLYMPIC TEAM \\¢ AN 36 U.S.C. 380 Panasonic’ just slightly ahead of our time? FCaiSR2cNoonadieoenrfrd.acodivdlr.tieemciraeotniaoln,

CHANNEL ONE Beta get busy, Sony As I've indicated before, the video nerves of Nf VIDEONICS Video Equalizer this magazine's readers are close to the surface Now there’s a simple way to and very sensitive. We've jangled them once improve your home videos: again, this time with our September feature on The Video Equalizer\" combines a beating “The Beta Maze.” In a sidebar, we pro- video processor, color corrector, enhancer, audio mixer and filed the ferocious new 15th Anniversary Sony more — all in one amazing unit! Beta machine recently unleashed in Japan. We @ DIGITAL VIDEO TECHNOLOGY.* The Video Equalizer uses the latest tech- then innocently invited our readers to let us nology to make your videos more crisp, (and Sony) know if they'd like to see this sleek more colorful and more fun! @ REVOLUTIONARY DIGITAL PAINTBRUSH*! new model introduced in the U.S. Remarkably versatile control lets you change the color of a few objects or the The result? Flip to page 26 for a sampling of entire screen. Change your neighbor’s car from blue to red. Give the kids purple hair! the letter avalanche that swamped our offices Or simply remove the greenish tint from a when the story hit (they’re still coming in). poorly lit video. @ ENHANCER AND VIDEO PROCESSOR.* Needless to say, no one in our passionate video Clean up your copies with the built-in enhancer and the separate brightness, ; audience wrote to ask that Sony not bring its contrast, color and tint controls. i AUDIO MIXER. Add music or narration revolutionary machine to these shores. So come on, Sony. Give us a break. to videos. @ AND MORE! Transform images to black Lest we stand accused of any pro-Beta leanings, let me hasten to mention and white, solarize, convert to color the good news about VHS ~as detailed in our Super VHS update (“Silent negative, generate color bars. @ COMPATIBLE. The Video Equalizer is Running”) in October. As that story outlined, major strides have been made in compatible with all videotape formats, improving an already superb VCR system. Let’s hope all this will see S-VHS f- including VHS, Super VHS, 8mm and Hi8. It comes with S-Video connectors. nally get off the ground. The Video Equalizer is ideal for simple To those other avid readers who’ve written to ask when we're going to re- tape copying or video editing! Call 1-800-338-EDIT for the name of your view the controversial Go Video dual-deck VCR, ask no more. The answer is nearest dealer. on page 74. ) “G VIDEONICS It’s a pleasure to announce that Mike Ueda has joined Video Magazine as our 1370 Dell Ave, Campbell, CA 95008 408-866-8300 man in Japan. Mike has toiled in the consumer electronic and video vineyards “Patent pending. Not intended for illegal tape duplication. for nearly 20 years, both in his native Japan and in the United States. From his Simulated television screen. Specifications are subject to change unique vantage point in Tokyo, Mike will be feeding us periodic reports on the without notice. ©1990 Videonics, Inc. All rights reserved. Japanese video sce—nwheat's happening there and what’s coming here. Wel- EJ‘U|BDOPUODDIFNUOPAODOYLID}OOE\\WSY/IPOPJOU/ come aboard, Mike. 6 VIDEO NOVEMBER 1990 e Our first Video/Scotch Videotape contest is history, and at presstime, I’m busy packing for a one-week tour of Cologne, Germany —and a trip to the giant Photokina Video Show—with the Grand Prize winners, Janice and Tom Don- ohue. The response to our first joint effort with Scotch was overwhelming, leading us to follow with an even more ambitious second competition (“Win Our Video Olympics”, Oct. '90). We're adding several new categories, in addi- tion to the original vacation theme of Contest One. Once again, the Grand Prize is a one-week trip to Europe, this time including a visit to the mammoth (400,000-plus attendees) Funkausstelung audio/video fair in Berlin. Why not give it a whirl? If you need more contest details, drop us a line. We love to get letters. |,I Te Art Levis Editor-in-Chief

Tn NEW VIDEOTAPE Thins ROMANCING AMERICH Ifyou like felevision, you'll love new Sony V\" videotape. Itdraws more out ofevery scene ittouches. More music. More color More life. Because Sony's unique high packing technology captures more image on tape. Sapeayy Bzagpe>. Whatever you record, try V videotape. And see more of the performances you love. Video to the highest power.

VID magazine Maybe the key to more professional Nady 501 VR HT Pro President and Managing Director, home videos isn’t the way they look, but the Wireless System Jay Rosenfield way they sound. Enter Nady Systems video camcorder accessories. Nady 501 VR LT Pro Editor-in-Chief, Art Levis Wireless System Managing Editor, Stan Pinkwas Nady’s popular, easy to use 151 VR Technical Editor, Lancelot Braithwaite wireless microphone for video with a lapel Nady 151 VR Wireless Senior Editor, Kenneth Korman or handheld transmitter gets the microphone HT (Handheld) Mic System Associate Editor, Brent Butterworth up close, without the hassle of microphone Assistant Editors, Brian Clark, cables, even if you’re 200 feet away! Nady 151 VR Wireless Stephen Cusick, April P. Bernard LT (Lavalier) Mic System Contributing Editors: Bob Angus, Mavis Their MCM-400 portable mini Arthur, Bob Barlow, Ivan Berger, Warren camcorder microphone mixer lets you mix AVM-300 4 Channel Mixer Berger, Bob Brewin, James Caruso, Steve the sound from up to 3 microphone sources, Daly (Directory), Mark Fleischmann, Ty do voice overs, even add background music MCM-400 Portable Mixer Harrington, Lawrence B. Johnson, David while you’re shooting. And for post Lachenbruch, Martin Levine, Frank production editing, try Nady’s 4 channel VCM-100 Boom Mic Lovece, Gordon McComb, Marianne Meyer AVM-300 mixer with its own microphone. (Kidvid), Timothy Onosko, Martin Porter, NHM-200 Narrator’s Headset... 19.95 Murray Slovick, Greg Solman, Roderick Nady also offers a convenient VCM- Woodcock 100 boom microphone and a NHM-200 Nationwide: 800/222/8228 Editorial Assistant, Lily Schwartzberg narrator’s headset, so you can monitor the In CA: 800/624/1784 audio or add voice over narration. Art Director, Lonnie Heller 15 Day Money Back Guarantee Associate Art Director, Kristina Jucaitis And for truly pro wireless audio, the Art Assistant, Luis Ramos, Jr. 501 VR boasts unsurpassed dynamic range Add $5 per order for shipping and handling. CA Production Manager, James LoGrasso and a rugged metal cased receiver. residents add applicable sales tax. Visa and Mastercard Production Assistant, Janet Barrett Typesetting, Janet M. Holland accepted. Special Delivery services available. Mail check or money order to: Vice President, Circulation and Special Projects, Rena Adler Bonus NHM-200 Narrator’s Headset 1900 Powell St., Suite 1135 Newsstand Sales Director, Gerald Levine with $150 purchase (A $20 value!) Emeryville, CA 94608 Circulation Assistant, Elizabeth Moss Offer good until December 25, 1990 Financial Officer, Albert Mineo Business Manager, Janette Evans “U‘JD[1BP‘O0UOPDID4NOIUPNOHDODODWEWSIYIDOPJDU! Assistant to the President, Leslie Dionicio Publisher, Eric C. Schwartz National Advertising Director, Linda DeRogatis Marketing Director, Luanne Rao East Coast Sales, Dina Redding-Berrigan, Annette Y. Schnur Classified Sales, Mary Au Midwest Sales, Milton Gerber, Carolyn Bowman West Coast Sales, Cynthia Gallivan Ad Coordinator, Maria Sozio National Editorial & Sales: 460 West 34 Street, New York, NY 10001; 212-947-6500, 212-947-6727. (fax) Midwest Sales Office: Gerber/Kamikow, 60 Revere Drive, Suite 915, Northbrook, IL 60062; 708-291-8900, 708-291-8905 (fax) West Coast Sales Offices 1453 Third Street, Suite 490, Santa Monica, CA 90401; 213-393-5057, 213-393-5538 (fax) Japan Representative, Call Publisher CREOEMSMEUNICATIONS @_ INCORPORATED

MOVIE PRICES HAVE DROPPED! BUT NOT AS MUCH AS OURS! ANY 6 MOVIES FOR 69%.. THE WIZARD OF 0Z FIELD OF DREAMS WITH MEMBERSHIP DR. ZHIVAGO LOOK WHO’S TALKING (25 ANNIV. ED.) 9203062 IN THE CLUB. SEE DETAILS BELOW. 0026182 5979062 2941082 ROLLING STONES 25x5: THE AN EVENING WITH SAMMY THE MUSIC BOX 8146082 _| THE BEAR 5993082 CONTINUING ADVENTURES 2940092 _| DAVIS JR. & JERRY LEWIS 7848012 | RAIDERS OF THE LOST ARK 9108022 _| HARLEM NIGHTS 9118002 6392032 BABAR: THE MOVIE 8133032 STEEL MAGNOLIAS 5978072 INDIANA JONES & THE PAJAMA GAME 5840032 _| FATMAN & LITTLE BOY 9124022 _| THE TEMPLE OF DOOM 6436012 DO THE RIGHT THING 9107032 _[ INCOUNTAY PARENTHOOD JANE FONDA: LIGHT THE LONG HOT SUMMER 8830092 _| INDIANA JONES 9106042 _| SEX, LIES & VIDEOTAPE AEROB. & STRESS REDUCTION | 6432052 _| SHIRLEY VALENTINE 9105052 | & THELAST CRUSADE 4479042 | MY FAIR LADY 6330082 _| CHARLOTTE’S WEB UNCLE BUCK 5838072 _| AN AMERICAN TAIL 2184042 _| PET SEMATARY 1710092 | MAJOR LEAGUE 3507512 4894072 | ROBOCOP 2095282 WHEN HARRY MET SALLY 3914092 | Stan TREK— BEETLEJUICE 5954052 | AMADEUS 4478052 BLACK RAIN 9117012 | THE MOTION PICTURE 2035052 __|THE KARATE KID 9207082 | TIN MEN 2350022 5997042 | GOOD MORNING VIETNAM 6529172 AN INNOCENT MAN 8505032__| STAR TREK II— THE KARATE KID Il THE WRATH OF KHAN 2013012 _[ THE KARATE KID Ill 2383032 | THENAKED GUN 5483052 6480062 _| ABOVE THELAW 5482062 STAR TREK Il— THE WIZARD THE SEARCH FOR SPOCK 2016082 __| FAMILY BUSINESS 48256098302022 _|| BWIIGLLOW 1516132 4471022 RELEASED STAR TREK IV— A SUMMER PLACE 2168042 | BLL @ TED'S 6336022 \"AT ONLY THE VOYAGE HOME 4306032 _| SHE-DEVIL 6389082 _| EXCELLENT ADVENTURE s16978a2o0g022 $2995 STAR TREK V 4486052__| ROGER & ME EDDIE MURPHY: RAW :' 6359042 __|ON GOLDEN POND oe DMIIRSTSYISSDIAPNPCIINBGURNING 24935753105522 __||TGORPOSGSUNANATOMY 6754052 _| THE UNTOUCHABLES | THE ig sp erties pore 69\" THE GODFATHER 0008022 _|SCARFACE (1983) THE GODFATHER PART Ii 0018002 _| TEQUILA SUNRISE ‘AN OFFICER AND 3912012 | TEENAGE MUTANT NINJA 9521012 _| AGENTLEMAN 4392082 _| TURTLES: THE EPIC BEGINS FATAL ATTRACTION 4393072 | JANE FONDA'S 8141032__| SESAME STREET PRESENTS: 7986032 9215022 | FOLLOW THAT BIRD 0523572 _| TEENAGE MUTANT TWINS 5810092 | COMPLETE WORKOUT 8831082 _| PLATOON 4321042 __| NINJA TURTLES: COCKTAIL 5493032 |MYLEFT FOOT WEST SIDE STORY COWABUNGA SHREDHEAD 8138082 HONEY, |SHRUNK THE KIDS SEE NO EVIL HEAR NO EVIL 5942002 __|CASUALTIES OF WAR CAMELOT 2021352 _| TEENAGE MUTANT 8504042 LAWRENCE OF MYSTIC PIZZA NINJA TURTLES: CASE ARABIA (RESTORED) 5919092 _| JOHNNY HANDSOME SEA OF LOVE 9204052 | CROCODILE DUNDEE 4297042 | ALWAYS 6117232 __| OF THE KILLER PIZZAS 8025042 NEXT OF KIN 6472062 _| CROCODILE DUNDEE I! 4415012 _| THE KEYS OF THE KINGDOM 6500282 2074312 8811022 | WORKING GIRL 3722012 0605912 | PATTON 0045332 _| 6027482 _| GANDHI 1533042 TANGO & CASH 6474042 _| SHOCKER 9202072 KNIGHTS OF THE PINK CADILLAC 6422072 CLEOPATRA 0579432 GORILLAS IN THE MIST 5804072 2053022 | THROW MOMMA ROUND TABLE 8740082 _| CHOCOLAT 2381052 iA BEVERLY HILLS COP COMING TO AMERICA 4416002 PINK FLOYD—DELICATE 4627052 $ BEVERLY HILLS COP II 4319082 FROM THE TRAIN 2351012 5498082 | SOUND OF THUNDER 2131162 | COLORS BEACHES aly QUT OF AFRICA 2355072 THREE MEN AND A BABY 5491052 | TRUELOVE 8725072 $3995 ADVENTURES MY STEPMOTHER 5902082 [ET THE EXTRA-TERRESTRIAL| 6611062 | MURMUR OF THE HEART 2380062 IN BABYSITTING 5486022 | ISANALIEN 3649012 STAR WARS 0564082 _| LICENCE TO KILL 8802032 YOURS MICHAEL JACKSON’S PREDATOR 6528182 THE EMPIRE STRIKES BACK 0910092 _| NEWYORK STORIES 8500082 jou. MOONWALKER 4686032 | THETERMINATOR 3675082 7266042 RETURN OF THE JED! 3547042 _| KICKBOXER 6742002 69s THE LAST EMPEROR 1974002 _| AFISH CALLED WANDA 2518352 THE COLOR PURPLE 6301032 _| CHEYENNE SOCIAL CLUB 6345012 JEWEL OF THE NILE 3571032 | YOUNG GUNS 2001132 GHOSTBUSTERS 1742012 | THE HORSE SOLDIERS 0892012 ROMANCING THE STONE 0894092 | SEVEN BRIDES 6387002 2869062 GHOSTBUSTERS II 5944082 _|RED RIVER 7507032 TURNER & HOOCH THE MUSIC MAN 6147012 | FOR SEVEN BROTHERS 6425042 BEN-HUR 2603312 | CAHILL, U.S. MARSHAL 6355082 THE CARE BEARS MOVIE II 1862132 | APOCALYPSE NOW DIE HARD 3676072 | K-9 5834012 8503052 ALIEN 0002082 | DANGEROUS LIAISONS DAD 9216012 _| MEN DON'T LEAVE 6479092 _| NEW KIDS ON THE ALIENS 3609092 _| RAINMAN |LASSIE COME HOME |8730002 | HARVEY 9217002 | BLOCK: HANGIN’ TOUGH 9654002 _| PICNIC 5971042 _| THE TEN COMMANDMENTS SINK THE BISMARK 8827042 _| BACK TO THE FUTURE 2114092 | DEAD PQETS SOCIETY 8506022 __| CRIMES ANDMISDEMEANORS 2384022 _| WHO FRAMED ROGER RABBIT? LETHAL WEAPON 6308062 __|BACK TO THE FUTURE It 9213042 | WAR OF THE ROSES 0339022 | TO SIR WITH LOVE 5990012 _| THELAND BEFORE TIME LETHAL WEAPON 2 6427022 __| IMMEDIATE FAMILY 5970052 _| CHITTY CHITTY BANG BANG 0548092 | FROM THE TERRACE 8828032 _| BATMAN (1989) All movies available in VHS only. © 1990, CBS Records, Inc. While prices on hit movies like Look regular Club prices, for a total of up to 17 Dept. KM8& Advance Selections | Who’ Talking have dropped from $89.95 to P.O. Box 1112, Terre Haute, IN 47811-1112 | buying opportunities. SAVE UP TO $140 MORE- | $19.95—you can do still better through our Yes, please enroll me under the terms outlined in HAVE LESS TO BUY LATER! | Video Club! Because we give you any six Choose only the movies you want: this advertisement. As a member, I need buy just | if you want the Director's Selection, don’t six more movies at regular Club prices within the ‘You may order one or two more movies now for vse$9.99 | movies for 69¢ each, plus shipping and next three years. each—so you cansave up to $140! What's more, each discount handling! What's more, you can even take 2 do a thing, it'll arrive automatically. If purchase immediately reduces yourmembership obligation more movies at a savings of up to $70 each— Send me these 6 movies for 69¢ each by one! you'd prefer an alternate movie, or none at plus $1.20 each shipping & handling (Total $11.34). see Advance Selections box in the coupon. There’s no membership fee for join- all, just mail the card always provided by ## Also send my first selection for $9.99 plus $1.75 | shipping/handling which I'm adding to my $11.34 | ing, nor do you have to buy a lot of movies. the date specified. You'll always have two ## payment. (total: $23.08).I | full weeks to decide. (If you ever receive a then need buy only 5 more bee ee | | Just six more within the next three years. Please check how paying: M97/M99/L11 (instead of6)in3 years. tape before having had two weeks to | And you'll have no problem in finding six My check is enclosed. And also send still one more selection foran decide, just send it back at our expense. ) additional $9.99 plus $1.75 shipping/handling | movies you want, because ourlibrary holds Half-Price Bonus Plan: after fulfill- Charge my introductory movies and | future Club purchases to: Paes(total: $34.82). [then need | over 3,000 titles; from the very newest ing your membership obligation, you'll MasterCard [] Diners Club buy only4 more (instead releases to classical favorites. Our regular automatically become eligible for our Half- of6) in the next 3 years. Club prices currently range from $79.95 to American Express (] VISA $29.95, plus shipping and handling; and we Price Bonus Plan. With each movie you M98/L10/L12 also offer a selection of specially priced buy at regular Club prices, the plan cur- rently allows you to take another movie of Account #. ||Expiration Dat2e5 1==as videocassettes, down to $14.95. Your only Signature. | equal value or less at 50% off. Name. Phone ( ) | membership obligation is to buy six movies 10-Day Risk-Free Trial: join today Address. |Apt in three years for as little as $29.95 each— and we'll send your introductory movies, City. States ee iy | and you may cancel membership anytime with details on how the Club works. If for | Note: CBS/Columbia House VIDEO CLUB reserves the right to reject any application or cancel any membership. after doing so. any reason you're not satisfied, return How the Club operates: about every everything within 10 days for a full, Offer limited to continental U.S. (excluding Alaska) and Canada. Canadian residents will be serviced from 324/F90 prompt refund and no further obligation. Toronto (offer may vary). Applicable sales tax added to all orders. four weeks (up to 13 times a year) we send For fastest service: use your credit you our CBS/Columbia House VIDEO CLUB Magazine, reviewing our Direc- card and our toll-free number to order. tor’s Selection, plus many alternate movies. And up to four times a year, Call 24-hours a day: you may also receive offers of Special 1-800-544-4431 Selections, usually at a discount off CBS/Columbia House VIDEO CLUB 1400 N. Fruitridge, Terre Haute, IN 47811-1112

FEEDBACKEDITED BY BRIAN CLARK We aim to please went into a rental store a while back and readable schedule would be transmitted noted there wasn't a single Beta film. by broadcasters as digital info in the The September 1990 issue of Video Mag- When I asked the manager why he dead zones of a TV picture signal. The azine has convinced me that this is the didn’t have any, he replied, “Beta is on VCR would save the information for fu- finest publication of its kind. I have its way out!” ture program selection. Programs could learned more from three issues of this then be recorded without regard to foot- magazine than I have from any other “Well,” I replied, “here is a customer ball overtimes, presidential proclama- source. Thanks for the great work. on his way out, too!” tions and other events that cause interruptions or delays that cannot be Bob Cupp Jr. Lyle W. Eads handled by today’s VCRs. Wheeling, West Virginia Melbourne, Florida Kirk Johnson One more wish Santa Clara, California Mastering the maze Periodically, Video Magazine prints a Camcorder Canon-ade “Wish list” of features and ideas that “The Beta Maze” (Sept. ’90) was not should be considered for the next gener- I am confused about two points in your only very illuminating and interesting, it ation of products (“Our Guide to Video provided a real service to those of us still Valhalla,” June 90). Here is my contri- review of Canon’s Al Mark II camcorder using and enjoying Beta VCRs and tapes. I’m glad that Sony has seen fit to bution: I’d like to see a VCR that can re- (‘“Videotests,” July 90). Your report says continue to satisfy the Beta market. I ceive a digital program guide with up-to- the-minute information. This machine- the Canon has a 410,000-pixel CCD chip and a minimum illumination level rated at 7 lux, measured at 10.3 lux for 50 IRE units. Another magazine reports 450,000 pixels and a minimum illumina- tion of 3.7 lux. Is this a discrepancy in the reports or am I misinterpreting something? Vincent Albanese Livingston, New Jersey | This new patenttedenteadnnddinnnovative desiggnn wiwilll Editor's reply: Technical Editor Lancelot Braithwaite uses a professional rating stan- _ give you more precise camera control than — dard of 50 IRE units in a repeatable test to ever before. Mount your full-size camcorder yield the “measured” numbers reported in with the handle extending out to the left “Videotests.” The “rated” lux number is front. With compacts, position the handle supplied by the manufacturer. extending out to the left rear. The 410,000-pixel citation for the CCD chip was taken from Canon press materials for the Al Mark II. For the record “Windy City Windfall” (Sept. ’90) inad- vertently omitted information about Panasonic’s WJ-AVE5 audio/video mix- er, which was pictured. See this month’s <4 Videomate | 7 <4Videomate I! <4Videomate Ill <4 Videomate IV “New Products” department for full de- tails about the mixer. The story also re- ferred to Sony’s EV-S550 deck as a Hi8 VCR when, in fact, it is a standard 8mm model. 5 Velbon For more information. write or call: Video Magazine welcomes your questions. Velbon International Corp., P.O. Box 2927 The Tripod Innovators Torrance, CA 90509-2927 Please include a phone number, but not a (213)530-5446, Outside CA (800) 423-1623 return envelope as the volume of mail does not permit replies. All letters may be edited for clarity and space. Address queries to Q & A, Video Magazine, 460 West 34 Street, New York, NY 10001. For additional information, circle No. 5 on Reader Service Card. 10 VIDEO NOVEMBER 1990

HILIRS DOLBY SURROUND HILIRS PHILIPS AV 1000. The AV 1000 is truly breakthrough: a two-piece audio-video INTEGRATION system with the power to perform the functions of seven separate WITHOUT components with unparalleled integrity and accuracy. COMPROMISE. The AV 1000 incorporates Dolby® Pro-Logic surround sound to create spatially accurate, rich and dynamic sound for the ultimate home-theater experience. Digital Signal Processing captures the individual character of eight basic acoustic environments with control adjustments that provide for virtually unlimited sonic possibilities. The AV 1000 also includes Philips Bitstream PDM 1-bit digital-to- analog conversion, which provides unprecedented sonic accuracy. The power amp’s six amplifier channels allow for up to six speakers that can be individually tuned for maximum realism. The AV 1000 is destined to become the centerpiece of the most sophisticated home theaters. Its uncompromised reproduction of both music and cinema soundtracks provides the perfect comple- ment to Philips WallVision home-theater system. To experience this innovation for yourself, call 1-800-223-7772 for your nearest Philips audio-video specialist. WORLD-CLASS TECHNOLOGY. EUROPEAN EXCELLENCE. Dolby® is a registered trademark of Dolby Laboratories, Inc _© 1990 Philips Consumer Electronics Company. A DivisoifoNonrth American Philips Corporation PHILIPS

NASA keeps aneyeon * Space Shuttle payloads with Sony Trinitron XBR TV's. Sony Trinitron XBR. From outer space to out of bounds to outlandish fun, behind screen that’s cylindrical, not spherical, because professionals an astonishing range of scenes, you'll find a singular choice of want vertical lines displayed as lines, not curves. Maybe that's screens.Iomake their color images look their best, the experts why theTrinitron color system is the only one to win an Emmy turn to the same video technology that appears nightly in living rooms across the country. Sony Trinitron® XBR™ Televisions. Award for picture quality. And the experts’ choice inTrinitronVT's is the XBR Series— WhyTrinitron? Because only the Trinitron picture tube has the one-gun/one-lens system that maintains the most meticulous television that embodies the highest resolution and most focus on even the sloppiest plays from scrimmage. Because no advanced circuitry Sony has ever offered. For example, the otherTV replaces the standard Shadow Mask with the Aperture Active Signal Correction of our 32” XBR5O examines the picture Grille, for the distinctively bright Trinitron picture that makes 60 times every second at 248 points on the screen. Whenever Disney entertainment more entertaining. And only Sony has a the picture is less than perfect, the ASC™ circuitry applies the principles of artificial intelligence to actively correct the picture. © Copyright 1990 Sony Corporation of America. All rights reserved. Sony, ASC, Trinitron and XBR are trademark Electronics. Screen size measured diagonally. Shown with optional SU-32XBR85 Stand. Simulated TV reception. N trademark of Hughes Aircraft Company, of GM Hughes y Manny Rubio/NFL Photos. © The Walt pany.

The NFLs replay officials At The Disney-MGM Studios scrutinize the action with Sony TV's. Theme Park, Sony TV's display characters at their best. The Screen Behind The Scenes. Using one of over 120 million different combinations of picture stereo tracks to create a “soundstage” that extends far beyond settings, the ASC system restores exactly the right brightness, theTV itself. For an audio experience that extends far beyond contrast, color and sharpness. The power of these innovations is even more profound when that of any conventional TV. displayed on Sony's vast 32” screen.With over 63% more view- The XBR Series also boasts a gratifying array of inputs, out- ing area than a 25” screen, this window on the world gives all yourlVshows new stature. And in the XBR50, Sony brings you puts and controls, plus a cabinet design of quintessential Sony imposing sound to match the impressive picture. You'll thrill to the deep bass of Sony's Super Woofer, the distinct sound of elegance. Bringing you a viewing experience so powerful, detachable speakers, and the magic of the Sound Retrieval System—SRS™ The SRS circuitry processes both mono and so dramatic, that it can only lead to one question. Why own a television that’s made just for amateurs when ay O N YY. there's one that satisfies the professionals? ®

LATE NEWSEDITED BY BRENT BUTTERWORTH Cable TV by satellite Dishing It Out: due this spring SkyPix plans to trans- mit 80 satellite TV The newest contender in direct-broad- channels to owners of its new diminutive dish. cast satellite transmission may also be the first on the air. SkyPix Corporation says it has made a breakthrough in digi- tal video compression that will let it be- gin an 80-channel service early in 1991. Subscribers must purchase a $700 sys- tem consisting of a two- to three-foot dish and a small receiver. ically increase rotation of frequently re- Commission’s HDTV testing program, SkyPix will include news, sports, quested movies. and plans to bring the system straight to consumers. The company says the sys- music and children’s channels, and also tem doesn’t require FCC approval be- cause it already meets NTSC specifica- offer pay-per-view movies. Subscribers HDTV jumps the gun tions, and that SuperNTSC TV sets should be available in two years. select movies from an onscreen menu, Faroudja Research has pulled its Super- and the receivers relay the choices to a NTSC high-definition television system Faroudja says SuperNTSC doubles central computer. SkyPix promises 50 out of the Federal Communications the number of scan lines in NTSC, elim- movies will play simultaneously, and inates dot crawl and even produces a that the central computer will automat- better picture on conventional TV sets. Stations in New York and San Francisco 1 tl have already agreed to broadcast in Su- perNTSC, and the low price of Faroud- Lenmar Enterprises, Inc. 13626 S. Normandie Ave. ja’s broadcast encoder— $10,000, a pittance in the professional world— Gardena, CA 90249 should persuade more to follow suit. 213.532.0994 \\ | ee EEG : y i USES VCR WIRELESS REMOTE ¢ Simplifies the editing of video tapes Videotape’s new particle theories with professional results e Memorizes 100 scenes ¢ Compatible with all videotape formats Now that standard-grade VHS tape has QE101 Suggested List $249.95 become a commodity item, available ev- erywhere from fruit stands to flea mar- kets, tape manufacturers are focusing new efforts on high-grade videocas- settes. Sony plans to heavily promote its new V VHS cassette line. The V stands for Vivax, a new coating formulation which Sony says provides tighter pack- ing of magnetic particles. V tapes also get a new binder formulated for extra durability, and a new “V Orientation” process said to align particles more ac- curately. Fuji’s new twist is coating VHS and Compact VHS tapes with two layers of magnetic particles, instead of the usual one. The top layer is optimized for video signals, the bottom layer for the hi-fi au- dio signals recorded underneath. The company says the new process allows them to fine-tune the response of each signal. . ‘E“UJ[J{D‘O/UDOP/4NOIUAPsHDOJDOOD}EEWJSYIPOPJDU! 14 VIDEO NOVEMBER 1990

THEATER QUALITY AT HOM 60” Clearer Picture Than Tape Plus Stunning Digital Sound Now you can enjoy the finest in audio and video entertainment in your own home with the new Realistic® combination CD/laser AVi(e{=e Melson e)[-WV(21 You'll see razor-sharp pictures rich in color F-Valeo|-t-1] mr-\\oxe)a)\\va-Ur-(o\\>1mer-tae(-11\\7-1am Colom also enjoy sensational % o MultiDiss ©Video soundtracks, plus Compatible the same dynamic eens crystal-clear sound on Disc |COMpact discs that you get from a CD-only 8” Video player. You can play 3” CD singles to 12” video 5\" cpy __ discs, even plug in head- 5\" CD phones for private listen- HavePur=Vale Imexe)alice) MaiUlalet(e)als 3” CD with the wireless remote. Enjoy theater-quality entertainment tonight. Bring the performance home with the new Realistic MD-1000. Available at. . . ,RadieShack America's TECHNOLOGY STORE” \\ Wc REALISTIC. MULTI DISCPLAYER MD-1000 ors) ON SCREEN dRiUgiCtol PHONES ————— LEVEL For additional information, circle No. 17 on Reader Service Card.

GAZETTEEDITED BY KENNETH KORMAN The iceman years down the road, Gretsky has devel- Gretsky has his sights firmly set on the cometh oped a measure of objectivity about his departure. one thing that would top off his career. In Wayne Gretsky: Above and Beyond (LIVE Home Video), fans of the Ed- “Any time you leave something “T have one goal left, and that’s to win a monton Oilers reveal their unspeakable that’s very cozy, it’s difficult,” Gretsky championship in L.A. If 1 finish my ca- pain at the loss of hockey’s all-time told us. “I played in Edmonton for ten greatest player to the Los Angeles Kings. years and made a lot of great friends. Be- reer with 2,500 or 3,000 points, it’ll be “Where were you when it happened?” yond that, it was a great team—we won nice, it'll be fun. But a championship for asks the videotape’s producers, referring four championships. I had to weigh that the Kings would be one of the happiest to the $15 million sale of Gretsky’s con- before moving on, but if I had to do it tract. again I wouldn’t hesitate. L.A. has been days of my life.” —KK more than I ever imagined it would be — The fans’ tales of tears and disbelief the people in California have become Viva Las Vegas! ; leave no doubt about Canada’s feelings very solid hockey fans, and we're draw- toward its favorite son, and the great ing very well, close to 16,000 per game.” How do you lure Soupy Sales, Jane Fon- Gretsky himself breaks down in scenes da, Hulk Hogan and Barry Manilow toa announcing the sale. But a couple of Recently named “athlete of the dec- single room in the middle of the Nevada ade” by the Associated Press, Gretsky desert? If you’re the Video Software Wayne’s World: also has his personal achievements in Dealers’ Association (VSDA), you hold Hockey superstar perspective. “All my records are nice, your annual convention amid the glitz Wayne Gretsky and any record is an honor. But my fa- and gambling rooms of sunny Las Vegas. takes the ice for vorites are the ones that I think are the Held at the beginning of August, this the LA. Kings. toughest to break: the 50 goals in 39 year's event brought 15,000 tape and games, the 92 goals I scored in one sea- disc manufacturers, distributors and re- tailers inside from the 100-plus degree son, and the 163 assists I had in one sea- heat, where a variety of issues and son. | think those will be the most trends that may soon affect consumers difficult.” emerged between non-stop celebrity au- tograph parties. These mind-boggling numbers aside, Foremost on the minds of America’s mom-and-pop video-store owners were the rising price of cassettes and the re- lated question of simple survival, espe- cially at a time when mega-chain rental stores are taking over the industry. Many of the complaints centered on Paramount Home Video's decision to re- lease The Hunt for Red October at a sug- gested retail price of $99.99, a $10 jump from the standard rental-tape cost. If other studios follow suit, a rise in rental rates may well occur. But the studios’ re- sponse— “‘improve customer service and the industry will thriv—em’ay prove a boon for weary renters. Don’t be surprised, however, if generic commer- cials touting the virtues of home vid- eo—similar to recent spots espousing foods like milk and pork— appear soon in your living room. At the other end of the price spec- trum, Buena Vista Home Video made history when it announced that Pretty Woman —the most successful movie of the year and the highest-grossing film in Disney’s histo—wrouyld sell for $19.99, the lowest price ever for a blockbuster movie on tape. The great disparity in prices among upcoming titles comes from distributors aiming individual re- a 16 VIDEO

=) THX sound system. You’d still have president of Post Perfect, a major New $9,964,500 left over, though, and any York City post-production house: Happy Hooker: Richard Gere and Julia Roberts in Pretty true videophile would never waste that Woman, which is being released on tape for $19.99. money on a house or investments. But “We first used D-2 for music videos, you'd still need a VCR and, luckily, largely because of its 96-decibel audio leases at either the rental or the direct- Sony has one with a price tag fit for a signal-to-noise ratio, which compares fa- sale market. In light of these announce- Ferrari. vorably to 70 decibels for a one-inch ments, the two-tiered pricing system is professional VCR with Dolby. Now we clearly here to stay. The new $81,000 DVR-18 profes- use it for commercials and film-to-tape sional D-2 digital VCR is probably the transfers, too. The big advantages of D-2 The growing appeal of laserdiscs was hottest deck you could actually go out are that it has no moire, and its variable- another hot topic at the VSDA conven- and buy today. (Its big brother, the D-1, speed operation is extremely clean. D-2 tion. The idea of a sensible, divided mar- also gives us flexibility in editing, because ket, with laserdiscs for collectable titles is a rare item even in the pro video we can use three times as many genera- and cassettes for watch-’em-once rental tions of D-2 as we can with one-inch.” movies, appears to be gaining steam. Es- field.) The DVR-18’s back panel bran- pecially welcome was word that the peo- dishes an intimidating array of 50 jacks, D-2’s price might break the hearts of ple behind Lucasfilm’s THX home but with the help of a winning lottery home Hitchcocks, but there’s hope— theater audio system will soon certify in- ticket and a few adapters from Radio Sony has introduced a portable D-2 deck dividual titles on disc for sound and pic- Shack, you could easily turn one into for $37,000. —Brent Butterworth ture quality. With disc distributors vying the ultimate home VCR. for this honor, the overall quality of la- Pro Cholce: Digital VCRs like Sony’s DVR-18 have serdiscs is bound to improve. —KK What do you get for $81,000? To become a fixture at top video production houses. start with, a 15-inch high, 128-pound All this and D-2 chassis with an electroluminescent dis- play guaranteed to fascinate those who If you won $10 million in the Publishers scoff at spending more than $250 for a Clearing House Sweepstakes, you'd VCR. And with minimal loss of picture probably rush out and get the hottest gear availa—bmlayebe a Pioneer LD-S2 quality through dozens of generations of laserdisc player, a Mitsubishi 120-inch editing, four channels of digital audio rear-projection monitor and a Technics and nearly perfect slow- and fast-mo- tion, the D-2 should have neighborhood video buffs salivating. Of course, no one needs D-2 just to record The David Letterman Show, and in a world where movies on Super VHS are rare, 15-inch-long D-2 tapes are hardly likely to show up at video stores. So what does one do with an $81,000 VCR? Ask a man who owns one — Pat Howley, Loud and Clear. The U.S. Senate five-inch CD-sized discs hold five minutes of video with has passed a bill requiring manufac- digital sound, and list for about $8 in Japan. Though turers to include closed-captioned decoders in all TV sets, 13 inches or plans for its U.S. introduction have not been announced, larger, manufactured after July 1993. VSD is seen as a possible replacement for the failing CD-Video format, which has confused the public with its Widespread use of decoders will give odd combination of five minutes of video and 20 minutes the hearing-impaired access to broad- of music. With vinyl singles virtually non-existent, and as es cast and video programming when audio cassette singles not up to the quality desired by away from home (such as in hotel tooms, for example) while lowering the cost of adding collectors, Casey Kasem may one day count down the decoders. But even those without hearing problems may nation’s top 40 VSDs. Radio, however, will no longer be benefit from the bill. Ever had trouble understanding an up to the task. actor with a thick foreign accent? Would you like to watch a favorite show without disturbing other members Preventive Video. A tape renter and a tape maker are teaming up for a child safety program called Kid- of your family? These problems may disappear at the print. On scheduled days, parents can take children less touch of a button. At presstime, the House was prepar- than 12 years old to one of 1,300 participating Blockbus- ter Video stores and have them videotaped free of charge ing its version of the bill, and President Bush was (with camcorders donated by RCA) after buying a spe- expected to sign the bill into law. cial Scotch videocassette. The program preserves kids’ images, voices and mannerisms in the event of their dis- Incredible Shrinking Discs. A new variety of la- appearance. Proceeds will be donated to the National serdisc called the video single disc (VSD) has hit the Center for Missing and Exploited Children. Japanese market. Intended for use in combi players, the NOVEMBER 1990 VIDEO hd

SIAR STRUCK Desperately seeking COLLECTOR'S Barbra Streisand, Jimmy CLEARINGHOUSE Stewart, Boris Karloff, Macbeth and Bruce Lee. ooking for one last gem to complete I am an avid collector of material relat- your video collection? “Collector’s Clearinghouse,” a regular feature of ing to Annette Funicello, Olivia New- Video Magazine, can connect you ton-John, Linda Ronstadt and Barbra with fellow readers who may possess the objects of your heart's desire. Simply Streisand. I am looking for videos, tele- send us a letter describing exactly what vision performances and interviews with you're looking for, and be sure to include these talented ladies. Thank you. your name and address. Requests for copyrighted material Matt Tunia must be for personal use only. You may 2215 Baxter Street offer to reimburse expenses, but the Los Angeles, CA 90039 “Clearinghouse” is not open to requests for the purchase or sale of tapes. Please Beach Buddies: Annette Funicello and Frankie Ava- coe Gece do not send a self-addressed envelope, lon go Back to the Beach in 1987's reunion film. as this is a reader-to-reader service only. I am interested in any footage of Dean Address all requests to: Collector’s 1972, Hallmark Hall of Fame aired the Clearinghouse, Video Magazine, 460 Martin and Jerry Lewis’ nightclub act. West 34 Street, New York, NY 10001. Please write first and describe footage. coeoQeooe Robert Garcia 8481 Westmore Road, Apt. 21 I'm looking for the 23 episodes of The Jimmy Stewart Show, which aired on San Diego, CA 92126 NBC starting September 1971. In March special production of Harvey with Jimmy coo@Geee Stewart and Helen Hayes. I also want Wanted: Any or all of the New York the eight episodes of the CBS show Yankees’ 1977 and 1978 World Series Hawkins, which was shown in the games, in the VHS format. I will gladly 1973-74 season. Ted Warner reimburse any expenses. Kyle Flinn Box 3206 425 Ena Road, Apt. 302-C St. Joseph, MO 64503 Honolulu, HI 96815 > NOLOOWKIMRAE! S p Set comes complete with one With Innvision you don't need wires to send a Highest Quality transmitter& one receiver. crystal clear picture from your VCR, Cable box, | One Year Warranty Laser disk player or Video camera to any room in | 30 Day Trial Period ag] SEE SS\\C.0..$99.00 + $5.00 Shp& Hndl. the house. Innvision also allows you to watch one Easy To Use video source while transmitting a different source Satisfaction Guaranteed TO ORDER OR REQUEST to another TV. Innvision transmitts up to 120 feet OUR FREE CATALOG CALL through walls, floors, etc. 1-800- 624- 1150 Model #2020 Dimensions 41/2X4 FAX (402)'392-0991 a INNVISIO Or Write M.D. ELECTRONICS 875 So. 72nd Dept. V Omaha, Ne. 68114E‘J“UG[6DP/UOBDO/IO4NUPJADHOJDJD}OBOWJSYIJJPOPJDU! 18 VIDEO NOVEMBER 1990

CRAZED BRONX MAN TACKLES TV DURING BIG GAME, MISSES 4TH QUARTER. You know how it is. You’re sitting there watching the game and you Wd) PIONIEELR’ get a little worked up. No harm done. Except, if you’re seated in front Call 1-800-421-1404 for the dealer nearest you. of a 45\" Pioneer Big-Screen. Then, you’re faced with the reality of being knocked out by the sharpest, brightest big-screen with the leanest, best-looking build ever. But, even though it’s lean and mean, it won’t glare at you, thanks to a non-reflective screen. It’s all part of what makes Pioneer the standard in the big-screen field. Imagine, a big-screen television designed to overwhelm you with brilliance, not bulk. What a game plan. ¢ 1990 Pioneer Electronics (USA) Inc., Long Beach, CA For additional information, circle No. 8 on Reader Service Card.

COLLECTOR’S CLEARINGHOUSE I am interested in obtaining episodes of Rasputin the Mad Monk (with Christo- stripped away to expose the truly per- verse theme at its core: bestiality. As a the television serics The Gale Storm pher Lee and Barbara Shelley) and Kiss collector, I would like to know about Show: Oh! Susanna (1956-60) on VHS or of the Vampire. I will reimburse expenses other films, of whatever length or lan- 16mm film. It was my favorite program and I am willing to make trades. guage, which could fit the category of Scott C. Lewis erotic art. I am definitely not interested when I was growing up and was very 1730 Booneille Road in pornography. William P. Leighton popular. It was often in re-runs years Bryan, TX 77803 372 Central Park West, Apt. 20-E ago, but hasn't been on for 20 years. New York, NY 10025 Robert Walsdorff I’m looking for early TV appearances by David Letterman, especially guest-host 103 Oliphant Street I am very interested in obtaining video- shots on The Tonight Show and episodes Box 247 of his morning talk show. Unfortunately, tapes of the television appearances and I didn’t own a VCR till Late Night had Greenbriar, TN 37073 films of Boris Karloff, especially the been on a couple of years. I will cover tape costs and shipping expenses. more obscure ones. If you have anything Fritz Schwartz I have been trying, without success, to to offer, or are looking for anything your- 818 Greenwood Avenue NE, Apt. 10 find for my own personal library a copy self, please contact me. Atlanta, GA 30306 Beverly Buehrer of Das Boot, a.k.a. The Boat, on laserdisc. 106 Wendell DeKalb, IL 60115 It is listed in most catalogues but I can’t find it. James L. McBride 1950 Saint Francis Way San Carlos, CA 94070 I'm looking for “erotic art.” No, this is not an oxymoron, but a valid, if sparsely Although Hammer Film Productions populated, film category. A prime exam- Ltd. of England closed down production ple, which I am trying to locate, is La Hallelujah! I am so happy to hear about a service that can help find videos of in the early ’70s, I still admire their hor- Marge/The Beast (1976), a live-action yesteryear without charging a fee. I am desperate, and I do mean desperate, to ror films. I am looking for VHS or Super film by Polish-born director Walerian find videos of any and all episodes of The Green Hornet TV series with Bruce Lee. VHS copies of Hammer films which are Borowczyk, who is known primarily for Please help me. I am at wit’s end. not available on pre-recorded tape. My his short animated films. La Marge is a Mr. R.A. Baker 624 Tappanzee Court highest priorities are Countess Dracula bizarre, exotic, shockingly erotic version Virginia Beach, VA 23451 (with Ingrid Pitt in the lead role), Vam- of the classic fantasy tale Beauty and the pire Circus, Taste the Blood of Dracula, Beast. The usual romantic veneer is + SEE WHAT YOU'VE BEEN MISSING The standard camcorder With The Eyeopener you can clearly Sometime in 1987 I taped a show on PBS viewfinder image is very see both the viewfinder image and called Musical Comedy Tonight III, hos- limited. your surroundings. ted by Sylvia Fine Kaye. I am looking for Squeezing one eye shut Relax and videotape in comfort with the first two installments, and for later causes strain and fatigue. shows if there are any. Also, in 1985 or both eyes open. thereabouts, there was a show on PBS featuring the work of four Broadway and/or Hollywood lyricists, among whom were Johnny Mercer and Dorothy Fields. It had an all-star cast, including Billy Eckstein and (I think) Anita Mor- ris. Iwill be happy to reimburse expenses for copies of any of the above. Harry Daley 10 Brandwyine Court Colonial Heights, VA 23834 Tam looking for a VHS copy of an early black & white version of the movie 1984. This version was produced in 1956, Maximize your vision and comfort while videotaping. Walk around, pick and released by Columbia Pictures. It out your next shot, and be aware of what is going on around you. features Edmund O’Brien, Jan Sterling DON'T MISS THE ACTION and Michael Redgrave. I am also looking The Eyeopener straps on all video cameras, adjusts to all users, weighs less than 1/4 ounce, and retracts completely out of the Patents for VHS material on Benny Hill, prefer- 4729648 way when not in use. 4810078 ably material intended for British distri- Foreign Patents Pending bution. Much of his material is not ADD THIS PATENTED FEATURE TO YOUR CAMCORDER available through ordinary channels, or Thousands of satisfied customers agree, no camcorder should be without The Eyeopener. 30-day suffers from severe editing. Any infor- OPS 1-800-869-8154 @ ES 3} money-back guarantee. Send $9.95 plus $2.00 for shipping or call toll free. Sammee day pig mation would be appreciated. | will pay psin Incorporated, 11807N. Creek Pkwy. S., Suite 106, Bothell, WA 98011 reproduction and shipping costs for good “‘B|UJDJJ‘FOUOPO}I/NFOIUPNDDHODODYOESJUYPWPODJU material. Eugene D. Brennock Box 6993 Orange, CA 92613-6993 20 VIDEO NOVEMBER 1990

Barbra Streisand—and Other Musical In- MFJ Super AUDIO/VIDEO SELECTOR struments was the singer's fifth television Color Video special. It was shown in the early ’70s MFJ-1452 You can correct poor videos of weddings, sporting events or the and would make the perfect Christmas $29995 kids at dance recital and make present for my mother, who has asked plus $6 s/h great copies for everyone! The for it over the years. I will gladly reim- MFU-1452 is the most sophisticated (and burse expenses. Susan Bailey fun) Video Processor available today. ‘ Why? Because you get complete control ID Cedarbrook Village of contrast. You can expand or compress’ whites to save faded or contrasty videos and Rochester, NH 03867 increase or decrease blackness of videos that The new Azden AVS-20 allows you to link all are over or under exposed. your video components (VCRs, TV, Video Disc I have been searching for a copy of Ro- Player, Camcorder) through a single You can convert film negaitves to component. man Polanski’s Macbeth for my husband. positives for recording or viewing. You can invert chrominance and invert luminance By pressing one button you can-dub from any No other version of Macbeth -will do, as for special effects. You can use the enhancer one of these sources, and at the same time and a white ‘‘blob’’ becomes a face with you can watch a program from any of the my husband is a fan of Polanski’s work. individual eyelashes! Split screen feature components. Italso has mic mixing so you can gives you side-by-side unenhanced/ add narration to your dubbed tape. Several years ago, we saw an advertise- enhanced comparision. Compatible with all formats (ithas separate ment from a distributor that was carry- You can correct weak colors, color shifts jacks for S-VHS), the AVS-20 has 4 audio/ and brighten faded videos. Brightness con- video line inputs, 1a/v line output, and 1 ing the video. We thought we could wait trol improves too dark or too light scenes monitor output. One set of input jacks is located and allows fading in or out. Luminace meter on the front panel for convenience in recording till the tape came to local stores, but it helps you accurately set brightness level. or viewing directly from your camcorder. y~ Call today for free catalog or to order never did. Please contact me if you vy Full 1 year unconditional guarantee! Suggested retail price is $139.95. (Also available without mic mixing as AVS-10 know where I might purchase a copy or 1-800-647-1800 at a suggested retail of $119.95. if you have one. | will reimburse ex- MFJ ENTERPRISES, INC. AZDEN penses for a copy. Gena Estrin 921 Louisville. Rd., Starkville, MS 39759 Umea es on A dt os. ON Phn. (601) 323-5869; FAX: (601) 323-6551 7511 Hesperia Avenue FaCSi1RNcodea2inoenrrdrf.acivdodlit.reecimeroatniaoln, 147 New Hyde Park Rd., Franklin Square, NY 11010 (516) 328-7500 Reseda, CA 91335 © 1990 MFJ Enterprises, Inc. I have been collecting old movies for about nine years and have acquired many comedies (my favorite kind of film). However, I have been unable to FaicN1RSCooind3oeaenrf.dracoivdldrti.eemicaroetniaoln, finda copy of The Ghost Breakers, a 1940 film starring Bob Hope and Paulette Goddard, or the pilot of The Great American Hero TV series, which starred William Katt. I am looking for VHS, but Ican also use Beta or 16mm film, and am willing to trade. David Batchelor 766 First Street Ogden, UT 84404 I’m looking for the movie Road Show ©A1rotRia9efcrRs9gosa0iued,ssaettrmeicarchrekd with Carole Landis, Adolphe Menjou and John Hubbard. It was made in 1941, Movie Theater. and the directors were Hal Roach, Hal Roach Jr. and Gordon Douglas. AAAAHHHHHE! Outside of amovie theatre, never has a scream been so chilling. Powered Partners amplified speakers turn a TVor Ed Gerlich Blood Systems, Inc. VCR into true high-fidelity sound. Plus they're shielded to prevent 6210 East Oak St., Box 1867 distortion. Watch out! Neighbors may drop in. Free literature, call 1-800-288-AR4U. Powered Partners. Superior Sound Simplified. Iam looking for copies of ABC’s Monday Night Football, dating from 1978 to the For additional information, circle No. 14 on Reader Service Card. present, that feature the Oakland/L.A. Raiders. I am only interested in games in which the Raiders are on their home turf. Complete games, with or without commercials, will be greatly appreciated but, in some cases, partial games would be better than nothing. I am also looking for a tape of Super Bowl XV, with the Raiders and the Eagles, in complete form. I will reimburse costs for VHS tapes. Tom Avallone 1215 Hassell Circle Hoffman Estates, IL 60195 »

YOUR BY BRENT BUTTERWORTH MONEY'S WORTH USED EQUIPMENT Are second-hand VCRs & camcorders overlooked bargains or dubious deals? ost Americans own a car, a TV set few stereo and four-head models can shooting indoors. Used TV sets are another matter. and a VCR. But while many buy also be found, but models with editing used cars, few buy used video features and high-resolution formats are They have been around for years, but videophiles shy away from them. Buying equipment. Why? Is none avail- only just now hitting the market. used equipment always represents a Prices run from about $50 for a ga- compromise: sacrificing quality for the able? And if there is, are we wisely dodg- sake of a low price. Most people find it ing dubious deals by avoiding used video rage-sale junker, to around $300 for an makes more sense to compromise on a gear —or overlooking a little-known bo- advanced model in good condition, to nanza of bargains? about $1,000 for a barely used high-end In fact, used video gear is out there. p = oS x You can probably find it within a few miles of your home: at an audio/video dealer, in the classified ads, at a local re- pair shop or at weekend garage sales. But there’s no need to feel like you’ve missed out on a good thing. Video tech- nology is still so new that until recently, few people ever considered trading in their old VCRs for new models. And be- cause prices for video gear fell so rapidly in the ’80s, the rare used piece that made it to market usually cost just as much as a new one. But today prices have stabilized, and new VCRs and TV sets offer enough ex- tra features to warrant trading in older units. As a result, the used video market is quickly heating up. Electronics dealers who have sold used audio for years have added used VCRs and camcorders to their shelves. For many, it’s already big business. “If Ihad a bottomless pit of used VCRs, I could sell ’em all,” says Ju- lie Carlson, owner of Audio Replay, a _— Springfield, Massachusetts, audio/video deck. For videophiles, a used deck second VCR or a camcorder, neither of which is used very often, rather than on establishment. would probably make sense only as a a TV. Obviously, this development won’t second deck for editing, or for the kids’ excite cost-be-damned videophiles who playroom. DEALING WITH DEALERS When considering a piece of used demand the ultimate in performance. Used camcorders age more equipment, buyers face two fundamen- But to those whose video interests have gracefully, providing most of the features tal questions: Does it work? And is the price low enough to compensate for the strained their checking accounts to the home shooters need. Their chief disad- unit’s age and condition, and the in- max, a hi-fi second VCR for $200 might vantage is poor light sensitiv—iotnyly 16 creased likelihood that it will break sound pretty tempting. And those same lux in some cases, compared to the one- down? budget-conscious videophiles may be lux sensitivity found in some of today’s Although most people wouldn’t camcorders. Prices start at about $400 wondering exactly what sort of sec- for basic VHS models. Videophiles who trust their technical skills enough to test ondhand video gear is available. are dying for a camcorder but can’t af- a used VCR, non-engineers can still buy ford to shell out $800 for a new one used gear with at least some assurance. The reality is: no frills. Most used VCRs offer few modern conveniences like onscreen programming. Some don’t might consider a used model, if they KWEIIVMLESROS even have wireless remote controls. A | don’t mind using a video light when 22 VIDEO NOVEMBER 1990

Inventor must hold all used merchandise for at ers rely on the same checks when eval- “Charles Azar least two weeks before reselling it. uating potential purchases. “If it runs President of Instant Replay our test tapes okay, we figure it’s pretty Although this procedure doesn’t good,” says Frank Grabiec, owner of Q. What sets your guarantee that a used piece isn’t hot, Dyna-Tronics in Phoenix, Arizona. VCR apart from other any reputable dealer will replace a unit top of the line VCRs? found to be stolen with a similar model. However, the feeling of security a And as long as the equipment is bought dealer lends to used video purchases A. Literally a world of through a dealer, the buyer is not subject doesn’t come cheaply. “Typically, you'll differences. We make to prosecution. pay significantly more to buy used video gear from a dealer than from an individ- the only VCR that After checking the dealer’s warranty ual,” says Roger Rohrs, publisher of Ori- operates in all 16 World and return policies, buyers should in- on Blue Books, a series of used Standards here in the spect the unit’s exterior—a beat-up cab- electronics price guides. U.S.A. or anywhere in inet often conceals beat-up internal parts. With VCRs, it’s a good idea for a An alternative to dealers is reseller the world. buyer to bring along a tape recorded on catalogs, such as the one published by Damark. They sometimes offer recondi- Q. Aside from its A. Ithas all the tioned merchandise, but seldom at bar- gain prices. For example, the August multi-capabilities bells and whistles of 1990 Damark catalog lists an NEC two- what other features other luxury VCRs head VHS VCR for $250—the New York street price for a basic four-head does the IT have? and then some. machine. That's because most of the new crop of We offer for PERUSING THE PAWNSHOPS used video dealers (and repair shops If your town doesn’t have a used that sell so-called pre-owned gear) offer example a SATELLITE one- to three-month warranties on all OPTION that can record electronics dealer, it almost certainly has equipment they sell. a pawnshop. But while an afternoon of the original foreign searching the pawnshops might take you These dealers have the confidence standard for future to some interesting neighborhoods, it to offer warranties because they check playback, or transcode probably won’t turn up much video components themselves before they buy TV programs from hardware. Most pawnbrokers stick to them from the original owners. Most jewelry, 35mm cameras and fairly low- dealers keep a service technician on staff abroad in real time for who fixes, cleans and reconditions sec- live viewing. tech items. In fact, our search of eight ondhand equipment. Some dealers even offer a 30-day tryout period, during Q. Can the IT VCR » In addition, the which a dissatisfied buyer can return the 4NTSC contains a full equipment in exchange for other new or actually make copies used items. of foreign tapes? frame TIME BASE CORRECTOR with Many dealers can also instruct a A. By itself no, but field or frame freeze. buyer on the fine points of a machine’s as part of our new operation, and are willing to answer DIGITAL STANDARDS Prices for questions after the sale. This is espe- CONVERTER Package, this power package cially important because used compo- start at $3995.00, nents often come without instruction —the 4NTSC— an incredible price manuals. yes. . considering that Buying from a dealer also shields the his or her existing deck. By playing this you get: customer from legal problems if the unit tape, the buyer can make sure that the turns out to be stolen. Dealers who buy used deck will play his personal library of DIGITAL STANDARDS and sell used equipment must conform tapes without tracking or compatibility CONVERTER to the same laws that govern pawn- problems. The tape should be expend- brokers. These laws vary from state to able, in case the machine jams. a MULTI STANDARD state, but in most a dealer takes the fin- VCR gerprint and driver’s license number of When checking out ‘a camcorder, the seller, then reports the model and the buyer should bring along a blank a TIME BASE serial number of the unit to the local po- tape and put the machine through its CORRECTOR lice on the same day. Typically, a dealer paces. It’s better to test the camcorder indoors, where poor low-light perfor- & FRAME STORE. mance shows up. Contact: 1 (800) 749-8779 or Even though these procedures may (305) 854-8777 INSTANT REPLAY not sound thorough enough to check 2601 S. Bayshore Dr., Ste. 1050 out sophisticated electronics, most deal- Coconut Grove, Florida 33133

YOUR MONEY’S WORTH New York City pawnshops uncovered Business Bureau to see if any complaints VCR or a camcorder, possibly at an ex- only five camcorders, one TV set and have been made against him.” cellent price. But buying from an indi- vidual is much riskier than buying from not a single VCR. A poll of our staff turned up further Nevertheless, a few pawnshops are suggestions for screening used goods. a dealer or even a pawnshop, because if “Q&A” editor Roderick Woodcock rec- the gear turns out to be defective or getting into the used video act. A good ommends that would-be buyers “take stolen, a disgruntled buyer never knows example is Joe’s Jewelry and Pawn of At- along a Phillips screwdriver and pull off whether or not the seller will make the VCR's top. On machines made after amend—sif the seller can be found. lanta, which sold hundreds of used 1983, this involves removing just a few VCRs last year. The shop keeps a tech- screws.’ Examine the heads and the Although most people go right to nician on staff to check and repair the transport carefully. “If there’s a lot of the classified ads of the local paper when decks, and guarantees them for 30 days black goo inside the machine, it’s a bad looking for most used goods, a better after purchase. sign. The goo is a combination of tape source for used video gear is a free-ad residue and lubricant. It can be cleaned paper, the kind which runs nothing but Buying from a pawnshop requires ex- off, but it’s a symptom of wear. classified ads. They cost about a dollar tra caution, because most shops do little more than slap a price tag on a used “It’s too hard to take camcorders at most newsstands, and are usually piece. Richard Weiner of Joe’s Jewelry apart, so bring a pocket flashlight. Pop chock-full of secondhand video gear. If and Pawn suggests trying out every fea- the tape hatch and look inside for debris you're really desperate, there's always ga- ture of a deck: “Play a movie in it, try and grime. While you’re checking the rage sales and flea markets. out the fast forward and rewind, check the tuner: Sometimes the recorder functions, listen to the side of the cam- Checking out used gear sold by an works but the tuner doesn’t. Likewise, corder to make sure there’s no bumping individual is like checking gear sold by a check both the play and record func- or grinding in the transport,” says pawnshop, but because there’s no way to tions. A messed-up head might play fine, Woodcock. “You have to be extra care- know where the equipment came from, but might not record. And if it’s a newer ful with camcorders. If you get a bad the buyer also needs to check out the deck, make sure it has the remote. A lot one, servicing can be expensive because of features like channel programming they're so small.” seller. “A lot of times, you can tell if an only work from the remote, and it costs item's hot by asking the seller a few $60 to $70 to replace one. THE LAST RESORT questions about it,” says Drue Washing- If your local merchants don’t pro- “Always ask the pawnbroker what ton of Harry’s Camera & Video in Stu- kind of return policy he has and what duce big bargains, there are plenty of in- dio City, California. “If it’s stolen, he kind of warranty he'll offer,” Weiner dividuals who would love to unload a probably won’t know much about how it works. He probably won’t have any of continues. “And check with the Better continued on page 53 MOVING RE You can move and shoot smooth as glass. You can walk. You can run. You can climb stairs. And your camera never shakes! The Oscar’-winning invention that revolutionized moviemaking can now revolutionize your videos. Steadicam JR simply mounts to your compact camcorder for rock-steady handheld shots while you move creatively. The image glows out of the built-in monitor— freeing your eye from the viewfinder. Your videos look professional. You'll notice the difference. So will your audience. FREE TEE SHIRT WITH STEADICAM JR ORDERS BEFORE DecemBER 20, 1990 1-800-955-5025 Because Life Doesn't Stand Still. From CINEMA PRODUCTS ‘ MAKER OF THE OSCAR& EMMY-WINNING STUDIO STEADICAM. CSFRai2cNooaedi4noenrdf.acdvoidli.rteecmieraotniaoln, 3211 So. La Cienega Bl, Los Angeles, CA 90016@ 213-836-7991 24 VIDEO NOVEMBER 1990

mB Your home videos contain some great moments. And some not-so-great moments. Now you can make your home videos something you'll be proud With DirectED PLUS, you can edit unwanted footage from yourhome videos, as professionals do! Mark hundreds of scenes on the tapesin your home video library and DirectED PLUS will automatically assemble them into.a polished production. And only DirectED PLUS can complete your productions with its brilliant, digitally- generated titles, graphics and - special effects! Built-in title generator! Sizzling graphics and special effects! Add titles in 64 colors and 12 FaiNc1CRSodnio5aeenrdf.raciodvidtrei.imecaoretniaoln, different styles. Combine them = with any of 17 special effects and 22 graphics! DirectED PLUS is all you need! It works with virtually — ee all camcorders and remote-controlled VCRs. More for your money! Only DireétED PLUS offers full-function editing plus titles, graphics and special effeets. Put your best foot forward with DirectED PLUS. Call 1-800-338-EDIT for thename of your néarest dealer. Edit your best with DirectED PLUS! V@ VIDEONICS BSP a NS : ae eae Tae PURSES 1370 Dell Avenue, Campbell, CA 95008 408-866-8300 Television screen is simulated. Specifications are subject to change without notice. ©1990 Videonics, Inc. All rights reserved.

1990 Buyers Guide READER BETA NOW! FORUM with Comparison Chart Cries from the heart for Sony’s Complete Anniversary VCR System! e expected letters. What we didn’t expect were cries from the FCHOSTARS heart. But that’s what you sent us when we asked readers to write if SRD-400 they would like to help persuade Sony to offer its 15th Anniversary Beta VCR in Includes: e 10' Dish the U.S. As we reported in “The Beta Voting By Mail: Some of the 100-plus letters asking e Echostar 4000 with Decoder Maze” (Sept. ’90), Sony has introduced Sony to sell its new Beta VCR in the U.S, and Canada. an innovative new Beta deck in Japan. The Ultimate Satellite Receiver The VCR includes unique touch-sensi- Heuston Tracker 10 with MTS! tive LCD controls, the BI-S speed and a new head design among numerous other ATT SO ATENS special features. However, Sony hasn’t e Programmable UHF Remote decided whether to sell the deck here. HF1000, which is the finest VCR I have ever seen. I know I will buy at least one ¢ 100 Video & Audio Selections ¢ Our readers feel no such qualms. They want the Anniversary VCR and Anniversary model, at least two if it has ¢ Fully Computerized Auto Tracking ¢ say so passionately in over 100 letters, flying erase heads. It would be a slap in with not one naysayer in the batch. Let- the face to deny loyal U.S. Betaphiles e Full On-Screen Graphics Display © ter after letter expresses the belief that the opportunity to purchase this. “Beta is better.” Some write of their love ¢ Crystal Clear Reception ¢ for the format and their loyalty to Sony Charles W. Jansen VCRs. A few promise to “buy this prod- Naples, Florida HTS e MTS Stereo! ¢ uct sight unseen.” One reader pleads with Sony to “keep the faith.” RT NT Call for Price! ¢ Your description of Sony's 15th Anniver- We'll make sure your letters go to sary Beta VCR has me chomping at the Satellite System Owners: the right people at Sony, as promised, bit. I know us Beta junkies are few in and we'll let you know their response in number, but people who consistently de- Inquire about our exclusive a future issue. In the meantime, here’s mand quality tend to be in the minority. Trade-In Program what Betaphiles have to say about the Please give us the opportunity to sample prospect of a dazzling new Beta VCR: this tempting VCR. —Linda M. Nemm Please do everything you can to talk Sony into bringing its 15th Anniversary Port Washington, Wisconsin Beta VCR to the United States. I would like to buy two of them—one for me and I urge Sony to introduce its [5th Anni- | one for my children. versary Betamax in the U.S. I currently Jack H. Aldridge own three Betamaxes—the SL-HFI100, | Stinson Beach, California the SL-HF900 and the SL-HF860a—nd Please help persuade Sony to bring the 15th Anniversary Beta VCR not only to formerly owned four other units. As I the U.S. but to Canada, too. upgraded, I sold the older VCRs to Daniel Voyer 1-800-327-0046 Rimouski, Canada friends. All are still in use. While I have In Calif. 1-800-327-2345 As a dedicated Betaphile, I ask Sony to bowed to pressure and added an Office # 805-652-0255 please bring its 15th Anniversary Beta VCR into the U.S. I presently own four SLV-676 VHS VCR, so I can watch Fax # 805-652-2190 Beta machines, including the SL- 2316 Channel DriveJJ“B‘UBOOOPFOU/OUDZNIOOPIDM/HAD{DOOJJEEW{YS/JOODJPDU/ rental movies, and an 8mm CCD-VI1O1 Ventura, Ca. 93003 camcorder, Beta has always been my fa- 26 VIDEO ‘NOVEMBER 1990 vorite. Walter T. Feldt Racine, Wisconsin Tam delighted to hear that Sony is keep- ing the Beta format alive and well—in MLOESRSI

osi PROMOTIONS NOTICE: Quantity Buying and Special Arrange- ments with Manufacturers allows us to offer this Merchandise to you at these Amazing 5 ‘BUY Di RECT AN D SAVE 55 Prices. All wiitthemFsullarMeanGuufaarcatnutreeerds WFairrsrtanQtuiaelsi.ty and Come SHARP. AZDEN. Set to the AM-FM-CD-CASSETTE ECZ-770 “Long” position it acts PORTABLE STEREO COMPONENT SYSTEM as a sound beam, ZOOM MIC zooming in on your @ Built-in Compact Disc Player subject, cutting out side © PArPoMgSra(mAmuatbolmeatiMcusic ECZ-770 $100.00 prey noisesess. . IInt the “Short” Selector) CD SUGG. RET. FC2-660 position it acts like a YcOoUsRt $972 4995 (SNUoGtG.shRoEwTn.)$100.00 wide angle mic. APLD (Automatic Program ORDER # 11907700 YOUR *h7” Insured Shipping $6.60 Locate Device) CD Insured Shipping $6.00 CST ORDER # V1190 6600 APSS (Auto Program Search System) CD ATs REMOTE ANSWERING MACHINE e@ Random Playback for CD e Advanced Remote © Advanced e 3-band Graphic Equalizer Access Capability Personal Memo e X-BASS (Circuit Type) e ALC (Automatic Level Control) e Time/Day Stamp @ One Touch wr 518g\"SUGG. RET. $269.00 e@ Alphanumeric Playback of Insured Shipping $15.00 LCD Control Panel Messages ORDER # V1190 4000 MODEL #1330 * SUGG. RET. $169.99 YOUR $' 95 cost 79 Insured Shipping $9.00 ORDER # V1190 1330 QUADRATECH Video Cassette CD AUTO CLEANER Rewinder FM Antenna Booster e@ One Touch Cleaning e Rewind or Fast Forward e@ Auto Stop When Clean The CL200 is an indoor ® e Auto Power Off e Runs From AC-Batteries © Correct Radial Cleaning antenna which amplifies e Soft Eject signals 12 times before they e Digital Counter SUGG. RET. $59.99 reach your FM receiver. SUGG. RET. $59.99 YOUR 529* cost perl ott omer YOUR $99\" Insured Shipping $6.50 receives sig a COST ORDER # V1190 3000 Insured Shipping $6.50 directions. ORDER #V1190 3400 QRAUDAARDRATECH er a gi a Shipping $6.50 DETECTOR CosT ORDER # V1190 0066 © High Sensitivity Long Range Detection rey Moeet PHONE, | SlashWMS-PRO Wireless Mic . pile ihlh abit @ Maximum Range While ) CORDLESS Discriminating Between Hand-Held] Radar Signals and False Clarity Plus™ Sound @ Monitor Earphone Eliminates Static e Receiver Comes With Signals H©an1d0sCehatnnels Select From pebilde| ‘a Belt-Clip, Velcro and Shoe , ©. CRoonttarroyl Type Sensitivity '@ Pager And Intercom - RET. . Mount Sports Car Style e Complete Detection, Over '@ Remembers 9 Numbers a Ve hol | 36” SUGG. RET. $150.00 SUGG. RET. $149.95 Hill and Around Corners ¢ Use Up To7 Days Without SUGG hg $279.00 Order # V1190 8000 WMS-100 [not shown] $89. 99 et S79\" Recharge = Ygyp seg gugngs SCG: AER aread Eee cost ° Saaavarphone In Base 1 66 Insured shipping ea. $7.00 nesellShipping $9.50 ed ae essmodehi napintast00 © Digital Security System ORDER # V1190 5500 $97.99 ORDER casi aun0s AZDEN r ALPINE reserves the rigtholtimit ORDER NOW 24 HOUR SERVICE Mail Orders accepted send to: ALPINE PROMOTIONS quantities ordered . . . Sales tax 1 -§00- 358- ated | > ft charged where applicable. . . P.O. Box 191 Edgewater, NJ 07020 No COD’s accepted. CNJASRH,ESICDHEENCTKS OARDDM.70°.% OSNALLYES TAX ‘Asercore — ecnenia’ ‘MasterCard | | ans Rel: OES | | Meee Sta EY For additional information, circle No. 142 on Reader Service Card.

Dey apie 5gete PTA. AY [WHOSAYS2ina* oy MeL? THE WMS-a PIRSOTHEBESTWIRELESS MIC? Pia PE ____ READER FORUM _Rate ]| wees Typ pless Pile AYSTE A Japan. My Sony SL-HFR70 has operated T wave, ut Work without breaking down for many years fet fr and still delivers better video quality [Ace Fe. Se Eg than my VHS VCR, which cost four we Wee times the price of the Beta. Where my Sony falls short is in programming and channel-setting convenience, areas in which the VHS camp excels. It appears that the 15th Anniversary VCR ad- dresses these problems. I cannot say that price is no object in my lust to possess such a machine, but I can say that were it priced competitively, my next VCR purchase would not be VHS. Gene Frazier Ballwin, Missouri 147 New Hyde Park Road, Franklin Square, NY 11010 (516) 328-7500 I urge Sony to release the 15th Anniver- Distributed in Canada by OPTEX CORPORATION sary Beta VCR in the U.S. I have been a “S[‘JQBJUUO}DPO/4NO/IUPHOADODOJDHEUE/WYSPJOPJDU] Beta owner for many years, and have preferred Beta when I record TV pro- grams because | almost cannot tell that my tapes are TV programs. I also own a laserdisc player and play movies back on a 32-inch Toshiba monitor. I expect quality video. But let's face facts: if the Anniversa- ry machine is priced above what a good Super VHS VCR would cost, I will throw in the towel and go to S-VHS. If Sony has the wisdom to price this unit at a fair and justifiable level, I would be a serious prospective buyer. Jim Grigsby Brentwood, Tennessee Own your own “ee Please consider bringing in the 15th An- niversary Beta VCR. Super VHS cer- Video Photography Service tainly doesn’t have the market wrapped up yet in the U.S., and is just starting to edcohUCo(-Me- MmTal(e [l= Mava(o(-toMm olaley colele-le)alme--1all(ex-ia (ola bring out features that Beta machines have had for some time: dual flying erase e Conventions Pia (-XeLelfale -w-lare Moyial-Tae-telell-]| heads, quick-load mechanisms, multi- speed play, high-speed scan and so on. Oi ai-t-110) ¢-] functions While the Anniversary VCR is not ED Beta, it offers the BI-S Super High-Band | Cy Navel dal-\\\\s-) e Convert home, school, and format, which some videophiles feel sur- | e Insurance inventories Tate RUt=a¢at-] Masten’ (-t-imComm ULe(-(olm t-]ol-) passes S-VHS and approaches ED Beta | The No. 1 growth business of the 90’s. As featured in in color purity if not resolution. Entrepreneur, USA Today and Venture, VDS is the largest video James Lenaburg | taping and film to tape transfer service in the U.S. Keller, Texas | Our complete package includes all equipment, live classroom | I have owned Sony Beta VCRs for 15 training, field assistance, sales brochures, direct mail letters, years, and I feel Beta has had an unfair | comprehensive marketing program and much more. Can be shake from VHS. Between my son (who | started on a part-time basis. Ideal as family business. Complete has my old SL-2300, which is still going | fey-You.¢-[e(- Ms ho)oo]©Mmm@t-1| Mm(ola lalcelguat-td(e)p imof-(el.¢-(e|-mm ale) Am) amg(=) strong), my step daughter and myself, | foriVtare mmat-taat-yur-\\e(0]q=\\-\\sym 0)alo)al= mmalelanlol-1¢ we have three Beta VCRs. Two years ago I invested in Super VHS with JVC’s VineEo DATA SERVICES. HRS-7000U and, although I do most of my taping in S-VHS, I still rent movies 24 Grove Street, Dept. V and timeshift in Beta. I would love to Pittsford, NY 14534 see Sony come out with a VCR like my 800-836-9461 (24 hours) SL-HF400, only with a clear still frame, 320-line resolution and a 2-week/8- event timer. David Derosier | Racine, Wisconsin e|

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a NEW PRODUCTSEDITED BY BRIAN CLARK Pay Hl yetaouie SPECIALISTS FOR MORE INFO: CONVENIENT FAX # (201) 696-6531 (201) 633-1476 WE WILL MATCH OR BEAT ANY LEGITIMATE PRICE TOLL FREE:.... 1 (800) 444-6300 FBAESSTT SPERRIVCIECSE! aCHINON C8-SC98 .oleae CALL Panasonic mixer offers flexible effects CHINON CV-1246 The Panasonic WJ-AVE5 digital audio/video mixer offers a great variety of digital BL DIGITAL12:E1FF1ZEL0CU0TXSM, special effects, including still frame, strobe, mosaic and paint. Ninety-six different wipes are available in a number of colors and shapes, and a picture-in-picture fea- CALL ture allows a complete image to be used in a rectangular wipe. Wipe size is adjust- CHINON CV-Té4 able, as is placement of the image. The color and speed of fades can also be controlled. A digital synchronizer permits mixing of Y/C signals with any other 2LUX video source and the unit’s audio mixer has three stereo inputs and a microphone input. Price: $1,800. For additional information, circle No. 153 on Reader Service Card. We ship within 24 hours. New features for Mitsubishi receiver All prices quoted include manufacturer's standard accessories & U.S. Warranty. All units are factory Mitsubishi’s M-R8010 audio/video receiver is its first to include Dolby Pro-Logic sealed. We are an AUTHORIZED DEALER for ALL surround sound, onscreen menu displays and a programmable remote. The sur- NAME BRANDS WE SELL! 10 DAY EXCHANGE. round sound feature has presets for hall, club and arena. The onscreen menus help a user calibrate the surround and variable delay settings, as well as preset AM and S & HNON-REFUNDABLE! FM stations. There are onscreen displays of all functions. The programmable re- mote controls up to eight audio or video components, and a record selector feature 30 VIDEO NOVEMBER 1990 allows the recording of one audio or video source while listening to or viewing a second. The unit has six A/V inputs. Price: $1,399. For adgitional information, circle No. 154 on Reader Service Card.

Haaiaoute SPECIALISTS FORMORE INFO: CONVENIENT FAX # (201) 696-6531 (201) 633-1476 WE WILL MATCH OR BEAT ANY LEGITIMATE PRICE TOLL FREE:.... 1 (800) 444-6300 FAST SERVICE BEST PRICES! Sharp announces affordable A/V receiver ‘9 viWEDAEREOANICS Sharp's SA-R56AV audio/video stereo receiver has two video inputs and two video © 16 WIPES BY COMBINING 5 BASIC PATTERNS outputs. Other inputs are for turntables, audiotape decks and CD players, with a © COLOR BALANCING w/JOYSTICK CONTROLLER set of record out plugs for audiotape. The unit uses a 65-key remote control, and © 8 BACKGROUND COLORS, PLUS features an AM/FM tuner with 30 station presets, a five-band equalizer and a six- function selector. Audio features include surround sound capability and X-bass cir- COLOR BAR CHART cuitry, which raises bass output to enhance lower frequencies. The SA-R56AV de- livers 55 watts per channel. © COMPATIBLE w/SUPER VHS & 8mm HI-BAND Price: $349.95. For additional information, circle No. 155 on Reader Service Card. @ VIDEO ENHANCER « INDEPENDENT A/V FADERS JIX-SV55 Prism adds 45-inch eeligs projection TV © CGHEANREARCATTEORR The PTM-4597S 45-inch projection TV © 6-SPEED VERTICAL Vv is the newest entry in Panasonic’s Prism & TYPEWRITER SCROLLING CGV60 line. Surround sound capability, SAP @ TITLE ZOOMING and dbx noise reduction highlight the audio features, along with an onscreen © 8-PAGE MEMORY seven-band graphic equalizer and vari- able audio output jacks. A dynamic fo- 200 CUTS — 100 SCENES. cus circuit continuously adjusts the @ ACCURATE TO WITHIN 3 FRAMES voltage between the center and edge of ® AUDIO MIXING INCLUDING a picture that is produced from an a- spherical hybrid lens system. Other pic- FADE IN/OUT ture features include comb and notch @ COMPATIBLE w/VHS, BETA, filters, an S-video input jack and two A/V inputs. A channel search feature 8mm, SUPER-VHS freezes frames from three channels. ® 6 VIDEO INPUTS/ Price: $2,699.95. 3 OUTPUTS For additional information, circle No. 156 on Reader Service Card. Zenith camcorder packs booster battery © TOP OF THE LINE © VHF WIRELESS SYSTEM A dual battery system allows Zenith’s VM7170 VHS pum @ 1500 ft. RANGE camcorder to run without interruption for up to three ® © COMES W/2 MICROPHONES. hours. The f/1.4 lens has a 8:1 power zoom and pro- ‘Sai PRICES ALWAYS COMPETITIVE duces 330 lines of resolution using a half-inch, 270,000- ® (eo) === = coon pixel CCD image sensor. The 7170 has a 3-lux ee light rating. Editing features include a flying erase We ship within 24 hours. head, zero frame editing, picture search and a back- All prices quoted include manufacturer's standard ground music input that automatically balances a mix with the main audio. Iris and backlight compensa- accessories & U.S. Warranty. All units are factory tion are automatic or can be preset. Other fea- tures include HQ circuitry for sharper sealed. We are an AUTHORIZED DEALER for ALL images, digital title memory, a DC light adapter and a built-in speaker. NAME BRANDS WE SELL! 10 DAY EXCHANGE. Price: not available. S & H NON-REFUNDABLE! For additional information, circle No. 157 on Reader Service Card.

Kha giteouite SPECIALISTS FORMORE INFO: CONVENIENT FAX # (201) 696-6531 (201) 633-1476 WE WILL MATCH OR BEAT ANY LEGITIMATE PRICE TOLL FREE:.... 1 (800) 444-6300 FAST SERVICEES.I! VHS: Eight-segment assembler automates editin Pentax camcorder employs fuzzy logic chores, placing desired scenes in any order. H Circuitry and digital auto- The PV-EMIO0A 8mm camcorder from Pentax employs fuzzy logic focusing tech- tracking ensure quality video nology. Its f/2 lens, with 6x power zoom, relies on a 270,000-pixel CCD image sen- and fuss-free playback. sor and delivers images down to 4 lux. Editing features include a flying erase head, audio/video fade to white, scene search and eight-color reversible titling. The PV- S-VHS: Feature-laden deck offers the utmost in EMIOOA weighs 1.75 pounds. scene-finding convenience. Full-featured remote with display dupli- Price: $1,299. cates on-screen programming capabilities. For additional information, circle No. 158 on Reader Service Card. S-VHS: Automatic assemble and insert editing with Yamaha combi deck delivers high resolution eight-scene memory and preview mode for editing ease. Video-on-sound feature Yamaha's CDV-1700 combi player produces 440 lines of resolution and a signal-to- dubs video over prernonreee hi- noise ratio of 48 decibels. The unit uses 8x oversampling and 18-bit twin digital-to- fi tracks. analog converters. An S-video output assures the best possible picture. The quick index feature scans CAV discs at a selected speed, while five-minute quick search S-VHS: Title/date recording adds personal (which jumps in either direction) is employed for CLV discs. touch. Bargraph-style “tape time remaining” display eliminates recording Price: $699. surprises. Synchro-edit feature simplifies dubbing. For adgaitional information, circle No. 159 on Reader Service Card. oyVHS: Optical scanner digitizes graphics for Hitachi fields full-size camcorder ee reaiion Other digital tricks include Hitachi’s VM-5300A VHS camcorder has a programmable r correction, fades, wipes, negative/positive, titles, and synchro edit feature that transfers any six scenes onto a noise reduction. second recorder. The f/1.4 lens has a 10:1 variable-speed PRICES ALWAYS COMPETITIVE zoom, and uses Hitachi's Accu-Shot AX automatic We ship within 24 hours. All prices quoted include manufacturer's standard exposure system. The low light rating is 2 lux. Editing _ accessories & U.S. Warranty. All units are factory sealed. We are an AUTHORIZED DEALER for ALL features include a flying erase head, scene search, gS NAME BRANDS WE SELL! 10 DAY EXCHANGE. mic mixing and A/V dubbing. Other features S & H NON-REFUNDABLE! include a two-hour battery pack, a variable- speed shutter, a cordless movie light and a character generator that superimposes. Price: $1,199.95. For additional information, circle No. 160 on Reader Service Card.

Make your next video soar to even greater heights. With the Panasonic® AQ®1960 SVHS Editing VCR. By bringing € exceptional resolution of SVHS anda host of professional editing capabilities to your table. For starters, the AG-1960 SVHS Editing VCK delivers over 400 lines of resolution. And it’s upwardly compatible with VHS. But that’s not all that makes it so special. Because the AG-1960 lets you arrange videos into any sequence you desire. With professional editing capabilities like insert and assembly editing, and audio dubbing when coupled with a Panasonic AG-A95 Editing Controller. To speed up the editing process, the AG-1960 incorporates a jog/shuttle dial, auto digital tracking and an innovative High Response Mechanism. Which dramatically reduces its fast forward and rewind times. And brings up images from “stop” in less than three seconds. So if you're ready to do more than just play and record, put a Panasonic AG-1960 SVHS Editing VCR on your table. For more information, see your Panasonic Professional/Industrial Video Dealer, or call: Eastern Zone: (201) 348-7620 Central Zone: (708) 981-4826 Southern Zone: Dallas Region: (817) 685-1117 Atlanta Region: (404) 717-6841 Western Zone: Seattle Region: (206) 285-8883 Los Angeles Region: (714) 373-7275 Panasonic Professional/Industrial Video For additional information, circle No, 111 on Reader Service Card. i4

STATE OF THE ART Developed BY RODERICK WOODCOCK almost always the case when the same especially for VCR that records a tape is later used to Snap judgments play it. ‘top-drawer' camcorders with large aperture and high power zoom, fl I bought a Solidex VHS tape re- Tapes made on other VCRs, rental these superb lenses are composed of “winder for about $15 and used it to tapes, or tapes that have stretched or rewind a lot of tapes without any trou- shrunken due to poor storage and han- expensive, rare-earth, optical glasses and dling (rental tapes left to cook in hot made possible by the use of sophisticated ble. But when some tapes get to the end, cars are prime candidates) have their computer design with state-of-the-art the plastic leader snaps. Should I con- video tracks altered, with the result that production techniques. Your high quality tinue to use the rewinder? the heads in the VCR can’t play them camcorder deserves the best - correctly. If the tracks are shorter than RAYNOX High Definition lens series. Mike Anderson they’re supposed to be, the picture Kingsburg, California bends to the right, while longer than normal tracks cause the picture to bend I've discovered that the clear lead- to the left. ers on some tapes tend to become brittle as they age. An easy way to lessen Sometimes, this picture skewing isn’t the chance of snapping the leader is to always visible on the TV, especially if the slow down the rewinder motor. You can set is a newer model with circuitry that do this by replacing the 12-volt AC can correct for minor misalignments. adapter (included with most rewinders) But with older VCRs and/or poorly with a 9-volt adapter. Radio Shack offers maintained tapes, there’s not much that one with several plugs and reversible tip can be done. To determine whether your polarity, which should work for almost equipment or the videotape itself is the any rewinder. The rewinder will work culprit, try the tape with a different TV more slowly, but it will be less likely to set or VCR. If the bands disappear, con- snap leaders. sider getting new gear. Lost generations HD747-W Wide angle gives around Curing the bends f What would deliver the best result: 50% more of your subject in the frame - without moving back. When I play some of my VHS tapes, “ (1) editing 8mm camcorder tapes to the upper right side of the picture an 8mm VCR, then copying the edited HD747-T Tele increases image size by bends to the right. What causes this and tape to VHS, or (2) editing the cam- 50% - like being nearer without your how can it be corrected? corder tapes directly to a VHS deck? moving a step. HD747-T2 Super-tele Vasil Jovahovic Sebastian Caputo ‘halves' the apparent Ridgewood, New York Palm Harbor, Florida distance to your _ Picture bending at the top of the If you’re producing a single, edited subject, doubling the \"screen, to the left or the right, is an | VHS copy of your 8mm tapes, op- ; image size. indication of a mismatch between the tion two is the way to go, since the tape diagonal video tracks recorded on the that results will be only one generation Having a 52mm tape and the rotating video heads that away from the original. thread, the lenses fit play them back. Ideally, the heads should be perfectly aligned with the If you're copying the edited master direct onto most tracks, so that the center of the head to give away, though, both options will camcorders. Adapters traverses the center of the track. This is work equally well, because both produce third-generation VHS tapes. The 8mm- to 49mm and 55mm Video Magazine welcomes your questions. to-8mm route may provide a slight in- are included, along Please include a phone number, but not a crease in quality over 8mm to VHS, but with a sturdy case. return envelope as the volume of mail does it’s a subtle difference. Also, unless you not permit replies. All letters may be edited purchase an 8mm VCR with PCM au- “JESOUS\"[s‘OUZO/ONPjO4PDUIAWDDOJODHEOUJYSWPOPJDDUisYtributed in the USA 10490 W.164th Place for clarity and space. Address queries to Q dio, you won't be able to perform audio by Orland Park Ill 60462 & A, Video Magazine, 460 West 34 Street, dubs, which many VHS machines can. New York, NY 10001. | Outside Illinois Phone Editing 8mm originals to Hi8 or Sup- er VHS produces a higher-quality edited a (800) 323-1107 master and better distribution copies, In Ill.Phone (708) 349-1570 but adds to the price of your studio. » Facsimile(708) 349-1559 Raynox is the Registered Trade Mark of Yoshida Industry Co Ltd Tokyo Japan



c8-SC98s DIGITAL POWER For those who want digital For a punchier look, try effects teamed with the extra “diamond mosaic’’—it power of an 8X zoom, the frames the picture with a C8-SC98 is the Pocket 8 to multitude of tiles—or pick. “square stripe” which uses an Its 8-way digital fades give overlay of square bars to you an incredible creative achieve a professional and in- tool to work with—right as you tape. Basic fade-to-white novative scene transition. is spiced up with the addition of a “random” feature that The addition of a freeze step-by-step pixelates the key lets you stop seven of screen, until it seems to be covered by snowfall. A these fade effects at select- center-framing “diamond” able stages—creating, in ef pattern fades in or out with either a crisp, sharp edge ora fect, framed moving images soft, almost fuzzy border that that can be an invaluable ad- dition to any home video can put extra visual emotion album. in your videography. Or you But don't get the C8-SC98 can choose the same effects for the digital effects alone; with a square frame. even without a single effect, this camcorder delivers all the picture brilliance of the 8mm format teamed with the best imaging technology has to offer. CREATIVE DIGITAL SPECIAL EFFECTS POWER Viewfinder Menu Display \"The C8-SC98 features eight digital fade effects NORMAL for professional scene transitions, openings and closings. « A freeze frame function added to the fades lets you create artistically framed images for a video album. *An 8X zoom with auto focus even in macro in- creases both your range and creative versatility. \"The C8-SC98 comes with Pocket 8 technol- ogy: high-speed shutter settings, ultra-precise auto white balance and optional manual focus for totally selective focus control—even a tilting viewfinder for a ground level perspective. DIAMOND HARD DIAMOND SOFT

C8-SC96 No consideration is more to remember the action, not important in home video the camcorder. than the way your shoots look. No matter how mo- New imaging technology mentous the event—be it has made the Pocket 8 possi- baby’s first steps or his high ble. As the complex mecha- school graduation—videos nisms that control TTL au- that are fuzzy, jittery or just tofocus get smaller and move plain out of focus are videos closer to the aperture, they youll soon stop watching. can achieve quick, nearly broadcast-standard focus Chinons C8-SC96 is de- changes with a minimum of signed to make video look its best. Not only does it process movement. Meanwhile, the the picture to the demanding specifications of Pocket 8 addition of a tiny but power technology, it is built to cap- ful flying erase head makes ture the action even when sure your focus won't be dis- youre a part of it and not just rupted by noisy scene-to- standing at the sidelines. scene cuts. Easy to hold, tiny and ADB LS) Aen light, driven by deceptively simple menus through a It’s Pocket 8 technology viewfinder (a viewfinder you streamlined so you can live can tilt, may we add)—this is one machine that doesn't the moment and know your stand between you and the moment. After all, you want pictures will come out right. SUPER CONVENIENCE ~— Facts AtA Glance « Incredibly lightweight — weighs _ only 3.8 ounces. «Flying erase head for noiseless scene transi- tions and edits. »Viewfinder menu. for selecting gain control, high speed shutter speeds and white balance. « Automatic power shut off conserves battery power. » One hour battery weighs only 5.2 ounces. « Rapid one hour battery recharging. «One button control for simple, rapid battery removal.

THE MEMORY MAKERS Pocket 8 is Chinon’s high- the C8-SC96. It’s knowing tech, ultra-compact answer that youre using a camcorder to today’s home videotaping built to the most exacting needs. Whether you're re- cording your family’s most specifications by an industry memorable moments at leader in photo optics and home or on the road, these imaging, resulting in crystal streamlined camcorders clear picture reproduction serve up the convenience you of your most treasured need and the quality your moments. memories demand. The science behind this What makes the Pocket 8 line so special? It’s more than oraitrencmetararesleeamoceans luciana etcmelehelatecemeltete) mac fects and 8X zoom on the at the imaging chip, an often C8-SC98, and more than neglected but all-important the unparalleled simplicity revi ame)amma(0(cro mmccxelovaT@)(Osa \\2 and point-and-shoot ease of @attoemercmoncicoccemrare| designed a Ys-inch CCD with 250,000 pixels in both its Pocket 8 models—and it is this tiny silicon element that generates nearly 500 stun- = The 8mm format offers the ultimate in 250,000 pixels of picture information video artist in you, and make sure you compact camera design while delivering provide almost 500 lines of horizontal always get the best possible picture. uncompromised picture clarity, color ac- resolution—a difference you'll notice. curacy and quality. = Pocket 8 camcorders come with every- » Pocket 8 camcorders are designed with thing you need to go out and shoot vid- * The Pocket 8 line has the right model for the user in mind. In-viewfinder displays eos. Standard accessories include an you. For advanced digital effects and a let you program camera right through AC adapter, a battery pack, an RF more powerful zoom, the C8-SC98 fits the viewfinder—a viewfinder that tilts a adapter and all the cables for playback the bill. If point-and-shoot convenience is full S90 degrees. That and conveniently- through any TV set. Other accessories more what you need, try the C8-SC9B6. placed controls show Chinons commit- include a carrying case and car battery ment to ease of use. cord. «For easy portability, these models are incredibly lightweight. Both weigh under = Extra perks like selectable high speed » An investment in Pocket 8 is protected. 26 ounces, which eliminates the aches shutters and manual overrides on fully- With a unique Double Protection War- and hassles from carrying and shooting. automatic functions such as white bal- ranty, Chinon puts its money where its ance and light sensitivity indulge the mouth is. \"High end CCD imaging chips with

COMPACT 8MM CAMCORDER ning lines of horizontal reso- Further convenience perks lution. Teamed with auto- include a moveable view- focus, low light taping finder with menus displayed capabilities and automatic right inside—a sort of in- white balance and iris, this CCD is part and parcel of the camera instruction manual Pocket 8's superlative picture that makes operation a playback capability. breeze. Otherwise, every- But you won't be thinking thing you need is right in about chips and irises when front of you; standard in- youre shooting with a Pocket viewfinder information dis- 8. In fact, you won't be think- plays include recording sta- ing about anything but the action in front of you—hbe it tus, battery and dew warn- a birthday, Christmas or Chanukah or the smile on a ings, shutter speed, gain, June bride. white balance, and tape end- These ultra-lightweight ing. If you're using the digital units (both weigh under 26 oz.) offer one-touch opera- C8-SC98, all the info on its tion for all vital operating advanced wipes and fades are in the viewfinder too (read features, with buttons conve- all about these digital effects niently laid out along the side on the next page). panel for easy access. As a result, the action doesn't stop The bottom line is this: when youre in the midst of because you don’t have to fumble with controls and the action, you want to focus mechanisms. With Pocket 8, on having fun with your fam- you won't miss a moment. ily and friends—and let the camera focus on the details. 0. ff HIGH SPEED Pocket 8 was designed with a / FLYINEGLECETRROAMISCE HEADSHUTTER keen eye for ergonomics. The system's macro autofocus lens (with 8X zoom on the C8- SC98 and 6X on the C8- SC96) features an inner focus optical system that is quicker to respond and signif icantly more accurate than many others on the market—right down to the front lens element. The end result? Clear, brilliant memories preserved in such a way that you'll want to watch them again and again—which, after all, was the point to begin with. Don’t you wish your parents had one when you were a kid?

EZ MOVIE / DIGITAL IV It’s called the CV-T124, but fade out give transitions as better known as the EZ seamless as they are Movie Digital IV. It’s Chi- non’s super-luxurious, interesting. cutting-edge VHS video For effects, try “digital mir- camcorder. ror image’ —it records a sym- Consider its zoom power: metrical image of the left half of the picture onto the A 12X optical zoom en- right. Teamed with a digital hanced by a two stage, digital 96X zoom tops off an A/V strobe, it’s really something package that includes a to see. And if you freeze a 7-speed adjustable shutter, full audio and video dubbing frame, your audio will keep and an optional 72-symbol rolling. character generator that of fers four sizes eight pages of The Digital IV is also a memory. complete editing studio (consider automatic edit The Digital IV is every- standby and camera search thing you need to make that lets you find scenes professional-quality home videos. And it’s all fine- while in recording mode, for tuned with two-stage elec- example). These features tronic image stabilization. complement luxuries like In the field, tools like a time lapse recording and an built-in speaker with volume integral self-timer. control, a camcorder- powered cordless enhance- The Chinon CV-1124 EZ ment light and remote con- Movie/Digital IV is one tool that takes home video making trol make sure youre always as seriously as you do. prepared. Meanwhile, black, white and mosaic fade in/ DIGITAL IV QUICK TAKES Facts At A Glance = The Digital IV's two- stage digital zoom ex- pands the standard tele-photo 90mm focal length by 30X and 96X, respectively. * The built-in speaker can save a shoot: if the audio didn't pick up right, you know on the spot. « The Digital IV has unique adctons like a stop watch function (that can be recorded or added in edit- ing), and a manual iris for precision artistic control. onOITEe AT

Whether it’s the CV-T84 EZ Movie or the CV-T73 EZ Movie/Digital III], Chinon VHS videomakers offer ex- tras like color enhancement lights, A/V dubbing and synchro editing to an already advanced assembly. i A SE a See EZ-MOVIE CV-T73 The CV-T84’s auto focus, iris, and white balance com- bined with its two-lux low- light capability and an ad- justable, high-speed shutter make sure your shots are al- ways their best. And the Dig- ital III adds in three-way pic- 12X ZOOM COMPARISON ABOVE When you carry a Chinon EZ EZ-MOVIE CV-T84 MOVIE camcorder into the THE DIGITAL 96X ZOOM COULD ACTUALLY field, youll have what you ture fade, six-way digital ENLARGE AND ZERO IN ON THE PUPIL OF need when you need it. image mix and digital strobe. THE SUBJECT’S EYE. Quality audio starts from the Both camcorders offer moment the sound waves hit the high-end creative tools like microphone (where sensitivity self timer and time lapse can be adjusted and wind recording. noise can be deterred) and doesn’t end until you’ve They give you a battery of tweaked it to perfection. options in an easy-to-use, Attention to video begins with a precision-crafted lens, fully-loaded VHS package. and pictures are immaculately No wonder equipment re- handled by high-tech compo- viewers are raving. nents from a system autofocus to four recording heads. And while you're watching the final product, automatic tracking keeps signals perfectly in line.

LET’S GET TOGETHER... y= pocker ES CSDIHGIITNAOLN POCKET 8 C8-SC98 POCKET 8 C8-SC96 | CV-T124 DIGITAL IV CV-T73 DIGITAL Ill CHINONCV-T84 FOR THE NAME OF YOUR NEAREST DEALER | CALL TOLL FREE 1-800-345-CHINON CHINON AMERICA, INC. - 1065 BRISTOL RD. MOUNTAINSIDE, N.J. 07092 (908) 654-0404

OPEGIAl REPORT Hi8 and Flyaway feed a Mideast hotline BY ROBERT ANGUS When President Bush launched Opera- tion Desert Shield, the banner under which tens of thousands of troops, armed with conventional weapons, were FLYAWAY rushed to Saudi Arabia’s defense, a cou- ple of thousand television correspon- dents followed. But some network news troopers were armed, by broadcast stan- dards, with very unconventional weap- on—sHi8 camcorders and VCRs. Remarkably, many of the video jour- nalists covering the Iraq confrontation rely on a marriage between space-age electronics and the type of video compo- nents available to ordinary video buffs. If the practice proves successf—uals it al- ready appears to be —it could signifi- cantly change the way TV reporters cover dangerous, fast-breaking events. CNN, once again, is taking the point position. The network pioneered the use As It Happens: A CNN reporter prepares to go live, a Flyaway feed begins, and an Iraqi spokesman. of Hi8 for TV news-gathering during the Tiananmen Square massacre. CNN had age. CNN also uses live interviews and erything back to Atlanta in raw form, just given its crews in Beijing Hi8 gear correspondent reports from its base at a when the student demonstrations broke hotel in Amman, Jordan. It draws as and the editing is done here,” Hoff told out. Reporters quickly discovered that well on appearances by Saddam Hussein large professional cameras stood out— us during one particularly hectic day. while tiny hand-held camcorders could and other leaders in the region, which it pass for tourist toys. records from terrestrial broadcasts or “But because Jordan charges extremely from Arabsat, the Arab-owned satellite Yet their quality was virtually indis- that services the region. high rates, we decided to do the editing tinguishable from that produced by pro- level Betacams, according to CNN’s To get the programming back to in Jordan.” Charlie Hoff, who is in charge of han- headquarters in Atlanta, CNN has dling the network’s logistics in the Mid- equipped its Middle East contingent Even as Hoff spoke, the sounds ofor- dle East. Now, more than a year later, with another marvel of miniaturization, a satellite uplink station known as a Fly- ganized chaos permeated CNN’s Atlan- CNN has 61 four-person crews in the away. The system, which includes a Middle Eas—tand most have Hi8 equip- seven-foot satellite dish, ships in 16 bags ta control room: News developments ment. as accompanicd airline luggage. It can be assembled by two people in just over were breaking from Kennebunkport to A story Hoff likes to tell about a ri- val correspondent, ABC’s Forrest Saw- an hour, but in this case a week passed Cairo. Critical decisions were being yer, brings home the value of the small before Jordanian authorities permitted camcorders. Coming down to breakfast CNN to unpack the Flyaway and set it made on the run. And a CNN crew was on his first morning in Baghdad, while up on the hotel’s roof. travel in and out of Iraq by Americans struggling to set up a second Flyaway in was still possible, Sawyer was startled to Meanwhile, CNN technicians used find the hotel lobby full of armed troops. the time to set up a full-scale Beta and the Saudi desert. 8mm editing studio, a facility that’s not Sawyer doffed his tie, swung his Hi8 usually needed, in a suite downstairs. Hoff says that CNN is constantly on camcorder case onto his hip and played “Wherever Flyaway operates, we have the part of tourist. to pay that government’s telecom- the lookout for good Middle East foot- munications department for uplink time Footage shot in the field makes up to the satellite. Normally, we send ev- age shot by amateurs, but hadn’t been only a part of CNN’s Middle East cover- offered any by presstime. “Most of the people who escaped were more intent on getting out than shooting home mov- ies.” The one really dramatic amateur video to come out of Kuwa—sihotwing Iraqi troops looting homes and anti-Iraqi graffiti on walls and bridges—was shot by a freelancer who sold it to one of CNN’s competitors for $25,000. “He’s probably kicking himself now,” Hoff chuckles. “We would have offered a lot more.” a mt SPBCRHCLIORAATERNOEKSN: NOVEMBER 1990 VIDEO 43

VIDEOTESTS VIDEOTEST NUMBER 560 Toshiba 32-inch monitor/receiver Toshiba's CF3264K is one of the least expensive 32-inch monitors. As with other large Toshibas in this year’s lineup, the screen captions may be switched from English to Spanish or French. Toshiba's emphasis on simplicity and clean lines lends the large set a compact, handsome appearance. Its other features include picture-in- picture (PIP) and a remote control that can operate certain VCRs, laserdisc players and cable boxes. A user can switch between two RF inputs and three video inputs, one of which may be S-vid- eo. There's also a loop-through output for a cable box. The Toshiba’s MTS/SAP tuner may . be switched to mono for weak or noisy TOSHIBA stations. Its audio capabilities include a ten-watt-per-channel stereo amplifier, jacks for external speakers, and a vari- able line out for feeding a hi-fi system. Outputs for video and fixed-level stereo audio can feed a VCR. Flesh tint com- pensation, video noise reduction, chan- Giant Economy Size: At $1,999, the CF3264K costs hundreds less than most other 32-inch TV sets, nel captioning, an onscreen clock, an off timer and picture adjustments for the and controls. The shiny black area be- up and down and channel up and down. | PIP round out the features package. tween the speakers contains the power The Toshiba’s deep top panel seems Description. The CF3264K is soft button and indicators for power, stereo perfect as a VCR shelf, although that’s a gray with a black stripe tube. The slim and SAP. The central part folds down to bad idea because of the picture tube’s bezel gives the set its compact look. The reveal buttons for menu, adjust up and magnetic field. An eight-inch-deep five-inch-high base houses the speakers down, reset, audio/video source, volume bulge covers the back of the picture Toshiba CF3264K DATA oval speakers cable/TV function 3, RCA-type pin jacks stereo, 10 watts per 32-inch TV Suggested Price: switch. programming in- channel $1,999 | Type of Tuning: dicator. control rocker S-Video input: TOSHIBA frequency synthesis and buttons for menu, 1—overrides video 1 Special Features: PVMLEIHOSDROESTOIOTLGELRSOATPHS: Weight: antenna 1/2, recall, input picture-in-picture (with 150 pounds Method of Tuning: power. mute. 10-digit controls for source, programmable up/down keypad. 100-channel Video/Stereo swap, still/release, loca- Dimensions: scan on set; scan plus return. volume and Audio Output: tion and contrast), 29-1/2 x 31-1/8 x direct access on remote channel up and down, 1—selected program, channel lock, flesh tint 22-7/8 inches (h/w/d) MTS, TV/video, timer/ fixed audio level compensation, video Broadcast Tuning clock. locate, VCR noise reduction Power Requirements: Range: channel up and down, Auxiliary Stereo 120 VAC, 60 Hz 2 to 13, 14 to 69 still/release, swap and Audio Output: Absent Features: source 1, variable-level tuner output, head- Power Consumption: Cable Tuning Range: phone jack 117 W 125 channels—2 to 13, RF Inputs: 2 External Speaker Con- A-8 to A-1. A to |, J to nectors: Accessories: Screen Size: W. AA to ZZ, AAA. RF Outputs: spring-loaded type remote control with bat- 32 inches BBB, 65 to 94 and 100 1, loop-through of teries and antenna to 125 ant. 1 input Internal Audio Ampli- transformer Speaker Size: fier Power: two—5-1/4 x 2-3/4-inch Remote Control: Video/Stereo Audio In- IR wireless with VCR/ puts: 44 VIDEO NOVEMBER 1990

tube. The set's design lets it fit deep into VIDEOTEST NUMBER 5 a corner. The rear jack set comprises two RF Sony stereo 8mminputs, a loop-through RF output, termi- nals for external speaker connectors, an camcorder| internal/external speaker switch, rows of video and stereo audio jacks for line in- Sony's CCD-TR7 is the first of the TR puts 1, 2 and 3, and selected output with subcompact line with stereo audio and a fixed stereo audio output suitable for an 8x zoom. Its AFM stereo is compati- recording. There is also a single S-video ble with monaural 8mm VCRs and cam- Top Transport: Sony's TR7 uses the same transport connector that overrides the video jack corders because it has a left-plus-right | for input 1, and a variable-level stereo mono track in the usual place between mechanism as last year’s best-selling TRS. the chroma and luma signals. Placement | audio output. of the second left-minus-right track is Sony added new features in addition Using one- or two-digit numerical standardized among brands, so the TR7 is also compatible with other 8mm AFM to stereo, such as a wind noise switch, | codes, an owner can program the re- stereo machines. an audio output selector that lets users mote control to operate a cable box and listen to stereo or either channel sep- a VCR or a laserdisc player in addition The 8x zoom lens provides a greater arately, and a second run/stop button telephoto range than the 6x lens on oth- under the electronic viewfinder for to the monitor. To prevent disappoint- shooting from a tripod. All these changes were made without increasing ment, check to see-if your devices are weight. And the TR7 comes in at $100 compatible. A three-position switch on less than the original price of the TRS. | the remote determines which device it er ITR-series camcorders, which we wel- | controls. The remote sports the usual come. But we hope future TRs extend Description. The TR7 forms a collection of buttons for TV operation, the wide-angle range for better coverage compact block with most controls on source selection, antenna switching, au- in close quarters. The TR7 boasts the same wide range the left, much like the TR5. The EVF dio mode and menus for picture, audio, swings from horizontal to vertical for language and channel programming. | of features as the original TR5 (“Video- low-angle shooting. When raised, it ex- Toshiba threw in a few more esoteric tests,” Sept. '89) —six shutter speeds up poses the secondary run/stop button and controls: timer/clock, and PIP source, to 1/4000-second,. auto and manual fo- the edit switch. Users must extend the swap, still/release, location and on/off. cus, auto/fixed white balance and hold, eyepiece before focusing the magnifier. Operation. From the remote, the a backlight compensator (BLC), a one- The large lower bulge at left houses monitor is very simple to use. The chan- page memory superimposer/titler with most of the camera section, with the nel program submenu controls channel eight colors and scroll, edit search, a programming, add/erase, TV/CATV LANC (control L) remote connector channel sequence switching, channel and date/time imprinting. However, the lockout (of up to four channels with a TR7’s controls are more logically group- four-digit code) and channel captioning. ed, and a door that covers the manual A submenu controls clock set, the off controls triggers the auto lock switch. timer, picture preference, reset, noise re- This reduces control clutter. | continued on page 52 RESULTS kHz. +0.3/-3 dB. down 19 dB at 20 Hz Horiz. Resolution: over 600 lines Audio S/N: 66.1 dB Snowiness; S/N, Lu- minance: Total Harmonic 54.1 dB Distortion: 0.9% Chroma AM S/N: RATINGS 53.7 dB Picture Quality: good/very good Chroma PM S/N: 51.6 dB Accuracy of Colors: Audio Quality: Smallest Stereo: good/very good good/very good The TR7 is the tiniest camcorder with AFM Audio Frequency Re- Operational Ease: stereo audio. sponse: good line out—20 Hz-20 kHz +0.2/-0.8 dB: speaker Overall Performance: terminals—100 Hz-20 good/very good NOVEMBER 1990 VIDEO 45

lens almost flush with the front of the ward to reveal an eject button. The cas- easy to operate. A user need worry body. The manual focus ring is exposed, sette hatch, which is part of the but its scale shows through a covered about the focus, the shutter speed, the window. Further back sits the manual handgrip, springs up and out for cassette white balance and BLC options only changing. when the auto’ lock compartment is zoom lever, the macro range lock at the open. When the door is shut, the cam- lever's tip, and the zoom scale. The left side of the top panel holds corder switches to full auto, but remem- the counter, a camera/playback power bers the manual settings. This way, the A sliding cover rides along the side switch with a safety, a forward/reverse of the bulge. When the cover is open, a edit search rocker, a spring-loaded slide user can call them up simply by opening user may select shutter speed, focus the compartment. mode, BLC and white balance mode. switch for record and buttons for stop, The camera bulge also holds buttons for rewind/search, play, fast forward/search, Like all autofocus systems on con- date and time, plus titler buttons for pause, counter reset and zero memory. sumer camcorders, the TR7’s is not per- memory, color/mode and superimpose The wind noise switch also sits on top, fect. Use the manual mode when the between grilles for the stereo mic. owner's manual recommends. Except for on/off. A switch for stereo/I/2 hi-fi sound the audio selector, edit switch and in- playback, jacks for LANC remote and The front of the camera is bare ex- put/output selector, all playback con- headphones, and the battery release cept for the mic grilles, the lens and the trols function like those on the simplest hide on the lower part of the body. fader activator. The rear has grooves for VCRs. The only additional function is the battery or an adapter, power con- On the right side, a strap runs tacts and loops for the strap. The bot- that during fast forward or rewind, around the user's hand. The thumb falls tom sports a tripod socket and a pressing the fast forward and rewind easily on the standby switch surrounding compartment for the clock/battery. buttons produces a picture at search the main run/stop button at the back, speed. Video and audio dubbing are not and the fingers curl over the zoom rock- Operation. Using the TR7 is possible with the TR7, but it makes fair- er at the top. A window reveals the cas- straightforward. To insert a cassette, re- ly accurate insert edits with occasional sette’s supply reel. Jacks for an external lease and raise the flap at the top, then glitches at the out point. Ease of opera- microphone, video, DC out and stereo press the eject button. To close the tion is very good to excellent. audio occupy the front of the right side. hatch, push the top front corner firmly, A switch nearby changes the video and but gently, then close the flap. Choose Performance. The TR7 has a hor- the camera or playback mode with the izontal resolution of 250 lines with an audio jacks from inputs to outputs. power switch. Only controls appropriate unweighted video signal-to-noise ratio A sliding catch releases the right to the chosen mode become active. of 43.5 decibels and a weighted video half of the top panel, which swings up- In camera mode, all controls prove continued on page 52 46 VIDEO NOVEMBER 1990

sony CCD-TR7 DATA 50 IRE Microphone: head. auto play speed Video S/N, Un- 8mm Camcorder stereo electret weighted: Suggested Price: Iris: auto with BLC condenser select. still frame, re- 43.5 dB $1,400 mote pause. separate Sensitivity: dacks: eject, visible fast for- Video at Weighted: Weight: single range video and stereo audio 49.8d 1.7 pounds without bat- (switchable—input or ward and rewind, insert tery or cassette Shutter Speeds: output). external mic, edit Chroma AM S/N: normal (1/60). 1/100, temote and head- 42.2 dB Dimensions: 1/250. 1/1.000, 1/2,000, phones Absent Features: 4-1/4 x 4-3/8 x 7-1/4 1/4000-sec. frame advance, slow Chroma PM SIN: inches (h/w/d) Tape Format: 8mm motion, speed play. re- 38.3 dB White Balance: Power Requirements: auto. switchable to Tape Speeds: mote control. audio Audio Frequency Re- 6-9 VDC hold, outdoor, indoor record—SP: sponse: play—SP, LP dub. video dub, auto 20 Hz-12 kHz. +0.1/-3 Power Consumption: Viewfinder: rewind, PCM digital au- dB, down 6.8 dB at 20 5.3 W EVF with LED record- Video Heads: 4 dio kHz ing light and onscreen Image Sensor: indicators for BLC, Cue & Review Accessories: Audio S/N: 1/2-inch CCD white balance mode, (Search): 7x 71.2 dB title mode, shutter supplied—worldwide AC Lens: speed, fader. low bat- Fast Forward/Rewind adapter. NP-55 60-min. Audio Distortion: 11.2. 8x (8.5-68 mm) tery. dew. autofocus on, Time: 03% Power zoom with macro macro range. tape approx. 8 min. for battery. RF adapter, range transport function, P6-120 with skip/scan RATINGS Clock battery. jack cov- Filter Diameter: counter. zero memory, Counter Digits: Picture Quality: 37mm 5—hrs:mins:secs. ers. step-up ring, stereo very good no tape and date/time A/V cable and shoulder Minimum Focusing Program Start Loca- Audio Quality: Distance: Viewfinder Controls: tor/Index/Cue: strap; optional—60, very good 4 feet without macro position. magnifier fo- zero memory 110. 120 and 150-min cus and brightness Operational Ease: Autofocus: Hi-Fi AFM Audio: batteries, adapter : very good/excellent TTL. switchable to VCR Controls: stereo manual Stop. rewind/search. chargers. DC pack, dry Overall Performance: play. fast forward/ Special Features: cell battery case. carry- very good/excellent Minimum Illumination: search. pause, and re- auto fade. flying erase tated—4 lux: mea- cord ing case. wide-angle sured—6.2 lux for conversion lens. tele conversion lens. filter kit. accessory shoe adapter and video light RESULTS Horizontal Resolution: | 250 lines VCR-2? ’Tis the season's best for holiday gift-giving. When making your holiday list, the gift you don't want to miss is VCR-2. The world’ first and only dual-deck VCR is loaded with featur—eyset it’s simple enough for everyone in the family to enjoy. Exclusive features like the Copy Tape” button let you duplicate your videotapes with a single touch. So that charming tape of the kids building their first snowman can be copied with ease and shared with relatives across the country. And the embarrassing scene of you slipping on the icy sidewalk can be edited out with the touch of a button. ) The unique Video Manual cassette makes learning to use the Dual-Deck System™ ) full-function © a ‘simple, too, so you can spend the day playing, not reading instructions. Anda ‘remote control means you dont have to leave your favorite chair to play or copy a tape, ~~ . tecord two TV shows at the same time, or operate any of the VCR-2’ other remarkable features. ~ Sowhen you’ making that list, check it twice. ..for the world’s first and only dual-deck VCR. This holiday season, give the VCR-2 to someone special. Like yourself. : For the name of your nearest authorized VCR-2 dealer, call the Go.-Video Holiday Hotline, 602-951-3963. TheNext Generation” 2 VCR-2 and Go-Video are registered trademarks and Copy Tape, Dual-Deck System, and A publicly traded American company. The Next Generation are trademarks of Go-Video, Inc. ©1990 Go-Video Inc., %4 14455 N. Hayden Rd. Suite 219, Scottsdale, AZ 85260-6949 For additional information, circle No. 25 on Reader Service Card. NOVEMBER 1990 VIDEO 47

VIDEOTESTS VIDEOTEST NUMBER 562 Canon stereo 8mm camcorder The EO6 is Canon's entry |@F=Tale) \"/=3(e) ae=: in the subcompact camcor- der sweepstakes. Although it is slightly larger than its competitors, it distinguishes it- self by offering stereo audio, re- mote control and both digital ‘ and character-based titles. Canon was the first to offer AFM stereo on an 8mm machine, and continues to offer Hand Canon: The small E06 features fuzzy logic circuits and comes with a remote control (below). T it on most 8mm camcorders. A rotating handgrip contains the be superimposed on a scene in any of This one records stereo signals from eight colors during taping. its built-in microphone or an external electronic viewfinder. Other attractive The EO6 also offers a cycle-through features include 1/500- and 1/1000-sec- mic, but not from its line input, which is character titler capable of two lines of 16 ond shutter speeds, auto/lock/fixed mono. Like mono 8mm audio, 8mm characters each centered about a third | white balance, autofocus switchable to stereo AFM is recorded by the video the way up the screen. It may be com- manual, a 6x power zoom and extensive | heads between the luma and the chroma bined with the time/date at the lower onscreen displays. Noticeably absent are | wsiig;tnhaolsu.t Itchias nigmipn:ogssitbhlee to alter the audio | video as well. right and the digital memory. Character manual zoom and focus rings. titles were in vogue a few years ago, but The EO6 is fairly simple and lacks | The EO6, like other most recent cycling through the whole character set some advanced features, but in most | 8mm camcorders, has a date/time im- to select each character proved tedious. cases you will neither need nor miss printer and a digital memory that stores However, the capability of generating them. This small camcorder is really a high-contrast image. This image may tidy titles as you go remains appealing. limited only by the user’s creativity. Canon E06 battery and cassette Sensitivity: Microphone: Hi-Fi AFM Audio: Video S/N, Un- 8mm Camcorder single range weighted: Dimensions: stereo electret condenser stereo 42.4 dB DATA 3-7/8 x 3-3/4 x 9-3/4 Auto Fade: inches (h/w/d) hold-down type Jacks: Special Features: Video S/N, Weighted: Suggested Price: stereo external mic, flying erase head, still 49 dB $1,549 Power Requirements: Shutter: headphones, video in/ frame, remote pause Weight: 1/1,000, 1/500-second out. mono audio in/out, (through remote), sepa- Chroma AM S/N: 6 VDC : and normal (1/60) stereo out and DC out rate eject, insert edit 40.3 dB 2.1 pounds without for RF adapter Power Consumption: White Balance: Absent Features: Chroma PM S/N: 8.1 W automatic with lock Tape Format: 8mm frame advance. slow 36.8 dB motion. speed play, vis- Image Sensor: Viewfinder: Tape Speed: SP ible fast forward and Audio Frequency Re- 1/2-inch CCD | EVF with onscreen indi- rewind, counter memo- sponse: Video Heads: 4 ry, program start 20 Hz-7 kHz, +0/-3 dB, Lens: cators for focus. focus locator/index/cue, audio down 10.2 dB at 20 1/1.8, 6x (9-54 mm) zone, white balance. Cue & Review dub, video dub, auto kHz power zoom high speed shutter, digi- (Search): rewind, digital PCM au- tal title. line recording, 7x forward, 5x reverse dio Audio S/N: 73.4 dB Filter Diameter: operating mode, tape 37mm counter. tape status, Fast Forward/Rewind | Accessories: Audio Distortion: battery warning. dew, Time: 0.4% Minimum Focusing date/time battery warn- 8 min. 20 sec. for remote control and bat- Distance: ing. title. time, date, P6-120 teries, battery pack, RATINGS 0.6 in. at wide angle, timer menu and timer lithium clock battery, 13 in. at telephoto status Remote: charge coupler, com- Picture Quality: IR wireless with buttons pact power adapter, RF average/good Autofocus: Viewfinder Controls: for start/stop. fade start/ unit, shoulder strap, piezo/CCD switchable magnifier focus and stop. counter reset. stereo cable and A/V Audio Quality: to powered manual grip/finder angle character title, date, re- cable average/good wind/search, play, fast Minimum Illumination: VCR Controls: forward/search, stop, RESULTS Operational Ease: tated—4 lux, mea- play. stop, fast forward/ still and zoom rocker good/very good sured—6.8 lux for 50 search, rewind/search IRE and record run/stop Counter Digits: Horizontal Resolution: Overall Performance: 5—hrs:mins:secs. 250 lines good Iris: auto 48 VIDEO NOVEMBER 1990

Description. The dark gray EO6 is been nice to have. In play mode, the slightly slimmer and longer than its doubled-up playback controls on the competitors. Its very useful handgrip ro- camera are a little awkward, but those tates 180 degrees, from straight up to on the remote are really convenient. straight down, for low- and high-angle shooting. The grip also houses the bat- Ease of operation is good to very good. tery, the run/stop button, the zoom Performance. The EO6 delivers rocker and a release that clicks in at spe- cific angles of rotation. 250 lines of horizontal resolution with an unweighted video signal-to-noise ra- The top of the camcorder is bare ex- tio of 42.4 decibels, and a weighted vid- cept for the top of the cassette hatch. The hatch pops out on the left side. A eo S/N of 49 dB. The chroma AM S/N is column next to the hatch has jacks for external stereo mic, stereo line output, 40.3 dB while the chroma PM S/N is DC out, and video and mono audio. 36.8 dB. The camera is rated at 4-lux Those last two controls switched from sensitivity, and requires 6.8 lux for an inputs to outputs. output of 50 IRE units. Picture quality is average to good. The left side holds most of the basic The audio frequency response of the camera controls, which use various sizes, camcorder is 20 hertz to 7 kilohertz, shapes and textures. These controls + 0/-3 dB, down 10.2 dB at 20 kHz, with change function depending on whether the EO6 is in camera or play mode. an audio S/N of 73.4 dB and a total har- monic distortion of 0.4 percent. Stereo They include fade (play), AWB/lock separation measured through the exter- (stop), shutter speed, character title nal mic input is 63.2 dB. Audio quality is (fast forward/search), date/time (re- average to good. wind/search), character color, and three Conclusion. The Canon EO6 is a digital title controls: memory, color and very friendly subcompact 8mm cam- display. (Button functions in play mode are in parentheses.) corder. It’s a bit larger than competitors, but includes a rotating grip that’s really The stereo microphone houses useful. Picture and sound quality are av- above the lens. Buttons for autofocus on/off and powered manual focus near erage to good and ease of operation is and far sit below the lens. All remaining good to very good. Overall performance controls occupy two columns on the rear is good. At a suggested price of$1,549, it is certainly worth consideration. It may just fit your needs and shooting style. = panel. Buttons on the right are for pow- TECHTIPS er, eject, mode select with LED play and camera indicators, line in/out, and an edit switch. The left column contains buttons for counter reset, the self timer, characters, titles and dates for making Focus hocus pocus entries. During recording, a minus but- ton lets a user see the last few seconds of When shooting a scene from across a a previous take. room, or in any other situation where The remote control includes a zoom rocker and buttons for record start/stop, someone or something might come be- counter reset, characters, title, date, re- wind/search, play, fast forward/search, tween you and your subject, set the stop, still and fade start/stop. The latter control delivers a fully automatic fade. camcorder’s focus control to manual Operation. The size and shape of once it’s in focus. This eliminates focus- In the middle of a music video a sud- den series of stills heightens the experi- ing errors and the blurry images trig- gered by something moving between you ence. Now you can interrupt your videos the EO6 are comfortable, and the ad- and your subject. Mike Steiner justable grip makes it easy to get unusual Fremont, Nebraska with stills—from the Canon Xap Shot. shots, like over the top of a crowd. The (Edit in special effects as well.) The Xap Shot makes advanced high-band still basic shooting controls are relatively Calling all tipsters video photography easy. Itrecords 50 large, distinguishable by touch and log- ically organized. The only regularly used Do you know something we don’t about shots on a 2-inch floppy disk. And with camera controls on the rear panel are for VCRs, TVs, camcorders and other record review and composing character home video equipment? We'll share it auto exposure, auto flash, auto white titles. To use the titling options, just with our readers if you share it with us as balance and a self-timer, it's completely switch on the ones you need. a “Tech Tip.” We'll also give you credit automatic. Plus, its now easier to afford. We have a few reservations about and a $25 bounty for each tip we pub- So what's stopping you from creatively lish. Tips should be informative and to the EO6's camera functions, specifically the point. Please include your name, ad- stopping your videos? its lack of a manual zoom, its powered dress and phone number —and a self-ad- manual focus, which is trickier to adjust dressed, stamped envelope if you wish Canon than the normal lens ring, and the hold- your submission returned. Send submis- down type fade, although the automatic sions to Tech Tips, Video Magazine, 460 AHOT Faic2NSRCodinoe6aenrdf.raciotvldtrieiemcoarentailon, one on the remote can be used in cer- West 34 St., New York, NY 10001. tain cases. Edit search would also have Photography for the video generation. Canon U.S.A., Inc., One Canon Plaza, Lake Success, NY 11042 © 1990 Canon U.S.A., Inc. TV image is simulated NOVEMBER 1990 VIDEO 49 —

VWDEDTESTS. Clearer CLV: | The Clear Scan feature on Sony's MDP-333 | provides clear forward | and reverse pictures on | CLV laserdiscs. | Alllaser im VIDEOTEST NUMBER 563 | play button. The remote has a conven- Sony combi player tional play button. Speed play buttons deliver the usual | bi-directional variable speed CAV range from 1/90x to 3x, plus 5x and 10x options Sony’s MDP-333 is a modestly priced with CAV discs. The S-video output, combination laser player with a wide | usually found only on expensive models, within a designated time; and audio/vi- range of features for its price class. A improves picture quality. sual (A/V) calendar, which shows the | standout on both the player and the re- | The MDP-333 also boasts upscale number of tracks on a disc and the total | mote is the Dual Scan Mode Shuttle | audio features like dual digital-to-analog playing time, and accepts up to six user- | Control; which looks like the jog/shuttle | converters and a digital optical output selected index marks for playback con- | controls of more expensive models, but for feeding amplifiers that accept optical veniences. delivers two scan speeds. Usually there | signals. For added convenience there’s | Description. The MDP-333 is ti- | is some picture distortion during scan on | intro scan, which plays the first eight | tanium gray with touches of black, white | CLV discs, but in this player, Sony fig- | seconds of each chapter or track; pro- _ and gold. The upper part of the front | ured out how to keep a clear scan pic- |grammable playback sequencing of covers the powered disc drawer. The ture without using digital circuitry. The chapters or tracks; shuffle (random) lower half contains any infrared sensor, central portion of the control on the play; auto program, which selects the _ the headphone jack and its volume con- | player is not a jog dial, but a convenient playback of chapters or tracks that fit trol, and buttons for power and repeat. Sony MOP -333 Disc Formats: 10x and 30x and power for Sony | channel 3/4 RF adapter FM—40 Hz-20 kHz, Combi Player 3-inch CD single. 5-inch TVs with “R” mark | cable and spacer +/-3 dB, down 8.3 dB CD and CD-video. Remote Control: at 20 Hz DATA 8-inch LD and LD sin- IR wireless with shuttle Separate Eject: RESULTS Suggested Price: gle, and 12-inch LD ring and buttons for open/close | Horizontal Resolution: Audio S/N: $650 digital—over 103 dB Weight: Disc Speeds: open/close, disc/TV, Counter Digits: | 425 lines 16.75 pounds CD, CLV, CAV display, program. frame/ CAV—5-digit frame (our limit); analog— Dimensions: time, clear, repeat, CX, counter: CLV and CD— Luminance S/N, Un- 4-1/2 x 17 x 17 inches Play Speed Select: 1/A to F/6, 7 to 0, +10, 5-digit hrs:mins:secs. | niesSag 72.3 0B (h/w/d) automatic search next. repeat, counter: chapter/track— Power Requirements: 1/all, shuffle play, re- 2-digit plus 20-digit AV WLeuimgihntaendc:e SIN, dDiygniatmali—c99 RadnBge: 120 VAC, 60 Hz Still Frame: peat A-B, back, analog/ calendar Power Consumption: CAV discs only digital audio, audio ii aus dAiuagdiitoal—Driastteodrti0o.n0:02%; ; 40 W | monitor St/L/R, A. Counter Memory: | Video S/N, Un- Frame Advance: pause/A. space, AV 6—custom index | weighted: measured, less than forward and reverse, time, auto program, file, 0.02% (our limit); an- CAV discs only Program Start Loca- 47.2 dB alog measured—0.09% custom index, multi tor/Index/Cue: Variable Speed speed forward and re- counter/time. chapter/ Video S/N, Weighted: RATINGS Motion: verse, speed set minus track, point A/B, in- | 54.1 dB forward or reverse for dexes Picture Quality: CAV discs—10x, 5x, and plus, still/step re- | Chroma AM S/N: very good/excellent SX, 2X, 1X: 12k, 114%, verse and forward, Digital Audio: 49.4 dB 1/8x, 1/16x, 1/30x (1 | custom index reverse stereo or dual mono Audio Quality: frame/sec.), 1/90x (1 and forward, automatic | Chroma PM S/N: digital—excellent; an- frame/3 sec.) chapter/music (skip) re- AFM Audio: 40.5 dB alog—good/very good verse and forward, intro stereo or dual mono Cue & Review Audioi Frequency Re- Operational Ease: (Search): (search), stop, pause Accessories: very good/excellent |and play: plus volume remote control with bat- sponse: |up and down, channel teries, video cable, | digital—10 Hz-20 kHz, Overall Performance: stereo audio cable, very good/excellent up and down, TV/video +0.4/-0.7 dB; analog 50 VIDEO NOVEMBER 1990