Architectural Digest USA - June 2022

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CONTENTS june 20 Editor’s Letter 62 22 Object Lesson THE LIVING ROOM (ABOVE) AND THE PRIMARY BEDROOM Dieter Rams’s 606 Universal Shelving System. BY HANNAH MARTIN OF JUSTINA BLAKENEY’S CALIFORNIA HOME. 25 Discoveries JENNA PEFFLEY AD visits the duo behind design studio Raw-Edges in London... Modernist classics at this year’s Salone del Mobile... Collections from Tiffany & Co., David Yurman, and Vacheron Constantin... Treasures for young aesthetes... San Diego’s MCASD reopens... The salvage-wood creations of sculptor Vince Skelly... New hotels in California’s wine country... Bunny Williams revives Treillage... And more! 10 ARCHDIGEST.COM



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CONTENTS june 90 62 Living the Dream A SCULPTURE BY Creative powerhouse Justina RENAAT RAMON STANDS Blakeney envisions a new POOLSIDE AT THE home in Southern California. PORTUGAL GETAWAY OF DESIGNER JEAN- BY SYDNEY GORE PHILIPPE DEMEYER. 74 Greenwich Time With an assist from designer Asia Baker Stokes, photographer Claiborne Swanson Frank fashions a spacious home in Connecticut. BY JANE KELTNER DE VALLE 82 Meet the Parents In Venice, California, Kevin Daly Architects composes an avant- garde, multigenerational compound that balances privacy and communion. BY MAYER RUS 90 Three’s Company MIGUEL FLORES-VIANNA. © 2022 RENAAT RAMON / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK. Jean-Philippe Demeyer, Frank Ver Elst, and Jean-Paul Dewever—partners in life and work—craft an artful getaway in Portugal. BY ROS BYAM SHAW 98 Vibe Shift Rock star Travis Barker enlists Waldo Fernandez to update his longtime home in Calabasas. BY MAYER RUS FOLLOW @ARCHDIGEST SUBSCRIPTIONS GO TO 106 Good Times ARCHDIGEST.COM, JUSTINA BLAKENEY CALL 800-365-8032, OR Author Glennon Doyle, soccer (WEARING AN 11 HONORÉ EMAIL ARDCUSTSERV@ star Abby Wambach, and DRESS, ULLA JOHNSON CDSFULFILLMENT.COM. their family put down roots in EARRINGS, AND ODETTE NEW California. BY ARIEL FOXMAN YORK BRACELETS AND RINGS) DIGITAL EDITION DOWNLOAD AT HOME IN CALIFORNIA. AT ARCHDIGEST.COM/APP. 114 One to Watch PHOTOGRAPHY BY JENNA PEFFLEY. FASHION STYLING NEWSLETTER SIGN UP FOR Ecuadorian architect Felipe BY BETTINA BATI. AD’S DAILY NEWSLETTER, AT ARCHDIGEST.COM/ Escudero. BY HANNAH MARTIN NEWSLETTER. COMMENTS CONTACT US VIA SOCIAL MEDIA OR EMAIL [email protected]. ARCHITECTURAL DIGEST AND AD ARE REGISTERED TRADEMARKS OF ADVANCE MAGAZINE PUBLISHERS INC. COPYRIGHT © 2022 CONDÉ NAST. ALL RIGHTS RESERVED. PRINTED IN THE U.S.A. VOLUME 79, NO. 6. ARCHITECTURAL DIGEST (ISSN 0003-8520) is published monthly except for combined July/August issues by Condé Nast, which is a division of Advance Magazine Publishers Inc. PRINCIPAL OFFICE: Condé Nast, 1 World Trade Center, New York, NY 10007. Roger Lynch, Chief Executive Officer; Pamela Drucker Mann, Global Chief Revenue Officer & President, U.S. Revenue; Jackie Marks, Chief Financial Officer. Periodicals postage paid at New York, NY, and at additional mailing offices. Canada Post Publications Mail Agreement No. 40644503. Canadian Goods and Services Tax Registration No. 123242885-RT0001. POSTMASTER: Send all UAA to CFS. (See DMM 507.1.5.2); NON-POSTAL AND MILITARY FACILITIES: Send address corrections to ARCHITECTURAL DIGEST, P.O. Box 37617, Boone, IA 37617-0617. FOR SUBSCRIPTIONS, ADDRESS CHANGES, ADJUSTMENTS, OR BACK ISSUE INQUIRIES: Please write to ARCHITECTURAL DIGEST, P.O. Box 37617, Boone, IA 37617-0617, call 800-365-8032, or email [email protected]. Please give both new address and old address as printed on most recent label. SUBSCRIBERS: If the Post Office alerts us that your magazine is undeliverable, we have no further obligation unless we receive a corrected address within one year. If during your subscription term or up to one year after the magazine becomes undeliverable, you are ever dissatisfied with your subscription, let us know. You will receive a full refund on all unmailed issues. First copy of new subscription will be mailed within eight weeks after receipt of order. Address all editorial, business, and production correspondence to ARCHITECTURAL DIGEST, 1 World Trade Center, New York, NY 10007. FOR REPRINTS: Please email [email protected] or call Wright’s Media, 877-652-5295. For reuse permissions, please email [email protected] or call 800-897-8666. Visit us online at archdigest.com. TO SUBSCRIBE TO OTHER CONDÉ NAST MAGAZINES: Visit condenastdigital.com. Occasionally we make our subscriber list available to carefully screened companies that offer products and services that we believe would interest our readers. If you do not want to receive these offers and/or information, please advise us at P.O. Box 37617, Boone, IA 37617-0617 or call 800-365-8032. ARCHITECTURAL DIGEST IS NOT RESPONSIBLE FOR THE RETURN OR LOSS OF, OR FOR DAMAGE OR ANY OTHER INJURY TO, UNSOLICITED MANUSCRIPTS, UNSOLICITED ARTWORK (INCLUDING, BUT NOT LIMITED TO, DRAWINGS AND PHOTOGRAPHS), OR ANY OTHER UNSOLICITED MATERIALS REGARDLESS OF MEDIA IN WHICH IT IS SUBMITTED. THOSE SUBMITTING MANUSCRIPTS, PHOTOGRAPHS, ARTWORK, OR OTHER MATERIALS FOR CONSIDERATION SHOULD NOT SEND ORIGINALS UNLESS SPECIFICALLY REQUESTED TO DO SO BY ARCHITECTURAL DIGEST IN WRITING. MANUSCRIPTS, PHOTOGRAPHS, AND OTHER MATERIALS SUBMITTED WILL NOT BE RETURNED. 14 ARCHDIGEST.COM

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AD it yourself FOR MORE SMART IDEAS VISIT ARCHDIGEST.COM/AD-IT-YOURSELF FINE FOOTWORK THE LANAI FEATURES MOROCCAN CEMENT TILE FROM BADIA DESIGN (BADIADESIGN.COM) THAT BLAKENEY INSTALLED IN AN UNCONVENTIONALLY MEANDERING COMPOSITION. EDGE OF GLORY ALONG THE WATERLINE OF THE SWIMMING POOL, SHE CREATED A GRAPHIC BORDER BY MIXING 6\"-SQ. CELADON TILE WITH 2\"- AND 4\"-SQ. ACCENTS IN A PUNCHY PATTERN. DESIGN INSPIRATION FROM THE ISSUE GEOMETRY LESSON JENNA PEFFLEY THE KITCHEN MUSES ON HEXAGONS, True Grout JUXTAPOSING BLUE ENCAUSTIC FLOOR TILES WITH SMALLER TERRA-COTTA- At her home outside Los Angeles (page 62), the HUED ZELLIGE ON THE BACKSPLASH. designer and Jungalow sensation Justina Blakeney IT’S ALL FROM ZIA TILE (ZIATILE.COM). has left no surface untouched, splashing color or pattern across seemingly every wall, ceiling, and VERTICAL INTEGRATION nook. We’re especially loving her thoughtful use of THE LONG, LEAN ZIA TILE ZELLIGE IN tile, a nuanced mix of hues, shapes, and motifs that THE PRIMARY BATH IS THE PERFECT she deployed in baths and bar niches alike. We’ve FOIL TO BLAKENEY’S OWN WALLPAPER laid down some ideas worth re-creating.... (JUNGALOW.COM) AND A GREAT 18 ARCHDIGEST.COM ALTERNATIVE TO THE STANDARD GRID.



editor’s letter 1. INTERGENERATIONAL LIVING IN VENICE, CALIFORNIA. 2 2. JUSTINA BLAKENEY WITH HER FAMILY. 3. ABBY WAMBACH, GLENNON DOYLE, AND DOGS. 4. TRAVIS BARKER AND FIANCÉE KOURTNEY KARDASHIAN. 5. JEAN-PHILIPPE DEMEYER WITH HIS WORK AND LIFE PARTNERS, FRANK VER ELST AND JEAN-PAUL DEWEVER, IN PORTUGAL. 6. PHOTOGRAPHER CLAIBORNE SWANSON FRANK AND SONS. 7. THE ALI FORNEY CENTER’S FUTURE HOME. 3 14 “It took some time and convincing my family to actually move. I was on a mission to find a place that no one could say no to.” —designer Justina Blakeney All you need is love—but a little design vision never hurts! Welcome to AD’s first Family issue— 5 a joyful, life-affirming, feel-good celebration of what family living looks like now. Blended, intergenerational, traditional, LGBTQ+, multicultural, child-centric, or kid-free: The AD editors 6 sought to capture the breadth of modern bonds and the plethora of creative ways people of all ages are inventing their own environments to support and nurture those most dear. 1. YE RIN MOK. 2. JENNA PEFFLEY. 3. DOUGLAS FRIEDMAN. 4. CHRISTOPHER STURMAN. 5. MIGUEL FLORES-VIANNA. Our cover star, design powerhouse Justina Blakeney of Jungalow fame, has documented 6. ISABEL PARRA. 7. SHAUN LUCAS. on social media the painstaking and very personal process of renovating her new dream home outside L.A. AD is honored to capture and share the inspiring results. At a thoughtfully conceived multigenerational compound in Venice, California, a family of four lives with three grandparents in idyllic harmony, blending both togetherness and privacy. Our visit to iconic drummer Travis Barker’s chic and chill Calabasas house (he has owned it for 15 years, raised his children there, and recently overhauled it with AD100 talent Waldo Fernandez) reveals the surprisingly zen domestic side of the tattooed megastar. (Don’t miss Barker’s appealing turn hosting an Open Door of his own on AD’s YouTube channel—he’s a bit of a neat freak!) Speaking of family and home—it’s hard to thrive without the comforts and support of both, especially for young people. To that end, AD is proud to announce our support of NYC’s Ali Forney Center, the nation’s largest teen and young adult LGBTQIA+ 7 specialized agency providing homeless and marginalized youth with shelter, meals, health care, vocational training, crisis interven- tion, and more. AD is leveraging our network of designers—all passionate about the power of environment—to contribute to a capital campaign that will enable the AFC to buy a Harlem town house that will add much-needed beds to the program. Home, sweet home, indeed. AMY ASTLEY Global Editorial Director and Editor in Chief, AD U.S. @amyastley 20 ARCHDIGEST.COM



object lesson THE STORY BEHIND AN ICONIC DESIGN 2 1. DIETER RAMS’S 606 UNIVERSAL SHELVING SYSTEM FOR VITSŒ IN A LONDON APARTMENT BY AD100 DESIGNER PATRICK MELE. 2. LIGHTING DESIGNER LINDSEY ADELMAN’S SHELVES IN BROOKLYN. 1 Shelf Life How Dieter Rams’s Vitsœ system became the industry standard I n 1955, when 23-year-old Dieter Rams began designing for the 1. MIGUEL FLORES-VIANNA. 2. STEPHEN KENT JOHNSON. 3. RICHARD PETIT. 4. MAX BURKHALTER. 5. COURTESY OF VITSŒ. German product brand Braun, most homes and stores were still outfitted with the bulky wooden shelves and cabinetry of yore. But when Rams was asked to reimagine a Braun showroom, his sketch featured a new sort of display system: streamlined wall-mounted shelves that elevated goods off the floor, achieving visual lightness. Around 1960, after further experimentation, Rams proposed the design to Niels Vitsœ and Otto Zapf for their new brand, Vitsœ+Zapf, shortened to Vitsœ in 1969. Enter the 606 Universal Shelving System: off-white steel shelves and beech cabinets attached to aluminum tracks fixed to walls. In Rams’s words, “Less, but better.” Made in Germany until 1995, when production was moved to the U.K., the system took some time to catch on. It was sold here and there via German dealers until Vitsœ opened its first stand-alone showroom in 1970. In ’76, American textile dealer Jack Lenor Larsen offered 3 the system in his New York showroom, to little success (it was 4 5 mostly used to display fabrics). It wasn’t until a fax arrived in 3. A CALIFORNIA HOME DESIGNED BY AD100 FIRM 1997 from downtown New York design dealer Murray Moss that THE ARCHERS. 4. THE BROOKLYN APARTMENT OF Vitsœ found a foothold in the American market, now its biggest. JOSHUA ITIOLA, A PLANNER AT VITSŒ. 5. RAMS IN Over the years, the design—it now comes in black and silver as 1971 AT THE VITSŒ SHOP IN FRANKFURT. well—was subtly perfected. Still, a part made in 1961 fits seam- lessly into a system bought today. Mark Adams, Vitsœ’s managing director since 1986, calls it “backward-forward compatibility,” quipping, “It’s like Legos for grown-ups.” Rams’s 90th birthday was in May, and the 606 system is more popular than ever. Jenna Lyons has it in her much-Instagrammed SoHo loft. Eva Chen mounted the shelves in her Connecticut country house. AD100 fans include Patrick Mele and The Archers. “We love how smart the system is,” says lighting designer Lindsey Adelman, whose setup in Brooklyn contains a vast record collec- tion and several custom components for her husband’s DJ’ing needs. “You wouldn’t think there’d be a soul to such minimalism, but you can feel it.” vitsoe.com —HANNAH MARTIN 22 ARCHDIGEST.COM

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THE BEST IN SHOPPING, DESIGN, AND STYLE EDITED BY SAM COCHRANDISCOVERIES AD VISITS DESIGNERS SHAY ALKALAY (LEFT) AND Play Time YAEL MER OF RAW- Raw-Edges duo Shay Alkalay and Yael Mer EDGES AT HOME WITH reimagine an 1860s house in London as a fun-filled world for their young family THEIR DAUGHTERS, MAIA (LEFT) AND NEEVA, PORTRAITS BY PHILIP SINDEN AND DOG, AMIE. ARCHDIGEST.COM 25

DISCOVERIES 1 2 G rowing up in Tel Aviv, designers Shay Alkalay and Yael Mer were accustomed to the modernist build- ings of the White City, so named for its prevailing International Style and Bauhaus-inflected architecture. So when the husband-and-wife founders of Raw-Edges first moved to London in 2004, to attend the Royal College of Art, they were in for a bit of an adjustment. “Everything here is the opposite,” notes Alkalay, musing on “narrow terrace houses with dark walls, 1. THE BUILT-IN SOFA IS VUITTON MINGLES WITH curtains, carpet everywhere—even in the toilet.” COVERED IN KVADRAT WOOL, JASPER MORRISON FOR VITRA AND THE VITRA PILLOWS CHAIRS AND A DIY TABLE. Their home in London’s Kentish Town area was AND CONDE HOUSE TABLE 3. NEEVA AND MAIA LOUNGE ARE RAW-EDGES DESIGNS. ON A RAW-EDGES COZMO just the sort of Victorian-era abode they might have 2. THE COUPLE’S CONCERTINA SOFA AND A LOUIS VUITTON LIGHT FIXTURE FOR LOUIS DOLLS CHAIR. once avoided, with fuddy-duddy interiors. But they loved the up-and-coming neighborhood and the lush garden, perfect for their daughters, Neeva and Maia. The rooms they could transform. 3 “The challenge was to take something typical and make it work for our family,” Alkalay reflects on the yearslong process, in which they stripped away nearly everything but the front façade (protected under conservation laws). Floors were leveled, a crisp staircase added, and the layout opened up, so that the kids’ messy crafting table now sits within view of the kitchen and living area. Says Mer, “There are four of us and a dog, but it’s all kind of shared.” Though the couple had never designed a house, rethinking typologies has become part of their daily practice since they founded their joint studio in 2007. “We always try to invent something, whether it’s in the way you use it or in the way you make it,” 1 & 2. JUTTA GOESSL explains Alkalay. Mer, nodding in agreement, adds: “We always feel like beginners.” At home, unorthodox design solutions abound. Gymnastics rings hang from the living room ceiling— 26 ARCHDIGEST.COM

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DISCOVERIES 1. THE COUPLE’S ROOM FEATURES THEIR STACK CABINET FOR ESTABLISHED & SONS. 2. THE HOUSE’S REAR FAÇADE. 3. MAIA AT THE SINK; THE BATH IS CLAD IN RAW-EDGES TILE FOR MUTINA. 4–5. DOLLS CHAIR AND CONCERTINA TABLE BY RAW-EDGES FOR LOUIS VUITTON. 2 3 1 an outlet, Mer says, for “the kids’ extra energy.” The dining table is 4 spotted at the girls’ science lab. 1 & 2. JUTTA GOESSL. 4 & 5. COURTESY OF LOUIS VUITTON. of Raw-Edges hits. In the main 2008 Stack cabinet, the seemingly precarious piece that helped launch their careers when it was picked up by Established & Sons. (It was later acquired by MoMA.) 5 —HANNAH MARTIN 28 ARCHDIGEST.COM

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DISCOVERIES 2 3 1 REBOOT Italian Revival At Salone del Mobile and beyond, top brands unearth 20th-century treasures poised for rediscovery 1. JOE COLOMBO’S 1960s BASKET CONCEPT, REVIVED BY GUBI. 2–3. A SKETCH FOR GAETANO PESCE’S 1980 TRAMONTO A NEW YORK SOFA, 5 SCREEN. 4. BELLINI WITH AN ORIGINAL 5. B&B ITALIA’S REEDITION OF MARIO BELLINI’S LE BAMBOLE SERIES. C all it the Camaleonda For early adopters experi- effect. Ever since Italian encing Camaleonda fatigue, architect Mario Bellini’s this June’s Salone del Mobile bulbous 1970s sofa fair in Milan brings, among resurfaced on Instagram, other exciting returns, two not- yet-Insta-famous Bellini sofa having landed in the alternatives, both designed in 1972. The rare Le Mura series, homes of tastemakers like Athena inspired by the stones used ALL PHOTOS COURTESY OF THE COMPANIES to build ancient Roman walls Calderone, Chrissy Teigen, and Martha and originally produced by Cassina, has been reintro- Hunt, the world can’t get enough of the duced by Tacchini (tacchini.it). 4 Meanwhile Le Bambole, the modular wonder. B&B Italia reissued the pillowy system that won Italy’s prestigious Compasso d’Oro award in 1979, has been updated classic series, a vintage suite appeared by B&B Italia with a slightly more stuffed silhouette and eco-friendly materials (bebitalia.com). As Bellini himself, still on the cover of AD’s February 2022 issue, working in Milan, says: “Far from getting old, Le Bambole returns to a second life, luxurious and promising.” and shoppers have embraced a range of similarly blobby brethren. Riding that wave of excitement, leading furniture brands are now mining 20th-century Italian design history, reimagining archival treasures and unearthing lesser-known pieces poised for rediscovery. So what’s next? 30 ARCHDIGEST.COM

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DISCOVERIES 2 1. IGNAZIO GARDELLA’S 1930 BLEVIO TABLE, NOW PRODUCED BY MOLTENI&C. 2. GUFRAM’S 1972 CACTUS IN YELLOW AS PART OF A COLLABORATION WITH THE ANDY WARHOL FOUNDATION. 3. MARIO BELLINI 1972 LE MURA SOFA, RERELEASED BY TACCHINI. 3 the ’80s this piece spoke of the possible sunset of this beloved city,” Pesce says of the modular sofa, whose staggered forms imitate a skyline. “Instead the screen today has another function: generating happiness in a moment that is, at the very least, stormy.” Here’s hoping any one of these oldies but goodies will spark a smile. —HANNAH MARTIN SPIN ON THE ENGLISH CLASSIC HAS BEEN AND-METAL STUNNER HAS JUST BY POUL KJÆRHOLM ALL PHOTOS COURTESY OF THE COMPANIES REFRESHED, WITH AN OPTIONAL LEATHER BEEN REISSUED BY VITRA IN A LIMITED PLYWOOD PERCH, ONE OF KJÆRHOLM’S FIRST SEAT CUSHION. CARLHANSEN.COM EDITION OF 150. VITRA.COM FOR THE BRAND, IN OREGON PINE AND 32 ARCHDIGEST.COM BLACK-STAINED ASH. FRITZHANSEN.COM —H.M.

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1 CHANGE OF ADDRESS AN ARCHIVAL JEAN SCHLUMBERGER SKETCH. A brief history of the 2. A 1966–67 CATALOG. Tiffany & Co. flagship 3–4. A DIAMOND-AND- AQUAMARINE PENDANT 2 AND DIAMOND-AND- TANZANITE EARRINGS, 1853–1869 BOTH FROM THE 2022 HIGH SIXTEEN YEARS AFTER CHARLES LEWIS JEWELRY COLLECTION. 5. A 1939 COCKTAIL SERVICE. TIFFANY STARTED HIS COMPANY, 6. THE ORIGINAL 1845 THE BRAND SETTLED INTO A BUILDING BLUE BOOK. AT 550 BROADWAY. IT WAS THERE THAT THE ATLAS CLOCK, NOW ICONIC, MADE ITS DEBUT. 3 6 1869–1905 1940–PRESENT: ROBERT ALEXANDER/GETTY IMAGES. ALL OTHERS COURTESY OF TIFFANY & CO. OVERLOOKING UNION SQUARE AND LEGACY DISTINGUISHED BY A CAST-IRON FAÇADE ORNAMENT, TIFFANY’S LATE-19TH- Out of CENTURY HOME WAS AN ITALIANATE the Blue STUNNER BY ARCHITECT JOHN KELLUM. 4 When it was first published in 1905–1940 1845, the Tiffany & Co. Blue GILDED AGE ARCHITECTS McKIM, MEAD & WHITE CONCEIVED THE Book made history as the first BRAND’S STORE AT 37TH STREET AND direct-mail catalog to bring fine FIFTH AVENUE. THE SEVEN-STORY jewelry to American doorsteps. BUILDING WAS BASED ON VENICE’S 5 In the decades that followed, its 16TH-CENTURY PALAZZO GRIMANI. pages would become the stuff 1940–PRESENT of luxury legend, introducing DESIGNED BY CROSS & CROSS, THE CURRENT FLAGSHIP, AT 57TH AND FIFTH, American aesthetes, whether armchair HAS BEEN UNDER RENOVATION SINCE or actual, to treasures otherwise 2019. IT REOPENS LATER THIS YEAR WITH A THREE-STORY ROOFTOP ADDITION unknown. “The original Blue Book is an AND REFRESHED INTERIORS. —S.C. important piece of Tiffany legacy,” notes the company’s global CEO, Anthony Ledru. Visitors to London’s Saatchi Gallery can see for themselves in “Vision & Virtuosity,” a brand exhibition on view from June 10 to August 19 (saatchigallery.com). The show surveys some 400 objects, including early catalogs from the Tiffany archives, organized into a series of thematic chapters. Those range from a deep dive into the legacy of window displays to a celebration of engagement rings to a spotlight on past Blue Book wonders, among them pieces by the legendary Tiffany designer Jean Schlumberger, whose fanciful creations won over the likes of Babe Paley, Jayne Wrightsman, and Audrey Hepburn. Tastemakers of the current moment, meanwhile, can choose from Tiffany’s latest high jewelry collection, which takes its name from the Blue Book. Now, as ever, the house turns the page with style. tiffany.com —SAM COCHRAN 34 ARCHDIGEST.COM



DISCOVERIES FOR MORE GREAT FINDS VISIT ARCHDIGEST.COM/SHOPPING VOUTSA TIGERS AND TAILS SKAGERAK NOMAD STOOL; $325. WALLPAPER; BLOOMIST.COM $700 PER ROLL. VOUTSA.COM HERMÈS TACKUSSANU SENEGAL DRUGEOT WESTERN AND THE KINÉ BASKET; $260. MANUFACTURE TACKUSSANUSENEGAL.COM TOUCAN COAT COMPANY HOOK BY GRÉGORY HOBBYHORSE; INTO THE WILD JOLLY; $45. DRUGEOT.COM $1,200. Animal motifs and a safari palette breathe fresh HERMES.COM air into the contemporary nursery; shown is the Manhattan home of AD100 talents Nate Berkus and Jeremiah Brent. HOUSES & GANTRI TINY PARTIES TABLE LIGHT MUSTARD TABLE BY YOWIE; $248. LAMP BY VERNER GANTRI.COM PANTON; $336. HOUSESAND PARTIES.COM HONORÉ BABY CROISETTE BY ANNICK LESTROHAN AND INGRID GIRIBONE; $355. HONOREDECO.SHOP SAVED NY BODRUM INTERIOR: NICOLE FRANZEN. ALL OTHERS COURTESY OF THE COMPANIES. THROW; $1,475. SAVED-NY.COM SHOPPING JOHN DERIAN STEIFF STUDIO Young at Heart ELEPHANT; $899. JOHNDERIAN.COM Unexpected colors, unusual finds, and assorted treasures for PRODUCED BY MADELINE O’MALLEY today’s growing aesthetes 36 ARCHDIGEST.COM



DISCOVERIES CASA KIDS HIHI TRIPLE BUNK BED BY FAS PENDEZZA CICLOPE FOOSBALL TABLE BY BASAGLIA AND ROTA NODARI; $5,700 AS SHOWN. ARTEMEST.COM ROBERTO GIL; $6,800. CASAKIDS.COM AREAWARE GOOD DAY HANGING MOBILE BY DANIEL TO AND EMMA AISTON; $30. STORE.MOMA.ORG A NEW GROOVE Mod pieces and upbeat ocean tones make it pop; shown is a Southampton bunk room by AD100 designer Kelly Behun. PHAIDON UP, DOWN & OTHER OPPOSITES WITH ELLSWORTH KELLY; $11. SHOPWILLKIES.COM DUSEN DUSEN WINGDINGS PILLOW; $89. DUSENDUSEN.COM A.P.C. BAUHAUS QUILT; PIERRE PAULIN FOR RALPH INTERIOR: STEPHEN KENT JOHNSON. ALL OTHERS COURTESY OF THE COMPANIES. $670. APC-US.COM PUCCI DOS A DOS BANQUETTE; $27,480. RALPHPUCCI.COM NEST WIFI POINT; $149. STORE.GOOGLE.COM URBAN OUTFITTERS ALICE GLASS TABLE LAMP; $119. CANDYLAB TOYS URBANOUTFITTERS.COM BLUE LONGHORN TOY TRUCK; $30. BRIONVEGA TOTEM LANDOFBEBE.COM RR231 BY MARIO BELLINI; 38 ARCHDIGEST.COM $19,000. BRIONVEGA.IT

Come Explore HOME DÉCOR With Us Experience the summer’s biggest in-person buying opportunity and find inspiration for the seasons ahead. We’re here to connect you with hundreds of key home décor resources to meet your customers’ needs. Showrooms: July 12–18, 2022 Temporaries: July 13–17, 2022 Learn More and Pre-Register at AtlantaMarket.com/Decor PRODUCT SOURCED FROM: ACCENT DECOR, BALTA HOME, BIDK HOME, CODARUS, CURRE Y & CO., FLOR A BUNDA, K AL ALOU, LOLOI, GABBY, J DOUGL AS, SCHAUBEN & CO. TO THE TRADE | © 2022 International Market Centers, LLC @AmericasMartATL | #AtlMkt

DISCOVERIES ANNIE SELKE CLARE MEET CUTE ALWAYS GREENER PAINT; $64 PER INDOOR-OUTDOOR RUG BY KIT KEMP; GALLON. CLARE.COM FROM $84. ANNIESELKE.COM GUSTAVIENNE THREE- DRAWER DRESSER; $1,520. GUSTAVIENNE.COM TIFFANY & CO. TIFFANY x STEIFF RETURN TO TIFFANY LOVE CLASSIC TEDDY BEAR; $500 AS SHOWN. TIFFANY.COM ZAFFERANO ESPRESSO SHOT CUPS VISUAL COMFORT BY FEDERICO DE MAJO; $60 FOR A ALBERTO SMALL SET OF SIX. ZAFFERANOAMERICA.COM SCONCE BY JULIE NEILL; $439. CIRCALIGHTING.COM TENDER LEAF TOYS SWEET DREAMS INTERIOR: WILLIAM ABRANOWICZ. ALL OTHERS COURTESY OF THE COMPANIES. TOADSTOOL; $65. MAISONETTE.COM Whimsical touches and blush hues put a fine spin on pretty in pink; shown is a kid’s room at the East Hampton home of Kate Rheinstein Brodsky. SISTER PARISH DESIGN JULIAN CHICHESTER BOBBIN ADELPHI PAPER DOLLY PRINT BABY BOUDOIR WALL BOOKSHELF; TO THE TRADE. HANGINGS RIBBON PILLOWCASE; $75. JULIANCHICHESTER.COM SPRIG WALLPAPER IN A SISTERPARISHDESIGN.COM CUSTOM COLORWAY BY PATRICK MELE; $500 40 ARCHDIGEST.COM PER ROLL. ADELPHI PAPERHANGINGS.COM



DISCOVERIES ARCHITECTURE California Calls The reopening of the Museum of Contemporary Art San Diego (MCASD) after a $105 million renovation and expansion offers further proof that Annabelle Selldorf is the museum whisperer. Right now, the German-born, New York City–based AD100 architect is updating two sacred institutions, the National Gallery in London and the Frick Collection on Manhattan’s Fifth Avenue. MCASD, in La Jolla, opened in 1941 in a waterfront villa by pioneering modernist architect Irving Gill. Then, in 1996, Venturi, Scott Brown and Associates (VSBA) added a postmodern addition that obscured much of Gill’s building behind exaggeratedly fat columns. Selldorf, who is stylistically agnostic, uncovered Gill’s façade while preserving one of VSBA’s best bits—an atrium with an intricately folded starburst-pattern ceiling. “It was 1 important,” she says, while sitting on a bench overlook- 2 ing the Pacific Ocean, “to make the evolution of the building manifest.” In the process, she nearly doubled the museum’s size, and quadrupled its exhibition space. (An auditorium, taller than anything buildable under current zoning laws, is now gallery space for larger art- works, including—in a reopening exhibition—pieces by Niki de Saint Phalle.) Given the waterfront site and the museum’s complex architectural history, Selldorf didn’t look for geometric perfection, but instead allowed dis- parate forms to coexist, effectively giving the seaside village of La Jolla a new seaside village for art. What matters, the architect says, is that a museum so impor- tant to its community “is now open and available. That makes me happy.” mcasd.org —FRED A. BERNSTEIN 1. THE MUSEUM OF CONTEMPORARY ART SAN DIEGO IN LA JOLLA, CALIFORNIA, RENOVATED BY SELLDORF ARCHITECTS. 2. THE MUSEUM FEATURES TWO LEVELS OF LIGHT-FILLED GALLERIES. 1 JEWELRY 1–3. FROM DAVID YURMAN’S NEW CABLE LET’S TWIST AGAIN EDGE COLLECTION, A CURB CHAIN NECKLACE, Contemporary wisdom dictates that if SMALL HOOP EARRINGS you’re not changing, you’re not growing. WITH DIAMONDS, AND With that in mind, David Yurman has A WIDE CUFF, ALL MADE updated its beloved Cable collection OF RECYCLED METAL. (unveiled almost 40 years ago) for the 2 ALL PHOTOS COURTESY OF THE COMPANIES wires as single bands of torqued metal. christened Cable Edge and comprising yellow gold as part of a new sustainable initiative by the venerable New York jewelry brand. Even classic style evolves. davidyurman.com —SAM COCHRAN 42 ARCHDIGEST.COM



DISCOVERIES TRAVELS 1 DRINK TO THAT In Napa and Sonoma, three new hotels bring fresh energy to California wine country STANLY RANCH, AUBERGE RESORTS COLLECTION AUBERGE HAS JUST UNVEILED THIS INDOOR- OUTOOR PARADISE ON NAPA’S SOUTHERN EDGE, WITH 135 GUEST ROOMS AND STAND- ALONE COTTAGES. AUBERGERESORTS.COM 1. VINCE SKELLY IN CLAREMONT, CALIFORNIA. 2. A FINISHED CHAIR. 3. THE ARTIST AT WORK, SAWING A FELLED TREE TRUNK. 2 THE MADRONA SKELLY: JUSTIN CHUNG. ALL OTHERS COURTESY OF THE COMPANIES. SAN FRANCISCO DESIGNER JAY JEFFERS ART SCENE MAKES HIS HOTEL DEBUT WITH THIS 24-ROOM GETAWAY, AN IMAGINATIVE UPDATE TO A Roots of HISTORIC 1881 RESIDENCE IN HEALDSBURG. 3 the Matter THEMADRONAHOTEL.COM “I’ve always worked with salvage lumber—dead trees, windfall trees, trees that come down due to disease or drought,” explains Vince Skelly, a California- FOUR SEASONS RESORT AND based woodworker and sculptor. So when a storm with wind gusts of up to 65 RESIDENCES NAPA VALLEY miles per hour blew through his hometown of Claremont in mid-January, he sprang into action, driving around in his pickup truck, crane and chain saw in IN A BRAND FIRST, THIS CALISTOGA ESCAPE tow, to help collect felled timber. Skelly lugged about 16 trunks, their bark and FEATURES ITS OWN WORKING WINERY. SAVOR A branches still intact, back to his studio. There he is intuitively transforming GLASS POOLSIDE OR IN THE PRIVACY OF 85 ROOMS the raw specimens (eucalyptus, pine, oak, redwood) into chairs, tables, stools, AND SUITES. FOURSEASONS.COM —SAM COCHRAN and other works that teeter between furniture and art. All will soon star in “After the Storm,” a solo show organized by Tiwa Select that opens July 1 at Farago gallery in L.A. (He’ll also use some of the wood to create a public sculpture for Claremont’s Memorial Park, honoring a large oak that fell there.) To make his rough-hewn, gestural pieces, Skelly first gets in tune with the timber. “I rarely do sketches; I’ll just stare at the log for a while,” he explains of his process, the physical demands of which include carving a shape with a chain saw before finalizing a form using hand tools. “It’s really fun to sculpt in a reductive way,” he explains. “It makes you think about each cut. There’s no going back. You’re using this very aggressive tool but in a thoughtful way.” vinceskelly.com —HANNAH MARTIN 44 ARCHDIGEST.COM

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DISCOVERIES DEBUT Shop Talk Bunny Williams revives Treillage as a timeless array of hard-to-find treasures F or Bunny Williams, working from her Connecticut getaway during the pandemic provided a crucial creative spark. “When I wasn’t in my studio, with the kind of peace and quiet I never have at my office in Manhattan, I was fumbling around in my garden and realiz- ing that I didn’t have this, I couldn’t find that,” the blue-chip interior decorator recalls. “I wanted one-of-a-kind things, but that’s the trouble—when you need a pair of benches, for example, one-of-a-kind is difficult to find.” Which explains the AD100 talent’s 1 titular relaunch of Treillage, the iconic garden furnishings and accessories shop that she and her now husband, dealer John Rosselli, opened in 1991 and closed in 2015. This spring, the name has been resurrected for her new range of eye-catching products for Bunny 3 Williams Home. Only now the curious 1. LEWIS DINING CHAIRS AND A GRAHAM DINING treasures are made in multiples. That TABLE FROM THE TREILLAGE COLLECTION FOR BUNNY way, design aficionados who fall in love WILLIAMS HOME. 2. KINLEY ARMCHAIR. 3. LUCAS DRINKS with one visual delight won’t walk TABLE. 4. KENAN SIDE TABLE. away disappointed when they learn that no more exist. Whimsical metal tables that Williams has owned for decades (“the originals sit on my porch and are rusty and wobbly”) are now being reproduced as the Bradford side table, perfectly finished and smartly painted with gray awning stripes on a chalk-white ground. The handsome Kingston bench, made of teak, hybridizes the work of 18th-century British architect and designer William Kent, a Williams favorite, and the garden furniture at Versailles. Kent’s oeuvre also 2 ALL PHOTOS COURTESY OF THE COMPANY inspired the Howard console, while the chinoiserie fancies of Georgian designer Thomas Chippendale are echoed in the Lewis dining chairs. Finely woven rattan seating is part of the Treillage mix, too, as are drinks tables in the form of elegant pedestals, chic photophores, and the jaunty Brighton mirror that resembles a scarlet pagoda. Future designs are already on the drawing board, and others are percolating. As Williams says, “I’m always trying to buy objects with character, and this iteration of Treillage allows me to create them too.” 4 bunnywilliamshome.com —MITCHELL OWENS 46 ARCHDIGEST.COM

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DISCOVERIES 1 2 3 CRAFTSMANSHIP 1. SKETCHES AND SOURCE IMAGES OF THE No Small Feat IMPERIAL ROMAN BUST 4 AND ANCIENT MOSAICS. According to legend, so proclaimed Augustus, whose 2. THE WATCH FACE own stone likeness, in the form of a classical bust, AND INNER MECHANISMS has long resided in the collection of the Louvre. Now, PRIOR TO ASSEMBLY. 3. STONES BEING APPLIED AS A MICRO- MOSAIC BORDER. 4. A LOOK INSIDE A VACHERON CONSTANTIN WRISTWATCH. 5. A FINISHED TIMEPIECE. 5 be enough to impress Augustus himself. vacheron-constantin.com DEBUT ALL PHOTOS COURTESY OF THE COMPANIES PATTERN PLAY Tapped by Dr. Jill Biden to redecorate her East Wing office, Mark D. Sikes will soon join the pantheon of design legends who have left their mark on the White House. And history has certainly been on the AD100 talent’s mind. His new collection for Anthropologie mines the past for inspiration, nodding to greats like Renzo Mongiardino and Billy Baldwin, who both deployed pattern to dazzling effect. Sikes’s Poppy collection (named for his beloved French bulldog) comprises furniture, wallpapers, tableware, and more—all available in matching prints, among them peppy florals and his own signature blue-and-white windowpane. That way you can deploy the same pattern on walls, lampshades, and even dressers. Modular systems form their own leitmotif. Armless chairs can be combined into sofas or sectionals, with the addition of an ottoman, while side tables join forces to make larger cocktail tables. Says Sikes, “There is such a need for flexible and versatile furniture that changes and grows as our lives do the same.” anthropologie.com —SAM COCHRAN