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CONTENTS may 66 SISLEY EXEC CHRISTINE D’ORNANO’S BEACHFRONT GETAWAY NEAR BIARRITZ. 24 Editor’s Letter 49 Sustainability 26 Object Lesson In the face of climate change, top architects and designers are reimagining the way we The disco ball. BY HANNAH MARTIN build now. A roundup of forward-thinking projects and products from around the globe. 29 Discoveries 66 French Beauty MATTHIEU SALVAING AD visits furniture scion Andrea Molteni Design insider Amanda Brooks visits Sisley in Milan... Pernille Pontoppidan Pedersen’s executive Christine d’Ornano at her chic sculptural mash-ups... Lee F. Mindel’s beach house near Biarritz. BY AMANDA BROOKS furniture for Ralph Pucci... Elizabeth Roberts’s designs for Calico Wallpaper... And more! 16 ARCHDIGEST.COM
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CONTENTS may 92 VIBRANT WALLS DEFINE A GUEST ROOM IN A MEXICO CITY HOUSE BY WRINKLEMX. 104 A LUSH LYFORD CAY GARDEN BY FERNANDO WONG OUTDOOR LIVING DESIGN. 78 Sparking Joy Musician Kacey Musgraves composes a serene home of her own in Nashville. BY LAUREN WATERMAN 88 A Fresh Start After partnering with New Story to build 100 homes for Haitians displaced by natural disaster, AD offers a first look at the newly completed community. BY CARLY OLSON FOLLOW @ARCHDIGEST 92 Casa Fantástica Astrid and Eddy Sykes of wrinkleMX transform a compact duplex outside Mexico City into a laboratory of avant-garde design. BY MAYER RUS SUBSCRIPTIONS 100 Animal Kingdom FOR SUBSCRIPTION INFORMATION GO TO With the help of Ellen DeGeneres, the Dian FROM LEFT: FERNANDO MARROQUIN, GIEVES ANDERSON ARCHDIGEST.COM, Fossey Gorilla Fund unveils a spectacular CALL 800-365-8032, Rwanda campus dedicated to education and OR EMAIL conservation. BY FRED A. BERNSTEIN SUBSCRIPTIONS@ ARCHDIGEST.COM. 104 Caribbean Dream DIGITAL EDITION Architect Kiko Sanchez and designer DOWNLOAD AT ARCHDIGEST.COM/APP. David Netto craft a colorful, relaxed Bahamas NEWSLETTER getaway for a young family. BY DAVID NETTO SIGN UP FOR AD’S DAILY NEWSLETTER, KACEY MUSGRAVES, WEARING 116 Resources AT ARCHDIGEST.COM/ A RACHEL GILBERT DRESS, AT NEWSLETTER. HOME IN NASHVILLE. “SPARKING The designers, architects, and products JOY,” PAGE 78. PHOTOGRAPHY COMMENTS BY LELANIE FOSTER. STYLED BY featured this month. CONTACT US VIA MARY SPOTSWOOD. FASHION SOCIAL MEDIA STYLING BY ERICA CLOUD. 118 One to Watch OR EMAIL US AT LETTERS@ Ceramist Jolie Ngo. BY HANNAH MARTIN ARCHDIGEST.COM. 18 ARCHDIGEST.COM
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AD it yourself FOR MORE SMART IDEAS VISIT ARCHDIGEST.COM/AD-IT-YOURSELF TREAD LIGHTLY THE ENTRY’S PAINTED STAIRS NOD TO ONES TOM SCHEERER DESIGNED FOR HIS OWN MOTHER. “TOM IS THE MAYOR OF DECORATING IN LYFORD. YOU HAVE TO PAY RESPECT.” GOLD STANDARD “YELLOW WITH BLUE IS ONE OF THE PRETTIEST COLOR COMBINATIONS,” NETTO MUSES. CASE IN POINT: THIS BESPOKE BATHROOM VANITY, WHICH POPS AGAINST THE ZIA TILE. FROM SEA TO SEA FOR THE SHUTTERS, NETTO OPTED FOR A CUSTOM-MIXED SHADE OF GREEN THAT HE MODELED AFTER A PROJECT IN GREECE BY AD100 HALL OF FAMER JOHN STEFANIDIS. DESIGN INSPIRATION FROM THE ISSUE ANCHORS AWEIGH GIEVES ANDERSON “A TINY ROOM SHOULD FEEL MYSTERIOUS,” Island Breeze NETTO EXPLAINS OF A GUEST BEDROOM’S “I wanted to make some mischief,” says AD100 designer DEEP-BLUE PAINT JOB, WHICH RIFFS ON David Netto, musing on the home he designed in the THE NAUTICAL PAINTINGS ON DISPLAY. “IT Bahamian enclave of Lyford Cay (page 104). His approach was WAS LIKE PUTTING THE SHIPS IN WATER.” ground-up, beginning with the blue terrazzo floor tiles that then informed the overall color scheme, a fresh take on the traditional Caribbean palette. He shares some bright ideas.... 22 ARCHDIGEST.COM PRODUCED BY SAM COCHRAN
editor’s letter 3 2 1 5 4 “This new house is a gift from God. This will be 1. COVER STAR KACEY permanent. This will be my land. In my name. MUSGRAVES AT HOME IN For my family. And that is freedom.” —Paul Farius, NASHVILLE. 2. THE KITCHEN a resident of the AD/New Story community IN A LYFORD CAY HOUSE WITH INTERIORS BY DAVID NETTO. A home of one’s own: It’s a universal dream, but one tragically and unfairly out of 3. THE AD/NEW STORY 1. LELANIE FOSTER. 2. GIEVES ANDERSON. 3. COURTESY OF MISSION OF HOPE. reach for so many human beings worldwide. The editors at AD produce features COMMUNITY IN TITANYEN, HAITI. 4. MATTHIEU SALVAING. 5. IWAN BAAN. 6. DREW ALTIZER. on the most inspiring residences imaginable, yet even as we feel privileged to share 4. CHRISTINE D’ORNANO’S the fantasy with our readers, we as a team comprehend how many people are in DAUGHTER INÈS WITH need of comforting shelter, and we strive to help where we can. SURFBOARD. 5. A VIEW OF THE ELLEN DeGENERES CAMPUS In 2017, AD teamed with the Atlanta-based nonprofit New Story to raise OF THE DIAN FOSSEY GORILLA $650,000 to build a new community in Titanyen, Haiti, for families still displaced by the FUND IN RWANDA. 6. WITH 2010 earthquake. The design world—and especially the illustrious members of the AD100— AD100 DESIGNER KEN FULK AT immediately understood the mission and rallied to support this epic project. We are so AN AD/NEW STORY FUNDRAISER proud and happy to share the miraculous result in this issue: 100 houses constructed from HE GENEROUSLY HOSTED. the ground up using local labor and materials and now providing security for so many long-displaced Haitians. As you read the words of journalist Carly Olson, a former staffer AMY ASTLEY Global Editorial Director who has been instrumental in shepherding this ambitious under- and Editor in Chief, AD U.S. 6 taking from its earliest days, know that AD remains committed @amyastley to such transformational opportunities. We are just getting started! Speaking of design making a difference, AD also pays an exclusive visit to the Ellen DeGeneres Campus of the Dian Fossey Gorilla Fund in Rwanda in these pages. Fossey, who may have single-handedly saved the mountain gorillas from extinction before her untimely death, has been a hero of DeGeneres’s since child- hood. The Fossey Fund staff previously worked in cramped and makeshift quarters, but now, thanks in part to support from DeGeneres and her wife, Portia de Rossi, they enjoy a state-of-the- art 12-acre complex designed by MASS Design Group and dedi- cated to gorilla conservation. Every home really is a labor of love.
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object lesson THE STORY BEHIND AN ICONIC DESIGN 2 1 Disco Fever 5 How the mirror ball made its 1. JOHN ARMLEDER DISCO BALLS IN A LONDON way from 1970s dance clubs into HOUSE BY PHILIP VERGEYLEN. 2. SEAN RAD AND today’s domestic spaces LIZZIE GROVER RAD’S L.A. PAD BY JANE HALLWORTH. 3. A KELLY WEARSTLER x ROTGANZEN W hen Louis Bernard Woeste and William A. Stephens OBJET. 4. MARYAM MADHAVI’S PARIS APARTMENT. filed a patent for a so-called myriad reflector in 5. BROOKE METCALFE’S ENGLISH KITCHEN. 1916, the dawn of disco was still decades away. But their glittering mirror ball—destined for ballrooms, nightclubs, dance pavilions, and skating rinks—was made with revelry in mind. Shiny orbs hovered over bandstands hosting jazz musicians in the 1920s, twinkled above dancers in Casablanca (1942), and dazzled a club scene in Some Like It Hot (1959). By the 1970s, when that super-glam, sparkly club culture—disco!—at last arrived, the mirror ball fit right in, a silvery staple 3 of underground New York dance spots like The Loft, The Gallery, and, later, legendary nightclub Studio 54, where revelers grooved beneath its disorienting shimmer. (Studio 54’s was made by Omega National 1. SIMON UPTON. 2. SAM FROST. 3. THE INGALLS. 4. FRÉDÉRIC DUCOUT. 5. RICARDO LABOUGLE. Products in Louisville, Kentucky, famous today for crafting disco balls for Beyoncé and Madonna.) “Very simply, you can blur the boundaries of a space,” explains Jochen Eisenbrand, curator of “Night Fever,” a show about club interiors at the Vitra Design Museum in Germany. “Ceiling, wall, and floor become one—it’s total immersion.” Disco balls stuck around in bars and clubs— 4 just a few years ago, AD100 firm ASH NYC hung a 60-inch dazzler in the Candy Bar at their Detroit hotel The Siren. But today, as interiors experience a ’70s revival, the disco ball has entered a new domain: the home. “It instantly adds drama and play,” explains AD100 designer Kelly Wearstler, who recently collaborated with Dutch artists Rotganzen on a collection of surrealistic, disco-ball-esque objets. Meanwhile, writer Brooke Metcalfe hung a trio over the kitchen island in her English manse, and AD100 designer Jane Hallworth, for a recent project, indulged her client’s love of the groovy staple by hanging an XL version in the office. “Disco balls represent the best of times,” Hallworth muses. “They are making a resurgence because they are joyfully childlike.” —HANNAH MARTIN
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THE BEST IN SHOPPING, DESIGN, AND STYLE EDITED BY SAM COCHRAN DISCOVERIES LAURA FANTACUZZI AND MAXIME GALATI-FOURCADE AD VISITS Family Affair The Milan home of third-generation furniture impresario Andrea Molteni remains true to the philosophy and spirit of his pioneering forebears A RODOLFO DORDONI CREDENZA FROM MOLTENI&C’S ARCHIVES HOLDS ONE END OF THE DINING ROOM (MOLTENI.IT). ARCHDIGEST.COM 29
Mitchell Johnson Digital catalog by email request / [email protected] Follow on Instagram / @mitchell_johnson_artist www.mitchelljohnson.com At top: Two Chairs, 2022, 34 x 60 inches, oil on linen. © 2022 Mitchell Johnson. Above: White Table by Pool, 2022, 46 x 72 inches, oil on linen. © 2022 Mitchell Johnson. Mitchell Johnson of Menlo Park, California is well-known for his color- and shape-driven paintings of Europe, NewYork City, San Francisco, Newfoundland, and New England. His paintings can be found in 700 private collections and 28 museum collections.The most recent museum acquisitions were by the Virginia Museum of Fine Arts,Tampa Museum of Art, Museo Morandi in Bologna, and the Galleria Nazionale d’Arte Moderna e Contemporanea in Rome. In 2010—after twenty years of exhibiting in galleries in NewYork (Tatistcheff Gallery), Los Angeles (Terrence Rogers Fine Art), San Francisco (Hackett-Freedman Gallery), and Santa Fe (Mitchell Brown Fine Art)—Johnson embarked on a unique ongoing print advertising project to find a larger audience for his work. Amazon carries many catalogs and books on his work with essays by critics and poets such as Peter Campion, W. S. Di Piero, Marilena Pasquali, Alexander Nemerov, Peter Selz, and John Seed. Johnson has been a visiting artist at the American Academy in Rome,The Josef and Anni Albers Foundation, and Borgo Finocchieto. He is married to the author, Donia Bijan.
DISCOVERIES 2 1. A SECTIONAL AND COCKTAIL TABLES BY VINCENT VAN DUYSEN FOR MOLTENI&C ANCHOR THE LIVING ROOM. 2. ANDREA AND CAMILLA MOLTENI IN FRONT OF JEAN NOUVEL’S BOOKSHELF 1 SYSTEM FOR THE BRAND. 3. THE DINING ROOM COMPOSITION INCLUDES VINTAGE GIO PONTI CHAIRS AND A TOM DIXON PYLON CHAIR FOR CAPPELLINI. 3 T o say that Andrea Molteni was born into the design world would be an understatement. As the scion of the furniture dynasty founded in Giussano, Italy, by his grandparents Angelo and Giuseppina Molteni in 1934, Andrea has been fully immersed in the grand tradition of Italian design his entire life. Today, as the vice president and director of product development for Molteni&C | Dada, he is not only safeguarding his family’s legacy but also forging new avenues of experimentation and innovation for the company and its affiliate brands. “I was raised in the design industry, so the importance of quality is part of my DNA,” he says. “It’s more 1 & 3. LAURA FANTACUZZI AND MAXIME GALATI-FOURCADE. 2. MAX ZAMBELLI. than just a question of style. I like things that are well made, products with inherent integrity and craftsmanship.” The Milan apartment that Molteni shares with his wife, Camilla, and their young daughter, Vittoria, is a testament to the furniture executive’s sensibility and approach to design. “I saw a picture of the terrace and its rustic wood paneling, which really spoke to me,” he says, recalling his initial attrac- tion to the residence, which had been lovingly renovated by a previous owner. “The weather in Milan has been quite mild, so we are able to enjoy the outdoor space in many seasons. This place was my family’s saving grace during the pandemic,” he adds. Molteni and his wife outfitted the home in a fashion con- sistent with the company’s historical predilection for elegant modern forms and an understated, largely monochromatic palette. Several of the pieces, including the living room sec- tional and cocktail tables, were designed by AD100 architect Vincent Van Duysen, the creative director for Molteni&C 32 ARCHDIGEST.COM
DISCOVERIES 2 and Dada since 2016. “Vincent and I share a common view. 1 3 There’s a subtlety in his work that I find very appealing,” 1. COLORED CONCRETE SIDE TABLES BY VINCENT Molteni states. The furnishings ensemble also encompasses VAN DUYSEN FOR MOLTENI&C ON THE TERRACE. 2. THE CURVACEOUS LOUNGE CHAIR IS PART OF THE other company products, past and present, including Jean BRAND’S GIO PONTI OFFERINGS. 3. IN THE COUPLE’S BEDROOM, A CHEST OF DRAWERS FROM THE GIO Nouvel’s modular hanging bookcase system, re-editions of PONTI COLLECTION. 4. A DETAIL OF THE KITCHEN WITH ELEMENTS DRAWN FROM THE DADA LINE. Gio Ponti cabinets and chairs, and a chic Rodolfo Dordoni ARCHDIGEST.COM 35 credenza with fluted-glass doors that was shown years ago at the Salone del Mobile but is no longer in production. The tailored mix is leavened with a collection of contem- porary art and vintage furnishings that have followed Molteni and his wife to many homes, among them a classic Eames lounge chair and a Tom Dixon sculptural Pylon chair of welded metal rods for Cappellini. The kitchen, which Molteni describes as a “Frankenstein composition,” has elements from the Dada kitchen line 4 blended into the custom cookery that came with the apartment. One of the most sentimental pieces in the home is an Asmat shield that LAURA FANTACUZZI AND MAXIME GALATI-FOURCADE looks like a surfboard, a gift from Molteni’s mother. “There was a time in my life when I dreamed of becom- ing a surfer, which is not so easy when you’re based in Milan,” he says, laughing. “At the end of the day, you can’t just live in a showroom. Even for a furniture maker, a home has to reflect the full life and history of the family.” —MAYER RUS
DISCOVERIES ULLA JOHNSON TOAST NEHA TERRA-COTTA SEFINA NECKLACE, POT, HAND-THROWN BY CASA DE FOLKLORE HOREZU HANDMADE BY RAJASTHANI ARTISANS IN JUG, HANDCRAFTED BY ARTISANS IN ARTISANS IN ROMANIA; $60. CASADEFOLKLORE.CO.UK ARUDEKO MAYE RUIZ CUSHION, CRAFTED ON A PEDAL LOOM BY OAXACAN WEAVERS IN MEXICO; $1,780. ARUDEKO.COM MALAIKA RED BLOOM PLATE, HANDMADE BY POTTER RANDA OMAR IN EGYPT; $34. MALAIKALINENS.COM TONI GARRN FOUNDATION x LITTLE PROBA HAGAR MAWUSI RUG, DESIGNED IN GHANA AND WOVEN IN INDIA; FROM $425 (ALL PROCEEDS GO TOWARD THE TONI GARRN FOUNDATION). PROBAHOME.COM COLVILLE SUPER SHAGGY RUG, HANDWOVEN IN TURKEY; $4,675. COLVILLE OFFICIAL.COM TXT.URE TXT.17 DAYBED, HANDWOVEN IN MEXICO; PRICE UPON REQUEST. TXT-URE.MX SHOPPING THE COLOMBIA COLLECTIVE ALL PHOTOS COURTESY OF THE COMPANIES PALMITO FRUITY NAPKIN RINGS, Upholding HANDWOVEN BY SANDONÁ ARTISANS; $77 FOR A SET OF FOUR. THECOLOMBIACOLLECTIVE.CO.UK Traditions Our favorite finds celebrate SHOP-TAMAM.COM and preserve local craft around the world 36 ARCHDIGEST.COM
® ™ ® Scan to View the Collection ©2022 BSH HOME APPLIANCES CORPORATION. ALL RIGHTS RESERVED.
DISCOVERIES 1 ART SCENE Free-Form 2 Thinking 1. DONNA’S BABY, 2021, BY PERNILLE PONTOPPIDAN PEDERSEN (PERNILLEPONTOPPIDAN.COM). 2. THE ARTIST IN Pernille Pontoppidan Pedersen’s HER COUNTRYSIDE STUDIO NEAR SILKEBORG, DENMARK. improvisational ceramics converted barns in the countryside near Silkeborg, Denmark, inaugurate the new Hostler on the outskirts of Aarhus, Pontoppidan Pedersen sculpts Burrows gallery intuitively—mixing her own clay and manipulating it by hand, without ever sketching an idea in advance. (Some bigger pieces are made off-site in a workshop with larger kilns.) She L ately I’ve been thinking about how to sculpt in often glazes the sculptures in their entirety, saying, “I think a feminist way,” says the Danish artist Pernille of it as the skin.” And indeed, she wants viewers to relate to Pontoppidan Pedersen, who has been mining the these works as something almost human. As she says, “They work of scholar Donna J. Haraway for inspiration. have a soul.” “I’m drawn to her way of playing around with Soul has long been at the heart of Hostler Burrows’s program. Founded by Kim Hostler and Juliet Burrows in 1998, new words, of looking at things and fabulating.” the gallery began as a showcase for vintage Nordic furniture Pedersen is channeling that meandering, speculative approach and decorative arts, later expanding to include contemporary into “Tentacular Thinking,” a solo show of freshly fired work makers from around the world. In recent years, the couple that will inaugurate the new Tribeca outpost of the Manhattan have intensified their gaze on Scandinavia, with a particular gallery Hostler Burrows on April 28. “It matters what shapes focus on female artists. The Tribeca gallery, named HB381 I put together to tell a story,” says Pedersen, reflecting on her after its location at 381 Broadway, is dedicated entirely to sculptural mash-ups. Unnerving, vaguely anthropomorphic sculpture and ceramics, making Pontoppidan Pedersen’s work LEFT: JOE KRAMM forms (lips, tongues, intestines) mix with depictions of everyday a perfect fit for the program. As Burrows explains, “She is objects, like tables and vases. One piece, in which a human- not concerned with traditional ideas of beauty or perfection, oid child seems to drink from a vessel, pays direct homage to but is creating work with seemingly unfettered abandon.” Haraway with its title, Donna’s Baby. Working out of two hostlerburrows.com —HANNAH MARTIN 38 ARCHDIGEST.COM PORTRAIT BY ENOK HOLSEGAARD
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DISCOVERIES 1. A SALTWATER POOL AT HOTEL TERRESTRE, A NEW GRUPO HABITA PROPERTY IN PUERTO ESCONDIDO, MEXICO. 2. ARCHITECT ALBERTO KALACH DESIGNED THE BUILDINGS TO CONNECT WITH THE LANDSCAPE; SHOWN IS A GUEST SUITE. 1 PARADISE HOTELS PERFECTED One With An effortless escape from the Land the everyday and a portal to all that’s exceptional Sandwiched between mountains and unforgettable. and sea on Mexico’s Oaxacan coast, Paradise has never felt Hotel Terrestre, a new property so perfect. from Grupo Habita, is designed with COVEATLANTIS.COM/AD 877.485.0871 one thing in mind: the environment. From the moment you arrive, you sense it—the sand underfoot, the breeze, the reception’s timber chairs and earthy palette. Even the brutalist buildings, which mimic ancient ruins, fold seamlessly into the natural surroundings, a mix of existing vegetation and indigenous additions like copal trees and orchids. Tasked with designing the buildings and the landscape was celebrated Mexico City–based 2 architect Alberto Kalach. As Carlos Couturier, cofounder of Grupo Habita, explains, “Kalach is officially an architect, but his soul is about developing landscapes.” Essential to the experience is a connection between the terrain, the buildings, and the sky, which can be appreciated from the open-air showers or stargazing platforms. “The architecture fits perfectly with the garden and brings serenity and surprise,” says Kalach, who chose locally handcrafted bricks to realize the 14 villas, all of which are powered entirely by solar energy. Inside the vaulted rooms, pine beds designed by Kalach mingle with furniture by fellow Mexican architect Oscar Hagerman. Wooden window shutters invite breezes, obviating the need for glass or air-conditioning. Plant-filled paths, meanwhile, usher guests to JAIME NAVARRO two saltwater pools, a temple-like hammam, and an alfresco restaurant for cacao elixirs and ceviche. At Terrestre, being mindful of the environment is an entirely holistic approach. “It’s not a statement,” says Couturier. “We just do it.” terrestrehotel.com —MARY HOLLAND
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DISCOVERIES DEBUT True to Form Architect Lee F. Mindel puts on a master class in materiality in his Veritas collection for Ralph Pucci 1 T here’s nothing accidental or arbitrary about the work 2 of architect Lee Mindel. Describing his new collection of furnishings for Ralph Pucci International, the erudite AD100 Hall of Famer traces an elaborate web of influences and inspirations, both legendary and arcane: Jean-Michel Frank, Georges Jouve, Pol Chambost, Serge Roche, Isamu thing new, relevant, beautiful,” Mindel professes. Working alongside developing a design language attuned to the possibilities of Pucci’s 1. AD100 HALL OF FAME ARCHITECT LEE have to factor in the skills of the workers, which are extraordinary.” MINDEL WITH HIS with 10 pieces of furniture and lighting at once brawny, elegant, and VERITAS COLLECTION FOR RALPH PUCCI or wall or configured as a mirror. Hints INTERNATIONAL. of color emerge in the dreamy back- 3 2–3. GIVERNY COCKTAIL painted glass tops of the round Giverny TABLES. 4. TURNED UPSIDE DOWN, THE SANTORINI CONSOLE BECOMES A TABLE. 4 ANTIONE BOOTZ 42 ARCHDIGEST.COM
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DISCOVERIES TRAVEL FAR AND AWAY Three remote new wellness retreats make for the ultimate escape 1 HABITAS BACALAR, MEXICO 1. DUSTIN AKSLAND. 2. WILLIAM JESS LAIRD. HABITAS BACALAR: TANVEER BADAL. HACIENDA ALTAGRACIA: OLIVER PILCHER. THE ROOSTER: YANNIS RIZOMARKOS. Since opening last summer, this DEBUT laid-back getaway in southern Quintana Roo has lured intrepid free spirits with Scenic its eco-friendly A-frame cabanas, holistic Drive Mayan-inspired spa treatments, and the untouched azure waters of its eponymous “Everything starts with a historic lagoon. ourhabitas.com reference,” says AD100 architect HACIENDA ALTAGRACIA, COSTA RICA Elizabeth Roberts, New York’s Auberge Resorts Collection has preeminent town house whisperer. transformed 180 acres in the foothills of the Talamanca Mountains into a So when fellow Brooklynites pilgrimage site for outdoor adventures, Calico Wallpaper asked her to energy healing, and other East-meets- West therapies, conceived in partnership collaborate, the proud preser- with The Well. aubergeresorts.com vationist immediately looked to THE ROOSTER, GREECE the past. With the help of a Overlooking the Aegean from the Cycladic Cambridge-trained historian island of Antiparos, this windswept paradise was conceived as a mental and in her office, Roberts delved into physical wake-up call, its 16 villas and the scenic patterns of yester- 2 House of Healing spa all designed to foster year, especially the hand-drawn a deeper connection to nature and oneself. tableaux of faraway landscapes theroosterantiparos.com —SAM COCHRAN that predated repeat-print technology. To put a personal spin on that tradition, she looked to her own proverbial backyard: Prospect Park. A 1910 postcard of the iconic urban landscape has now given way to a made-to-order wallpaper, first realized as a 20-foot-wide ink drawing using her signature drafting techniques. (Titled Scenic, the motif is available in eight colorways.) “It’s a fresh take on something that has hundreds of years of history,” says Calico’s Nick Cope, adding, “Non-repeating murals were such a big inspiration when we founded the company.” Roberts envisions it in a multitude of spaces, from a modern loft to a brownstone parlor floor dripping with architectural detail. Is there more to come? “I’m not finished,” she reveals. “I want to do a botanical next.” calicowallpaper.com —HANNAH MARTIN 1. AN INSTALLATION OF SCENIC, ELIZABETH ROBERTS’S NEW DESIGN FOR CALICO WALLPAPER. 2. THE AD100 ARCHITECT AT WORK ON THE DESIGN IN HER BROOKLYN OFFICE. 44 ARCHDIGEST.COM
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HIROYUKI OKI A DINING SPACE AT THE CASTAWAY ISLAND RESORT, A VIETNAM HOTEL DESIGNED BY VTN ARCHITECTS USING BAMBOO CONSTRUCTION. In the face of climate change, top architects and designers are reimagining the way we build now: embracing local materials, revitalizing craft, and championing building innovations. To capture the state of sustainability, we’ve rounded up forward-thinking projects (and products!) from around the globe. The stakes have never been higher.... ARCHDIGEST.COM 49
1 An Idea Takes Root “The first condition of sustainability is that buildings need to have a long life.” So says Vo Trong Nghia in his new monograph, Vo Trong Nghia: Building Nature (Thames & Hudson). Since founding his namesake firm in 2006, the Vietnam- based architect has explored ways to do right by the planet, taking inspiration from—and forging lasting connections with—Mother Earth. Central to that mission has been his innovative use of bamboo, a durable, fast-growing, and readily available material that lends itself to large spans and sculptural forms. Nghia calls it “the green steel of the 21st century.” The firm’s recently completed Casamia Community House project on the outskirts of Hoi An, for instance, incorporates bamboo as a means to withstand the strong winds of its riverfront site, while the Castaway Island Resort in the Cat Ba Archipelago minimizes its impact on the beach, with poles that have been soaked in mud, smoked, then assembled using bamboo dowel nails and rope. “We design our bamboo buildings like machines, with parts that can be replaced if necessary,” says Nghia, who acknowledges that there are geographic and climatic limitations to the material. “Through architecture I want to protect our planet and reintroduce greenery into the city.” vtnarchitects.net —SAM COCHRAN 2 1. BAMBOO GUEST TRASH VO TRONG NGHIA: HIROYUKI OKI. ALL OTHERS COURTESY OF THE COMPANY. BUNAGLOWS AT THE TO TREASURE CASTAWAY ISLAND RESORT. 2. CASAMIA Doing good has never COMMUNITY HOUSE. looked better at Kohler WasteLAB, which transforms clay and glaze refuse from Kohler’s extensive offerings into new designs for the home. Its latest collection, Abstra, comprises monochrome and patterned tiles bearing a sinuous relief that promises to delight the senses while easing the mind. annsacks.com —S.C. 50 ARCHDIGEST.COM
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