JAGUAR AT MOUNTAIN TURN, 1977 ACRYLIC ON CANVAS 29 X 21 INCHES SIGNED, TITLED AND DATED 1977 ON REVERSE
LYNNE MAPP DREXLER AMERICAN, 1928- 1999 UNTITLED, CIRCA 1963- 1964 GOUACHE ON ILLUSTRATION BOARD 30 X 40 INCHES INSCRIBED ON REVERSE PROVENANCE: ESTATE OF THE ARTIST
LYNNE MAPP DREXLER AMERICAN, 1928- 1999 BLUE HORSE RED RIDER, 1957- 1958 OIL ON CANVAS 58 X 61 INCHES SIGNED, TITLED AND DATED 1957-58 ON REVERSE PROVENANCE: PRIVATE COLLECTION, CT PRIVATE COLLECTION, NEW YORK, NY ESTATE OF OF THE ARTIST ON LOAN, PRIVATE COLLECTION, IOWA
LYNNE MAPP DREXLER UNTITLED, 1959 AMERICAN, 1928- 1999 MIXED MEDIA ON PAPER 14 X 17 INCHES SIGNED AND DATED 1959 ON REVERSE PROVENANCE: ESTATE OF THE ARTIST
JIVE BACKGROUND, 1987 OIL ON CANVAS 20 X 24 INCHES SIGNED, TITLED AND DATED 1987 ON REVERSE PROVENANCE: LUPINE GALLERY, MONHEGAN ISLAND, MAINE PRIVATE COLLECTION, NY
LYNNE MAPP DREXLER AMERICAN, 1928- 1999 UNTITLED, 1961 GOUACHE ON PAPER 14 X 19 7/8 INCHES SIGNED AND DATED 1961 ON REVERSE PROVENANCE: ARTIST TO THE COLLECTION OF SHIRLEY AND GRANT JACKS BY DESCENT PRIVATE COLLECTION, BALTIMORE, MD
LYNNE MAPP DREXLER AMERICAN, 1928- 1999 SUNSET SEA, 1969 OIL ON CANVAS 58 X 37 1/2 INCHES SIGNED, TITLED AND DATED 1968 ON REVERSE PROVENANCE: ESTATE OF THE ARTIST
LYNNE MAPP DREXLER PREOCCUPIED BUSH, 1963 AMERICAN, 1928- 1999 OIL ON CANVAS 39 X 32 INCHES SIGNED, TITLED AND DATED 1963 ON REVERSE PROVENANCE: ESTATE OF ARTIST PRIVATE COLLECTION, MA ACQUIRED DIRECTLY FROM ABOVE
LYNNE MAPP DREXLER AMERICAN, 1928- 1999 KESWICK, 1959/1960 OIL ON CANVAS 36 X 30 INCHES SIGNED, TITLED AND DATED 1959/1960 ON REVERSE PROVENANCE: LUPINE GALLERY, MONHEGAN ISLAND, MAINE PRIVATE COLLECTION, NEW YORK, NY, ACQUIRED IN 2016
LYNNE MAPP DREXLER HEATED WALL, 1987 AMERICAN, 1928- 1999 OIL ON CANVAS 28 1/2 X 24 1/2 INCHES SIGNED, TITLED AND DATED 1987 ON REVERSE PROVENANCE: ACQUIRED DIRECTLY FROM THE ARTIST ON MONHEGAN ISLAND, MAINE, 1990’S PRIVATE COLLECTION, OHIO
ABLOOM, 1998 OIL ON CANVAS 17 X 14 INCHES SIGNED, TITLED AND DATED 1998 ON REVERSE
LYNNE MAPP DREXLER AMERICAN, 1928- 1999 CALM COVE, 1963 OIL ON CANVAS 67 X 49 INCHES SIGNED, TITLED AND DATED 1963 ON REVERSE PROVENANCE: ESTATE OF THE ARTIST
LYNNE MAPP DREXLER UNTITLED ABSTRACT, CIRCA 1969 AMERICAN, 1928- 1999 OIL ON CANVAS 8 1/2 X 6 INCHES PROVENANCE: PRIVATE COLLECTION, NEW HAMPSHIRE, GIFTED BY THE ARTIST
BOUGHS, 1969 OIL ON CANVAS 8 7/8 X 6 7/8 INCHES SIGNED AND DATED 1969 ON REVERSE PROVENANCE: PRIVATE COLLECTION, NEW HAMPSHIRE, GIFTED BY THE ARTIST
EMILY MASON AMERICAN, 1932- 2019 ANNATO, 2007 OIL ON CANVAS 44 X 32 INCHES SIGNED ON REVERSE PROVENANCE: THE ARTIST LEW ALLEN GALLERY, SANTA FE, NM PRIVATE COLLECTION, DALLAS, TX
EMILY MASON AMERICAN, 1932- 2019 TERRESTRIAL POWER, 1981- 1982 OIL ON CANVAS 50 1/4 X 36 1/4 INCHES SIGNED AND DATED 1981-1982 LOWER LEFT
BETTY PARSONS AMERICAN, 1900- 1982 BROWN DAY, 1970 ACRYLIC ON PAPER 11 1/4 X 8 1/2 INCHES SIGNED LOWER RIGHT PROVENANCE: PRIVATE COLLECTION, NM STONE FISH, circa 1966 ACRYLIC ON STONE 2 X 4 1/2 INCHES PROVENANCE: PRIVATE COLLECTION, NM INDIAN FRUIT, 1966 ACRYLIC ON STONE 2 X 3 1/8 INCHES INSCRIBED 1966 ON UNDERSIDE PROVENANCE: PRIVATE COLLECTION, NM
FIRE TOWER, 1978 MIXED MEDIA ON WOOD 26 3/4 X 16 1/2 INCHES SIGNED, TITLED AND DATED 1978 ON REVERSE PROVENANCE: BETTY PARSONS GALLERY, NY CHISWICK AUCTIONS, LONDON, ENGLAND PRIVATE COLLECTION EXHIBITION: WORKS BY BETTY PARSONS SUMMIT ART CENTER, NEW JERSEY, 1979 THE VASE, 1972 PAINTED WEATHERED WOOD 28 1/2 X 15 1/2 INCHES SIGNED AND DATED 1972 ON REVERSE PROVENANCE: AM SACHS GALLERY, NY PRIVATE COLLECTION, DUBLIN, IRELAND EXHIBITIONS: ARTS COUNCIL OF NORTHERN IRELAND, CIRCA 1972-1976
VIVIAN SPRINGFORD AMERICAN, 1913- 2003 UNTITLED, 1975 ACRYLIC ON CANVAS 70 1/4 X 70 1/4 INCHES STAMPED BY THE ESTATE OF THE ARTIST ON REVERSE NUMBERED VSF576 ON THE OVERLAP PROVENANCE: ALMINE RECH GALLERY, BRUSSELS ACQUIRED FROM THE ABOVE
VIVIAN SPRINGFORD AMERICAN, 1913- 2003 UNTITLED, circa 1972 ACRYLIC ON CANVAS 47 1/4 X 47 1/4 INCHES STAMPED BY THE ESTATE OF THE ARTIST ON REVERSE NUMBERED VSF0088 ON REVERSE PROVENANCE: ALMINE RECH GALLERY, NEW YORK
VIVIAN SPRINGFORD AMERICAN, 1913- 2003 YELLOW AND ROSE #50 (EXPANSIONIST SERIES), 1976 ACRYLIC ON CANVAS 60 X 60 INCHES SIGNED, TITLED AND DATED 1976 ON REVERSE STAMPED BY THE ESTATE OF THE ARTIST ON REVERSE PROVENANCE: ESTATE OF THE ARTIST TAYLOR GRAHAM GALLERY, NEW YORK, NY PRIVATE COLLECTION, LOS ANGELES, CA
SHIRLEY JAFFE UNTITLED, CIRCA 1960 AMERICAN, 1923 - 2016 MIXED MEDIA ON PAPER 12 1/4 X 12 1/4 INCHES SIGNED LOWER RIGHT PROVENANCE: GALERIE NATHALIE OBADIA, PARIS
UNTITLED, CIRCA 1958 MIXED MEDIA ON PAPER 12 1/4 X 10 1/4 INCHES PROVENANCE: GALERIE NATHALIE OBADIA, PARIS
EXPLOSIONS OF COLOR | DIMENSIONS OF SOUND THE ART OF LYNNE MAPP DREXLER SUMMER / FALL 2021
the author | Colette Copeland is a multi-media visual artist, art educator, social activist and cultural critic/writer whose work examines issues surrounding gender, death and contemporary culture. She has been an educator in Fine Arts for over 10 years at the University of Texas at Dallas. Copeland writes cultural and art criticism for Glasstire, Arteidolia and Eutopia Contemporary Art Reviews. She is a member of AICA -International Association of Art Critics. Jody Klotz | Owner Joshua Wright | Gallery Director Georgia Hickson | Creative Director Bill Huber | Gallery Production technician this catalog is published in conjuction with the exhibition re.e.mer.gence, women abex and color field artists, lynne drexler, alice baber, buffie johnson & contemporaries | jody klotz fine art | abilene, texas | spring 2023 design by Georgia Hickson Cover image | LYNNE MAPP DREXLER, BLUE HORSE RED RIDER, 1957- 1958 *on loan, private collection, iowa © Copyright 2023. All rights reserved. jody klotz fine art 1060 north 2nd street | abilene | texas | 79601 [email protected] | www.jodyklotz.com | 325.670.9880
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