art supply resource Sundries & Tools: Palettes Watercolor Palette • A watercolor palette has lots of little wells for the color to sit in and for water to be easily contained. •There is a flat area to mix paint. •They are made out of plastic or porcelain for easy clean up. A plastic or porcelain surface allows water and paint to mix easily. •Many watercolor palettes have covers that snap close to store the paint since watercolor can be rewet for use at anytime. •Since all watercolor paper is white, white is the most appropriate choice for a palette for accurate color mixing. •Plastic has the added benefit of being lightweight and unbreakable, where porcelain doesn’t stain, is durable, but heavy and breakable. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg 4 Program
art supply resource Sundries & Tools: Palettes Acrylic Palette • Acrylic palettes are generally flat, provide a large area for mixing, and are made from plastic, porcelain or glass. •The non-porous surface allows acrylic to mix easily, as well as clean up easily with soap and water. •When acrylic paint dries on a non-porous surface, it can often be peeled off. •Glass has the advantage that the artist can put a colored piece of paper behind the palette in order to match the ground or surface they are painting on for better color mixing choices. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg 5 Program
art supply resource Sundries & Tools: Palettes Oil Palette •Oil palettes are generally flat, provide a large area for mixing, and are traditionally made from wood (although glass can also be used quite easily). •An artist should always rub the wood palette with a coating of linseed oil before placing paint on the palette. •Since most oil underpaintings are in an earth tone such as brown or sienna, a wood palette provides a nice neutral color for the oil painter to accurately mix colors. •Wood palettes are easily cleaned by scraping off the paint and wiping down with turpentine. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg 6 Program
art supply resource Sundries & Tools: Specialty Palettes Sta-Wet® Palette •Acrylics dry out very quickly, so there have been some inventions recently for palettes that keep acrylics fresh longer while painting. •These palettes are usually a closable case with a wet piece of paper inside. The paint is placed on the paper, and the case can be closed during painting, keeping the acrylics from drying out. Palette Paper •Another great palette is the disposable palette. •Perfect for people who are working on quick craft or fine art projects, working outside, or simply don’t want the hassle of cleaning a palette. •Paper Palette pads are filled with a type of wax paper that paint can sit on without soaking in. Oils or acrylics can be used easily on this type of paper. •Once the artist is done mixing on the paper, the paper can be removed from the pad and thrown away. •Palette paper is perfect for the artist who is traveling or away from their studio and may not have a place to clean their palette. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg 7 Program
art supply resource Sundries & Tools: Palette Accessories Palette Cups •Palette cups are small aluminum or steel cups that are made to slip over the edge of the palette. •In oil or acrylic painting, they can be used to store solvent or medium for use during painting. •Double ones are especially helpful in measuring out equal amounts of medium and solvent to be mixed. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg 8 Program
art supply resource Sundries & Tools: Palette Accessories Palette/Painting Knives •These versatile tools come in metal or plastic, and in all different shapes and sizes. •Some are shaped like trowels, spatulas, or frosting knives. •They are used to mix paint, apply paint, open cans or jars, stir, scrape away paint, and more. •Ones that have angled handles are especially good for applying paint as they keep the artist’s hands off the surface of the painting. •They are generally numbered, with each number representing a particular head shape. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg 9 Program
art supply resource Sundries & Tools: Brush Accessories Artist’s constantly use brushes. It is important to keep those brushes clean and in good condition. There are several products on the market that help keep brushes looking and performing their best. Brush Soaps •These soaps are specifically formulated to take out paint and solvents without stripping or ruining the brush hair much like shampoos are made specifically for human’s hair •Most require that the brush soap be rubbed into the brush hair, lathered, and then rinsed clean. Brush Preservers/Restorers •These preservers work very much like conditioner on human hair, they condition and restore brush hairs to their original condition. •This allows the brushes to last longer and perform better while holding their shape. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 10
art supply resource Sundries & Tools: Brush Accessories Brush Washers/Buckets •These are buckets that are specially designed to hold and clean brushes after use. •They can be made out of metal or plastic. •Most have a screen, or ridges at the bottom of the bucket to facilitate loosening paint from the hairs when the brush is dragged across the textured bottom. •A brush washer usually features a coil or some holding mechanism to keep the brush suspended horizontally or upside down when drying. •All brushes should be dried at a downward angle (hairs toward the floor) so water or solvent do not settle in the ferrule which will disintegrate the glue that holds the hairs and handle. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 11
art supply resource Sundries & Tools: Drawing Accessories There are several sundries and tools that essential for individuals who are learning to draw, taking a drawing course, or want to achieve certain effects with their dry media. Here is an outline of the most popular items. Tortillions (also sometimes spelled Tortillon) •Pronounced [Tor-TIL-Lion] or sometimes [Tor-TI-Yon] •A piece of fibrous paper that is wrapped in the shape of a pencil and sanded at the tip to make a point. •It is used to smudge and blend dry media in place of the artist’s fingers which can leave oil residue on the paper surface. •It is excellent for producing detailed lines with its pointed tip •Usually comes in a limited amount of sizes. Blending Stumps •Similar to Tortillions but they are much more compactly wrapped pieces of fibrous paper to where it is difficult to see the paper’s edges with the human eye creating a very fibrous texture over its entire length •Blending stumps are more suited for blending dry media than a tortillion due to its softer, fibrous side •To extend a blending stumps use, the outside layer of paper can be removed to expose fresh, unmarked paper to be used A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 12
art supply resource Sundries & Tools: Drawing Accessories Lead Pointer •Comes in a variety of sizes from portable to permanent fixtures, and are used to sharpen leads •They usually have two holes, one for creating a sharp point, and one for creating a blunt point. •Because leads are so much smaller than regular pencils, they require their own sharpener, or “pointer”. Lead and Lead Holder •Leads are usually kept in a lead holder, enabling the artist to draw with them. •Leads come in graphite, charcoal, and artist colors similar to colored pencils. •They vary in size by manufacturer, but usually are between 2mm to 5.6mm in size. • Mechanical pencils hold leads that are even smaller. •Artist’s usually use a lead holder versus a pencil because it easily transported (the lead can be easily hidden inside the barrel of the holder for no-mess transport), and has a nice weight making for less effort drawing on the surface. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 13
art supply resource Sundries & Tools: Drawing Accessories Erasing Shield •An erasing shield is usually made from plastic or metal •Contains several different shapes diecut into its surface similar to a template •These shapes allow the artist to erase specific areas of their drawing or design without accidentally erasing or smudging another area of their drawing. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 14
art supply resource Sundries & Tools: Drawing Accessories Everyone has used an eraser at some time in their life and usually at the end of a pencil. However, most people don’t realize that there are many types of erasers out there to aid the artist. Here are the most popular types of erasers and their uses. White Vinyl Eraser •Vinyl Erasers are made of soft vinyl and tend to be white, and square or rectangular. •The edges provide good points for detailed erasure, where the broad sides provide a large surface area for blending or smudging •They are particularly suited for erasing light marks without a lot of eraser waste to be removed from the drawing. •They do not damage the paper surface •Vinyl erasers are so soft they tend to smudge dry media if erasing too large an area, so they are good for smaller areas when removal of the dry media is needed A Chartpak Inc. Educational Sundries/Tools Module pg Program 15
art supply resource Sundries & Tools: Drawing Accessories Pink Rubber •Rubber erasers have been around since the 18th century and are generally made from synthetic rubber or plastic these days. •The most famous rubber eraser, the Pink Pearl®, is made with rubber and volcanic ash which helps the eraser have enough pumice to effectively remove pencil marks and some pen marks •The Pink Pearl® is beveled in shape in order to provide fine detail, medium and broad coverage for erasure •Rubber erasers tend to be stiffer or harder than vinyl erasers and can erase larger areas with minimal eraser waste. •The hardness of rubber erasers and the combination of pumice in most rubber erasers can result in paper damage or alteration of the paper surface and should not be used with delicate paper surfaces A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 16
art supply resource Sundries & Tools: Drawing Accessories Gum Eraser •Made from very soft, course rubber this eraser is usually brown or tan in color and comes in square or rectangular shapes •It is particularly suited for removing large areas of dry media without damaging the paper. •Perfect for use on tissues, tracing paper, and other delicate paper surfaces •It creates a lot of eraser waste that needs to be removed A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 17
art supply resource Sundries & Tools: Drawing Accessories Kneaded Eraser •Kneaded erasers are made from soft “putty” rubber and are usually gray •They can be molded into any shape in order to erase or blend an array of areas. •They work best when warm and moist, so kneading the eraser helps loosen it up and gain moisture and warmth from your hands. •The eraser works by absorbing the graphite or charcoal dust into itself. To gain a clean surface, the artist kneads the eraser until the dirt is assimilated into the rubber •Creates absolutely no eraser waste and lasts much longer than regular erasers. The eraser can no longer be used once it has turned completely dark with pencil and charcoal dust and can no longer be cleaned with soap and water. •Kneaded erasers do not erase dark lines or areas, they are more suited for blending, smearing, and lifting. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 18
art supply resource Sundries & Tools: Chamois •Extremely soft, non-abrasive piece of leather or faux leather used for blending and smearing dry media •Simulates smearing and blending with the artist’s fingers except without the risk of imparting oils from human skin onto the drawing surface •Originally named after the ‘Chamois’, or a mountain sheep from which the leather was originally taken •Can be cleaned with soap and water to remove dry media dust •Has many household uses too from cleaning eyeglasses to drying the car! A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 19
art supply resource Sundries & Tools: Drawing Boards •Drawing boards are used as a surface on which to draw •They are portable, sturdy, and often have a device that holds the artist’s paper steady on the surface •Some drawing boards are specifically designed to go on table tops and hold up the artists work at an appropriate angle for drawing or painting •The most popular drawing board is referred to as a “Tote board”. It contains a handle to carry it by, and a rubber band and clamp(s) to secure the paper to the surface. Rubber bands are often sold separately so that artist’s may replace them as they break from wear and tear. •The tote board can also be used to transport art work from one location to the next with minimal damage A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 20
art supply resource Sundries & Tools: Cutting Mats •Cutting mats are generally rectangular or square in shape and come in all sorts of different sizes from very small ones for photo trimming to very large ones that cover entire tabletops. They are also available in rolls. •They are generally made from a non-skid rubber or plastic material that allows items on its surface to stay put. This same material also stops the mat from moving on the tabletop surface during cutting for safer, more accurate cuts. •Self-healing cutting mats are made from a specialized material that closes itself together once a cut has been made in it. This allows someone to continue cutting on the mats surface without experiencing an interruption such as a bump or ridge in their cutting due to an incision already made in the mats surface. These cutting mats last longer. •Cutting mats can have several features including gridlines, angle marks and rulers for accurate cutting. •Cutting mats are used by all crafters, artists, framers, and designers. They are a perfect add-on sale for any customer! A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 21
art supply resource Sundries & Tools: Toolboxes and Organizers All artists need organizational tools to keep their supplies clean, undamaged, organized and easy-to-find There are several items that help an artist keep organized including: •‘Art Bins’ or artist toolboxes •Brush Holders or Brush wraps •Pencil Cases or pouches •Marker Cases •Storage Tubes •General boxes and containers All toolboxes and organizational items are perfect as add-on sales, especially for beginning or student customers. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 23
art supply resource Sundries & Tools: Toolboxes and Organizers •The most commonly used artist toolboxes are called “Art Bins”. •They are akin to a fishing tackle box due to their many smaller compartments which are specifically suited for art supplies such as watercolor tubes, dry media sticks, erasers, pastels,etc. •They are made from heavy-duty plastic in order to protect fragile art supplies while also remaining easily cleanable •They usually contain a larger compartment that can hold larger items such as paint tubes, bottles or sprays •They are especially popular because they are portable. They contain a latch and handle that can close the entire toolbox for transport. The plastic material makes them extremely lightweight even when filled. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 23
art supply resource Sundries & Tools: Toolboxes and Organizers Brush Holders and Brush Wraps •Generally made from nylon, plastic or bamboo. They have zipper, elastic or tie closure. If they roll closed, they are often called a “brush wrap” •These holders or wraps are longer than the length of a brush, often have elastic or slots inside that keep the brushes from moving, and are used to transport and protect brushes. They often come in short-handled and long- handled versions. •Bamboo brush wraps are specifically made to allow wet brushes to be stored. The bamboo slats allow the brushes to breathe and dry while being stored Pencil Cases and Pouches •Made from a variety of materials from plastic to canvas, pencil cases are usually tubular in shape, the perfect length for the average pencil, and are made to hold a large amount of pencils. They often close with a snap, zipper, velcro or elastic allowing for easy transport. •Pencil pouches are more rectangular in shape and deeper, usually able to accommodate erasers, chamois and other accessories. Marker Cases •Marker cases are usually nylon or plastic. They contain elastics or sleeves inside that hold the markers in place. Many of them fold backward and can stand upright by themselves on a tabletop, allowing easy selection of markers. A Chartpak Inc. EducationalThey often close with a snap, velcro, zipper or elastic for easy transport Sundries/Tools Module pg Program 24
art supply resource Sundries & Tools: Tapes Artist Tape •Artist tape is a paper tape usually white, acid-free, low tack, and repositionable. It will not stick permanently to any surface, and pulls up easily from paper. •Artist tape tends to be wider than average tape, usually averaging around two to three inches wide •Artist tape is used by most individuals who draw or do watercolor for the purpose of holding their paper down while they are creating a drawing or painting on its surface. For watercolorists, it keeps the paper from bending, stretching or waving terribly when water is applied. Drafting Tape •Drafting tape is very similar to artist tape except that it usually is a neutral cream color, is not generally acid-free, has an even lower degree of tack, and is thinner in width •Drafting tape is used primarily for holding drawings, blueprints and photos. It is low tack enough to be used on extremely fragile papers such as vellum and tissues. Masking Tape •Masking tape is another paper tape used in arts and crafts, but has the most tack of the three. •It is perfect for “masking out” or blocking out areas on the surface of the project that need to be drawn or painted over. It is pressure sensitive, so can adhere with some force when needed and resists bleeding of wet media under its edges. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 26
art supply resource Sundries & Tools: Rulers and T-squares We are all familiar with rulers from elementary school. For designers, architects, artists, crafters and framers, the ruler is an indispensable tool throughout one’s career. All rulers are generally made from wood, metal, or plastic. Rulers come in several different lengths, usually from 6 to 60 inches. The material used to make the ruler can determine its use and durability. Wood •Very lightweight. Can bend or become dented over time. Easy to hold onto. Fairly sturdy for transport. Good for occasional use. Metal •Heavy weight, very sturdy. Holds shape and integrity of sides indefinitely. Sometimes hard to keep from sliding on the surface. Perfect for heavy use. Plastic •Very lightweight, and holds shape and integrity of sides. Slightly fragile, can break or crack under pressure. Hard to hold onto. Good for occasional use. . A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 27
art supply resource Sundries & Tools: Rulers and T-squares Here are the basic types of rulers available specifically to creative people: Architectural/Triangular Ruler •The architectural ruler is usually in triangular in shape, each side containing up to 11 different scales in which the architect can translate life- size dimensions into a manageable drawing size. For example, an architectural ruler will have a ¼ scale side. 4 feet will equal one inch on this scale side and the architect will be able to drawing a building in ¼ scale using this ruler and real-life dimensions. •The triangular shape not only holds the many different scales needed, but also provides a shape that will not fall off easily from blueprints or drawings held at an angle Engineering/Triangular Ruler •The engineering ruler is very similar to the architectural ruler. It generally has six different scales included on it and allows the engineer to measure distances on a ruler. For example, the 1-20th scale means that each inch mark on the ruler is equal to 20feet. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 28
art supply resource Sundries & Tools: Rulers and T-squares Non-Skid or Cork-Backed Ruler •Non-skid or cork-backed rulers actually have a strip of cork on the back of the ruler that keeps them from sliding or moving around during measurement. •They are especially good for people who are doing precision marks, working on angles, or slick surfaces such as vellum, duralar, or mylar Angle Ruler •An angle ruler allows the artist to measure in both inches and centimeters along its sides, as well as the angle in degrees. •Many angle rulers have two ruler “arms” that are attached to a rotating wheel allow you to measure any angle. •The most popular angle ruler is permanently set in a 90 degree angle and used for making and measuring square lines. It is often also used in carpentry, construction, framing, etc. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 29
art supply resource Sundries & Tools: Rulers and T-squares T-Squares •A T-square’s name comes from its general shape and purpose---it is in the shape of a ‘T’ •A T-square is a type of ruler that has a head on it that can be placed at the side of a table to create perfectly horizontal, and perpendicular lines •T-Squares can be made from wood, plastic, or metal. •They can have the measurements on the main straightedge, or the main straightedge can be blank and without measurements. A Chartpak IncS.uEnddrieus/cToaotlsioMnodaulle pg Program 30
surfaces
surfaces selling • When attempting to complete a painting or drawing, there are lots of other supplies that are needed besides the basic paint, brushes, and pencil. These items are often called sundries, or a collection of miscellaneous items. We can also categorize some of these items as tools, or an item necessary to perform the actions of one’s profession or project. • All sundries and tools make great add-on sales and therefore should recommended to customers shopping for supplies. Click on the topics below to view more product: canvas drawing paper mixed media paper watercolor paper wood panels
canvas a brief what is canvas? introduction… Canvas fabric is created by weaving • Canvas is a traditional support on together cotton, hemp or linen in a plain which to create fine art, especially weave, and can be produced in various paintings. It became popular in the weights. 16th century as a common surface. Canvas tends to be made in a single- • The Venetian artists were the first warp texture. Warp and weft refer to the to start purchasing sail cloth, or weaved pattern of the fabric. Single canvas, to paint upon. The term warp weaving tends to be less bumpy, canvas or cotton “duck” refers to a evenly textured, and better for hiding lighter, closely woven fabric often beneath a layer of paint. used for tents, sails, awning, and painting supports. This type of canvas is what is used for “artist canvas” or “gallery wrapped” canvas.
canvas Pre-Stretched Canvas Canvas Boards or Panels Pre-stretched canvas has benefits over Canvas boards or panels are painting plain boards such as masonite or surfaces where the canvas fabric is wood due to its light weight and its glued to a wooden or composite ability to hang on a wall without support. framing. This is the cheapest form of artist Its downfall is that it is slightly flexible canvas and best for practicing. which is not always ideal for the longevity of oil paints as it may cause Canvas Boards are ready to use upon cracking, and it can be ripped or torn. purchase and are great for experimenting as they are not great Pre-stretched canvas already has long-term and will warp over time. gesso applied and is ready to paint from the moment of purchase. Linen Canvas Pre-Stretched Canvas comes in two Linen canvases are known for their types: variety in textures and weaves and tends to be more expensive and harder Stapled canvases are economical pre- to find. stretched option where the canvas is stapled along the edge of the canvas. Known for their longevity due to linen Staples can sometimes rust or fall out being an extremely strong fiber can be but usually stay stretched for longer found in different grades from very compared to nails. . Commonly known smooth portrait linen to course rough as a “standard or artist’s” canvas, since linen it is a traditional depth and are usually finished with an outside frame. Linen canvases are available in pre- stretched standard sizes. Splined canvases hold the canvas to the stretcher bars with an internal spline, usually a rubber gasket and internal framework. Commonly known as a “gallery wrapped” canvas, since it can be hung with out an outside frame.
drawing paper Material Texture Professional quality papers should be Hot-pressed paper, which has a 100% cotton which makes it strong but smooth, hard surface. Some artists like pliable. Paper made from cotton is hot-pressed paper for detailed work, often referred to as \"rag paper\". It's but others find it too slippery, making it also important that the paper be acid- difficult to control the paint. free. Cold-pressed paper, is the most Less expensive papers are made using versatile and popular texture, suitable wood pulp, or sometimes a for beginners and experienced painters combination of cotton and other alike, because it's semi-rough surface is cellulose fibers. suitable for both detailed work and smooth washes. Weight Rough paper, which features The weight of watercolor paper is not pronounced tooth that's good for indicative of quality because the best washes. paper comes in both heavy and light varieties. Weight is important because lighter papers need stretching before use and may buckle or wrinkle when wet and heavy paper can absorb more water and rarely needs stretching Light paper is anything less than 140 lb (300 gsm) and heavy is 300-400 lb (600-850 gsm).
mixed media paper Material Texture Hot-pressed paper, which has a Professional quality papers should be smooth, hard surface. Some artists like 100% cotton which makes it strong but hot-pressed paper for detailed work, pliable. Paper made from cotton is but others find it too slippery, making it often referred to as \"rag paper\". It's difficult to control the paint. also important that the paper be acid- Cold-pressed paper, is the most free. versatile and popular texture, suitable for beginners and experienced painters Less expensive papers are made using alike, because it's semi-rough surface is wood pulp, or sometimes a suitable for both detailed work and combination of cotton and other smooth washes. cellulose fibers. Rough paper, which features pronounced tooth that's good for Weight washes. The weight of watercolor paper is not Types indicative of quality because the best It's most common to buy watercolor paper comes in both heavy and light paper in individual sheets but it can varieties. Weight is important because also be purchased in rolls, blocks, lighter papers need stretching before panels, and pads use and may buckle or wrinkle when wet and heavy paper can absorb more water and rarely needs stretching Light paper is anything less than 140 lb (300 gsm) and heavy is 300-400 lb (600-850 gsm).
watercolor paper Material Texture Hot-pressed paper, which has a Professional quality papers should be smooth, hard surface. Some artists like 100% cotton which makes it strong but hot-pressed paper for detailed work, pliable. Paper made from cotton is but others find it too slippery, making it often referred to as \"rag paper\". It's difficult to control the paint. also important that the paper be acid- Cold-pressed paper, is the most free. versatile and popular texture, suitable for beginners and experienced painters Less expensive papers are made using alike, because it's semi-rough surface is wood pulp, or sometimes a suitable for both detailed work and combination of cotton and other smooth washes. cellulose fibers. Rough paper, which features pronounced tooth that's good for Weight washes. The weight of watercolor paper is not Types indicative of quality because the best It's most common to buy watercolor paper comes in both heavy and light paper in individual sheets but it can varieties. Weight is important because also be purchased in rolls, blocks, lighter papers need stretching before panels, and pads use and may buckle or wrinkle when wet and heavy paper can absorb more water and rarely needs stretching Light paper is anything less than 140 lb (300 gsm) and heavy is 300-400 lb (600-850 gsm).
wooden panels Fixative Canvas Fixatives tend to be clear, and permanent. Canvas is a traditional support on which to They are along the same logic as a create fine art, especially paintings. It sprayable glue. They are made to affix dry became popular in the 16th century as a media (charcoal, pastel, watercolor, etc.) common surface. The Venetian artists were to their surface in order to prevent the the first to start purchasing sail cloth, or drawing from smudging or dusting. They canvas, to paint upon. The term canvas or are generally used for dry media work but cotton “duck” refers to a lighter, closely can be laid down as a basis for multi- woven fabric often used for tents, sails, media work as well. Fixatives come in awning, and painting supports. This type of aerosol form only. Fixatives generally canvas is what is used for “artist canvas”. come in different forms of “fixing”, either workable or permanent (also referred to Varnishes as “final”) Varnishes as used in art are clear, protective, hard, and removable. They protect the artwork from sustaining damage from the outside environment, such as smoke, sunlight, bugs, dust, scratches, etc. They are generally used only for oil and acrylic paintings and multi- media work. Varnishes come in liquid form which needs to be applied by brush or in aerosol form that can be sprayed onto the surface. Varnishes can come in different sheens such as gloss, matte, satin, semi- gloss, etc. Varnishes are generally derived from tree resins, or synthetic materials.
terms index Long Nosed Pliers Spacer Long nosed pliers are, as the name A spacer is a type of bead (usually metal) suggest, pliers with a long nose. They are which is used to simply put spaces commonly used for holding things in between the beads in your project. They place, and in the absence of crimping are in themselves decorative, but they are pliers are also used for crimping. not designed to be the feature of your jewelry project. Memory Wire Memory wire is wire that has been Split Ring hardened into circles to use either as A split ring is a finding that looks like the necklaces or bracelets. Makers can stretch ring you find on traditional styled keyrings. the wire out to thread on beads, but then it simply springs back into shape. Memory Tiger Tail Wire wire is bought in coils, which can be cut Tiger Tail is the most common form of wire using wire cutters. for threading and making basic jewelry projects. It is made up with several strands Round Nosed Pliers of very fine wire which is twisted together, Round nosed pliers are, as the name and then coated in nylon or plastic. suggests, pliers with a round nose. They are used for making loops in wire and Wire Knitting and Crocheting findings. Quite simply, wire knitting and crocheting is just like ordinary knitting and crocheting, Seed Beads only it is done with craft wire. Seed beads are tiny beads which as the name suggests, look like tiny seeds
expanded classes & events` ` maker impact… your role… • Class programming based on • Ask customers about their what our Team Members “make” interests – what classes are they interested in that you don’t • Large wall calendar with all currently offer? space programming • Plan a minimum of one event/class each day • Keep Community Ambassador/DM updated on calendar bookings and provide feedback on what’s working and what’s not resources: • Classroom Program • Class Calendar
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