Important Announcement
PubHTML5 Scheduled Server Maintenance on (GMT) Sunday, June 26th, 2:00 am - 8:00 am.
PubHTML5 site will be inoperative during the times indicated!

Home Explore Yellow Fever – Contagious Magazine

Yellow Fever – Contagious Magazine

Published by freedom, 2016-09-19 10:12:44

Description: Yellow Fever – Contagious Magazine

Search

Read the Text Version

CAS STUDYYellow FeverFirt came the rainow vomit. Then the media partner. Now it’advertiing’ turn. Snapchat’ expanion into content ha opened up newavenue for rand to reach over 100 million uper-engaged oung people.ut how, exactl, can ou join the part?Iue 47 Q2 / 2016  Patrick Jeffre Preident Oama’ final White Houe Correpondent’ Dinner peech – traditionall a tongue-in-cheek affair – featured Trump gag, a mic-drop and, perhap le predictal, a Snapchat joke. ‘Michelle left her phone, and he’ got Snapchat,’ he aid in a ketch, efore uing the app to take a elfie video extolling the ucce of hi Affordale Care Act. Unfortunatel for the Preident, he ‘accidentall’ tapped into one of Snapchat’ famou lene, overlaing an animation that turned him into a red- eed demon. Not exactl the picture of good health. The kit wa good for a laugh, ut wa an even etter indication of jut how far Snapchat ha evolved. Five ear ago, it wa a pipe dream in the head of three Stanford clamate. Toda, uer watch over 10 illion video ever da on the platform, and eemingl everone, even the uiet man in the free world, i jumping on oard.

In the lat couple of ear, the metamorphoi haeen particularl peed. Snapchat ha changedfrom a meaging ervice known principall for itephemeralit into a gloal media heavweight. Theapp’ Dicover feature, launched in Januar 2015,now enale uer to watch, read and hare newfrom major puliher uch a Vice, Dail Mail,uzzFeed and National Geographic – a well aending Snap to their friend. “Snapchat ha more potential than a lot ofprimetime TV, ut ome rand have a hard time imagining how their trateg come to life on the platform” – Scott Varland, IPG Media LaAnother feature, Live Storie, keep it audience intune with popular event, uch a concert,portingmatche or even preidential election – nearltwice a man 18- to 24-ear-old watched the firtRepulican deate on Snapchat than on televiion.And on an given da, the app generate over fivetime the reach of the average US TV tation amongit ke 18- to 34-ear-old demographic.‘Snapchat i marring content and communicationtogether in a wa that other media companie havenever thought to do,’ a Rich Greenfield, a mediaanalt at TIG. ‘It’ pecificall uilt for the moileworld.’ That unique mixture of media, meagingand moile ha attracted advertier eeking totarget a outh audience that’ increaingl hard toreach through traditional channel.

ut thi opportunit ha alo created frehchallenge. ‘Snapchat ha more potential than a lotof primetime TV, ut ome rand have a hard timeimagining how their trateg come to life on theplatform,’ a Scott Varland, creative director ofIPG Media La in New York. ‘Snapchat require acutom approach: cutom trateg, cutom creativeand agenc partner that reall grap how theplatform work.’ In other word, top thinking of ita jut another ocial media channel.It all tart with a Snap‘Snapchat ring together the two element ofentertainment and converation in a ver implewa,’ aid Nick ell, the rand’ VP of content, in aninterview with Contagiou at Advertiing Weekurope. ‘It all tart with the camera: we’re aoutcreating moment and haring them with friend.’Uuall, the o-called 1% rule tate that onl 1% ofpeople on a digital platform create new content,while 99% lurk and conume. Snapchat upend thatparadigm – around two-third of it uer createcontent ever da. From the camera, uer can wipe

right to acce chat, or left to reach the content,uch a the Dicover channel and Storie.The app’ interface han’t een univerall popular,however. Critic (mainl over the age of 35) pointout that it’ not a uer-friendl a other platform.Simple tak on Faceook, like finding a friend, canprove to e much more difficult on Snapchat. utell maintain that’ jut a mptom of eing trulmoile-centric: ‘Over the pat 15 ear, we’veecome ver ued to dektop UI. If ou uild andinnovate for an audience with moile in mind, it willlook and feel different to dektop, ut once ou tartto ue it, it ecome ver familiar and natural.’“We count on editor and artit, not click and hare, to determine what’ important… Thi i not ocial media” – SnapchatThe UI in’t the onl difference etween Snapchatand other leading ocial media ite. ‘Snapchat waorn out of pure authenticit,’ a Jame Kirkham,head of Copa90, a gloal footall network andcontent platform. ‘Kid have reelled againt theoverl manicured world of Faceook, whereeverthing i preened to perfection.’Snapchat uer are le oeed with capturing theperfect unet or oating aout their immaculatelarranged living room furniture (ahem, Intagram).Intead, the hare quotidian moment and one-offgag, without the anticipation of view, Like orretweet weighing them down. ‘It remove a lot ofthe preure that ocial media ha created, andtherefore create a willingne of expreion,’ aidell.

And ecaue Snap diappear into the digital ether,the take on an entirel new role. ‘Photo havechanged from memor to converation,’ explainedvan Spiegel, the app’ 26-ear-old CO, in a recentYouTue video. So, rather than reling on the app tocapture taged cene or event (like, a, a weddingphoto), people are uing it to hare a pecificmoment or thought without the urden of it eingimmortalied. “Snapchat i marring content and communication together in a wa that other media companie have never thought to do” – Rich Greenfield, TIGThi new approach to communication ha quicklcreated a highl engaged audience that chooe topend an average of 25 to 30 minute a da onSnapchat. ‘The realit i that people aren’t haringor aving content in the ame wa, ut the’recoming ack continuoul,’ a TIG’ Greenfield.‘Snapchat create a virtuou ccle where uer arecontantl eing rought ack into the app ecaueof the communication laer, and that then fueltheir ailit to come into contact with content.’

No interruptionThi model – one aed on time pent in-app ratherthan on view or reach – i at the heart ofSnapchat’ trateg. ‘We elieve we’ve uilt the etmoile ad unit in the world,’ a Imran Khan,Snapchat’ chief trateg officer, in an interviewwith Contagiou. ‘We’ve taken familiar format likevideo and made them more effective… o ouradvert add to the experience intead ofinterrupting.’Snapchat enure high engagement through it ‘3V’philooph – vertical video view – enuring thatever ad i tailored perfectl for moile: hot inportrait, plaed full-creen and with ound. Whenad are vertical and full creen, the have nine timehigher engagement on the platform than letteroxvideo, the compan claim.3V ad tailored for Snapchat are then inerted intoeither a Dicover channel or a Live Stor, andviewer can wipe up to acce more information,download an app or watch a video. arl reult areimpreive. A recent ad for Furiou 7 increaed theviewer’ likelihood of watching the movie threefold.And 93% of Snapchatter who watched it eitherliked or loved the content.

Another ad, thi time from make-up randLancôme, recentl ran on Comopolitan’ Dicoverchannel. Uer could wipe up to explore the rand’Juic Shaker lip oil and even u the product

without leaving the Snapchat app – the firtexample of hoppale ad on the platform.aed on initial reult, Snapchat report thatengagement rate are ‘multiple time higher’ thanon other, comparale ite – omething thecompan attriute to the content eing perfectluited for moile, and for Snapchat. “Photo have changed from memor to converation” – van SpiegelPerhap the igget difference – from a uerexperience perpective – i that viewer canimmediatel kip an content the don’t like or in’trelevant to them. ‘rand came to u and aid: “Canwe force the uer to watch [our ad]?” That didn’t feelright to u, o we conducted reearch around it,’ aidell. The ke finding: 50% of conumer forced towatch content form a negative entiment towardthe rand.‘Major media companie put a lot of their contentonline and then diale the ailit to rewind andfat forward – the force ou to watch thecommercial,’ a Greenfield. ‘Snapchat a: “Youdon’t want to watch our ad? Flip pat them.Hopefull we’ll how ou a etter ad the next time.”Again, it jut put the conumer in control.’Around the water coolerFor ome rand, 3V ma eem like too much of adeparture from advertiing norm. ‘We’re movinginto a world where moile video ad have to workverticall and mut e hort. That’ prett much thepolar oppoite of how the ad world ha eenthinking until now,’ a tan Oren, CO of lockPart, an agenc dedicated to helping randachieve a preence on meaging app.

ut while 3V ma e the mot compreheniveadvertiing option, it’ certainl not the onl one.Gatorade ha never launched a 3V ad, nor ha iteven et up a Snapchat account, et it tand out aone of the mot memorale rand to have ued theplatform. A ponored len, which allowed uer tohower a cooler full of Gatorade over their headand then hare the video with friend, wa viewed165 million time over the Super owl weekend inFeruar 2016.‘We know the power of their platform, epeciall inreaching our target: teen competitive athlete,’ aKenn Mitchell, enior director of conumerengagement at Gatorade. ‘ut ecaue we don’thave an ongoing Snapchat preence, it i importantthat our engagement are contextuall relevant.’While Gatorade did not dicloe how much theactivit cot, Mitchell did hare that it generated a30% lift in ad awarene and an 8% lift in purchaeintent. ‘It exceeded all of our expectation,’ he a. “You need to create a new et of tool – a new context – that feel right for the platform” – Paul Marcum, Truffle PigLene give rand the opportunit to create pikeof activit without the need to uild a following andthen keep it continuoul engaged. A do Geofilter,which let anone create an image overla, upload itto Snapchat and then launch it within a pecificarea. oth tend to e particularl ucceful aroundpecific event or occaion. Taco ell, for intance,launched a len that turned the uer’ head into ataco in celeration of the Mexican holida Cinco de

Mao. In 24 hour, it wa viewed more than 224million time, with the average uer plaing with itfor 24 econd.Snapchat i currentl keeping quiet aout how muchthee kind of activitie cot, partl ecaue theprice var hugel. An On-Demand Geofilter, forintance, can range from $5 to everal thouand ofdollar, depending on the geographic area that itappear in (a ingle uilding in New York cot lethan one uur, which cot le than having thefilter appear to all uer acro the cit). ut ourcecloe to Snapchat indicate that 3V advert tart ataround $100k in the US and nationwide lene are inthe ten of thouand.Going organicIf official partnerhip are a it like joining the partthrough the front door, invitation in hand, thenorganic campaign are more like cramling underthe garden hedge and lipping in through aideentrance. It take more time and effort, ut thereward can e equall a enjoale.Much like accumulating follower on Twitter orFaceook, organic campaign require rand touild a communit, keep it engaged and thenleverage it at pecific time. It’ not a quick fix –like, a, a len over Super owl weekend – ut itdoe avoid the fee that are part and parcel ofofficial partnerhip.

In New Zealand, healthcare provider CountieManukau Health opted for thi route in an attemptto call out oung people for moking. Uer wereencouraged to Snap a friend puffing awa, covertheir face with a funn emoji or illutration (toconceal their identit, ut alo to provide plent ofLOL) and then end it to the Snapped Out NZhandle. Incentive, like Spotif ucription andmuic fetival ticket were ued to encourageparticipation.After ix week, the campaign had attracted 1,100follower, with an average engagement rate of 54%.In total, 100,000 Snap impreion were generated.‘Snapchat i a tick platform once ou have uiltthe following,’ a Clem Devine, creative director atRichard Partner in Auckland, the agenc ehindthe idea. ‘ut it in’t a et and forget platform – itneed contant engagement to keep the contentfreh.’Influencer can help to uild organic followingmore quickl. Sprite in razil printed the Snapcode(eentiall QR code that, when canned, add thatperon’ Snapchat handle to our account) of 16influencer on a limited run of can, and then alogave memer of the pulic the chance to umittheir own Snapcode and have them printed on itpackaging. In jut two da, 750 code wereumitted, and Sprite’ Snapchat followingincreaed  300%.

‘We did feel that Snapchat i different from otherplatform and we wanted to repect what theplatform i all aout,’ a Marcelo Pacoa, Coca-Cola’ creative excellence director in razil. ‘It’ notaout tring to u follower with media mone, it’aout getting to know different people and uildingan audience aed on the fact that ou identif withthe content that i eing produced. You’re going toconquer through content, not through media.’

Don’t crah the partPerhap the igget challenge i chooing anengagement avenue on Snapchat. ‘If our goal iignificant reach, ou’re going to want one of thenational paid programme,’ a Paul Marcum,preident of Truffle Pig, an agenc et up a a jointventure etween Snapchat, Dail Mail and WPP. ‘Ifou want to pla locall then ou hould look at aGeofilter. And if ou have pecific age-targetingneed, then 3V i the et tool for that.’ut whichever path ou decide to take, there i onerule that applie to all: ‘Thi i a white-hot platform

right now, ut we run the tpical rik of ever rand and their dog leaping on oard, thinking the can e a part of the fun too,’ a Copa90’ Kirkham. ‘However man oung conumer might e on it, the’ll till niff out a rand that i clumil occuping a part of their ecotem ecaue it think it hould e. rand need to intead engineer campaign around the enefit of the platform.’ Thi advice could, of coure, eail appl to all channel. ut it feel particularl pertinent to Snapchat. It’ the world’ firt trul moile media channel, and it’ governed  a et of commandment that differ from ever other ocial media platform. Thou halt add, not interrupt. Thou halt prioritie engagement over reach. Thou halt cutom-make, not retro-fit. Getting thi right require marketer to keep oth ee firml fixed on how the platform i evolving. ‘I think what’ intereting aout Snapchat i the pace of innovation that van and Nick have led,’ a TIG’ Greenfield. ‘Think aout how low Twitter ha een to iterate. Snapchat continue to come up with new product that keep conumer coming ack.’ Two ear ago, Snapchat wa a traightforward meaging app, aleit a highl ucceful one. Toda, it’ the world’ mot forward-thinking content platform, comining chat and media into an infectiou lend of moile entertainment. And a thi tranformation ha plaed out, it ha created a few highl tempting wa for rand to join the part. Jut watch out for the rainow vomit on our wa in.PRVIOUS ARTICL NXT ARTICL FATUR INTRVIWTo ot or Not to ot? In The Field / Dan Gardener www.contagiou.comContact U Privac Polic© Contagiou Communication Ltd


Like this book? You can publish your book online for free in a few minutes!
Create your own flipbook