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Contents sept 2013 Features architecture → the innovation issue Exploring the new frontiers of technology and design 86 the farthest shore todd saunders’ Fogo Island Inn opens in Newfoundland interior 80 100 the Big Dig A Montreal duplex adds light and volume with a dramatic crawl space reno it’s alive Building facades that breathe, objects that communicate, and a highway that charges electric cars. Responsive design opens up a world of interactive possibilities. By Susan Walker proDuct 68 74 94 not Your father’s office teknion launches two new lines at NeoCon focus: Kitchen Mould Busters From printed food to houses 100% ingenuity Four projects that turn humble inspired by bone tissue: a look at how 3‑D printing materials into groundbreaking innovations. 64 salt + pepper Dress up your kitchen is revolutionizing everything. By Will Jones By Kimberlie Birks drawers with 12 designer accessories sept 2013 25
CONTENTS SEPT DEPARTMENTS Light Touch standout fixtures seen at Euroluce Global Village ICFF’s best residential furnishings Graphics Teresa Sapey inserts eye-popping visual motifs into a Barcelona hotel Executive Sweet NeoCon’s bold office concepts Fresh Take Converting a Montreal sugar silo into an ingenious reception area for a climbing gym GROUNDBREAKER IDENTIKIT Style Three experimental perfumes that explore how we think about scent Tool Kit Ed Mazria and Architecture launch the ultimate green building website Greater Goods A kite that captures air quality, and other ways to breathe easier Et Cetera Benjamin Hubert’s cradle-like seater for Moroso, a Frida-Diego exhibit, and more ALSO Contributors French Lace Rudy Ricciotti crafts a delicate Jon Stam The Amsterdam-based Canadian Calendar Three must-see design and trade yet ultra-tough museum in Marseille designer mixes the physical with the digital fairs: London Design Week, IIDEX Canada and Cersaie DESIGN FILE MATERIAL WORLD Media Shelf Books, films and websites: what we’re reading, watching and downloading Boldface Movers, shakers, winners and green do-gooders Advertiser Index Trailer If whales could fly ON OUR COVER Artist and designer Andrew Kudless’s Seed may look like a brain but it is actually a -D printed cement ball. It was squeezed into exis- tence by Emerging Objects of California, a leader in Design File Area rugs, carpet tiles and Material World From garage doors to sky- exploring concrete-based broadloom in adventurous patterns lights, the best in openings and enclosures rapid prototyping. SEPT
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Contents sept 2013 VISIT OUR NEW TORONTO STORE online 162 CUMBERLAND ST. YORKVILLE → azuremagazine.Com design arChiteCture London Design Week Watch for highlights from Fresh builds to complement this issue’s focus the 100% Design show and the myriad satellite on ingenious designs (starting on page 68), we exhibitions, including Designjunction, where the pre sent envelope- pushing buildings, such as u.K.’s pengelly Design will show norse, an armchair techne architects’ prahran Hotel, where stacked with a steam-bent wooden seat and back. concrete pipes frame light wells and nooks. interiors Curiosity CARPET SQUARES. HUNDREDS OF STYLES. COME ON, LET’S DESIGN Inside jobs Visit us for the latest and greatest Design meets art Follow us for previews and A RUG TOGETHER. residential, retail and office interiors, including reviews of exhibits from around the world. google’s vibrant Dublin office by camenzind in september, paul cocksedge will create an evolution, which jazzed up the collaborative work- interplay of colour and light on the ceiling of spaces with dramatic luminaires. the Friedman Benda gallery in new York. video ► job board events my azure click on our video section View career openings in updated daily with dates sign up online to share for exclusive interviews canada and internationally and deadlines for current your latest creations – with notable architects in 10 fields, among them and upcoming conferences, from products to projects and designers, including interior design, architec- exhibits, competitions and of all sizes – with the philippe starck and ture, and graphic design. openings around the globe. Azure community. Karim rashid. we’re open 24 ⁄ 7 twitter.com/azuremagazine facebook.com/azuremagazine azuremagazine.com/app 28 sept 2013 azuremagazine.com FLOR-TORONTO-AZURE-Ad-2013-F.indd 1 4/3/13 9:30 AM
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Vol. 29 – no. 226 sept 2013 Editorial Director nelda rodger Editor catherine osborne Creative Director Karen simpson Senior Editor elizabeth pagliacolo Managing Editor Diane chan Associate Editors nina Boccia, tory Healy Assistant Editor David Dick-agnew Copy Chief pamela capraru Contributing Editors andrew Braithwaite, tim mcKeough, rachel pulfer, David theodore, adele Weder Contributors amy aiello, Kimberlie Birks, chris chapman, colin Faulkner, alex Fradkin, alison garwood-Jones, rafael gomez-moriana, roland Halbe, ellen Himelfarb, Will Jones, austin macdonald, paige magarrey, lisa moore, emily urquhart, susan Walker Senior Designer Vicky lee Production ⁄ Design Intern claire mccallum Website azuremagazine.com Web Coordinator Francesco sgaramella Web Assistant Kari silver Letters to the Editor Azure welcomes your comments. please send your letters to: [email protected] staff can be reached at: [email protected] Azure is published eight times per year (Jan ⁄ Feb, march ⁄ april, may, June, July ⁄ aug, sept, oct, nov ⁄ Dec). Published by AZURE Publishing Inc. 460 Richmond St. W., Ste. 601 Toronto, ON Canada M5V 1Y1 Tel: (416) 203-9674, Fax: (416) 203-9842 E-mail: [email protected] Online: azuremagazine.com canada post pm 40048073 all rights reserved. any reproduction of the contents without written authorization from the publisher is strictly prohibited. the publisher cannot be held responsible for loss of, or damage to, unsolicited materials. all submissions for editorial consideration must include a self-addressed, stamped envelope and return postage. We acknowledge the financial support of the government of canada through the canada periodical Fund of the Department of canadian Heritage. We also acknowledge the support of the omDc magazine Fund, an initiative of the ontario media Development corporation. Azure is a registered trademark of azure publishing inc. registered united states patent and trademark office. © 2013 azure publishing inc. printed in canada 34 sept 2013 azuremagazine.com
The perfect showcase VOL. NO. SEPT Publisher Sergio Sgaramella for the perfect fame. Executive Publisher Melony Ward Senior Account Managers Jeffrey Bakazias () - x [email protected] Laura Levy () - x [email protected] Dinah Quattrin () - [email protected] Production Manager Alessandro Cancian Office Manager Rhonda Bell Consumer Marketing Manager Sofiola Papadhimitri Marketing Assistant Hannah Trumper Print Subscription Information Tel: () - E-mail: [email protected] Website: azuremagazine.com/subscribe By mail: Azure Magazine, Subscriber Services, PO Box , Station K, Toronto, ON Canada MP E Print Subscription Rates Canada ⁄ U.S.: year (eight issues), $.. International: year – surface, $.. Allow eight to weeks for delivery or for address changes. Digital Subscription Information Digital subscriptions to Azure may be purchased through azuremagazine.com/subscribe and azuremagazine.com/app. Digital Subscription Rates Worldwide: year (eight issues), $.; years ( issues), $. Piazzetta Design — italian HanD-CrafteD surrounDs Back Issues now available exclusively for Town & Country Luxury Fireplaces Print-format back issues of Azure are available for $ for delivery in Canada, $ for U.S. delivery, and $ for all other international surface delivery. Orders may be placed through shop.azuremagazine.com, by calling () - x, or with prepayment to: Azure Back Issues, Richmond St. W., Ste. , Toronto, ON Canada MV Y. Digital back issues are available through zinio.com/azure. Mailing Lists We occasionally make our subscribers’ names available to companies whose products or services may be of interest. To be excluded from these mailings, please send your request, with a copy of your subscription mailing label, to: Azure, Richmond St. W., Ste. , Toronto, ON Canada MV Y. Newsstand For information on Azure magazine on newsstands in Canada and the U.S., call () -; internationally, call () -. Azure is a member of Magazines Canada. ISSN -X Member of the Canadian Circulations Audit Board Indexed by Design and Applied Arts Index (DAAI). Send undeliverable Canadian copies, address changes and subscription orders to: Azure Magazine, PO Box , Station K, Toronto, ON Canada MP E. USPS -. Published by AZURE Publish ing Inc., U.S. Office of Publication c/o Adrienne and Associates, See us live at Humboldt Pkwy., Buffalo, NY . Periodicals postage paid at Buffalo, NY. U.S. POSTMASTER: Send address changes Toronto IIDEX 2013 Booth #1239 to: AZURE Publishing Inc., PO Box , Niagara Falls, NY -. Vancouver IDSwest 2013 Booth #508 SEPT AZUREMAGAZINE.COM Discover more at townandcountryfreplaces.net
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contributors sept 2013 → we asked: What is the most important issue design should be responding to? LOW-RESIDENCY ONLINE GRADUATE DEGREE PROGRAM Master of Design Studies in Sustainable Design ONSITE UNDERGRADUATE DEGREE PROGRAM Bachelor of Design Studies in “the under-reported problem of “Innovative thinking will increasingly Sustainable Design light pollution and its devastating have to respond to climate change effects on the environment. and social and economic inequity. Millions of birds die each year as a Architecture and design need to ONLINE COURSES result of our constant illumination. move faster, and beyond their first & CERTIFICATES It’s essential that we take steps tentative steps in these directions.” Continuing education credit available to reconnect with the night sky.” Sustainable Design toronto photographer chris alex Fradkin visited newfoundland’s rugged coast to photograph Fogo Sustainable Community chap man visited teknion’s canadian island inn for “the Farthest shore.” Planning and Design headquarters for “not Your Father’s → page 86 office.” → page 94 Sustainable Residential Design Sustainable Building Design & Construction “Design should acknowledge “the depletion of the earth’s the loss of free public spaces, resources, with more people living especially in urban areas – spaces on less arable land. Imagination that are accessible to everyone, must now be applied to how we places to gather for whatever can reduce consumption while reason, without having to purchase improving global living standards.” a cap puc cino first.” in “it’s alive,” toronto writer susan newfoundland fiction writer Lisa Walker examines how embedded moore spent three days exploring technology is reshaping architecture todd saunders’ Fogo island inn for and design. → page 80 “the Farthest shore.” → page 86 Clarification We wish to correct two errors in our July/august issue. ochiba, a banana fibre window shade by conrad, comes in ivory and brown with copper filigree. also, patricia urquiola’s first textile line for Kvadrat is called the patricia urquiola collection for Kvadrat. 40 sept 2013 azuremagazine.com
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groundbreaker french A bold addition wrapped in a delicate veil of ultra-tough concrete catapults Marseilles’s lace Museum of Civilisations into the modern era BY tim mckeough pHOtO BY LOReM IpsUM DOLORe 46 sept 2013
← A vertiginous foot- Where the city meets the sea in marseilles, France, a new building by architect rudy ricciotti, bridge connects the in collaboration with roland carta, stands in dramatic contrast to its heavily reinforced new structure to Fort neighbour, Fort saint-Jean, which was built in the 1660s to deter revolutionaries. infinitely Saint-Jean. more porous than its pre decessor, the strict square box is sheathed in a diaphanous curtain ↑ Veil-like concrete of free-form concrete that recalls local fishermen’s nets. Despite the obvious juxtaposition, cladding envelops both buildings constitute part of the new museum of civilisations from europe and the the glass box of the mediterranean (mucem), which has some 250,000 objects in its collection, from 16th-century museum. reliquaries to a pink Floyd mixing console. tying the structures together, a 115-metre-long, ↗ One of the circula- vertigo-inducing ribbon of a footbridge offers a sky-high stroll above the port; and a third tion routes that wind building nearby serves as the museum’s conservation centre. through the facility. although the 15,500-square-metre addition, named J4, is undeniably eye catching, the architects sought to defer to the area’s historical architecture. “mucem’s dematerialization is in response to the massiveness of the fortifications,” says ricciotti. “the result is friendly with Fort saint-Jean.” the concrete’s matte finish is subdued, he notes, and the overall form doesn’t cry out for attention. Yet the addition stands out among other recent architectural developments. as the european capital of culture 2013, marseilles has inaugurated several striking new projects, including the Vieux port pavilion by London’s Foster + partners, and the Villa méditerranée by milan’s Boeri studio. While the city’s history shaped it, J4 also showcases contemporary French material technology, says ricciotti. it is constructed largely from ultra-high-performance concrete, a French invention by Ductal Lafarge. stronger, more watertight, and more versatile than the ordinary kind, the substance was pushed to its limits on this project. “it follows a long chain of expertise, from concrete chemists and structural engineers to prefab and pre-loading pHoto BY Lorem ipsum DoLore glass box supported by a branching concrete structure. Within that transparent container specialists,” he says. Beneath the lacy curtain, circulation ramps wind around the building’s heart, an interior are two levels of permanent and temporary exhibition spaces, a 325-seat auditorium, a book- store, a restaurant, and administrative areas. in the end, says ricciotti, J4 is unmistakably of its place: “it is bony, feminine, fragile and mannered – also provincial, local, provençal.” azuremagazine.com rudyricciotti.com sept 2013 47
graphics man on Teresa Sapey crafts a surreal story starring a houndstooth-suited main character for a the move Barcelona hotel BY Rafael gomez-moRiana For pau, its new hotel in Barcelona, the room mate group sought an interior that would conjure an arche- typal character. Luckily, architect teresa sapey likes to tell stories in her designs. “in this case, pau is a catalan gentleman, a chef who is refined and edgy at a time when catalan cuisine leads the world,” she explains. through graphics and furnishings, she shows pau moving through a sequence of spaces that form chapters of sorts. the most dramatic, the elevator lobby, intro- duces the pro tag on ist, represented in a large artwork stencilled onto the elevator doors and walls. Wearing a jacket with the same houndstooth pattern as the carpet, pau has his back turned to us, and his head appears to be in a knot. “i have always liked houndstooth for the classicism of its directional black and white checkerboard pattern,” says sapey. “and the irony of a cook wearing pata de gallo !” (in spanish, houndstooth translates as “rooster leg.” ) “the question might be whether the rooster came before the chef.” a stairway leads up to the 66-room hotel’s lounge and café-bar, which opens onto a large wooden terrace dotted with multi- functional furniture pieces (adán, created by sapey for Vondom) shaped like human heads, which serve as stools, side tables, or planters. in the atrium and corridors, large photographs of different- coloured eyes peer at us. the suites provide the final chapter, leaving the ending up to the guest’s imaginations. stencilled images of hands, corian room dividers perf- orated like swiss cheese, and bathroom tiles that resemble rustic barnboard adorn the rooms. as with any good story, sapey fills in the details with care, through her use of colour, materials and iconography. teresasapey.com pau.room-matehotels.com 48 sept 2013 azuremagazine.com
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Fresh take the silo An innovative wooden skin animates the handcrafted reception desk treatment of a converted sugar silo in Montreal BY david theodore ↑ revamped to in the reception area inside a former redpath sugar silo on montreal’s Lachine serve the new climbing canal, a custom-designed desk perches like a digital wire-frame surface gym, the silo’s recep- come to life, embodying a fusion of handicraft and computer-driven design. tion area features it serves guests of the adjacent allez up rock climbing centre, recently Mammafotogramma’s constructed at the base of the silo complex. the designers, giulio masotti and inventive desk. gianluca Lo presti of the milan multimedia studio mammafotogramma, lived ← the site’s four sugar nearby for two months while they planned and built the curving, 12-metre-long silos, with the rock structure in situ. the duo hand-cut and welded the over 15,000 steel pieces climbing centre in the that support the desk’s intricate wooden shell. rather than a computer model, middle. they constructed a 1:1 scale prototype to work out the positioning of computer ↙ the pliable Woodskin displays and floating rubber work surfaces. “We shaped and changed each for the reception desk individual piece, based on the needs of the climbing centre,” says masotti. is fabricated from ply- the shell represents mammafotogramma’s first test of Woodskin, a pliable wood and vinyl mesh. material made using digital fabrication. computer-controlled milling machines precisely cut a sandwich of plywood and vinyl mesh, producing sheets that can be quickly shaped by hand into complex forms. “We like the mix of old techniques and the digital,” explains masotti. “We’d like to have a family of products that goes in that direction.” the commission came about through friendship: masotti met Jean-marc de la plante, president of the family-owned enterprise, during a stay in mont- real as an architecture student. When de la plante engaged smith Vigeant architects to design the new gym, he invited mammafotogramma to contribute. so far, only part of one silo has been converted, becoming the reception area. However, the 30-metre-high volume overhead might yet be transformed into a private climbing area for groups or youth. “it’s still a work-in-progress,“ says project architect Daniel smith. sweet. mammafotogramma.it 50 sept 2013 azuremagazine.com
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