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nice work idc & raic present iidex canada canada’s national design + architectUre exposition & conFerence sept 26–27, 2013 iidexcanada.coM @iidex Visit the Workplace design expo Happening at tHe Direct energy centre, toronto Produced by PRODUCED BY 07_Azure_June_v3.indd 1 2013-04-05 4:00 PM

Material World get Eco-materials meet performance and myriad aesthetic possibilities in these exceptional floored flooring options BY lian chang Project: aesoP, boston White oak covers the floor, wall and shelves at the new aesop boutique on Boston’s newbury Street. instead of using this single-material approach to create smoothness, architect William o’Brien jr. played with the cornice, an element he borrowed from the ornate Victorian architecture that abounds in this historical Back Bay neigh- bourhood. cornices typically mediate the juncture between horizontal and vertical surfaces, to shed rain from a building’s exterior, or to cover the joint between ceiling and wall. Here, an assortment of moulding profiles instead creates a ridged geom- etry that frames shallow yet highly articulated shelves, to offset the restrained packaging of aesop’s skin and hair care collection; the shelving system then extends to form a sculptural counter. complementing this physical texture with visual depth and another nod to history, the floor is also covered in white oak, reclaimed and antique rather than new, for an overall effect that feels at once ornate and minimal. aF africa aS aSia aU auStralia EU europe ME middle eaSt na nortH america nZ neW zealand Sa SoutH america UK united Kingdom WW WorldWide hardWood new processes for reclaiming, engineering and treating wood Planks enhance the natural grain with trendy effects or traditional finishes, while ensuring strength, durability and easy installation. ← admonter ’s engineered planks Viridian Wood the engineered Mafi’s carved timbers are milled to in the XXlong series come in lengths blond wood european Beech create three-dimensional surface of up to five metres and a range of features darker brown veins and is textures, from linear and curvilinear species and surface treatments – in made in portland from reclaimed geometries (including plaid and five oak hard wood finishes, as well shipping crates. waves), to such free-form patterns as spruce, douglas fir and mountain na viridianwood.com as paisley and whimsical doodles. larch softwoods. nadurra Wood offers a range of meanwhile, its tiger oak product WW admonter.at undergoes a chemical-free thermal fSc-certified hardwoods, including Duchateau Floors offers faux red oak, hard maple, walnut and treatment that causes natural cracks in the grain, which are then vintage floors in wood derived from black cherry, along with douglas fir antique structures. distressed and reclaimed from historical building filled with epoxy in stunning shades of violet, white and gold. treated with hard wax, the products sites in toronto. are fSc-certified. na nadurrawood.com WW mafi.at aU EU na Sa duchateaufloors.com 102 june 2013 azuremagazine.com

RECYCLED-CoNTENT For a touch of whimsy or a perfectly crisp surface, these glass and TILES ceramic tiles with high recycled content offer subtle variations in colour, texture or shape. → Crossville Tile and stone Bedrock Industries’s Blazestone Icestone’s large-slab terrazzo is echo Recycled Glass tiles consist Tiles boast colours that result manufactured in Brooklyn from 100 of up to 100 per cent pre- and entirely from post-industrial glass per cent pre- and post-consumer post- consumer recycled glass. They products: the java tile owes its recycled glass, Portland cement come in clear, frosted and iridescent dark matte finish to beer bottles, and pigment. finishes, as well as a series of square while the clear and glossy Mineral na icestoneusa.com and rectangular patterns. Water derives from window glass. na crossvilletileandstone.com na bedrockindustries.com Floorgres’s Chromtech /1.0 porcelain stoneware tiles contain recycled ames Tile & stone With monochro- Fireclay Tile From vintage-inspired clays, feldspars, and quartz, and are matic tones and a varied texture, patterns to a basic range of neutrals available in a range of warm and cool the Modern Slate series offers the and pastels, handmade Debris Series tones, in matte, polished or three- highest re cycled content in the tiles are 70 per cent derived from dimensional anti-slip finishes. company’s ecotile line: 62 per cent curbside glass re cycling, giving new ww floorgres.it of each tile is made of dust or scrap life to material too contaminated for recovered from the production line. use in bottle making. na amestile.com na fireclaytile.com ECo-RESINS From seamless flooring systems to optical-grade resin panels and high-performance coatings, these engineered products incorporate high proportions of recycled and natural content and solvent-free binders. EnviroGlas unique mixtures of Gobbetto’s high- performance → 3-Form The monolithic translucent 100 per cent post-consumer and synthetic resins boast various Chroma, with 40 per cent recycled post- industrial glass and porcelain properties, including phosphores- content, comes in candy-like colours aggregate are blended with cence for one of five glowing and various edge options, ideal for custom-coloured epoxy resin and colours; thermo-sensitivity, so the stair treads and floor accents. It can applied on site. colour transforms with heat; and be resurfaced after years of use and na enviroglasproducts.com a non-toxic flexible option for recycled at the end of its life. children’s areas. ww 3-form.com sika offers ComfortFloor, a smooth, ww gobbetto.com seamless satin-finish resin flooring system applied in layers, for a durable Flowcrete’s Mondéco is a hard- surface. What’s more, Sika delivers a wearing resin terrazzo mixed with life cycle assess ment of the product such aggregates as mother-of-pearl, to measure its environmental impact. recycled glass, marble and flint. ww sika.com ww flowcrete.com RESILIENT opTIoNS natural materials, from limestone and granite to cork and plant-based fibres, give these tile and sheet materials durability and unexpectedly striking surface qualities. Plyboo Made from compressed → armstrong With a linear pattern artigo’s smooth rubber sheet bamboo and formaldehyde-free soy inspired by weathered stone and flooring Kayar provides a random adhesive, Stiletto is more than twice wood, the Striations BioBased Tiles directional visual texture, achieved as hard as red oak, and comes in six are made from 85 per cent limestone, with embedded coconut fibre, and stains, each featuring a natural grain. 10 per cent pre- consumer recycled comes in both bold and neutral na plyboostiletto.com content, and BioStride, a plant-based colours. polymer. Eu artigo.com Kirei Board With its striking organic ww armstrong.com texture, this wood substitute is Jelinek Cork Mosaic Floors made of reclaimed sorghum stalk Johnsonite Made of 75 per cent Wine corks are cut into thin circular and a formaldehyde-free adhesive. natural and renewable materials, iQ discs and affixed to a plastic backing as na kireiusa.com natural is a recyclable, VOC-free to form mosaic flooring suitable for vinyl sheet flooring that comes in high-traffic and damp areas. nora’s noraplan unita randomly both neutral and eye- popping shades. ww jelinek.com integrates light-reflecting granite chips within a rubber sheet for a ww johnsonite.com subtle sparkle. ww nora.com june 2013 103

MEDIA SHELF  BUILDING SEAGRAM  PARABETON: PIER LUIGI NERVI AND ROMAN CONCRETE BOOK BY PHYLLIS LAMBERT FILM BY HEINZ EMIGHOLZ In Parabeton, German filmmaker Heinz Emigholz presents a Books about iconic buildings rarely do justice to what often brings such architecture into being: personal relationships and egos . Building Seagram Zen slide show that alternates between ancient Roman architecture and  works by mid-century concrete maestro (Yale University Press) sets a benchmark in accomplishing this goal, mostly because author Phyllis Lambert was a key force behind the influential New York Pier Luigi Nervi. The Tempio di Giove Anxur (first century BC) and the Colosseum in Rome ( AD) are juxtaposed with the skyscraper’s realization, involved at every stage, from the first seed of the idea to its completion in . Lambert weaves a compelling tale of the archi- intricate vaulted ceilings and swooping staircases of Nervi’s works, including an experimental warehouse and an exhibition tects, Ludwig Mies van der Rohe and Philip Johnson, and her own complicated role overseeing them. More than simply representing the interests of its hall . Emigholz captures the soul of each example , letting the camera linger as a bird swoops into frame or a person walks by. owner – her billionaire father, the business magnate Samuel Bronfman – she served as a midwife to the creative process. When her family sold the building Silent except for ambient sounds and the introductory titles, this -minute documentary from Filmgalerie  makes a case in , she became a preservationist to ensure its historical importance as one of the world’s defining examples of International Style . for revering and preserving the modern as well as the ancient. YOU MAY ALSO LIKE: Emigholz’s Photography and Beyond series, Lambert describes how, when she was just , her father asked her to oversee the project. Bronfman had no clear vision for the building, and his of which Parabeton is the th (under his new Decampment of Modernism subset). Nervi also documented his own work in daughter , while educating herself about architecture along the way, tutored her father. Her first-hand account of working as a woman in an all-male field several books, among them Pier Luigi Nervi: Buildings, Projects, during the ’s reveals uncanny faith in her own instincts and ability to hold Structures –. BY ELIZABETH PAGLIACOLO her own among titans. Equally compelling are Lambert’s insights into Mies (a model of serenity)  KARTELL: THE CULTURE OF PLASTICS and Johnson (an edgy provocateur), and the power struggles between the BOOK EDITED BY ELISA STORACE AND HANS WERNER HOLZWARTH teams in New York and Chicago. At various times, both architects threatened to leave the project. Lambert lyrically describes the -storey tower’s minute Diehard fans of contemporary Italian design can dive in to the world of Kartell through this -page volume that opens with details, giving life to its airy presence, and the intricate play of light across metal and tinted glass. praise for founder Giulio Castelli from Silvana Annicchiarico, the director of Milan’s Triennale Design Museum; she is just With close to  archival images – including construction shots, vintage postcards, even typewritten letters from Lambert to her father (which begin one of many contributors who laud him for uplifting Italy’s bleak postwar domestic landscape with kaleidoscopic housewares. “Dearest Daddy”) – Building Seagram offers a scrupulous narration by a truly great archivist and historian. YOU MAY ALSO LIKE: Kenneth Frampton’s Stunning photographs show off the most popular creations, such as those by early collaborators Joe Colombo and Gae Aulenti; Kengo Kuma: The Complete Works (Thames and Hudson), which organizes the quintessential Japanese architect’s works into material categories. and iconic pieces like Philippe Starck’s Ghost chairs, now a condo presentation centre staple. By working with top talents, Mies’s influence on Kuma’s architecture is revealed through such works as a vacation home that embodies the light spirit of Mies’s Farnsworth House. Kartell continues to illustrate plastic’s ability to embody innovation in mass-produced objects. YOU MAY ALSO LIKE: Gary BY NORM WEINSTEIN Hustwit’s Objectified, a documentary about objects and their designers, filled with insight from such visionaries as Jonathan Norm Weinstein is a poet and critic, and an author of books on Gertrude Stein and jazz. He is currently working on a book about architecture. Ive, Paola Antonelli and Hella Jongerius. BY NINA BOCCIA  JUNE  AZUREMAGAZINE.COM

Home sweet home 6-10 SEPT. 2013 PARIS NORD VILLEPINTE, hall 8 www.nowdesignavivre.com International home design exhibition Trade only Visitors: Promosalons Tel. +1 514 861 5668. crey@promosalons.com  LABCAST: THE MIT MEDIA LAB VIDEO PODCAST WEBSITE BY LABCAST.MEDIA.MIT.EDU Before they hit design galleries or store shelves, new technologies start out as prototypes in the hands of tinkering inventors. More preview, © Cyril Lagel. DCWE © Ian Scigliuzzi. Kristalia s.r.l © Paolo Contratti. © Qui est Paul ? © Francis Amiand. SAFI organisation, a subsidiary of Ateliers d’Art de France and Reed Expositions France. Tél. + 33 (0)1 44 29 02 00. info@safisalons.fr than a few of these innovators work from MIT, developing out- there ideas like a levitating sphere that allows users to interface with a -D computer model in real time, laser-lit cameras that see around corners by employing complex algorithms to parse scattered light, or a wraparound TV screen that fills the viewer’s peripheral vision. These projects and others are on display at MIT’s Labcast, which chronicles dozens of such cutting- edge projects in films a few minutes long. It gives a first look at how computation is transforming old design processes, and a glimpse into their future . YOU MAY ALSO LIKE: DARPA.mil, the website of the U.S. military’s R&D agency. A news section announces regular developments in robotics, computer processing and communi- cations. BY DAVID DICKAGNEW  CREATIVE INTELLIGENCE BOOK BY BRUCE NUSSBAUM Is your intelligence creative? According to Bruce Nussbaum, a professor at Parsons in New York, expertise is built on creative intelligence (CQ for short). We just haven’t been calling it that. A common misconception holds that a light bulb goes on in the heads of inventive people to let them know an idea has been hatched. Nussbaum argues that developing a concept doesn’t happen so suddenly. It’s an ongoing process, and it tends to be collaborative rather than solitary. This book from HarperCollins proposes five areas to help expand your CQ. Tips include recognizing play as a cornerstone of thinking outside the box, PHOTOS BY ALESSANDRO CANCIAN stimulating, but haven’t we heard this before? Still, this is a fun and ways to reframe problems for better understanding. All very book that leaves you believing creativity might just rule the world one day. YOU MAY ALSO LIKE: Change by Design (HarperCollins), by TEDTalk regular Tim Brown, a popular proponent of design thinking as an integral ingredient for any corporation that wants to stay ahead. BY CATHERINE OSBORNE JUNE

BOLDFACE AND THE WINNERS ARE… Toyo Ito won the Pritzker Architecture Prize for  , which marks the fifth time the award has gone to a Jap anese SUMMER architect, following Kenzo Tange in , Fumihiko Maki in 2013 , Tadao Ando in , and the team of Kazuyo Sejima and Ryue Nishizawa in . In its appraisal, the jury OUR described Ito as a “creator of timeless buildings” and lauded 317 in-depth reviews of Toronto’s him for “infusing his designs with a spiritual dimension and furniture shops and showrooms ANNUAL for the poetics that transcend all his works.” The two-time ADI Compasso d’Oro winner also counts a Royal Institute of (maps included) SHOPPING British Architects’ Gold Medal and a Golden Lion from the ON NEWSSTANDS NOW GUIDE Venice Architecture Biennale among his accolades. His recent work includes his eponymous architecture museum, Digital subscriptions available at zinio.com/designlines + a stack of polyhedral volumes in Imabari, Japan. To learn more about Toyo Ito and the Pritzker Prize, see Where to fnd lights, chairs and pritzkerprize.com. The Red Dot product design award winners have been plenty of other announced. French furniture designer Alain Gilles earned home-enchancing a nod for his beautiful Welded dining table for Bonaldo, goods while architecture firm MVRDV was honoured in the archi- tecture and urban design category for its glass-encased Book Mountain in Spijkenisse, the Netherlands. In the automotive and transportation category, BMW scooped up four awards for its innovative M Gran Coupe,  Series and  Series Touring and the R  GS motorcycle. Find a complete list of  winners at red-dot.org. The Royal Architectural Institute of Canada has named Toronto’s Hariri Pontarini Architects as the recipient of this year’s Architectural Firm award. The jury of esteemed peers, such as Marianne McKenna, Peter Cardew and Lola Sheppard, noted HPA’s “rigour, balance, utter refinement DESIGNLINESMAGAZINE.COM of form, materials and detail control, and utmost precision in execution.” The firm’s remarkable international portfolio ranges from high-rise social housing and mixed-use towers to educational facilities and cultural projects. It is currently at work in Chile on the highly anticipated Bahá’i Temple of South America , a nine-sided structure sheathed in stone panels reminiscent of billowing sails. In related RAIC news, the institute has announced  Architecture as the winner of its inaugural Emerging Architectural Practice award. In addition to its low-cost housing, urban pavilions and mixed-use commercial buildings, the collaborative Winnipeg firm co-curated Migrating Landscapes, Canada’s  sub- mission to the Venice Architecture Biennale. RAIC has bestowed its Young Architect Award on Maxime-Alexis Frappier. An alumnus of Montreal firm Saucier + Perrotte Architectes, Frappier founded ACDF Architecture in . He has built pro jects in Canada, Vietnam, the United Arab Emirates, and Indonesia, where the firm is currently working on re- energizing the Pasar Gadang market. Rotterdam’s MVRDV, together with land developer ADIM Nord and French architecture firm de Alzua, have won the urban renewal competition in Villeneuve d’Ascq, a northern French town. Central to the master plan is the Beam, a monolithic tower made up of two intersecting volumes that twist around each other. Construction is set to begin in , and the building will house a hotel, offices and retail space. The joint proposal by Massimiliano and Doriana Fuksas and Russian studio Speech has won the international com- petition for the design of the Moscow Polytechnic Museum and Educational Centre. Located  kilo metres from Red Square, the project will consist of four gargantuan volumes separated by wedges that appear to be sliced by the wind. Clad entirely in pre-oxidized copper with wisps of green and blue, the building is expected to include a café, a shop, two auditoriums, a library and several workshops. Completion is slated for . During Milan Design Week, W Hotels and Design Miami/  JUNE  AZUREMAGAZINE.COM

LTD 057 Azure June 2013 The Icon 13-04-02 9:18 AM Page 1 Basel handed its Designers of the Future Award to three The Icon recipients: Seung-Yong Song of Seoul; Jon Stam, an expat Canadian working in Amsterdam; and London’s Bethan Laura Wood. This year, the award inaugurates a program where the winners create works to be unveiled at Design Miami / Basel, which takes place this month in Switzerland, and later installed at W Hotels in Bangkok, Mexico City and Verbier, Switzerland. For more informa- tion about the winners, visit designmiami.com. The Ontario Association of Architects has selected the winners of its annual Design excellence Awards. Toronto firms Diamond Schmitt Architects and Kuwabara Payne McKenna Blumberg each scooped up two wins: DSA for the Centre for Green Cities at the evergreen Brick Works and Ryerson university’s Image Centre; and KPMB for the Rotman School of Management at the university of Toronto and the CIGI Campus in Waterloo. Among the other winners are Belzberg Architects, for the Los Angeles Museum of the Holocaust, and Saucier + Perrotte Architectes for the university of British Colum bia’s Faculty of Pharmaceutical Sciences building. movers and shakers In March, Denise Scott Brown asked the powers that be at the Pritzker Architecture Prize to retroactively recognize her role in her husband Robert Venturi’s 1991 prize. In solidarity, Harvard GSD’s Women in Design petitioned Pritzker executive director Martha Thorne, calling for an official acknowledgement of Scott Brown’s 22-year contribution to the success of the Philadelphia firm Venturi Scott Brown. The petition has been signed by Venturi himself, as well as Zaha Hadid and Hani Rashid. lisataylordesigns.com Also in March, Milan mayor Giuliano Pisapia dismissed architect Stefano Boeri from his position as the city’s councillor for design, fashion and culture. The architect responsible for Milan’s eye-catching and sustainable Bosco Verticale tower left a teaching position at the Politecnico di Milano and resigned as Abitare’s editor to take the post in 2011. Architects, designers and artists, including Rem Koolhaas, Marina Abramović and elizabeth Diller, penned a letter to the mayor requesting Boeri’s reinstatement. Mirko van den Winkel is relocating from europe to new York for his new role as executive vice-president of Moroso uSA. He worked as an area manager for the Italian furnishing giant between 1994 and 2008, and has since helped young brands, including established & Sons and Quinze & Milan, become more consumer savvy. Charlotte Myhr has been named COO of Bulthaup’s u.S. operations. This coincides with the German kitchen manufacturer’s relocation of its American headquarters from Roseland, new jersey, to Los Angeles, where Myhr helped launch Bulthaup’s showroom in 1990. green goods Seattle’s Theater Commons and Donnelly Gardens, by landscape design firm Gustafson Guthrie Nichol, has been certified by the Sustainable Sites Initiative (an American rating system) for its design, construction and maintenance. Created for the Seattle Center campus, the landscape entailed overhauling a 0.6-hectare area with a parking lot, a service road and a desolate lawn, and transforming it into a green and pedestrian-friendly entry. In memorIam The visionary Italian architect Paolo Soleri died in April at the age of 93. A disciple of Frank Lloyd Wright, Soleri set out to build the ultimate self-sufficient community – long before sustainability became an industry buzzword – by designing Arcosanti, an off-the-grid settlement in the Arizona desert. Started in the ’70s, the project still stands as a testament to his radical ecological approach. june 2013 107

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trailer The one-minute orchestra Showing Dubai, one of the world’s fastest-growing cities, how to make every second count Twenty-first-century mortals are fixated on time. London Design Festival in 2009, they exhibited a fragment, creating patterns that morph and We track its passing on the faces of clocks and on grid of analog clocks whose hands harmoniously warp, mesmerizing and even dizzying the viewer – the screens of computers, hour by hour, minute arranged themselves to represent the time like a performance operating on the register of the by minute, second by second. We set our alarms a scoreboard. Their latest installation, A Million sublime, seeming to suggest that ultimately time at precise hours, and we stress over the time we Times, was stationed at Design Days Dubai last is an illusion. How, otherwise – in the slow, shifting devote to working and the diminishing time we have march, in that surreal, glittering desert city that vastness of the desert, where the only real time left to bask in leisure. clocks – their hum, their seems to exist somewhere in the indefinite future. is the present location of the sun – does the world’s tick – permeate our consciousness. The piece consists of 288 clock faces, each fastest- growing metropolis exist? Sweden-based designers Per emanuelsson and with two jet black hands separately powered by Bastian Bischoff, who collaborate under the name electrical motors. Synchronized via an iPad, the Cultural writer Daniel Baird lives and works in Humans Since 1982 (a reference to their birth 576 hands whir round and round at an astonishing Bishkek, Kyrgyzstan, in a time zone 10 hours year), are preoccupied by this anxious relationship speed, burning through days in mere minutes, ahead of his former home of Toronto. with time, under whose dominion we have lived only stopping to reveal the time at each 60- second at least since the industrial revolution. During the interval. continuously shifting, they align and 110 june 2013 azuremagazine.com

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