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KG_MarketingImage_Portfolio_2015

Published by Mark Villanueva, 2016-01-21 18:25:32

Description: KG_MarketingImage_Portfolio_2015

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1 . Marketing Illustration Portfolio - 2015 An overview of our capabilities for marketing illustrations across a range of project and client types. Dates range from 2013-2015

CBRE/Trammel Crow - Diridon Station Proposal Date: Dec., 10, 2015Our Mission:At the core of every idea is a story. And throughdesign, visuals and immersive technologies,Kilograph has the creative insight and technicalresources to articulate any narrative.We are a creative agency based in Los Angeles,California. Our mission is to make a statement.Our expertise is purpose-built visual design. Ourfocus is the future. See how with Kilograph.

CBRE/Trammel Crow - Diridon Station Proposal Date: Dec., 10, 2015Kilograph believes:That the future is an idea in itself.An idea that has never been articulated orvisualized.It’s a narrative communicated through visualdesign and immersive technologies.The future creates a meaningful dialoguebetween the reality and the imagination.It expresses a point of view, and departure.The future is an experience populated by ideas.Elevated and amplified by a strong voice.The future isn’t new. It’s next.

Marketing Illustration - Kilograph 2015 Portfolio - Various ClientsBehind every Our visuals unlock the passion of ideas and create aproject is a story story tailored specifically to your audience. Whether it’s a film, brand identity, interactive experience, or il-See the future with Kilograph. lustration, at Kilograph we have both the insight and the resources to help you reach your clients. Architect founded, Kilograph’s artists are enthusiastic design advocates. We are concerned, at our core, with making design vision a reality. We are careful to under- stand the architectural intent and work closely with our design clients to develop visual narratives that tell the story. These assets both support the design process and help to maximize the overall impact of the archi- tectural concept. Some of our Clients include: Cassidy Turley/DTZ, Cannon Design, CBRE, Concord Development, Cooper Carry, Crescent Heights Devel- opment, Cushman Wakefield, Dialog Design, DES Ar- chitects + Engineers, Drop in the Bucket Foundation, Field Operations, Foster+Partners, Gehry Technolo- gies, Gensler, GMPA Architects, Grosvenor, Gruen As- sociates, Handel Architects, HOK, HKS Architects, IDS Real Estate, The Jerde Partnership, Kilroy Realty, Koning Eizenberg Architecture, Lincoln Properties, LMN Archi- tects, The Mark Company, Marmol Radziner, Millenni- um Partners, Morphosis Architects, NBBJ, Nicole Hol- lis, Related Companies, Richard + Bauer Architecture, Rogers Marvel Architects, Rogers Partners Architects, Sares Regis Group, SOM, Snohetta, Spear Street Capi- tal ,SPF Architects, Stanley Saitowitz Natoma Architects Inc., SWA group, The Living New York, Tishman Speyer, Gilmore Associates, Tom Wiscombe Architecture, Trini- tas, UNStudio, Yazdani Studio of Cannon Design

CBRE/Trammel Crow - Diridon Station Proposal Date: Dec., 10, 20152 . MarketingIllustration For examples specific to this project visit: http://kilograph.net/diridon Our marketing visuals are focused on meticu- lous attention to detail. Down to the pixel, our goal is to ensure that every finished image con- veys not only photorealism but hyper-realism. Our aim is to create the most perfect image of a space. We have the team, tools, and resources to accomplish any project. To date we have brought our expertise to bear on projects for some of the worlds largest development companies including Related Companies, Hines Development, and Tishman Spire.

Example Imagery: Campus/ Aerial Compelling, Layered, CompositionKilograph examples of high definition visualsfor office and institutional - various clientsHigh Definition Materials Collegiate EntourageUber Headquarters SFGensler NY/ SFLMUSFTV Campus BuildingGensler LAHyundai HeadquartersGensler Los Angeles

Example Imagery: Urban Development/ Campus Naturalistic, Expressive LightingKilograph examples of high definition visuals foroffice and institutional campuses.High Definition Materials

CBRE/Trammel Crow - Diridon Station Proposal Date: Dec., 10, 2015Example Imagery: Campus/ Student Compelling, Layered, CompositionKilograph examples of high definition visualsfor residential and hospitality - various clientsHigh Definition Materials Accurate interior lighting

CBRE/Trammel Crow - Diridon Station Proposal Date: Dec., 10, 2015Precedent ImageryKilograph examples of high definition visualsfor retail, office, and hospitality - various clients

STILL IMAGE VISUALIZATION PROCESS Kilograph is a full-service , creative studio committed to the development of compelling visual materials that inform and connect. The following process outlines Kilograph’s still image process which allows us to develop compelling and visually stunning representations of your project3. Process PRE-PHASE 01 PHASE 1 02 PHASE 2 03 PHASE 3 This diagram serves as an overview of our still WORK IN PROGRESS 02 PRE-FINAL image process with our clients. CLIENT BRIEF WORK IN PROGRESS 01 SCOPE AGREE MATERIALS ENTOURAGE Kilograph is dedicated to effi- TIMELINE CAMERAS ciency and quality. We depend DESIGN ASSETS Selecting accurate materials and Populating the scene with the on our artists and managers to Positioning of cameras to achieve textures for the project. appropriate cast to bring it to communicated best practices the most dynamic and effective life. to our clients in order to maxi- perspectives for the renderings. FURNITURE mize the quality and efficiency LOOK AND FEEL of our outputs. TIME OF DAY Selecting appropriate furniture With this in mind we have put (chairs, light fixtures) for the project. Final look and feel signed off. together some easy to use Selecting a specific time of day documents for our clients to and capturing the correct reference when initiating a vi- atmosphere. sualization project. CLIENT FEEDBACK 1 CLIENT FEEDBACK 2 WHAT WE NEED FROM YOU CLIENT SIGN OFF VEGETATION FINAL DELIVERY To get started on the project • Cameras signed off Selecting appropriate vegetation we need : • Time of day signed off (trees, plants, foliage) for the project. • No changes to cameras, ambient • Project location and program CLIENT SIGN OFF • 3d models/2d drawings of project lighting or geometry after this point • Materials, landscape, furniture • Materials signed off • Mood Boards • Furniture signed off • Visual references/look and feel • Vegetation signed off • No changes to materials, furniture, * Work after agreed deadlines is subject to and vegetation after this point change fees and availability of staff * For every day start is delayed, the project deadline will shift accordingly