Cyclical Magazine

CYCLICAL Magazine INTERVIEW: HARALD GROSSKOPF GEAR: ALBUM REVIEW: TOP 12 RELEASES: - KORG SQ 64 THE ZONE OF - NOISEBOXES MALLEABLE FEARS BY JULY 2023 BRENDAN POLLARD JULY 2023

GEAR: The integrated software is perhaps a KORG SQ 64 bit basic, although there is access to its controls and it is possible to save It is a 64-step sequencer with 64 them. And it allows you to import buttons for each step, this puts it and save projects, unfortunately we in an advance situation, surpas- do not have a display of MIDI notes sing other manufacturers. Providing or an option to import .mid files and 3 polyphonic tracks and 1 drum send them to the sequencer. Per- track. It manages to integrate the haps a firmware 3.0 and a reissue of features of a traditional MIDI se- the driver software could bring the- quencer, but has added the current se advantages. touch that is trending: randomiza- ble parameters such as velocity per Ulises Labaronnie step, probability of playing each step, several ways to play including an interesting stochastich mode. It is of an intuitive programming, qui- te well resolved with its four-spa- ce screen. It provides a good level of MIDI control, being able to pro- gram its four assignable knobs into 4 banks (so 16 a final knob control) and 64 buttons to various channel voice messages and this is expan- ded with 16 program storage me- mories slots. Very useful for con- trolling digital module synthesizers. The voltage outputs are efficient, with pitch, gate and mod for its 3 polyphonic tracks and 8 gates for the drum channel. One notable fea- ture is that it sends MIDI clock even if in stop mode, this maintains time on external arpeggiators and delays that might otherwise acquire their own time if they don’t receive the clock message from the master. 2 JULY 2023

GEAR: character and distinct sonic signa- se can include but are not limited NOISEBOXES ture. The result is an instrument to fingers, mallets, brushes, violin that not only performs impeccably bows, chains, or any other object In the marvelous world of elec- but also captures the imagination you can find in everyday life. The tronic music, creativity knows no of musicians, producers, and sound variety of elements used introdu- bounds. The pursuit of unique designers, pushing experimentation ces a unique timbral quality to the and captivating sounds remains to new heights. sounds produced, enabling artists an ongoing quest for artists and If you are a musician seeking to ex- to craft intricate and expressive per- enthusiasts alike. As the limits be- plore uncharted territories of sound formances. tween traditional instruments and or a professional aiming to expand Moreover, noise boxes serve as ideal electronic music continue to blur, your sonic palette, they offer an candidates for effects processing, innovative tools emerge. It’s within array of noise boxes that cater to va- allowing musicians to further shape this context that LihuelCases enters rious styles and genres. From gritty, and mold their sonic creations. With the stage. raw distortions to ethereal, atmos- the aid of external effects units, such LihuelCases is dedicated to crafting pheric textures, their instruments as delays, reverbs, filters, or distor- exceptional electroacoustic ins- are designed to complement and tion pedals, artists can expand the truments, with a particular focus enhance your musical vision. sonic palette of their noise boxes, on the remarkable world of noise By combining the best of traditional transforming their raw output into boxes. These intriguing devices are craftsmanship with modern innova- ethereal soundscapes, distorted captivating sound generators that tion, LihuelCases stands at the fore- textures, or enveloping atmosphe- add an extra layer of texture and front of the electronic music revo- res. This integration of effects pro- complexity to electronic composi- lution. cessing adds depth and complexity tions. to compositions, enabling artists to At LihuelCases, they understand Exploring the Versatility of Noise fully realize their creative vision. that musicians and sound explorers Boxes: A Multifaceted Instrument Additionally, noise boxes can be crave unconventional sonic lands- seamlessly integrated into electro- capes. Their mission, as Lihuel told In this section, we will delve into the nic music production workflows. us, is to provide them with meticu- various ways in which noise boxes These instruments can trigger, con- lously designed, handcrafted instru- can be utilized, the elements with trol, be processed and be sampled ments that inspire and push creati- which they can be played, execution by synthesizers, groove machines vity. Each noise box is meticulously techniques, and effects processing. or software applications, expanding assembled, combining cutting-edge One of the aspects of noise boxes is the possibilities for composition technology with a deep apprecia- their versatility in terms of playing and live performances. This integra- tion for traditional craftsmanship. techniques and the range of ele- tion fosters a cohesive and dynamic Their skilled artisans meticulously ments that can be used to interact ecosystem, where noise boxes blend select the finest materials, ensuring with them. harmoniously with other electronic each noise box possesses a unique Musicians often employ a wide ran- instruments, resulting in captivating ge of elements to play noise boxes, and immersive sonic experiences. adding a tactile and performative One of the remarkable features of element to their compositions. The- LihuelCases noise boxes is their in- 3 JULY 2023

herent capability to produce robust creative possibilities they offer. for captivating electroacoustic ins- sound without requiring extensive By following their Instagram page, truments. Experience the artistry, amplification. Unlike some electro- you’ll gain exclusive access to upda- innovation, and limitless potential nic instruments that heavily rely on tes, behind-the-scenes content, and of noise boxes in your compositions amplification systems to achieve demonstrations of the noise boxes and performances. desired volume levels, LihuelCases in action. Stay informed about new Follow them on Instagram (@Li- instruments are designed to pro- releases, limited editions, and spe- huelCases) today and unlock a duce powerful and engaging sound cial offers that will fuel your musi- world of sonic exploration. Let your even without excessive amplifica- cal exploration. Their team is always music transcend boundaries with Li- tion. Each box has an audio output available to answer your questions, huelCases. (6.5mm jack). This allows musicians provide personalized recommenda- to perform in a variety of settings, tions, and assist you in finding the from intimate studio sessions to live perfect noise box. performances in smaller venues, To acquire your own LihuelCase, with minimal equipment require- simply visit their Instagram profile ments. (@LihuelCases) and send them a In conclusion, the beauty of noise direct message. They’ll guide you boxes lies not only in their sonic through the process, ensuring you find the instrument that aligns with your unique artistic vision. Each Li- huelCase is meticulously crafted with passion and expertise, guaran- teeing exceptional quality and sonic excellence. No matter where you are located, you can experience the innovative craftsmanship of LihuelCases instru- ments. Whether you’re in bustling capabilities, but also in the diverse cities, remote corners of the world, ways they can be utilized. Whether or anywhere in between, our de- you prefer a hands-on approach, dicated team will ensure that your exploring physical manipulation te- desired noise box is safely delivered chniques, or integrating them into a to your doorstep. (Please note that larger electronic music setup, noise international shipping may be sub- boxes offer endless creative ave- ject to customs regulations and fees nues. At LihuelCases, we strive to specific to your country. Their team provide musicians and enthusiasts will assist you in navigating these re- with instruments that ignite their quirements to ensure a hassle-free imagination and enable them to delivery process). push the boundaries of electronic Join the growing community of music expression. musicians, producers, and sound Contact info: enthusiasts who have embraced Are you ready to embark on a sonic LihuelCases as their go-to source adventure like no other? LihuelCa- ses invites you to explore the cap- tivating world of noise boxes and unlock new dimensions of electro- nic music. Connect with them on Instagram (@LihuelCases) to disco- ver their exceptional range of hand- crafted instruments and witness the 4 JULY 2023

INTERVIEW: HARALD GROSSKOPF “I like international music cooperation” via internet” Grosskopf is a German musician born in 1949. He began his career in the 1960s as a drummer in the beat group The Stuntmen, and towards the end of the decade played in the then unknown Scorpions. He later played drums in Wallenstein and Ash Ra Tempel, as well as on many of Klaus Schulze’s solo albums. In 1980, he released his debut LP, Synthesist , which became a cult classic of German electronic music. How did you imagine your album Synthesist to be when you started composing it? -It was my first experience behind Synthesizer and Sequencer. I never thought I could be a composer before that experience. How were your first approaches with rhythm machines being a drummer? -When rhythm machines appeared on the music market I did`nt like them at all! I found they sound unrealistic. Much later in time I liked their originality. Roland 808 for example. These days I use electronic drum pads played by hand and also program VST plug ins. Tell us a little bit about what you are doing with your music these days. -It still a great pleasure to compose. Seems getting even more intense during my ageing. I hope I can do it for the rest of my life. That “rest” is getting smaller every day. An inspiration too. I like international music cooperation via internet. These modern tools are amazing. Using AI too for creating stunning pictures. 5 JULY 2023

BRENDAN much inspired by albums such as harmonic symbiosis with the flow POLLARD: Thief, Flashpoint and Wavelength of the sequencer, which begins to by the famous German trio. More dribble bass sequences that lead THE ZONE complete in terms of harmonic the track to a finale with a more OF MALLEA- rhythm, Scanner Rate is molded in sober rhythm. The title track takes BLE FEARS the same essences and is one of the us back into a more ambient sphe- best tracks on the British synthe- re, with winds, mechanical frictions Hum! A Brendan Po- sist’s new album. Probe is the first and hums forming a compact sound llard album consis- of the half-dozen tracks of murky, mass akin to space shuttle engines. ting of 14 tracks ave- dark ambient music that criss-cross The sensation of emptiness, of floa- raging around 5 minutes in the 14 musical stories on THE ZONE ting in the hollow of the universe, length? THE ZONE OF MA- OF MALLEABLE FEARS. Its essence is very present in The Zone of Ma- LLEABLE FEARS features is very obscure, with droning wa- lleable Fears. The same can be said electronic music (EM) com- ves sailing in linear motion. Sound of Voids of Intuition, with its dark posed over the last 2 years, effects add a cinematic spectral di- layers, reverberating emanations but inspired by a storyboard mension to the music. Intriguing and shimmering chords. Steel Blue Brendan created a few years fog, puffs of white noises and la- Sphere is another of the album’s ago following a heartbrea- yers of vampiric organ are among gems. Repetitive, its rhythm des- king - and ultimately happy - decision concerning his cribes circular axes on sui- 92-year-old mother. Short tes of 8 sequencer chords tracks, some of them very that zigzag beneath a mass short, where electronic rock of ambient drones and of and Berlin School mix their gothic haze. The vibratory roots and influences throu- resonance effect of these gh a flock of dark ambient juicy, resonant sequences tracks. We’re mainly in a breathes a chthonian air mosaic of film music, with that suits the synthesizer’s influences from Tangerine apocalyptic trumpet har- Dream and Klaus Schulze monies. It’s very 70’s TD! It’s good old Berlin School! This sequencer tone reso- nates in the slow rhythm of Sol 173. These sequences are clothed in light and sha- dow in a slow procession snaking through a well-structured the elements that adorn the slow, of which the tonal intensity evolves EM for such concise tracks. We are 3-minute-plus, opening of Institute under a haze of orchestral drizzle in the heart of the vintage years, of Shift and Validation. The chorus is and of stylized synth airs with a deli- with a hint of the early 80’s. gothic and chthonian in inspiration, cate bouquet of medieval flute. Levada - The Traveller begins this with sonic elements that sound very The longest track on THE ZONE OF mosaic of EM with a bouncy rhythm. Klaus Schulze from the days of Star- MALLEABLE FEARS, Venture to the A rhythm whose zigzagging modula- dancer on the Body Love album. A Circles evolves in phases, rather like tions give it the effect of cavorting pulsating rhythm emerges from the Institute of Shift and Validation. Ho- through an elegiac woodland where organ’s vibrations. It runs with slight llow breezes, Schulze-like electronic flute tunes blow. Keyboard chords sideways inflections under a layer of effects, reverberating drones and a fall and mini synth refrains roll in chthonian voices and some Arabian layer of elegiac mellotron make up loops in this setting that fills with tunes floating in a vaporous essen- its slow opening, which ends with the mythical haze typical of Tange- ce. The synth unleashes catchy mini a string of luminescent sequences rine Dream works from the Bau- refrains. They roll in loops over this 30 seconds into the 3rd minute. A mann and Schmoelling years. The structure that doubles its rhythmic bass shadow supports the fluidity music here, and in some other trac- impact with the addition of a line of of the fluttering movement, and ks on the album, seems to be very glittering arpeggios. It hops along the rhythm develops through 3 ele- in its own shadow, developing a 6 JULY 2023

ments, including a looping ball of long, twisted filament gnawed by a modulations, some of which have a keyboard riffs. It comes and goes, radioactive humming wave, Deflec- dramatic texture, and maintain its in a form of cha-cha-cha tinted with tion Mode bursts forth with a deli- cadence beneath an imposing sheet shadow, under this string of glitte- cious structure of melodious rhythm of gothic fog where a certain ghost- ring arpeggios that begins to follow worthy of a John Carpenter film. ly presence lurks. an ascending musical tangent. The Sonic spirographs drawing distorted Just because the tracks are short synth multiplies haze and discreet arabesques accompany this diaboli- doesn’t mean that Brendan Pollard’s solos, as do those trumpet-like tu- cal, ascending lullaby, where some EM remains uninteresting! Different nes heralding the end of the world. excellent synth solos tie in. Some because of these short structures And the finale features the nostal- are even theatrically dramatic. Dou- rather than the long musical no- gic air of a flute. Two elements that ble pulses and a second sequencer vels typical of his earlier works, THE enchanted our senses in the 70’s. line, which makes swiftly flickers its ZONE OF MALLEABLE FEARS takes Ocean of Time is another passage of jumping chords, add depth to this us on a journey through the feeling dark ambience, with droning, guttu- hypnotic rhythm that maintains its of a range of emotions that connects ral vocals complementing a distant, growth under an avalanche of so- us with the reality of this storyboard evasive melody. The Cavern of Ex- los, some of which manage to titi- by the English musician-synthesist. tractions and Utilities remains in the llate our emotions. Continuing this There’s a right balance between same genre. Its hollow winds undu- approach where specters lurk in the very Berliner rhythms and the late with a tremolo, with a quavering secret, the track ends its rhythmic dark ambient phases that at times effect in their droning voices. After procession under a storm of whi- teeter between the author’s dismay the short but superb Scanner Rate, te noises. This flickering sequencer and the dark gothic worlds of the Burning Sun takes us back into the movement forms the basis of Arri- vintage years. This beautiful album spheres of Dark Ambient with dro- val at the Arc of Vermilion’s ambient is available on CD (300 copies) and nes that are accompanied this time rhythm. Ascending, its movement as a download on Brendan Pollard’s by the aerial screeching of some is slow and needs the presence of Bandcamp site. metallic blue synth shadows. After a low sequences that accentuate the Sylvain Lupari synthsequences.com 7 JULY 2023

TOP 12 RELEASES: JULY 2023 NONLINEAR PUURO JA SILTA BY MYSTERIOUS CAVE OF MYSTERIES OF DAWN BY CROSSROADS BY BART BREILING & BRÜCKNER ETERNAL THETA BY GERT EMMENS HAWKINS COMPUTERCHEMIST SOUNDS FROM THE ONLY THE STARS REMAIN ECLIPSE BY LARS COSMIC ECHO BY BLACK MACHINE BY BY JEFF PEARCE LEONHARD MARTIN STÜRTZER JARMODULAR PRIVATE EARTH BY MACHiNA BY MiDi BiTCH ORBITAL ORGANISM BY ALCYONE BY SEQUENTIA CARLOS DENGLER SACRED SEEDS LEGENDA 8 JULY 2023

CYCLICAL DREAMS: LATEST ALBUMS NONLINEAR CROSSROADS BY BART HAWKINS MUSIC COMPOSED, PERFORMED AND PRODUCED BY BART HAWKINS MASTERED: BART HAWKINS BANDCAMP ALBUM: https://cyclicaldreams.bandcamp.com/album/non- linear-crossroads-cyd-0084 ARTWORK: CYCLICAL DREAMS PHOTOGRAPHY: AMP PUTTIPONG TALES FROM URANIA BY SOPHOS MUSIC COMPOSED, PERFORMED AND PRODUCED BY ULISES LABARONNIE MASTERED: ULISES LABARONNIE BANDCAMP ALBUM: https://cyclicaldreams.bandcamp.com/album/tales- from-urania-cyd-0083 ARTWORK: CYCLICAL DREAMS PHOTOGRAPHY: AMP PUTTIPONG NEXT ALBUMS DECLIVE BY STEPS TO THE STARS BY SUSCRIBE NOW! M3NASH JOHN S. SHEPHERD AND NEVER MISS AN ISSUE 9 JULY 2023