Size chart Comparison of the various bed linen products done by the home brands
Size chart Comparison of the various Living Room products done by the home brands
Size chart Comparison of the various Table Linen products done by the home brands
Project 2 Brief Research on Op Art ( Optical Illusions) Develop Op Artworks and set them on repeat Patch the artworks together to create new prints.
STARK CONTRAST MOVEMENT ABSTRACT TRASFORMATION OF LINES, CURVES ILLUSION OP Art Op art, short for optical art, is a style of visual art that uses optical illusions. Op art works are abstract, with many better known pieces created in black and white. Typically, they give the viewer the impression of movement, hidden images, flashing and vibrating patterns, or of swelling or warping.
Method of operation Black-and-white and the figure-ground relationship Op art is a perceptual experience related to how vision functions. It is a dynamic visual art that stems from a discordant figure-ground relationship that puts the two planes—foreground and background—in a tense and contradictory juxtaposition. Artists create op art in two primary ways. The first, best known method, is to create effects through pattern and line. Often these paintings are black and white, or shades of gray (grisaille)—as in Bridget Riley's early paintings such as Current (1964), on the cover of The Responsive Eye catalog. Bridget Riley's early paintings such as Current (1964)
Here are few images from the design process. I also began with molding clay into various geometric shape, undershoot them and then inspired from these shapes I started building my artworks. After studying op art for few days I began trying out physical handmade artworks to understand the concept of illusion and how it is created before making digital artworks.
Patching them Together Combining the Op artworks together to make a print set on repeat. Try different techniques and shapes to patch them together. Use different kind of artworks and combine them into one single print. Make them pleasing to the eye. Some thing which is busy but still creates illusion.
Project 3 Brief Out of the selected op Artworks develop a bed linen collection. Products to be included are - Euro sham, standard pillow, cushion, decorative and throw cushions, duvet cover.
Size Chart- Key Points to remember Bel Linen Collection Design a Mockup for the Bed room- Plan your collection in a white bed room- Should be PURE, MODERN and INDIAN. EURO SHAM-30\" X30\" STANDARD PILLOW- 26\" X36\" THROW CUSIONS- 24\" X24\", 18\" X18\", 16\" X16\" DECORATIVE CUSHIONS- 20\" X20\" DUVET COVER- 108\" X90\" BED SHEET-108\" X90\" Euro Decorative Sham cushion Standard Duvet Pillow Cover Bedsheet Throw cushion
Flange Textured Print 1 cover Fabric Print 2 Piped Black Piped Print 3 edges edges Print 4 Quilted black- Decorative Throw Throw ( inner side of cushion the Duvet cushion cushion Cover) Euro Sham Standard Pillow Standard Pillow Throw cushion White plain Bedsheet Duvet Cover
Flange Textured Print 1 cover Fabric Print 2 Piped Black Piped Print 3 edges edges solid Quilted black- black ( inner side of the Duvet Decorative Throw Throw Cover) cushion cushion cushion Euro Sham Standard Pillow Standard Pillow Throw cushion White plain Bedsheet Duvet Cover
Flange Textured Print 1 cover Fabric Print 2 Piped Black Piped edges edges solid black Quilted black- ( inner side of Print 3 the Duvet cover) Decorative Throw Throw cushion Euro cushion cushion Sham Standard Pillow Standard Pillow Throw cushion White plain Bedsheet Duvet Cover
Flange Textured Print 1 cover Fabric Print 2 Piped Printed Fabric Print 3 edges Piped edges Print 4 Quilted black- Decorative Throw Throw ( outer side of cushion the Duvet cushion cushion cover) Euro Sham Standard Pillow Standard Pillow Throw cushion White plain Bedsheet Duvet Cover
Flange Textured Print 1 cover Fabric Print 2 Piped Black Piped edges edges solid black Quilted black- ( inner side of Print 3 the Duvet Cover) Decorative Throw Throw cushion Euro cushion cushion Sham Standard Pillow Standard Pillow Throw cushion White plain Bedsheet Duvet Cover
Flange Textured Print 1 cover Fabric Print 2 Piped Black Piped edges edges solid black Quilted black- ( inner side of Print 3 the Duvet cover) Decorative Throw Throw cushion Euro cushion cushion Sham Standard Pillow Standard Pillow Throw cushion White plain Bedsheet Duvet Cover
Feedbacks & Changes My learning outcomes COLLECTION -1 Omit use of white decorative cushion The euro sham is good but the print used for the duvet needs to change. Look for a different op Print- Apply the duvet print of the second collection here. COLLECTION -2 Club the duvet print with other collection. Change the proportion of print on the standard pillow Don't add 3 prints in one collection COLLECTION -3 Remove the throw cushion omit the horizontal stripe print Give duvet a block border to define it. COLLECTION -4 Decorative cushion can be fine quilted, Scale of the print on standard pillow needs to be reduced The duvet cover can be quilted Don't use the revert of any print in the same collection COLLECTION -5 The white stripes on the duvet needs to be avoided the placement of print of standard pillow needs to change COLLECTION -6 The white space has to be decreased Less of white cushions Standard printed pillow to be given a black flange border Change the euro sham print
Final OP Art Bed Linen Collection Collection 1- 'Advancing Metrix' Collection 2- 'Uncountable folds' Collection 3- 'Responsive eye' Collection 4- 'Vanishing Lines'
ADVANCING METRIX Bed Collection -1 advancing Metrix - collection one euro sham- flange decorative cushion- Fine quilting Duvet cover- Quilted (inner side- black Color)
UNCOUNTABLE FOLDS Bed Collection -2 Uncountable folds- collection two euro sham- flange decorative cushion- Fine quilting Duvet cover- Quilted (inner side- printed)
RESPONSIVE EYE Bed Collection -3 Responsive eye- collection three euro sham- flange decorative cushion- Fine quilting Duvet cover- Quilted (inner side- black Color)
VANISHING LINES Bed Collection -4 Vanishing Lines- collection four euro sham- flange decorative cushion- Fine quilting Duvet cover- Quilted (inner side- black Color)
Fabric- Poly satin 8 fabrics got printed Cushion Size- 20\" X 20\", 16\" X16\" Backing fabric - Black Poly satin Trims- Black Concealed Zippers
Key Takeaways Things I learnt at Rajesh Pratap Singh Interning at Rajesh Pratap Singh helped me understand how the industry works in detail. Apart from designing, understanding the textile sector, exposure to the communication system in the brand, planning and execution was inexpressible. Here new fabrics and techniques are often invented and created keeping sustainability in mind. All things move with a faster pace to make the ends meet, To deliver on time. The design process of converting an idea/concept into a real garment/product in a fixed period is one of the most important aspect of learning. The internship helped me sharpen my software skills, I learnt about different printing techniques, washes, fabrics and as to why would we choose them. Lastly, I would Like to thank the college for providing me with this opportunity. This industry exposure was very insightful. The learning along all the semesters helped me in applying my design skills to use efficiently.
Experience My learning outcomes On the whole, this internship was a useful experience. I have gained new knowledge, skills and met many new people. I achieved several of my learning goals. I got insight into professional practice. I learned the different facets of working with a designer as sophisticated as Rajesh Pratap Sir. I experienced that quick receptivity, time management and multi-tasking is an important factor for the progress of projects. Related to my study I learnt more about the design process, how stealthily designs should be made in the industry, and how the production process works- beginning from receiving the design brief to the finalizing and producing the products. I also gained extensive knowledge on different print techniques and washes employed. Interning here really helped me sharpen my software skills. The internship was also a good place to find out what my strengths and weaknesses are . This helped me define what skills and knowledge I have to improve in the coming time. At last this internship has given me new insights and motivation to pursue a career in the industry
Reference Rajesh Pratap Singh Q&A | Rajesh Pratap Singh | Mint (livemint.com) Rajesh Pratap Singh goes eco friendly for upcoming Winter/Festive collection | Fashion Runways News India (apparelresources.com) It’s amazing! Rajesh Pratap Singh opens Amazon India Fashion Week | The Indian Express Rajesh Pratap Singh: India’s Tailoring Master | Woolmark Why Rajesh Pratap Singh's fashion metaphors echo Ziggy Stardust and Purple Rain (dailyo.in) Rajesh Pratap Singh is Satya Paul's new creative director (lifestyleasia.com) Rajesh Pratap Singh - Wikipedia Rajesh Pratap Singh takes stock of the changing face of Indian fashion | VOGUE India | Vogue India Master Of The Modern: Rajesh Pratap Singh | Verve Magazine Rajesh Pratap Singh: From The 15 Year Platform Archive (platform-mag.com) Rajesh Pratap Singh Flagship Store | Studio Lotus Ace Indian Designer Rajesh Pratap Singh On Why Rules Of Indian Fashion Industry Need To Change (mensxp.com) Minimalist maestro - Telegraph India Rajesh Pratap Singh Goes to London (grazia.co.in) The OGs: Rohit Bal On 90s Style And The Lost Spectacle Of A Fashion Show (grazia.co.in) Rajesh Pratap Singh for Shingora - Shingora Blog Am Not A Crusader Of One Craft – Rajesh Pratap Singh – You and I New Traditions - Take Art Magazine (takeonartmagazine.com)
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