All Shook Up Program

The story is all new The hits are all ELVIS

2 DIRECTOR’S NOTE PRESIDENT’S NOTE The Broadway season of 2005 will forever be known as the year of Hello, fellow rock and rollers, and welcome to All Shook the ‘jukebox musical’. Numerous productions opened to critical Up – a show that has appeal for everyone, from the die hard acclaim, while other jukebox styled shows were panned by the Elvis fan to those who just want to lose themselves with a laugh, a critics and closed within a month. good time and a light hearted entertaining and enjoyable night out – well, you have all come to the right place! The musical Lennon, based on the life of John Lennon, was a massive flop. Closely controlled by Yoko Ono, the show lasted only CLOC’s first show after moving to the National Theatre in 2010 a matter of weeks. Similarly, Good Vibrations used the music of the was the mega-hit jukebox musical Dusty-the Original Pop Diva. Beach Boys to tell the tale of three high school friends who want to Like All Shook Up, it was a big song and dance extravaganza, escape their small New England town and drive to California. Both although it had its poignant and more serious moments, given shows have rarely been performed since. that it reflected both Dusty’s difficult life and her death. Dusty was a huge hit for us, and we then followed with some more serious and It was March 2nd, when a little known and unexpected show thoughtful shows - the exquisite Man of La Mancha, the classic had its premiere at the iconic Palace Theatre. That show, of and much loved Fiddler on the Roof, and then an Andrew Lloyd course, was All Shook Up. Becoming a modest Broadway hit, Webber double bill, the rarely performed boutique musical the hilarious, upbeat musical featuring the songs of none other Aspects of Love followed earlier this year by the Australasian than The King – Elvis Presley, could have easily become another non-professional premiere production of Sunset Boulevard, a Mamma Mia or Jersey Boys if it hadn’t been lost amongst the breath-taking visual feast which was universally praised as both plethora of jukebox bombs. an artistic and technical triumph (as I am sure those of you who were here to see it will agree). It is with tremendous excitement that I have been given the opportunity to direct and choreograph this fantastic show. I’m very Well, we thought it was time for a change. Enough with the grateful that CLOC decided to produce this little known but highly serious, the cerebral, the dark and the tragic. Time for some enjoyable musical, a show that has long been on my ‘to do’ list. frivolity, some laughs, some silliness, some toe tapping and some well-loved familiar music to tap those toes to. And when we were There is so much to like about All Shook Up. The hilarious script looking around for a production that fulfilled these criteria, All and larger than life characters have been keeping us laughing Shook Up jumped out as the perfect show for a fun night out that throughout the many weeks of rehearsal. The wonderful we knew instantly would have our audiences leaving the theatre orchestrations of twenty classic Elvis tunes have also inspired and happy, smiling, jiving and humming those well-known Elvis tunes. entertained us all. The star of the show is of course the music. One of the exciting aspects of this show for the committee has Special thanks to Danny Forward, our hard working Musical Director. been the fact that the average age of the cast of 32 is early Danny has dedicated himself tirelessly to the show and I couldn’t 20s, that they are all equally talented triple threats (actors/singers/ have done it without him. The sheer volume of ensemble singing dancers) and that around two thirds are new to CLOC. It is very could have easily been overwhelming, but Danny embraced the gratifying to be able to introduce a new generation of young challenge and the end result is wonderful. performers to our audiences, and it augurs well for the future and standard of our shows, as evidenced by the quality of the And to the rest of my amazing production team. Firstly to Vicky performances tonight. Horne and her amazing costume team. This will be our sixth collaboration together and there are literally hundreds of costumes For our next show, our 98th production, we are returning with in this production. From the red sequin devils and white angels to great excitement and anticipation to a grand tragedy of epic rock ‘n’ roll skirts, prisoners and wedding dresses, Vicky has once proportions as we proudly present the world amateur premiere again shown why she is the queen of the ‘dance show’ (not to production of Andrew Lloyd Webber’s incomparable masterpiece, mention sequins!). The Phantom of the Opera. This show promises to be one of our biggest and most challenging productions in every facet To John Shelbourn for his creative and sometimes overwhelming and department. We have already started work meeting these set design. There are not many musicals that feature a bus, challenges and are confident that we will provide a momentous rollercoaster and carousel, yet no design problem was ever too spectacle and a spine-tingling night at the theatre to remember. hard for John and I thank him for his dedication. But enough of that serious stuff. Let’s forget the chandeliers, the Thank you also to Brad Alcock for lighting our show so wonderfully face mask and the opera singing for now, and put on our blue and dealing with the hundreds of light globes that cover our suede shoes, our leather jackets, rev up our motorbikes and get Act 2 sets. ready to raise the roof of the National for a whole lot of shakin’ goin’ on, before Elvis (finally) leaves the building! My sincere gratitude to Grant Alley for his technical brilliance, to Sandra Davies for making such a huge set move about so GRANT ALLEY – PRESIDENT effortlessly and to CLOC’s highly polished crew. It has been a pleasure once again. To Debbie Osborne for her organizational skills (and wicked sense of humor), Karen Greenwood for her assistance (and emails) and the CLOC committee …. a big thanks. Finally, to the cast. A show such as All Shook Up requires a large amount of dedication and energy from its performers. We have been fortunate to gather a company of extremely high calibre, a mix of amazing dancers, hilarious actors and wonderful singers. The cast members have remained enthusiastic and motivated from day one and have embraced the creative process and the material with such a fun and positive attitude. My sincere thanks go to each and every one of them. They have all been a pleasure to work with. CRAIG WILTSHIRE – DIRECTOR/CHOREOGRAPHER

3 with Jonathan Guthrie-Jones, Melanie Ott, Tyler Hess, Natasha Bassett, Robert Harsley, Clary Riven, Daniel Komesaroff, Kim Anderson, Rachel Ledgerwood, Noel Ledgerwood, Lucinda Barratt, Ruth Bishop, Bianca Bramham, Sian Brunhuber, Sarah Burke, Courtney Davies, Andrew Dempster, Bianca Friedman, Josh Gavin, Alex Hanton, Charlie Helliwell, Liam Kilgour, Brooke Kotsos, Nathaniel Lamond, Joshua Lovell, Natalie Marinopoulos, Jay Miller, Shaun Pirovano, Chris Rogers, Giancarlo Salamanca, Kirra Sibel, Natalie Trionfi Craig Wiltshire Danny Forward John Shelbourn Director/Choreographer Musical Director Set Designer Victoria Horne Brad Alcock Alan Green Costume Designer Lighting Designer Audio Designer C ostume Co-ordinator Sandra Davies Grant Alley Bernard Hedger Stage Manager Technical Director Stage Director Debbie Osborne Emily Smithies Crisanne Fox Production Manager Costume Co-ordinator Props Co-ordinator Assistant to the Director OCTOBER 5 - 20 2012 NATIONAL THEATRE, ST KILDA Inspired by and featuring the songs of ELVIS PRESLEY Book by JOE DiPIETRO By arrangement with ORiGiN™ Theatrical on behalf of THEATRICAL RIGHTS WORLDWIDE, NEW YORK

4 Craig Wiltshire Danny Forward Victoria Horne Director/Choreographer Musical Director Costume Designer Craig is a well known and multi award-winning Originally from Brisbane, Danny is now a Vicky has been designing and creating Melbourne theatre identity. As a performer, much valued and beloved member of costumes for secondary school musicals, he appeared with a number of Melbourne’s the Melbourne musical theatre scene. For dance schools and calisthenics competitions major non-professional theatre companies Beaumaris Theatre, Danny has muscially for over twenty years, before moving including CLOC (Singin’ in the Rain, A Chorus directed, composed and/or performed successfully into adult musical theatre. She Line, Crazy For You, Gotta Sing Gotta Dance, music for twelve productions, and was received Guild nominations for the two PLOS West Side Story, My One and Only, Mack and also a committee member for eight years. shows she designed (both directed and Mabel, Steel Pier), and Whitehorse (Guys and It was with Beaumaris that he received a choreographed by Craig) – Cabaret (2006) Dolls, La Cage aux Folles, The Music Man, Music Theatre Guild nomination and two and Thoroughly Modern Millie (2008). All Sweet Charity, Joseph and the Amazing commendations for their much acclaimed Shook Up marks Vicky’s sixth CLOC show, after Technicolour Dreamcoat). 2010 production of I Love You, You’re starting on the sewing team for SHOUT!, and Perfect, Now Change, which he also then either designing and/or co-ordinating He then crossed over to the other side of co-directed and designed. costumes for Hot Shoe Shuffle (2008-Guild the footlights, firstly by directing a series of nomination), Miss Saigon (2009), Dusty stunning musical theatre productions for Glen For other companies, Danny has worked (2010-Guild nomination) and last year, Fiddler Waverley Secondary College, where he has as Musical Director for MLOC (Cats, Beauty on the Roof, in which Vicky faced (and met!) taught graphic design for many years. His and the Beast, Pippin, Camelot) and Fab the challenge of keeping up her tradition productions of Joseph…, Sweet Charity, A Nobs (Rent, Grease, Avenue Q, Fundraising of ensuring each costume had at least one Chorus Line and My One and Only were huge Concert). As well, he has worked with Aspect, sequin on it somewhere – a tough ask in that successes and nominated for numerous Catchment, MDMS, MOTTS, New Beat, PLOS show, for sure. Thankfully, Vicky has had no awards. His 2002 school production of and Whitehorse, either as Musical Director, trouble at all in continuing her tradition in this Chicago was nominated for six Music Theatre audition and rehearsal pianist or pit player. In show, as you are about to see. Guild Awards and won the award for Junior 2010, he was honoured at the Annual Guild Production of the Year. Awards when he received the Musicians Award for Excellence. Craig has also directed and choreographed several productions for PLOS, including But it is his involvement with CLOC over the The Full Monty (2005) which received 14 last five years for which Danny is truly loved nominations from the Music Theatre Guild and respected by us all. Since 2008, when and won awards for Production and Director he worked on his first CLOC production, of the Year. In 2006 Craig once again The Boy from Oz, Danny has worked as directed and choreographed PLOS’ highly audition pianist, rehearsal pianist, pit player acclaimed production of Cabaret, this time or assistant Musical Director for the last nine receiving the Guild Award as Choreographer consecutive CLOC shows. It took the right of the Year. And in 2008, he directed and show to come along for Danny to pick choreographed PLOS’ Thoroughly Modern up the baton for the first Millie, when he was again nominated for time with CLOC as Choreographer of the Year. our MD and we couldn’t be Craig makes a welcome and overdue return happier or to CLOC for the third time, after fabulously prouder. successful stints as Director/Choreographer of SHOUT! in 2007 (which received nominations for Best Director, Best Choreographer, Best Production and the Dancers Award), and Director of Hot Shoe Shuffle in 2008. Since then, Craig has concentrated on his duties as a Music Theatre Guild judge, and has directed four of the Guild’s annual awards nights. We are delighted to have Craig back with us, as we know no one can raise the roof of the Nash like he can – and he intends to do just that!

5 John Shelbourn Brad Alcock Alan Green Set Designer Lighting Designer Audio Designer John appeared on stage many years ago Brad has been working in professional theatre Incredibly, Alan’s creative input for All Shook before working behind the scenes in stage for over seventeen years and is currently the Up represents his 32nd production with CLOC. management, lighting, costumes, as well Technical Manager of the Besen Centre in as directing and design, both in Australia Burwood. He also works closely with his rapidly Audio credits for CLOC include: Sunset and the UK. He is a Life Member of Brighton growing company BAAC Light, through Boulevard, Aspects of Love, Fiddler on the Theatre Company and in the past thirty which he has been involved with CLOC for Roof, Man of La Mancha, Dusty, High Society, five years since arriving in Australia, he has several years. Miss Saigon, Hot Shoe Shuffle, The Boy from designed sets for dozens of theatrical Oz, Blood Brothers, SHOUT!, Cats, The Scarlet productions, mainly in Melbourne. While his In amateur theatre Brad designed the Pimpernel, Pippin, My One and Only, Hot main interest is now design, he has directed lighting and projection for several Whitehorse Mikado, Chicago, West Side Story, A Little a number of productions including productions - Beauty and the Beast, The Night Music, Crazy for You, Singin’ in the Rain, Cowardy Custard, Dear Madam and An Producers, Seussical, Aida and Rent. City of Angels, Forum, Barnum, 42nd Street, Englishman’s Home. After studying at the VCA, Brad went on to Into the Woods, Les Miserables, Funny Girl, specialize in the television and corporate Sunday in the Park with George and Can Can. Whilst this is his first production for CLOC, sectors. Productions he has been involved his design credits include Who’s Afraid of with include RocKwiz, Melbourne Comedy Alan’s enormous contribution over thirty years Virginia Woolf?, Moonlight and Magnolias, Festival, Are You Smarter Than a 5th Grader? to theatre in Victoria has been recognised Moon Over Buffalo, Chaim’s Love Song, and Comedy Slapdown. Brad is also a highly with Life Membership of Catchment Players, Shadowlands (Winner Silver Award Best Set, sought after lighting designer by production and in 1996, Alan was presented with a Victorian Drama League), Proof, Humble Boy companies and corporate clients, including special Music Theatre Guild award for Notable (Winner Best Set Design, Lyrebirds Awards) I some of Australia’s top tier corporations. Service to Non-Professional Music Theatre. Remember Mama, Time and The Conways (Winner Best Set Design, Lyrebird Awards), This is Brad’s second CLOC show as lighting Rattle of a Simple Man, Crown Matrimonial, designer, after Fiddler on the Roof in 2011. The Odd Couple, Crossing Delancey, He also provided technical help, expertise Someone To Watch Over Me ( Nominated and equipment for the film segments in our Best Set Design, Victorian Drama League), last production, Sunset Boulevard. Blackbird, A Few Good Men, The Beauty Queen of Leenane (Winner Best Set Design, Victorian Drama League) and Almost Maine (Winner Best Set Design, Lyrebirds). Musicals include: Cowardy Custard, On the Twentieth Century, Guys & Dolls, Pirates of Penzance and The Jungle Book.

6 Cast Jonathan Guthrie-Jones Chad “I'll be a rovin' roustabout” An accountant by day, Jonathan is part of a talented musical and theatrical family well known to theatre companies in the eastern suburbs, where Jonathan and his family live. The G-J family is especially associated with Mountain District Musical Society, where they have been involved both on and off stage for many years. Since 2002, Jonathan has performed seven roles with MDMS, in shows such as The Pyjama Game, Calamity Jane, Me & My Girl, Anything Goes, Annie, Hot Mikado and Jesus Christ Superstar. Other starring roles include Don Lockwood in Singin’ in the Rain (Panorama), Finch in How to Succeed... (Babirra) and Darryl van Horne in The Witches of Eastwick (Players Theatre Company). He has also featured in three Fab Nobs Productions - Grease, A Little Night Music and earlier this year, garnered acclaim for his role as Dan in Fab Nobs’ Next to Normal. Jonathan would like to dedicate his performance to his father David, a mad Elvis fan, who sadly passed away during the first week of our rehearsals. Although he did not live to see Jonathan onstage, he did have the great joy of knowing that his son would be reincarnating the hip swivelling King of Rock’n’Roll and performing many of the Great Man’s songs.

7 Melanie Ott Tyler Hess Natasha Bassett Natalie Dennis Sylvia Growing up on the Mornington Peninsula, Originally from Warrnambool, Tyler began New Zealand born Natasha is a veteran of the Mel has featured in several Peninsula based performing with the local Holiday Actors group. Melbourne music theatre and cabaret scene, shows - four for Panorama (Singin’ in the Rain, His final performance as Benjy Stone in their having been in over 20 productions since her in which she played Kathy Seldon opposite 2004 production of My Favourite Year, earned arrival here ten years ago. She has been a Jonathan-her love interest in this show, him his first Guild nomination. After moving to frequent featured artist with Catchment (The Pirates of Penzance, 42nd Street, A Chorus Melbourne, the roles (and nominations) kept Witches of Eastwick, 25th Annual...Spelling Line) and three for PLOS (Thoroughly Modern coming. Some of his highlights and Guild Bee, Noises Off, Nunsense), Nova (Chess, Millie-directed by Craig Wiltshire, Grease, recognized roles include Dodger in Oliver!; Little Women), SHooSH Productions (Putting It The Boy from Oz). For a complete change of Britt Craig in Parade; Laurie Lawrence in the Together, Bare, Falsettos), Stella Entertainment geography, she has also worked for the outer premiere of Little Women; Seymour in Little (Rent, Is There Life After High School?), as well east suburban based Fab Nobs (The Wedding Shop of Horrors and Jack in Into The Woods. as appearances with PLOS (The Full Monty), Singer, Rent, Reefer Madness). During Tyler has directed and designed a number Babirra (Les Miserables), MUMCo (Into the 2011, Mel worked professionally, starring of highly successful productions over the past Woods), and most recently in 2011, OSMaD, as Stephanie in two seasons of the world few years including; Bye Bye Birdie and 13 – where she played a memorable Mrs. Lovett in premiere production Grease 2, then playing The Musical for BuST Co, earning recognition Sweeney Todd. Amazingly, this is Natasha’s first Magenta in a national tour of Time Warp: A for set and costume design as well as for appearance with CLOC and we are delighted Musical Tribute to the Rocky Horror Show. direction. He also directed and designed to welcome her. Earlier this year, Mel played Anne in Quirky’s the Australian non-professional premiere of production of La Cage Aux Folles at this very Dirty Rotten Scoundrels for MUMCo, which theatre. For CLOC, Mel charmed audiences was recognized with over ten nominations as the slightly dim witted and two-left-footed including direction, sets and costumes April in our premiere production of Hot Shoe (all by Tyler). Most recently, Tyler just Shuffle in 2008, again directed by Craig. To completed a stunning trifecta with MDMS’ portray the clumsy April was a huge stretch How to Succeed in Business Without Really for Mel, as she is an equal triple threat talent, Trying – not only did he design the costumes which you will see from her starring turn tonight and co‑design the production, but he as the beautiful tomboy with the romantic also played the lead role of Finch to great heart, Natalie. acclaim. In an amazing set of coincidences and ‘six degrees of separation’, Tyler teaches Media Studies at Mount Scopus Memorial College, where one of his current Year 12 students is our Lorraine, Clary Riven. There are also a number of other cast members who know him as Mr Hess and not the sad and unfortunate Dennis he is on stage! 

8 Robert Harsley Rachel Ledgerwood Kim Anderson Jim Miss Sandra Mayor Matilda Robert is a veteran of both musical and Ex Kiwis Rachel and husband Noel are new American born Kim has made her home in dramatic theatre. Much of his experience is arrivals, not only to CLOC, but to Australia, Australia since 1998, with her Aussie husband with companies in the Western suburbs, where having moved here from Auckland at the and now 17 year old son. In the States she he is one of the locals. He has appeared as end of 2011. In New Zealand, Rachel has had a wealth of experience in both musical Mr Mushnik in Altona’s Little Shop of Horrors, had nearly 20 years of experience in theatre, theatre and dramatic plays, with her final role as Frank in STAG’s Educating Rita, and just this film and television, and has studied singing, appearing as Aysha in Children of Eden for year, he has portrayed two real life people – acting, and several dance forms. Some of the Civic Light Opera in Seattle, Washington. Hollywood director Victor Fleming in Moonlight her featured roles have included Velma Kelly Since she relocated to Melbourne, Kim has and Magnolias (Williamstown Little Theatre) in Chicago, Lucy in Snoopy the Musical, been kept very busy on the other side of and 1940s movie star Monty Woolley in Red, Bricktop in Red, Hot & Cole, Fraulein Kost in the footlights in her role as Head of Theatre Hot & Cole (Williamstown Musical Theatre). In Cabaret and one of the Gumbie Cat Trio in Production at St Leonard’s College, where she more real life portrayals, Robert seems to have Cats. Most recently, she appeared opposite is responsible for several annual productions made playing fathers a specialty, following Noel in The Witches of Eastwick just before across all year levels. Just this year, she appearances as Dusty Springfield’s father making the move across the Tasman. Rachel directed the upper school musical Barnum Mr O’Brien in Williamstown’s Dusty, as well as and Noel arrived in Melbourne, knowing (performed in a tent!), and simultaneously Johnny O’Keefe’s father in our very nothing about the music theatre scene here. produced the upper school play Amadeus own production of SHOUT! in 2007. After five Having done their research, they decided and middle school musical Thoroughly years away from CLOC, we welcome Robert they would most like to work with CLOC and Modern Millie. Despite all this theatre back to add yet another father to his ever so they auditioned, happy to be part of the involvement, Kim decided she needed to growing list. production in any way. They were both thrilled scratch the increasingly bothersome itch that to be offered roles in their first Australian and was nagging at her to get back on the stage CLOC production. herself. So after fourteen years in Australia, Kim makes her Aussie theatrical debut playing the deliciously mean and nasty mayor Matilda – and she is relishing every moment!

9 Clary Riven Daniel Komesaroff Noel Ledgerwood Lorraine Dean Sheriff Earl/Prison Warden/Town Drunk South American born Clary should be familiar Daniel is a young man who has achieved Married to Rachel, our Miss Sandra, Noel to CLOC audiences as she played third much in his nineteen years. A first year has had over 20 years’ experience in both daughter Chava in our 2011 smash hit Fiddler Arts/Law student at Monash University, he on the Roof. professional and amateur theatre in New is one of three cast members who have Zealand, from where both he and Rachel This experience was so memorable for her attended Mount Scopus College. Daniel arrived late last year. Some of his performing that she decided she really wanted graduated in 2011 as School Captain, highlights include touring throughout New to be a part of this production, even though earning a Premier’s Award along the Zealand in the professional company of her Year 12 exams at Mount Scopus College way. During his school years, as well as Evita in 2004, touring NZ as a member of a are just around the corner. At least she can academically excelling, he also managed children’s theatre company, being nominated get some additional extra-curricular assistance to fit in performing in five school productions, for a NAPTA (Northern Area Performance from her Media Studies teacher, Tyler Hess, both musical and straight drama, including Theatre Award) three times and winning one with whom she is sharing the stage tonight. starring roles as The Beast in Beauty and the as Best Lead Male in a Musical for his portrayal She is also performing alongside her old Beast, and as Daddy Warbucks in Annie, of Mickey in Auckland’s North Shore Music friend Daniel Komesaroff, with whom she where he starred opposite his old friend and Theatre production of Blood Brothers in 2002. has appeared in two previous school love interest in this show, Clary Riven. Having His final two performances before coming to productions, The Sound of Music (where she been told about the auditions by another Melbourne were as the Pirate King in Pirates played Brigitta) and Annie (where she played friend and cast member Bianca Friedman, of Penzance and as Darryl van Horne in The Daniel was over the moon to be cast in his first Witches of Eastwick. the title role). Most recently, Clary starred as Nancy in Mount Scopus’ production of Oliver! CLOC show, and to have the added bonus of earlier this year. We are delighted to welcome being reunited onstage with Clary once more. Clary back to CLOC. “I’M IN LOVE, I’M ALL SHOOK UP”

10 Lucinda Barratt Ruth Bishop Bianca Bramham Secretary, Statue #4, Devil Virginia, Shoe Shop Manager, Dancing Girl, Blue Suede Dancer, Devil A student of all forms of dance (ballet, jazz, Townswoman Bianca is a singing and dancing dynamo tap, contemporary) over the last fifteen years, who has performed as a featured dancer Lucinda is currently studying for her Bachelor of Ruth has spent the last ten years performing in many big song and dance shows with Performing Arts at Monash University. She spent regularly across Melbourne’s music theatre companies such as Mountain District (Hot her high school years featuring in musicals at companies, in both shows and cabarets. Mikado, Oklahoma!), Babirra (Calamity Jane, McKinnon Secondary College, and followed Most of her involvement has been with West Side Story), Whitehorse (Anything Goes, this up with appearances in both dramatic companies based in the Eastern suburbs - Rent), Catchment (The Wizard of Oz), PLOS and musical productions with her university Mountain District (Anything Goes), Nova (My (Thoroughly Modern Millie, directed and course. In 2011, Lucinda appeared as Anna in Fair Lady, The Scarlet Pimpernel, Follies), choreographed by Craig Wiltshire) and most Fab Nobs’ Spring Awakening, then featured as Dandenong (Fame), Mitcham (Annie), recently, Williamstown’s classy production of a dancer and Go To Hell Kitty in Williamstown’s Whitehorse (Footloose), Catchment (The Best Chicago. So keen was Bianca to be a part stunning production of Chicago. This is Little Whorehouse in Texas), but occasionally of this production, that she actually booked Lucinda’s second appearance with CLOC, she has ventured over to the west, as she did her audition from New York, where she was after enjoying herself as a member of our cast for Williamstown’s brilliant 2009 production having a month’s holiday and taking in some of Sunset Boulevard earlier this year. of Assassins. She has also been a regular Broadway shows – lucky her! contributor to Octave Theatre, featuring in three of their productions – A New Brain (2006), Bat Boy (2008) and Floyd Collins (2011). And Ruth’s day job? After ten years as a paediatric nurse, Ruth has made the leap to looking after four legged charges, in her dog grooming salon “Roll Over Beethoven”! “YOU CAN DO ANYTHING BUT LAY OFF Andrew Dempster Bianca Friedman Josh Gavin Mechanic, Garage Customer, Angel Twin #2, Statue #6, Devil Gambler, Teddy Bear Dancer, Twenty one year old Andrew is a management The last time Bianca danced on a CLOC Statue #1, Chad Clone student at RMIT who has only recently stage, it was October 2003, we were doing discovered his love of singing and musical Pippin, and Bianca was about to complete Josh discovered his love of theatre and theatre. As a graduate of St Leonard’s her Year 12 exams straight after the show performing while a student at Trinity Grammar, College, he appeared as Roger in their Old ended, which she did most successfully, where he appeared in five productions, Collegians production of Rent, as well as gaining a Premier’s Award for VCE Dance for including everyone’s favourite, Les Miserables. performing the role of Herb in St Leonard’s good measure. Fast forward nine years to He then went on to study acting and Uniting Church production of Godspell, both 2012 – Bianca is now a high flying corporate performance at Launchpad Drama for in 2011. He is making his first ‘non St Leonard’s’ lawyer, who has finally made time in her five years, taking lead roles in their annual appearance with this show, and he is thrilled schedule to return to her love of onstage productions. Along the way, he also found to be part of a CLOC show. performance. Between these two CLOC time to appear as James in High School experiences, Bianca worked her way through Musical with Whitehorse Musical Theatre, university teaching dance and coaching Kenicke in Grease with Fab Nobs, and Evan dance/aerobics teams which competed at Goldman in 13 with BuST Co. 2012 has been state and national levels. She also lives her busy for Josh, as All Shook Up is his fourth show passion for dance by doing salsa classes with for the year, following Hairspray (SLAMS), Bat her boyfriend – aye carumba! Boy (PEP) and Urinetown (Players Theatre Co.).

11 Sian Brunhuber Sarah Burke Courtney Davies Nerdy Girl, Teddy Bear Dancer, Blue Nurse, Blue Suede Dancer, Devil Dancing Girl, Statue #5, Devil Suede Dancer, Angel Sarah is another performer who began Courtney is a second generation CLOC by performing in her school musicals at stalwart, who has been around CLOC all her Flame haired Sian’s passion for performing in Aquinas College, in shows such as Grease, life, as both her parents have been on the musical theatre flourished while still a student Damn Yankees, High School Musical and CLOC committee since before Courtney was at St Michael’s Grammar School, which is 25th Annual ..Spelling Bee. After graduating, born. Her father John is the current Treasurer, noted for its excellent Drama department she moved on to performances in Chicago while mum Sandra is not only CLOC’s and for producing first class productions. Sian (Nova), Beauty and the Beast (Waterdale) and Administrator, but also the Stage Manager appeared in five school musicals, including earlier this year, Hairspray (SLAMS). When not for tonight’s performance, so Courtney’s boss Les Miserables, Merrily We Roll Along and rehearsing and performing, Sarah is studying while in the theatre! Not surprisingly, Courtney The Pirates of Penzance. She then went on to midwifery at the Australian Catholic University, has danced in several previous CLOC shows work with OSMaD in My Fair Lady (2010), then so appropriately one of her roles in tonight’s (Gigi, Mack & Mabel, Steel Pier, SHOUT!), played Cinderella in Phoenix’s Into the Woods show is as a nurse! as well as shows for Whitehorse (Hello Dolly, (2011) and most recently appeared as a Crazy for You, 42nd Street). After a long break featured dancer in Mountain District’s How to from theatre to pursue her university studies Succeed in Business Without Really Trying. in Commerce/Law, Courtney could not resist the opportunity to reunite with her good friend Craig Wiltshire, who has directed her twice previously (Thoroughly Modern Millie with PLOS, SHOUT! with CLOC). MY BLUE SUEDE SHOES” Alex Hanton Charlie Helliwell Liam Kilgour Librarian, Teddy Bear Dancer, The Other Woman, Teddy Bear Dancer, Jailhouse Prisoner #3, Jock, Teddy Bear Dancer, Blue Suede Dancer, Chad Clone Blue Suede Dancer, Devil Blue Suede Dancer, Angel In 2007, Liam completed a degree in Musical Originally from Ballarat, Alex developed Charlie is another of our Kiwi cast members Theatre at the University of Ballarat. He then her love of theatre while at Ballarat and who has recently made the move across performed as a professional performer in the Clarendon College, performing in several the Tasman. Graduating in Auckland with 2008 Comedy Festival Alpha Show Beauty of their musicals and dramatic plays while a a Bachelor of Performing and Screen Arts, and the Beast in the role of The Beast, and in student there (Barnum, Godspell, Stepping majoring in Contemporary Dance, Charlie the Production Company’s Damn Yankees, Out, My Favourite Year, Joseph...Dreamcoat). has specialised in clowning and children’s also in 2008. In 2009, Liam made his CLOC She also appeared as one of the merry entertainment, an area she has worked debut as a cast member of our hugely murderesses (Pop!) in Ballarat Lyric Theatre’s in, both in NZ and now here. Some of her successful production of Miss Saigon, and he 2004 production of Chicago. Alex is also featured performances in NZ include Grease loved the experience so much that he then pretty nifty on both the piano and the oboe, (Patty Simcox), Cats (Electra), and roles in went on shortly afterwards to perform the lead and has learnt dance throughout her school Rent, The Producers and Kiss Me Kate. Since role of Chris in Windmill’s production. Since years. Professionally, Alex has a diploma in making the big move earlier this year, Charlie then, he has appeared as Riff in Babirra’s West make‑up, and works as an independent has found her Melbourne performing feet and Side Story (2011), and then got into the mood Herbalife distributor. is delighted to have the chance to begin her of the swinging 1950s by performing as Goose Australian theatrical adventures with a role in Stage Art’s Grease 2 (2011) and then most in a CLOC show with her good friend Rachel recently, appearing in the prequel as Danny in Ledgerwood (Miss Sandra). Windmill’s Grease, earlier this year. As his father and he are both Elvis nuts, Liam said he just had to audition, so both he and his father are delighted that he is a part of this production.

12 Brooke Kotsos Nathaniel Lamond Josh Lovell Young Girl, Teddy Bear Dancer, Young Man, Statue #2, Chad Clone Priest, Teddy Bear Dancer, Blue Suede Dancer, Chad Clone Blue Suede Dancer, Angel Nathaniel is the owner/director of the Australian Academy of Dance in Malvern, Josh is a recent arrival from Queensland, At just sixteen years of age, Brooke has teaching classical ballet, contemporary, jazz where for over ten years, he appeared in the distinction of being our youngest cast and tap. He has worked as a dancer and nearly twenty productions for companies member. Not only is her casting in this model on television, for corporate events, around the Gold Coast. Highlights include show (against some stiff opposition) an in music videos, for Disney (in Australia and Edward in Blood Brothers (2007), Paul in A achievement in itself, but Brooke and her South East Asia) and for Princess Cruise Lines, Chorus Line (2009) and Chip in ….Putnam parents have made a huge commitment where he worked for four years as a featured Spelling Bee (2010). This is Josh’s third show to allow Brooke to appear in the show, as dancer on cruise ships. Nathaniel made since moving to Melbourne in 2011, after her family lives in Epping (90 minutes drive his music theatre debut in CLOC’s 2010 appearances as Rapunzel’s Prince in Into from rehearsals), and have had to drive production of Dusty, and followed this up the Woods (Phoenix) and then most recently Brooke to and from rehearsals several times with an appearance in the cast of Kiss of the as Doody in Windmill’s Grease, alongside a week for over three months. However, so Spiderwoman for SHooSH productions in 2011. fellow cast member Liam Kilgour. Josh works determined were Brooke’s parents to give her Since then, he has been waiting for CLOC to as a nurse manager, so performing onstage this opportunity that they were prepared to do another big dance show, and finally saw is a welcome outlet from his serious nine to reorganise their family life to enable Brooke All Shook Up as another chance for him to kick five routine. to fulfil her dream of performing onstage in up his heels. a CLOC show. Brooke is in Year 10 at St Monica’s College in Epping, attends singing and dancing lessons, and is also a First Dan Junior Black Belt in Judo, so how could we turn her down? Chris Rogers Giancarlo Salamanca Kirra Sibel Business Man, Teddy Bear Dancer, Jailhouse Prisoner #47, Bus Driver, Angel Dancing Girl, Statue #3, Devil Blue Suede Dancer, Chad Clone With a name like that, what else could Kirra is a graduate of The King David School, Unlike many of the cast members who are Giancarlo do but be drawn to the theatre? and in fact was taught by our Dennis, Tyler new to CLOC, Chris is a CLOC and musical GC can thank his Italian father for the fabulous Hess, who used to teach at the school. Having theatre veteran, having appeared in over 40 name, which has also facilitated his university studied dance, voice and stage performance productions over the last 27 years, including studies of Science/Commerce – and Italian! right through her secondary years, it seemed six previous CLOC productions (Funny Girl, Since his school days at Wesley College, only natural that Kirra would return to King Barnum, 42nd Street, A Funny Thing...Forum, and now at Melbourne University, GC has David to choreograph their middle and Crazy for You, and most recently, SHOUT!, been involved in theatre as both a performer senior school musicals. She is now working again directed and choreographed by and a lighting designer. Much of GC’s recent as a dance teacher at the South Melbourne Craig Wiltshire). Chris was also a regular stage experience has been with UMMTA Dance Centre. Onstage, she has appeared participant in Whitehorse Musical Theatre at Melbourne University, where he has in BuST Co’s Bye Bye Birdie (directed by Tyler!), productions (eight, including one memorable appeared in Sweet Charity (ensemble), Into JYM’s The Witches of Eastwick and as Dance turn as Cinderella’s ugly step-sister during the Woods (Mysterious Man) and The Wedding Captain in MUMCo’s Dirty Rotten Scoundrels. their summer pantomime), and has also Singer (Sammy). He has also appeared in Kirra is delighted to be joining CLOC and to worked with many other companies around two shows for OSMaD (Jesus Christ Superstar be reunited with Tyler for the third time. Melbourne, from SLAMS (Hairspray) to Nova and Sweeney Todd), and most recently (Hello Dolly) to Mountain District (How to performed in SLAM’s production of Hairspray Succeed..). He has even dabbled in straight earlier this year. dramatic theatre (The Front Page, One Flew Over the Cuckoo’s Nest) and backstage work, but keeps returning to his first love of dancing front of stage.

13 Natalie Marinopoulos Jay Miller Shaun Pirovano Twin #1, Teddy Bear Dancer, Waiter, Blue Suede Dancer, Husband, Teddy Bear Dancer, Blue Suede Dancer, Chad Clone Blue Suede Dancer, Devil Chad Clone Shaun is one of many newcomers to CLOC Like many of our younger cast members, Jay is celebrating his tenth anniversary of with this production. While working in retail Natalie got her start performing in school working with CLOC, by making his sixth during the day, he has been busily studying musicals at Loreto Mandeville Hall, where she on-stage appearance with us, following My acting, singing and dancing for twelve years. appeared in High School Musical, Pirates One and Only (2002), Mack & Mabel (2004), For the past two years he has been studying of Penzance and Hot Mikado. She then SHOUT! (2007), The Boy from Oz (2008) and music theatre part-time at Showfit. He has went on to study dance full-time at Patrick Dusty (2010), as well as having been part of worked with Babirra (Calamity Jane, 2008 Studios Australia, appearing in a number of our make-up team for Cats (2006). He has and West Side Story, 2011), Mountain District events, festivals and conventions, including also notched up almost twenty other roles Musical Society (Oklahoma!, 2009) and Crown Casino and Melbourne Town Hall. She in companies around Melbourne, including BuST Co, where he performed in a is studying Communication Design at RMIT several in a frock – Miss Delilah Strict in Fab non-musical drama, Debt, in 2010, and also University and teaching dancing part-time at Nobs’ 2008’s Zombie Prom (for which he featured as Randolf McAfee in their 2009 the Melbourne Academy of the Arts. received a Music Theatre Guild nomination), production of Bye, Bye Birdie, directed by Miss Mason in Grease 2 (2011) and Miss Texas our multi-talented Dennis, Tyler Hess. in SHooSH’s Pageant (2012). Jay has recently returned to study to become a teacher’s aide for children with disabilities and works as a volunteer with Camp Quality. With such a demanding day job, little wonder that Jay could not wait to return to a big song and dance show – and have an excuse to don some more sequins! Natalie Trionfi Henrietta, Shoe Shop Assistant, Townswoman A recruitment leader by day, Natalie has performance qualifications from Box Hill College, the Melbourne Acting Studio and The Australian Film and Television Academy. She has also learnt singing for the past 22 years, and has a certificate in music performance (opera) from the Victorian College of the Arts. Most of her performing work has been through these courses and as a singer fronting a 15 piece big band, Trios. Last year, Natalie made her musical theatre debut as part of the cast of our production of Aspects of Love and she had such a wonderful time that she could not wait to repeat the experience, so is delighted to be back for her second CLOC show.

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15 Synopsis It is 1955, in a small mid-Western American town. Tomboy Natalie pumps petrol, works as a mechanic at her father’s filling station and dreams of riding off on her motorbike with the man of her dreams. Amongst the town’s characters are Natalie’s widowed father Jim, her nerdy best friend and secret admirer Dennis, earthy Sylvia who runs the town’s local bar, Sylvia’s young and dewy eyed daughter Lorraine, the long suffering Earl the town sheriff, the town’s stuffy and humourless mayor Matilda, Matilda’s dutiful son Dean, and the beautiful curator of the town’s new Museum of Culture, Miss Sandra. Into this sleepy town rides the leather-jacketed, guitar-playing ‘bad boy’ roustabout Chad on his motorbike. When he stops to ask Natalie to fix his bike, and in doing so introduces his wild rebel music to the townsfolk, he breathes new life and awakens the spirit of romance into the town, starting a chain of events that includes mis-matched couples, mistaken identities, star crossed lovers and unrequited passions. After many misunderstandings with much confusion and hilarity along the way, all ends well, the right couples end up together, the townsfolk celebrate their newfound joy of romance and passion, and Natalie realises her dream of riding off into the sunset with her true love. Background All Shook Up was developed in 2004 at the height of the jukebox musical craze, as a vehicle for a collection of Elvis Presley hits. Like the relationship between ABBA and Mamma Mia, the show is not a musical biography of Elvis’ life, but a stand alone plot that encompasses over 25 of Elvis’ hits to progress the story. The book was written by Joe DiPietro (author of the sleeper hit I Love you, You’re Perfect, Now Change), who decided to use the plot of the Shakespeare comedy Twelfth Night as the basis for his story, perhaps to lend a touch of class to the proceedings. The show was written to evoke a real air of 50s nostalgia, a la Happy Days and Grease, but with some modern themes thrown in for good measure (sexual identity, racial tolerance). Although the lyrics are quoted as being written by a number of famous songsmiths (Carl Perkins, Leiber and Stoller, and Otis Blackwell amongst others), Elvis is also credited as being a co-author on a number of the tracks (Love Me Tender, Heartbreak Hotel, Don’t Be Cruel, All Shook Up). However, it is thought that the truth is that he never actually wrote any lyrics but that his manager Colonel Tom Parker ‘persuaded’ songwriters to add his name for a shared writer’s credit (and additional royalties) in exchange for Elvis recording their songs. Many writers readily agreed because of the kudos and almost instant fame guaranteed by having their songs associated with the King of Rock ‘n’ Roll. The show had a short run on Broadway of 213 performances in 2005, receiving mixed reviews and perhaps paling by comparison with the similarly themed monster hits Mamma Mia and Jersey Boys, with which it was competing. It has since received many small scale professional and non-professional revivals across the United States, but interestingly, our production tonight is only the fourth Australasian outing of the show, following productions in New Zealand, Queensland and South Australia, (all in 2011, each with sellout seasons). The show’s author, Joe DiPietro, has two other shows to his credit currently playing on Broadway – Memphis (book and lyrics), winner of four Tony awards in 2010, including Best Musical, Best Book and Best Score, and Nice Work if You Can Get It (book only, with music and lyrics by George and Ira Gershwin), winner of two Tony awards in 2012. “LET’S ROCK, EVERYBODY, LET’S ROCK”

16 Cast List PRINCIPALS: Jonathan Guthrie-Jones Chad Melanie Ott Natalie/Ed Tyler Hess Dennis Natasha Bassett Sylvia Robert Harsley Jim Clary Riven Lorraine Daniel Komesaroff Dean Kim Anderson Mayor Matilda Rachel Ledgerwood Miss Sandra Noel Ledgerwood Sheriff Earl/Prison Warden/Town Drunk ENSEMBLE: Lucinda Barratt Secretary, Statue #4, Devil Ruth Bishop Virginia, Shoe Shop Manager, Townswoman Bianca Bramham Dancing Girl, Blue Suede Dancer, Devil Sian Brunhuber Nerdy Girl, Teddy Bear Dancer, Blue Suede Dancer, Angel Sarah Burke Nurse, Blue Suede Dancer, Devil Courtney Davies Dancing Girl, Statue #5, Devil Andrew Dempster Mechanic, Garage Customer, Angel Bianca Friedman Twin #2, Statue #6, Devil Josh Gavin Gambler, Teddy Bear Dancer, Statue #1,Chad Clone Alex Hanton Librarian, Teddy Bear Dancer, Blue Suede Dancer, Devil Charlie Helliwell The Other Woman, Teddy Bear Dancer, Blue Suede Dancer, Angel Liam Kilgour Jailhouse Prisoner #3, Jock, Teddy Bear Dancer, Blue Suede Dancer, Chad Clone Brooke Kotsos Young Girl, Teddy Bear Dancer, Blue Suede Dancer, Angel Nathaniel Lamond Young Man, Statue #2, Chad Clone Joshua Lovell Priest, Teddy Bear Dancer, Blue Suede Dancer, Chad Clone Natalie Marinopoulos Twin #1, Teddy Bear Dancer, Blue Suede Dancer, Devil Jay Miller Waiter, Blue Suede Dancer, Chad Clone Shaun Pirovano Husband, Teddy Bear Dancer, Blue Suede Dancer, Chad Clone Chris Rogers Business Man, Teddy Bear Dancer, Blue Suede Dancer, Chad Clone Giancarlo Salamanca Jailhouse Prisoner #47, Bus Driver, Angel The Band Kirra Sibel Dancing Girl, Statue #3, Devil Natalie Trionfi Henrietta, Shoe Shop Assistant, Townswoman Conductor: Danny Forward Drums: Bryn Bowen Keyboard I/Piano: Martine Wengrow Reed I: Glenn Taylor Keyboard II/Organ: Tim Verdon Reed II: Hayley Blakiston Guitar I: Dave Banen Reed III: Geoff Earle Guitar II: Will Salisbury Trumpet I: Jack Earle/Tom Kenneth Bass: Darren Steel Trumpet II: Dave Coughran-Lane Trombone: Jonty Smith

17 Musical Numbers & Scenes Place: A Small Mid-Western Town, USA Time: Over a period of 24 hours in the summer of 1955 Scene Musical Numbers Act 1 Scene 1: Jail Jailhouse Rock - Chad, Warden, Prison Inmates Scene 2: Sylvia’s Honky Tonk Heartbreak Hotel - Sylvia, Dennis, Lorraine, Jim, Natalie, Henrietta, Barflies Scene 3: Town’s Main Street Roustabout - Chad One Night With You - Natalie C’mon Everybody - Chad, Natalie, Dennis, Townspeople Scene 4: Gas Station Follow That Dream - Chad, Natalie Scene 5: Outside The Town Museum One Night (Reprise) - Chad Teddy Bear/Hound Dog - Sandra, Chad, Dennis, Natalie Scene 6: Sylvia’s Honky Tonk Teddy Bear Dance - Dancers One Night (Reprise) - Jim That’s All Right - Chad, Lorraine, Sylvia, Barflies Scene 7: The Bus Stop It’s Now or Never - Dean, Lorraine Scene 8: Outside The Garage Love Me Tender - Chad, Natalie Scene 9: In Front of the Shoe Store Blue Suede Shoes - Ed, Chad, Dancers Scene 9A: Inside the Shoe Store Don’t Be Cruel - Chad, Jim Scene 10: The Museum Garden Follow That Dream (Reprise) - Ed One Night (Reprise) - Sandra Let Yourself Go - Sandra, Statues Scene 11: Town’s Main Street Can’t Help Falling In Love - Company ACT 2 Scene 1: The Abandoned Fairgrounds All Shook Up - Chad, Company Scene 2: The Old Fairgrounds It Hurts Me - Dennis, Ensemble Scene 3: Another Part of the Fairgrounds A Little Less Conversation - Natalie, Female Dancers The Power of My Love - Jim, Chad, Sandra All Shook Up (Reprise) - Sandra I Don’t Want To - Chad Scene 4: Another Part of the Fairgrounds Devil in Disguise - Matilda, Townswomen, Angels, Devils, Chad Clones Scene 5: Another Part of the Fairgrounds There’s Always Me - Sylvia Scene 6: The Tunnel of Love If I Can Dream - Chad, Lorraine, Dean, Ensemble Scene 7: Another Part of the Fairgrounds Can’t Help Falling in Love (Reprise) - Earl, Jim, Sylvia, Matilda One Night (Reprise) - Sandra, Dennis Fools Fall In Love/The Wedding - Natalie, Company Scene 8: The Town Church Burning Love - Chad, Natalie, Company Scene 9: Bows/Finale C’mon Everybody (Reprise) - Company

18 CLOC Committee Members CLOC Patron John-Michael Howson President Administrator Secretary Treasurer Committee OAM Grant Alley Sandra Davies Barry Venning John Davies Janet Cameron Director/Choreographer: Craig Wiltshire Stage Director: Bernard Hedger ACKNOWLEDGEMENTS: Musical Director: Danny Forward Assistant Stage Manager: Gemma Hedger Production Manager: Debbie Osborne Floor Managers: Paul Belli, Robert Griffin Thanks to all friends of CLOC who work Technical Director: Grant Alley Fly Manager: Tony Hall Front Of House Stage Manager: Sandra Davies Dressers’ Co-Ordinator: Melinda Peebles Thanks to the staff of The National Theatre Assistant To The Director: Debbie Osborne Assisted By: Janet Cameron, Chloe Neyland, Frank Simcox for Audio-Visual Services Allan Paul, Emily Smithies, Erika Sudarevic, CLOC acknowledges the support of Wendy Set Designer: John Shelbourn Karen Warrington Black from Swinburne University of Technology Set Painting: Brenton Staples, John Shelbourn, Props Co-Ordinator/Set Dressing: Crisanne Fox 2012 Costume Design Award Stephanie Joseph Assisted By: Jodie Lawson, Karen Greenwood, Winner: Greta Weiner Back Cloths: Chris White Sarah Nichols, Beth Stryk, Tegan Vincent, Honourable Mention: Katherine Manson Technical Designer: Grant Alley Anne Bravos Set Construction: Grant Alley Stage Crew: Cassie Andrews, Michael Bates, CLOC Acknowledges Assisted By: Patsi Boddison, John Davies, Gordon Bull, Rosie Correll, Michael Curtis, The Support Of The David Hobbs, Howard Hetherington, Craig Dixon, Karen Garaway, David Hobbs, City Of Kingston Malcolm Lutchner, Barry Venning Erin Jade, Will Law, Bianca Milewski, Katie Sandford, Ian Simmonds, Natalie Vincent Lighting Designer: Brad Alcock (BAAC Light) Assisted By: Andrei Chlebniowski (BAAC Light) Thanks Also To: Matt McLaughlin, Lighting Board Programmer: Brad Alcock Peter Thompson, Lachlan Turner, Neville West Lighting Board Operator: Rohan Fotheringham Follow Spot Operators: Patsi Boddison, Marketing Co-Ordinator: Sandra Davies David Boddison-Gray Marketing Team: Grant Alley, Jocelyn Clarke, Lighting Crew: Brad Alcock, Patsi Boddison, Craig Dixon, Karen Greenwood, Bianca David Boddison-Gray, Matthew Silk and Milewski, Cameron Osborne, Jan Sheppard, Linda Hum of The National Theatre Peter Stanbrook, Craig Wiltshire Program: Sandra Davies, Karen Greenwood Audio Designer: Alan Green (Greenland Audio) Graphic Art/Design: The Wizarts Audio Operator: Matthew Botherway Photography: Richard Crompton, Assisted By: Natalie Coleman, Stacey Harper Carlos Ramirez, Stephen Ransom, Billie Staples Audio Bump-In & Bump-Out: Blair Patullo, Printing: Fineline Printing, Miss Print Mark Banks, Michael Dukovcic, Lachlan Green Admin Support: Janet Cameron, Karen Greenwood, Debbie Osborne Costume Designer: Victoria Horne Costume Co-Ordinators: Victoria Horne, Ticket Sales: Carol Humphrey, Cheryle Emily Smithies Osborne, Fay Lutchner, Malcolm Lutchner, Costume Consultant: Nancy Matthews Jan Sheppard Assisted By: Carol Humphrey, Allan Paul Front Of House Co-Ordinator: Meryl Withers Costume Assistants: Marinella Celeste, Box Office Managers: Grant Alley, Robert Celeste, June Craig, Melinda Craig, Barry Venning Jacqueline Day, Katrina Doig, Lorna English, Assisted By: Carol Humphrey, Eva Fabian, Leanne Humphrey, Edwina Cheryle Osborne James, Julia Lavendar, Sandy Nicholson, Duty Managers: Ian Carlsson, John Davies, Cheryle Osborne, Melinda Peebles, Delwyn Jan Sheppard, Barry Venning, Meryl Withers, Poyser, Daniel Smithies, Lynette Strickland, Peter Witney Erika Sudarevic, Kay White, Kelly Windle, Catering: Paul Belli, Tony Hall, Kelly Hall, Susan Windle Lincoln Judd, Maggie Judd Milliner: Emily Smithies First Aid: Ian Simmonds Rehearsal Pianists: Danny Forward, Wigs/Hair Styles Consultant: David Wisken Michelle Nguyen, Martine Wengrow, Assisted By: Jenny Barratt David Wisken Make-Up Consultant: Louise Jenkins Assisted By: Natalie Della Grazia, Samantha Purton Production Team

19 Committee Committee Committee Committee Committee CLOC Musical Theatre is Carol Humphrey Cameron Osborne Debbie Osborne Allan Paul Melinda Peebles a member of the Music Theatre Guild of Victoria “Love Me Tender” by Elvis Presley and Vera Song Credits Matson; published by Elvis Presley Music (administered by Cherry River Music Co. and “That’s All Right” written by Arthur Crudup; “The Power of My Love” written by Bill Giant, by Chrysalis Songs) (BMI). published by Crudup Music and Unichapel Bernie Baum and Florence Kaye; published Music, Inc. (BMI). by Elvis Presley Music (administered by Cherry “Roustabout” by Bill Giant, Bernie Baum and River Music Co. and by Chrysalis Songs) (BMI). Florence Kaye; published by Elvis Presley Music “Devil in Disguise” written by Bill Giant, Bernie (administered by Cherry River Music Co. and Baum and Florence Kaye; published by Elvis “I Don’t Want To” words by Janice Torre, by Chrysalis Songs) (BMI). Presley Music (administered by Cherry River music by Fred Spielman; published by Gladys Music Co. and by Chrysalis Songs) (BMI). Music (administered by Cherry Lane Music “Heartbreak Hotel” written by Elvis Presley, Publishing Company, Inc. and by Chrysalis Mae Boren Axton and Tommy Durden; “It’s Now or Never” written by Aaron Schroeder Music) (ASCAP). published by Sony/ATV Songs LLC, dba Tree and Wally Gold; published by Rachel’s Own Publishing Co. (BMI). Music (administered by Cherry Lane Music “Jailhouse Rock” written by Jerry Leiber and Publishing Company, Inc. and Chrysalis Music) Mike Stoller; published by Jerry Leiber Music “One Night” written by Dave Bartholomew (ASCAP). and Mike Stoller Music (ASCAP). and Pearl King; published by Elvis Presley Music (administered by Cherry River Music “Blue Suede Shoes” written by Carl Perkins; “There’s Always Me” written by Don Robertson; Co. and by Chrysalis Songs) and by Sony/ATV published by Wren Music Co. Inc. on behalf of published by Don Robertson Music Corp. Songs LLC (BMI). Carl Perkins Music, c/o MPL Communications, (ASCAP). Inc. (BMI). “C’mon Everybody” written by Joy Byers; “If I Can Dream” written by W. Earl Brown; published by Gladys Music (administered by “Don’t Be Cruel” written by Otis Blackwell published by Gladys Music (administered by Cherry Lane Music Publishing Company, Inc. and Elvis Presley; published by Elvis Presley Cherry Lane Music Publishing Company, Inc. and by Chrysalis Music) (ASCAP). Music (administered by Cherry River Music and by Chrysalis Music) (ASCAP). Co. and by Chrysalis Songs) and by EMI Music “Follow That Dream” words by Fred Wise, Publishing (BMI). “Fools Fall in Love” written by Jerry Leiber and music by Ben Welsman; published by Warner Mike Stoller; published by Jerry Leiber Music Chappell Music Inc. on behalf of Chappell & “Let Yourself Go” written by Joy Byers; and Mike Stoller Music (ASCAP). Co. Inc. (ASCAP) and by Spirit Two Music Inc. published by Gladys Music (administered by on behalf of Erlka Publishing (ASCAP). Cherry Lane Music Publishing Company Inc. “Burning Love” written by Dennis Linde; and by Chrysalis Music) (ASCAP). published by Sony/ATV Songs LLC (BMI). “Hound Dog” written by Jerry Leiber and Mike Stoller; published by Gladys Music “Can’t Help Falling in Love” written by George CLOC Musical Theatre (administered by Cherry Lane Music Publishing David Weiss, Hugo Peretti and Luigi Creatore; PO Box 351, Patterson Lakes, VIC, 3197 Company Inc. and by Chrysalis Music) and by published by Gladys Music (administered by Ticket Enquiries 1300 362 547 Universal-MCA Music Publishing (ASCAP). Cherry Lane Music Publishing Company, Inc. Web: www.cloc.org.au and by Chrysalis Music) (ASCAP). Email: [email protected] “Teddy Bear” written by Kal Mann and Bernie Lowe; published by “All Shook Up” written by Otis Blackwell and The National Theatre Gladys Music (administered Elvis Presley; published by Elvis Presley Music 20 Carlisle St, St Kilda, VIC, 3182 by Cherry Lane Music (administered by Cherry River Music Co. PO Box 1173, St Kilda South, VIC, 3182 Publishing Company and by Chrysalis Songs) and by EMI Music Telephone: 9534 0221 Fax: 9534 5345 Inc. and Chrysalis Publishing (BMI). Box Office: 9525 4611 Music) (ASCAP). The Australian National Memorial “It Hurts Me” written by Joy Byers and Charles Theatre Limited E. Daniels; published by Gladys Music Patron: His Excellency the Hon Alex (administered by Cherry Lane Music Publishing Chernov, AC QC, Governor of Victoria Company, Inc. and by Chrysalis Music) and Chairman: Adrian Gibson by Warner/Chappell Music Inc. (ASCAP). General Manager: Robert Taylor Theatre Manager: Linda Aitken “A Little Less Conversation” written by Mac FOH Manager: Coral Hunter Davis and Billy Strange; published by Elvis Production Manager/Head Technician: Presley Music (administered by Cherry River Michael Crozier Music Co. and by Chrysalis Songs) (BMI).

20 CREATIVE FRAMERS Catchment Players Est. 1983 CpoLOrtCCLMOuCsiMcaul TsihcaelaTtrhee–atWreBey–ahrrWaongpeemeehnytoowpituheHwayl Loielolunsaruwd ApuilspltroasluiratpPtytphLtode.rEmtxcltu.hsivee magen.t for Music Theatre International (NY) Proudly sponsors CLOC Based on the New Line Cinema film Th11e5AHsitgohCrbLTuOhreyCaRMtdre.u, BsisiucarawlpoTrohodeuadPtrshep:.o9n8s8o8r 8o2f25 written and directed by John Waters Book by Music by Lyrics by PIOFdCooPTrwUEWnRwNhloEwaawFtM’dRs.aAOtOhs9MnteNoaEarmtmDRht oeStAh-va~ReYiteEreA5Sc~s.TpnatoOeSlmertRA.nTaEhdTuReaUSar-tRaLreItD:MC,haAIrlTieYEKiDnross 152 1B5o2urBkoeuSrtkMreeaStrtkMreeOetl’bMDoouenrlbnnoeeuVlrlnice3V0i0cM03a0r0Pc0hS: h0Pa3hi:m906a35n496854448S4c4o4tt Wittman 56 C5o6thCamothRaomadRKoaedw&K3e1w013101 Ph: 0P3h:908352987562457645 & ASTOR THEATRE LOGO DESIGN GRAPHIC DESIGN / ILLUSTRATION / PHOTOGRAPHY www.charliekinross.com.au / [email protected] / 0414 689 681 ComCpTolehmtoepmrleaatnesgreMaonefgeShoeafenSthMeeutsMic uansidc aInsdtrIunmsterunmts entMs arc Shaiman ANDPhOonPeE:N95ED10IT1I4O1N4 PRINTS BroaBdrwoayd,wSahyo,wShaonwd aFnildmFmilmusimc uBsaickBinacgktirnagcktrsafcokrssfionrgesirnsgers Cnr Chapel St and Dandenong Rd, St Kilda 19 – 27 Octobere – We hope yoAuudwiAtiliulosdnuitpSiopononrgStbotohnoegkmbso.wokitshwCitDh CbaDckbinacgksings e in this program support CLOCDMaurseicbailnThAearttrse –&WEenhtoepretayionumweillnsutpCpoernt tthreem. CCRREAEATITVIVEEFRFRAAMMERERS SrogramsupportCLOCMusicalCThneratBree–llWSeth&opeSytoGuewoillrsgueppsoRrtdth,ePmr.eston rreoegtraMm esulbppoourtrnCLeOVCiMc u3s0ica0l0TheaPtrhe:–0W3e 9hoT6pi5cek4yeot8uB4wo4oill4ksiunpgpsort them. 03 8470 8280ete range of Shee1t5M2 Buosui5crk6aeCnSodtrtehIeantmsMtRreulobamodueKrnneetwsV3ic1031000 Ph: 03 9P6h5:40834948452 7645 ad Kew 3101 152EPBstoh.uE:r1sk09te3.8S19t3r89ee58t23M7el6b4ou5rne Vic 3000 Ph: 03 9654 8444 ow and Film mu56siCcoBthaacmkiRnogaCdtorKmaepcwkle3ste1f0ro1arngseinofgSehrseet MPhu:si0c3an98d5I2ns7t6ru4m5 ents dition Songbook1s52wBitohCurBokCmreoDpSatlderbewteaatrcyMa,knSiegnhlebogoowsuforSanrnheoedVneltFiicinMl3emu0s0mi0cuasniPdchBI:na0sc3tkr9uin6mg5e4tnrt8as4ck4s4for singers 5B6roCaodthwaamy, RShoaodwKaAenwudd3Fi1tiil0om1n mSounsigcbBooakcksiPwnhgit:ht0ra3CcD9k8s5bf2oacr7ks6iin4ng5gsers www.darebinartscentre.com.auComApuldetietioranngSeonogf bSohoeekts MwuitshicCaDndbIancsktriunmgsents Broadway, Show and Film music Backing tracks for singers Audition Songbooks with CD backings ATIVECRFCERRAAETMAIVTEEIVRFERSFARMAEMRESRSPrPoruoduldylyspsopnosnosrosrCs LCOLOCC CREATIVE FRAMERSEst. 1983 Est. 1983 Est. 1983 COSTUMEOPEONPEMNOMNODNAYDA~YS~AETsStUA. R1T9UD8RA3YDAY 9am9a~m5~pm5pm 1151H15igHhibguhrbyuRryd.R, dB.u, rBwuorowdoodPh:P9h8:8988882285225 HIREPICTPUICRTEUFRREAFMREARMS-ERRESS-TROESRTEORRS-ELRIMS-LITIMEDITED ANDANODPEONPEEDNITEIDOINTIOPRNINPTRSINTS ProPufruTdorhnkloiuntuyouswrdaens.tdlhpFsyeroosoftmascnnopSdsuastoulrlodmivnaeornsf,ssotsooutaCrSrgcoesLonpsdtrOhCuoempimCLsinagOYn!oduC 115 Highbury Rd., Burwood Ph: 9888 8225 dly sponsors CLOCProudly sponsors CLOC115 HighburyORPdE.RN, BiMunrgOwNAoDolldAaYn~PnhSoA:wT98Uo8Rn8D8A2Y25 9859 5357ury Rd., Bu1r1w5oHoidghObPuPErNPhyIC:MRT9dUO9.R8,NaE8BmDFu8RArA~Y9w8Ma52oE~mpRo2SSmd5-A~RTE5SUPTpORhmR:DE9AR8SY-8L8IM8IT2E2D5 EN MONDAY 5~pSmPAIOCTPTUUEARNRNE DFDMROAAOA9PMYNEaENDmDRESAOD-~RYPIEET5SN~ITOpOESmNDRAPEITTRRIUSION-RLNTIDSMPARITIYENDTS 9am ~ Southgate PICTURE FRAMERS-RESTORERS-LIMITED Camberwell URE FRAMERS-RESTORERSA-NLIDMOIPTEENDEDITION PRINTS Chadstone AND OPEN EDITION PRINTS Doncaster E

21 Quality printing, on time and within budget Fineline Printing is a commercial sheet fed print company which has been in operation for 25 years, establishing a reputation for the supply of high quality printed products at competitive rates. Short turnaround times and timely delivery have been instrumental in the creation, retention and further development of our business partnerships. Fineline Printing’s success is directly attributable to the skill and experience of our highly qualified personnel, state-of-art machinery and our ability to provide the total package from design to execution and beyond. – Contact: Customer Service Ph: 03 8791 4200 Email: [email protected] – Coverage: Australia wide – Full Contact Information: Fineline Printing Australia Pty Ltd 130 Browns Road Noble Park North, Vic 3174 Ph: (03) 8791 4200 Fax: (03) 8791 4277 Email: [email protected] www.finelineprinting.com.au print �olution� creative print �olution� creative Dei^dc&\"GZeZVieViiZgc EBH;^cZa^cZGZeZVieViiZgch[dgiVeZ Chad’s motorbike proudly provided by TRIUMPH Australia CLOC Musical Theatre is a non-professional theatre company where most of the work done to produce our productions is undertaken by our dedicated group of volunteers. And you can join us. Are you looking for new experiences, challenges or training? Whether you are retired, semi-retired or just looking for something interesting and satisfying, CLOC is always looking for more people to come and join in the fun of mounting our hugely successful productions. This is a fantastic opportunity to mix with people passionate about theatre. CLOC might have something for you! We are always looking for anyone with the following skills, talents or interest to work behind the scenes: Costume making, decorating or finishing off • Backstage crew • Publicity / Marketing Scenery construction (carpentry, steel work, welding, etc.) • Front of house (ushering) For more information please call 1300 362 547

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Music by Andrew Lloyd Webber Lyrics by Charles Hart Additional Lyrics by Richard Stilgoe Book by Richard Stilgoe & Andrew Lloyd Webber Based on the novel ‘Le Fantôme de l’Opéra’ by Gaston Leroux Director Chris Bradtke Musical Director Andrew McCalman Choreographer Wendy Belli By arrangement with ORiGiNTM THEATRICAL on behalf of THE REALLY USEFUL GROUP LIMITED Logo TM & ©1986 RUG Ltd.