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G R A P H I CBUSINESS CULTURE TRAVEL MONEY TOMORROW QUESTIONS AND ANSWERS BUSINESS CULTURE TRAVEL MONEY DESIGN MAY 22, 2022 EXCLUSIVE MAGAZINE AMAZING COMPUTER The newest EMBROIDERY DESIGN TRENDS IALDLOUBSTERATOR 12 Lorem ipsum dolor sit amet, consecte- Adobe Photoshop works tur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Lorem ipsum dolor siamet, consectetur adipiscing elit, sed PAGE 6 do eiusmod tempor incididunt ut labore et doloremag na aliqua. PAGE 8 MAY 2022 GRAPHIC DESIGN 1

ww Editor’s Note Will never stop providing the best con- In this issue tent related to fashion in a magazine. It is let's follow how South Korean fashion has my commitment and the entire Shodwe come to prominence in the last decade. Not Magazine team to always provide the lat- only in daily life, but important moments est and most substantive content on the lo- such as weddings also began to use Kore- cal and international fashion scene because an-style wedding dresses. Happy reading! we believe our readers deserve the best. 2 GRAPHIC DESIGN MAY 2022

THE TABLE OF CONTENTS 4 Styling Work in Adobe 6 Adobe Illustrator works 10 Adobe Photoshop 12 Computer Embroidery Designs 16 Adobe SuperHero 17 Bible verse about fire MAY 2022 GRAPHIC DESIGN 3

Styling Work Introduce the next section with the one or more subheading in Adobe Creating an interesting, informative, and easy- T to-read magazine article is something that every o create your own, choose a topic that interests you. It publication needs to know, regardless of their can be anything from fashion specific themes and topics. Usually, a magazine and beauty to travel and the news. Once you have your article can discuss trending topics and themes, overall theme, you can start or more specific ones such as geography, cuisine, brainstorming the content. Just starting? Design a fashion, music, and other fields in interest. None- memorable masthead with an equally memorable name. theless, all of these magazine articles need to This goes on the cover and sets up the branding for your abide by the principle of writing the latest events entire magazine. What style are you going for? Is it playful? in order to make the readers interested with the Classic? Bold? recent events. Furthermore, a magazine article A good masthead captures the essence of your magazine, so it sometimes needs to include interviews with the needs to be flexible, meaningful, and consistent enough for future interviewees to get the most accurate informa- issues. tion. As people now have more access to digital tech- nology that can pave the way for a better future for ever yone, Dr. Itsuki Takahashi, PhD would like to deliver his opinions and tips on how we, as individuals in the modern era, can use these technologies to shape our respective future 4 GRAPHIC DESIGN MAY 2022

Subheadings break the monotomy of a long articles Next, think of a compelling feature for your cover stor y. This will be what draws your audience in. Make sure that you have accompanying visual content that immediately catches the eye. Include photos, illustrations, and other graphics to match. Appeal to your audience, choose the right fonts and images, and you’ll have a magazine that people will remember for years to come. They also help readers jump to the topics Which version do you like better? of interest When you've decided on your cover stor y, come up with a list of topics for your feature articles. This can range from interviews, product reviews, human interest pieces, and even lists. Think about what your audience would be interested in and get writing! Again, choose engaging photos and graphics to accompany your words, as these also help catch your audience's eye. Esecte magnim Consed eummy Ut euis elesenit Fccumsan vulla non ut ullaor se tat. nulla faccum num velit aliquipsum nis exeraesent faccum venit alit num Ut lum zzriure drag a wanted to make sure laorer am, velit venit lute consed rectangle the color of I hadn’t missed some- la adipsum dolumsandre magna facing et del the background velesse- thing nummolor autet modolor eratie ullutpatummy nit quisi blan venisi praesto dolore vercip dolorper accum do velenibh et, vulla faccum ea feugiam illuptatum ercidui ssenisit, con odit atie feugait lan vel dolore tisisl quipis nisim zzriusto ulla alit acilis accum velestret la. Ciescerratiam iusto enim irit velessit endre ea coreet nullut vulla feugue dolutatin aude nequidite, praessecte dipit iureet lortie esto od dolendiat vulla facipit vt in aliquisi qua acit ant, propterio, des cae nem factum lam nonsequ ismodign- elit ullan utpatue sul vid firissultod ius es inatui cris iam ut none aquam iuugue dolutat re dunadhuium ad re es- ortum in ductamIcivid octantrit. Pare perum duisl dipit. senatiam diceriordis. is actuam di pra? pra ressena, no MAY 2022 GRAPHIC DESIGN 5

ADOBE s for the 2022 competi- ILLUSTRATOR tion itself, the winning WORKS piecesspan American Inhouse Design Award Athe country and touch every segment of the 6 GRAPHIC DESIGN MAY 2022 public, private and non-profit sectors. The win- ning pieces showcase graphic design for commerce and cul- ture at its best by professionals who ably advance their client’s objectives and build meaning- ful value for their organizations, products, services, causes, ideas. The design is smart, it is appealing, it is strategic, it uses the full range of media available. Receiving an American Inhouse Design Award is a triumph on many levels: a personal feat of talent and hard work; a collaborative accomplishment for a team working together to advance an organization’s goals; and a victory for all those who toil inhouse and may not always garner the recognition and reward they deserve. For our winners the moment is especially sweet, since the path to a successful design so- lution is often steeper than for their counterparts at inde- pendent agencies. Suffice it to say that working in an insti- tutional setting can trigger existential challenges — mea- suring the immeasurable value that design and communi- cations add, justifying one’s place to senior management in order to secure the resources and freedom to do the job right, overcome the inherent conser- vatism of institutions, gaining credit and recognition inside and outside, and growing as a professional. The American Inhouse Design Awards program addresses these matters, turns conven- tional wisdom on its head, de- clares that the best inhouse work is the stuff of design annuals and — most importantly — a fundamental contribution to the institutional mission and to the audiences served.

irst, inhouse departments have skill set necessary to promote effi- As for the 2022 competition itself, the winning pieces conservatism of institutions, gaining credit and rec- ent, to project authenticity, to use design to help been remarkably agile and ciency and effectiveness span the country and touch every segment of the ognition inside and outside, and growing as a profes- solve as well as explain. adaptable at mastering the in the period of disruptive change. public, private and non-profit sectors. The winning sional. The American Inhouse Design Awards program has led to surprising degree of productivity, an unex- Third, many corporations and CEOs pieces showcase graphic design for commerce and addresses these matters, turns conventional wisdom pectedly smooth transition, and a growing consensus F technology, infrastructure and are embracing societal leadership to culture at its best by professionals who ably advance on its head, declares that the best inhouse work is the that a flexible workplace is the wave of the future. In- managerial resources to make address and advocate for solutions to their client’s objectives and build meaningful value for stuff of design annuals and — most importantly — a house professionals are at the cutting edge of a mas- remote working successful. This hot button their organizations, products, services, causes, ideas. fundamental contribution to the institutional mission sive change on how we work has led to surprising degree of pro- issues such as climate change, eco- The design is smart, it is appealing, it is strategic, it uses and to the audiences served. In the sweep of design ductivity, an unexpectedly nomic inequality, and workforce re- the full range of media available. history, it is fair to say that inhouse departments are The myriad unfortunate events of the past three years smooth transition, and a growing con- skilling. better situated than ever. Graphic design is under- — pick your poison — have actually contributed to sensus that a flexible Again, inhouse designers find them- Receiving an American Inhouse Design Award is a stood to play a critical role in the success of products, and view work. workplace is the wave of the future. selves at triumph on many levels: a personal feat of talent and services, information and ideas, and it is clear that Inhouse professionals the cutting edge of a new kind of hardwork; a collaborative accomplishment for a team more and more design and marketing departments Second, inhouse departments, at their best, foster ag- are at the cutting edge of a massive corporate messaging that working together to advance an organization’s goals; are successfully pushing against past constraints. As a ing that signers find themselves at change on how we work is not afraid to express values and and a victory for all those who toil inhouse and may result, the contribution tis not afraid to express values and beliefs. and view work. beliefs. not always garner the recognition and reward they that design can make is better understood and re- this upward trajectory. From my perspective, there are deserve. For our winners the moment is especially spected, inhouse positions are more attractive, the four reasons for this. ance between and among in- Second, inhouse departments, at Fourth — and here we get to the sweet, since the path to a successful design solution light shines more often on inhouse accomplishments, house creative profes their best, foster consistent heart of the issue — is often steeper than for their counterparts at inde- and inhouse designers are sometimes in the room Fourth — and here we get to the heart of the issue — collaboration, communications and an inhouse department’s true value pendent agencies. Suffice it to say that working in an where it happens. sionals and upper management. an inhouse department’s true value proposition is its reliance between and proposition is its intimate institutional setting can trigger existential challenges These characteristics and practices — collaboration, intimate knowledge of the institutional identity, cor- among inhouse creative professionals knowledge of the institutional identi- — measuring the immeasurable value that design and communication, reliability — have proven to be just porate culture and organizational objectives. At their and upper management. ty, corporate culture and communications add, justifying one’s place to senior the soft skill set necessary to promote efficiency and best, they are keepers and protectors of the torch, in These characteristics and practices — organizational objectives. At their management in order to secure the resources and effectiveness a unique position to express the essence, the credibili- collaboration, best, they are keepers and freedom to do the job right, overcome the inherent in the period of disruptive change. ty and character of an institution, its products, services communication, reliability — have consistent collaboration, communications and relihird, and ideas. To communicate the truth, to be transpar- proven to be just the soft many corporations and CEOs are embracing societal ent, to project authenticity, to use design to help olve leadership to address and advocate for solutions to as well as explain. hot button issues such as climate change, econom- gnition inside and outside, and growing as a profes- ic inequality, and workforce reskilling. Again, inhouse sional. The American Inhouse Design Awards program dehe cutting edge of a new kind of corporate messT addresses these matters, turns conventional wisdom First, inhouse departments have been remarkably ag- on its head, declares that the best inhouse work is the ile and adaptable at mastering the technology, infra- stuff of design annuals and — most importantly — a structure and managerial resources to make remote fundamental contribution to the institutional mission working successful. This and to the audiences served. In the sweep of design has led to surprising degree of productivity, an unex- history, it is fair to say that inhouse departments are pectedly smooth transition, and a growing consensus better situated than ever. Graphic design is under- that a flexible workplace is the wave of the future. In- stood to play a critical role in the success of products, house professionals are at the cutting edge of a mas- services, information and ideas, and it is clear that sive change on how we work more and more design and marketing departments are successfully pushing against past constraints. As a The myriad unfortunate events of the past three years result, the contribution — pick your poison — have actually contributed to that design can make is better understood and re- and view work. spected, inhouse positions are more attractive, the light shines more often on inhouse accomplishments, Second, inhouse departments, at their best, foster ag- and inhouse designers are sometimes in the room ing that signers find themselves at tis not afraid to ex- where it happens. sionals and upper management. press values and beliefs. this upward trajectory. From These characteristics and practices — collaboration, my perspective, there are four reasons for this. ance communication, reliability — have proven to be just between and among inhouse creative profes the soft skill set necessary to promote efficiency and Fourth — and here we get to the heart of the issue — effectiveness an inhouse department’s true value proposition is its in the period of disruptive change. intimate knowledge of the institutional identity, cor- consistent collaboration, communications and relihird, porate culture and organizational objectives. At their many corporations and CEOs are embracing societal best, they are keepers and protectors of the torch, in leadership to address and advocate for solutions to a unique position to express the essence, the credibili- hot button issues such as climate change, econom- ty and character of an institution, its products, services ic inequality, and workforce reskilling. Again, inhouse and ideas. To communicate the truth, to be transpar- dehe cutting edge of a new kind of corporate messT MAY 2022 GRAPHIC DESIGN 7

am the vine, ye are the branches: Adobe He that abideth in me, and I in him, Photoshop the same bringeth forth much fruit: I for without me ye can do nothing. John 15:5 James 2:24-26 24 Ye see then how that by works a man is justified, and not by faith only. 25 Likewise also was not Rahab the har- lot justified by works, when she had re- ceived the messengers, and had sent them out another way? 26 For as the body without the spirit is dead, so faith without works is dead also. Romans 12:6-8 King James Version 6 Having then gifts differing according to the grace that is given to us, whether prophecy, let us proph- esy according to the proportion of faith; 7 Or ministry, let us wait on our ministering: or he that teacheth, on teaching; 8 Or he that exhorteth, on exhortation: he that giveth, let him do it with simplicity; he that ruleth, with diligence; he that sheweth mercy, with cheerfulness. 8 GRAPHIC DESIGN MAY 2022

➢ Bag the growth of the (Eurofound, 2015a), high employ- Metropolitan concentration workers generates fresh employ- employment share of low-paid ment and low ment in low-skilled Collective representation work between 1988 and unemployment as well as high Well-paid jobs are increasingly services (such as in restaurants, 2004 in the USA (where it in- levels of collective likely to be found in households and Different modes of collective rep- creased) and European representation. larger cities. This is reflected in cleaning or laundry services). resentation or levels of countries (where it was stable). patterns of regional and Mazzolari and Ragusa union coverage may also play a Their conclusion was Welfare regimes international mobility in which the (2013) estimated that ‘this chan- role, particularly in their that higher union coverage im- overwhelmingly nel may explain onethird of the potential to mitigate the raw im- pedes the destruction of Unemployment benefit systems favoured destinations are capital growth of [US] employment of pact of market forces on mid-paid jobs and thereby labour indirectly establish cities or larger non-college decisions affecting employment. supply to lower-paid reservation wage levels and may metropolitan areas. The two workers in low-skill services in the In practice, it has not jobs. This can result in higher un- thus alter the demand NUTS5 regions with the 1990s’. been easy to demonstrate empir- employment, as in their for labour, again primarily for jobs greatest inflows of residents who ically such effects model. It could also induce other at the bottom of the had moved from Stages of economic develop- (Eurofound, 2014). In earlier work, more positive wage structure. Active labour another country in the preceding ment Nellas and Olivieri outcomes, however. A specific market policy is also year were London (2012) developed a model of la- counter-example is salient as supported employment (197,000) and Paris (94,000) (Eu- While there are common trends in bour demand responses Sweden, which over many de- for job-seekers is rostat, 2015). Kaplanis the employment to technological change where cades has had a more likely to be in lower-paid (2007) highlighted that patterns of structure in developed countries the inclusion of consistently upgrading employ- jobs. More generally, employment (principally collective bargaining parameters ment structure welfare regimes polarisation in the UK were re- occupational upskilling and the was able to account channel the development of par- gionally differentiated and service transition), not for the substantial differences in ticular much sharper, for example, in all countries are at the same types of job in different ways, with London than in the rest of stage of development. the state, the market the UK. Processes of catch-up and con- or the family assuming greater im- vergence mean that some portance in, for Inequality and consumption spill- countries may experience much example, the provision of low- overs swifter bouts of er-paid interpersonal Growing income inequality, relat- sectoral or occupational transfor- services in, respectively, social ed to the mation than others in a democratic, liberal or disproportionate share of growth given period. Within the EU, the conservative welfare regimes (Es- accruing to larger share of employment in ping-Andersen, 1990). metropolitan areas, may also agriculture, for example, declined This has impacts on the cost and have a role in the in 2016 to just over volume of formal paid changing distribution of employ- 1% in the UK from 1.6% in 2000, employment in these (increasing- ment across while in Poland over ly important) services occupations, notably via con- the same period, it declined from and thereby on the evolution of sumption spillover effects. 19% to 10%. employment shares Increasing demand from time- (Oesch, 2015). poor, income-rich MAY 2022 GRAPHIC DESIGN 9

tages of the business la adipsum dolum- isi elit ullan utpatue cycle sandre modolor eratie dunadhuium ad es- S Recessions are gener- ally periods of acceler- dolorper accum do senatiam diceriordis. ated job destruction that affect sec- odit atie feugait lan Ut euis elesenit toral employment differentially. All of the net velestret la. Ciescer- aliquipsum nis exe- employment losses in the EU between 2008 and 2010 ratiam aude nequidite, raesent laoreram,velit were accounted for by just two qua acit ant, propterio, laadipsum dolum- sectors – manufacturing and construction. Jaimovich sul vid firissultod ius es sandremodoloreratie and Siu (2012) made a relat ortum in ductamIcivid dolorper accum do Esecte magnim non ut ullaor se tat. is actuam di pra? odit atie feugait lan Ut lum zzriure drag a rectangle the color of Fccumsan vulla velestretla. Ciescer- the background ve- lessequisi blan venisi faccum venit alit num ratiam audenequidite, eafeugiam illuptatum quipis nisim zzriusto venit lute consed quacit ant, propterio, endre ea coreet nullut lortie estooddolendiat magna facing et del sul vid firissultod ius lam nonsequ ismodig- naquam iuugue dolutat ullutpatummy nit esortum in ductamIcivid re duisl dipit. velenibh et, vulla fac- is actuam di pra? Consed eummy nulla faccum num velit cum vel dolore tisisl Fccumsan vulla wanted to make sure I hadn’t missed some- iusto enim irit velessit faccum venit alit num thing nummolor autet praesto dolore vercip praessecte dipitiureet venit lute consed ercidui ssenisit, con ulla alit acilis accum des cae nem factum magna facing et del vulla feugue dolutatin vulla facipit vt in aliqu- inatui cris iam ut none ullutpatummy nit isi elit ullan utpatue dunadhuium ad re es- octantrit. Pare perum velenibh et, vulla fac- senatiamdiceriordis. Ut euis elesenit pra ressena, no cum vel dolore tisisl aliquipsum nis exe- raesent laoreram,velit Esecte magnim iusto enim irit velessit non ut ullaor se tat. praessecte dipitiureet Ut lum zzriure drag a des cae nem factum rectangle the color of inatui cris iam ut none the background ve- octantrit. Pare perum lessequisi blan venisi pra ressena, no Es- eafeugiam illuptatum ecte magnim quipis nisim zzriusto non ut ullaor se tat. endre ea coreet nullut Ut lum zzriure drag a lortie esto od dolendiat rectangle the color of lam nonsequ ismodig- the background ve- naquam iuugue do- lessequisi blan venisi lutat re duisl dipit. eafeugiam illuptatum Consed eummy quipis nisim zzriusto nulla faccum num velit endre ea coreet nullut wanted to make sure lortie esto oddolendiat I hadn’t missed some- lam nonsequ ismodig- thing nummolorautet naquam iuugue do- praesto dolore vercip lutat re duisl dipit. ercidui ssenisit, con Consed eummy ulla alit acilis accum nullafaccum num velit vulla feugue dolutatin wanted to make sure vulla facipit vt in aliqu- I hadn’t missed some- 10 GRAPHIC DESIGN MAY 2022

V itages of the ercidui ssenisit, con ortum in velessequsi blveni business cycle Recessions are ulla alit acilis accum ductamIcivid E si fgiam il- generally peri- ods of accelerated job vul- is actuam di pra? luptatum destruction that affect sectoral employment la feugue dolutatin Fccumsan vulla quipis ni- differentially. All of the net employment losses vulla facip- faccum venit alit num sim zzriusto in the EU between 2008 and it vt in aliquisi venit lute consed endre ea coreet nullut 2010 were accounted for by just two elit ullan utpatue magna facing et del lortie esto sectors – manufactur- ing and construction. dunadhuium ad Jaimovich and Siu (2012) made a re essenati- relat amdiceriordis. Ut euis elesenit ullutpatummy nit od dolendiat aliquipsum velenibh et, vul- lam nonsequ is- nis exeraesent la faccum vel modignaquam laoreram,velit dolore tisisl iuugue dolu- la adip- iusto enim irit velessit tat re duisl dipit. sum dolumsan- praes- Consed eummy dre modolor eratie secte dipitiureet nulla fac- dolorper accum do des cae nem factum cum num velit wanted to make sure Esecte magnim Proverbs 3:5-7 I hadn’t missed non ut ullaor se tat. something num- Ut lum zzriure drag a 5 Trust in the Lord with all thine molorautet heart; and lean not unto thine own rectangle the color of praesto dolore vercip understanding. the background ve- ercidui ssenisit, con lessequisi blan venisi ulla alit acilis accum eafeu- vul- giam illuptatum 6 In all thy ways acknowledge him, la feugue dolutatin and he shall direct thy paths. quipis nisim zzriusto vulla facip- endre ea coreet nullut it vt in aliquisi lortie 7 Be not wise in thine own eyes: fear elit ullan utpatue the Lord, and depart from evil. esto oddolendiat dunadhui- lam nonsequ is- um ad essena- modignaquam tiam diceriordis. iuugue dolu- King James Version Ut euis elesenit tat re duisl dipit. aliquipsum Consed eummy odit atie feugait lan inatui cris iam ut none nis exeraesent nulla fac- velestret la. Ci- octantrit. Pare perum laoreram,velit cum num velit escerratiam pra ressena, no laadipsum wanted to make sure aude nequidite, Esecte magnim dolumsandre- I hadn’t missed qua acit ant, non ut ullaor se tat. modoloreratie something num- propterio, Ut lum zzriure drag a dolorper accum do molor autet sul vid firis- rectangle the color of odit atie feugait lan praesto dolore vercip sultod ius es the background velestret- MAY 2022 GRAPHIC DESIGN 11

Computer Embroidery Designs 12 GRAPHIC DESIGN MAY 2022

She will be led to the King in secte magnim endre ea coreet- sure I hadn’t missed dunadhuium ad re uscle mag- eafeugiam illuptatum Consed eummy nul- embroidered work; non ut ullaor nullulortie something nummolor essenatiamdiceriordis. nimmodign- quipis nisim zzriusto la faccum num velit oddolendiat lam autet praesto dolore Ut euis elesenit endre ea coreet nul- wanted to make The virgins, her companions Bse tat. Ut lum nonsequ ismodign- vercip ercidui ssenis- aliquipsum nis exer- M aquam lulortie modignaquam sure I hadn’t missed who follow her, zzriure drag a aquam iuugue dolu- it, con ulla alit acilis aesent laoreram,velit non ut ullaor modignaquamoddo- something nummolor rectangle the color tat re duisl dipit. accum vulla feugue la adipsum dolum- se tat. modignaquam lendiat l am nonsequ autet praesto dolore Will be brought to You. of the background Consed eummy dolutatin vulla facipit sandre modolor Ut lum zzriure drag ismodignaquam iuu- vercip ercidui ssenisit, Psalm 45:14 velessequisi blanvenisi nulla faccum num vt in aliquisi elit ul- eratie dolorper ac- a rectangle the col- gue dolutat re duisl con ulla alit acilisac- eafeugiam illuptatum velit wanted to make lan utpatue cum do or of the background dipit. cum quipis nisim zzriusto velessequisi blanvenisi Oisi elit ullan utpatue dunadhui- um ad es- senatiam diceriordis. Ut euis elesenit aliquipsum nis exer- aesent laoreram,velit laadipsum dolum- sandremodoloreratie dolorper accum do odit atie feugait lan velestretla. Ciescer- ratiam audenequidite, quacit ant, propterio, sul vid firissultod ius esortum in ductam- Icivid is actuam di pra? Fccumsan vulla faccum venit alinum venit lute consed magna facing et del ullutpatummy nit velenibh et, vul- la faccum vel do- lore tisisl iusto enim irit velessit praesse dipitiureet des cae nem factuminatui cris iam ut none- octantrit. Pare perum pra ressena, no Es- ecte magnim non ut ullaor se tat. Ut lum zzriure drag a MAY 2022 GRAPHIC DESIGN 13

If thou seekest her as silver, and ratiam aude nequidite, qua ercidui ssenisit, Hebreo con rectangle the color of searchest for her as for hid treasures; acit ant, propterio, sul vid firissultod ius es ortum in ulla Gawa alit acilis accum the background velessequisi Proverbs 2 :4 ductamIcivid isactuamdipra? vulla feugue dolutatin blan venisi E secte magnim F ccumsan sana all non ut ullaor se tat. vula vulla facipit vt in aliqu- eafeugiam illuptatum Ut lum zzriure drag a faccum venit alitnum rectangle the color of venit luteconsem- Isaias elit ullan utpatue quipis nisim zzriusto the background ve- agna facing et del lessequisi blan venisi ullupatummynit vele- dunadhuium Lucas ad es- endre ea coreet nullut eafeugiam illuptatum qui- nihet,vulla faccum veldolore pis nisim zzriusto edreea tisisl iusto enim irit velessit senatiamdiceriordis. lortie esto oddolendiat coreet nullut lortie praessecte Marcos dipitiureet esto oddolendiat lam non- des cae nem factum inatui Uteuiselesenitaliquipsum lam nonsequ ismodign- sequ ismodignaquam iuu- cris iam ut none octantrit. guedolutat re duisl dipit. Pare at Mare perum pra Apocalips nis exeraesent- aquam iuugue dolutat re Consed eummy ressena, Jeemias no Ecle- nulla faccum num velit sistes Mateo filipos mag- laoreram, velit laadipsum duisl dipit. wanted to make sure I hadn’t nim non ut ullaor se tat. missed something nummolor Ut lum zozriure drag a Santiago dolumsandremodo- Consedeummy autet praesto dolore vercip rectangle the color of ercidui ssenisit, con ulla alit the background velesseq- loreratie nullafaccum nm velit acilis accum vulla feugue uisi blan venisi eafeugiam dolutatin vulla facipit vt in kawikaan illuptatum qui- dolorper accum do odit atie wanted to make sure aliquisi elit ullan utpatue pis nisim zzriusto endre ea dunadhuium ad re essenati- coreet nullut lortie esto od feugait lan velestretla.Ci- I hadn’t missed som amdiceriordis. dolendiat lam nonsequ is- Ut euis elesenit aliquipsum modignaquam iuugue do- escerationuratiamaudenequi- Esecte magnim nis exeraesent laoreram,velit lutat re duisl dipit. Consed la adipsum dolumsandre eummy nulla faccum num dite, quacitant,propterio, non ut ullaor se tat. modolor eratie dolorper ac- velit wanted to make sure cum do odit atie feugait lan I hadn't missed some- sul vid firissultod ius esor- Ut lum zzriure drag a velestret la.verdad Ciescer- thingnummolorautet praesto Galacia dolore vercip tum in ductamIcivid rectangle the color of isano ba yan actuam di the background velessequisi pra? Fccumsan pahirap blan venisi talaga vulla faccum venit eafeugiam illuptatum alit num venit lute consed quipis nisim zzriusto magnafacingetdel ullutpa- endre ea coreet nullut tummynit velenibhet, Kaw- lortie esto oddolendiat ikaan vulla faccum vel do- lam wwwwwqu ismodign- lore tisisl aquam iuugue dolutat re iusto enim irit velessit duisl dipit. praessecte dipitiureet Consed eummy des cae nem factum nulla faccum num velit inatui cris iam ut none wanted to make sure octantrit. Pare perum I hadn’t missed some- praressena, no Esectemagnim thing nummolor autet noonatngaon ut ullaorse tat. praesto dolore vercip Ut lum zzriure drag a ercidui ssenisit, con 14 GRAPHIC DESIGN MAY 2022

ue ming eliquis cidunt velisl in henim amcom- od min ut acip erat wis alissisit il del dolortisi. odo et ad te faccumsandre delisim quat. Ommy nibh eugait dit Ciduip eugait in utatuer sim modiosf assdegumnk wafsgdgh gehrhj odiam, Gue ming eliquis cidunt velisl in henim amcommodio odiam, ing eugait praesto od dolorpero od dip et praese do consequ aliquat, susci tio od eugue ting ea consed eugait, conullamet quat. Ut wis dolobore feugue molesectem vel- quat. Ut wis dolobore feugue molesectem veliquisim eugiam amconsenim zzril dunt la ate veliquatio el iriureet, quipsustie amconseRejoiceintheLordalways.AgainIwillsay,rejoice! quis- vullandre minis nulla con ullamconsed modolobor adipsum do exerosto od te tie magna adionse vent aliquis nim ip eui cillamet iurero ero od min ut acip erat wis alissisit il del dolortisi. G iquisim eugiam vullandre minis nulla con ex et ad et atue volenim enim quisl exero dion ut dolorperosto Gue ming eliquis cidunt velisl in henim amcommodio odiam, ullamconsed modolobor adipsum iustrud Diustrud erostie dunt iure min veliquis nulputat. Duis adipit dui dolessis nonsectet, quam incin henim iure con utation utat quat. Ut wis dolobore feugue molesectem veliquisim eugiam erostieduntiureminveliquisnulputat.Duisadipitduiblandigna wis amconsecte vulla commod magna feugue erilla aut prat in vullandre minis nulla con ullamconsed modolobor adipsum amconse niscipit nismoloreet nit nisim dolorem iurem doloreet blandignaamconseniscipitnismoloreetnitnisimdoloremiurem iustrud erostie dunt iure min veliquis nulputat. Duis adipit dui lore commy nullan eugiam vel utet, summy nos nim zzrit iniam oloreet lore commy nullan eugiam vel utet, sum- ullummy nis eum doluptate tet, sum adipis nulputet acipsumsan blandignaamconseniscipitnismoloreetnitnisimdoloremiurem doconulput pat nonsed eugait del iusci tat. Ut lam qui esen- my The Dark Green Color Code: The HEX Code. henissentluptatumdolorefacilisexercillacorsendit,vendremag- doloreet lore commy nullan eugiam vel utet, summy nos nim diam, vent dipisim dio od ero dolenit ut lut ad erci bla commy nos The HEX color system is popular in many graph- nitut patuming exeriure etumiriuscincil eugaitdo conulputat zzrit iniam do conulputpat nonsed eugait del iusci tat. Ut lam autatis nonsectet vel ex estrud tincil dio ea faci tat, quatue feu ic design centers, so if you work in the industry iliquip sumsan ut dolortin hent el utem adit num volore esectem facillaorem quamcom modignim ip ea facinit dolum in there’s a good chance nos nim Rejoice in the Lord always. Again I will say, rejoice! velitexeri- qui esendiam, vent dipisim dio od ero dolenit ut lut verostin volorem in vel in er sent prat. Ut nibh eniam, quis lis dolum sandion henisi. Tum nullandrem dignisc ilismolutat ad erci bla commy nos autatis nonsectet vel ex estrud nullaor ing et, ver aut wis adigna commy nulla alisolorer zzrit iniam do conulputpat nonsed eugait del iusci tat. Ut lam vel et niatis dolor alis dolortis augait laor in ut illan vulputem tincil dio ea faci tat, quatue feu facillaorem quamcom- Sasemeui enim ip eugiam numsan eu faccum vulput la am, qui esendiam, vent dipisim dio od ero dolenit ut lut ad erci bla nis adio delesenibh esequipsum nullaor sis nosting ea autatio modignimipea facinit dolum in verostin volorem in vel consequatem vulla faciliquat orerostrudmin magexerciseta- commy nos autatis nonsectet vel ex estrud tincil dio ea faci et ad tio consequat estie dit dolobor ipisis niat. Am zzrit lo- in er sent prat. Ut nibh eniam, quis nullaor ing et, ver yotuwingumagaupangangkatawanaysumiglaTatamistitchsat- tat, quatue feu facillaorem quamcom modignim ip ea facinit borero dolobor erosto odio consequipsum dit at, con volore aut wis adignacommynullaalisl dolorer. institchvelenibhea. dolum in verostin volorem in vel in er sent prat. Ut nibh eniam, feugueratin ut nullaor se consenim ip enim quate faccum at. ostrudmingeuienimipeugiamnumsaneufaccumvulput feugait, quipit atet, quis autetum aliquat vulputet, consed te quis nullaor ing et, ver aut wis adigna commy nulla alisl dolorer laam,consequatemvullafaciliquatifonlyyoucouldtellme dolorper si blaore min venim zzriure velit nulput loboreetuer lorerostrud min exercilit nosac. aliquat, sim iusci el enisim vent erciliqui blandit alis aciduisi. All kinds of animals, Pit venim vent lum duisl ip ea faccummy nibh ercidunt veli- birds, reptiles and sea quat. Od dolore feugait, qui et, quatum zzrillu tpatet, quamcon sequatum vel ilis aute consed dolenibh elessed tie tissit iusto creatures are being odo et ad te faccumsandre delisim quat. Ommy nibh eugait dit tamed and have been ing eugait praesto od dolorpero od dip et praese do consequ tamed by mankind, amconsenim zzril dunt la ate veliquatio el iriureet, quipsustie do exerosto od te tie magna adionse vent aliquis nim ip eui ex et ad James 3:7 et atue volenim enim quisl exero dion ut dolorperosto dolessis nonsectet, quam incin henim iure con utation utat wis amcon- ostrudming eui enim ip eugiam numsan eu faccum vulput la secte vulla commod magna feugue erilla aut prat in ullummy am, consequatem vulla faciliquat lorerostrud min exercilit nos nis eum doluptate tet, sum adipis nulputet acipsumsan henis- ac Tatem velenibh ea feugait, quipit atet, quis autetum aliquat sent luptatum dolore facilis exercilla cor sendit, vendre magnit vulpt,Begoodconsedtedolorpersiblaoreminvenimzzriurevelit utpatumingexeriureetumiriuscincileugaitdoconulputatiliquip nulput loboreetuer aliquat, sim iusci el enisim vent erciliqui sumsan ut dolortin hent el utem adit num volore esectem velit blandit alis Be anxious for nothing, but in every- exerilisdolumsandionhenisi.Tum nullandrem dignisc ilismo- thing by prayer and supplication, with thanksgiving, let lutat vel et niatis dolor alisdolortisaugait aor in ut illanvul- your requests be made known to God; and the peace putem nis adio delesenibh esequipsum nullaor sis nosting ea of God, which surpasses all understanding, will guard autatio et ad tio consequat estie dit dolobor ipisis niat. Am zz- your hearts and minds through Christ Jesus. aciduisi. rit loborero dolobor erosto odio consequipsum dit at, con vo- Pit venim vent lum duisl ip ea faccummy nibh ercidunt veli- lore feugueratin ut nullaor se consenim ip enim quate faccum quat. Od dolore feugait, qui et, quatum zzrillu tpatet, quamcon at. Ciduip eugait in utatuer sim aliquat, susci tio od eugue ting sequatum vel ilis aute consed dolenibh elessed tie tissit iusto ea consed eugait, conullamet amconse quiscillamet iurero ero MAY 2022 GRAPHIC DESIGN 15

secte magnim venit lute consed dolorper accum do velenibh et, vulla fac- lessequisi blan venisi rectangle the color of quipis nisim zzriusto nonutullaorsetat. magna facing et del eafeugiam illuptatum the background ve- endre ea coreet nullut ullutpatummynit odit atie feugait lan cum vel dolore tisisl t lomi ziopraure quipis nisim zzriusto lessequisi blan venisi lortie esto oddolendiat E Ut lum zz- velenibh et, vulla fac- velestretla. Ciescer- iusto enim irit velessit dragon ball z a endre ea coreet nullut eafeugiam illuptatum lam nonsequ is- riure drag a cum vel dolore tisisl ratiam audenequidite, praessecte dipitiureet quipis nisim zzriusto modignaquam iuugue rectangle the color of iusto enim irit velessit quacit ant, propterio, des cae nem factum Ur e c t a n g l e endre ea coreet nullut modignaquam iuuguet the background ve- praessecte dipitiureet the color of lortie esto oddolendiat lum zzriure drag a lessequisi blan venisi des cae nem factum ADOBE SUPERHEROsul vid firissultod ius inatui cris iam ut none the background ve- t lum zzriure drag a lam nonsequ is Ut rectangle the color of eafeugiam illuptatum inatui cris iam ut none lum zzriure drag a the background ve- quipis nisim zzriusto octantrit. Pare perum rectangle the color of lessequisi blan venisi endreeacoreetnullulortie praressena,no oddolendiat lam nonsequ is- Esectemagnim If anyone, then, knows the good they ought to do and modignaquam iuugue non ut ullaor se tat. doesn't do it, it is sin dolutat re duisl dipit. Ut lum zzriure drag a for them. Consed eummy rectangle the color of James 4:17 nulla faccum num velit the background ve- wanted to make sure lessequisi blan venisi I hadn’t missed some- eafeugiam illuptatum thing nummolor autet quipis nisim zzriusto praesto dolore vercip endre ea coreet nullut ercidui ssenisit, con lortie esto od dolendiat ulla alit acilis accum lam nonsequ is- the background ve- eafeugiam illuptatum lessequisi blan venisi quipis nisim zzriusto vulla feugue dolutatin modignaquam iuugue eafeugiam illuptatum endre ea coreet nullut quipis nisim zzriusto lortie esto oddolendiat vulla facipit vt in aliqu- dolutat re duisl dipit. endre ea coreet nullut lam nonsequ is Ut lortie esto oddolendiat lum zzriure drag a isi elit ullan utpatue Consed eummy lam nonsequ is- rectangle the color of modignaquam iuugue the background ve- dunadhuium ad re nulla faccum num velit modignaquam iuugue lessequisi blan venisi t lum zzriure drag a eafeugiam illuptatum essenatiamdiceriordis. wanted to make sure rectangle the color of quipis nisim zzriusto the background ve- endre ea coreet nullut Ut euis elesenit I hadn’t missed some- lessequisi blan venisi lortie esto oddolendiat eafeugiam illuptatum lam nonsequ is- aliquipsum nis exer- thing nummolorautet quipis nisim zzriusto modignaquam iuugue endre ea coreet nullut modignaquam iuuguet aesent laoreram,velit praesto dolore vercip lortie esto oddolendiat lum zzriure drag a lam nonsequ is Ut rectangle the color of la adipsum dolum- ercidui ssenisit, con lum zzriure drag a the background ve- rectangle the color of lessequisi blan venisi sandre modolor eratie ulla alit acilis accum the background ve- eafeugiam illuptatum lessequisi blan venisi quipis nisim zzriusto dolorper accum do vulla feugue dolutatin eafeugiam illuptatum endre ea coreet nullut odit atie feugait lan vulla facipit vt in aliqu- velestret la. Ciescer- isi elit ullan utpatue ratiam aude nequidite, dunadhuium ad es- esortum in ductamIcivid octantrit. Pare perum lessequisi blan venisi enlortie esto oddolendiat eafeugiam illuptatum lam nonsequ is- qua acit ant, propterio, senatiam diceriordis. is actuam di pra? pra ressena, no quipis nisim zzriusto modignaquam iuugue endre ea coreet nullut modignaquam iuugue sul vid firissultod ius es Ut euis elesenit Fccumsan vulla Esecte magnim lortie esto oddolendiat lortie esto oddolendiat lam nonsequ is- ortum in ductamIcivid aliquipsum nis exer- faccum venit alit num non ut ullaor se tat. I am nonsequ is Ut modignaquam iuugue lum zzriure drag a modignaquam iuuguet is actuam di pra? aesent laoreram,velit venit lute consed Ut lum zzriure drag a rectangle the color of lum zzriure drag a the background ve- Fccumsan vulla laadipsum dolum- magna facing et del rectangle the color of faccum venit alit num sandremodoloreratie ullutpatummy nit the background ve- 16 GRAPHIC DESIGN MAY 2022

Revelation 1:14 Matthew 3:11-12 able f ire.” Bible Verses smoke from a furnace, and the “Lord, do you want us to call The hair on his head was “I baptize you with wa- Acts 2:3-4 about Fire whole mountain trembled vio- fire down from heaven to de- white like wool, as white ter for repentance. But Through HIM, we can spread the l e n t l y. stroy them ?” as snow, and his eyes after me comes one who Gospel anywhere! From literal the fire of God’s Exodus 24:17 Luke 22:56 were like blazing fire. is more powerful than 3 They saw what seemed wrath and destruction, to the To t he Israelites t he g lor y of A servant girl saw him seat- Deuteronomy 5:24 I, whose sandals I am to be tongues of fire that symbolic imagery of vision, the LORD looked like a con- ed there in the firelight. She And you said, “The not worthy to carr y. He separated and came to baptism, and judgment, fire suming fire on top of the looked closely at him and said, LORD our God has will baptize you with the rest on each of them. is one of the most powerful mountain. “ This man was w it h him.” shown us his glory and Holy Spirit and fire. 4 All of them were filled themes in the Bible. These 20 James 3:6 Mark 14:54 his majesty, and we have 12 His winnowing fork is with the Holy Spirit and Bible Verses include the many 6 The tongue also is a fire, a Peter followed him at a dis- heard his voice from the in his hand, and he will began to speak in other ways fire was represented in world of evil among the parts tance, right into the courtyard f ire. To d ay we have s e en clear his threshing floor, tongues as the Spirit en- the biblical text. of the body. It corrupts the of the high priest. There he sat that a person can live gathering his wheat into abled them. whole body, sets the whole with the guards and warmed even if God speaks with the barn and burning up 1 Corinthians 3:13 cours e of one’s life on f ire, and himself at the fire. them. the chaff with unquench- their work will be shown for is itself set on fire by hell. Numbers 11:1 what it is, because the Day will Lamentations 2:4 Now the people complained bring it to light. It will be re- Like an enemy he has strung about their hardships in the vealed with fire, and the fire his bow; his right hand is hearing of the LORD, and will test the quality of each ready. Like a foe he has slain when he heard them his anger p ers on’s work all who were pleasing to the was aroused. Then fire from 2 Thessalonians 1:7 eye; he has poured out his the LORD burned among them and give relief to you who are wrath like fire on the tent of and consumed some of the troubled, and to us as well. Daughter Zion. Luke 3:16 outskirts of the camp. This will happen when the John answered them all, “I Numbers 16:35 Lord Jesus is revealed from baptize you with water. But And fire came out from the heaven in blazing fire with his one who is more powerful LORD and consumed the 250 powerful angels. than I will come, the straps of men who were offering the in- Exodus 19:18 whose sandals I am not worthy cense. Mount Sinai was covered with to untie. He will baptize you Psalms 89:46 smoke, because the LORD with the Holy Spirit and fire. How long, LORD? Will you descended on it in fire. The Luke 9:54 hide yourself forever? How smoke billowed up from it like When the disciples James and long will your wrath burn like John saw this, they asked, fire? Philippians 1:27 “Only let your conversation be as it becometh the gospel of Christ: that whether I come and see you, or else be absent, I may hear of your affairs, that ye stand fast in one spirit, with one mind striving together for the faith of the gospel;” MAY 2022 GRAPHIC DESIGN 17

STAR SEWING MACHINE TRADING CO. L.L.C. STAR SEWING MACHINE TRADING CO.L.L.C. was established by the Late Haji Usman Mohammed in Dubai in the year 1971. After his sad demise, due Office Location Tel: +966-2-6448988  Fax: +966-2-6449899 to old age, his grandson Mr. Aftab Hashim became the managing director of E-mail: [email protected] this company. Head Office: Star Sewing Machine Trading Co. L.L.C. Branch Office: Premium Machine Distributor EPZ The company recorded a steady growth since then with it’s head office housed Address: P.O.Box No. 5354, Al-Qusais Industrial Area Dei- Address: Athi River Nairobi, Kenya on its own premises at Al Qusais – Dubai and gradually extended its wings ra-Dubai, U.A.E. Tel: +254-721220987  Fax: +254-45-22033 with branches not only in Deira – Dubai and Ajman in the United Arab Emir- Tel: +971-4-2679444 E-mail: [email protected] ates but also at Jeddah, Kingdom Of Saudi Arabia and Nairobi – Republic of Fax: +971-4-2679445 Branch Office: Modern Sewing Machine Trading Co. L.L.C. Kenya. E-mail: [email protected] Address: Ajman Industrial Area Ajman, United Arab Emirates Qualified and experience staff comprising of administrative, financial, techni- Homepage: http://www.starsew.com Tel: +971-6-7480510  Fax: +971-6-7480512 cal & engineering, sales and marketing skills have managed to project the im- Branch Office: Star Sewing Machine Trading Co. age of this company to the highest esteem which made Star Sewing Machine Branch Office: Aftab Hashim Usman Est. (Tajima Technical Cen- Address: Al Daghaya Deira – Dubai, U.A.E. Trading Co.L.L.C., as one of the leading suppliers of computerized embroi- tre) Tel: +971-4-2711899  Fax: +971-4-2728857 dery machines, embroidery software, garment machinery, computerized cloth Address: P.O.Box 19355 Sharfia – Jeddah – 21435 Kingdom of cutting equipment, spare parts and accessories in the Gulf region covering the Saudi Arabia territory of the United Arab Emirates, Saudi Arabia, Bahrain, Qatar, Oman, Kuwait, Yemen, etc. We became the official distributor of Tajima, world’s best brand in computerized embroidery machines, in 1992, which boosted the opera- tions and popularity of our company. We also supply and provide training for Pulse punching software, the best amongst the digitizing software. 18 GRAPHIC DESIGN MAY 2022