This unit may not provide you with a career in the movies, but it willgive you a better understanding of what you hear during a movie. Other top-ics in this unit will allow you to answer many other sound-related questionssuch as: How fast does sound travel? Why does a car that is moving towardsyou sound different than a car moving away from you? Why are dogs andbats able to hear sounds you cannot? This unit will also introduce you to many interesting and impor-tant applications of sound. There are medical applications such asultrasound, navigational tools such as sonar, design applications ofmusic halls, and musical instruments. Now that’s an earful! Remember: you heard it here first. Members of the Christian Doppler World War I (1914-1918) Tacoma Narrows Bridge Académie française were published his theory of British, American, and French broke apart as a result the first to measure the the Doppler effect. scientists invented sonar. of resonance. speed of sound. 1842 1914 1918 1940 17381750 1800 1850 1900 1950 1876 1947 Alexander Graham Bell invented the telephone. The Bell XS-1 was the first plane to break the u n i t d: Waves and Sound sound barrier. 439
13 Basics of SoundChapter Outline 13.1 Introduction to Wave Theory 13.2 The Transmission and Speed of Sound 13.3 Mach Number and the Sound Barrier 13.4 Sound Intensity 13.5 Doppler Effect 13.6 The Characteristics of Hearing 13.7 Applications—Ultrasonics ST S E Sound Absorption and Traffic Barriers 13.1 Vibration 13.2 Speed of Sound 13.3 Extension: Speed of Sound in Other Mediums For image see student text. By the end of this chapter, you will be able to • demonstrate an understanding of the properties of mechanical waves and sound • understand the principles underlying the production, transmission, interaction, and reception of sound440 • describe and explain aspects of sound in the areas of entertainment, health, and technology
13.1 Introduction to Wave Theory Fig.13.1 Batmobile, move over!Sound, like light, is a wave. It shows many of the properties discussed in the Oct. 13, 1997: The Thrust SSC brokeLight and Geometric Optics chapters. In this unit, we will review the under- the sound barrier with runs of 1.007lying principles of wave theory. These principles will lead us into top- and 1.003 times the speed of sound.ics such as the sound barrier, sonic booms, and music. The photoin Fig. 13.1 is of the Thrust SSC, which broke the land speed For imagerecord, going at 1.007 and 1.003 times the speed of sound. In see studentthis chapter, you will learn about the speed of sound andabout the consequences of breaking the sound barrier. text.Types of WavesThe two general types of waves are transverse and longitudinal. Bothtypes of waves require the action of an oscillating or vibrating source, themotion of which is called simple harmonic motion. This motion creates awave that moves away from the source with its own velocity. The relationship between the direction of motion of the generatingsource and the velocity of the wave determines the type of wave. In Fig. 13.2,we see a picture of a person generating a wave by continuously shaking thespring from side to side. The motion of the person’s hand is at right anglesto the resultant wave direction. Fig.13.2 The person moves her Hand Direction of wave motion hand across the table, from side tomotion Crest side. This motion causes waves to move down the table. The motion of the source is perpendicular to the velocity direction of the wave. This type of wave is called transverse. When the direction of travel of the wave is perpendicular to the 441motion of the source, the wave is transverse. Waves in the stretchedstrings of musical instruments are an example of this type of wave. The spring can also be compressed and released periodically (move backand forth), causing compressions and extensions to travel along the length ofthe spring. This motion is illustrated in Fig. 13.3. The person uses a sawing chapter 13: Basics of Sound
Fig.13.3 The person moves her Rarefaction Compressionhand back and forth, causing thespring to bunch up, then elon-gate. This action is parallel to thevelocity direction, producing alongitudinal wave. Direction of wave motionWater waves are a combination of theaction of both kinds of waves, trans-verse and longitudinal. The particles ofwater move in circular paths, so some-times they are parallel to the directionof wave motion, and at other timesthey are perpendicular to the directionof wave motion. People sitting in aboat find themselves moving in a cir-cular clockwise path, in the directionof wave motion (see Fig. 13.4).Fig.13.4 Transverse motion on the spring, which causes these periodic patterns of compression and component release to travel in the direction of the push–pull action. Longitudinal component When the travel of the wave is parallel to the motion of the source, the wave is longitudinal. Sound is an example of this type of wave.Water particle Particles have Aspects of Periodic Waves motion longitudinal and transverse Both the transverse and longitudinal waves are recurring cycles of the same components motion. The motion is represented mathematically by the sine wave. The different parts of the wave are reviewed in Fig. 13.5.Direction of wave The terms used to describe sound waves are the same as those used to describe light waves (see Chapter 10).Fig.13.5 The particles transmit- Amplitude (A) 1 cycle () () (Takes T (period) toting the wave action are all moving Crest complete 1 cycle)perpendicular to the direction ofmotion. The wave particles are Trough Direction of motionindicated by the small arrows. At (velocity of wave)the maximum amplitude points,the particles are momentarily atrest as they change direction.442 u n i t d : Waves a n d S o u n d
A cycle is a complete sequence of motion that repeats itself. The wave- Another common unit for frequency is rps or revolutions per second,length () is the length in metres (m) of one cycle, given the symbol lambda. which is another way of expressing hertz. A common term from the vinylThe period (T) is the time to complete one cycle and is measured in seconds era of records is rpm, or revolutions per minute. Early record players(s). The frequency is the number of cycles in a given time period. It is meas- played at a high rotational speed in order to minimize the backgroundured in cycles per second. The term “cycles” is usually left off and the unit noise of the crude needle in thebecomes sϪ1 or ᎏ1sᎏ. This unit is named hertz (Hz) in SI. It honours Heinrich record grooves. These records wereRudolf Hertz (1857-1894), a physicist specializing in electricity and magnet- called 78s because the turntable rotated 78 times a minute. The nextism. The amplitude of a wave is the maximum disturbance of a wave from generation of records, the singles hits, played at 45 rpm and the long-its zero point (negative or positive), measured in metres (m). playing records at—33ᎏ31ᎏ rpm.Wave EquationWaves are travelling disturbances and hence have a velocity associated withthem. The simple form of the velocity equation, v→ ϭ ᎏ⌬⌬ᎏd→tcan be adjusted to reflect the variables used with periodic motion. The dis-tance travelled in one cycle is the wavelength and the time it takes is theperiod. Thus, we can rewrite the equation as v ϭ ᎏᎏ. TBRuept lTaciϭngᎏ1fᎏTsiwncitehTᎏ1fᎏ,iswme eoabstuairnedthien seconds and f is measured in 1/second. standard form of the wave equation, v ϭ fe x a m p l e 1 Calculate period and frequency Calculate the period and frequency of a tuning fork whose tines vibrate back and forth 375 times in 3.00 seconds.Motion of tines Fig.13.6 A tuning fork produces longitudinal sound waves Compression Rarefaction created in centre created in centre chapter 13: Basics of Sound 443
Solution and Connection to Theory Given Tϭ? fϭ? ⌬t ϭ 3.00 s number of cycles N ϭ 375 T ϭ ᎏ⌬Nᎏt , which gives you the time per cycle. T ϭ ᎏ3.0ᎏ0 s ϭ 0.00800 s ϭ 8.00 ϫ 10Ϫ3 s 375 f ϭ ᎏT1ᎏ ϭ ᎏ8.00 ϫ1ᎏ10Ϫ3 s ϭ 125 sϪ1 ϭ 125 Hz The period of the tuning fork is 8.00 ϫ 10Ϫ3 s and its frequency is 125 Hz. e x a m p l e 2 Calculating the speed of the wave Calculate the speed of the sound wave leaving the tuning fork in Example 1 if the wavelength of one cycle is 275 cm. Solution and Connection to Theory Given ϭ 275 cm ϭ 2.75 m vϭ? f ϭ 125 Hz v ϭ f ϭ 2.75 m ϫ 125 sϪ1 ϭ 344 m/s The speed of sound is close to this value at an average temperature and density of air. Fig.13.7 Summary of Wave Types guttin Particle (v) wave Lightit all Particle (v) wave SoundTogeth Particle (v) wave Waterp Cyclic Transverse wave er action Longitudinal wave Cyclic Complex wave action I T T I v ϭ f fϭ vϭ f Tϭ444 u n i t d : Waves a n d S o u n d
Animals with Sonar, Part I: Bats and Dolphins pplyin g the Co ncep1. Dolphins (Fig. 13.8B) have a large repertoire of sounds that can be a classified under two general types: those sounds used to locate ts objects, termed echolocation (sonar), and those emitted to express emotional states. Dolphins emit pulses and clicks in groupings at a rate of over 690 clicks per 2.3 s. The sounds have a frequency of typ- ically 130 kHz (Fig. 13.8A). a) Find the period and frequency of emission of pulses. b) Given that the speed of sound is 344 m/s, find the wavelength of the emitted pulse.Fig.13.8A Nasal sacs Melon Sound waves Fat-filled cavity on lower jaw Swim bladder (which produces the main echo)2. Bats’ sonar abilities allow them to detect the difference in objects as close as 0.3 mm. This distance is the width of a pencil line drawn on paper. The bat’s sonar, prorated to its power usage, is about a million times more sensitive than any radar device engineers have devised. The bat sends out an equivalent of 60 pulses in 0.3 s. The typical frequency range of the sounds lies around 30 kHz. a) Calculate the period and frequency of the rate of emission of the pulses. b) Calculate the wavelength of the sound given that the speed of sound is 340 m/s.The frequency emitted by a bat reflects off its prey. If the wavelength Fig.13.8Bis too small, the sound diffracts around the object and no informationis returned. A brown bat emitting 3 mm waves can detect objects as For imagesmall as 0.2 mm, like insects. see student3. Birds also use echolocation for navigation. Their clicks and pulses text. are low frequency compared to the high-frequency pulses of dol- phins and bats, which makes them less effective. The oilbird migrates from Trinidad to Bolivia. Its sounds are in the human hearing range and are emitted at a rate of 7.5 clicks in 0.3 s. Calculate the period and frequency of the clicks. chapter 13: Basics of Sound 445
Fig.13.9 If the belljar is evacuated, 13.2 The Transmission and Speed of Soundno sound is heard from the bell Medium DependencePower supply Sound is a longitudinal wave that requires a medium to travel in. Some schools have a demonstration where a bell rings inside a jar. The experimen-Bell jar tal setup is shown in Fig. 13.9. As the air is pumped out of the jar, the sound gradually disappears. When the air is returned to the jar, the sound returns. Thus, in order for sound to be transmitted, a medium must be present.Electric bell In air, the only type of vibration possible is longitudinal. Air cannot sus-Vacuum pump tain a transverse motion because air particles drift off. To understand how your voice is transmitted to another person, refer to Fig. 13.10. The vibrations from a source, such as your voice box, set up a pressure fluctuation that causes the neighboring air pressure to change. This pattern through the air is then “I can’t hear continued. No net movement of air takes place, but the pressure changes are you!!!” transmitted out of your mouth at a speed determined by the number and type of molecules ready to pass on the pressure fluctuation. Thus, your voice sounds different in helium (high pitched). The dense areas of air transmitting a sound wave are called compressions and the less dense areas are called rarefactions. The motion of sound is similar to people dancing the bump in a dense crowd. They bump the people ahead of them, creating a greater pressure. This motion gets transmitted as long as people continue to compress, leav- ing a rarefaction behind them. It is the disturbance that is transmitted, not the individual particles. Table 13.1 Table 13.1 shows the speeds of sound in different materials. Speed of Sound Fig.13.10 The lungs force the air out and through the vocal cord. These folds of skinMaterial Density Speed of vibrate as the air rushes by them, producing sound in the form of compressions and rarefac- (kg/m3) sound (m/s) tions of air (pressure waves). These waves are amplified and modified by the group of parts collectively called the resonators. They are the pharynx, mouth, and nasal cavity.Air 1.29 331Hydrogen 0.09 1284Mercury 13 546 1452 RareWater 1000 1498Copper 8930 3800Oak 650 3850 SOUND Nasal cavityGlass (crown) 2600 5000 TongueIron 7800 5000 PharynxAluminum 2710 5100 Larynx Vocal cord Trachea Esophagus Lung446 u n i t d : Waves a n d S o u n d
Fig.13.11 Factors Affecting the Speed of Sound Temperature nnectico Density tsProducer of Medium Speed the ng sound ncepCo Generally speaking, the stiffer the material, the faster the speed ofsound. It follows that the speed of sound is greatest in solids and least ingases. This idea is an application of particle theory from your chemistry class.Figure 13.12 shows that the particles are closer together in a solid. They aretherefore more immediately responsive to one another’s motions. As the spac-ing between particles increases, the responsiveness of the particles to one Fig.13.12 The stronger the bondsanother’s motion decreases, which affects the speed of the sound wave. between molecules, the faster they tend to transmit soundSolid state Gaseous stateMolecules of a solid behave as if they were held together Gas molecules are separated by great distances.by springs. Their proximity allows the vibrations caused Hence, transmission of energy is less efficient.by sound energy to be easily transmitted. In western movies, you may have seen a cowboy kneel down and put hisear to the ground in order to listen for hoof beats a long distance away. Thistechnique is effective because sound travels faster through the ground than inthe air. However, some of the benefits of the shorter travel time are negatedby the greater rate of decrease in amplitude of the wave in the denser medium.This decrease means that the wave dies out faster when travelling through asolid than a gas.e x a m p l e 3 Comparing speed in various mediums Suppose you’re on a field trip to the beach, standing on an old-fashioned boardwalk made of hardwood. You have accidentally gotten into trouble and need every microsecond you can to get away. You need to know when the vice-principal is approaching (his army boots make a loud thumping sound). If the boardwalk is 800 m long, how much extra time will you have if you can hear the footsteps through the wood? chapter 13: Basics of Sound 447
The speed of sound in wood is Solution and Connection to Theory4000 m/s if the sound is movingwith the grain. If it moves across Given vhardwood ϭ 4000 m/s ⌬d ϭ 800 m ⌬t ϭ ?the grain, then the speed drops to vair ϭ 340 m/s1000-2500 m/s. v ϭ ᎏ⌬⌬ᎏdt ⌬t ϭ ᎏ⌬vᎏdFig.13.13 Sound travels faster with ⌬tair ϭ ᎏ800ᎏm ϭ 2.35 sthe grain 340 m/s ⌬thardwood ϭ ᎏ4080000ᎏmm/s ϭ 0.20 s The extra time you have to get away is 2.35 s Ϫ 0.20 s ϭ 2.15 s. You have 92% more time to react. Good luck! Dependence of Speed on Temperature For sound travelling through air, there is a small effect due to the temperature of the air. Air particles move faster as the temperature increases. As the tem- perature rises, so does the speed of sound based on the following formula: v ؍332 m/s ؉ 0.6 ᎏm/ᎏs (T °C) °C The speed is measured in m/s and the temperature (T) is measured in degrees Celsius. e x a m p l e 4 Calculating the speed of sound in air Given a summer temperature of 20°C, find the speed of sound. v ϭ 332 m/s ϩ 0.6 ᎏmᎏ/s (T °C) °C ϭ 332 ᎏmsᎏ ϩ 0.6 ᎏsm°ᎏC (20°C) ϭ 332 ᎏmsᎏ ϩ 12 ᎏmsᎏ ϭ 344 ᎏmsᎏ Estimating the Distance from a Lightning Strike In 3.0 s, sound travels roughly one kilometre. In the imperial system of measurement, in 5.0 s the sound wave travels roughly one mile. The speed of light is immensely faster than the speed of sound. You see lightning instantaneously, followed by the sound of thunder. For every three-second count, the sound has travelled about one kilometre. Thus, if you see lightning strike and have counted to 12 before you hear the thun- der, the storm is448 u n i t d : Waves a n d S o u n d
Fig.13.14 The person counted out about three seconds after the flash before she heard thunder. In 1 potato three seconds, the sound travels 3 s ϫ 344 ᎏmᎏ ϭ 1030 m 2 potato s 3 potato there’s the — about 1 km. Light reaches the person practically thunder instantaneously (3.3 ϫ 10Ϫ6 s). The storm is 1 km away. 12 s ϫ ᎏ1 kᎏm ϭ 4 km away. 3sThe time it took the light to reach you is ⌬t ϭ ᎏ⌬ᎏd vtime ϭ ᎏdisspteaᎏendce ϭ ᎏ3.04 ϫϫ 11ᎏ0083 mm/s ϭ 1.3 ϫ 10Ϫ5 s. Not a time our eyes can react in!1. Use the particle theory to explain why sound travels fastest in solids pplyin the gncep Coand slowest in gases. a 449 ts2. Calculate the speed of sound in air and in wood given that it travels8000 m and takes 2.35 s in air and 0.20 s in wood. How many timesfaster is it in wood?3. The sound of thunder occurs 12.3 s after lightning is seen. How faraway is the storm if the temperature isa) 0°C? b) 10°C? c) 30°C? d) Ϫ10°C? 13.3 Mach Number and the Sound BarrierWhen aircraft (and now cars) get close to or go faster than the speed ofsound, a different unit is often used to describe their speed. It’s called theMach number, named after Ernst Mach, a prominent physicist from thelate 1800s. Mach 1 is defined as the speed of sound at a given air tempera-ture. If you are travelling at greater than Mach 1, your speed is said to besupersonic. If you are below Mach 1, your speed is subsonic. Speedsgreater than or equal to Mach 5 are hypersonic. In the following examples,you will learn how to calculate Mach numbers. e x a m p l e 5 Finding the Mach number What is the Mach number for a plane flying at 839 m/s in air of temper- ature 6°C? chapter 13: Basics of Sound
Solution and Connection to Theory Given T ϭ 6°C vsound ϭ? vplane ϭ 839 m/s vsound ϭ 332 ϩ 0.6T ϭ (332 ϩ 0.6(6°C))m/s ϭ 335.6 m/s This speed is Mach 1. ᎏ839 ᎏm/s ϭ 2.5 335.6 m/s Therefore, the plane is flying at Mach 2.5, and its speed is supersonic.SUPERSONIC FLIGHT e x a m p l e 6 Converting Mach numbers to speed Fighter planes (Fig. 13.15) fly in the A fighter jet is flying at Mach 3.2 in air of temperature 2.0°C. What is the range of Mach 2-3. Concordes fly at plane’s speed? about Mach 1.2, and normal pas- senger planes — at Mach 0.8–0.9. Solution and Connection to Theory The X-15A-2, which is a manned jet that must be flown to a release alti- Given T ϭ 2.0°C vsound ϭ ? tude by a jumbo jet, reaches Mach 6. vplane ϭ Mach 3.2 The reason for the “piggyback ride” is to keep the weight of the craft vsound ϭ 332 ϩ 0.6T ϭ (332 ϩ 0.6(2.0))m/s ϭ 333 m/s to a minimum by minimizing the amount of fuel in the fuel tanks. For The speed of the plane is 333 m/s ϫ 3.2 ϭ 1066 m/s major speeds, the space shuttle, on re-entry, hits Mach 25. The Apollo 10 spacecraft was moving at an incredible Mach 37 on its re-entry.Fig.13.15 Compare these speedsto that of a bullet: v ϭ 2635 ᎏkhmᎏ For image For image For image For imagesee student see student see student see student text. text. text. text.Concorde 1500 ᎏkmᎏ X-15A-2 7297 ᎏkmᎏ Shuttle (re-entry) 29 880 ᎏkmᎏ Appollo 10 space craft h h h ᎏkmᎏ (re-entry) 39 897 h Sound Barrier The term “sound barrier” is used in aviation to describe the buildup of sound waves in front of a plane as it nears the speed of sound. This effect happens because the plane is catching up with its own jet noises. Consider the situation450 u n i t d: Waves and Sound
in Fig. 13.16 where a student runs around a track, yelling as loudly as possi- Fig.13.16 As a sound-emitting objectble. Normally, the sound travels away from the student because its speed is somuch greater than the student’s. Assume that a genetically engineered student approaches the speed of sound, soundcan now run close to the speed of sound. As the student yells, the sound waves energy builds up ahead of ittry to move away from our noisy friend. However, they are followed by moresound waves from the continual hollering because the student is right behindthe sound. This pressure buildup in the air molecules creates a barrier to fur-ther speed increase by the student. Breaking this barrier requires a great dealof energy. Fortunately for the school’s windows, the student does not have theextra energy and never breaks the sound barrier. When people were first trying to reach the speed of sound, the problemwas not in the extra energy needed to reach this speed, but in the plane’sinability to steer and maintain lift when approaching this speed. Near Mach 1,the steering mechanisms on the plane became locked so the pilot could not Waves move away Sound waves build up in from source front of the person and form a pressure wall Running at normal speed Running at close to the speed of soundSubsonic plane shapes Supersonic plane shapes Fig.13.17 Various airplane designsSignal corps 1 65 km/h B-58 Hustler and their top speeds. Notice the dif- (1919) (Mach 2) ferences in shape between the sub- “Delta Wing” sonic and the supersonic planes.DC-3 307 km/h(1936)Boeing 707 900 km/hDC-10 960 km/h Stiletto Douglas X-3 (Mach 2) “Straight Wing” 451 chapter 13: Basics of Sound
Fig.13.18 A plane travelling near steer the plane. The manual controls became too stiff to move due to the great air pressure surrounding the plane. Many test pilots lost their livesthe speed of sound produces a because the plane could not be pulled out of a nose dive.sound “wake” similar to that pro-duced by a speed boat This problem was corrected by new steering designs, the advent of the jet engine, as well as changes to the shape of the wing (pulled back and smaller). The first plane to break the sound barrier was the Bell XS-1 exper- imental rocket on October 14, 1947. Sonic Boom Like a boat leaving a wake of water waves behind it, a plane breaking the sound barrier leaves a pressure wake behind it. As is seen in Fig. 13.18, the pressure waves spread out and move down towards the ground in an ever- expanding cone. There are two of them, one from the nose and one from the wing tips of the plane. If this sonic shock wave hasn’t died out sufficiently during its travel through the air, then people on the ground hear two thunderous booms or loud cracks when the sound reaches the ground. The general effect is to T ili For image Leading see student edge wave text. Leading edge shock wave For image see student text.Trailing edgeshock wave Place where Model of X-15 rocket in a wind tunnel shows sound is heard the shock waves that form around the plane’s edges as it moves at supersonic speeds.Two shock waves form when a plane flies at supersonic speeds.A sonic boom is the arrival of the shock wave on the ground.452 u n i t d : Waves a n d S o u n d
startle animals and people. In some cases, the acoustic pressure is suffi- The sonic boom is not a one-timeciently large to shatter glass, not something owners of skyscrapers wish to phenomenon. Many people believedeal with. For this reason, supersonic travel is prohibited over North that the loud cracks are heard onlyAmerica unless the plane is sufficiently high, allowing pressure waves to die when the plane breaks the soundoff well before they reach the ground. barrier the first time. In fact, the pressure wave is being generated This shock wave is really the buildup of numerous waves constructively continually from the front and backinterfering to produce a superwave. The interference aspect of sound waves of the plane as long as the plane isis treated in detail in Chapter 14. However, the effect is shown in Fig. 13.19. flying near the speed of sound. As aThe plane catches up to the waves of sound ahead of it and causes them to plane flies over a region, the pressuresqueeze together. A pressure barrier is built up, which requires extra energy cones follow, creating sonic boomsto get through. When the plane breaks through the sound barrier, it leaves for that area.the sonic wave behind, which then travels down to the ground. (v source ϭ 0) v Ͻ Mach 1 Fig.13.19 The effects of a source’sSource Source motion on the sound waves it generates Bunching up of wavesWavefronts Wave velocity relative to the sourceStationary source wavefronts Plane is travelling at less than the speedare spreading out uniformly of sound. Doppler effect occurs. v ϭ Mach 1 Source v Ͼ Mach 1 Shock waveSource Sound Ground level At Mach 1, a barrier of pressure builds up. As barrier the plane breaks through it, the shock wave is left behind, which travels down to the surface of Earth. We hear it as a loud “boom.”Fig.13.20 Summary — Sound from a Moving Source guttin it all TogethSound Medium v Ͻ Mach 1 Doppler psource is air subsonic effect er v ϭ 332 ϩ 0.6T v Ͼ Mach 1 Sonic supersonic boom chapter 13: Basics of Sound 453
gpplyin 1. What is the speed of a plane flying at MachCoa the a) 2.1 and 3°C? b) 0.4 and 35°C? tsncep c) 1.9 and 0°C? d) 5.1 and Ϫ2°C? 2. Convert the speeds in Question 1 to km/h. 3. Describe the process of a sound barrier forming. What happens when the object finally breaks through the sound barrier? Is a sonic boom necessarily going to occur? 13.4 Sound Intensity As sound emanates from a source, it forms an ever-growing sphere of sound waves around the source (refer to Fig. 13.21). This phenomenom is similar to a rock thrown into a lake and creating ripples that move away. Just like the water waves dissipate as they move away, the sound intensity also decreases with distance.Fig.13.21 The sound waves emitted Source 1 1/4 1/9 of sound B Cfrom a source travel out in spherical 3r1 Awavefronts. Since area grows as r1r2 (areasphere ϭ 4r2) and intensity 2r1riϭsϭdᎏpeao1rcweᎏr,aeer2,a,sw.i.ne.g(c4ᎏab1ᎏn,y9ᎏ1ᎏsf,aecᎏe11ᎏ6toth…rsat)otfahsᎏr1e2ᎏy, iownutheemnrseoivtyeaway from the source. The intensity (I) of the wave is defined as the rate of power (P) that passes through a surface with an area (A) perpendicular to the wave’s direc- tion. Recall from Chapter 7 that power is the rate at which work is done. It is the rate at which energy is transformed divided by time. If the time used is one second, then the power is measured in joules per second (J/s) or watts (W). The units for area are m2, thus the intensity of sound is meas- ured in watts/area (W/m2). From this information, we can write I ϭ ᎏAPᎏ In Fig. 13.21, we saw that the source of sound created a sphere of sound moving away from it. The area of a sphere is A ϭ 4πr2, where r is the radius of the sphere as well as the distance the sound wave has travelled at the time you calculate the area. We can now substitute for area in the equation I ϭ ᎏAPᎏ, to obtain454 u n i t d : Waves a n d S o u n d
I ϭ ᎏ4Pᎏr2 From this equation, we can infer that as the distance increases, thesound intensity changes by a factor of ᎏr1ᎏ2. This equation is similar to the forceof gravity calculations in Chapter 5 and is another example of the inversesquare law. The ratio of intensities emitted from a single sound source atdifferent distances can be calculated by the following equation: ᎏIᎏ1 ϭ ᎏ((rr12ᎏ))22 I2e x a m p l e 7 Decrease in intensity of sound due to distanceA helicopter hovers overhead during an airshow, causing Fig.13.22 Sound intensity dependssound waves to emanate uniformly. If the first listener is700 m away and the second listener is 1000 m away, by on distance from the sourcehow much has the intensity level of the sound decreasedwhen it reaches listener 2?Solution and Connection to TheoryGiven r2 ϭ 1000 m ᎏIᎏ1 ϭ ?r1 ϭ 700 m I2ᎏIᎏ1 ϭ ᎏ((rr12ᎏ))22 ᎏIᎏ1 ϭ ᎏ((1700000ᎏmm))22 ϭ 0.49I2 I2Thus, the intensity level is almost one half by the time itreaches listener 2.The Decibel System A logarithm is the exponent to which the base number must be raised toHuman beings have an enormous range of hearing. We can hear noise with produce a given number.intensities from as low as 10Ϫ12 W/m2 to greater than 1.0 W/m2. With such Example: 102 ϭ 100a wide range of values (12 orders of magnitude or a million million), it is so log10100 ϭ 2easier to use a logarithmic system to measure units of sound intensity. For base 10, log 100 ϭ 2These numbers are based on the exponents of numbers. Multiplying logs The decibel unit of sound intensity is defined as (102)(103) ϭ 102ϩ3 ϭ 105 І log(102)(103) ϭ log 102 + log 103  ϭ 10 log ᎏIᎏ2 I1 ϭ2+3ϭ5where  is the sound intensity in decibels, I1 is the initial sound intensity, Dividing logsand I2 is the final sound intensity. In most cases, the value for I1 is the 1ᎏ100ᎏ23 ϭ 103Ϫ2 ϭ 101threshold of hearing, an intensity of 1.0 ϫ 10Ϫ12 W/m2. І log 1ᎏ100ᎏ23 ϭ log 103 Ϫ log 102 ϭ3Ϫ2ϭ1 chapter 13: Basics of Sound 455
e x a m p l e 8 Calculating a decibel levelA normal conversation involves sound intensities of about 3.0 ϫ 10Ϫ6 W/m2.What is the decibel level for this intensity?Solution and Connection to TheoryGivenI1 ϭ 1.0 ϫ 10Ϫ12 W/m2 (the threshold of hearing)I2 ϭ 3.0 ϫ 10–6 W/m2 ᎏIᎏ2 ᎏ13..00 ϫϫᎏ1100ϪϪ162 WWᎏ//mm22  ϭ 10 log I1 ϭ 10 log (3.0 ϫ 106) ϭ 10 logϭ 10(6.5) dB ϭ 65 dBThus, a normal conversation at about a one-metre separation distancehas a sound level of 65 dB. This number is much easier to refer to than alarge number like 3.0 ϫ 10Ϫ6 W/m2. Table 13.2 compares the loudness of various sounds to the threshold ofsound. The value of the intensity is given in pW/m2 and W/m2 as well as indecibels. Table 13.2 Loudness of SoundsSound level (dB) Sounds Intensity (pW/m2) Intensity (W/m2)0 Lowest audible sound for humans 1 10Ϫ12 10Ϫ1110 Rustle of leaves 10 10Ϫ10 10Ϫ920 Whisper at 1 m 102 10Ϫ8 10Ϫ730 Whisper at 30 cm 103 10Ϫ6 10Ϫ540 Quiet room away from traffic 104 10Ϫ4 10Ϫ350 Auto engine at 10 m 105 10Ϫ2 10Ϫ160 Conversation at 1 m 106 170 Busy traffic or 30 m from freight train 107 10680 Subway or very close to Niagara Falls 10890 Pneumatic drill or noisy lawn mower 109100 Motorcycle or chain saw 1010110 Rock concert near the stage 1011120 Threshold of pain 1012180 Rocket launch pad 1018456 u n i t d : Waves a n d S o u n d
e x a m p l e 9 Changing sound intensitiesHow loud (in decibels) would the sound be for a rock concert withmusic intensity 2.0 W/m2 at 1.0 m if the person is sitting 100 m awayfrom the source?Solution and Connection to TheoryGiven I2 ϭ ? r1 ϭ 1.0 m r2 ϭ 100 mFor our case, I1 ϭ 2.0 W/m2ᎏIᎏ1 ϭ ᎏ((rr12ᎏ))22 ϭ ᎏ2.0 Wᎏ/m2 ϭ ᎏ((110.00ᎏmm))22I2 I2I2 ϭ ᎏ2.0 W(1/0m02ᎏ(m1).02 m)2 ϭ 2.0 ϫ 10Ϫ4 W/m2We can now calculate decibels using Fig.13.23 Pete Townsend  ϭ 10 log ᎏIᎏ2 of The Who I1  ϭ 10 log ᎏ12..00ϫϫ1100ᎏ––142WW//mm22 ϭ 10 log (2.0 ϫ 108) ϭ10 (8.3)dB ϭ 83 dBThus, the person sitting 100 m away experiences a sound level equivalentto city traffic. Not all rock concerts are as tame as the one described in Example 9. Back For imagein the 1970s, when concerts were becoming louder and louder, The Who set see studenta dubious record of blasting music at 120 dB at 40 m from the stage. text. The sound produced was equivalent to standing only 60 m from a jettaking off. Remember that a rock concert is not a short event. PeteTownsend (Fig. 13.23), a member of The Who, suffered permanent eardamage as a result of a career of playing loudly.Fig.13.24 Sound Intensity Power guttin P it all TogethSound radiates Area Intensity Choose I2 p from source A I1 erwith spherical P 10Ϫ12 W  ϭ 10 log wavefronts Sphere Iϭ A I1 ϭ 1.0 ϫ m2 A ϭ 4r2 chapter 13: Basics of Sound 457
gpplyin 1. Why do we use a logarithmic scale to describe the range of soundCoa the intensities we can hear? tsncep 2. By what factor does the sound increase or decrease when the lis- tener moves a) twice as far away from the source? b) 5.3 times as far away? c) 3 times closer? d) 0.3 times as far away? 3. What is the intensity of sound for the following decibel values? a) 100 dB b) 20 dB c) 55 dB d) 78 dB 4. How many times louder or softer than a sound level of 30 dB is a sound at a) 50 dB? b) 10 dB? c) 85 dB? d) 0.5 dB? Human Hearing Threshold If the hearing threshold in both ears at 500 Hz is 35 dB or worse, you probably need hearing aids. A whisper in a quiet library is 30 dB. There are devices available now that can give the user an 80 dB or more peak gain. (Physically, every 6 dB increase represents a doubling of sound pressure. Perceptually, every 10 dB increase sounds twice as loud.) Compare this increase to the old trumpet hearing aids of the 1800s. Alexander Graham Bell was working on developing hearing aids when he invented the telephone. Fig.13.25A Fig.13.25B For image For image see student see student text. text. 5. Research the difference in characteristics between older versions of hearing aids (amplified all sounds) and current models (Fig. 13.25). 6. Research assistance devices such as the TTY and TDD devices available to the hearing impaired. 7. Research the state of development of cochlear implants. Are researchers getting closer to producing artificial hearing?458 u n i t d : Waves a n d S o u n d
13.5 Doppler EffectWhen a racing car passes you as you sit in the stands, you hear the familiar Fig.13.26 1 and 2 hear the sameVVRRrrrrrrrroooom sound, where the pitch of the sound seems to drop as thecar passes by you. That sound is heard anytime two objects pass each other sound. No change in wavelengthwith different velocities while emitting sounds. In the mid 1800s, Christian occurs when the source is at rest.Doppler, an Austrian physicist, explained this phenomenon. In order to formulate an equation for this phenomenon, we start withthe assumption that the medium in which sound travels (air) is stationary. 12Case 1 — The ambulance is stationary. As shown in Fig. 13.26, the wavesmove out uniformly and are heard by both person 2 standing in front of theambulance and person 1 standing behind it. Because the waves move sym-metrically, the wavelength observed by both people is the same.Case 2 — The ambulance is moving. Figure 13.27 shows that the sound’swavefronts are bunching up in the direction of motion. The wavelengthsapproaching person 2 ahead of the ambulance are now getting smaller. Person2 now senses more wavefronts per unit time than she did when the ambulancewas not moving. This increased rate of arrival is just the increase in frequency,so she hears a higher-pitched sound. Fig.13.27 Observers in front and behind a For person A behind the car, the effect is moving sound source hear a different frequencyreversed. The sound wavefronts spread out as thesource moves away from the listener. This motion Ambulance is movingincreases the wavelength and the listener detectsfewer wavefronts arriving per unit time. The 1 2resulting drop in frequency is heard as a lower-pitched sound. Hears a lower Hears a higher frequency sound frequency than It should be noted that the Doppler effect than he did when she did whenoccurs only if the speed of the moving source is the ambulance the ambulanceless than Mach 1. was stationary was stationaryMoving Source Equation — Approaching the ListenerFor this derivation, refer to Fig. 13.28. An object moving towards anobserver covers a distance of vot, where t is time of travel and vo is the speedof the object. The standard sound wave from the non-moving object is 1.The new sound wave, 2, is smaller by the distance vot. Thus 2 ϭ 1 Ϫ vot Since each successive wave is produced in a time T, the period of thewave, we can write our equation as 2 ϭ 1 Ϫ voT chapter 13: Basics of Sound 459
Fig.13.28 As the sound source Stationary listener (hears a sound with 2)approaches the listener, the apparentwavelength decreases vo t is the distance 2 2 is smaller than itthe ambulance cover would be if the ambulance 1in the direction of the ry ambulance) was stationary (1) emitted sound 2 ϭ 1 Ϫ vo t Remember that v ϭ f, so the frequency (f2) perceived by the listener is f2 ϭ ᎏvsoᎏund 2 Substituting into the expression for 2, we obtain f2 ϭ ᎏvsoᎏund 1 Ϫ voT Now use 1 ϭ ᎏvsoᎏund and T ϭ ᎏ1ᎏ f1 f1 Substituting again for 1 and T, we obtain f2 ϭ ᎏf1 vsᎏound (vsound Ϫ vo) We now use the subscript s to denote sound. The equation becomes f2 ϭ ᎏvsfϪ1vᎏsvo The difference in frequencies, f2 Ϫ f1, is referred to as the Doppler shift. e x a m p l e 1 0 The apparent frequency of an approaching car sounding a horn The Batmobile is approaching Batgirl at a speed of 140 km/h while sounding its horn. Calculate the apparent frequency of the horn heard by Batgirl if the sound has a frequency of 500 Hz. Assume a speed of sound of 344 m/s.460 u n i t d : Waves a n d S o u n d
Fig.13.29Solution and Connection to TheoryGiven vo ϭ 140 km/h ϭ 38.9 m/s f1 ϭ 500 Hz f2 ϭ ?vs ϭ 344 m/sf2 ϭ ᎏf1vᎏs vs Ϫ vo ϭ ᎏ500 sᎏϪ1(344 ᎏm/s) 344 m/s Ϫ 38.9 m/s ϭ 564 HzThe frequency perceived by Batgirl is 564 Hz, which is greater than theemitted frequency and therefore has a higher pitch.Moving Source Equation — Moving Awayfrom the ListenerFor the source moving away, the term for the approaching source,2 ϭ 1 Ϫ voT, changes to 2 ϭ 1 ϩ voTThe equation for apparent frequency of a moving source is the same as thatfor the approaching source except for the plus sign in the denominator. f2 ϭ ᎏvsfϩ1vᎏsvoe x a m p l e 1 1 The apparent frequency of a receding car sounding a horn If the sound of the horn has a frequency of 500 Hz, calculate the appar- ent frequency heard by Robin if the Batmobile is travelling at 140 km/h away from him. Assume a speed of sound of 344 m/s. chapter 13: Basics of Sound 461
If the person approaches or moves Fig.13.30away from a sound source instead ofthe source moving relative to theperson, the Doppler effect stilloccurs, but with a subtle difference.In this case, the wavelength of thesound does not change, but thenumber of wavelengths encounteredper unit time by the moving personis different than if the person wasstationary. This situation producesa slightly different formula, 1 Ϯ ᎏvᎏo vs f2 ϭ f1 Solution and Connection to Theorywhere vo is the speed of the observer. GivenNote that the perceived frequency is vs ϭ 344 m/s vo ϭ 140 km/h ϭ 38.9 m/s f1 ϭ 500 Hz f2 ϭ ?different for this case.Fig.13.31 f2 ϭ ᎏf1vᎏs , since the source is moving away from the listener. vs Ϫ vo of motion f2 ϭ ᎏ500 sᎏϪ1(344 ᎏm/s) ϭ 449 Hz 344 m/s ϩ 38.9 m/s The frequency perceived by Robin is 449 Hz, which is less than the emit- ted frequency and therefore has a lower pitch. Both conditions can be rolled into one equation by using the Ϯ sign, where vo t ϩ indicates a receding source and Ϫ indicates an approaching source. f2 ϭ ᎏf1vᎏs vs Ϯ vo Fig.13.32 Summary of Doppler Effect Towards stationary vs observer vs Ϫ vouttin g f2 ϭ f1it all Away fromgethTo stationary observerp Moving v Ͻ Mach 1 Doppler er object effect vs vs ϩ vo f2 ϭ f1462 u n i t d : Waves a n d S o u n d
1. Explain why the Doppler effect occurs only if the sound-emitting gpplyin object is moving relative to the listener. Co a the2. If you have studied the light unit, how is the Doppler effect for tsncep sound different from that for light?3. Calculate the apparent frequency heard by a person if a car travel- ling at 110 km/h emits a sound with frequency 450 Hz. Assume that the car is moving a) away from the listener. b) toward the listener.Animals with Sonar, Part II: A Very Sophisticated AnimalThe sonar used by bats has a wavelength comparable to the size oftheir prey. The emitted pulses are 0.001 s in duration and are of a fre-quency too high for humans to hear. To find how far away its prey is,the bat interprets the time it takes for its emitted signal to return. Thelocation of the insect is determined by comparing the slight time dif-ference for the returning signal to reach each of the bat’s ears. The batuses the Doppler effect, caused by the regular rhythm of the prey’swings, to determine whether the insect is travelling towards or awayfrom it. It distinguishes edible prey from other objects by the apparentpitch changes in the sound generated by the prey’s wings as the preymoves towards or away from the bat (Fig. 13.33).4. Calculate the distance between a moth and a bat if the air tempera- ture is 14°C and the sonar took 0.11 s to return to the bat.5. How would a bat know that a leaf blowing in the wind was not prey?6. Researchers catch bats in thin nets. Why don’t the bats detect the nets?Fig.13.33 For image see student text.chapter 13: Basics of Sound 463
13.6 The Characteristics of Hearing Method of HearingFig.13.34 The human ear Outer ear Middle Inner ear earFig.13.35 The outer ear Anatomically, the ear is divided into three sections: the outer, middle, and inner ear (Fig. 13.34).Pinna Eardrum Outer Ear (Fig. 13.35), Sound Collector. The pinna directs sound from in front of us into our ears. This way, we do not have to turn our heads Auditory canal each time someone speaks to us. The sound is then directed down the canal to the middle ear. The size of the canal is ideal for amplification in the range around 2800 Hz. Middle Ear (Fig. 13.36), Transference Station. The sounds vibrate the eardrum, which transmits the vibrations through the three small bones (hammer, anvil, and stirrup) attached to it. This stage creates another small amplification. The smallest bone in the body, the stirrup, is located here, measuring about 3.5 mm. The middle part of the ear is connected by way of the Eustachian tube to the throat. When you need to equalize the pressure on both sides of the eardrum, such as during ascent or descent in a plane, you open the tube by swallowing (or chewing gum). Infections and colds can also block up this passage, leading to muffled hearing and ear pain. Inner Ear (Fig. 13.37), Sorting Station. When the vibrations reach the cochlea, they set the cochlear fluid in motion. The cochlea contains a series of fine hairs (over 20 000 of them!). The size of the hairs dictates the ease with which they move. The hairs near the entrance of the cochlea are activated by higher frequencies, whereas hairs further inside the cochlea are activated by lower frequencies. The motion triggers nerve cells at the base of the hairs, thereby sending a signal to the brain.464 u n i t d : Waves a n d S o u n d
Fig.13.36 The middle ear Hammer AnvilFig.13.37 The inner ear Stirrup Eardrum Oval window Middle ear cavity be Semicircular canals Auditory nerve Cochlea Damage to the inner ear is permanent, causing deafness (recall Pete 465Townsend of The Who, Fig. 13.23). Sudden loud bursts of noise can destroythe ability of the cochlea hairs to transmit vibrations to the dural nerves.However, other ear damage, such as eardrum ruptures, can be repaired. Children prone to ear infections may have fluid buildup behind theeardrum, causing severe pain, and, in extreme cases, rupturing the eardrum.“Tubes” are often surgically placed through the child’s eardrum to equalizethe pressure in the middle ear, allowing the fluid to drain down theEustachian tube.SensitivityThe human ear is a remarkable sensing device. From the intensity section(13.4), we learned that the ear has a wide range of sensitivity (10Ϫ12 W/m2to over 1.0 W/m2, corresponding to 0 dB to 120 dB). However, this sensi-tivity is dependent on the frequency of the emitted sound. chapter 13: Basics of Sound
Fig.13.38 Sensitivity levels of the 120 120 100 100human ear at different frequencies 80 80 60 60 Intensity level (dB) 40 40 20 20 5,000 10,000 0 0 50 100 500 1,000 Frequency (Hz)Tinnitus is a ringing sensation in the From the graph in Fig. 13.38, you can see thatears. It is an early felt conditionassociated with long-term exposure 1. the range of frequencies we hear is about 25 Hz to 19 000 Hz. Higherto loud music. Loss of hearing occurs frequencies have a higher pitch.when the tiny hair cells in the innerear are damaged from repeated 2. the ear is most sensitive to sounds around 2800 Hz because the inten-exposure to loud sounds. The mech- sity of audible sound at this frequency drops to 0 dB.anism of damage is much like theeffect of walking on grass. When you 3. as the loudness of the sound increases, the ability to hear at differentwalk on the grass only occasionally, it frequencies becomes roughly the same. You can see this effect becausehas a chance to recover. But if the the curves on the graph become more and more level across the graph.grass is trampled frequently, it losesits ability to spring back and 4. generally speaking, we are more sensitive to higher-pitched sounds.becomes permanently damaged. The intensity of sound at lower frequencies must be greater in order for us to hear it.Noise Exposure Times (maximum per day) In summary, we can say that our ears are more sensitive to middle fre- quencies than to high or low frequencies if the sound level is low.Level (dB) Time (h) When we listen to music through stereo systems, we can compensate for80 8 the different sensitivities at different loudnesses by adjusting the bass, midrange, and treble controls. When the sound becomes very loud, our fre-95 4 quency response becomes relatively equal and the adjustments are for per- sonal taste only.100 2 White noise is so called because it has a fairly steady intensity over a broad105 1 range of frequencies. White noise (nondescript background noise) can cause hearing damage more quickly than music at the same decibel level. In industries110 ᎏ1ᎏ where workers are exposed to sound intensity levels of 85 dB or more, ear pro-115 2 tection is required by law in many jurisdictions. Prolonged exposure at this ᎏ1ᎏ intensity will damage the ear. The Walkman can be harmful because of its prox- 4 imity to the ear. Although it doesn’t seem loud, it can easily deliver 100 dB of sound to the eardrum. The sound doesn’t have a chance to use the ᎏr1ᎏ2 law to decrease the intensity of the music before it enters the ear canal.466 u n i t d : Waves a n d S o u n d
13.7 Applications — UltrasonicsThe human range of hearing extends from about 25 Hz to 19 000 Hz. Any fre- Table 13.3quencies below the lower limit are referred to as infrasonic. Any frequenciesoccurring past the upper limit are referred to as ultrasonic. However, the Ranges of Hearing for Animalshearing range for other animals is often quite different (see Table 13.3). Animal Frequency range (Hz)Sonar — Echo Finding Dog low highSonar stands for sound navigation and ranging. This process is used to deter- Cat 15 50 000mine the depth of water under a boat or ship. It can also be used to find sunken Porpoise 60 65 000objects like ships, or fish, and is used by many fishing enthusiasts today. Bat 150 000 Moth 150 120 000 Ultrasonic sounds aimed into the water are emitted by a device called a 1000 150 000transducer. The sounds travel downward until they hit something and 3000reflect back. The time it takes for the sound to return to the surface deter-mines the depth of the object or the bottom of the water body.Fig.13.39 An echo sounder emits impulses, then records the The transducer is usually a type of crystal that exhibits piezo-electricechoes. The time between the two events is converted to metres. properties. These crystals generate a small electric charge when pressure is applied to them. The amount of current generated by the crystal is proportional to the force applied. One can also reverse this effect. By applying a current at a particular frequency of the crystal, you can force the crystal to vibrate. Thus, the crystal can act like a receiver and an emitter.Industrial Applications 467ReflectoscopeA reflectoscope is a device used to find flaws in materials such as tires andcastings. It sends out short bursts of ultrasound into a material. The piezo-electric crystal acts like both a transmitter and a receiver. Between bursts,the current to the crystal is turned off and the reflecting vibrations arepicked up by the crystal and changed back into electrical signals. Any flawsin the material show up as variations on a homogeneous background. chapter 13: Basics of Sound
Emulsifiers High-frequency soundwaves can cause liquids that normally would not mix to emulsify. An example of an emulsion is milk, where fat globules are in suspen- sion in the milk. In industry, metal alloys can be made using this process. Metals are mixed and blasted by ultrasound waves, causing the metals to stay mixed until they cool and harden. Cleaners and Measuring Devices Ultrasound techniques are used to clean gems and other materials. They can also be used to cause particles such as dust and smoke to clump together. This technique is useful in pollution control in large factories. Ultrasound can weld certain plastics, disinfect and clean metal instruments, and is used inside measuring devices that monitor such properties as size, pressure, or density of substances. Humidifiers A recent use of ultrasound is to create a fine mist from a storage unit of water. The mist is cool to the touch and thus can be placed in children’s bed- rooms in order to humidify the air (Fig. 13.40).Fig.13.40 An ultrasonic humidifier Medical Applications Diagnostics For diagnostic purposes, sounds in the range of 1–10 MHz are used by doc- tors. A transducer is placed in contact with a person’s skin. The sound waves travel into the body and are reflected back by different organs. Although the range of speeds in various tissues is very close in value, high-resolution detection systems can discern the differences between muscle and fat tissue, even though speeds of transmission in tissues vary by a few percent only.468 u n i t d : Waves a n d S o u n d
For image Fig.13.41 Reflection of sound waves is usedsee student to safely produce an image of the two fetuses text. For image see student text. It takes only about 50 ms for the ultrasound signal to be detected, allow-ing for a real-time image of the inside of the body to be displayed on a mon-itor. The low power of the transducer (3 ϫ 10Ϫ3 W/cm2) ensures that nodamage is done to the body. The same techniques are used to study the heart (echocardiography).Because we are dealing in real time, cardiologists can be alerted to anypumping problems in the heart valves during tests or surgery. In the field of obstetrics, two-dimensional imaging is used to get a real-time view of the fetus. The ultrasonic method is preferred because it doesno harm to the growing fetus. The uterus of the mother, filled with amni-otic fluid, is an ideal medium for the transmission of sound. This image ofthe fetus is used to detect problems, measure size, keep track of its develop-ment, and determine the child’s gender (Fig. 13.41).SurgeryUltrasound is now used to break up kidney stones into smaller pieces sothat they can be passed without great discomfort. This technique is muchless stressful on the patient, who normally would have to undergo a painfuloperation. The medical system also benefits economically because no post-surgical stay in hospital is required by the patient. chapter 13: Basics of Sound 469
S T S c i e n c e — Te c h n o l o g y — S o c i ety —S E Environmental InterrelationshipsFig.STSE.13.1 A roadway Sound Absorption and Traffic Barriersnoise barrier If a tree falls in the forest and no one is around, does it make a sound? The answer to this question is both “yes” and “no.” The tree’s fall generates theFig.STSE.13.2 The path of repetitive compressions and rarefactions of air molecules around it, but the true definition of sound requires that it stimulate the auditory nerve. Thereflected and diffracted sound waves same applies to noise. Noise is any unwanted sound; therefore, it needs some- Direct sound one to not only detect it, but to also decide that he or she doesn’t want it. Sound In general, there are two types of noise control. Active noise control source requires a complicated system of electronics. Passive noise control refers to the more traditional system of reflectors and sound buffers. Active controls require Reflected a system of microphones, electronics, and speakers to record and produce a sound sound wave that is complementary (opposite) to the noise. When superim- posed, the two sound waves cancel each other out, eliminating the unwanted noise. The complex nature of most sounds and the complicated and expensive active noise control systems make them impractical for widespread use. Traffic may be one of the biggest contributors to urban noise pollution. Although zoning restrictions often prevent residential construction near major roads, the use of passive roadway noise barriers (Fig. STSE.13.1) is the method of choice for controlling traffic noise in most urban settings. Figure STSE.13.2 illustrates how the barrier cre- ates a sound wave shadow that provides a shield from the noise. One interesting problem with these barriers is caused by the diffraction of sound waves: the top of the noise barrier can act like an acoustic antenna. This effect is avoided by building the barrier with randomly staggered tops, as shown in Fig. STSE.13.1. Ongoing research is providing alternative materials to construct barrier walls. One promising material, both environmentally and economically, is crumb rub- ber. Crumb rubber, made of recycled car tires, appears to be non-toxic and environmentally stable. Noise pollution affects our quality of life because it can interfere with communication, sleep, recre- ation, work, and even the learning environment in our schools. Consistent exposure to noise of 85 dB (e.g., a portable household vacuum cleaner) or higher can cause permanent hearing loss.470 u n i t d : Waves a n d S o u n d
Design a Study of Societal Impact Fig.STSE.13.3 A noise pollution warning sign High-density housing in urban areas often has homes quite close to one another and in areas where noise can be a prob- lem. New subdivisions constructed near a major airport in Southern Ontario have signs posted that warn potential buy- ers of the risk (Fig. STSE.13.3). Should these people be compensated for their noise exposure? Are there sections of their sales contract that relate to the noise situation? Many people use portable music players for cassettes and CDs, or MP3 players. More than ever, students are now tempted to do homework or even attend classes while listen- ing to music. Review current research on the effect of noise or background music on attention and school performance.Design an Activity to Evaluate Evaluate the ability of different materials to block or dampen sound. Perform a correlation study by placing a sound source speaker on one side of a material barrier and a microphone with a oscilloscope on the other. Measure sound wave amplitude as a dependant variable when changing the thickness of the sound-dampening material. Test differ- ent types of materials.Build a Structure Design a sound-proof box. Insert a microphone into the box. Monitor it using an oscilloscope to determine differences in the sound ampli- tude inside the box as it is subjected to external sound.chapter 13: Basics of Sound 471
S U M M A R Y S P E C I F I C E X P E C TAT I O N SYou should be able to Relate Science to Technology, Society, and the Environment:Understand Basic Concepts: Define transverse and longitudinal waves, giving Describe the process of hearing. examples of each. Describe various hearing problems and evaluate Define “cycle,” “period,” “frequency,” and the effectiveness of possible corrections. “amplitude.” Describe applications of ultrasound. Explain the relationship between the state of mat- Relate the aspects studied in this unit to possible ter and the speed of sound. careers in fields involving sound. Calculate the speed of a wave in different media Describe how the knowledge of the properties using the wave equation. of waves is applied to building acoustical noise Find the speed of sound in air given the temper- barriers. ature in °C. Describe how animals such as bats, some birds, and Change the speed of sound in m/s to a Mach dolphins produce and receive ultrasonic, infrasonic, number. and audible sounds, and how they use them. Describe how a sound barrier is formed and its Identify sources of noise in our environment and consequences. explain how these noises are reduced by the use Calculate the intensity of sound at different dis- of acoustical noise reduction methods. tances from a source. Describe how the decibel system works for sound Equations intensity. Convert sound intensity levels between different T ϭ ᎏ1fᎏ units and give examples. Explain the Doppler effect and calculate changes v ϭ f in frequency for moving sources and observers. v ϭ 332 ϩ 0.6TDevelop Skills of Inquiry and Communication: Draw, measure, and interpret the properties of f2 ϭ f1 ᎏvᎏs (ϩ receding, Ϫ approaching ) waves such as phase, frequency, and amplitude (vs Ϯ vo) changes. Design and conduct an experiment to determine I ϭ ᎏ4Pᎏr2 the speed of sound in various media such as hydrogen, helium, air, and carbon dioxide. ᎏIᎏ1 ϭ ᎏrr12ᎏ22 Analyze the speed of sound experiment and I2 determine factors that could affect the agree- ment of experimental (empirical) values with  ϭ 10 log ᎏIᎏ2 theoretical ones. I1472 u n i t d : Waves a n d S o u n d
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