[Book_FTUI] Sound of Engineering

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CHOOSING MATERIAL auditorium. inside the Table 3. Results of the reverberation time measurements inside the auditorium Based on the results of the reverberation time measurements inside the auditorium, in general the reverberation time in reverberation time is ideal for seminars and band performances, and is still in tolerance for theater performances. However, this reverberation time will be felt less for orchestral music performances. Lack of achievement in reverberation time, aside from being limited by the height of the room that can be used, is also reducing the reverberation time in high frequencies and intermediate frequencies. Whereas the compromise of reducing the thickness of the interior wall material contributes to a reduction in reverberation time for its low frequency. performance of the auditorium such as: speech intelligibility, speech transmission index, bass ratio, and brilliance. 90 82

^ Figure_41 Photograph of Makara Art and Culture Auditorium 9813

^ Figure_42 Diagrammatical Section of Makara Art and Culture Auditorium 92

^ Figure_43 Photograph of Makara Art and Culture Auditorium (work in progress) 93

^ 86 Figure_44 Section+Photograph of Makara Art and Culture Auditorium 94

95 87

96 88

GLASSWOOLslat kayu sungkai - nish cat duco HPL SMARTLAM SLC 7392 K-32 TEBAL 5CM gypsum 9mm CEMENT CONCRETE KAIN TISSUE, LANOVEN MULTIPLEX 9MM + MDF 3MM ^ Figure_45 Section+Photograph of Makara Art and Culture Auditorium (work in progress) 97 89

98 90

^ Figure_46 Drawing+Photograph of Makara Art and Culture Auditorium (work in progress) 99

^ 92 Figure_47 Photograph of Makara Art and Culture Auditorium (work in progress) 100

101 93

^ 94 Figure_48 Diagrammatical Section of Makara Art and Culture Auditorium 102

103

^ ^ Figure_49 Photograph of Makara Art and Culture Auditorium (work in progress) 96 Figure_50 Photograph of Makara Art and Culture Auditorium (work in progress) 104

^ Figure_51 Photograph of Makara Art and Culture Auditorium (work in progress) 105 97

^ 98 Figure_52 PPhhoototoggrraapphhooffMMaakkaarraaAArrttaannddCCuultluturreeAAuudditiotorriuiumm 106

99 107

^ 100 Figure_53 Photograph of Makara Art and Culture Auditorium 108

^ Figure_54 Photograph of Makara Art and Culture Auditorium 101 109

^ 102 Figure_55 Photograph of Makara Art and Culture Auditorium (work in progress + materials) 110

^ Figure_56 Photograph of Makara Art and Culture Auditorium (work in progress) 111 103



MECHANICAL AND ELECTRICAL - SYSTEM PART TWO

THERMAL COMFORT - GREEN SYSTEM Green Chiller Installation at the Auditorium Building of Art Center, Universitas Indonesia In March 2017, Universitas Indonesia successfully installed an energy-saving chiller with a capacity of 197.61 kW using 28 kg hydrocarbon refrigerants on the roof of the Auditorium Building in the Art Center area of Universitas Indonesia in Depok. at chiller was the rst hydrocarbon chiller assembled and installed in university in Indonesia. Hydrocarbon refrigerant R290 is a non-ozone depletion substance, natural refrigerant with much lower global warming potential (GWP of 3) compared to conventional refrigerant. Furthermore, the use of the refrigerant R290 in the chiller also o ers higher energy e ciency as well as lower charge amount compared to chillers with similar cooling capacity. Due to the above-mentioned characteristics, the chiller is considered as a green chiller. e choice of the chiller is in line with the university’s policy to achieve its UI Green Metric World University Ranking and in promoting green campus. e green chiller exhibits the state-of-the-art air conditioning system which is energy e cient, environmental friendly and safe. e chiller and its installations comply with both international and national standards in performance and safety aspects. It is capable in providing thermal comfort for upto 400 audience of the 510 m2 oor area of the auditorium. e chiller is equipped with two semi-hermetic reciprocating compressors designed and built speci cally for hydrocarbon refrigerant, delivering 56 Tons of Refrigeration (TR) cooling to the room at 4.0 Coe cient of Performance (COP) and, at the same time, ensuring the safety use of the ammable (class A3) hydrocarbon refrigerant. 114 105

sustainability through installation of energy and cooling performance monitoring system in place, available for real time data collection and further analysis of its operation. For the development of the monitoring system, the university initiates collaboration with the Ministry of Energy and Mineral Resources-Republic of Indonesia as collaboration also includes capacity building for the operator and maintenance technician. laboratory for the university researchers and students in their pursuit of innovation for high performance, environmental friendly and safe building air conditioning system. (ARD) ^ Makara Art and Culture Auditorium Figure_57 ^ 111506 Figure_58 Green Chiller Installation of Makara Art and Culture Auditorium

Speci cations: -Rated Cooling Capacity : 197 kW -Compressor: 2 semi hermetic reciprocating, Standard EN 378:2016 -COP: 4.0 -Refrigerant: 2x 14 kg R 290 (Propane) ODP 0, GWP 3 -Commissioning date: April 30, 2017 Monitoring equipment: - Energy consumption measurement and COP - Temperature sensor - Pressure sensor - E/M ow meter for cold water - Vortex ow meter for refrigerant - NI data aquisition system - Software Labview Safety Feature: - Rooftop chiller - Capacity Metering of Chillers - Power Consumption Monitoring - Gas Detector - Room Temperature & CO2 Monitoring - Integrated Automation Control 116 107

^ Figure_59 Ducting installation of air conditioning system of Makara Art and Culture Auditorium 111078

^ 109 Figure_60 Psychrometric chart of the air conditioning system of Makara Art and Culture Auditorium 118



^ 110 Figure_61 Photograph of Makara Art and Culture Auditorium (work in progress) 120

^ Figure_62 Photograph of Makara Art and Culture Auditorium (work in progress) 121111

^ 112 Figure_63 Photograph of Makara Art and Culture Auditorium (work in progress) 122

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^ 114 Figure_64 Photograph of Makara Art and Culture Auditorium (lighting) 124

DESIGN & BUILD MONITORING Figure_65 Collaged Photographs of Design and Build Monitoring 125

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LIST OF FIGURES & REFERENCE PART TWO

Figure_1 Photograph of Makara Art and Centre Auditorium Figure_2 Photograph of Engineering in Symphony Figure_3 Body of theatricality Figure_4 (Re)Setting the Stage Structure Figure_5 Diagram of (Re)Setting the Stage that represents Figure_6 the pre-performance experience of Engineering in Symphony (Re)Setting the Stage: Entrance (walking through/ wandering) experience Figure_7 (Re)Setting the Stage: Photobooth & Exhibition (seeing/ being seen) Figure_8 (Re)Setting the Stage: Dinner (eating/ dining) Figure_9 Figure_10 Photographs of Engineering in Symphony Rehearsal Figure_11 Figure_12 Photograph of Engineering in Symphony Figure_13 Photograph of Engineering in Symphony Figure_14 Photograph of Engineering in Symphony Figure_15 Photograph of Engineering in Symphony Figure_16 Photograph of Engineering in Symphony Figure_17 Photograph of Engineering in Symphony Figure_18 Photograph of Engineering in Symphony Figure_19 Photograph of Engineering in Symphony Figure_20 Photograph of Engineering in Symphony Figure_21 Photograph of Engineering in Symphony Figure_22 Photograph of Engineering in Symphony Figure_23 Photograph of Engineering in Symphony Figure_24 Photograph of Engineering in Symphony Commnittee 130 116

Figure_25 Photograph of Makara Art and Culture Figure_26 Photograph of Makara Art and Culture Auditorium Figure_27 Photograph of Makara Art and Culture Auditorium Figure_28 Diagram of Space and Sound Figure_29 Photograph of Makara Art and Culture Auditorium Figure_30 Collaged Photographs of Makara Art and Culture Auditorium (work in progress) Figure_31 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_32 Design Process Diagram of Makara Art and Culture Auditorium Figure_33 Section of Makara Art and Culture Auditorium (sound system) Figure_34 Photograph of Makara Art and Culture Auditorium Figure_35 Diagram of ‘Balancing Distribution of Sound’ of Makara Art and Culture Auditorium Figure_36 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_37 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_38 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_39 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_40 Photograph of Makara Art and Culture Auditorium Figure_41 Photograph of Makara Art and Culture Auditorium Figure_42 Diagrammatical Section of Makara Art and Culture Auditorium Figure_43 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_44 Section+Photograph of Makara Art and Culture Auditorium Figure_45 Section+Photograph of Makara Art and Culture Auditorium (work in progress) Figure_46 Drawing+Photograph of Makara Art and Culture Auditorium (work in progress) 113117

Figure_47 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_48 Diagrammatical Section of Makara Art and Culture Auditorium Figure_49 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_50 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_51 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_52 Photograph of Makara Art and Culture Auditorium Figure_53 Photograph of Makara Art and Culture Auditorium Figure_54 Photograph of Makara Art and Culture Auditorium Figure_55 Photograph of Makara Art and Culture Auditorium (work in progress + materials) Figure_56 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_57 Makara Art and Culture Auditorium Figure_58 Green Chiller Installation of Makara Art and Culture Auditorium Figure_59 Ducting installation of air conditioning system of Makara Art and Culture Auditorium Figure_60 Psychrometric chart of the air conditioning system of Makara Art and Culture Auditorium Figure_61 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_62 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_63 Photograph of Makara Art and Culture Auditorium (work in progress) Figure_64 Photograph of Makara Art and Culture Auditorium (lighting) Figure_65 Collaged Photographs of Design and Build Monitoring Hannah, D. (2008). Event-space: eater architecture & the historical avant-garde. ProQuest Doctoral Dissertation. Web. 132 118

Engineering in Symphony - Part 01 Engineering in Symphony - Part 02 131319

Department of Architecture Faculty of Engineering Universitas Indonesia Depok 16424, Indonesia