Mega Magazine May 2022

MAY 2022 MeTtahveerse Virtual designer pieces and accessories IS FASHION MOVING TO CYBERSPACE? mega.onemega Sustainability + +Exclusive!Fashion & Beauty The only way CHEETAH RIVERA S/S22 Take a peek into the designer’s psyche through sustainable couture at evokes surrealism The New and escapism Frontier B RME aAuKrIeNenG WI NrToObleTwHiEtzVOInReTmUbAraLcinWg ORLD fears, and getting through her darkest days





PEEWEE REYES-ISIDRO @peeweeisidro Editor-In-Chief @bamxbva @jannpascua Managing Editor BAM ABELLON @ryujishiomitsu Group Creative Director JANN PASCUA @mariansanpedro_ FASHION @miacastrooo @nicoolealmero Fashion Director RYUJI SHIOMITSU Fashion Writer MARIAN SAN PEDRO @janinerecto @archiecarrasco BE AUT Y & FE ATURES Beauty and Features Writer MIA CASTRO MEGA MAN Editor SUKI SALVADOR MEGA ENT Editor G3 SAN DIEGO ART Group Art Director MARC PAGDILAO Senior Graphic Artist NICOLE ALMERO Multimedia Artist BRIEN VENTURA Video Editor / Producer REGINA ACERON Final Artists ERIC GALLEGO, MARK VILLANUEVA CONTRIBUTORS Photographers DOOKIE DUCAY, MARK NICDAO, MIGUEL ALOMAJAN, SEVEN BARRETTO, MELSON BOLONGAITA, JAN MAYO Writers CHINO HERNANDEZ MEGA.ONEMEGA.COM Editor-In-Chief PEEWEE REYES-ISIDRO Digital Content Editor ANGELO RAMIREZ DE CARTAGENA Digital Content Writer / Producer MIKA REYES Group Publisher JANINE RECTO Brand Associate EMINA SOTTO One MEGA Group Inc. Chairman & CEO ARCHIE CARRASCO Founding Editor SARI V. YAP (†)

CENTRAL DEPARTMENTS SALES SOUND AND MOTION Sales Director MAUREEN ALEXIS BUSTO Senior Video Editor JASPER BERMEJO Video Editor / Producer REGINA ACERON Account Managers PAULINE MATA, CHLOE TAPUCAR, JASMINE CO LENG, STUDIO AND IMAGING Production and Studio Manager ED SIMON IVAN PANGANIBAN, ANNA CHUA, Photographers KIERAN PUNAY, EXCEL PANLAQUE MORRIS TEODOSIO, LEXI MALLONGA Final Artists ERIC GALLEGO, MARK VILLANUEVA Advertising Implementer and Coordinator Cameraman JR RAMIREZ VICTORIA VEDANA, ALYSSA TAN PRODUCTION AND LOGISTICS MARKETING COMMUNICATIONS Production & Logistics Manager Marketing Communications Manager PAM RODRIGUEZ ERICA LUNA Ad & Promo Manager BRENT JAMES CASTRO Booking Associates MAE TALAID, KZ FRANCISCO Copywriter / Social Media Associate ROWAN PALOMARES Pull Out Coordinator & Production & Logistics Assistant Social Media Associate KYLA TAAL MJ ALMERO Producer SEANNE BENZON EXECUTIVE OFFICE Multimedia Artist AGATHA ROMERO AVP for Marketing & Publishing Video Editor ANDREW CIUDAD MARGA MEDRANO-TUPAZ CRE ATIVE SERVICES VP for Content Creative Services Manager KRISTOFF SISON PEEWEE REYES-ISIDRO Multimedia Artists GARI RIVERA, Chief Executive Officer ELMER PEREIRA, NIEL JHED IBAY ARCHIE CARRASCO Copywriters PEACHES GARCIA, ALTHEA VILLANUEVA ROANNA ALONZO, CHAD LOSANTA, CHRISTINA ZABAT SUPPORT DEPARTMENTS SALES LEGAL AVP - Business Development Legal Counsel ATTY. HOMER ALINSUG CARMELLI DAET OIC-Corporate Legal AVY LAGARTO CONSUMER MARKETING FINANCE AND CIRCUL ATION Finance Supervisor JANIN TABORA Head of Consumer Marketing and Circulations Credit and Collection Supervisor ARRIANE SANCHEZ NAININE BUENAOBRA Senior Treasury Associate Consumer Marketing Associate CHAMP BERSALES MAILEEN CAPILITAN Senior Accounting Associate HUMAN RESOURCES JOHN DELA TORRE Head of Human Resources General Accounting Associate MAIREN BUAN RUFFA DELA PENA Accounting Associate HR Associate LORENZO MIGUEL BARBEYTO ZARAH MIRA Payroll Associate ANGIELICA BARIL Recruitment Associate CORPORATE AFFAIRS MICHELLE GRACE FLORES Head of Corporate Affairs and Business Expansion MIS/IT RODOLFO PALANCA JR. Web Development Manager Corporate Affairs Associate MARGAUX PUA CARLO TUMALIUAN Creatives Associate ALECS BELTRAN Web Development Supervisor KING VILLARTA EXECUTIVE OFFICE Junior Web Designer JEN-LYN DUMLAO Chief Operating Officer MA. CECILIA NGO Senior IT Specialist JOMER CALLEJA Executive Assistant to the COO THEA PAMELA SO ADMINISTRATION AND PURCHASING A G C P O W E R H O L D I N G S C O R P. Admin and Purchasing Manager AVY LAGARTO Chairman & President ARCHIE CARRASCO Office Support Associate JOREAN ANN FLORES Company Driver BERNARD DELA CRUZ ONE MEGA GROUP INC. ARCHIE CARRASCO Chairman & CEO LORRAINE BELMONTE Founding Creative Director SARI V. YAP (†) Founder

EDITOR’S NOTE NEW FRONTIER T his month, we explore the Most notable of which is Cheetah Rivera’s concept of Metaverse. But latest collection called, “Pizza Party.” Combining what is it exactly? Simply couture and sustainability, Cheetah used put, metaverse is a virtual deadstock fabrics, trimmings, and materials left reality space where users can from previous collections in her atelier to create interact in a computer-generated pieces that are vibrant, edgy, and playful. environment. In short, it is a digital space where one can play, work, shop, and Sustainability is also a priority in more socialize—do the things they do in real life. beauty brands than ever before. In this issue, we While many giant tech brands have built their not only share the latest in beauty trends (you’d own virtual reality platforms and have popular love the white eyeliner!), but we also give our best followings, fashion has quickly caught up and is picks when it comes to brands that put the state establishing its presence by way of products and of our environment above anything else. virtual experience offferings. It’s quickly gaining momentum and hype, so obviously everyone Lastly, we welcome Maureen Wroblewitz wants in on it. But where does the appeal lie on her fiirst MEGA cover. Being the professional exactly? For some, it’s the hyperreal experience, model that she is, the beauty queen-actress where everything is in high resolution and was able to portray our theme for this issue, limitless. For others, it’s about making money and “New Frontier,” with so much grace and fresh growing investments, and for some it’s escaping perspectives. Reading through her story about the real world that makes it so attractive. While the fears and getting through her dark days, we future of the metaverse is unclear and we have yet defiinitely believe she represents the modern to defiine it, one thing is certain—it is up to you to woman: outspoken, compassionate, and brave. determine its relevance to your life. What’s next in fashion is also a question we Enjoy the issue! aim to answer on this issue. Our feature on the metaverse will hopefully shed light on what it is, @peeweeisidro its impact on its users, and how it relates to our market locally. While the obsession with the digital realm is at an all-time high, sustainability is also a prevalent movement that brands and consumers have embraced eagerly. Topics on how labels are integrating it on their processes and products, as well as how we as consumers can practice it in our daily lives are highlighted in this month’s stories. 4 MAY 2022 | MEGA.ONEMEGA.COM

Photography DOOKIE DUCAY MEGA.ONEMEGA.COM | APRIL 2022 XXX

UNDERCOVER NVirtCualOFaVshiEonRING By BAM ABELLON. Photography JR RAMIREZ of STUDIO100 M etaverse is an undefined word. For a concept, or idea, that delves into the mercurial cyberspace, this insufficiency of tangible, real-world meaning is expected, even of digital dwellers. How much of it is the virtual world, and how does it affect the physical one? Where or when, or how does the virtual economy come in? What is in it for us? As we tried to answer these questions, we realized that as artists, the best way to elucidate our understanding of this word would be through the oftentimes ethereal worlds of fashion and beauty—worlds that are limitless and sometimes misinterpreted. For us to bring this vision to our pages, we needed a muse, one who can shapeshift, although thoughtfully, into forms that are beautiful, sensual, ambiguous, and arresting—much like her. We found that in Miss Universe Philippines 2021 first runner-up Maureen Wroblewitz. This woman, also known as the first Filipina to win the reality competition, Asia’s Next Top Model, went through a series of high- concept, designer clothes and creative makeup changes, and never flinched nor floundered. In between takes and breaks—and trying not to fall while wearing that big, unmalleable dress—she stood on a box that’s barely half a meter long, cool and collected. When it was time to work again, she would listen intently to the crew’s directives, and would command her body to sit, stand, bend, twist, and conform to the needs of the shot. The whole-day affair took more than eight hours, and a few cups of coffee, to finish. We ended the night asking ourselves how we could convey our vision of the future through the images we had just collected. This could very well be the future: a flurry of motions and new ideas rushing in like the seemingly endless pieces of information we get from the Internet every single minute of our lives. It’s a future where people are allowed to ask questions, disrupt the norms, and create anything. Some would be shaken by fear of that thought, but like our cover star’s story, others will use this fear to fuel their fire and boundless imagination. We sincerely hope most of us would be the latter. Welcome to the future.

INTO THE FUTURE Maureen dons fashion-forward art and makeup style to represent the world inside the Metaverse MEGA.ONEMEGA.COM | MAY 2022 7

contents STYLE 28. FASHION FEATURE 2 16. BEST BUYS The metaverse of fashion Charming Baldemor, Orias, exists—but is it here to stay? and Trude Lizares are the next artisans to watch 33. FASHION FEATURE 3 18. DESIGNER PROFILE Mich Dulce’s Assemblage 002: Breaking the chains of A homage to local artisans and tradition with young designer sustainable production Jessan Macatangay FEATUR ES 12. ACCESSORIES 1 36. FORVM Cartier and Sacai’s ultimate collaboration reinvents elegance Holding politicians accountable can be the change that the 14. ACCESSORIES 2 Philippines needs Bvlgari achieves the impossible 38. FEATURE by creating the world’s thinnest STORY mechanical watch Welcome back to the ton where 26. FASHION FEATURE 1 women reclaim their agency in the age of patriarchy In the post-pandemic upturn, which direction is fashion headed?

BEAUTY 62. SCARLET WOMAN 44. HOT AND FRESH Give in to temptation and vamp up your eyes, lips, and cheeks The essentials for a full-body with a striking red hue beauty routine that you didn’t know you needed FA SH ION 46. ARTIST 70. BEHIND THE ENIGMA CONFIDENTIAL An advocate, top model and beauty Justine Ocampo, Carlo Roblico queen, Maureen Wroblewitz steps and Dale Mallari are making out of mainstream media and major waves in the world of hair takes control of her future 56. TRIED 88. LE ECHAPPÉE BELLE AND TESTED Cheetah Rivera embraces feminine The products that are helping energy with her Spring/Summer the editors take one step 2022 collection further into a sustainable future 98. SUPER NATURAL 58. RULEBOOK Step into a whimsical wonderland White graphic eyeliner designs that with Hannah Arnold, Miss are are stunning as they are subtle International Philippines 2021

Text MARIAN SAN PEDRO. Photography HAN YANG

FFaEsvhoiolSuntion ty05/22rom sauntering along11 with tradition to pursuing innovation, fashion is now advancing into the future. As artists and designers veer from long-established design concepts and now freely embrace differences and individualist ideals, style has become bolder, more experimental, and unconventional. The world has become an open space to forge new standards and create art that has never been seen before, much less welcomed. With the era of metaverse seeping into the foundations of society— including fashion and beauty—do you ledaretobecomepartofit? MEGA.ONEMEGA.COM | MAY 2022

ACCESSORIES: CARTIER AND SACAI RARE TRIAD Simplicity, intimacy, exclusivity—a stellar collaboration between two long-standing powerhouses

The Trinity Reimagined On the runway of Fashion Week 2022/2023, Cartier and Sacai cross paths By MARIAN SAN PEDRO T hree years ago in Japan, Cyrille Vigneron, the president and chief executive officer of Cartier, and Chitose Abe, designer and founder of Sacai, embarked on a creative exploration. These exchanges eventually led to six designs that best reflected their common vision. This artistic encounter between the Cartier and Sacai powerhouses started a new era for the Trinity collection. The Cartier designers took the simplicity and mobility of the Trinity ring as the basis for deconstructing and reinventing the collection to achieve a new kind of balance. Through six modular pieces that explored the ring’s creative potential, the wearer’s style is re-invented without ever compromising elegance. Two rings, a bracelet, a choker, an earring, and a versatile piece that is both an earring and a ring—the Trinity surprises every time. The famous chromatic trilogy of the white, yellow, and rose gold rings is truly present. However, the shape and distortion of the rings, their position on the skin, and their function have changed. “In 1924, when the Trinity was created, it was very daring for a jewelry maison such as Cartier to offer its customers such a simple and intimate object—without precious stones,” says Pierre Rainero, director of image, style, and heritage of Cartier. “Since its creation, this three-band ring has been worn by all generations of women and men alike. With this new collection, it continues its journey as a truly all-inclusive piece of jewelry.” First seen at the Hôtel de Ville in Paris during the Sacai Autumn-Winter 2022/2023 fashion show, which was inspired by Cartier red, this exclusive, limited-edition collection will be released initially in Japan in the summer, then in Paris, London, New York and Seoul in autumn 2022. MEGA.ONEMEGA.COM | MAY 2022 13

ACCESSORIES: BVLGARI RWohmen Ine: Bvlgari Unveils World’s Thinnest Mechanical Watch O ne historic day at the legendary On its 10th anniversar y, the Piazza della Rotonda, Bvlgari Octo collection sets its eighth honored not only the beauty of the Pantheon and the city of Rome, but historic world record with a also a grand celebration: the 10th 1.8-mm watch anniversary of the Octo collection. In just one decade, Bvlgari’s Octo collection has become one of By MARIAN SAN PEDRO the most extraordinary watchmaking adventures of the 21st century, setting a new standard in the world of contemporary, elegant watchmaking. Its seven world records, technical prowess, unique shape, and inimitable modern design have made it a watchmaking icon. This meteoric rise reveals the power of combining Swiss watchmaking mastery with Italian elegance—an alliance that was first presented in Rome in July 2012 and that quickly confirmed Bvlgari in its pioneering role through three lines and as many expressions: Octo L’Originale (2012), Octo Finissimo (2014) and Octo Roma (2017). “This fabulous landmark that we are setting today with the Octo Finissimo Ultra is in fact, for me and all the teams, the fulfillment of a dream,” said Jean-Christophe Babin, CEO of Bvlgari. “One which now guarantees that Bvlgari will forever be acknowledged as having written some of the finest chapters in Swiss watchmaking. And the fact that the Maison is Italian makes us particularly proud.” An eighth consecutive world record for the Octo collection—and one that will probably never be beaten—the world’s thinnest ever mechanical watch, at 1.8 mm, is barely thicker than a sheet of drawing paper, triggering a peerless physical and emotional sensation when worn.

MASTERFUL HISTORY Art, science, and technology were intertwined on the surface of the Pantheon. The monument’s facade was virtually reimagined and turned into the masterly stage setting for a contemporary architectural production, enhanced by the screening of the majestic “Temple of Light_Ultra at Pantheon” by multidisciplinary creative hub OUCHHH. BACKED BY The real-time generative artwork was curated by Reasoned Art, thus creating a bridge BLOCKCHAIN between cultural heritage and innovation. The temple of the gods of Ancient Rome was The first ten owners of the Octo Finissimo Ultra will the scene of an iconic art installation consisting of three moments, one of which was receive an exclusive NFT in Live real time. The beginning and the end of the show saw thousands of pieces of artwork as a guarantee of data from the history of Italian architecture and art that, through artificial intelligence uniqueness and authenticity algorithms, have been reworked and projected on the pronaos of the Pantheon. In the intermediate section of the event, the orchestra of the Accademia di Santa Cecilia made its debut with a live performance. On stage, the 8 + 8 Percussion Ensemble of the Accademia Nazionale di Santa Cecilia - Alta Formazione, led by Edoardo Giachino, gave a breathtaking concert, notably FIGURE EIGHT demonstrating exceptional percussion mastery. The number eight is at the center of all this The artwork, at this moment of the show, has been spectacle: the eight columns of the Pantheon; the created in Live, using data extracted from the brain eighth world record, in eight years; the 1.8-mm waves of the conductor monitored through an EEG thickness, for which eight patents have been filed. Headset device. The ultimate result was a stunning From a watch whose design has eight facets, the creation of a never-before-seen work that crosses octagon is now complete. Thanks to a QR code the boundary between man and machine, merging engraved on the ratchet wheel of the watch, the the flow of human consciousness with the flow of first ten owners of the Octo Finissimo Ultra will data collected and reprocessed through artificial receive an exclusive NFT artwork that guarantees intelligence algorithms. the authenticity and uniqueness of the watch by “The mastery of Accademia Nazionale di Santa means of blockchain technology. The artwork Cecilia magnifies the majesty of the Octo Watch,” conceptualizes the narrative of this decades-long said Antoine Pin, Bulgari Watches Managing experience in the Octo world and the creative path Director. “The rhythm of the music fused with that led to the birth of Octo Finissimo Ultra. The the digital AI artwork by Ouchhh artists creates two authentication certificates will be linked: one the perfect scenery to express 10 years of a record- for the artwork and the other for the watch, which breaking journey.” will encompass the whole via Bvlgari Singvlarity tech. This represents the merging of real and virtual worlds, of past and future. Defying the laws of physics through its mechanics, the watch becomes a global ecosystem that extends into a non-physical world. On the first day of spring, Bulgari proved itself as the symbol of creativity, innovation, and cultural heritage, combining an approach that is free of any preconceived notions. This ushers watchmaking into a new era: that of ultra-thinness, as well as that which connects the traditional mechanical world and the digital universe.

BEST BUYS PPerresfeenct t Over the past years, as we battled isolation and dabbled in various do-it-yourself crafts and hobbies, our heightened appreciation toward homegrown fashion made us realize the emotional and artisanal value of products made using age-old techniques and skills—some of which have been passed down from generation to generation. These brands not only encapsulate a balance of modernit y, but also invoke a great deal of introspection, reflection, and nostalgia in the products they make. The past informs our future, but our choices weave the future into realit y, making the present the one that matters most. By RYUJI SHIOMITSU Most Definitely Filipino! Progressively unique and homegrown, hit the gold mine when they unveiled their ORIAS Essentials prides itself in most sought-after Solihiya Pangasinan being truly a one-of-a-kind Filipino woven designs. Introduced in their Resort sartorial lifestyle brand that promotes 2020 collection, their classic, statement- sustainability, circularity, inclusivity and making, conversation piece, the Solihiya the Filipino inventiveness. With their Leather Mini Roller put the brand not straightforward design that aims to satisfy only on the local fashion industry’s radar the metropolitan life of the modern Filipino but also on numerous media outlets, at consumer, ORIAS Essentials tapped into premiere trade shows, on national news. a market so closely attuned to the idea of “local going global.” With no signs of stopping, and continuously making conscientious As the brand grew, Creative LќVY[Z [V OLSW ^LH]L [OLPY WHY[ULY Director Vin Orias sought the HY[PZHUZ JSVZLY [V H ÄUHUJPHSS` Z[HISL development of not only bespoke wear and better future, ORIAS shows that but also accessories, footwear, bags, and owning your narrative, believing in it, and most recently, their Home line. Believing proactively making it into reality is what in the power of authentic partnerships truly makes a brand global. and meaningful collaborations, ORIAS www.orias.ph 16 MAY 2022 | MEGA.ONEMEGA.COM

A Story to Tell Trude Lizares has been creating custom to her art from 1990 until 2016, when she decided to retire ready-to-wear (RTW) sustainable and handmade from the fashion industry. pieces, from casual to formal wear, for 31 years, in her homegrown atelier in Bacolod City, Negros However in 2017, when her daughter Katrina came Occidental, Philippines. Since she was 18 years old, home after 11 years in Sydney, Australia to get married, while studying at the Ateneo de Manila University, Trude created the entourage’s dresses—all sustainable, she has been designing and producing RTW hand- handmade masterpieces in piña and silk cocoon. Her painted pieces for the women at the House of family and friends then insisted that she go back to the 5LNYVZHUVUWYVÄ[VYNHUPaH[PVUMV\\UKLK[VHSSL]PH[L industry where they believed she truly belonged. poverty caused by the downfall of the sugar industry in Negros Occidental. She showcased not only her own Initially, Katrina wanted a modern bridal gown in masterpieces, but also the talents of numerous struggling imported silk. Trude, on the other hand, insisted on a artists from the Art Association of Bacolod, which her father, modern yet traditional, elaborate, handwoven, hand- Edgardo Lizares founded with the support of National Artist embroidered, and hand-beaded grand bridal gown of the Philippines awardee, Jose Joya, back in 1975. made of the indigenous traditional piña. Knowing well the value and worth of piña, the commitment of In 1987, after graduating from the university, Trude giving back to the local community, and being the relocated to Australia. However, her heart and passion perfectionist that she naturally is, Trude created what for her art and work compelled her to move back to the she knew was nothing short of the best. Philippines and rebuild her atelier with the same artisan team. As soon as she moved back, she launched and Hence, in 2019, with Trude’s heart and passion, personally managed her own stores, which showcased her and with Katrina being well-versed in technology, they beautiful artistic creations in Bacolod City. She worked on both decided to work together and relaunch the brand that you see and experience today. www.trudelizares.com Renewed Life from various states of damage or decay, and selected for their robust and enduring character. All wood used At one point in time, we all had a bag—the bag—that undergo proper conditioning and treatment to ensure helped us feel complete, whether it was a delicate that the material can withstand the crafting process. clutch, a trusty leather tote, or a durable outdoor (M [L Y^ O P J O[O L`H YLN P ]L UHK \\ Y H I S LÄ U P Z OZ V[O L`J H U backpack. Charming Baldemor bags are one-of- endure constant use in the years to come. a-kind, and were created to have their own story to tell, to allow their narrative to be part of yours. These Through the various social projects of Zonta bags go beyond being a mere accessory. Perhaps it *S\\I VM 4HRH[P HUK ,U]PYVUZ H UVUWYVÄ[ NYV\\W is best to describe them as a vessel—one that not focused on issues surrounding women, Charming only carries the valuables you hold dear, but also Baldemor continues to give new meaning to women’s conveys a message of hope for the future of the lives, with the resolve of empowering every woman environment, the new generation of carvers of Paete, she meets. She believes that being broken does not and the empowerment of women. Every bag in the K L Ä U LV U L»ZP K L U[P [ `H U K[O H[^ P [O[O LW YV W L YZ \\ W W V Y [ collection supports these advocacies that are near channels, every woman can be her best independent and dear to the designer. “If a piece of wood can be self—most especially those who have gone through given [a chance at] new life,” Charming states, “what OHYKZOPWZ Z\\JO HZ [OL ILULÄJPHYPLZ VM AVU[H (U` more in the case of these women? They’re human. well-made designer bag can provide a woman an They have so much potential!” Much like her designs, HKKP[PVUHSHPYVMJVUÄKLUJLI\\[*OHYTPUN)HSKLTVY»Z the strength of her conviction and passion for social bags do more than just that: each one is a unique art JOHUNLHYLYLÅLJ[LKPUOLYWHZZPVU]LZZLSZ piece that also gives support and empowerment to women who need them the most. The star of each Charming Baldemor bag is the wood used to create it. These pieces of wood [email protected] are locally sourced, upcycled, rescued, and restored

DESIGNER PROFILE The Portrait With fashion as his tool, young designer Jessan Macatangay is empowering women to break free and embrace sensuality By MARIAN SAN PEDRO All pieces by JESSAN MACATANGAY Photography HAN YANG of a Woman

Hair Assistant SAYA HISHIMOTO. Makeup K AT KRUPA RINGUE T. Model OLGA MELYNK. Photography assistants YANLE SHEN, JASON YITING and YANNI. W hen you’re raised in a culture of religiosity and conservative ideals, there’s a certain limit up to which you can freely express yourself, particularly through your craft. But UK-based Filipino designer Jessan Macatangay knew all too well that it was time to flourish beyond traditions, and embrace a bolder, freer way of asserting one’s individuality. Before becoming the acclaimed artist that he is today, Macatangay was a licensed nurse in the Philippines. He had no idea what he wanted to do after graduating from high school since he liked a lot of things, but couldn’t figure out exactly what to pursue. The idea of taking up nursing was suggested by his mother—but his heart really wasn’t in the practice. After he got his Professional Regulation Commission (PRC) license, the young designer started attending pattern-cutting short courses in Manila. The more he looked into the possibility of pursuing a career in fashion, the more he couldn’t stay off this track. Naturally, he learned about Central Saint Martins (CSM) in London, where he is now currently based. Eventually, he finished his Bachelor’s of Arts (BA) Degree in Fashion Design at CSM, and later took his Master of Arts (MA) in Fashion Womenswear, which he had just finished. “For this last collection, my original research and inspiration was derived from the women I grew up with: my mom, sister, and other family members,” Macatangay shares. “Their fashion sense was constrained due to the Catholic culture in the Philippines. I always felt that they couldn’t express themselves the way they wanted because showing skin was considered risqué and frowned upon. It was like an unwritten rule that everyone knew and was stigmatized.” Ultimately, what he wants his collections and work in general to do is to empower women and give them a chance to express themselves as they want to: “I want my collection to give them the spark of excitement of wearing whatever they want, even if it shows a lot of skin. Fundamentally, I want to dress women who want to feel sensual and sexy and are unafraid to show skin. It should be their choice, not someone else’s choice imposed on them.” MEGA.ONEMEGA.COM | MAY 2022 19

DESIGNER PROFILE BARE AND BOLD His collection “Sculptural Sensuality” Macatangay undoubtedly has a unique and possesses a theme that explores sensuality using interesting take on design. His tasteful play with restrictive formed objects. This recent line structures, materials, and fashion principles started with the idea of Filipino women being create pieces that are unlike any other. uncomfortable with showing skin. “My whole process changed over time, “In our country, 85 percent of the population especially while studying for my masters,” says is Roman Catholic,” he explains. “Even in Macatangay. “Previously, I always started my 2022, despite having improved, we are still very process with something abstract or conceptual. modest, especially in the province where religion Right now, the starting point is always her, the and culture still impose restraints on women woman, my muse—who she is and everything particularly on how they dress. I grew up in about her. My initial research must have Batangas seeing the women around me dressed in something to do with her, whether it’s something a certain way, which was always modest and a bit conceptual or some piece of clothing.” conservative because we were religious.” Far from traditional concepts, his work He adds, “In the province, even until now, if is mostly in 3D because it’s what he loves to do you wear a skirt that is too short, people will have a the most. From an abstract notion, he selects strong reaction towards you. If you show cleavage, parts of his research that are visually appealing people will still raise their eyebrows. Our country to him, picking up things that can be translated is surrounded by water. Even when you wear a in a tangible way. Using a mannequin, he starts swimsuit at the beach, some women still have this working on it—like an actual body—while fear of being judged by other people for showing following the concept of the collection. skin. Even current local personalities, those who constantly post bikini photos and show lots of There’s something about the creative process skin, are being judged and bashed to cover up, of making, building, and developing art that sometimes by other women.” draws Macatangay so deeply. He focuses on a lot of drapings, fittings, and pattern cutting. This is Here’s a typical situation: seeing women put the part of the design process he loves the most t-shirts over their bikinis while swimming just to and where he spends most of his time refining. cover up. In local Catholic churches in the south From these, the final looks are selected. IN CONTRAST The sculptural forms that use restrictive objects depict women’s struggles in a religious and conservative society 20 MAY 2022 | MEGA.ONEMEGA.COM



DESIGNER PROFILE 22 MAY 2022 | MEGA.ONEMEGA.COM

MORE THAN A BODY Sensual without fearing sexuality— Macatangay’s work is grounded on the free and empowered woman where he came from, he retells conservative rules such as when a woman gets married, the neckline should not be low and that there needs to be fabric covering the bride’s whole shoulder and chest. His project started with this fear, which led him to look into ’90s swimwear advertisements that gave birth to the kind of clothing that shows and bares skin. From this, he became intrigued by the history of swimwear design for men and women, and started looking at much earlier styles that date back to the 1910s—cut-outs prevailing. Aside from this, he also found himself inspired by Robert Mapplethorpe’s sculpture “Layers of Underwear,” where soft fabrics are stretched and imposed onto hardware. “I merged the principles of sensuality and softness with restrictive, harsh, and contrasting materials, almost subconsciously creating a metaphor for the Filipino woman. The hardwire used to create structured forms symbolizes the restrictiveness of the Catholic church. Three-dimensional layers provide depth while the imposed feminine form gives birth to unexpected tensions, textures, and shapes. Sculptural forms sprout from contrasting layers of crepe jersey stretched by wired frames, existing to mimic a swimsuit’s outline, acting as a surrealist manipulation and extension of the body. Most of the frames are shaped into a woman’s body to highlight its shape,” Macatangay explains. One of his favorite aspects of the collection are the skirts which he called “knicker skirts.” This is literally a panty and skirt at the same time, with the whole collection being made from jersey. After experimenting with quite a few samples, he found luxurious-looking cotton jerseys and decided to use them together with the usual jersey fabrics. There is as much attention to detail as there is immense gravity on the narrative of his work. It all goes back to his ultimate subject: the woman. “This collection is about making society AN ODE TO THE MUSE realize that a woman is more than her body. One of the hardest things Macatangay had to face was Clothes exist to accentuate the feminine figure finding what his work stands for. Some people might say and showcase it in its most lustrous light. I it should be easy, but being pretentious when it comes really want these pieces for women who adore to things, especially his work, is not on his list. For him, sensuality without fearing sexuality; and for it must be personal and something he really believes in. the women who long to relax on a beach with What has he learned so far in his fashion journey? Make their swimsuit, legs and arms sun-kissed and sure your work makes sense. basking in light. She does not want to cover up “It’s quite tricky when you’re still exploring, but once with a t-shirt on the beach. She wants to be free you figure it out, you will become a more mature designer. of restrictions and imposed judgements,” he says. I think one of the best moments of my whole fashion journey was discovering who is the woman I want my work to represent. I think this was one of my best takeaways from seven years of working in fashion. It wasn’t easy at the beginning, because I’m a designer who always wants to do crazy stuff—which I still love. But during the process of doing this collection, I would always ask: Does it make sense? Who is it for? Why? After figuring out who she is, it all made sense. I can still be creative as much as I want but it should be about her, and it should make sense for who she is,” Macatangay shares. The lesson he can share to young designers who are starting their career in fashion is to always follow one’s gut and consistently find a challenge to learn from. At the heart of it all, it matters to always remember why one started doing fashion. Also, comparing with other designers isn’t something to indulge in. This is tricky and very complicated, especially in the early part of an artist’s career, but this never helped anyone. MEGA.ONEMEGA.COM | MAY 2022 23

DESIGNER PROFILE “Fashion which empowers women who want to express themselves sensually can be a universal language.” BEAUTY IN STRUGGLE lockdown, his thoughts were centered on the runway, thus The collection that is closest to Macatangay’s heart is his made some design decisions based on how people would see Fall 2020 collection, which was his graduation collection it in a physical show. at Saint Martins. That’s mainly because it was completely done during the first-ever lockdown, at the onset of the However, with the challenges he faced, it became pandemic. It was the scariest and, at the same time, the imperative to present his work digitally (which he most rewarding process he had to go through. discovered that he loved to do). There was a complete change in his way of thinking. It became more strongly While taking his bachelor’s degree, he observed about how people would consume his work, and less that every student had this vision of doing his or her about the moment the runway represents. He could still final collection and having a fashion runway after show movement, but he had the opportunity to maximize four long years of studying. But in March 2020, they focus on the many details that comprise his looks. announced the first lockdown due to the pandemic— his final collection suddenly had to different from After finishing the whole collection, he was simply what he envisioned it to be. Because of this, there were happy and proud of the fact that he persevered. Even a lot of things that he had to change in terms of design, now, the way he works and deals with his process is based materials, and process. on the lessons he learned from the Fall 2020 collection. AN AUTHENTIC FASHION His challenge in production was mainly the “I think the closer the designer is to the customer, the resources and facilities that were supposed to fabricate deeper the understanding of the client and their cultural some of his pieces. Because of the lockdown, the fabric environment,” says Macatangay “The edge of a local supplier that he was specifically working with abruptly designer is we can take advantage of things that are not closed; thus, this forced him to find other options, known in the mainstream, which will resonate in our which included dyeing most of his fabrics and digitally designs. For me, I thought of designing international printing some. fashion with an influence from my awareness of the cultural restrictions women in the Philippines face.” Aside from using fabrics, Macatangay also used a lot of materials like wood and metal, and he depended With a goal to further develop his work which shall on the school’s facilities to produce them. But because eventually lead to having his own brand, Macatangay the university closed, he had no access to these wood talked to a lot of his friends who graduated from the same and metal workshops to make his final pieces. Despite course and went on the same journey as he did. He felt that having to make do with scraps, available chairs, and there are still a lot of things to work on before setting up his materials he had at home, and despite putting them own business, so he’s taking his time to prepare for it. together manually using simple tools he bought online, Macatangay enjoyed this project. The process of Although nothing else amazes Macatangay more achieving and making these changes made him realize than seeing his garments on models on the runway, that this situation completely reflected the concept he wants to see real women—a much more diverse of his BA graduation collection—finding beauty and representation of his muses—wearing his pieces in power in struggle. the future. His goal is to continue pushing his own boundaries in terms of design, but still translating it in a “As I dealt with my disappointment about the whole way that allows anyone to wear his pieces. situation and not having a runway show to culminate it, I found myself reinspired, more resilient, and unwilling to give “Fashion which empowers women who want up. I felt empowered seeing my final garments come together to express themselves sensually can be a universal under these circumstances. When it comes to presentation, language,” he says “So, I hope that my inspiration of initially my collection was always about the physical: better designing for a muse derived from Filipinas will appeal that you see and touch it physically,” Macatangay explains. not only to our women but to women universally.” He adds that when he was working on this project pre- 24 MAY 2022 | MEGA.ONEMEGA.COM



FASHION FE ATURE FASHIONING THE FUTURE: The Past, Present And The Not-So-Distant Future Of Fashion As we move forward from years of self-isolation and reintroduce ourselves to the “post-pandemic” world, we look at the past and present of fashion, and what that might mean for the future of sustainability By RYUJI SHIOMITSU

y definition, sustainability is buy clothes. Although trends call for shiny new-ness, when you reuse the natural we can scratch our sartorial itch in a more sustainable resources you take or replace way. For many, wearing vintage fashion isn’t them with new natural necessarily a decision influenced by the environment. resources, thus maintaining They wear these vintage pieces because they love the some form of balance in this style and above all, the quality of decades gone by—it big blue planet we call home. just so happens to be a form of recycling. Still, it’s a For all industries, the road good way to promote sustainability. to sustainability touches on everything, from how products are made, to a shift in What’s interesting about sustainable fashion the habits and attitudes of the people who make and is the continuous breakthrough in the industry. buy those products. Every single generation has contributed to how it If you look at our current relationship with the has developed over the centuries; and whether these fashion industry, we are massively influenced by many contributions have a positive or negative impact, we things, from trends, to bloggers, to price. Nowadays, have at least learned something from them. Right we’re throwing clothes away after only one or two now, what we have that previous generations didn’t is wears (thanks to Instagram and our innate fear of a mass of information right at our fingertips. being seen in the same thing more than once). In return, the effects of this on the environment are Because of our access to information, we can colossal: last year, The National Waste and Solid no longer turn a blind eye. The term “ignorance is Management reported that our country is producing bliss” doesn’t really apply anymore. We can all make 21 million metric tons of trash. That’s a lot of waste a difference. More and more, we’re choosing brands for our little corner of the planet. that stand for something—something that we can It is essential to note that this relationship with identify with, that makes us proud to be associated sustainable fashion started a long time ago. From with that brand on any level, whether through the devastating effects caused by the production working with them, buying their products, or even of nylon since the early 20th century, to the make- posting a photo of them on Instagram. do-and-mend culture of the 1940s, it’s an industry that’s been ebbing and flowing in response to The thing to societal change for decades. What we need to remember is that discuss is how that relationship looks now and how it can develop in the future. actions, big or small, One of the best ways to move forward is to reflect are steps toward on how far we’ve come. Numerous resources show progress. us how fashion continuously draws on the beauty and power of nature for inspiration; how fashion’s Additionally, we’re in a position where we can processes and constant demand for raw materials use our platforms to call out ignorance and encourage damage the environment; and how design will play change. If the #BlackLivesMatter, #MeToo, and a massive part in creating a more sustainable fashion #ArmMeWith movements are anything to go by, we industry for the not-so-distant future. are a generation that doesn’t suffer fools gladly. I read a tweet recently that said, for previous generations, fabric was one of the most valuable Brand perception is no longer a series of commodities a person could own—right up there clever marketing messages, but a by-product of with businesses, land, and property. Fast forward to authenticity. And, we’re all held accountable for our the present: you might have a vintage wedding dress actions, the brands we support, and what truly we or a nice coat handed down from your parents, but for contribute to the world. the most part, fabric (and fashion) is largely disposable. Probably one of the biggest contributions to The thing to remember is that actions, big or sustainable fashion we can make is a shift in how we small, are steps toward progress. There’s a scale of contributions. And whether it’s donating a bag of FASHION FOR EARTH clothes to a charity shop, or tweeting about a great sustainable brand, being a part of the sustainable The most important fashion brands fashion breakthrough doesn’t necessarily mean of recent years have merged style moving outside the city, growing all your vegetables and sustainability by yourself, and exclusively wearing hessian sacks (although, if that’s your bag, go for it). Like any breakthrough, it takes consistent progress and effort to make a change, and thanks to the efforts that came before us and the innovation of today’s pioneers, we can already see that change taking shape. MEGA.ONEMEGA.COM | MAY 2022 27

FASHION FE ATURE: ME TAVERSE INTO THE From niche to top destination, the metaverse is pushing the limits of fashion in the virtual world By MARIAN SAN PEDRO B alenciaga partnered with video game assets, and spaces are interconnected. We’ve company Epic Games to create a already seen the industry blend technology with video game for its Fall 2021 show. fashion, such as wearable devices or smart fabrics, Louis Vuitton, Burberry and Dolce but the metaverse of fashion has also always been and Gabbana started venturing into present and constantly refined, more popularly as NFTs (non-fungible tokens). Gucci and Ralph video game skins (costumes for characters). This Lauren have opened virtual pop-ups in metaverse is the general idea of it: the fashion-savvy virtual platforms. Decentraland held the first-ever community is being engaged in this world at a low Metaverse Fashion Week. If these huge brands price, and even NFT holders who are willing to dared to dip their toes in the new space for fashion, spend currency in that world are involved. will the rest of the world follow suit? At the onset of the pandemic and lockdowns, What really is the metaverse? Simply put, it’s it was only reasonable to produce less physical the future of the Internet. It exists as a fully virtual, objects and view virtual spaces as investments— synthetic environment where people, locations, the notion of value over product. 28 MAY 2022 | MEGA.ONEMEGA.COM

The Metaverse READY FOR THE At Work METAVERSE The central aspect of the metaverse is actually culture. Since there is no tangible object The fashion world is dipping that is purchased, what consumers have is access to a brand’s community. More its toes in metaverse, but is importantly, having a piece of a company (owning an NFT) means investing in something with value that can potentially increase, depending on the brand’s performance. That the local industry ready? means, one can be that brand’s shareholder and community member at the same time. Similarly, the metaverse flings the door wide open, not just to fashion-school- trained designers, but also to a whole range of other creatives. Despite the tech-heavy identity of virtual fashion, there’s still as much human work present; therefore, it remains as an immersive experience. During Decentraland’s Metaverse Fashion Week held in March, showrooms, live band sessions, and brand after-parties were still part of the event. Only this time, guests of the four-day virtual show purchased from avatars strutting down the runway. This emerging, low-risk virtual home for global fashion week events hosted luxury and rising brands, as well as digital-first creators, with the number of participants greatly exceeding the expected capacity. The digital clothing NFT can be worn by a person’s own avatar in the virtual world—but it can also be sold, kept, or even redeemed to receive its physical complement. From trying to figure out the concept behind the metaverse almost a year ago to including it in long-term brand strategies, companies and consumers have taken virtual events seriously. Even the local fashion scene is stepping up and scratching the surface of the metaverse with digital initiatives. Is the Philippines ready for the upturn in NFTs and virtual realities? Let’s take a look at what’s happening in the country. MEGA.ONEMEGA.COM | MAY 2022 29

FASHION FE ATURE: ME TAVERSE Andrew Naval of Nobel House Distributing Inc. Andrew Naval, operations manager of Noble House He adds, “Another challenge is, while we are all DIGITAL Distributing Inc., is well-aware of the growing domain of the striving to be more sustainable and waste less resources, FASHION metaverse. As an example, fashion company KENZO has the transition from reality to virtual reality will be a huge recently dabbled in the very enticing concept behind NFTs undertaking for any brand. However long it may take, The retail landscape is and repurposed how a brand sells a limited-edition piece—a brands have to be patient and cognizant of the fact changing, and is taking very progressive and smart move in Naval’s opinion. that there has to be a societal paradigm shift wherein gratification is felt when one’s acquisition of virtual a bolder stance on Just two months ago, the French Maison jumped merchandise equals that of a tangible, physical purchase.” digital fashion on the metaverse bandwagon and officially announced its debut of a limited-edition collection of 100 NFTs, in Naval paints us this picture: a luxury virtual store run by celebration of the KENZO Boke Flower collection by the virtual personal shoppers, showcasing virtual merchandise. Japanese designer and newly appointed artistic director, The pandemic taught us and our clientele that we could Nigo. This marked the brand’s official entry into Web3— simply dial in and connect through Zoom, Google Meet, Viber, also known as Web 3.0, a new iteration of the World Wide and other platforms to promote our merchandise virtually. Web based on blockchain technology. “Through dark social channels, our sales force Balmain also partnered with Barbie (Mattel) recently, toured our VIPs through the store and its latest collections,” releasing three one-of-a-kind NFTs for Barbie and Ken Naval says. “Our loyal customers also realized that they avatars—styled from head-to-toe by the luxury fashion had to embrace shopping online and that e-commerce house—as well as a set of Barbie-sized designs that make is here to stay. The retail landscape changed—is still up a digital and a physical art collection. changing—and only the retail gods know what the actual metaverse will look like.” Versace, meanwhile, is set to enter the metaverse having filed a trademark application expressing its intention Although Naval appreciates these movements in the to offer virtual clothing, eyewear, footwear, perfumes, luxury fashion industry, they, as a distributor and franchisee, jewelry, and more. have not engaged with these initiatives on a local level. But, they are definitely looking forward to the day when that door “Locally—as with our multi-label concepts—we are of opportunity opens. quite a long way from stepping into this new virtual realm,” Naval explains. “I think the challenge is for the forerunners Naval ponders, “What if physical malls became who are already dipping their toes in the metaverse pool. virtual malls? What if that ‘It’ bag you’re on multiple waiting Until we are all on the same page and fully know what the lists for can suddenly be your avatar’s? The possibilities are metaverse will look like, the consumer will likely be skeptical: borderless, endless. It may render certain industries obsolete there are many who don’t even know what the running but where a door closes, a window opens. We just have to be definition of the metaverse is.” open, and ready.” 30 MAY 2022 | MEGA.ONEMEGA.COM

Renan Pacson of Meta Filipina For Filipino fashion designer and creator of Meta Filipina metaverse, but Pacson thinks that brands, big or small, Renan Pacson, his first step into the metaverse was taken in could definitely benefit from the aspect of NFTs as it can be the recent Panasonic Manila Fashion Festival (PMFF) show a sort of authenticity certificate of a brand’s product or an where he presented Meta Filipina—a fully-digital fashion independent designer’s work. collection, also a first in the Philippines. Some brands are merging augmented reality (AR) Pacson describes the metaverse as a whole new with their shopping experience, where an individual can just universe, so by just traversing it is already a big challenge. scan one’s self and try on clothes to see if it suits him or her Learning what it actually is, what it could mean to him, his without having to really put the clothes on. Fittings can be craft, and his business, as well as learning the software that done at home just by scanning a QR code and sending a helps him design, are still challenges to be conquered when shopping list once a consumer has made a choice. it comes to the subject of fashion in the metaverse. “As for VR, developers and big tech companies are “The PMFF show was a soft introduction to a bigger separately building their own metaverses,” Pacson says. project that I am working on,” Pacson reveals. “Meta “It’s hard to tell exactly what the future could bring, but it is Filipina will go beyond the runway of PMFF and will not just definitely exciting. I am enjoying the merging of two worlds— be fashion-centric but also a representation of Philippine the gaming and the fashion world—into the metaverse. The culture in the metaverse.” possibilities are endless and so are the whats and the whys.” So, why did he choose to engage in the metaverse? It was synchronicity. Pacson was introduced by his partner to the idea of the metaverse as he was writing something about it late last year. He was starting to read and learn more about it when an offer from the organizers of PMFF came, and they wanted him to partner with Z-Emotion, a software company from Korea, to learn the software and do a fully-digital collection. “As for the reception [of the metaverse], I guess based on this recent panel review [on PMFF], everyone is excited and so eager to find out what it actually is, and what they could do with it, and how they could incorporate it into their lives,” he explains. Nobody could really tell how the international and local fashion industry will respond to the expansion of the VIRTUAL DRESSING ROOM With virtual realities, consumers can “try on” clothes in the comfort of their home MEGA.ONEMEGA.COM | MAY 2022 31

FASHION FE ATURE: ME TAVERSE A MFOETRAVAERLSLE The fashion industry may be meticulously gearing itself to take on the metaverse, but there’s still a long way to go to future-proof the fashion industry and make it all-inclusive. To really get the best out of the metaverse, there’s a need for devices that support such high-graphic content. Smaller brands may also lack resources or incentives to participate in the metaverse, unlike the big houses in fashion—in the same way that digital front rows and exclusive after-parties are just mimicking on-ground events’ patronization of the wealthy and powerful. This divisive gap between the opulent and the average is retained, only this time, a massive value is placed on digital assets. It’s indisputable that the metaverse’s existence is gaining a foothold in fashion, and that its potential to be the very future itself is slowly being realized by operators and consumers. The question is, can the rest of the world keep up with it? 32 MAY 2022 | MEGA.ONEMEGA.COM

FASHION FE ATURE: MICH DULCE Made CONSCIOUS With MIND Intent At the center of Mich Dulce’s work are local In her second Assemblage, Mich Dulce honors local communities and sustainability efforts artisans’ craft and centers on sustainable production Text MARIAN SAN PEDRO Photography MICH DULCE L aunched in March, Mich Dulce’s Assemblage 002 is a modular set of three clothing pieces: a terno bolero, an apron, and a belt. Rendered in piña fabric, each piece can be worn individually or layered together, allowing for different looks that highlight the elegance of the modern Filipina. The clothes are complemented by the tropical-themed headpieces that can be updated with various veils. All of the headpieces are made of T’nalak, a traditional material made from abaca and handwoven by the T’boli community from Lake Sebu, South Cotabato. “Assemblage is a new concept that I launched quietly last year just through my social media,” says Dulce. A move beyond seasonal collections, Assemblage brings together a curated mix of Dulce’s designs, allowing her brand to remain consistently creative, revisit past pieces, utilize its resources, and be manufactured in the most sustainable way possible. Each piece will have unique parameters of purchasing, from small editions to made- to-order pieces. Much of the materials used for each Assemblage piece are limited due to the nature of its procurement: they make use of end-of-line fabrics, hand woven textiles from partner communities, internationally sourced notions, and more. Through Assemblage, Dulce aims to minimize waste and honor the craft of local artisans through timelines that are comfortable for the makers—putting together conscious and inspired pieces that are made with intent.

Text MIA CASTRO. Photo cour tesy of MEGA ARCHIVES

BEAGGIANFIN eaueepingthehopealivemaybethe 05/22 tend a pivotal phase. Sometimes it’s as simple as rehow a woman does not have to compromiseK that said, a new beginning doesn’t hardest part of surviving such sbeginning where hope will always thrive.challenging times but this month can hold a new beginning for ourselves and the country. With have to be big. It doesn’t have to be grand, or learning from the past to move forward. With the upcoming national elections dictating the future of the country, we uFinlidpeirnlioner,eicnlaFimorivnmg , the importance of every their role as an active contributor to the government and not simply as devotees of political candidates. Meanwhile, ifnamFoeuatsurBeriSdtgoerryt,owne take a closer look at the series. Despite being a period drama, the actresses are able to show romantic love for her own identity. By embracing this kind of attitude towards life, without forgetting where we came from, we are capable of re-shaping a new MEGA.ONEMEGA.COM | MAY 2022 35

FORVM &CHECK When politicians become idols, democracy is threatened By MIA CASTRO Photo courtesy of MEGA ARCHIVES

EVERY VOTE MATTERS The true power of any democracy lies in the people & A ccording to COMELEC (Commission on Philippines is a democratic and republican State,” the Elections), at least 65.7 million people are Philippine Constitution states from the very beginning. expected to cast their vote for the 2022 Philippine “Sovereignty resides in the people and all government Elections on May 9. This is why during the past authority emanates from them.” few months, the talk of the town–whether it’s on the streets or on social media–has been all about the women and men This means we, the people, will and should always be running for a position in government. active contributors to democracy. While it is crucial to have national leaders that we admire, we must remember that Aside from your standard posters, pamphlets and being a government leader is a job and should be treated as tarpaulins with a candidate’s face and ballot number being such, with the people as the overall boss. passed around, you can also find online an entire wardrobe’s worth of fan-made merchandise, including t-shirts and caps, In line with this, it should be said that the elections and edited videos of these politicians’ “cute” moments. are not personality-based popularity contests. Rather, they should be centered on the platforms and intended While there is nothing wrong with supporting a policies presented by the candidates. Worth repeating, candidate, danger comes when a politician is being treated too, is that voters should also look for candidates with like a celebrity more than a government leader. This is when clean track records. people tend to hyper-fixate on politicians’ physical appeal or charisma rather than their platforms; or when criticism Supporting a candidate also doesn’t automatically against a politician is raised, and supporters are ready to mean that you will tolerate everything they’ll do. take up arms to defend them at all costs, regardless if the It’s important to remember that there is no perfect statement is true or not. politician, and it is not the people’s job to make their image perfect. What’s important is to vote for a The result of this very kind of idolatry has led countries candidate who is best for the job, and that includes a down paths of destruction and dictatorship. Yes, celebrities leader who is open to discussion and willing to listen. and politicians are both public figures, but they have very different functions in society. Celebrities do not make and There’s a fine line between idolatry and admiration, implement policies, politicians do. Further, lawmakers especially during the election period, when we want to should never be immune to criticism and debate because vote for someone who reflects our values and opinions. these are parts of democracy. Politicians are elected by the So, I’m not saying we should stop wearing a certain people, and they use people’s taxes to serve the country; they political color or withdraw support from our chosen should serve the people, and not the other way around. candidate. Rather, let’s make a conscious effort to know our candidates through an objective lens. Hold them Similarly, by idolizing politicians, people are demoted accountable when needed and voice out opinions that are to mere devotees who are expected to follow these politicians constructive and can make them better leaders. Through with blind loyalty. Not only does this widen the divide these, we can bring the power back to the people. And between politicians and the people they’re serving, but it in time, the nation’s progress will not be attributed to a shields politicians from being accountable for their actions, single person, but to every Filipino who works hard every allowing them to have far too much control over the public. day, be it for his or her family, loved ones, or the country. The more things that they can get away with, the more The Philippines is in need of change. Before comfortable they are in deciding for their personal benefit. casting your vote on May 9, ask yourself: are you voting for them for their plans and platform or For these reasons, it’s crucial for the people to be part because they’re your “idols”? of the system of checks and balances in governance. “The BALANCE MEGA.ONEMEGA.COM | MAY 2022 37

FE ATURE STORY: BRIDGERTON Welcome BackAn interview with the cast, behind-the-scenes fashion to the facts, and more Ton ByMARIANSANPEDRO B ridgerton finally returned for its second season last March. In keeping with the tradition of the novels, Season Two tells the xstory of Lord Anthony Bridgerton’s (played by Jonathan Bailey) quest for love—among the many other complicated yet captivating plot lines. This romantic, scandalous, and clever Netflix series celebrates the timelessness of enduring friendships, families finding their way, and the search for a love that conquers all. THE SEASON’S TRIO: ANTHONY BRIDGERTON, KATE SHARMA, AND EDWINA SHARMA Bridgerton welcomes Simone Ashley (Kate Sharma) and Charithra Chandran (Edwina Sharma) to its newest season. This book series, authored by Julia Quinn and set in London’s Regency era, has enthralled many readers, including the cast themselves. The trio also shared the lessons that the audience can learn from their characters. For Anthony Bridgerton, it was about looking inward and knowing for a fact that serving others can sometimes be an act of self-sabotage, which is why there is a need for balance. For the Sharma 38 MAY 2022 | MEGA.ONEMEGA.COM

sisters, it was about putting love above all things. lives that this was one thing that they really had “With Edwina, self-love is arguably the most control of,” Coughlan shares. “They were queens important kind of love. Especially when you’re of this domain of gossip. I totally get why it was a woman of color, your life can be determined such a thing. I think nobody is immune to a juicy by obligations and sacrifices, and it takes a lot piece of gossip.” of courage to step out and choose yourself,” says Chandran. Ashley also agrees to this, sharing In terms of her character’s growth, Penelope that it’s about going all out to get the love you is figuring things out: how to exist in the world, want and deserve, something her character Kate how her business is going to work, and how her has always been afraid to do for herself. relationships are adapting. But she’s not as wise as YOURS TRULY, PENELOPE she thinks she is, at least for Coughlan. FEATHERINGTON There’s really no clear origin of how Lady “Her strongest characteristic is that she Whistledown (Season One spoiler alert: it’s loves deeply,” she says. “She really loves Eloise Penelope Featherington) started writing and Colin, but her love can cloud her judgment. about the ton and why, but Nicola Coughlan, Sometimes she sees things in rose tinted glasses or who plays the role, posits a guess. As much as how she wants to see them.” Coughlan believes Penelope needs constant praise from her best friend Eloise Bridgerton— ON FEMINISM, GENDER ROLES, AND LOVE despite always being together, thus causing THROUGH THE AGES tension in Penelope’s other businesses—she also In the series, the reigning Queen of England, thinks Lady Whistledown needs recognition. Queen Charlotte, chooses a young lady to hail as the diamond of the season—and families, “She doesn’t belong to her family,” particularly the mamas, will do anything to get Coughlan says. “She is quite shy so she doesn’t their daughters that very title. express herself the best in person. She grew up in a family that’s constantly sniping at one another, “The standards are unattainable and ever- so she internalized it and brought it to her words, changing, which is kind of the point of the and she loves to read. The ton thinks she is funny, clever, and cunning, and this pushes her to write because everybody loves it.” It’s no surprise that gossip is a central aspect in the series. Coughlan sees it as a thing people like to pretend they don’t like. But everybody wants to indulge in a little bit of gossip. “I think that in this time in history, women had so little agency over what they can do in their DIAMOND OF THE SEASON With perfection as the standard, who will be Queen Charlotte’s most favored young lady?

FE ATURE STORY: BRIDGERTON diamond,” says Chandran. “Perfection is expected, THE PALL MALL GAME yet it isn’t actually set or explicitly stated. The risk of that is any woman can be tainted so easily by lies or To find a good family is one thing, preferences. The way the queen uses these expectations but to meet the love of your life is on the show or how it functions in today’s society yields something the Bridgertons and the power over young women by expecting us to hold these standards, whatever they may be. It’s controlling and Sharmas had to fight for difficult for young women to find their independence and uniqueness within that. So, set your standards and follow them.” Ashley notes that there’s a lot of mirroring between Queen Charlotte and Edwina, as well as between Lady Danbury (the Duke of Hastings’ mentor and mother figure) and Kate, especially later in the series. Chandran explains that the queen also came to the English court in her early teens and had to go through the very same thing young women, such as their characters, had to face every season. “That of Edwina’s is a female story in a world where gender roles are so specific, and that outward affirmation hopefully drives women to see Charithra’s character take agency and inspire,” says Bailey. Coughlan urges women to prioritize themselves because, almost innately, there’s always that habit of putting everybody else first: “Like when they say in the plane you have to put your oxygen mask on before anybody else’s, apply that to your life because when you’re taken care of, you will better serve anyone or do whatever you’re doing.” Coughlan’s character has all the makings of a modern woman: she wants to experience requited love and have a good career by doing purposeful writing. “In her mind she’s not willing to compromise either, which she shouldn’t,” explains Coughlan. “And hopefully no woman should have to compromise that. If I were her friend, I would say that you are not going to get what you want by doing what you’re doing now, deceiving the people you care about the most.” Coughlan sees love, or at least relationships, in the Bridgerton setting as transactional: women in that era were equivalent to a particular dowry. It was all about blending families together. Women didn’t have much say in their relationships, too. But Coughlan is hopeful that today, women can choose who they want to marry. 40 MAY 2022 | MEGA.ONEMEGA.COM

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Text MIA CASTRO. Photography JOSH TOLENTINO

BrOiBgnhTt Shiede e 05/22oing through the beauty G asections of this month, usending out a powerful, pleasure-positive tyand confidence shaken. But instead ofyou’ll find one common thread: a desire to create and act with purpose. Gone are the days when we would only care about pretty packaging or color pay-off. Alongside longstanding beauty brands are conscious consumers, who are evolving to create a more inclusive world for this generation and all those who will come after. From a local brand that’s message to the editors’ favorite products that help lessen their carbon footprint, dTirnuirsliMceeosdvaw&einirthTtBheseseoatmpeudhty,ai,srlteldiscaipanreteecHtdtoiovbrteuelywt&.srMtirtFieekrameinnswhagkhraeeiunldepd-, hot makeup. Lastly, in AhartirissttylisCtsonwfidheontiaarle, meet the rising challenging the old ways of competition and turning them into collaboration. All of these artists, at one point or another, had their dreams challenged giving up, they treated each obstacle as a learning experience. Today, the beauty community holds a brighter and bolder vision, but most importantly, we all have something we’re fighting for. MEGA.ONEMEGA.COM | MAY 2022 43

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ARTIST CONFIDENTIAL Makeup LIN UY (Ry, Justine and Riona) and RAFF Y SO assisted by ABBY RE YES (Carlo, Dale and Mika). Hair JUSTINE OCAMPO (Ry), CARLO ROBRICO (Mika) and DALE MALL ARI (Riona). St yling MIGUEL QUILANG and BEA GUERRERO of NEW COLLECTIVE STYLE. Models RY VELASCO, MIKA REINS AND RIONA JOHNSTON (FARAH MODELS). Shoot coordination KZ FRANCISCO Generation Art direction NICOLE ALMERO NEXT Young hairstylists Justine Ocampo, Carlo Roblico and Dale Mallari are transforming hair into a powerful form of pride By MIA CASTRO Photography JOSH TOLENTINO B eauty is having a moment. We have gone through years of makeup and hair needing to look flawless, but today’s youth is bringing back the total freedom and joy that comes with expressing our identity through how we look. When it comes to hair, leave it to our up-and-coming hairstylists to shake up old beauty rules and unlock a whole new door to hairstyle possibilities.  Some can make a blown-out mane look effortless, while others are experimenting with what our trusty straightening iron can create. But one thing they do have in common is that they are pushing the conversation around hair in ways both awe-inspiring and audacious. By taking what they learned from their mentors and creating their own techniques, their work is going beyond the surface of superficiality and straight to the real roots of what hair can be–a symbol of one’s pride, which we can wear every day.  46 MAY 2022 | MEGA.ONEMEGA.COM



ARTIST CONFIDENTIAL