SCPUH_2D_Final_Catalogue

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MEAGHAN SHELTONMEAGHAN SHELTON, a local Sunshine Coast contemporary artist hascollaborated with the NICA Noosa Integrated Catchment Association and isknowlegeable in the local flora which is used extensively in her work. Sheltonregularly exhibits nationally, her work is held in private collections throughoutAustralia and the U.K.Left | Rainforest 1, Meaghan Shelton, mixed media and flock on paper, 700mmx 900mm, 2016Above | Wallum Heath 2, Meaghan Shelton, mixed media and flock on paper,800mm x 800mm, 2016. 205

MEAGHAN SHELTON Above | Coastal Dunes 1, Freshwater Wetlands, Wet Eucalypt Forest, Wallum Heath 2, Meaghan Shelton, mixed media and flock on paper, 700mm x 900mm, 2016 Right | Rainforest 2, Meaghan Shelton, mixed media and flock on paper, 800mm x 800mm, 2016.206

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MEAGHAN SHELTONLeft | Tidal Wetlands, Dry Eucalypt Forest, Meaghan Shelton, mixed media andflock on paper, 700mm x 900mm, 2016Above | Coastal Dunes 2, Meaghan Shelton, mixed media and flock on paper,800mm x 800mm, 2016. 209

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TIFFANY SINGHTIFFANY SINGH, is a New Zealand installation based artist. Tiffany is trained in thecreation of healing environments and artworks and was commissioned to createa series of works for the Sunshine Coast University Hospital. Sensual, exuberantand optimistic, each work uses forms from multiple faiths and mythologies, vividcolours, simple materials and expansive arrangements, Singh initiates wonderand an abundance of enjoyment.A Bloom of Time Series #1 - #10, Tiffany Singh, mixed media on archival paper,2016. 211

A Bloom of Time Series #1 - #10, Tiffany Singh, mixed media on archival paper, 2016.212

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A Bloom of Time Series #1 - #10, Tiffany Singh, mixed media on archival paper,2016. 215

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WAYNE SINGLETONWAYNE SINGLETON is an Australian relief block printmaker specialising in blackand white, hand coloured linocut prints. Born in Melbourne, Wayne lived on theSunshine Coast, before training as a stereo cutter (relief block maker) and wenton to study art and design. He has been an exhibiting printmaking artist sincethe 1980’s. Wayne has created an iconic selection of prints of the SunshineCoast landscape.Left | Path to the Cascades, Wayne Singleton, hand coloured relief block (linocut)print on paper, 600mm x 785mm.Above | Meditation on Beauty, Wayne Singleton, hand coloured relief block(linocut) print on paper, 635mm x 815mm. 217

WAYNE SINGLETON Above | Road to Yandina, Qld 1 & 2, Wayne Singleton, hand coloured relief block (linocut) print on paper, 950mm x 560mm. Right | The Peachester Road near Peachester, Qld, Wayne Singleton, hand coloured relief block (linocut) print on paper, 650mm x 830mm.218

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WAYNE SINGLETONAbove | Pineapples near Mt Tibrogargan,Glasshouse Mountains, Wayne Singleton, handcoloured relief block (linocut) print on paper,860mm x 855mm.Left | Interrogating a river, Wayne Singleton, handcoloured relief block (linocut) print on paper,475mm x 865mm.Far aLeft | Crookneck from Judd Rd, GlasshouseMountains, Qld, Wayne Singleton, hand colouredrelief block (linocut) print on paper, 630mm x790mm. 221

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PIP SPIROPIP SPIRO, is an Australian watercolour artist, inspired by the natural world andher vibrant south-east Queensland surrounds. She works on translating thenatural world to a subject field, spanning from highly detailed botanical workthrough to contemporary still life scenes. Her works in the Sunshine CoastUniversity Hospital are inspired by the botanical flora of the region including abig and bright pandanus tree, banksia and shell ginger plants. She is held incollections both nationally and internationally.Left | Banksia Integriflora, Pip Spiro, print of watercolour on archival Hahnemuhlepaper, 594mm x 851mm, 2016.Above | Pandanus II, Pip Spiro, print of watercolour on archival Hahnemuhlepaper, 851mm x 594mm, 2016.Overleaf Left | Banksia Baueri, Pip Spiro, print of watercolour on archivalHahnemuhle paper, 594mm x 851mm, 2016.Overleaf Right | Shell Ginger, Pip Spiro, print of watercolour on archivalHahnemuhle paper, 594mm x 851mm, 2016. 223

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DEBBIE TAYLORDEBBIE TAYLOR, is an Australian Indigenous artist and Gamillaroi, originallyfrom North West NSW and now residing in Beachmere. Taylor graduatedGriffith University’s College of Art with a Bachelor of Contemporary AustralianIndigenous Art in 2008. Her works in the Sunshine Coast University Hospital areinspired by the botanical flora of the region including a big and bright pandanustree, banksia and shell ginger plants. She is held in collections both nationallyand internationally.Left | Mooloolaba Yacht Race, Debbie Taylor, acrylic on board, 700mm x 900mm,2016.Above | Mt. Timbeerwah, Debbie Taylor, acrylic on board, 700mm x 900mm,2016. 227

Left | Mary Cairn Cross Forest, Debbie Taylor, acrylic on board, 700mm x 900mm. Above | Maroochy River, Coast to Cane, Debbie Taylor, acrylic on board, 700mm x 900mm, 2016.228

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Left | Mary Cairn Cross Forest, Debbie Taylor, acrylic on board, 700mm x 900mm.Above | Noosa Sunrise, Old Woman Island, Debbie Taylor, acrylic on board,700mm x 900mm, 2016. 231

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IAN TREMEWANIAN TREMEWAN, is a Sunshine Coast artist born in Montreal, now based inAustralia. Working as a contemporary watercolourist, Ian’s work reflects theinterest he feels for light, space and shadow reflecting his time spent in theCaribbean and Hawaiian tropics. His abstract interpretation of the amorphicshapes of nature, coupled with his design and composition find diverseexpressions in sculpture, contemporary glass and textiles. Ian is held in privateand public collections both nationally and internationally.Left | Big Red Gum, Rainforest Sand Dune with Ocean View, Ian Tremewan,watercolour on archival Hahnemuhle paper, 594mm x 851mm, 2016.Above | Midnight Moonlit Fields to the Sea, Ian Tremewan, watercolour onarchival Hahnemuhle paper, 594mm x 851mm, 2016. 233

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IAN TREMEWAN Above | Rainforest Reflection, Ian Tremewan, watercolour on archival Hahnemuhle paper, 594mm x 851mm, 2016. Right | Starry Night on the Beach, Big White Sails Past Rainforest, Ian Tremewan, watercolour on archival Hahnemuhle paper, 594mm x 851mm, 2016. Previous Page Left | Starry Night on the Beach, Big White Sails Past Rainforest, Ian Tremewan, watercolour on archival Hahnemuhle paper, 594mm x 851mm, 2016. Previous Page Right | Starry Night on the Beach, Big White Sails Past Rainforest, Ian Tremewan, watercolour on archival Hahnemuhle paper, 594mm x 851mm, 2016.236

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Above | Colleen Wall, Kabi Kabi Series, acrylic on board, 700mm x 700mm, 2016.238

COLLEEN WALLCOLLEEN WALL, is a Sunshine Coast artist born in Eidsvold and now living inBrisbane. Colleen paints stories relating to Kabi Country. Her Granny KatherineMinniecon, through her mother Sarah Lloyd, passed on knowledge of Land Lawwith relating stories and language to a very large family. Colleen uses the Kabiwords to name her paintings to keep the Kabi language alive for generations tocome. 239

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PAM WALPOLEPAM WALPOLE is a local painter and artist with a strong relationship to theenviroment. Pam’s contemporary paintings are centred around the landscape– whether it be the parched inland deserts, salt pans or outback flooded plainsof Australia, Africa or ice fields of Antarctica. Closer to home she is attracted tothe coastal dunes and estuaries on the textures and colours they inspire. PamWalpole often engages with the devastation of environment as a catalyst for aseries – bushfires, floods, coastal erosion or man-made destruction – all havebeen a subject for her paintings.Left | Edge of the desert, Pam Walpole, watercolour on paper, 760mm x 560mm,2016.Above | Edge of the desert, Pam Walpole, watercolour on paper, 760mm x560mm, 2016. 241

PAM WALPOLE Above | Lilypad Lagoon, Pam Walpole, watercolour on paper, 760mm x 560mm, 2016. Right | Lagoon Ripples, Waterlily Lagoon in Bloom, Pam Walpole, watercolour on paper, 760mm x 560mm, 2016.242

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PAM WALPOLELeft | Waterlily Lagoon in Bloom, Lagoon Blues, Pam Walpole, watercolour onpaper, 760mm x 560mm, 2016.Above | Moonlit Spinifex, Pam Walpole, watercolour on paper, 760mm x 560mm,2016. 245

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PAM WALPOLELeft | Beyond the Fence, Pam Walpole, watercolour on paper, 760mm x 560mm,2016.Above | Tracks in the Sand, Pam Walpole, watercolour on paper, 760mm x560mm, 2016. 247

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JUDY WATSONJUDY WATSON is Australian indigenous artist with an international reputation forher innovation. While her work takes its inspiration from the land and traditionsof the Waanyi culture, Watson distils her distinctive stained canvases into poeticabstractions that have the power to speak to all. In February 2009 Judy Watsonwas appointed artist-in-residence at The University of Queensland’s HeronIsland Research Station. Watson’s residency coincided with the official launch ofthe Research Station, rebuilt after being destroyed by a devastating fire in 2007.Prints from her residency are included in the Sunshine Coast collection. Judy isincluded in major public institutions and private collections internationally.Left | Big blue world with three stupas, Judy Watson, etchings, 690mm x 540mm,Above | Heron Island Suite #6, Judy Watson, Etching from two zinc plates – plate1 green, plate 2 blue, 50mm x 35.5mm, 2009.Above | Heron Island Suite #14, Judy Watson, Etching from two zinc plates andscreenprint – plate 1 brown, plate 2 black - White screenprint: Top predatordeclines - Common noddies and Sooty terns. Graph courtesy Dr BradleyCongdon. 50mm x 35.5mm, 2009. 249

JUDY WATSON Above | Heron Island Suite #1, Judy Watson, Etching from two zinc plates – – plate 1 blue, plate 2 black, 50mm x 35.5mm, 2009.250