bluFfrrlrtoohertdihasyldtemrbselinoogtondim,sfsbswu,uhtnriandctheohrteaprribnredioeglphietcnate to interpretation
50When the first shards of light shine through Though this look is romantic, it is also poetic un.02.77the trees or the kiss of dusk embraces and curious with misty shades adding a subtle 70bb 65/056the garden a kind of magic falls over the veil of surprise so that the overall effect is n7.04.73space, diffusing its colours and creating feminine but enigmatic. Mercury mirrors and 50gg 55/049a sense of mystery. distressed fabrics add a sense that objects j0.05.75 are only on loan to us for a short time and will 10gy 58/105This is a fascinating trend which explores the in the end return to nature.ideas of harnessing the barely there, thefleeting and the ephemeral. Finnish artist The Secret Garden palette is filled with soft,Sanna Kannisto has achieved this by smoky tones. Imagine ripe plums, almostcapturing rainforest flora and fauna with neutral tones of lilac and that perfect shade ofa mobile studio constructed in the branches. delicatedovegrey. AnarrayofgreensfromThe result, is images that truly capture dark spruce to charming pastel shades oftheir subject matter but with an otherworldly mint, make it easy to create a sensitivequality. Many other artists have employed the tone-on-tone tranquil effect. Neutrals areintangible quality of projected images of important here but they are always tinted withnature such as branches and trees to add a the slightest touch of rose or lavender.fragilequalitytourbanspaces. Addingatouch Fragile and ethereal materials like voile, laceor magic in this way makes us think again and frosted glass complete the look andabout how we view our environment and adds add a layered quality.light into the darkest corners of the city.Florals are the motif that underpins this trend,not bright frothy blooms, but rather delicatefragmented or blurred designs which areopen to interpretation by the viewer. Hautologyis the aesthetic of encompassing the barelythere and is an idea that is inspiring the musicworld as well as art and design.WilliamBasinski started to create‘The DisintegrationTapes’, a series of recordings almost a decadeago, that are only now striking a chord withtheir mysterious sounds. f6.03.87 43yy 78/053
cn.02.57 ln.02.47 w7.07.4460yr 33/047 30gY27/036 50rb 20/091u0.05.75 zn.01.8370bb 55/044 wn.02.77 10rR 73/023sn.02.85 50rb 48/05110bb 83/020 g4.05.81 70Yy 73/083P0.05.35 cn.02.6750Bg14/036 50Rr 54/018u0.04.84 s0.04.7830bb 72/045 50bg 64/028
SharingProvocative Energetic Interactive Collaborative
53 ‘Life is ftaarltkosoeriimopuosrltyaanbtoautt’hOsicnargWilde ever to
Create somethingjust for thefun of it!
57 Cut loose and embrace the impermanence of cheap and throw-away materials to create imperfect design and dramatic patterns
58Raise aneyebrow or two,eancsomurailgiengor stimulate aconversation
60There is a time for thinking and a time thought this genre of expression was J0.30.80for taking action.Tired of standing still and crassandsimplistic.Hotel AuVieuxPanierin 10gy 61/449waiting for projects to slowly take shape, Marseille, France annually redesigns five e6.58.65many individuals and collectives want to rooms by using artists and designers to create 04yy 51/583make a change now! This trend has energy a unique flavour to each space. Recentlyand exuberance; create something just for graffiti artist Tilt created‘panic room’ for thethe fun of it, on your own or through exciting hotel, a half graffiti half blank space.Thecollaborations. Here designers are cutting contrast of chaotic and serene, vivid and blandloose and embracing the impermanence creates a striking effect and shows that evenof cheap and throw-away materials to make unrestrained art like this is being absorbedimperfect design and dramatic patterns. into society. Which sparks the question,This is not about building something that what will the new provocative and powerfulstands the test of time but raising an eyebrow form of art be?or two,encouraging a smile or stimulatinga conversation in the here and now. This palette says‘get up and go for it!’ This is a high octane,energetic medley of coloursOnce the domain of street artists,hack where anything goes. Clash and contrastdesign and graffiti are now nudging their or combine and blend to create a riot of colour,wayintothemainstream. Notcontent or something a little more paired back.with an object’s original form, hack design Fizzy lemon and intense teal rub shouldersorhacktivism takesanexistingpiece with bright emerald green, lime, violetand redesigns it to look more individual and fiery orange. Blues in this palette comeor to meet a totally different function. Urban in all shapes and sizes too, from navyartists such as Banksy have broken down to ultramarine, sky and pale cyan; therebarriers and silenced many critics that once is something for everyone. Q0.40.50 16BG 29/350 r7.22.69 79bg 53/259
g4.40.70 f8.40.80 X7.16.6670yY 59/485 46YY 74/602 88rb 37/328l5.60.43 v3.35.1402gg 21/542 C6.49.48 91Bb 07/263fn.02.67 50yR 18/65030yy 46/036 C1.10.79X0.20.50 23YR 66/19341Rb 24/309 u7.27.36 69bB 17/324on.00.90 Q0.10.8000nn 83/000 40bg 70/146
63coloursThis section of ColourFutures presentsall colours chosen for 2014 as colour families:Reds, Oranges, Yellows, Greens, Blues andViolets followed by Warm and Cool Neutrals.At the bottom of each page you can see thetransition of each hue over the years.
redsWith lots of variety this palette is more about pinks and pinkish reds than anything hard or fiery. Crisp urban pinks that are playful and funsit against soft blush reds and flesh tones.The popularity of very dark red continues with burgundy so dark it is almost black.KeyRed: Forthelastcoupleofyearswehaveseenredsbecomingwarmerandmorerobust.Thiscontinuesfor2014withadeepmarooninspired by folk fabrics and ornamentation from around the world and a more architectural, measured approach to design. KEY COLOUR 2014 c2.53.40 z0.05.20 16yr 16/594 30rr 08/044 c0.40.40 b0.25.25 b2.10.25 10yR 17/465 09yr 05/305 10YR 07/125 x7.16.66 b6.15.65 88rb 37/328 10yr 41/223 zn.01.83 C1.10.79 10rR 73/023 23YR 66/193 Red’s transition:Theneutralisedandgreyed-offpinkswhichdominatedlastyear’spalettehave moved aside to make way for a cleaner and more dynamic palette.The pretty and feminine shades of 2012 have bought a smart suit and gained a swagger in their step.These are reds with attitude.2009 2010 2011 2012 2013
65 oranges The overall feeling of oranges this year is mellow and well seasoned.These are the colours of roasted pumpkin, ground cinnamon and turmeric and have a much greater yellow influence than recent years.The almost black browns of last year have changed into softer mid toned rose browns with a warm earthy quality. KeyOrange: Fieryandintensethisisthekindofcolourthatwantstostandupandbenoticed.Occurringinnaturethroughsunsets,thepetals of theTiger Lily and the flesh of the Persimmon fruit,this shade still feels authentic and organic and not synthetic as many bold colours do.c4.20.40 c4.40.20 e6.63.4730yr 16/162 23yr 10/308 00Yy 23/557d6.15.55 e6.58.6570yr 33/175 KEY COLOUR 2014 04yy 51/583 E0.45.55 80yR 31/508 C6.49.48 50yR 18/650Orange’s transition: This colour has slightly evolved from last year’s papayatakingonalittlemoreredforanevenfieriereffect. Becomingprogressively more powerful since 2011 this colour family now packs a real punch. 2009 2010 2011 2012 2013
YellowsLast year’s larger palette of more greyed-off shades has reduced down to a small but important selection of yellows.Taking fourdistinctcharactersthishueareaismadeupof: thesoft,almostgreenyellowofnewleavesandshoots,eyecatchingprimaryyellow,spicy ochre and barely there whites with a tint of yellow.Key Yellow: Recognisable in countless traditional folkloric fabrics and patterns this yellow is as old as saffron itself butfeels incredibly new when combined with other colours. Use it to add a quirky twist and make the mundane,extraordinary. f2.50.50 g4.40.70 20yy 26/490 70yY 59/485 g4.05.81 KEY COLOUR 2014 70Yy 73/083 f8.40.80 46YY 74/602 f2.50.65 f6.03.87 30Yy 49/562 43yy 78/053 Yellow’s transition: The subtle hint of olive that influenced last year’s key yellow has melted awayandinitsplacethewarmertonesofnectar, mustardandamberreturn.Donotdiscount green toned yellows as they are still important but no longer hold centre stage.2009 2010 2011 2012 2013
67 greens The most important growth area for 2014: greens come in all shapes and sizes.The character of these colours fall into four groups but most have a blue undertone: clean dynamic urban greens like lime, jade and emerald,neutralised greens influenced by grey and brown,whites with a hint of green and a very natural leafy shade. KeyGreen:Thisinfluentialcolourhasamagicalqualitywhichcapturesthetranquillityandgrandeurofvastlakesandundiscoveredforests. Lyingin between green and blue it possesses the power of both; balanced,tranquil and calming but in its depth you will also find drama and unexpected warmth. J0.30.80 l5.60.43 P0.50.40 10gy 61/449 02gg 21/542 70gG 16/390 j0.20.50 ln.02.47 KEY COLOUR 2014 30gy 23/232 30gY 27/036 j0.05.75 n7.04.73 Q0.20.30 10gy 58/105 50gg 55/049 30BG 10/111f6.30.30 P0.20.40 P0.05.3530yy 12/263 90gg 19/151 50Bg 14/036 On.00.83 qn.02.88 30gg 72/008 10bg 83/018 Green’stransition: Lastyear’sgreensmovedfromanotableyellowcharactertoshades which in the main trod a line between green and blue.This trend continues with our teal Colour of the Year, but last year’s soft spruce is now darker, richer and more evocative. 2009 2010 2011 2012 2013
blues2013 wasallaboutblueandthiscontinuestobeanimportant,variedandinspiringcolourarea.Asweseegreensbecomingincreasinglyblue,so blues with a green edge also come back into vogue with the re-emergence of teal,aqua and turquoise against more degraded greengreys and cooler tones of sky blue and indigo.KeyBlue: AclosecousintotheColouroftheYearthisshadealsofallsintothetealfamily.Coolandmysteriousitisonlyusedbynaturetodecorateitsmostelaboratecreations;apeacockfeather, thewingofabutterflyoratopazjewel. KEY COLOUR 2014 v3.35.14 91Bb 07/263 r0.10.60 Q0.40.50 R9.35.22 u7.27.36 50bg 32/114 16BG 29/350 70bg 09/171 69bB 17/324 s0.04.78 Q0.10.80 r7.22.69 50bg 64/028 40bg 70/146 79bg 53/259 tN.02.82 qn.02.78 u0.04.84 72BG 75/023 90bg 72/038 30bb 72/045 Blue’s transition:Since2010thebluecolourpalettehasbeengettingcooleruntillastyearwhenwe saw a purple influence in our indigo Colour of the Year. The depth and strength of colour remains bold and robust but a green influence gives this palette a more oceanic feel.2009 2010 2011 2012 2013
69 violets Cool and sophisticated this palette of darkest berry and shadow like lavenders is almost a collection of tinted neutrals drifting away from lastyear’sprettyplumandamethysttones.Oneclearvioletremainswithapinkcharacter, resemblingthepetalsofa Heliotropeflower. Key Violet: Lavender grey is a soft and very flattering shade becoming popular in interiors and cosmetics for its subtly different nuance on grey. The colour of the dried flowers themselves,this shade has a demure and understated quality. KEY COLOUR 2014 w0.10.30 10rb 10/116un.02.77 w7.07.44 X0.20.5070bb 65/056 50rb 20/091 41Rb 24/309 wn.02.77 wn.02.82 50rb 48/051 50rb 74/033 vn.02.85 90bb 73/022Violet’s transition: Since 2009 violets have been getting darker and more robust in nature until last year’s shade, which was such a dark berry, it was almost black. The generalfeeling of the palette for 2014 is much softer and easier to use with violet becoming more of an influence than a colour in its own right. 2009 2010 2011 2012 2013
WarmneutralsThisisapaletteofchicandmodernmaterialtonesthatworkseffortlesslywithcolourortostunningeffectontheirown. Sandstone,camelandcarameladd richness; mushroom and taupe make the perfect canvas,and whisperingly light shades of hessian and pearls add delicate warmth.KeyWarmneutral: Someofthemostinterestingcolourssitinthespacebetweentwohuesandthisyear’swarmneutralpalettefocusesonashadewhichtreadslightlybetweenwarmandcool. Apaletaupewiththeslighthintofroseandpewter, itisanessentialincreatinganeasytolivewithmoderncolourscheme.d6.05.65 cn.02.57 e8.15.65 F6.10.7060yr 41/072 60yr 33/047 10yy 41/175 30yy 53/125e8.05.70 g0.05.8090yR 55/051 KEY COLOUR 2014 30Yy 69/048on.00.81 gN.00.8830YY 68/024 f6.07.77 30gy 88/014fn.02.85 30Yy 67/08450yr 83/003 Cn.02.67 hN.02.85 50Rr 54/018 81yy 81/016 Warmneutral’s transition: Overthelastthreeyearskeyshadesinthiscolourareahavehadagrey edgewithasmalldashofadifferenthuegivingthemcharacter. Withasimilarfeeltolastyear’s shade this colour has a tiny pinch of red lending it warmth and accessibility.2009 2010 2011 2012 2013
71 coolneutrals This year’s palette covers the full achromatic spectrum from the black of Indian ink, through charcoal and concrete to feathery down like greys which are barely there.There are also shades with a hint of warmth found in driftwood, pebbles and the majesty of a rocky mountain landscape. Key Cool neutral: When grey first became a trend colour it was hard,masculine and tricky to live with. Informed by several years of wearing and decorating with warm shades of grey we now move back to a cooler shade that possesses ease and sophistication and works perfectly with greens and blues.Fn.02.47 On.00.60 ON.00.1030yy 20/029 50YR 38/017 00NN 05/000fn.02.6730yy 46/036 KEY COLOUR 2014Fn.02.8230yy 72/018 u0.05.75on.00.90 70bb 55/04400nn 83/000 on.00.69 on.00.76 30bb 53/012 30bb 62/004 on.00.86 sn.02.85 50Bg 83/009 10bb 83/020 Cool neutral’s transition: Looking back over the last five years there is a pattern emerging where ourkey cool neutral is almost white one year and then a more characterful grey the next. This year’s most important grey is very similar to that of 2012, but where that shade had a slight green undertone, the influence for 2014 is blue, resulting in an architectural concrete grey. 2009 2010 2011 2012 2013
72resourcescover ø p41-49 ø cf14-SR-7 cf14-SR-18 cf14-SG-1 cf14-SG-2 cf14-SR-8 cf14-MOP-16 cf14-SG-3 cf14-SG-4cf14-cover cf14-COY-6 cf14-SR-9 cf14-MOP-6 cf14-UF-3 cf14-UF-13 cf14-SG-5 cf14-SR-10 cf14-UF-14 cf14-SG-6p1-9 ø cf14-COY-7 cf14-SR-11 cf14-SR-19 cf14-MOP-17 cf14-UF-4 cf14-UF-15 cf14-COY-8 cf14-SR-20 cf14-MOP-18 cf14-UF-16 cf14-SG-7cf14-INTRO-1 cf14-COY-9 cf14-MOP-7 cf14-UF-17 cf14-SG-8 cf14-COY-10 cf14-MOP-8 cf14-UF-18 cf14-SG-9cf14-INTRO-2 cf14-UF-19cf14-INTRO-3 cf14-TITLE-1 cf14-UF-20 p12-19 ø cf14-MOP-19 cf14-UF-5 cf14-SR-21 cf14-MOP-9 cf14-UF-6 cf14-UF-7 p22-29 ø cf14-MOP-20 pomrfaorogfincf14-COY-1 cf14-SR-1 cf14-SR-12 cf14-SR-13 cf14-SR-2 cf14-MOP-10 cf14-UF-8 cf14-SR-14 cf14-SR-3 cf14-SR-15 cf14-MOP-11 cf14-MOP-21 cf14-SR-4 cf14-MOP-12 cf14-MOP-13 p32-39 øcf14-COY-2 cf14-MOP-1 cf14-UF-9cf14-COY-3 cf14-MOP-2 cf14-UF-10 cf14-MOP-3cf14-COY-4 cf14-UF-1 cf14-SR-5 cf14-SR-16 cf14-MOP-4 cf14-MOP-14 cf14-UF-11cf14-COY-5 cf14-SR-6 cf14-SR-17 cf14-MOP-5 cf14-MOP-15 cf14-UF-2 cf14-UF-12
p52-59 ø Here you will find an index of the pictures that havecf14-SG-10 cf14-B-2 been used in this publication.cf14-SG-11 cf14-B-3 For the online version ofcf14-SG-12 the book, please go tocf14-SG-13 cf14-V-1 www.colourfutures.com cf14-V-2cf14-SG-14 cf14-DIN-9 cf14-DIN-19 cf14-O-2 cf14-V-3cf14-SG-15 cf14-DIN-10 cf14-WN-1cf14-SG-16 cf14-DIN-1 cf14-DIN-11 cf14-O-3cf14-SG-17 cf14-WN-2cf14-SG-18 cf14-DIN-2 cf14-DIN-12 cf14-DIN-20 cf14-WN-3cf14-SG-19 cf14-DIN-3 cf14-DIN-13 cf14-CN-1cf14-SG-20 cf14-DIN-4 cf14-Y-1 cf14-CN-2 cf14-DIN-5 cf14-DIN-14 cf14-CN-3cf14-SG-21 cf14-DIN-6 cf14-DIN-15 cf14-DIN-21 cf14-DIN-7 cf14-DIN-8 cf14-DIN-16 cf14-Y-2 cf14-DIN-17 cf14-DIN-22 cf14-DIN-18 p62-71 ø cf14-TITLE-2 cf14-Y-3 cf14-R-1 cf14-G-1 cf14-R-2 cf14-R-3 cf14-G-2 cf14-O-1 cf14-G-3 cf14-B-1
TM TM mation regarding this artwork, please contact the For more information regarding this artwork, please contact theementation Team at: Creative Implementation Team at: Design Bridge Limited Limited International Branding AgencyBranding Agency 18 Clerkenwell Close l Close London EC1R 0QN 0QN United Kingdomom T +44 (0)20 7814 9922814 9922 F +44 (0)20 7814 9024814 9024 www.designbridge.com ridge.comTAILS PROJECT DETAILSE: DULUXR: DLUX CLIENT NAME: DULUXN ALBA OFFPACK LOGO JOB NUMBER: DLUX 10.03.11 : AS DESCRIPTION BRUGUER OFFPACK LOGO NAGER: DBESS: DIGITAL LITHO DATE: 11.03.11 VARIOUS : ORIGINATOR: AS PROJECT MANAGER: DB PRINT PROCESS: DIGITAL LITHOVERSION NUMBER: 1 SUBSTRATE: VARIOUSWORK FONTS USED:AGE FILE USAGE 1 Y ARTWORK VERSION NUMBER: FINAL ARTWORK K CUTTER GUIDE: MOCK UP 200mm - DO NOT SCALE THIS MEDIA BOX COLOUR USAGE K CUTTER GUIDE: CMY ED COPY CHECKEDd by: Copy checked by: sign Director: SIGN-OFFes / Implementation Project Manager: Designer: ion: Creative / Design Director: Sign o via email: ce Client Services / Implementation Project Manager: be supplied with this artwork. The client or the client’s plier is responsible for ensuring that it has obtained all Implementation: ssary licences. All special colours speci ed are from thehing system unless otherwise stated. The colours on this Client: t accurate and are intended to be used as a guide only, Sign o via email:or matching purposes unless otherwise stated. Thisepro ready, but does not contain important information Important Notice/grip/choke etc, these need to be applied by a Fonts will not be supplied with this artwork. The client or the client’s specialist. Whilst every e ort is made to ensure the third party supplier is responsible for ensuring that it has obtained allhe text in this artwork, Design Bridge cannot accept fonts and necessary licences. All special colours speci ed are from the or any errors or omissions. © Design Bridge 2009. All Pantone matching system unless otherwise stated. The colours on thisoperty reserved. Pending payment of full contract price. printout are not accurate and are intended to be used as a guide only,conditions. do not use for matching purposes unless otherwise stated. This artwork le is repro ready, but does not contain important information such as trap/grip/choke etc, these need to be applied by a reprographics specialist. Whilst every e ort is made to ensure the accuracy of the text in this artwork, Design Bridge cannot accept responsibility for any errors or omissions. © Design Bridge 2009. All intellectual property reserved. Pending payment of full contract price. See terms and conditions. TM TM For more information regarding this artwork, please contact theing this artwork, please contact the Creative Implementation Team at:am at: Design Bridge Limitedcy International Branding Agency 18 Clerkenwell Close London EC1R 0QN United Kingdom T +44 (0)20 7814 9922 F +44 (0)20 7814 9024 www.designbridge.com PROJECT DETAILS CLIENT NAME: DULUX JOB NUMBER: DLUXDULUX DESCRIPTION DULUX OFFPACK GLOBAL LOGODLUXCORAL OFFPACK LOGO DATE: 09.03.1109.03.11AS ORIGINATOR: ASDBDIGITAL LITHO PROJECT MANAGER: DBVARIOUS PRINT PROCESS: DIGITAL LITHO SUBSTRATE: VARIOUS FONTS USED: FILE USAGE 1 ARTWORK VERSION NUMBER: FINAL ARTWORKUMBER: 1 MOCK UP 200mm - DO NOT SCALE THIS MEDIA BOX COLOUR USAGE K CUTTER GUIDE: CMYK CUTTER GUIDE:ntation Project Manager: COPY CHECKED Copy checked by: Sign o via email: h this artwork. The client or the client’s SIGN-OFF ble for ensuring that it has obtained all Designer:All special colours speci ed are from theess otherwise stated. The colours on this Creative / Design Director:are intended to be used as a guide only,urposes unless otherwise stated. This Client Services / Implementation Project Manager:does not contain important informationc, these need to be applied by a Implementation: st every e ort is made to ensure theartwork, Design Bridge cannot accept Client: r omissions. © Design Bridge 2009. All Sign o via email: Pending payment of full contract price. Important Notice Fonts will not be supplied with this artwork. The client or the client’s third party supplier is responsible for ensuring that it has obtained all fonts and necessary licences. All special colours speci ed are from the Pantone matching system unless otherwise stated. The colours on this printout are not accurate and are intended to be used as a guide only, do not use for matching purposes unless otherwise stated. This artwork le is repro ready, but does not contain important information such as trap/grip/choke etc, these need to be applied by a reprographics specialist. Whilst every e ort is made to ensure the accuracy of the text in this artwork, Design Bridge cannot accept responsibility for any errors or omissions. © Design Bridge 2009. All intellectual property reserved. Pending payment of full contract price. See terms and conditions. TM For more information regarding this artwork, please contact the TM Creative Implementation Team at: Design Bridge Limited For more information regarding this artwork, please contact the International Branding Agency Creative Implementation Team at: 18 Clerkenwell Close Design Bridge Limited London EC1R 0QN International Branding Agency United Kingdom 18 Clerkenwell Close T +44 (0)20 7814 9922 London EC1R 0QN F +44 (0)20 7814 9024 United Kingdom www.designbridge.com T +44 (0)20 7814 9922 F +44 (0)20 7814 9024 PROJECT DETAILS www.designbridge.com CLIENT NAME: DULUX JOB NUMBER: DLUX DESCRIPTION DULUX VALENTINE OFFPACK LOGO DATE: 10.03.11 PROJECT DETAILS ORIGINATOR: AS CLIENT NAME: DULUX PROJECT MANAGER: DB JOB NUMBER: DLUX PRINT PROCESS: DIGITAL LITHO DESCRIPTION FLEXA OFFPACK LOGO SUBSTRATE: VARIOUS DATE: 08.03.11 FONTS USED: ORIGINATOR: AS PROJECT MANAGER: DB PRINT PROCESS: DIGITAL LITHO FILE USAGE 1 SUBSTRATE: VARIOUS ARTWORK VERSION NUMBER: FONTS USED: FINAL ARTWORK MOCK UP FILE USAGE ARTWORK VERSION NUMBER: COLOUR USAGE 1 CMY 200mm - DO NOT SCALE THIS MEDIA BOX K CUTTER GUIDE: FINAL ARTWORK MOCK UP 200mm - DO NOT SCALE THIS MEDIA BOX COLOUR USAGE K CUTTER GUIDE: CMY COPY CHECKED COPY CHECKED Copy checked by: Copy checked by: SIGN-OFF SIGN-OFF Designer: Designer: Creative / Design Director: Creative / Design Director: Client Services / Implementation Project Manager: Client Services / Implementation Project Manager: Implementation: Implementation: Client: Client: Sign o via email: Sign o via email: Important Notice Important Notice Fonts will not be supplied with this artwork. The client or the client’s Fonts will not be supplied with this artwork. The client or the client’s third party supplier is responsible for ensuring that it has obtained all third party supplier is responsible for ensuring that it has obtained all fonts and necessary licences. All special colours speci ed are from the fonts and necessary licences. All special colours speci ed are from the Pantone matching system unless otherwise stated. The colours on this Pantone matching system unless otherwise stated. The colours on this printout are not accurate and are intended to be used as a guide only, printout are not accurate and are intended to be used as a guide only, do not use for matching purposes unless otherwise stated. This do not use for matching purposes unless otherwise stated. This artwork le is repro ready, but does not contain important information artwork le is repro ready, but does not contain important information such as trap/grip/choke etc, these need to be applied by a such as trap/grip/choke etc, these need to be applied by a reprographics specialist. Whilst every e ort is made to ensure the reprographics specialist. Whilst every e ort is made to ensure the accuracy of the text in this artwork, Design Bridge cannot accept accuracy of the text in this artwork, Design Bridge cannot accept responsibility for any errors or omissions. © Design Bridge 2009. All responsibility for any errors or omissions. © Design Bridge 2009. All intellectual property reserved. Pending payment of full contract price. intellectual property reserved. Pending payment of full contract price. See terms and conditions. See terms and conditions. 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The client or the client’s Fonts will not be supplied with this artwork. The client or the client’s third party supplier is responsible for ensuring that it has obtained all third party supplier is responsible for ensuring that it has obtained all fonts and necessary licences. All special colours speci ed are from the fonts and necessary licences. All special colours speci ed are from the Pantone matching system unless otherwise stated. The colours on this Pantone matching system unless otherwise stated. The colours on this printout are not accurate and are intended to be used as a guide only, printout are not accurate and are intended to be used as a guide only, do not use for matching purposes unless otherwise stated. This do not use for matching purposes unless otherwise stated. This artwork le is repro ready, but does not contain important information artwork le is repro ready, but does not contain important information such as trap/grip/choke etc, these need to be applied by a such as trap/grip/choke etc, these need to be applied by a reprographics specialist. Whilst every e ort is made to ensure the reprographics specialist. Whilst every e ort is made to ensure the accuracy of the text in this artwork, Design Bridge cannot accept accuracy of the text in this artwork, Design Bridge cannot accept responsibility for any errors or omissions. © Design Bridge 2009. All responsibility for any errors or omissions. © Design Bridge 2009. All intellectual property reserved. Pending payment of full contract price. intellectual property reserved. Pending payment of full contract price. See terms and conditions. See terms and conditions. TMre information regarding this artwork, please contact thee Implementation Team at:Bridge Limitedtional Branding Agencykenwell Close EC1R 0QNKingdom0)20 7814 99220)20 7814 9024esignbridge.comCT DETAILSNAME: DULUXUMBER: DLUXIPTION SADOLIN OFFPACK LOGO 17.03.11NATOR: ASCT MANAGER: DBPROCESS: DIGITAL LITHORATE: VARIOUSUSED:SAGE 1ORK VERSION NUMBER:ARTWORKK UPUR USAGE K CUTTER GUIDE: MYCHECKED Design – ThisCityAgency London +44(0)20 87441075 hecked by:OFF er: e / Design Director:Services / Implementation Project Manager:mentation: Sign o via email: nt Notice ill not be supplied with this artwork. The client or the client’s rty supplier is responsible for ensuring that it has obtained allnd necessary licences. All special colours speci ed are from thee matching system unless otherwise stated. The colours on this t are not accurate and are intended to be used as a guide only, use for matching purposes unless otherwise stated. This le is repro ready, but does not contain important information s trap/grip/choke etc, these need to be applied by a aphics specialist. Whilst every e ort is made to ensure the y of the text in this artwork, Design Bridge cannot accept ibility for any errors or omissions. © Design Bridge 2009. All ual property reserved. Pending payment of full contract price.ms and conditions. colourfutures.com ColourFutures™ the distinctive three-leaf Sadolin, Sikkens,Vivechrom, the AkzoNobel Decorative Paints colour spectrum symbol, Alba, Astral, AkzoNobel logo, Tomorrow’s International Marketing Department Betonel, Bruguer, Coral,Dulux,Dulux Answers Todayand the Flourish logo, Wexham Road, Slough, Professional, Dulux Trade, Dulux Valentine, are trademarks of the AkzoNobel Group Berkshire, SL2 5DS, United Kingdom Flexa, Inca, Levis, Marshall, Nordsjö, of Companies ©and Database Right 2013. Tel +44 (0)1753 550 000 This ColourFutures™reference manual is and remains the property of Akzo Nobel N.V. and is loaned on condition that it is used solely to specify products manufactured/or supplied by Akzo Nobel N.V. (and other companies in the AkzoNobel Group) and on condition that it shall be returned to Akzo Nobel N.V. on demand. The contents of this reference manual are for information only. No representation or warranty is given, nor liability accepted, regarding the information given. We have reproduced paint colours as faithfully as printing will allow. However, the shape, size and lighting of a surface can influence the appearance of the final colour.
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