How to Draw Hentai Vol. 2.r

/lowto draw TAl number2 volume 1 August 2001 ~o~l: '\\.....)' ~' II · ot... • '\" _ ,.,., ..,thw,.,.,.,ll ~2001 -~Dyi'IIAI'IIM*:~'11?2~m.c:ttSulll •~ &.r'I....... T-.l'l:l.&O FAJC.• 2t0) 6t• 1021 Men • CZOOI 8llf' Dlnt. Aobeft o...llllut 'ta•_,. SuNI.IMd . . . . 19M Moe. ........ • • _.,C21111 ~ •~ ~~IO_,~~atd'ofplacer~ ,....,...Md.,~.......,. .....,~ Hcl!'*lgtclftl._belcle. \"(:V,_,...,...,....,-~~e.r·~~~OI .,... ...,._~IorJIUIP05I!$d~or~ ~I) .,_,..,...,fPI,.,-PmiNDr._.....~SinAI'Ib'lio.TedS USA

I /'IWOT I NINJA HIGHSCHOOl





























AAHHHHH- HAANNGHA!!! to be continued...



definition of terms=----• The word 'hentai• means •perven•. It is occasionally called \"Ecchi\" (o Japanese \"H'), or, In America, just plain ·w. II you picked this book up, based on the title, you prob· ably already know this. You are an animll/manga fan, and or~> familiar with Jopsnoso fanzines known as \"doujinshi\".l will proceed on this a~sumption. rules of engagement=---• I think an equivalent word for \"hentei\" ts •gonzo• (no, not the Muppet, the adjective, defined as unrestrained, hedonistic, and e~tremo,) This doesn't mean that every piece or onwork you do has to be a gore· filled s,-,men carnival (thoro's ptenly of fantastic hentei employing age-old pin-up/cheescake senstbilttiost. but the hontat style affords you the option to go from the utterly absurd to the complotly dorangnd Essentially, there ARE no rules in hentat. You. es the artist. must ftnd your own bound· arioa and limits as tar as to what you want to draw Mv per8onal limits m~y exceed yours, or you might lind my work exceedtngiy dull Whatever I'll try to share with you what I know and what I've observed about hental. In doing so. I'll be ustng words like •cock: •pussy: •ttb,• •ass: etc. This is not out of :a desire to be crass or offen~uve, but honestly. folks, if you can't say 'em, you shouldn't be drawing 'em, Now that I tl'llnk of it, my work has actually been described es ·crass•. Hmmm So be it People, this Isn't rocket science. it's hentail _.,..ortii:A pic KAMITORA



A lew 11<etches (and some Inks) \"'p<ogteSS Whether • ..., lonish them rema1115 to be seen Yoo'l no11ce aroumnodrerrc..oohesatrou:lcltionodo11o1<nse0t rather than the hips and I teg1 on most ot my work Heads, torsos and hands Are where t have trouble sometomea ~ J)() THE EYES HAVE IT? ' A mnp P'Obllm Willi the aroomelmanga styte is the lack o1 expresswe eyes Odd a.nce tha eyes are ~ IISUIIily eo HUGE, but It& hard to make them •P<85Slve and notloke doH's eyea pO$I<>d on to tile Cllaractsr·a heAd I'm not saYing I've ma••tered dramatiC eye ••pression, but I DO pay 91tent10n to the eyes probably more than anything else You can chltnge the whole dyn&mlc of a poece simply by cha'19ong the eye expresSion



Nolice lhe horozontal line on \\ the character's shirt It crosses \\ the nopples, IndiCating where a shadow moght toe on the fonoshed piece Also prominent is the ritr C<lge hne under her boobs (ot's a lottie high now that 1look at it) SETTING A lottie background dressing (chaor, desk. books) adds to the OOITII)O!.otoon. cseatorog a sense of Mughty. dtSruptove Classroom b61\\avl()( What glfl wouldn't toke haV.ng a boy toy Undet her dt>Sk to a 8\\llate qoUege leclure bo<edom7

A di)VII gort Donl ask, 'caorse I don't know A BOSM ple<:o. No underlying meantng save a ponrayat of power loss and gatn the character has zero control, zero pow&r, and zero rasPQOsobllly all common scetla'105 on sexual fantasy. Here and nov., the character ll:!!l no c;troice except submission,

STORY: \"Girt you ant.. lnsp~red by an Old poece I dod lor my doj111 'Academoc' ('97) , 151a11ed to wrap a story aroond the Cllaractet JUfoette, an exatabfe, somewllat natve gott \"'ho lovq rolletskaling She learns th.!lt Bolly another ~esllman. haa bMn bfaggong about haw.g sex wilh her e\\IVfl though he doef,nt really know her al ai JulietiQ decidtls to cafl his bluff end lake him for a test ride.Bolly. apoiogettc about htS boashng at ltrst, becomes a drooltng tdtOt when Julietle waves har pant•es under h•s nose. Mostly, th1s story was a good excuse to show Julielte bolnklng wh1le still weanng har rollerskates. Nollce how utlerly rough and useless the thumbnatlls It WOf~s ftne for me. as I'm wntong AND drawtng, but 11 thUmb thiS rough ' hfuassedooecvae.noomnael.ly_o_o.n..·._..,.... . til dorn relum to ;ect lor 11 wllile inal art



SfORV: A class1c case of more than I can chew, ''Porate King· has ballooned 1nto a monster 48 page story ... so far Orig'\"ally \"undded\" 11 was go•ng to be a short story of one of my characters. Toanna. an epprent•ce Clemon hunter, tormen· ted At the hands of a ternboe undead elf. the It' k n\"\" Plfate King, ancl her eventual tnumph over r::::--~::-:-~~-::::---:::~-:--\".=.. him ancl his mnons of m . Dar'lt Elf Prince ss Klra 1...!:: High Elf Prine••• Arima Wtt6ther 1'1 _ , IIOISh thos opus conup1t remaq to be seen I suppose I coukl chOp 8llcl c/larmel many of the UitOUS sex pages OUI. but loathe to o:lo so now. ofter sl<etch•ng and planning so many already

THt fATt Of THt ijUARD5 The printess' royal ginutahred1bclaapcok tured and thrown ship's dungeon. are tocmented by en-harpy cllncl<s. They are repeatedly raped by these dark elves, who gain energy through Ulltalnted semen. The guards must suffer this forced priap<sm until their event· ua1 re5'ue at the end ollhe story (wherevet that is). The princess' lilandmaldens endure a simuar tate. passed around as sexual appetilers amou~ the ~oriOUs pirate crew. It IS one o1lhese hand· maidens who escapes and sends an lnterdimensional message to Tia.nna. the demon hUnter on Earth. Not exactly Melville, but hey. what is'! On an artistic no1e: Notice the panellfnes are almost never straight up and down They are angled to emphasize the subjeCI mattef within them. A yllklk the Defiler Also known as Tile Dark Blade The Wain Eater

Urzok os a magocal chasbty bell protechng the princess• vorgonoty from unwanted at· temlon. Thos onc1ent gu~rdoan has seMid the kingdom for thousands of yeatll In tilts sto<y UrzOI< os confronted by tus arch-nvar Ayukk The Oark Blade (pr8VIOUS pege) Page 21 The captured Pr~ Attma bound m the towet ol the dari< shop, while the evolomps try to break the powertul protectoon of Urzok Too 1mps prove no match agoonst Urzok's bnght magoc. laler the Oark Piln· cess Kora unteashas Ayukk, and the roal bailie lor pron- ceea Aroma's vortue begons Sullfus Pyra Sul~u• the Sago release& hos cadre of • .,, !fllPS aga1nst the mage ol Urzok. to roo ava~ The haploss wrzard IS 5aetificed at the hands of Oarl< Pnncass KlfB



sro v: ..No surprises..