1989 Summer Music Games Challenge of Champions

CITY OF ST. WUIS Vincent C. Schoemehl, Jr., Mayor May16 1 1989 Dear Friends: Yes) it's Drum and Bugle time again for our Greater St. Louis area and this event creates special pride in performances and makes this enjoyable for all ages. It is a great pleasure to once again welcome your outstanding participants and their excellent performances as they return this year on July 28 1 1989 to Busch Stadium. This Drum Corps Intemational's Challenge of Champions 1989 Summer Music Games is a combination of exceptional talents 1 a true display of deter- mination and training which produces the colorful groups and great sounds. Thank you for being in St. Louis. You are appreciated and we hope the National Competition shall come to this City very soon.

The Splendor of St. Louis. Recent construction and development projects add to the \"new\" look of its majestic skyline as St. Louis continues to rank among the nation's leading corporate centers and \\premier meeting and leisure destinations. DC/ SPIRIT IN OUIS For the past three years, Drum Corps from a Boy Scout Troop. The founders formed in the St. Louis area; the Amer- International has been graciously wel- wanted to give the young people of the ican Woodsmen Cadets, the junior comed in St. Louis. DCI, in turn, has city an opportunity to experience the corps of the Spirit of St. Louis and the been offering citizens of the metro- camaraderie of drum corps, as well as Page Park Cadets, based out of the politan area a unique spirit in Busch the excitement of competition. YMCA. Soon they were competing with stadium-the spirit of drum corps. As the members began to reach the the corps across the river; the Belleville With a drum corps history dating age of twenty-one, the corps turned Black Knights, Bellettes, Gabrielettes back to 1934, St. Louis has been home into a senior corps and, at the time, and the Millsteadt Crusaders. to a variety of drum corps. The Spirit of competed with some of the senior Today the Spirit of St. Louis exists as St. Louis Drum and Bugle Corps was corps that are still around today. a junior drum corps. A few of their old the first, however, when it was started Through the years, other drum corps competitors are still around. In fact, The Milles Sculpture Fountain adorns the park facing St. Louis (Missouri) Union Station. The station houses restaurants, The l.4 million square-foot, glass-enclosed St. Louis shops, entertainment attractions and an Omni International Hotel. Centre in St. Louis, Missouri, is America's largest enclosed downtown shopping mall.

the Black Knights competed at last gram. With this program, corps will year's show here in Busch Stadium. In adopt a local youth organization as addition, new corps have been formed their own. The corps' performance will such as the River City Regiment, then be dedicated to that group. To Memorial Lancers and the Royalaires. involve local corporations, each corps \"People in this area know about will also adopt a local business. Their drum corps because of our history,\" performance will also be dedicated to Harvey Wingo, the show chairman, that business. said. \"But up until about three years This program allows the local com- ago, they weren't too sure what Drum mittee to work with civic leaders in the Corps International was. However, community and encourage a greater because of the show, more and more participation. people are experiencing drum corps Drum corps in St. Louis has come a and becoming involved in the activity.\" long way since 1938-from small Wingo also believes that as a result competitions to a huge venue. But the of the rebuilding process St. Louis is original spirit that first brought the going through at the present time, men together at the Tom Powell Post there will be a resurgence of interest #77 is still there on the field in St. in drum corps. Louis' Busch Stadium. The City of St. Louis and Virvus Jones, the city comptroller, have been helping The 4 7-foot Statue of St. Louis the Crusader (Louis IX, Drum Corps International and the local King of France), after whom St. Louis was named, stands proudly in front of the St. Louis Art Museum in Forest Parle. committee develop an adoption pro- A carriage ride through Forest Parle, St. Louis, MO, is a fine way to enjoy the parlc's many attractions. Swedish sculptor, Carl Milles' ''.Angel Musician\" figures, installed in 1988, grace a lily pond at the Missouri Botanical Garden in St. Louis. A replica of Charles Lindbergh's \"Spirit of St. Louis\" The largest traditional Japanese Garden in North America is one of the attractions at the Missouri Botanical Garden in hangs in the terminal of Lambert-St. Louis International St. Louis, Missouri. Airport.

If horn lines were money, the one that Blue Devils have frequently to master. Their screaming fans will belongs to the Blue Devils would be demonstrated that the impossible is just attest that the effort is well worth solid gold. The line's performance in something that takes a little more effort the result. 1988 was nothing short of stellar. A record forty horn players have returned for 1989, to play in what may be the Blue Devils' best horn line ever. The hard-driving \"Ya Gotta Try,\" last performed in 1981, has been brought back in an expanded version. No corps can take quick paced, screaming jazz and shove it down your throat like the \"Devils\" can. But when it goes down, it goes down smoothly. It's a Blue Devils' signature .. . complex and aggressive, yet suave and easy to take. Many have stated over the years that the corps per- forms so effortlessly, they make their music sound much easier than it really is. \"If We Were In Love\" from the movie \"Yes, Georgia\" follows. This showcases the Blue Devils' other persona; the corps that enchants you with waves of delicate nuances as if you're resting on the beach with your toes in the water, letting the undulating ripples caress your feet, let- ting all your tensions escape with the ebbing tide. The vivacious \"Allegre\" follows, leading into \"Johnny One Note,\" arranged from the best sections of the corps' 1981 show and the slick version performed by the PM Singers. The staff says this year's show is more challenging in every way than last year's program. It doesn't seem possible, but Blue DevilsCONCORD,CALMORNIA CORPS DIRECTOR: INSTRUCTORS: Mike Moxley Auxiliary: Stephanie Lynde, Mailing Address T.J. Doucette, Laurie Riker P.O. Box 21516 Brass: Wayne Downey, Jack Concord, CA 94521 Meehan, Beth Geick (415) 689-2918 Percussion: Tom Float, Cather·ne DRUM MAJOR: Float, Scott Johnson, Keith Higains, Eric Geffon Bob Bolman Visual: Jay Murphy, Dave Gibbs, 7989 REPEKTOIRE: Pete Emmons, Steve Sanger \"Ya Gotta Try\" -Sammy Nestico \"If We Were In Love\" -John Williams & Alan Bergman \"Allegre\" -Claude Bolling \"Johnny One Note\" - Richard Rogers

CORPS DIRECTOR: Mark Arnold ASSISTANT DIRECTOR: Casey Smith Mailing Address P.O. Box 10789 Denver, CO 80210 (303) 730-1919 DRUM MAJORS: Rob Batchelder Victor Jabri 1989 REPERTOIRE: \"Moorside March\" - Gustav Holst \"Punchinello\" -Alfred Reed Blue DENVER,COLO~DOKnights The Blue Knights placed 31st in Open With memorable moments like that, why some corps are looking over Class at the DCI World Championships in and a track record of moving up by leaps their shoulders to the rising star 1985, moved up four positions to place and bounds each year, it's little wonder from Colorado. 27th in 1986, moved up five more positions to place 22nd in 1987 and moved up another five positions to place 17th in 1988. The Blue Knights are first and foremost a Colorado corps. They draw 90 percent of their membership from within the state. Although they bring in music and drill writers from out of state, they are using morie consultants each year from within Colorado, helping to develop the talent --=inside the state. Assistant director Casey Smith says that the corps is \"trying to establish an upbeat 'Colorado' identity, showcasing the extensive young talent that resides in-state.\" In striving to be upbeat, the Blue Knights are performing Holst's stirring \"Moorside March\" and famed band composer Alfred Reed's \"Punchinello/' an overture of many moods to an unwritten romantic comedy. Perhaps the most memorable element of recent Blue Knights' shows has been the visually stimulating drills of George Zingali. George has pulled out all the stops for the Blue Knights this year. Be sure you've taken a big breath before the last move of\" Moorside March/' which involves six simultaneous pass-throughs. The entire form turns inside out without disconnecting.



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If you're excited by powerful, dramatic edge of your seat. An underlying With the most adventurous show and aggressive music; stimulated by drill rhythmic pulsating figure weaves through- they have yet tackled, the Cavaliers forms which evolve so fast they will exer- out the haunting piece to the end, when continue their exploration of the new cise your eyeballs to the breaking point; if the whole corps covers the entire field. and the daring. you enjoy being challenged and exposed to new sounds and want to be taken on a roller coaster ride from high- intensity emotional peaks to beautiful and soothing valleys of serenity .. . then you will undoubtedly love the Cavaliers' show. The Cavaliers open and close their show with John Rutter's contemporary choral masterpiece, \"Gloria.\" After a mysterious introduction, highlighted by a kaleidoscopic visual evolution, \"Gloria\" jumps off on a fast-paced journey through angular rhythms, bouncy melodies and features a drill that seems to move faster than the eyes can send the information to the brain. A shocking original work, \"Images Diabolique,\" provides a dark twist to the middle of the show. This intensely disso- nant evil-sounding creation is the anti- thesis of the goodness which abounds in \"Gloria.\" An ominous beginning foreshadows the clashing dissonance which follows. The violent discord of the brass and the barbaric raging primitivism of the percussion (featuring eight over- sized giant drum heads) will pull you to CORPS DIRECTOR: Adolph DeGrauwe Mailing Address P.O. Box 501 Rosemont, IL 60018 (312) 763-4410 SPONSORED BY: The City of Rosemont, Donald E. Stephens, Mayor DRUM MAJOR: Michael Wiggins 1989 REPERTOIRE: \"Gloria\" -John Rutter \"Andante & Allegro Vivace\" movement \"Images Diabolique\" \"Gloria\" -John Rutter \"Vivace E. Ritmico\" movement

CORPS DIRECTOR: INSTRUCTORS: Greg Orwoll Program Goordinator/Drill Design: Mailing Address Jim Hudsor:1 P.O. Box 515 Auxiliary: Dave Nelson, Steve Lee Dubuque, IA 52001 Brass: Ddve Hill, Tony Garmoe, (319) 582-4872 Scett Loftessness, Dave Libby DRUM MAJOR: Percussion: Terry DeJong, Ky Hascall Bart Dixon, Herman Eickleberry, Steve LaHood 1989 REPERTOIRE: Visual: Joe Mougette, Hal Kleinsmith \"Matchpoint\" \"Wi I I owe rest\" \"Ballad for a Rough Year\" DUBUQUE,/OWA Colts For 1989, the Colts took the 40s and 50s Germany; all of whom wil l be marching As the Colts have reached into Europe, big band music which they had played for with units in Europe after the DCI they intend on reaching into your heart the previous six years, added the largest World Championships. with their new style and sound. horn line they've ever had, combined that with a full drum line and their guard; marched the entire unit into the back door of a time machine and came out the front door with uniforms enhanced with more sparkle, a restyled guard grounded in modern jazz dance and a contemporary sound featuring jazz band charts from the 70s and 80s. The Colts are exploring a sophisti- ca .ed jazz-quite unlike the commercial variety heard in shopping molls-a jazz which is complex and demanding. Don't worry ... you'll be able to \"feel the groove\" and snap your fingers through the entire show. \"Matchpoint\" is a high impact, straight-ahead work with a barroom jazz club sound. \"Willowcrest\" was written for the Buddy Rich Band, so it naturally includes a drum solo. With many meter changes, at times it's a dance hall waltz and at other times a swing tune. Look for the segmented sections of the corps which march in one, two and three at a time. \"Ballad for a Rough Year\" opens up with a beautiful serenade which leads into a jazz samba. The Colts have reached across the Atlantic Ocean to England for their brass caption head and arranger. In addition, the Colts are marching nine members from England, Belgium, Holland and

What is a drum corps and what is the How are judges seleded for DCI and Q difference between drum corps and Q in particular, the DCI World marching bands? Championships Finals? The drum corps activity is considered a DCI judges are selected based on their experi- as well as their background as instructors. A competitive sport which uses music and A ence and performance record in judging for Once they become a DCI judge, their perfor- marching as its vehicle to compete and is other arenas including band contests and mance each year dictates their usage the referred to as a musical sport. DCI is similar regional association drum corps shows, following year. to organizations such as the Boy Scouts and Girl Scouts where its members join an extracurricular activity outside of their schools. Although drum corps are indepen- dent, they are, in fact an extension of the music education programs offered at the high school and college levels. With a 14 to 21 age range, DCI corps are composed of young people in junior high, high school and college; such a wide age range is seldom seen in any other musical youth activity. Because of its competitive nature, drum corps is continually experimenting with new ideas, concepts and techniques which have made the activity the state of the art in brass, percussion, drill design and visual effect. What drum corps and bands have in common is music and a football field. Beyond that, there is little comparison. Bands are affiliated with high schools and their members are made up of students exclusively from their school. Perhaps the biggest distinguishing factor between a corps and a marching band is the instrumen- tation. Drum corps perform with drums and two-valve, bell front, brass instruments. These bugles, unique to drum corps, come in eight different sizes and by mixing the bal- ance, a horn arranger can create a sound unique to his corps. Marching bands play primarily concert instruments; brass and woodwinds, as well as drums. Both bands and corps are capable of playing a full range of musical repertoire. However, bugle arrangements must be writ- ten for drum corps because music for their instruments is not available in stores. Corps begin work on an 11 ½-minute performance in late fall and continue to perfect it through the spring and summer months, solely for competition. A marching band will spend the same amount of time on several different programs, primarily for half time at football games.

NBC Sportscaster to Join \\eteran Drum Corps Announcer and Tham for Broadcast Dick Enberg Steve Rondinaro NBC Sportscaster Dick Enberg will join Enberg has become known for his 1987, Blair journeyed to Rome where he veteran drum corps commentator and lucid, authoritative commentary and worked as the video editor for the World Florida newscaster Steve Rondinaro in rational, articulate analysis. He explains Championships ofTrack and Field. the national public television broadcast that his style is based on his respect for Then NBC called and hired him in the ofTHE 1989 SUMMER MUSIC GAMES the intelligence of his audience and the same capacity for the 1988 Summer from Kansas City this summer. Both integrity of the event being viewed. He Olympics in Seoul, Korea. His accom- Enberg and Rondinaro will be assisted likes to let the sport speak for itself. plishments included the opening cere- by Tom Blair as director and Keith Klein, Rondinaro's drum corps affiliations monies for the Games, as well as the the producer of the program. began when, at the age of nine, he opening segment for Gymnastics and The two-hour broadcast that features started marching as a charter member editor working on the Gymnastic cover- the complete shows of the top five corps of his hometown corps, the Squires of age of the Olympics. For these pieces, and the announcement of the results will Watkins Glen, N.Y. He marched for the Blair was recently informed that he has air live August 19, at 10 p.m. (ET), on next 12 years and then served as direc- won two Emmys. many PBS stations nationally. Other tor until moving to Florida. Once he ESPN has also sought Blair's services stations will delay the five-corps broad- arrived in the Sunshine State, he started as an editor for their coverage of the cast or will air an edited highlights the Florida Wave Drum and Bugle Corps 1989 Wimbledon tennis tournament in version of the program that includes the during 1980 in the Greater Miami/Fort London, England. entire show of the world champion and Lauderdale area. He served as..director Blair has also designed sound and excerpts from the other top 12 corps. and executive director as the corps editing studios. He recently redesigned (Check with local PBS stations for air climbed to full DCI membership and the studios of the super-station, WGN- dates and times.) international ranking. He has also TV in Chicago, as well as professional En berg, winner of four Emmys and served as a drum corps judge and editing studios. In addition, he has four national \"Sportscaster of the Year\" instructor and has written for numerous worked in the past on sound editing for awards, will add drum corps competi- drum corps publications. such celebrities as Judy Collins and tion to the list of sports championships He has been an on-air host of the DCI Henry Mancini. he has covered. World Championships broadcast since Upon returning from London, he Since joining the network as a play- 1979 and the annual host of the DCI immediately began studying the by-f lay announcer for college basket- Canada telecast for CHCH-TV in performances of the drum corps by bal , Enberg has expanded into the full Hamilton, Ont. traveling to the regional championships range of NBC Sports telecasts, including As a Florida broadcaster, Rondinaro and sanctioned shows in order to NFL football, NCAA basketball, major is on the NewsCenter 2 team of WESH- become familiar with their programs. league baseball, boxing, tennis and TV, the NBC affiliate in Orlando, Fla., And the man who will be alongside figure skating, as well as special events where he was recently nominated for Blair is Keith Klein. Klein has been pro- such as the Muhammad Ali-Richard his eighth Emmy. He has won three gram manager of WTIU since 1977 and Dunn championship from Munich in Emmys along with a Gabriel commen- producer of the DCI broadcasts for the 197 6. He has been host of the Super dations award and three Associated past three years. Prior to that he was a Bowl from 1979 through 1986 and again Press awards. news correspondent for NBC News in in 1989, and the Rose Bowl since 1979. Last Fall, Rondinaro was anchor for Chicago for ten years before returning Earlier this summer he was host of the his station's live coverage of the launch to Bloomington. French Open in tennis. He also has of the space shuttle Discovery. His work In addition to his duties as program served as host of the syndicated TV has earned a UPI award for outstanding manager, Klein is also host of several series, \"Sports Challenge.\" coverage, and his editorials on the programs such as \"Editors' Desk\" which Before joining NBC, Enberg had been space program have received an discusses state issues with the press. the radio/TV voice for California Angels Associated Press award. His news The DCI World Championships baseball, UCLA basketball, and Los assignments have included Beirut, the isn't the only drum corps program Angeles Rams football. He was host and jungles of Central America, the Miami he produces. The broadcast of the coproducer for a public television spec- riots, the Mariel boat lift and two Pride of Indiana drum corps show in ial, \"The Way It Was,\" for which he won national political conventions. Bloomington, Ind., was the catalyst for a sports Emmy. He also won Em mys as The director of the broadcasts, Tom Drum Corps lnternational's decision to the top sports personality in 1981 and Blair, has also traveled the world on use WTIU to produce the DCI World 1983. He was the first American sports- assignments ranging from track and Championships broadcast. And with caster to visit the People's Republic of field to the Olympics. that decision, DCI has acquired some of China when he accompanied the U.S. Blair, a graduate of the University of the best talent in the television business. basketball team on its 1973 tour. Michigan and former drummer for the A native of Michigan, he holds Cavaliers, has 'been free-lancing since degrees from Central Michigan Univer- 1986. From there his career took off. In ~ity and Indiana University.

According to Florido Wove, South Florido . Florido Wove captures all the excite- of is a fun place to be- a bustling cosmo- ment of the South Florida nightlife, yet politan area with all the night life anyone they retain the gentle breezy ambiance could want. Yet, the region has somehow retained the casual and relaxed atmos- phere of the tropics. Florida Wave is wearing new uniforms which reflect not a change of character, but an upgrading of the characteristic South Florida identity which the corps has created for themselves. They are classier, brassier and sassier than before; playing music which is more dramatic, powerful and upbeat. Their guard has become more dance oriented than in the past. \"Wave's\" first three productions are based on music performed by Stan Kenton's band. \"El Conga Valiente \" is from the \"Cuban Fire\" album, which altered the direction of jazz after the end of the swing era. With Cuban roots that reach all the way down to the water table, this tension-filled, hot, fast and furious piece features fabulous soprano soloists. \"Quesada\" leads into the drum feature, with all the guard using rifles adorned with streamers. \"Malaga \" is a straight- ahead screamer in the best of Kenton's \"hot\" style, accented with more intense soprano solos. \"Someone to Light Up My Life,\" a light samba from the Singers Unlimited \"A Cappel la\" album, is more in the spirit of previous year's versions of Florida Wave. Florida WaveSOWHFLOR/DA CORPS DIRECTOR: INSTRUCTORS: Jo Wessman Program Coordinator: Mailing Address Jeff Bridges P. 0. Box 8453 Auxiliary: Mark Tatum, Phillip Burns, Pembroke Pines, Florida 33024 Leo Forte (305) 979-6748 Brass: Jerry Kelsey (arranger), SPONSORED BY: Dean Musson, Buddy Ames, Alamo Rent-A-Car Steve Knob Ryder Systems Inc. Percussion: Ken Brooks, Jed Davis, Cruise America Keith Aleo, Scott Brown, Kyle Johnson DRUMMAJOR: Visual: Jeff Bridges, Ron Coleman, Tim Gallagher Richard Wooley, Van Matthews 1989 REPEKTOIRE: \"El Conga Valiente\" \"Quesada/Minuano\" \"Malaga\" \"Someone to Light Up My Life\"

CORPS DIRECTOR: JNS7iRUdf(J)RS: Bill Steiner, Jr. Auxiliary: r,Nonne Steiner, Lynnette Mailing Address !;109,en, R:urt Juli (choreography) 4501 N.E. Minnehaha St. Brass: Larry Kerschner (arranger), Vancouver, WA 98661 BiJI Steiner, Tim Wells, Gene Joner, (206) 696-0920 Craig Stringfellow, Dave Komanecky DRUM MAJORS: Percussion: Gary Gimmestad Joe Fahoum (arranger), Nathan Beck, Mike Kurt Kowalski Bruce, Pat Fitzgerald, Kirstin Hadley 1989 REPERTOIRE: Visual: Jay Murphy (designer), Ron Barnett \"Kafka \" -Manhattan Transfer \"Blee Blop Blues \" -Manhattan Transfer \"Move\" -Manhattan Transfer \"Why Not?\" - Manhattan Transfer \"A Nightingale Sang in Berkeley Square\" -Manhattan Transfer \"Killer Joe\" -Manhattan Transfer VANCOUVE~ WASHINGTON Spartans The Pacific Northwest is jazz country. The return to the sounds they most on the horns and drums and the blue in It is said that the neighboring cities of enjoy is cause for celebrating, so the the guard are just the ticket to blend the Vancouver, Washington, and Portland, Spartans are marching with new uni- best of the welcomed old sound with the Oregon, contain the highest concen- forms. The sight of the gray tux-like tops pleasantness of a welcomed new look. tration of jazz clubs per population of any region in the United States. The area is just crazy for jazz. It therefore stands to reason that the only competitive Open Class corps from the Northwest would also be crazy for jazz. Until last year, the Spartans were known as a jazz corps. Then they took a one year excursion into classical music. Their 1989 show features the syncopated sounds of Manhattan Transfer. With its many mood changes, the music propels the Spartans through their welcomed return to the jazz roots which gave blossom to the corps' rise to DCI membership status three years ago. \"Kafka\" and \"Blee Blop Blues\" are straight-ahead jazz charts. The medley of the drum solo \"Move,\" \"Why Not\" and \"Boy From New York City\" offer many emotional variations which should be appreciated by both the consummate jazz aficionado and the regular drum corps fan. \"A Nightingale Sang in Berkeley Square\" allows the corps to present the lovely and laid-back side of a jazz ballad.\" Killer Joe\" completes the show in \"grooving,\" finger-snapping style.

TOP 26· CORPS flMPETlTION H1sraR~ \\ Placement Score Placement Score Placement Score Placement Score Placement Score MADISON SCOUTS 1 97.1 6 90.4 I 7 91.3 I 4 95.0 5 94.6 SANTA CLARA VANGUARD 2 96.9 2 97.8 I 2 97.0 f 2 97.2 l ' 3 97.4 BLUE DEVILS I 3 96.3 4 94.4 1 96.4 3 97.1 2 97.9 CADETS OF BERGEN COUNTY 4 96.1 I 1 97.9 4 95.6 1 98.4 1 98.0 CAVALIERS 5 95.1 3 94.7 3 95.7 5 94.1 8 89.7 I I t I PHANTOM REGIMENT 6 93.5 5 94.3 10 85.0 8 90.1 4 95.6 ! STAR OF IND/ANA 7 92.8 7 90.0 Tie I 8 90.5 10 85.8 I VELVET KNIGHTS 8 90.6 7 90.0 Tie 12 82.6 11 85.4 12 83.2 I SPIRIT OF ATLANTA 9 89.3 10 87.6 6 94.1 r 7 91.0 6 93.1 ' SUNCOAST SOUND 10 89.1 9 88.8 5 94.8 6 92.7 7 92.0 I ! BLUECOATS 86.7 11 85.7 15 80.3 28 70.2 29 66.6 SKYRYDERS I 12 85.1 12 81.9 I 9 87.0 I 15 , 83.4 17 80.7 l DUTCH BOY 13 86.4 15 82.1 17 79.5 32 67.2 24 68.8 ii ij j CROSSMEN 14 85.6 16 81.6 21 73.1 Tie 17 80.4 10 86.3 FREELANCERS 15 85.2 19 77.9 12 83.2 9 88.8 FLORIDA WAVE 16 82.0 13 84.7 19 75.9 21 74.l 20 74.5 BLUE KNIGHTS 17 78.6 22 73.4 27 68.7 31 68.2 22 70.7 COLTS 18 78.5 20 76.5 20 74.7 16 80.9 23 70.4 TROOPERS 19 77.8 17 81.0 11 83.5 9 86.7 13 85.2 BOSTON CRUSADERS 20 77.6 14 82.8 16 79.9 20 74.7 19 76.2 MARAUDERS 21 76.2 18 78.2 18 78.0 24 67.7 14 65.3 (Div II) L'INSOLITE 22 71.2 QUAD CITY KNIGHTS 23 69.7 25 67.2 21 73.1 Tie 19 75.2 18 76.6 VENTURES 24 67.9 24 69.7 23 70.3 27 70.4 GLASSMEN 25 67.5 31 62.4 31 62.9 39 53.9 28 68.9 SPAKTANS 26 65.9 23 67.8 26 64.7 9 72.3 (Class A) 12 68.4

MADISON SCOUTS CROSSMEN GLASSMEN Make His Praise Glorious Wind Machine Key to Her Ferrari Slaughter On Tenth Avenue The Waltz Jive Samba Caravan SANTA CLARA VANGUARD How High the Sun (Moon) Swing Low Phantom of the Opera: FREELANCERS Phantom of the Opera \"Adventures on Earth\" SPARTANS Angel of Music (Music of John Williams): Kafka Masquerade Selections from E.T. Blee Blop Blues Wishing You Were Somehow Empire of the Sun Medley: Move, Why Not?, Here Again Boy from New York City Track Down the Murderer FLORIDA WAVE A Nightingale Sang in Don Juan Triumphant El Congo Valiente Berkeley Square Music of the Night Quesada Killer Joe Malaga BLUE DEVILS Someone To Light Up My Life You Gotta Try If W.e Were In Love BLUE KNIGHTS Allegre Moorside March Johnny One Note Punchinello CADETS OF BERGEN COUNTY COLTS Les Miserables Match point Willowcrest CAVALIERS Ballad for a Rough Year Gloria (Andante & Allegro Vivace) Images Diabolique TROOPERS Gloria (Vivace E Ritmico) How the West Was Won (from the movie soundtrack): PHANTOM REGIMENT How the West Was Won \"From the New World ... To A Cheyenne New Age\": No Goodbye Based on Dvorak's Promised Land Symphony No. 9 (\"From the New World\") BOSTON CRUSADERS Cast A Giant Shadow: STAR OF IND/ANA Prologue Henry V Land of Hope & Glory Song Without Words I, Don Quixote Fantasia on the Dargason Conquest Crown Imperial L'INSOLITE VELVET KNIGHTS Take the \"A\" Train Yo Mambo Skyliner Velvet Knights in Tunisia Blues in the Night SPIRIT OF ATLANTA Com me Au Premier Jour Interstellar Suite QUAD CITY KNIGHTS SUNCOAST SOUND Music of the Rock Group \"YES\": Florida Suite: Roundabout Beach Frolic I'm Running Native Rites I Get Up I Get Down Simple Song at Sunrise Big Generator Midnight in Miami VENTURES BLUECOATS \"Ventures Presents Johnny One Note Broadway Ladies\": My Funny Valentine I Feel Pretty Sing, Sing, Sing Whatever Lola Wants Pretty Woman SKYRYDERS Ladies Who Lunch March from Let's Hear It For Me \"Symphonic Metamorphosis\" Symphonic Suite from \"Carmina Burana\" DUTCH BOY \"Red, Hot and Cole\" (Music of Cole Porter): Begin the Beguine I've Got You Under My Skin Night and Day

The British have invaded America. But . lton'sfamous \"Crown Imperial,\" orig- unlike the days when one light meant by inally written for the coronation of King land and two lights meant by water; this George VI, representing the Great Britain invasion, by coach buses, is welcomed of today. with open arms. Star of Indiana has immersed themselves in the glory and pomp of British tradition with new uniforms, a new identity, and some of the best-loved music ever penned by British composers. Star's color guard features two unique visual elements. One group is attired as Highlanders, to interpret the flowing lyri- cal musical moods. The other group, the Redcoats, interpret the shorter concise sections of the music with a more artic- ulate approach. The two groups set up a visual counterpoint to ~ach other, helping the eyes to hear what the ears see. William Walton's \"Henry V\" emphat- ically declares that the British have arrived. This brassy, regal work creates the mood of the older, traditional Great Britain. Shields, coat of arms, and other auxiliary equipment representing her- aldry will be much in evidence. Gustav Holst's \"Song Without Words\" follows, visually capturing the serenity of a traditional English garden. In Holst's \"Fantasia on the Dargason,\" butterfly flags are seen visiting the garden. The show is brought to a royal conclusion with Indiana BLOOMINGTON, IND/ANA CORPS DIRECTOR: INSTRUCTORS: James Mason Auxiliary: Tim Heck, Sandra Butz, ASSISTANT DIRECTOR: Jeff Wroblewski, Joan Noble Carl Ruocco Brass: Jim Prime, Don Van Doren, Mailing Address Trent Evans, Steve Scully, Tim P.O. Box 264 Bartholomew, Matt Jenkins, Barri Bloomington, IN 47402 Hudson, Chris Quinn (812) 876-4903 Percussion: Bob Dubinski, Dennis Delucia, John Evans, Dan Hostetler, SPONSOR: Pat Scollin, Tom Newell, Greg Cook Group Companies Radcliff DRUM MAJOR: Visual: Steve Brubaker Ashley Tappen (coordinator), Todd Ryan, Steve 1989 REPERTOIRE: Suslik, Pat Butler, Bob Medworth, \"HenryV\" Mark Schliehs, Chris Minges, Ken \"Song Without Words\" Karlin, Jeff McKnight \"Fantasia on the Dargason\" \"Crown Imperial\"

CORPS DIRECTOR: John Masterson TOUR MANAGER: Derick Spitzer Mailing Address P.O. Box 375 Casper, WY 82602 (307) 234-7005 DRUM MAJOR: Tony Monterostelli GUARD COMMANDERS: Trish Estes Michelle Heiney CASPE~WYOMING Troopers Nothing says \"Troopers\" like the theme proud unit was based in the corps' home With \"How the West Was Won,\" the from \"How the West Was Won.\" This town of Casper, Wyoming, near the end Troopers are what they do best ... they are fiery melody has appeared in numerous of the 19th Century. The Troopers. Troopers' productions over the years, complete with the famed sunburst drill; perhaps the single most identifiable classic drill move ever put on the field. Corps fans who have been around a few years will admit that hearing the gallant strains of this theme makes their pulses quicken and their feet tap. Few things in drum corps are as timeless. For those fans who live to hear\" How the West Was Won\" just one more time, the Troopers have prepared a very spe- dal treat. Their entire show is based on Ailfred Newman's Oscar winning score rom the l960's movie of the same title. The movie featured a star studded cast and captured the surging hopes of an expanding young America, the vigor and determination of those pioneers who fought and worked to build up the country, and the folklore of the rich heritage of the American West. All this was captured in Newman's music, and has been captured and tamed by the Troopers in their production which features the main title \"How the West Was Won,\" plus \"Cheyenne,\" \"No Goodbye\" and \"Promised Land.\" The guard is attired in a frontier look, while the rest of the corps is adorned in new uniforms which are brighter than before, but which remain based on the design of the llth Ohio Cavalry. This

FINAL TIME SCHEDULE OPEN CLASS INVITATIONAL St. Inuis, Missouri RidaJ July 28, 1989 8:00 AM Welcome/ Anthems/ Judges/Schedule 8:10 PM l. Black Gold- Tulsa, OK 8:27 PM 2. Troopers-Casper, WY 8:44 PM 3. Colts - Dubuque, IA 9:01 PM 4. Spartans - Vancouver, WA 9:18 PM 5. Blue Knights - Denver, CO 9:35 PM 6. Florida Wave - South FL 9:52 PM 7. Cavaliers - Rosemont IL 10:09 PM 8. Star of Indiana - Bloomington, IN 10:26 PM 9. Blue Devils - Concord, CA 10:43 PM FINALE

The bus pulls up to a huge stadium. show everything we've got. It's the When the scores are announced, The parking lot is filled to capacity best performance we've ever don~. there is a strong sense of pride in our with all kinds of charter buses, vans As quickly as it began, it ended. corps, even if the numbers aren't what and RVs. With my smile quivering and heart we were hoping for. We know we're The moment has arrived. This is it, pounding, the crowd begins to reap- all winners because we've achieved the one show we've been preparing pear. I can feel the adrenalin still so many things this summer. In just for for months on end. Every one of us pumping through my body as we exit three short months, we've each grown is full of anxiety and anticipation. the field to the thunderous applause. in many ways, become more responsi- We unload the buses, find our Quietly we leave the stadium behind ble and, most importantly, we've been designated area and spend the next and the roar of the crowd fades away. adopted into a family of over 128 hour warming up. Then it's time to line From June until this one day in members. up. We give each other a hug and August, we've been working an aver- As the lights go out on the DCI loud cries of encouragement begin to age of 12 hours a day, rehearsing the World Championships, I turn to my echo throughout the corps. \"Go For show again and again until every friends, give them a hug and together It!\" \"This is it you guys, sock itto 'em!\" note, every step, every horn, stick and we wipe away our tears- tears of \"Give 'em all you got!\" flag angle is perfectly executed. accomplishment. I start to shake as the corps is Now it's over. I feel excitement, anxi- Christy Obenland called to attention and the drummer ety and now even sadness that our Marauders' color guard member begins our cadence. The concentra- final performance of the season is tion among the corps members is so over. strong I can feel it. Finally, we're at the gate. I look up to the judges boxes and those bright lights and almost burst with excitement. The cadence stops and for a moment we try to relax. As the color guard bends and stretches to warm up, I can hear the brass line blowing air through their horns and watch as the drummers nervously look over their sticks and drums. Then ... the moment comes. The drum major commands, \"Corps, atten ... tion!\" We march onto the field to the roar of the crowd. I'm rolling my feet so hard it hurts. My smile is glued to my face. As I look up at the crowd- thousands of peopl~ packed into the stands, the bright lights beaming on my face- I'm so thrilled my hair begins to stand on end. Then, bang! Like a giant explosion, the first beat of music breaks our silence. For eleven short minutes the crowd disappears as we give our

f l

1 If there is any group of people in drum cooking vehicles, the Cavaliers' '' :ik hen corps who work as hard the marchers on wheels\" includes ovens, stoves, freez- themselves, it is those who serve on the ers and an institutional refriger:atorc. t;:s a corps cooking crews. tight squeeze but the crew can do every- They get up in the morning, prepare thing needed in the course of preparing breakfast, serve breakfast, clean up, _a meal right inside the vehicle. shop for the next meal, prepare the next To stock this vehicle, the ere hos a meal and so on. The food crew, affec- specific budget. The cost of feeding the tionately called the \"shop, chop and Cavaliers comes out to about $700 Paer drop\" crew, repeats this cycle every day day on tour. This breaks down to until the summer tour is over. approximately one dollar per meal, per Adolph DeGrauwe, corps director of individual, counting three meals and a the Cavaliers, speaks highly of this dedi- snack for the corps, staff, management cated group, \"They're our hardest work- and support personnel. ers. They are the last to bed and the first Corps carry as much packaged food up. I don't see how a corps can operate as they can. However, the cooks shop without a cooking crew.\" locally each day for fresh foods such as Not many years ago, only a few meat, vegetables and fruit. corps had cooking crews. Today, they Each day's menu is planned before are more the rule than the exception. the corps leaves on tour, so the crew Rose Locashio is the food manager for knows exactly what they are looking for the Cavaliers. Both she and her assis- when they go into a local market. They tant, Marcie Poklacki, have sons in the can fill five shopping carts in less than corps. Rose and Marcie serve the food, fifteen minutes. as well as prepare it. Frequently they The amount of food needed to feed a don't see their sons since the marchers big corps can be a bit staggering. For come through the line so fast. the preparation of salads, the crew goes DeGrauwe mentioned that the crew through an avernge of 14 heads of let- saves the corps countless hours of time. tuce, half a case of tomatoes, ten cucum- The fact that modern day drum corps bers, plus green peppers and celery. For rehearse and compete more than in the a spaghetti dinner, 30 pounds of past requires efficient use of time. spaghetti, several pounds of meatballs Before they started to employ the use of and lots and lots of sauce are prepared. cooking crews, a large amount of the Sloppy joes use up to 70 pounds of corps' time was wasted looking for res- ground beef. Forty packages of hot taurants that could handle a large dogs are gulped for a simpler lunch, as number of people quickly. are 40 loaves of bread when French So, the corps bought a vehicle solely toast is made. For a breakfast, up to 30 for the use of the cooks. Like most corps dozen eggs, plus two ten-pound hams

~St.Ann Music Publications 10009 St. Charles Rock Rd. St. Ann, Mo. 63074 SUPPLIERS TO CHAMPIONSHIP BANDS • Technique Books • Arrangements • Solos & Ensembles RIVER CITY REGIMENT DRUM & BUGLE CORPS • Instructional Video Tapes P.O. BOX 5028 • Manuscript Paper ST LOUIS, MISSOURI 63115 • Drill Design Materials • Flip Folders PHONE (314) 535-5404 or 531-7276 St. Ann (314) 428-7100 Corps Directors Mo. Watts 1-800-392-3414 Ruth Martin Harvey Wingo Nat'l Watts 1-800-235-9714 • ______ _2) ~ • • • • • • • OUR NAME SAYS IT ALL • • • • • • • • THE BEST STOCK IN DRUM LESSONS • • ST. LOUIS OF • • All Levels and Styles • • • DRUMS • STICKS By College-Trained • • • • • CYMBALS • HEADS Instructors • • • • • HARDWARE • PARTS • • • : 7369 MANCHESTER ST. LOUIS, MO 63143 • : 314-644-0235 ; ◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄◄

fflE • GES Drum corps is, and always will be, unique. Competition is at the heart of the activity, creating the thrill, excitement and enormous crowd enthusiasm that has become drum corps' hallmark. However, the challenges of judging this musical sport are as tremendous and unique as the sport itself. Yet, through the years, the drum corps activity has managed to develop a judging system, and although it is not an exact science, it is as reasonable and as consistent a way to measure this competitive arena as possible. The system used begins at zero and the corps are awarded points as they perform their 11 ½ minute Each judge works off of score sheets fir;fecome a [u~ge in one of the three production. Each unit is judged on a system thot awards points in three that list sets of criteria the corps mUt reHlonal assoc1at1ons: Drum Corps East, meet before a specific score is i areas: brass, percussion and visual. Drum Corps Midwest or Drum Corps Within these three elements of the awarded. The better a corps perfor s 1 est. IA addition to field trials, oral individual programs, the qualities of the more criteria it meets, and th({refere, and wri en exams, the judges must the higher the score it receives. / receive the r-ecommendation of the technique, execution, performance and design effectiveness are evaluated. As part of the judging proc4c1u , tHe regiorisl association and the DCI judges To accomplish this, judges rate the judges speak into tape record~iss and admi istr ·tor before they can become a give comments to help corps lebrn ow QOrt of the DCI judging community. performances of individual members, ensembles and sections, in addition to and-where to improve their programs The process of judging is oftentimes for the next contest. Comments range as diffk ult as assigning scores. With the entire corps. from criticism to praise: \"Melloph'ones corps spread over an entire football are flat in comparison to the over(;;l!l fielq, moving at a lightening pace and ensemble\" or \"Wow, that last lick t landing in one place for only seconds was really tight\" - simply meaning at a time, the trick is knowing where to the drummers played a passage position yourself while judging. But in a perfectly in sync. constantly moving drill, the position Judges devote long hours to tile job changes at a moment's notice. Dodging, of adjudicating drum corps. Tra,i @, ing ··~ . duc~ing and sprinting are key require- from town to town, from show t%:~now, '1~ ments, as judges are expected to rate a judges give up a ~ajor portion!0i their t. performance without interfering in any summer to be an integral part 0t l way with the flow of a corps' production the activity. or the concentration of the performers. Generally, judges must hay,e a · Bruised arms, sprained ankles, sore degree in music, dance or anjequivalent ~_eet and worn out bodies are all in background in the field they :,ill be a day's work. adjudicating. In addition, the~ must also But tnrough it all, in typical drum have experience as a performer on the corps str,le, both the individual judges field and should have some rior and the corps are striving to be the best exposure to judging. To beG.ome a judge t~ey can and love every minute of it. for Drum Corps lnternatior:ial, the must

DCI extends a special thank you tional pamphlets for shows and to all its \"Friends\" for 1989. Your recruiting. support of this activity is greatly By being in Friends of DCI, you appreciated. are taking an active role in Your generosity has contri- helping this activity prosper and buted to the growth of drum and reach even higher levels of excel- bugle corps in North America lence. You also hme the satis:fu.c- and worldwide. As a Friend of tion of knowing your investment DCI, you hme supported the DCI plays a vital role in providing a Educational Division, the \"\\blun- quality drum corps experience teer of the Year\" m,vard and the to the youth of today and the development of a new 15-minute future. video program which will be fur information on becoming used to promote the activity to a Friend of DCI, write to Drum nmv groups of people. In addition, Corps International, P.O. Box 548, you helped fund the Manage- Lombard, IL 60148 or call ment Seminar and informa- (312) 495-9866. Corporate/Platinum Level Robert & Susan Gottsacker Jeff Bishop Bill Sornsin Dr. L. Anne Browne Larry and Benita Aldrich Pierre Guertin Jim Brassard Manuel & Jane Sotolongo Gary & Marie Burseth Remo, Inc. Michael & Mary Gay Gunsch Jim Brennan John Stadtmueller Edgar & Dorothy Casada Ludwig Industries Lee D. Hanes James & Kimberly Buxton Darryl Stalter William & Linda Centera Pearl International William D. Hanes Cassius Carter Robert Strine Philip J. Chisholm Phil Raskin John & Billie Heinold Paul & Ruth Collins J. Michael & Barbara Terry Barry & Linda Collins Stanbury Uniforms Bill & Linda Helm Walter Crouch Paul & Pot Therault Derek & Penny Colton Yamaha Musical Products, Inc. Susan Hess Shirley Crouse Tom Valoch R.W. & Catherine Coombs Avedis Zildjian Company Charles Hodson & Roxanne Deibel John & Donna Cullen Paul & Sue Van Zandt Marlene Dennis Gary W. Holman Jirair Dadourian Joe & Cecilia Vukasovic Albert & Marie Di Croce Executive Level Frederick & Ginnie Horton, Jr. Doug & Terry David Charles Waldrip Brian Domenoski Scott Bilbruck Richard & Robin Janae Henry De La 0 James & Phyllis Whittenton Marjorie Doyle David & Gwen Carlysle Wayne & Karin Karge Paul & Mary Lou Dehmer David Wickerham II John Dunlap Bryant L. Carter Clarke & Carolyn Keys Richard & Cheryl Dembosky Thomas & Rosemary Wright Keith & Mona Enstrom Kevin Coleman Ralph & Shirley Klingbeil Paul & Helen Di Paola Robby Wright David Fisher Dave Crooks Phillip Knisley Steven W. Dombrauskas Richard & Sonia Wuertzer Barbara Fortner John & Joan Falcon Frank & Janine Kraus Douglas Food Service Ken & Jane Zamorski Brock & Amie Fouts Harry & Marjorie Flasher Dr. Robert & Robbie Kuske Brokerage Co. Judy Franklin Donald & Margaret Gill Mark & Colleen Leifer Drillstor Bronze Level Mrs. Pearl C. Franks Jackie Gilley Larry Linkin Russell & Sheri East David & Paula Di Paola-Allen Gregory Gecowets Larry & Bonnie Guinn Dan Mahoney Janet E. Eisenhart Mark & Diane Ballard Kenneth & Patricia Hahn Walter & Elaine Hart' Mark Manguno Lee & Betty Federico Arnem H. Batubara David & Joyce Hamilton Paul & Judy Kelly Dan Marquette William & Carol Frencl Roger Lee Bemis Kenneth Harris William & Maggie Ludwig John & Saundra Matthews Robert & Sylvia Gaus Douglas I. Biehl Guy Hebert Harold & Evelyn Moore Thomas & Alyce McCants Lawrence Goodman Bowl Games of America William & Joan Hill Terence & Susan Mulvihill Mike McGreal Robert Hall James Bramick J. Lincoln & Frances Hirst Scott K. Myers Greg & Jackie Melton John & Lisa Heckman Harry & Charlotte Brauneis Vincent & Clara Hockstedler Jack & Patricia O'Connor Orville & Marilyn Miller Robert Scott Henderson James A. 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Patrick & Jane Ryer Clyde & Carrie Benson DEG Music Products, Inc. Doug & Ann Barduhn Troy & Jean Schmidt Charles Banish Richard Gibbs & Yvonne Arsenault Arnold Barron John & Pearl Shafran Scott Bronnenberg Wayne & Marion Goist James & Bette Bergschneider Leo & Arlene Shatzel Robert Brown

Order now or before August 8th. 1989 and save up to $25 on 1989 DCI World Championship Video Tapes. rr you order a copy of a corps who does not make Quarter, Semi or Saturday evening sz9 Select your favorite corps performances! Pick any performances from corps competing In Quarter Finals, Semi Finals or Saturday evening Finals available in Multiple and High camera versions. Each tape contains one corps full performance. ·1v·1d••al lnd W Finals you may select another performance. There are NO REFUNDS. Performance ________________ fl_ft_e_r_fl_u ... g._8_$_3_9 this video is the way to see all top 12 finalists performances, including commentaries, s71 This two tape package is the spectacular Full Finals show taped for PBS BroadcasL ••II Only a short version of the DCI Championship is actually broadcasted, therefore, F w using all 9 camera views in brilliant Hi-Fi Stereo. finals Show ________________ fl_ft_e_r_fl_ug_._1_$_9_8 drills from endzone to endzone with music from each group. This set of tapes, s150 This three tape package is DCI's top 25 corps taken exclusively from the HIGH CAMERA QUARTER-FINALS. This tape best showcases the intricate ■r. Z 5 I Op like all 1989 DCI videos, are duplicated in HI-FI Stereo using high grade tape. High Camera ________________ fl_ft_e_r _flu __ g_._8_$_17_5 other high cameras. This set of tapes, like all 1989 DCI videos, are duplicated s150 This three tape package is DCI's top 25 corps from QUARTER FINALS using the 9 CAMERA ANGLES. You will see vivid close ups as well as views from ■r.Op 2 5 1 1 in HI-FI Stereo using high grade tape. Haiti Camera ________________ fl_ft_e_r_fl_u_g._8_$_1_75 800 Video Express once again brings you DCI World Championship video tapes in magnificent VHS HI-FI Stereo. This year we will be taping Thursday through Saturday, which includes Quarter Finals, Semi Finals and Finals. We will also be making available a limited amount of INST ANT copies of each corps performances on site. These INST ANT copies will sell r-119 ~ ,\"9 for the After Aug. 8 price. Call TOLL FREE 800•848•8433 or mail this coupon in with payment I 6' &' &, postmarked by August 8 to receive these special savings. All advanced orders will be shipped UPS. !2~~~~~~., ff-ff:ffe Allow 4-6 weeks shipping time following the event. School P.O.'s are accepted, however in order to take advantage of the discount, prepayment is required by the August 8, 1989 deadline. ~ - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - D CHECK □ MASTERCARD □ VISA QBl2EB EQBH Individual Perf onnance Credit Card # (List Corpa Names and vcnicm) 1. 3 Expiration Date M=multi H=high 2. 4. Signature Total Individual Cost = QTY. QTY. QTY. Home Phone □ □ □ Work Phone Full Finals Show Top 25 High Camera Top 25 Multi Camera (Please print) Total Full Shows Cost= Name Shipping & Handling U.S . .. ... .. . . .. $ 4.00 Sub Total lh1.ro Canada ..... .. . .. 8.00 Street Address Facign . .. . ..... . 20.00 IL residents only, add 7% tax Shipping & Handling charge .?.\"I.II'- --✓'./' City 141-1433 j P.O. lex 142 Palatlle IL 60071 •• All orders which do not •• Non-U.S. Bank charge draw cm a U.S. bank, must State Zip add$15.00 Total Enclosed

WELCOME \"CHALLENGE OF CHAMPIONS\" PARTICIPANTS EDDIE RANDLE & SONS FUNERAL HOME 4600 NATURAL BRIDGE AVENUE ST. LOUIS, MISSOURI 63115 PHONE (314) 381-2400 **** ************************* A corps contest in your city? ***************************** Bring color, music, pageantry and entertainment to your community and realize profit- able benefits at the same time .. . If your community or organization needs a shot in the arm with new and exciting projects or events, consider the value of a drum and bugle corps competition. DRUM CORPS MIDWEST can provide you with a packaged show. We arrange competi- tive lineup, adjudicators; meet with your committee to outline and provide input with the execution of the event, good sales approaches, program book materials and a complete advertising campaign with point of purchase as well as media information. Best of all, your budget is prepared in advance. DCM is an organization representing the best competing corps whose quality and entertainment value are proven. Members include: Phantom Regiment, Star of Indiana, Madison Scouts, Cavaliers, Blue Coats, Sky Ryders, Colts, Northern Aurora, Minnesota Brass, Glassmen, Limited Edition, Quad-City Knights, P.R. Cadets, Emerald Knights, Guardsmen, Bandettes, Northmen, Blue Stars, Ameri- canos, Railmen and many more! For further information regarding all phases of the drum corps activity in the Midwest contact: Roman Blenski, Exec. Dir., 4601 W. Holt Ave., Milwaukee, WI 53219-4729 I 414-327-2847. We also act as a Speakers' Bureau in arranging for presentations at service club meetings, complete with slide programs, movie color and sound films and videotapes of DRUM CORPS IN ACTION! el!!lJ; WE'RE THE BEST ... DCM DROM CORP MIDWEST *****************************

■ B Y D A L E K ■ S P E N C E ■ K I T T N E R ■ MAGNUM™ conquest Marching Percussion I \"New For 1989\" Features WELCOME TO □ Super High Strength, 100% Maple Shells. □ Triple Plated, Super Tension Hardware. ST. LOUIS □ Super Smooth Mechanics and Tuning. □ Unmatched Clarity and Projection. DRUM CORPS □ Made In The United States of America! □ Super Affordable - Trade-In's Taken. FANS 1-800-851-3030 Toll Free From Anywhere #800 B & H Industrial Dr. Bydalek Spence Kittner, Incorporated 1000 Geyer Avenue St.Louis, Missouri 63104 Millstadt, IL 62260 U.S.A. Pre-Production Sale Price Afier DCI Records Sale & Tapes Price Records Tapes f9a\\ 19, 3Volume Set (Top 12 Corps) $22.50 $ __ $ _ _ $24.00 6 Volume Set (Top 24 Corps) ~200 $ _ _ $ _ _ ~~00 Single Volume: $ 9.00 $ __ $ _ _ $ 9.50 Featuring ________ _ (name of corps) Compact Disc 2VolumeSet (Top 12 Corps) $36.50 $ _ _ $40.00 Handling $___1QQ_ Total $ _ _ Name Address City/State/Zip MasterCardNisa No. --- --- - --- $ _ _ _ Exp. Date Signature Total Amount Make check or money order payable in U.S. funds to: Drum Corps International Mail orders to DCI Records, P.O. Box 548, Lombard, IL 60148. On orders from Illinois, please add 6.75% sales tax. For Canadian orders, add $1.00 per volume for shipping. Overseas orders add $1.60 per volume. Orders received before August 19, 1989 will be ready for shipment on or before November 13, 1989. Orders can be placed by phone 1-800-344-2772 (Continental United States and Canada).

11· ---------- Acknowli ~em en ts Honorary Chairman Special Thanks Housing Sponsors Virvus Jones, Comptroller Nancy Rice, Director Mike Beczkala City of St. Louis Intergovernmental Affairs Kevin Hackee Office of the Mayor Rev. Jack McEvilly Executive Committee William Meyer Harvey Wingo, Chairman Jack Keane, Mark Mikulay Ruth Martin, Co-Chairman Special Assistant Mike Mullens Jo Smith, Co-Chairman Office of the Mayor Dr. John Murphy Richard Muth Jim Spence, Edward Morris Bydalek Spence Kittne~ Inc. Dennis Patton Odell McGowan Dr. Gene Reynolds Dr. John Murphy Hazelwood East High Dr. Phillip Silsby Dr. Robert Kuske School Band Booster Club In Memory 01 Area-Wide Local Committee River City Regiment Drum Drum Corps Participants Tony August Corps Parent/Boosters Rick Maass Shirley Bond Craig Davis Denise Curry Housing Willie Bates Scott Jacobus Bethalto High School Julian Robinson Linda Jamison William \"D U§\" Rosie Jamison Columbia, Illinois Larry Kenetski High School Mark Martin Mark Maxwell Hazelwood East Mark Mikulay High School David Parr Parkway Central Juni Dave Peterson High School Bill Rogers Terry Richards Parkway West Junior David Scott High School Chris Smith Jim Smith Queen of Peace School Linda Steffen Ann Waggoner St. Mary's High School Kathleen Waggoner Scott Waggoner Waterloo, Illinois Lois Jackson-Wingo High School