Drum Corps International 2019 Yearbook

DRUM C ORPS INTERNA 2 0 1 9 Y E A R B O O K TIONAL 20 19 YEARBOOK







WEL OME A word from one of Drum Corps International’s marching members On behalf of this summer’s performing corps members, I welcome you to the 2019 Drum Corps International Tour! FOR THOSE OF YOU WHO HAVE BEEN TO A SHOW BEFORE, welcome back! And for those who are joining us for the first time, buckle up: You’re going to see the cutting edge of performing arts and the culmination of months of tireless work and dedication. Drum corps is one of the most challenging and completely life-changing activities available to young adults. Each day, we are asked to raise our standards for excellence—and every day, we’re amazed that there is still more to give. Every moment spent on the field is a moment spent away from home, spent away from family and friends. And yet we leave the field each time with a camaraderie so strong that our corps could be called family. Where else can you put in 10 hours of work a day and leave feeling truly fulfilled by your own effort? For me, nowhere else but in drum corps. And all of that work is for the moment that you are about to witness. Drum corps is a logistically challenging activity, to say the least. As I mentioned, we rehearse for long hours and travel for what seems like longer hours. We wouldn’t have made it to this point without the tireless efforts of our volunteers in the food trucks, souvenir booths, and everywhere else. (Thanks Mom!) As you watch today’s performances, please take a moment to sit back and appreciate what’s in front of you. We performers live for the moments you’re about to witness—and it wouldn’t be possible without you taking the time to be here. So please let us know how much you’re loving the show by clapping, shouting, standing up, or anything else that you feel moved to do. And we will send that energy back to you in every way that we can! Thank you again, and enjoy the show! Sierra Rogers Head Drum Major The Academy 20 19 SOUVENIR 3 YEARBOOK

WEL OME Drum Corps International Office of the Chief Executive Officer 2495 Directors Row, Suite I Indianapolis, IN 46241 Welcome to the 2019 Drum Corps International Tour and DCI World Championships! WE’RE GRATEFUL THAT YOU’VE CHOSEN to enjoy the very best that the world of the marching arts has to offer. Thank you for sharing the DCI experience with us. Our Open and World Class corps and SoundSport teams continue to raise the bar with their creativity and innovation and their dedication to excellence in performance. They astound us year after year with their unbelievable talent, skill, and discipline. This year is no exception! Throughout the DCI community, our participating organizations work to achieve the highest level of quality throughout every aspect of the experience. Their decades of dedication translate into inspiring productions that are simply amazing. Of course, none of this would be possible without the dedication of the instructors and volunteers and the support of the families and fans. Because of this strong commitment to excellence, our performers can benefit from their experiences in drum corps throughout their lives. Thank you for being part of our ever-growing global community of the marching arts. We appreciate your support of the performers and of the experience that is Marching Music’s Major League™. Daniel E. Acheson Chief Executive Officer Drum Corps International 4 20 19 SOUVENIR YEARBOOK

FJM_DCI Souvenir Yearbook ad.indd 10 5/29/19 3:12 PM

CONTENTNTENT CO CONTENT FEA TURESTURES FEA 34 HO HOW THE PIT BECAME W THE PIT BECAME A POWERHOUSE From humble origins, today’s front ensembles are breaking om humble origins, today’s front ensembles are breaking Fr the sound barrier to make DCI shows more innovative and entertaining than ever. BY EMILE MENASCHÉ 42 LEADERSHIP IN THE RANKS From the drum majors conducting every show to the quietom the drum majors conducting every show to the quiet Fr example behind the scenes, Drum Corps International groups are held together by members who take on the mantle of leadership. BY DANNY MILES 48 BREAKING BREAKING THE GLASS THE GLASS THE GLASS DRUMHEAD DRUMHEAD More and more women are stepping up as DCI drummers e and more women are stepping up as DCI drummers e and more women are stepping up as DCI drummers Mor Mor and per and percussionists—thanks to the pioneers who marched cussionists—thanks to the pioneers who marched cussionists—thanks to the pioneers who marched and per bef before them. ore them. BY DANIELLE ASHBY DANIELLE ASH DEP ARMENT SARMENT S DEP CHAMPIONSHIP AWARDSWARDS WELCOME CHAMPIONSHIP A 3 From the performersFrom the performers 134 World and Open Class winners from the 2018 seasonfrom the 2018 season 4 From the Chief Executive From the Chief Executive Officer of DCIOfficer of DCI HALL OF FAMEAME HALL OF F ABOUT 136 2019 Inductees 8 Drum Corps International 137 Past Honorees 2018 EVENTS & SCORECARD FRIENDS OF DCI 11 Events Table of Contents 138 The Inner Circle of DCI’s 12 Premier Events Scorecard most committed fans 26 SoundSport/DrumLine Battle SoundSport/DrumLine Battle 26 VOLUNTEERS OF THE YEAR 28 Championships Week 140 This year’s winners 30 Open Class World Championship and past recipients Events and Score Sheet 31 DCI Performers Showcase THANK YOU 32 Indianapolis World Championship 142 Recognizing all those Events and Score Sheet who helped make the 2019 DCI Tour happen PAST CHAMPIONS 128 Commemorating more than 128 POSTSCRIPT f four decades of World our decades of World 144 World Championships sideline Champion corps in all of orps in all of orps in all of Champion c Champion c reporter Trisha Shepherd helps DCI DCI’s competitive divisionss competitive divisionss competitive divisionss competitive divisionss competitive divisions DCI’ performers tell their stories. DCI’ DCI’ DCI’ 6 20 20 20 19191919 20 S S S SOUVENIR OUVENIR OUVENIR OUVENIR YEARBOOK YEARBOOK YEARBOOK YEARBOOK YEARBOOK

53 THE 20 19 CORPS The programs, repertoires, and staff members of SOUVENIR the 2019 DCI Tour. YEARBOOK 54 corps competing on YEARBOOK 54 || World Class|| World Class || World Class 54 99 99 || Open Class 99 || Open Class|| Open Class 127 || International 127 || International || International 127 D DAN ACHESONAN ACHESON Chief Executive Officer & All-Age Chief Executive Officer & All-Age& All-Age BOB JACOBS BOB JACOBS Director, Marketingector, Marketing Dir Director, Marketing JOHN DENO JOHN DENOVIVI JOHN DENOVI Dir Director, Sales & ector, Sales & Director, Sales & Busines Business Developments Development Business Development CHRIS WEBER CHRIS WEBER CHRIS WEBER Sr. Manager, Communications. Manager, Communications Sr Sr. Manager, Communications Custom Published By:tom Published By: Cus Custom Published By: In Tune Partners, LLCune Partners, LLC In T In Tune Partners, LLC IRWIN KORNFELDWIN KORNFELD IRWIN KORNFELD IR CEO CEO CEO EMILE MENASCHÉSCHÉ EMILE MENA EMILE MENASCHÉ Editor Editor MIKE VELLA MIKE VELLA Design Director & Production Managerector & Production Manager Design Director & Production Manager Design Dir BONNIE TURNER BONNIE TURNER Business Manager Business Manager Photography Photography LINDA AND SID UNSER, LINDA AND SID UNSER, JOHNNY GILBERT, JOHNNY GILBERT, EVAN DE STEPHANO, EVAN DE STEPHANO, JOLESCH ENTERPRISES JOLESCH ENTERPRISES Contributors Contributors DANNY MILES, DANIELLE ASH DANNY MILES, DANIELLE ASH Assistant Editor Assistant Editor ANNA BLACK ANNA BLACK Drum C Drum Corps International is the leader orps International is the leader in producing events for the world’s most in producing events for the world’s most elite and exclusive marching ensembles for elite and exclusive marching ensembles for student musicians and performers. student musicians and performers. Business contact: Business contact: 2495 Directors Row, Suite I 2495 Directors Row, Suite I Indianapolis, IN 46241 Indianapolis, IN 46241 Phone: 317.275.1212 Phone: 317.275.1212 Web: www.DCI.org Web: www.DCI.org Editorial contact: [email protected] Editorial contact: [email protected] Advertising: [email protected] Advertising: [email protected] ©2019 Drum Corps International. ©2019 Drum Corps International. All rights reserved. All rights reserved. 20 19 S SOUVENIR OUVENIR 7 YEARBOOK

WEL OME MISSION STATEMENT OR NEARLY A HALF CENTURY, Drum Corps International, The mission of Drum Corps International is to bring the Marching Music’s Major League™, has been the leader in life-enriching benefits and enjoyment of marching producing events for the world’s most elite and exclusive music performing arts to more people worldwide. Fmarching ensembles for student musicians and performers. We do this by creating a stage for participating Thirteen original founding member organizations formed the organizations to engage in education, competition, Drum Corps International collective in 1971 to organize and unify entertainment, and the promotion of individual growth. leadership for youth-focused competitive drum corps events throughout North America. Directors of those competing groups CORE VALUES sought to unite their corps by providing opportunities to perform together—in the end building a foundation for future success. PURSUING EXCELLENCE: DCI strives to consistently demonstrate excellence in its operations and results A non-profit entity was officially established in 1972, and today and remain the preeminent leader in its field. DCI supports numerous programs around the globe while TEAMWORK AND COLLABORATION: DCI promotes sanctioning participating recognized drum corps, SoundSport® effective teamwork, productive relationships, and performance ensembles and DrumLine Battle™ teams performing cooperation to achieve superior results. in more than 100 competitive events that make up the annual Drum VISIONARY LEADERSHIP: DCI leads in moving the Corps International Tour. marching music performing arts toward a preferred future that inspires others to share the vision and engage. COMMITMENT AND DEDICATION: DCI works dili- gently and tirelessly in its devotion to advancing marching music performing arts. CREATIVITY AND INNOVATION: DCI demonstrates imagination and ingenuity to develop new and effec- tive ways to accomplish its mission. MUTUAL CARE AND RESPECT: DCI treats all with dignity, courtesy, attention, and appreciation; and seeks these traits in others with whom it engages. VISION STATEMENT A world in which the positive life-transforming personal and societal benefits of marching music performing arts are widely recognized and enjoyed. PROFESSIONAL STAFF Dan Acheson Liz Glass Sue Kuehnhold Tina Pliagas Seasonal Staff Chief Executive Officer Manager, Administration Sr. Director of Event Business Development James Davis Megan Benson and Governance Development Programs Coordinator, Ricci Emmons Assistant Ticket Manager Jeff Griffith Connie Leide SoundSport and Morgan Knight DrumLine Battle Michael Boo Content Marketing Accounting and Contract Events and Promotions Event Managers Administrator Staff Writer Specialist Coordinator Carla Bowman Kathy Harcourt Wayne Leide Kacy Skomp Dale Antoine Chief Financial Officer Staff Accountant Customer Service Staff Accountant Brian Fisher Pat Flynn Lee Carlson Representative Jay Moore Duffy Teague Mitch Huston Digital Marketing Artistic Director and Friends of DCI Manager Travel and Meetings Julie Lakomek Jeff Cox Coordinator Jim Olea Manager Jill Moyer Corps Housing Manager Jeff Hartowicz Marching Music Health, Elaine Toon Rene Perez John DeNovi Video Services Manager Wellness, and Safety Groups and Special Interns Sr. Director, Global Eric Hjellming Project Administrative Activities Coordinator Sales and Business Event Operations Coordinator Stephen Archinal Development Manager Jim Paxton Rich Trotman Stephanie Boyls Tony DiCarlo Bob Jacobs Corps Housing Assistant Sr. Technology Manager Jack Denger Contest Director Sr. Director, Marketing Manager John Turner Nate Fuerst Isabel Jasperse Scott Dixon John Phillips Open Class Judge Jordan Kaye Event Operations Brian Keller Judge Administrator Coordinator Oliver McKenna Manager Ticketing Manager Jameson Rhodes Chris Weber Mily Montanez David Eddleman Jeff King Technology Sr. Manager, Tina Schirmeister Open Class Coordinator Operations Director Administrator Communications Madison Wagner 8 20 19 SOUVENIR YEARBOOK



2019_TourMap_Yearbook_Jun5_Layout 1 6/6/19 2:18 PM Page 1 JOIN US ON THE 2019 DRUM CORPS INTERNATIONAL TOUR! ALABAMA ILLINOIS MINNESOTA PENNSYLVANIA (CONT.) Millbrook • 7/13 Rockford • 6/29 Rochester • 6/30 Allentown • 8/3 Dothan • 7/25 Lisle • 7/5 Mankato • 7/9 Pittsburgh • 8/4 Trussville • 7/26 DeKalb • 7/13 Farmington • 7/31 Edinboro • 8/5 Belleville • 7/14 MISSISSIPPI SOUTH CAROLINA ARIZONA Mesa • 7/1 TBD • 7/31 Hattiesburg • 7/24 Lexington • 7/5 INDIANA MISSOURI TENNESSEE ARKANSAS Cape Girardeau • 7/26 Knoxville • 7/11 Bentonville • 7/15 Zionsville • 6/23 Memphis • 7/13 Evansville • 6/24 Little Rock • 7/24 Muncie • 6/28 NEW HAMPSHIRE Murfreesboro • 7/26 Nashua • 7/20 CALIFORNIA Plymouth • 7/29 NEW JERSEY TEXAS Clovis • 6/21 IOWA East Rutherford • 7/2 Belton • 7/18 Stanford • 6/22 Augusta • 7/17 Denton • 7/18 Sacramento • 6/23 Sioux City • 7/9 Katy • 7/19 Ankeny • 7/10 Vista • 6/28 NEW YORK San Antonio • 7/20 LIVE! Dubuque • 7/12 Pasadena • 6/29 Oskaloosa • 7/27 Glens Falls • 7/22 Mesquite • 7/22 San Bernardino • 6/30 Storm Lake • 7/29 Niagara • 7/24 UTAH Rome • 8/1 Sacramento • 7/5 Buffalo • 8/4 Ogden • 7/10 in Cinemas Bakersfield • 7/12 Marion • 8/2 Salt Lake City • 7/22 DCI Tour Pleasant Hill • 7/13 KANSAS NORTH CAROLINA VIRGINIA Riverside • 7/18 El Dorado • 7/15 Winston-Salem • 7/28 Salem • 7/30 Premiere Bellflower • 7/19 Olathe • 7/15 OHIO June 20 Vista • 7/20 North Canton • 6/22 WASHINGTON LOUISIANA Hamilton • 6/25 Camas • 7/5 COLORADO Lafayette • 7/22 Centerville • 7/29 Renton • 7/6 Denver • 7/13 MARYLAND Avon Lake • 8/3 Tri Cities • 7/8 2019 DCI World Denver • 7/24 Akron • 8/5 BIG, Annapolis • 7/30 WEST VIRGINIA Championships FLORIDA OKLAHOMA Charleston • 7/29 Orlando • 7/6 MASSACHUSETTS Broken Arrow • 7/16 Madison • 6/22 LOUD WISCONSIN Lawrence • 6/29 Open Class Prelims - Marion, IN • 8/5 GEORGIA Lynn • 7/1 OREGON Wausau • 7/2 Valdosta • 7/8 Lawrence • 8/1 Ashland • 7/3 Whitewater • 7/6 & LIVE Open Class Finals - Marion, IN • 8/6 Hoschton • 7/9 PENNSYLVANIA Cedarburg • 7/3 Prelims – Indianapolis • 8/8 Woodstock • 7/14 MICHIGAN Pittsburgh • 6/26 Menomonie • 7/7 from Lucas Semifinals – Indianapolis • 8/9 Atlanta • 7/27 Detroit • 6/20 Allentown • 6/28 Madison • 8/3 SoundSport International Music Adrian • 7/10 Sheffield • 7/26 Oil Stadium & Food Festival • 8/10 IDAHO White Lake • 7/27 Chester • 7/31 WYOMING August 8 Finals – Indianapolis • 8/10 Boise • 7/9 Plainwell • 8/2 Allentown • 8/2 Casper • 7/12 Order Your Tickets Today! • www.DCI.org ©2019 Drum Corps International Events and dates subject to change. rev 06/19

PREMIER EVENTS INSIDE 12 || Premier Events 26 || SoundSport/DrumLine Battle 28 || Championships Week 29 Marion, IN • 30 Indianapolis Denotes event with DrumLine Battle and SoundSport competition (see page 26). 20 19 SOUVENIR 11 YEARBOOK

P EMIER EVENT DCI TOUR PREMIERE DCI CROSSROADS Presented by DeMoulin Bros. and Co. Presented by SoundSport International Thursday, June 20 Music & Food Festival FORD FIELD • DETROIT, MI Sunday, June 23 DCI returns to the Motor City with a turbocharged ZIONSVILLE COMMUNITY World Class lineup as the race to the 2019 World HIGH SCHOOL • ZIONSVILLE, IN Championship gets off to a flying start. With a look ahead to end-of-the-season festivities, Circle City-area fans will gather for this early-season Indiana tilt. SCORE Blue Stars La Crosse, WI ____________ SCORE Bluecoats Canton, OH ____________ Blue Stars La Crosse, WI ____________ The Cadets Allentown, PA ____________ Boston Crusaders Boston, MA ____________ Carolina Crown Fort Mill, SC ____________ The Cadets Allentown, PA ____________ Cincinnati Tradition Cincinnati, OH ____________ Carolina Crown Fort Mill, SC ____________ Colts Dubuque, IA ____________ Phantom Regiment Rockford, IL ____________ Crossmen San Antonio, TX ____________ Madison Scouts Madison, WI ____________ 12 SOUVENIR 20 19 YEARBOOK

P EMIER EVENT DCI ORLANDO Presented by Fruhauf Uniforms Saturday, July 6 CAMPING WORLD STADIUM • ORLANDO, FL As Heat Wave takes the field in front of a hometown crowd, DCI turns up the heat in 2019’s only Sunshine State set-to. SCORE Boston Crusaders Boston, MA ____________ Carolina Crown Fort Mill, SC ____________ Heat Wave Cape Coral, FL ____________ Jersey Surf Camden County, NJ ____________ Music City Nashville, TN ____________ Phantom Regiment Rockford, IL ____________ Spirit of Atlanta Atlanta, GA ____________ DCI CENTRAL INDIANA Friday, June 28 BALL STATE UNIVERSITY • MUNCIE, IN Just before the calendar turns to July, World Class corps will march for the glory in the heart of the Hoosier State. SCORE Blue Stars La Crosse, WI ____________ Carolina Crown Fort Mill, SC ____________ Colts Dubuque, IA ____________ Crossmen San Antonio, TX ____________ Madison Scouts Madison, WI ____________ Phantom Regiment Rockford, IL ____________ Spirit of Atlanta Atlanta, GA ____________ 20 19 SOUVENIR 13 YEARBOOK

P EMIER EVENT DCI MENOMONIE Sunday, July 7 UNIVERSITY OF WISCONSIN-STOUT • MENOMONIE, WI DCI’s upper Midwest midsummer mashup moves to a new home in the Badger State. SCORE The Academy Tempe, AZ ____________ Blue Stars La Crosse, WI ____________ Bluecoats Canton, OH ____________ The Cadets Allentown, PA ____________ Chops Minneapolis, MN ____________ Colt Cadets Dubuque, IA ____________ Colts Dubuque, IA ____________ Crossmen San Antonio, TX ____________ Govenaires St. Peter, MN ____________ Legends Kalamazoo, MI ____________ Madison Scouts Madison, WI ____________ River City Rhythm Minneapolis, MN ____________ Santa Clara Vanguard Santa Clara, CA ____________ DCI MEMPHIS Saturday, July 13 LIBERTY BOWL MEMORIAL STADIUM • MEMPHIS, TN The drums will echo all the way to Graceland as DCI corps march into Memphis for this brand new event.. SCORE Boston Crusaders Boston, MA ____________ Carolina Crown Fort Mill, SC ____________ Guardians Houston, TX ____________ Jersey Surf Camden County, NJ ____________ Music City Nashville, TN ____________ Santa Clara Vanguard Santa Clara, CA ____________ Spirit of Atlanta Atlanta, GA ____________ 14 SOUVENIR 20 19 YEARBOOK

P EMIER EVENT DCI ST LOUIS DCI NORTH TEXAS Presented by Stanbury Uniforms Sunday, July 14 BELLEVILLE WEST HIGH SCHOOL Thursday, July 18 • BELLEVILLE, IL UNIVERSITY OF NORTH TEXAS • DENTON, TX Great action is always in the cards when DCI arch rivals DCI’s annual Texas Swing begins with a bang in this invade the Gateway City. Dallas-area throwdown. SCORE SCORE Blue Stars La Crosse, WI ____________ The Academy Tempe, AZ ____________ Bluecoats Canton, OH ____________ Blue Knights Denver, CO ____________ Boston Crusaders Boston, MA ____________ Boston Crusaders Boston, MA ____________ The Cavaliers Rosemont, IL ____________ The Cadets Allentown, PA ____________ Colts Dubuque, IA ____________ Carolina Crown Fort Mill, SC ____________ Guardians Houston, TX ____________ The Cavaliers Rosemont, IL ____________ Mandarins Sacramento, CA ____________ Colts Dubuque, IA ____________ Phantom Regiment Rockford, IL ____________ Crossmen San Antonio, TX ____________ Spirit of Atlanta Atlanta, GA ____________ Mandarins Sacramento, CA ____________ Pacific Crest Diamond Bar, CA ____________ Phantom Regiment Rockford, IL ____________ Santa Clara Vanguard Santa Clara, CA ____________ Troopers Casper, WY ____________ 20 19 SOUVENIR 15 YEARBOOK

P EMIER EVENT DCI KATY Presented by Band Shoppe Friday, July 19 LEGACY STADIUM • KATY, TX Perennial title contenders face off in front of Houston- area fans as DCI’s Texas trek continues. SCORE Blue Devils Concord, CA ____________ Blue Stars La Crosse, WI ____________ Bluecoats Canton, OH ____________ The Cadets Allentown, PA ____________ Carolina Crown Fort Mill, SC ____________ The Cavaliers Rosemont, IL ____________ Phantom Regiment Rockford, IL ____________ Santa Clara Vanguard Santa Clara, CA ____________ 16 16 S SOUVENIR OUVENIR 20 20 19 19 YEARBOOK YEARBOOK

P EMIER EVENT DCI SOUTHWESTERN CHAMPIONSHIP Presented by Fred J. Miller, Inc. Saturday, July 20 THE ALAMODOME • SAN ANTONIO, TX South Texas plays host to a monster contingent of World and Open Class talent in one of the season’s biggest battles. SCORE The Academy Tempe, AZ ____________ Blue Devils Concord, CA ____________ Blue Knights Denver, CO ____________ Blue Stars La Crosse, WI ____________ Bluecoats Canton, OH ____________ Boston Crusaders Boston, MA ____________ The Cadets Allentown, PA ____________ Carolina Crown Fort Mill, SC ____________ The Cavaliers Rosemont, IL ____________ Colts Dubuque, IA ____________ Crossmen San Antonio, TX ____________ Genesis Austin, TX ____________ Guardians Houston, TX ____________ Jersey Surf Camden County, NJ ____________ Madison Scouts Madison, WI ____________ Mandarins Sacramento, CA ____________ Music City Nashville, TN ____________ Pacific Crest Diamond Bar, CA ____________ Phantom Regiment Rockford, IL ____________ Santa Clara Vanguard Santa Clara, CA ____________ Seattle Cascades Seattle, WA ____________ Spirit of Atlanta Atlanta, GA ____________ Troopers Casper, WY ____________ 20 19 SOUVENIR 17 YEARBOOK

P EMIER EVENT DCI MESQUITE Monday, July 22 MESQUITE MEMORIAL STADIUM • MESQUITE, TX Eleven World Class groups will be cooking with hot sauce to close out DCI’s 2019 Texas Swing. SCORE Blue Devils Concord, CA ____________ Blue Knights Denver, CO ____________ Bluecoats Canton, OH ____________ Carolina Crown Fort Mill, SC ____________ The Cavaliers Rosemont, IL ____________ Colts Dubuque, IA ____________ Crossmen San Antonio, TX ____________ Madison Scouts Madison, WI ____________ Phantom Regiment Rockford, IL ____________ Spirit of Atlanta Atlanta, GA ____________ Troopers Casper, WY ____________ 18 SOUVENIR 20 19 YEARBOOK

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P EMIER EVENT THE MASTERS OF THE SUMMER MUSIC GAMES Presented by Jupiter, Mapex & Majestic Friday, July 26 MIDDLE TENNESSEE STATE UNIVERSITY • MURFREESBORO, TN Hometown heroes Music City play host to a fierce field of World Class warriors as the season enters its home stretch. SCORE Blue Devils Concord, CA ____________ Blue Stars La Crosse, WI ____________ Bluecoats Canton, OH ____________ Boston Crusaders Boston, MA ____________ The Cadets Allentown, PA ____________ Carolina Crown Fort Mill, SC ____________ The Cavaliers Rosemont, IL ____________ Music City Nashville, TN ____________ Santa Clara Vanguard Santa Clara, CA ____________ 20 SOUVENIR 20 19 YEARBOOK

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P EMIER EVENT DCI SOUTHEASTERN Carolina Crown Fort Mill, SC ____________ CHAMPIONSHIP Carolina Gold Raleigh, NC ____________ Presented by Lone Star Percussion The Cavaliers Rosemont, IL ____________ Saturday, July 27 MERCEDES-BENZ STADIUM • ATLANTA, GA Colts Dubuque, IA ____________ With the entire World Class taking the field, they’ll be Crossmen San Antonio, TX ____________ raising the roof in Hot-lanta. Genesis Austin, TX ____________ Jersey Surf Camden County, NJ ____________ SCORE Madison Scouts Madison, WI ____________ The Academy Tempe, AZ ____________ Mandarins Sacramento, CA ____________ Atlanta CV Atlanta, GA ____________ Music City Nashville, TN ____________ Blue Devils Concord, CA ____________ Pacific Crest Diamond Bar, CA ____________ Blue Knights Denver, CO ____________ Phantom Regiment Rockford, IL ____________ Blue Stars La Crosse, WI ____________ Santa Clara Vanguard Santa Clara, CA ____________ Bluecoats Canton, OH ____________ Seattle Cascades Seattle, WA ____________ Boston Crusaders Boston, MA ____________ Spirit of Atlanta Atlanta, GA ____________ The Cadets Allentown, PA ____________ Troopers Casper, WY ____________ 22 SOUVENIR 20 19 YEARBOOK

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P EMIER EVENT DCI EASTERN CLASSIC Friday, August 2 J. BIRNEY CRUM STADIUM • ALLENTOWN, PA DCI’s annual two-day throwdown in the Northeast showcases the entire World Class at peak performance. SCORE The Academy Tempe, AZ ____________ Blue Devils Concord, CA ____________ Blue Knights Denver, CO ____________ Blue Stars La Crosse, WI ____________ Bluecoats Canton, OH ____________ Encorps South Brunswick, NJ ____________ Genesis Austin, TX ____________ Madison Scouts Madison, WI ____________ Music City Nashville, TN ____________ Santa Clara Vanguard Santa Clara, CA ____________ Troopers Casper, WY ____________ Saturday, August 3 SCORE Boston Crusaders Boston, MA ____________ The Cadets Allentown, PA ____________ Carolina Crown Fort Mill, SC ____________ The Cavaliers Rosemont, IL ____________ Colts Dubuque, IA ____________ Crossmen San Antonio, TX ____________ Jersey Surf Camden County, NJ ____________ Mandarins Sacramento, CA ____________ Pacific Crest Diamond Bar, CA ____________ Phantom Regiment Rockford, IL ____________ Seattle Cascades Seattle, WA ____________ Spirit of Atlanta Atlanta, GA ____________ 24 SOUVENIR 20 19 YEARBOOK

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P EMIER EVENT NOW IN THEIR SEVENTH YEAR, Drum Corps International’s SoundSport® and DrumLine Battle™ programs continue to provide a platform for marching music excitement in the United States and around the world. Designed to be fan-friendly, flexible, and economical for those involved, SoundSport and DrumLine Battle create three main locations: Pan Am Plaza, opportunities for drum corps Georgia Street, and the Pavilion at Pan organizations, school ensembles, Am—a 900-seat indoor venue where DCI community groups, and other broadcast veteran Steve Rondinaro plays performers looking to make music and host to all SoundSport performances. Big to entertain. The culmination of the screens and a killer sound system enhance summer season will be the fourth- the drama as fans follow the action. annual SoundSport International Music Saturday, July 6 & Food Festival, held on Saturday, Orlando, FL PRICE: Free! Every part of the August 10 in downtown Indianapolis. In Saturday, July 20 SoundSport International Music & Food a family-friendly atmosphere with food San Antonio, TX Festival is open to the general public, and vendors and entertainment galore, an Saturday, July 27 no tickets are required. Some of the eclectic range of performers will show Atlanta, GA highlights include: their stuff in close proximity to festival Saturday, August 3 goers. As the precursor to the DCI Allentown, PA THE INPACT BAND: Each year, one of World Championship Finals, it’s the the most special parts of the festival is the closest thing to a Super Bowl fan fest in Saturday, August 10 opening performance by the massive Indianapolis, IN the drum corps universe. INpact Band. This season, the powerhouse unit will include more than 550 of Indiana’s top middle school musicians. WHERE IT’S AT: Always free and family-friendly, the festival is a celebration and social gathering that runs from late morning well into the afternoon. There are SOUNDSPORT: Groups competing for the SoundSport championship perform five- to seven-minute programs. SoundSport events welcome performers of all Optimists Alumni ages and on all instruments, creating endless opportunities for participating ensembles. In addition to groups from the U.S. and Canada, fans will be treated to competitors from SoundSport’s growing international cohort—including first-time visitors from Columbia, Costa Rica, and the Republic of Ireland. DRUMLINE BATTLE: DrumLine Battle competition is just as intense as SoundSport—and even faster. Percussion groups must demonstrate 26 SOUVENIR 20 19 YEARBOOK

P EMIER EVENT Rogues Hollow Regiment The Drum Circle their virtuosity and impress a panel of judges who make 2019 SOUNDSPORT snap decisions taking into consideration each team’s skill MEMBER TEAMS and showmanship. With the bulk of the DCI community on hand, you can expect to see battles among current Alisal Community Arts Inbhear Mor corps members, local high school drum lines, and more. Network Marching Band Arklow, Co. Wicklow Salinas, CA Ireland Alisal Union School iNTEGRiTY FOOD: The local food scene is emerging as one of District All Star Minneapolis, MN Indianapolis’s major attractions. You’ll find a wide array Drum Corps of choices from top local restaurants as well as fare Salinas, CA Lone Star Fort Worth, TX from some of the city’s finest gourmet food trucks. Appalachian Gold Summersville, WV Marching Ghosts Calgary, Alberta HANDS-ON EXHIBITS: Options often include a play Arsenal Canada zone for kids, mini-drum lessons with representatives Albuquerque, NM Medellin Vanguardia from local music stores, and more. Banda Comunal la Medellin, Colombia Fortuna de San Carlos THE DRUM CIRCLE: Every year it seems to grow— San Carlos, Alajuela Motor City Optimists Farmington, MI Costa Rica and every year, it seems to become a “must-do” among members of the drum corps community and fans. Calgary Stetson Phenom Phoenix, AZ Show Band Everyone is invited to join with no percussion Calgary, Alberta experience needed! Canada Rhythm IN BLUE Canton, OH Central Florida GRAND FINALE: During the awards ceremony at the Sounds of Freedom River Brass Youth Band Evansville, IN end of the festival, all musical participants will join Orlando, FL forces to play “Raise Your Voice” by Irish composer Compass Rogues Hollow Regiment Brendan Breslin. This anthem, specifically written to be Midland, TX Doylestown, OH played at all SoundSport events and scored for every Conquest The Royals conceivable instrument, will provide a rousing send-off. Geneseo, IL Forney, TX Cutting Edge Fort Worth, TX Sonus Brass Theater Woodbridge, VA The Diplomats Southern Sky Windsor, Ontario Canada Arlington, TX FREE Players Spirit of Sunnyvale Old Bethpage, NY San Jose, CA Freelancers The Thunder of Roanoke Alumni Corps Roanoke, VA Sacramento, CA Vengeance Hornets Indianapolis, IN Chicago, IL Zephyrus IMPACT of Orlando Tulsa, OK Orlando, FL 20 19 SOUVENIR 27 YEARBOOK

CHA PIONSHIPS WEEK DRUM CORPS INTERNATIONAL returns to Indiana to crown its 2019 World Champions. The week begins on Aug. 5 as Open Class groups fight for the title at a new venue— Wildcat Stadium on Indiana Wesleyan University's Marion campus. The action moves to Indianapolis on Aug. 7 with the Performers Showcase (see page 30) and the annual Kickoff Party and Hall of Fame Induction. Beginning on Thursday, Aug. 8, Lucas Oil Stadium becomes the epicenter of the action with the World action takes place in a family-friendly setting at Pan Championship Prelims, where Open and World Class Am Plaza and the Pavilion at Pan Am. While the music groups contend for a spot in Friday's Semifinals. By the plays, be on the lookout for a variety of Indianapolis' end of Friday's contest, 12 finalists will advance to bat- gourmet food trucks and other entertainment sur- tle for the World Championship on Saturday, Aug. 10. rounding the arena, as the streets of downtown Indy Outside of the competition, there’s a lot to take in come alive. around the city of Indianapolis. THE WARMUP ZONE THE DCI FESTIVAL MARKETPLACE Each day during the World Championships, historic Military Park is the place to be to see drum corps Located in the corridors of Lucas Oil Stadium and open groups warm up before taking the field at Lucas Oil throughout the week, the Marketplace offers fans a Stadium. Fans can take advantage of spectator chance to explore merchandise from DCI and from shuttles, which run between the stadium and individual drum corps organizations and sponsors. Military Park at select times during the Semifinals Shop at the Drum Corps International Team Store or at and Finals events. the booths lining the stadium's concourse. STREET BEAT 5K Since 2014, this run/walk supporting the Marching Music Health, Wellness & Safety Project has been one of the highlights of Championships Week. The 2019 event kicks off bright and early the morning of Saturday, Aug. 10, with a course that takes participants through the streets of downtown Indy before the finish line at the SoundSport International Music & Food Festival. Visit streetbeat5k.com for all race details. THE SOUNDSPORT INTERNATIONAL MUSIC & FOOD FESTIVAL The morning and afternoon preceding the DCI World Championship Finals, Saturday, Aug. 10, SoundSport and DrumLine Battle teams take the stage to entertain in their up-close and in-your-face high energy format. All of the 28 SOUVENIR 20 19 YEARBOOK

CHA PIONSHIPS WEEK MARION,INDIANA OPEN CLASS FINALS Tuesday, August 6 WILDCAT STADIUM Marion, IN SCORE 1. _____________________________________ __________ 2. ___________________________________ __________ 3. ___________________________________ __________ 4. ___________________________________ __________ 5. ___________________________________ __________ 6. ___________________________________ __________ 7. ___________________________________ __________ 8. ___________________________________ __________ 9. ___________________________________ __________ 10. ____________________________________ __________ 11. ___________________________________ __________ 12. ____________________________________ __________ THE OPEN CLASS WORLD CHAMPIONSHIP The inaugural Open Class World Championship in Marion, Indiana will take place August 5-6. All competing Open Class corps will have the opportunity to head to Indianapolis to compete against their World Class counterparts beginning with the World Championship Prelims on August 8. OPEN CLASS OPEN CLASS PRELIMS CAPTION AWARDS Monday, August 5 BEST BRASS PERFORMANCE WILDCAT STADIUM Marion, IN ______________________________________________ SCORE BEST GENERAL EFFECT 1. _____________________________________ __________ 2. ___________________________________ __________ ______________________________________________ 3. ___________________________________ __________ BEST VISUAL PERFORMANCE 4. ___________________________________ __________ ______________________________________________ 5. ___________________________________ __________ 6. ___________________________________ __________ BEST PERCUSSION PERFORMANCE 7. ___________________________________ __________ ______________________________________________ 8. ___________________________________ __________ BEST COLOR GUARD PERFORMANCE 9. ___________________________________ __________ ______________________________________________ 10. ___________________________________ __________ 11. ___________________________________ __________ MOST IMPROVED CORPS 12. ___________________________________ __________ ______________________________________________ 13. ___________________________________ __________ (SEE PAGE 134 FOR 2019 WINNERS) 20 19 SOUVENIR 29 YEARBOOK

INDIANAPOLI WORLD CHAMPIONSHIP PRELIMS Presented by GPG Music Thursday, August 8 LUCAS OIL STADIUM Indianapolis, IN SCORE 1. _____________________________________ __________ 2. ___________________________________ __________ 3. ___________________________________ __________ 4. ___________________________________ __________ 5. ___________________________________ __________ 6. ___________________________________ __________ 7. ___________________________________ __________ 8. ___________________________________ __________ 9. ___________________________________ __________ 10. ____________________________________ __________ 11. ___________________________________ __________ 12. ____________________________________ __________ 13. ____________________________________ __________ 14. ___________________________________ __________ Wednesday, August 7 15. ___________________________________ __________ INDIANA CONVENTION CENTER Indianapolis, IN 16. ___________________________________ __________ 17. ___________________________________ __________ 18. ___________________________________ __________ The DCI Performers Showcase is always 19. ___________________________________ __________ one of the season's highlights for individual corps members of Open and World Class corps and 20. ___________________________________ __________ even SoundSport teams. The competitive event offers 21. ___________________________________ __________ them the chance to demonstrate their technique, 22. ___________________________________ __________ musicality, and originality on a range of different 23. ___________________________________ __________ instruments including woodwind and vocal categories. 24. ____________________________________ __________ 25. ___________________________________ __________ INDIVIDUALS Visual: Flag, Auxiliary, Dance 26. ___________________________________ __________ Brass: Trumpet, Mellophone, French Horn, ENSEMBLES 27. ___________________________________ __________ Trombone, Baritone/ 28. ___________________________________ __________ Euphonium, Tuba Brass, Percussion, Cymbal, Bass Drum, 29. ____________________________________ __________ Percussion: Snare, Woodwind, Auxiliary, Multi-Tenor, Timpani, Flag, Dance, Vocal, 30. ___________________________________ __________ Keyboard, Multi- Mixed 31. ____________________________________ __________ Percussion EXHIBITION 32. ___________________________________ __________ Woodwind: Flute, __________ Clarinet/Double Reed, For instrumentation or 33. ___________________________________ Saxophone ensembles not covered 34. ___________________________________ __________ under DCI Performers Vocal Showcase rules. 35. ___________________________________ __________ 30 SOUVENIR 20 19 YEARBOOK

INDIANAPOLI WORLD CHAMPIONSHIP 10. ____________________________________ __________ SEMIFINALS 11. ___________________________________ __________ Presented by EARasers & InEarz Audio 12. ____________________________________ __________ 13. ____________________________________ __________ Friday, August 9 LUCAS OIL STADIUM Indianapolis, IN 14. ___________________________________ __________ 15. ___________________________________ __________ SCORE 16. ___________________________________ __________ 1. ____________________________________ __________ 17. ___________________________________ __________ 2. ___________________________________ __________ 18. ___________________________________ __________ 3. ___________________________________ __________ 19. ___________________________________ __________ 4. ___________________________________ __________ 20. ___________________________________ __________ 5. ___________________________________ __________ 21. ___________________________________ __________ 6. ___________________________________ __________ 22. ___________________________________ __________ 7. ___________________________________ __________ 23. ___________________________________ __________ 8. ___________________________________ __________ 24. ____________________________________ __________ 9. ___________________________________ __________ 25. ___________________________________ __________ 20 19 SOUVENIR 31 YEARBOOK

INDIANAPOLI WORLD CLASS CAPTION AWARDS Determined by the average scores in each category over the three days of World Championship competition. WORLD CHAMPIONSHIP GEORGE ZINGALI AWARD FINALS for Best Color Guard Saturday, August 10 ________________________________________________________ LUCAS OIL STADIUM Indianapolis, IN JOHN BRAZALE AWARD for Best Visual Performance SCORE ________________________________________________________ 1. _____________________________________ __________ 2. ___________________________________ __________ DON ANGELICA AWARD 3. ___________________________________ __________ for Best Overall General Effect 4. ___________________________________ __________ ________________________________________________________ 5. ___________________________________ __________ 6. ___________________________________ __________ JIM OTT AWARD 7. ___________________________________ __________ for Best Brass Performance 8. ___________________________________ __________ ________________________________________________________ 9. ___________________________________ __________ 10. ____________________________________ __________ FRED SANFORD AWARD for Best Percussion Performance 11. ___________________________________ __________ ________________________________________________________ 12. ____________________________________ __________ (SEE PAGE 134 FOR 2018 WINNERS) 32 SOUVENIR 20 19 YEARBOOK

VisitIndy_DCI_052316.pdf 1 5/23/16 9:43 AM C M Y CM MY CY CMY K Indianapolis is proud home to the Drum Corp International World Championships. Make the most of your visit. Take in the pageantry of competition, then get out and see the city. Better yet, add a day or two to your trip. The city offers a collection of museums and attractions to keep you entertained all day, and a food scene with options to please every palette. For what to see, do, and eat, go to VisitIndy.com | FOLLOW US: @VisitIndy

From humble origins, today’s front ensembles are EW THINGS CAN COMPETE with the sheer power of a Drum Corps breaking the sound International group’s battery percussion and brass. But this year—as in barrier to make recent seasons—fans are likely to hear that mammoth sound augmented DCI shows more by strings, voices, synthesizers, digital samples and effects. It’s the latest step in a sonic revolution that has been underway for some time—one innovative and where show designers and performers are finding a balance between entertaining tradition and technology and expanding the soundscape on the field. “In the past five years, the creative design of this part of the than ever. F overall orchestration has exploded with color and character,” says 34 SOUVENIR 20 19 YEARBOOK

By Emile y Emile y Emile y Emile B B B Menasché Menasché Menasché THE CADETS DCI Judge Administrator John Phillips. “What happens were he-men and she-women of extreme strength…due to our next is anyone’s guess.” training to carry these unnatural instruments for hours on end,” Back in the dawn of time—around 40 years ago—every notes drum corps historian Michael Boo who was a member instrument in a drum corps had to be marched onto the of the Cavaliers percussion section in the 1970s. “We didn’t field. Your show called for the harmonic boom of the timpa- realize how silly it was at the time to have five timpanists. [But] ni? The melodic tinkle of xylophone and bells? No problem! a corps needed them to carry the drums.” Just have some heroic (miserable) soul (sucker) march with But within a few years, rule changes would allow such instru- one strapped to his or her back. ments to be “grounded”—to become what we now know as the “Those of us in the activity who played these instruments front ensemble. “The front ensemble’s contribution has always 20 19 SOUVENIR 35 YEARBOOK

the Pit SPirit of AtlAntA been of the highest level,” notes Michael McIntosh of the Cav- Phillips. “Today, we see and hear a full array of concert percus- aliers. “The last decade has shown an increase in individual sion instruments and other cultural implements that enhance skill sets and this, along with the addition of, amplification, the total effect of the musical score. The diversity of musical sampling and electronics, has empowered the front ensemble timbres creates a rich sonic landscape that was not possible to carry full corps moments [on its own].” in the early days. Add to these concert instruments and hand “Since I began teaching the Bluecoats in 2003, the con- percussion, the electronic sounds of piano and synthesizers tinual improvements in functionality, and sound quality as well as any electronic instrument—guitar, bass, violin—and of the instruments have made significant contributions our musical world up front has exploded.” to the role of the front ensemble in the marching arts,” adds Brad Palmer, Bluecoats front ensemble coordi- nator. “The availability of various ranges of marimbas, vibraphones, xylophones, and glockenspiels on durable outdoor frames has expanded the scope of musical content that the front ensemble provides.” Power in the Pit Today, the front ensemble—known affectionately as “the pit”—bears little resemblance to the minimalist gatherings of the ’80s. The timpani and mallet percus- sion are still there, of course. But as Palmer notes, the quality and capability of the outdoor versions of these instruments far outstrips their ancestors. They’ve also gotten an important assist from ampli- fication: “Generally, front ensemble moments prior to amplification were designed within the context of the acoustic projection capabilities,” Palmer says. “On their own, the front instruments don’t project enough to bal- ance in volume with the full brass and battery sections. With amplification, the front ensemble can contribute to more fully orchestrated ensemble moments, adding their unique harmonic and melodic characteristics to the arrangements.” And now, they’re surrounded by complex racks of oth- CroSSmen er percussion and—most revolutionary of all—electronic instruments. “The evolution of the modern day front ensemble has been a tremendous improvement to the overall musical development of our entire activity,” notes John 36 Souvenir 20 19 Yearbook

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the Pit 1982 Spirit of AtlAntA “With the evolution of instru- “The last decade has shown and the music more diverse, they ments and electronics, the front an increase in individual skill would want to go even further. ensemble can function as an equal sets and this, along with the Over the last decade or so, the in- voice with the full brass and bat- addition of amplification, troduction—and eventual expan- tery,” Palmer adds. “The front sion—of electronics has removed ensemble instruments no longer sampling, and electronics, many of the remaining musical have to be used solely for impact has empowered the front barriers. In a way, this makes de- or cymbal color. Today, we can ensemble to carry full corps signing a drum corps show more also elevate these moments by moments [on its own].” challenging: without limitations, adding samples and sound effects where do you draw the line? And relevant to the show design. One example is the pitch bend how do you design a show that takes advantage of the from the Bluecoats’ 2014 Tilt, show where brass players resources while remaining true to the essence of drum were sampled and used as an electronic bridge between corps—to make sure that the electronics enhance but chord changes. Also, with the 2016 production of Down Side don’t overwhelm the marching brass and percussion? Up, the front ensemble was positioned in non-traditional On the other hand, the broader array of sounds give formations to allow for more audio-visual integration.” those traditional elements a chance to shine in a new light. But some of the benefits are less visible. Palmer notes This makes the spectacle on the field more entertaining that the use of in-ear monitors, for example, can make the and accessible to average fans. front ensemble more cohesive with the overall performance. “Contemporary drum corps orchestrations that include “The evolution of the equipment has allowed us to explore new facets of the marching arts,” he says. “And, with the inclusion of these electronic developments, DCI has opened the door for tal- coltS ented sound engineers to offer their expertise to the activity and the performers involved.” Sonic Boom Since 1982—when the first grounded instruments were officially allowed in DCI competition—there has been a push-push between the capabilities of the pit and the composer/arranger/show designer’s vision of how to use it. Permission to use concert timpani and mallet percussion clearly influenced how designers conceived of their shows. As the sound of drum corps began to change, the repertoire expanded along with it. It’s the nature of creative people that as arrangements became more orchestrated 38 Souvenir 20 19 Yearbook



THE PIT BLUECOATS BLUECOATS well-written front ensemble parts give the audience a symphonic experience that is truly magnificent,” Phillips says. These musical enhancements don’t just add entertainment value. As Phil- lips points out, expanding the number of instruments eligible to be used in the front ensemble gives drum corps groups the “opportunity to be more in- clusive and allow more young musicians to bring their talents and skills to our summer activity.” “The skills demanded of current front ensemble members rival those of concert or orchestral percussionist in any high-level ensemble,” adds McIntosh. we can see their expressiveness right up front—unlike a The use of electronics is also inspiring many drum corps marching member who may have a shako on, is moving designers to explore new themes and settings. “We’re see- rapidly, is further away from the audience, and is part of ing groups use digital sounds to give a more authentic the broader overall visual design.” performance when tackling musical genres from different No matter which instruments are part of the front en- parts of the world,” Phillips notes. “The use of special ef- semble, “they are judged like any other part of the musical fects—especially when tied to movement—is also becoming score,” Phillips says. “Judges look for technical control as an effective way to enhance an entire show’s design.” well as musical expression. They also dig deeper to identify subtlety and nuance in the interpretation of the various SCORING THE SCORE musical styles being explored. They are accountable to the Of course, DCI shows aren’t just for entertainment: Each musical design just as the marching percussion members show is an intense competition in which the tiniest of mar- and the brass members.” gins can decide rankings in each show and, ultimately, who Since it began, the goal of the front ensemble has will hold the World Championship trophy on August 10th always been to fit into and work with the marching sec- in Indianapolis. tions that are the heart of drum corps. For many, the use From the judges’ perspective, “It’s important to under- of electronics has been the final piece to a puzzle that’s stand that the front ensemble is an equal partner in the been coming together for nearly four decades. From a overall musical structure,” Phillips explains. “The musicians listener’s point of view, it’s a chance to hear more of a in this section must contribute on the same level as those very good thing. who march with their instruments on the field. “DCI fans should expect a thoughtful and well-integrated “Often these members are the ‘face’ of the corps as musical contribution from the front ensemble,” Palmer says. “These young musicians offer a va- riety of intriguing techniques and SPARTANSARTANS SP textures to the show. When imple- mented well, it is a seamless and cohesive musical production.” Reflecting on the evolution of the front ensemble over the years, Boo admits that while am- plification and electronics weren’t met with open arms by all drum corps fans at first, “It’s now hard to imagine a DCI show without them. Amplification and synthe- sizers allow the front ensemble to create a whole new sonic at- mosphere. Professionally-trained sound engineers blend the synths with the rest of the front ensem- ble to produce sounds that were unimaginable in the past.” ■ 40 SOUVENIR 20 19 YEARBOOK

• The Madison Scouts begin using Yamaha percussion • First year of Yamaha • The Cavaliers begin marching percussion using Yamaha instruments in DCI • The Madison Scouts win the • Santa Clara Vanguard wins DCI Championship the High Brass Award and the DCI Championship • Yamaha introduces • Carolina Crown wins the Corps-Custom the High Brass Award marching snare drum • The Boston Crusaders • The Cavaliers win the begin using Yamaha DCI Championship and the High Percussion Award • Carolina Crown wins the High Brass Award • The Blue Stars begin using Yamaha • Yamaha introduces the SFZ marching snare drum • The Bluecoats win their and the Black Forest line first DCI Championship of percussion • The Cadets win the High Brass Award • Yamaha debuts the Red Forest line • Yamaha introduces the 9300 Series of snare drums and the • The Cavaliers win the 8300 Field-Corps DCI Championship and Series of toms High Percussion Award and bass drums • Yamaha presents the • Carolina Crown wins its first Multi-Frame for pit first DCI World Championship percussion instruments and the High Brass Award • The Cadets win the High Percussion Award • The Cadets begin using Yamaha brass and win the High Brass Award; they’re also named DCI Co-Champions • Carolina Crown wins • The Cavaliers are named the High Brass Award DCI Co-Champions and win the High Percussion Award • Yamaha introduces the MTS marching snare drum • The Cadets win the DCI Championship • The Cavaliers win the High Percussion Award • Carolina Crown wins the High Brass Award • The Cavaliers begin using Yamaha brass and win the DCI Championship • The Cadets begin using • Yamaha celebrates 25 years with DCI Yamaha percussion and win the High Percussion Award • The Crossmen begin using Yamaha • Carolina Crown wins the High Brass Award • The Cavaliers win the DCI Championship and High Brass Award • The Cadets win the • Carolina Crown begin High Percussion Award using Yamaha for the second year in a row • Yamaha • Yamaha celebrates celebrates 20 years in partnership 20 years in with the Cavaliers partnership with the • The Cadets win the Madison Scouts High Percussion Award • The Madison Scouts • The Bluecoats • The Cavaliers for the third year in a row begin using Yamaha begin using win the DCI • Yamaha launches 8200 Series brass Yamaha Field-Corps marching Championship • The Colts begin toms and bass drums using Yamaha BO15470 Over 34 Years Drum Corps.indd 1 5/15/19 10:53 AM

LEADERS LEADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERSADERS LE LE LE LE LE LE LE LE LE LE LE LE LE LE LE LE LE LE LE LE LE LE From the drum majors conducting every show to the quiet example behind the scenes, Drum Corps International International groups are groups are held together held together IN by members by members who take on who take on the mantle of the mantle of leadership. leadership. THE RANKS PACIFIC CREST 42 SOUVENIR 20 19 YEARBOOK

LEADERSADERSADERSADERSADERSADERSADERSADERSADERSADERS LE LE LE LE LE LE LE LE LE BY BY D DANNY ANNY MILES MILES NE OF THE MOST STIRRING MOMENTS in a drum corps show happens before the first note is played. As each unit marches onto the field, the members move with such grace and precision that we may forget that we’re watching high Oschool and college students. The unity they demonstrate is a testament to their training and to the discipline of each and every member. But none of it would be possible without strong leadership. A drum corps organization’s staff may teach the music and drill and provide the guidance the members need to compete in the Drum Corps International arena. But once they hit the field—and, usually, long before that—the leaders they rely upon are chosen from among their peers. “Drum corps is so much bigger than the 11-minute show on the field,” says Mark Kveton, the student leadership coordinator and 20 20 19 19 S SOUVENIR OUVENIR 43 43 YEARBOOK YEARBOOK

drum major camp director of Pacific Crest Drum and Bugle Corps. “There’s so much preparation, time, and energy that goes on to make the product you see at the end of the season.”Whether it’s getting a sec- tion of tired performers to focus during rehearsal, coordinating clean-up after a long day of practice, getting organized for the next long bus trip, or simply helping a new member fit in, drum corps groups rely on student leaders from winter rehearsal camps through the end of the season. “If there’s one thing that’s common among all DCI groups of all sizes and levels, it’s the way they develop leadership skills among members,” says Dan Acheson, Drum Corps International CEO. “While it’s most visible in the drum majors, you’ll find member leaders RiveR City Rhythm across all sections of every corps—brass, per- cussion, front ensemble, and color guard. It’s true of the Open Class and of the World Class. And those the CavalieRs leadership skills set so many of our alumni onto the path to success in their futures.” “As a staff, we can only do so much to prepare the members for what’s to come,” Kveton adds. “And while it’s true that we can relate on some level because most of us have gone through the drum corps experience as for- mer marching members, it’s always easier [for students] to follow and relate to someone who is going through the season with them, side-by-side. Therefore, member leadership is critical in the operations of the organization. When members are providing leadership to their peers, a corps can be unstoppable—and the experience during the season can be that much better for the entire group.” Aside from drum majors, who have a clearly defined public presence, the specific assignment of leadership roles within the ranks may differ from corps to corps. “Many groups have slight variations on how many leaders they have and where they fit within the larger organi- zation,” Kveton says. “Every drum corps group is made up of multiple sections. Within the main sections—color guard, brass and percussion—there can exist subsec- tions, like the trumpets, front ensemble, etc. The desig- nated leaders are part of each of those subsections.” At the top of the pyramid are the drum majors. “They’re the musical conductors and overall student leaders of the group. They’re considered the leaders of the leaders.” Taking The Lead In a typical student ensemble or sports team, leaders will often stand out because they demonstrate talent, com- mitment, perseverance, or charisma that far exceeds that of their peers. But in a drum corps group, every member is seattle CasCades talented, committed, and hardworking. In a way, that makes the pool of potential leaders greater—but it also makes 44 Souvenir 20 19 Yearbook

Leading by exampLe efore enlisting in the U.s. Marine to my Marine Corps career. You work to be the best Corps and joining “The Commandant’s you can be for the people you’re working with. Own” U.S. Marine Drum & Bugle Corps, “I remember talking to my commanding Master Gunnery Sergeant William Ru- officer about an important similarity be- lapaugh spent three seasons in DCI: tween drum corps and the Marines: You two as a tenor drummer with Magic of need your explicit leaders—people with of- B Orlando and one as a member of the ficial authority—and implicit leaders. Peo- Crossmen front ensemble. After the 1994 ple sometimes follow a person who isn’t season, he went straight into boot camp. in the ‘explicit’ role. Those implicit leaders “The first thing I noticed is that leading by are like the conscience of the section. When example is the key in drum corps and in the Ma- I was section head, I would tell the drum line, rines,” says Rulapaugh, who served as the USMC ‘Take a cue from your peers!’ I was looking for Drum & Bugle Corps’ percussion section leader from consultation, rather than dictation.” 2005-2013. “It’s even more important than—but related to— It’s also important to remember that young people who someone’s ability to inspire. Being in drum corps demands a are named as leaders may be feeling the pressure to live lot of you mentally and physically. When you’re a teenager, like up to their assigned roles. How do you get a section full of I was in my early DCI days, you’re always looking for someone talented people to follow you? “My advice to people who’ve to model yourself after. You look for an example [among your been appointed as section heads or even drum majors is to peers] and you never want to be below the example they set. understand you’re there to serve others,” Rulapaugh says. You have to meet that standard. “When we do that and do it well, our success happens au- For individual members, the ability to lead isn’t limited tomatically. As soon as you make it ‘about you,’ that’s when to those assigned leadership roles. “It doesn’t always come you may have problems. If you become self-centered with from the drum major,” Rulapaugh says. “It comes from the authority, you’re not going to be as successful. But if you person to the left or right of you. When you’re having a rough focus on stepping up, setting a good example, and making it day, you need someone to lean on. I definitely carried that your mission to serve everyone around you, you’ll be fine.” ■ 20 19 Souvenir 45 Yearbook

for most DCI groups, the responsi- bilities go beyond what one might expect as, say, first chair in a band or captain of a sports team. “It’s possibly the hardest thing to do in our activity,” Kveton says. “You have all the same responsibilities and rewards as a member of the drum corps—but with all of the stress and consequences that come with pursu- ing the group’s goals and objectives. We think of our leadership as toeing Blue Knights the line between a performer and an instructor, with the added co- ordination it takes to do both jobs. it hard to choose.“Our philosophy in choosing student But if it’s done well, the reward of performing with your fel- leaders is based around the idea of servant-leadership,” low members and seeing the outcome of your season is that Kveton says. “We want leaders who can not only talk-the- much sweeter—knowing you took an active role in pushing talk, but also walk-the-walk. Leaders in the corps should the corps to the level they reach.” be examples of what new members strive to be. So we take performance on and off the field into account. Most impor- Leading to SucceSS tantly, we gravitate towards individuals who are authentic As many drum corps can attest, the challenge of leading in the way they interact with their peers. A genuine love of can set the foundation for later success in life. “We always the drum corps activity doesn’t hurt either!” joke that if you can get through a season of drum corps, Drum corps groups don’t take member leadership re- most any other activity you encounter will be a piece sponsibilities lightly. The selection process often includes of cake,” Kveton says. “Being a section leader or drum interviews with corps staff members and a thorough major teaches you how to go out into the ‘real’ world evaluation of their past performance in their current and handle the challenges life throws at you. drum corps and, if they’re veterans of other groups, “The biggest lessons really lie in what leadership teach- their history with those units, as well. “We also look at es you about yourself. Going through these experiences the growth potential,” Kveton says. “Where are they now shows you what you’re made of, where you can improve, versus where they’ll be if given an opportunity to be in and what drives you. And being a ‘leader’ doesn’t only a leadership position.” extend to those in leadership positions. Every member of For drum corps organizations, these choices are criti- the ensemble has to be a leader at some point. Everyone cal. Effective student leaders can keep their peers going gets an opportunity to stand up and be heard.” ■ when the season is at its most intense. Leaders help their corps mates recover from dis- appointment—and keep them Mandarins focused on improvement when things seem to be going well. To be effective, they need to be trusted by their peers—but also be comfortable connect- ing with members of staff and volunteers. Therefore, “key staff mem- bers will provide input on the selection,” Kveton says. “Infor- mally, we also ask veteran mem- bers of the group for their per- spective. This ensures that, at the end of the day, the choices involve collaboration at all levels of the organization.” Leading any group is both an honor and a responsibility. But 46 Souvenir 20 19 Yearbook



More and more women are stepping up in marching drum lines—thanks to the pioneers who marched before them. By Danielle Ash