presentatıon

Horror M Horror movie is a type of film that is designed to evoke fe subject of horror movies is the evil forces, events or char appear in supernatural ways. Horror movie characters in killers, or any other series of scary characters. The earlie such as Dracula, Frankenstein, The Mummy, The Werew It is inspired by characters and stories like Hyde. II. Post the things that create insecurity in life and gave rise to th apocalyptic fear and fear of evil forces movies. The last s of early horror films, with a greater emphasis on the supe Horror films have been criticized for their overt violent na low-budget B movies and exploitation movies. However, making such films; More serious criticisms began to be m theory and auteur director theory. Some horror movies a dark comedy and thriller genres.

Movie ear, horror, terror or disgust in the audience. The racters that infiltrate everyday life and sometimes nclude vampires, zombies, monsters, ghosts, serial est horror films were often featured in classical literature wolf, The Phantom of the Opera, and Dr. Jekyll and Mr. t-WWII horror films, on the other hand, were inspired by hree different horror movie sub-genres: personality fear, sub-genre can be considered as the modern versions ernatural forces that terrified the world. ature and have long been dismissed by critics as , with some major film studios and reputable directors made analyzing horror films in the light of film genre also incorporate elements from science fiction, fantasy,

COMEDY Comedy is the genre in which the main emphas designed to entertain the viewer, and the humo attempted to be exaggerated. [1] Such movies usually have a happy ending (with the silent cinema period, some films were shot vulgar comedy visually. [2] Unlike other movie g many old stand-up comics to the cinema, there leading actors. Although many comedy movies purpose than to entertain people, for example; commentary, such as in The People of the Pres

Y FİLM sis of a movie is humor. Such films are orous effect of real-life characteristics is often h the exception of dark humor genres). During in this genre, and they often silently depict the genres in comedy films, with the adaptation of e has been much more individual focus on the have stories that do not have any other They can also include political and social sident or President of the Year movies.

ADVENTUR Adventure films are a genre of film whose p typically involve protagonists who must leav far away lands to fulfill a goal. Settings play sometimes as big as the characters themse

RE MOVIE plots feature elements of travel. They ve their home or place of comfort and go to y an important role in adventure films, elves.

SCI-FI M Sci-fi film, often accompanied by futuristic space s genre of film that uses speculative and science-ba extraterrestrial life forms, alien planets, and time tr that has been used frequently for the purpose of s for researching philosophical issues such as \"wha The science fiction film genre has existed since th George Melies's Aya Seyahat (1902), which fascin effects. Sci-fi movies were shot as low-budget B m Stanley Kubrick's landmark 2001: A Space Epic (1 more seriously. In the late 1970s, high-budget scie became popular with cinema audiences. The huge Third Type, shot in 1977, were produced by E.T. (1 way for big-budget hit sci-fi movies to be shot over

MOVIE shuttles, robots or other technologies; It is the ased depictions of imaginary phenomena such as ravel. Science fiction film has been a type of film social criticism on political and social issues and at makes us human\". he early years of silent cinema - the making of nated the audience with its fraudulent photo movies from the 1930s to the 1950s. But after 1968), the science fiction genre began to be taken ence fiction movies populated with special effects ely influential Star Wars and Convergences of the 1982) and Men in Black (1997), which paved the r the next decades.

Şehit Ziya Ö Secondar Fatma Zehra Başıbü Cinema is a branch of art. It is a special b in which the audience is shown. As a branch of fine arts, it is the art of rea shown to the audience.

Özkozanoğlu ry School üyük - Esma.Kozan building for this business, with a movie theater alizing and creating films that are suitable to be

HAZEL.KOZA Sanat(Long

AN/Yaşasın Live Art)

Cinematographer • Cinem paten 13, 18 from t secon by the frame histor Decem Paris G first fi produ broth quite secon create secon 15 fps reach sound

matographer: The Lumiere brothers nted the cinematograph on February 895, with the inspiration they received the kinetescope in 1892. The 55- nd \"Arrival of a Train at La Ciotat\", shot e Lumiere brothers at a rate of 15 es, is considered the first film in the ry of cinema. This film was shown on mber 28, 1895, in the basement of the Grand Cafe for 25 people for a fee. The ilm in history, cinema and cinema ucers appeared with the Lumiere hers in 1895. At first, the movies were short, lasting minutes or even nds. It was colorless and silent. To e the illusion of the frame rate per nd, the Lumiere brothers set a rate of s. This number would evolve times and h a speed of 24p with the addition of d.

Color in cinema • Color 1902s arriva in the one. I \"Kinem the gr colori produ 1908. not pr 1917 its ow introd first u \"Flow made 1950, color colori

in cinema: Stenciling was used in the s. However, this is not accepted as the al of color in films, because each frame e image was colored by hand one by In 1906, George Albert Smith invented macolor\". The image passed through reen and red filters, providing a 2-step ing. The first color film was Smith's uction titled \"A Visit to the Seaside\" in . However, this two-color process did rovide a consistent color spectrum. In the Technicolor company also created wn bicolor filter, and in 1932 they duced three-filter coloration. It was used in Walt Disney's animation named wers and Trees\". Its first live use was e with 1934 \"The Cat and the Fiddle\". In , with the Eastmancolor (single-strip process) developed by Eastman Kodak, ing became the standard in cinema.

Sound in cinema • Sou Bro inve first Sing ord sync vide rate scre 20p 24 f

und in cinema: Warner os. Vitaphone was ented by. In 1927, the t sound film \"The Jazz ger\" was released. In der for the sound to be chronized with the eo, a standard frame e was required, so the eenings between 15 and p were switched to the fps standard.

Aspect ratio • Aspec 35mm slow was t or 1: width addit did n the 1 1952 enjoy differ Cinem 1953 these wides proje rate e used 2.35. 1.85:

ct ratio: Thomas Edison used m films in his kinetoscope. With the start of the cinema industry, 35mm taken as reference and in 1909 3: 4 1.33 (ratio between height and h) became the standard. With the tion of sound it became 1.37: 1 and not experience a big change until 1950s. Cinerama was introduced in 2, it offered wide screen movie yment with 3 projectors, but using rent projectors caused some errors. maScope (35mm) was introduced in 3 and Todd-AO (70mm) in 1955, e two projectors could deliver screen and do so with a single ector. In this way, the wide frame entered the cinema, and the ratio in the 1950s was 1: 1.66 and 1: . The two most used ratios now; : 1 and 2.39: 1.

The rise of the cinema • The rise industry industry the 193 Meanw cinema the 193 twice a people develop comple camera arts and televisio source o experie differen collapse increasi becomi result, t country art will in the w

e of the cinema industry: Since 1914, the cinema y has risen slowly but steadily. It reached its peak in 30s. There were voiceovers in movies now. while, Hollywood cinema was born in America, and a became the head of the entertainment industry. In 30s and 1940s, people were going to the movies week. In Britain, the peak was 1946, with 31 million going to the movies every week. Today, with the pment of technology, cinema has become etely different. 3D movies, visual effects, high-tech as and cinema are still some of the biggest budget d entertainment vehicles. With the introduction of on into our lives, cinema is still Europe's biggest of income, even though the whole world is encing a decline. Of course, the situation is a little nt for our country. With the economy that has ed greatly in the last 20 years, income rates and ing unemployment, movie tickets are now ing a luxury for an average income person. As a the number of people going to the movies in our y is rapidly decreasing every year. Although our 7th decline in our country, we will continue to progress world and we will follow it.

Here are some of the real • Adil legends and great masters • Ali Ş who contributed to Turkish • Aliy Cinema. • Ayh • Ayş • Belg • Cah • Cün

le Naşit Şen ye Rona han Işık şen Gruda gin Doruk hide Sonku neyt Arkın

YAŞASIN SANAT! (LONG LİVE A ÖZKOZANOĞLU SECONDRY SC BAŞIBÜYÜK

ART) İKRA.KOZAN ŞEHİT ZİYA CHOOL FATMA ZEHRA



1.BALLET

WHAT İS B Ballet is considered the gift of Renaissance serenity and nobility all over the world. It em mime artists in theater and folk dances, it co Derived from the Italian word ballo, which m a name suitable for the content of the dance. dancer, and a woman is called a ballet dance

BALLET? Italy to the world and is a symbol of merged from the small steps used by ontains gentle and rhythmic figures. means to act in Turkish, it has gained . A male dancer is called a ballet er.

WHO ARE THE FAMOU • TAN SAĞTÜRK - He is a Turkish ballet a

US BALLET ARTİST? artist

WHO ARE THE FAMOU NİNA ANANİASHVİLİ -SHE İS A GEORGİAN BALLET A

US BALLET ARTİST? ARTİST

WHO ARE THE FAMOU • SYLVİE GULLİEM She is a french ballet artist

US BALLET ARTİST?

WHAT İS Cİ • As a brach of fine arts, th creating films that are su the audience.

İNEMA? he art of realizing and uitable for viewing to

WHAT TYPE O • Comedy film Art made to make the aud

OF CİNEMA? dience laugh

WHAT TYPE OF • Adventure Movie Adventure movies are a ty production that is about th discoveries or adventures Although the hero’s task is find a missing person, to s treasure, the main goal is Journey into the unknow.

F CİNEMA? ype of he of a her. s usulle to size a taken as a

REFEREN • https://www.google.com/search?q=komedi+filmleri+t% ed=2ahUKEwis5Judvf7vAhWSlKQKHSC9Cy8Q2- cCegQIABAC&oq=komedi+filmleri+t%C3%BCrk+g%C3% pei1pbWcQAzIFCAAQzQI6BggAEAgQHjoCCABQ9TxYy3V AEAoAEBwAEB&sclient=mobile-gws-wiz-img&ei=oEN3 q74Ag&bih=964&biw=602&client=tablet-android-sam • https://www.sabah.com.tr/tan-sagturk-kimdir • https://www.google.com/search?q=sinema+nedir&clie rev1&biw=602&bih=964&ei=fpN0YM2JJ9GwkwWtwoL 1zZXJwEAEYADICCCkyAggAMgUIABCxAzIFCAAQsQMyA AQRzoHCCkQsQMQDToFCCkQzQI6BAgpEAo6BAgAEEM xxhYoTZgwz5oAHABeAOAAbQDiAHNGZIBCTAuMS41LjQ gws-wiz-serp

NCES %C3%BCrk+g%C3%BClen+g%C3%B6zler&tbm=isch&v %BClen+g%C3%B6zler&gs_lcp=ChJtb2JpbGUtZ3dzLXd Vgp3toAHAAeACAAZwEiAGxIJIBCzAuNi45LjEuMC4xm 3YKyUG5KpkgWg- msung-nf-rev1&prmd=niv#imgrc=jET3XWhge2BpGM ent=tablet-android-samsung-nf- LQDw&oq=sinema&gs_lcp=ChNtb2JpbGUtZ3dzLXdpei AggAMgIIADICCAAyBQgAELEDMggIABCxAxCDAToECA M6CAguELEDEIMBOgsILhCxAxCDARCTAjoFCC4QsQNQ QuMZgBAKABAbABD8gBCMABAQ&sclient=mobile-

CİNE LONG LİVE ART ( YAŞASIN SANAT ) ÖZKOZANOĞLU ORTAOKU

EMA Yazan:Melda.kozan Okul:ŞEHİT ZİYA ULU SECONDRY SCHOOL

HORROR MOVİE • Extraordinary film designed to crea audience. Horror flim is a type of fl fear, terror or disgust in the audien are evil forces that infiltrate everyd extraordianry ways,creating events characters include vampires, zomb or any other series of scary charact

ate a certain tension in the lim that is fictionalized to araouse nce. The subject of horror movies day life and sometimes apper in s or characters. Horror movie bies, monsters,guests, serial, killers ters

DOCUMENTARY FLİMS • Documentary flims are a cinematic results of cesarch on certain subjec oncerns. With its life span of more provides us with visual anf auditor integrity and reconstruction of rea briefly,documentary flim is the tra subject and materials to the audien aesthetic integrity. Perhaps it is the

c method based on reflecting the cts to the audience with aestheti e than a year,The documentary film ry opportunities with its subject ality.If it is necessary to mention ansfer of researchers based on real nce by visualizing them in an e first cinematic method