Chitarra pentamodale ed estetica del jazz_Anteprima

Giovanni Monteforte Chitarra pentamodale ed estetica del Jazz M.A.P. Editions



Giovanni Monteforte “Estetica del Jazz” - “Chitarra Pentamodale” INDICE Estetica del Jazz Introduzione ...............................................................................................................................pag. 4 Capitolo 1: Musicologia e Jazz ..................................................................................................pag. 6 Capitolo 2: Jazz e tradizione eurologica ....................................................................................pag. 7 Capitolo 3: Jazz e Fusion ...........................................................................................................pag. 12 Capitolo 4: Il revisionismo nel Jazz............................................................................................pag. 16 Capitolo 5: Strategia di produzione e proprietà semantico-culturali .........................................pag. 21 Capitolo 6: L’ideologia della contaminazione............................................................................pag. 23 Conclusioni ................................................................................................................................pag. 26 Bibliografia ................................................................................................................................pag. 28 Chitarra Pentamodale Introduzione ...............................................................................................................................pag. 29 None Undicesime Tredicesime in C Maggiore ..........................................................................pag. 32 None Undicesime Tredicesime in C Minore Armonico .............................................................pag. 33 None Undicesime Tredicesime in C Minore Jazz ......................................................................pag. 34 Pentamodali di nona in C Maggiore ..........................................................................................pag. 35 Pentamodali di nona in C Minore Armonico .............................................................................pag. 36 Pentamodali di nona in C Minore Jazz ......................................................................................pag. 37 Frasi II V I in C Maggiore .........................................................................................................pag. 38 Frasi II V I Maggiore Undicesime .............................................................................................pag. 39 Frasi II V I in C Maggiore Tredicesime .....................................................................................pag. 40 Frasi II V I in C Minore Armonico - None ................................................................................pag. 41 Frasi II V I Minore - Undicesime ...............................................................................................pag. 42 Frasi II V I in C Minore Armonico - Tredicesime .....................................................................pag. 43 Frasi II V I in C Maggiore Armonico - None ............................................................................pag. 44 Frasi II V I in C Maggiore - Dominanti #9 b9 ...........................................................................pag. 45 Frasi II V I Maggiore - Dominanti #5\\b5\\#9 ..............................................................................pag. 46 Frasi II V I in C Minore - Sostituzioni ......................................................................................pag. 47 Frasi II V I Maggiore - None......................................................................................................pag. 48 Frasi II V I Minore Armonico - None ........................................................................................pag. 49 Pentamodali a due note per corda dalla corda 6) alla 1) - None in C Maggiore ........................pag. 50 Pentamodali di Nona in C Minore Armonico ............................................................................pag. 52 Pentamodali di Nona in C Minore Jazz .....................................................................................pag. 54 Pentamodali di Undicesima in C Maggiore ...............................................................................pag. 56 Pentamodali di Undicesima in C Minore Armonico ..................................................................pag. 58 Note Tecniche ............................................................................................................................pag. 60 Bibliografia ................................................................................................................................pag. 61 Giovanni Monteforte ..................................................................................................................pag. 62



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Parker, Bill Evans, John Coltrane, Miles Davis e che coloro che hanno effettivamente compiuto l’esperienza musicale del jazz intuiscono immediatamente a livello, appunto, estetico. Quegli stessi valori emancipativi spirituali, etici, democratici ed egualitari che, ad esempio, sono stati alla base della resistenza contro il nazi-fascismo in Europa 4

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Bibliografia Rocco Musolino “Marxismo ed estetica in Italia” - Editori Riuniti Giovanni Reale “Storia della Filosofia Antica” V - ed. Vita e Pensiero Nicola Abbagnano “Dizionario di filosofia” “ Storia della Filosofia” Utet. Fredric Jameson “Il postmoderno, o la logica culturale del tardo capitalismo” ed. Garzanti Umberto Eco “L’opera aperta” Tascabili Bompiani Aldous Huxley “Saggi sull’educazione” ed. Armando Davide Sparti “Il Corpo Sonoro” “Suoni Inauditi” Il Mulino Jean-Jacques Nattiez “Musicologia generale e semiologia” EDT Giovanni Monteforte “Guida pratica dell’improvvisazione Jazz” ed. Playgame Music Herbert Marcuse “Saggio sulla liberazione” “L’ uomo a una dimensione” “Ragione e rivoluzione” ed. Einaudi John Sloboda “La Mente Musicale” ed. Il Mulino Ernest Mandel “Introduzione alla teoria economica marxista” Samonà e Savelli 1967 Erika Leonardi “Azienda in Jazz”, ed. Il Sole 24 Ore; www.erikaleonardi.it Amiri Baraka “Il popolo del Blues”ed. ShaKe 1999 John Blacking “Com’è musicale l’uomo?” Ricordi-Lim, Le Sfere Georg Knepler “La storia che spiega la musica” Ricordi Unicopli – Le Sfere Maurizio Franco “Il jazz tra passato e futuro” - Quaderni di Musica e Realtà - Lim ed. 1995-2001 D’Amico “Musica dell’Africa nera” ed. L’Epos Vincenzo Caporaletti “I processi improvvisativi nella musica”LIM ed. Hugues Dufourt “Musica, Potere, Scrittura” Le Sfere ed.LIM-Ricordi Hugues Dufourt “Il dinamismo genetico del materiale musicale e il suo movimento generatore di spazio” “Musica e Realtà” n.77, luglio 2005 Janos Maroty “Musica e Uomo” Le Sfere ed.1987 R. Barthes “Elementi di semiologia” Einaudi Eric Nisenson:“The murder of jazz” Blue /Da Capo press -www.dacapopress.com Ernest Mandel “Introduzione alla teoria economica marxista” Samonà e Savelli 1967 Mao Tse Tung “Sulla contraddizione” Casa editrice di lingue estere, Pechino 1969 Vittorino Andreoli “La Musica e La Mente” articolo p. 29 – 30: Atti del Convegno ”Giovani di oggi, musica di sempre “Gioventù Musicale D’Italia” Milano 2000 Friedrich Wilhelm Joseph Schelling “Filosofia dell’Arte” [1802] Fabbri Editori. Franco Fayenz “Lennie Tristano” ed. Stampa Alternativa Schuller “Il Jazz Classico” ed. Mondadori Sbardella introduzione a “Il Capitale” Carlo Marx ed. ATE 1965 Pestalozza-Favaro “Storia della musica”WB-Music Nattiez “Musicologia generale e Semiologia” p. 70, EDT Vittorio Mathieu articolo “Musica senza parole”, Atti del Convegno: “Giovani di oggi, musica di sempre” Gioventù Musicale D’Italia” Milano 25-10-2002 Walter Mauro “Storia del Jazz” Newton Franco Ferrarotti “Istituzioni di sociologia” www.uninettuno.it G. Sibilla “I linguaggi della musica Pop” Bompiani 2003 28

Bibliografia - Giovanni Monteforte $SURSRVLWRGHO³6LVWHPD3HQWDWRQLFR0RGDOH´ULHSLORJRTXLOHPLHSXEEOLFD]LRQL  x³,O0DQXDOHGL&KLWDUUD-D]]´(G$QWKURSRVHVHUFL]LSUHSDUDWRULDOOHSHQWDPRGDOLH SHQWDPRGDOLGRPLQDQWLGL*H*EHPDJJLRUL?PLQRULGLXQGLFHVLPD x³&KLWDUUD-D]]±$SSURFFLVYLOXSSLHVSHULHQ]H´6H]LRQH3ULPD(G5LFRUGLSHQWDIRQLFKHD GXHQRWHSHUFRUGDLQVHTXHQ]DVFDODUHLQWXWWHO xHWRQDOLWjHRVWUXWWXUHRUL]]RQWDOLSDJD  xOLEUR HYLGHR ³,PSURYYLVDUHDGDUSHJJL´(G3OD\\JDPH0XVLF3HQWDIRQLFKHHR DUSHJJLDQRWH QHOOHFDGHQ]HQRQDGXHQRWHSHUFRUGDPDFRQYDULHGLWHJJLDWXUHVWUHWWH  1HOOLEURSDJD x³,PSURYYLVDUHVXJOLVWDQGDUGV´YLGHR(G3OD\\JDPH0XVLF3HQWDIRQLFKHFRQYDULH GLWHJJLDWXUHVWUHWWHDSSOLFDWHDGDUPRQLHVWDQGDUG x³/DWDVWLHUDHO LPSURYYLVD]LRQH´(G3OD\\JDPH0XVLF3HQWDIRQLFKHDGXHQRWHSHUFRUGD FRQUHODWLYHVFDOHPRGDOLLQGLWHJJLDWXUDFRPELQDWDQHOODWRQDOLWDGL&0HPQDW LQVHTXHQ]D TXDUWDOHPRQRWRQDOH xQXRYDHGL]LRQHGL³&KLWDUUD-D]]±$SSURFFLVYLOXSSLHVSHULHQ]H´6H]LRQH3ULPD(G 5LFRUGLSHQWDIRQLFKHDGXHQRWHSHUFRUGDLQVHTXHQ]DVFDODUHPDJJLRUHPLQRUHDUPRQLFDH PHORGLFDLQWXWWHOHWRQDOLWjFRQUHODWLYHVFDOHPRGDOLLQGLWHJJLDWXUDFRPELQDWD 61

Giovanni Monteforte - chitarrista jazz Ha studiato musica jazz a Londra con Peter Ind (allievo e contrabassista di Lennie Tristano). Ha inciso con Lee Konitz il brano di Lennie Tristano “317 East 32nd” pubblicato sia nel CD “Antologia della chitarra jazz in Italia” Vol. 1 (Ed. Buscemi-Records-1996) che sul CD “25 Anni Scimmie” (Ed. Edel- 2006). E’ autore di varie pubblicazioni didattiche concernenti il sistema pentatonico-modale tra le quali “Chitarra Jazz Approcci Sviluppi Esperienze” Sezione Prima-ed.Hal Leonard (1993 e ristampa 2007) e “La tastiera e L’improvvisazione” Playgame Music 2005. Il suo articolo “Filosofia del Jazz” è consultabile nel sito www. adgpa.it Dal 1988 è docente di chitarra jazz presso i Civici Corsi di Jazz di Milano diretti da Franco Cerri, Enrico Intra e Maurizio Franco. Giovanni Monteforte - jazz guitarist After a short period of studying in London with the double-bass player Peter Ind, has dedicated his profes- sional life to the music, alternating concert activity with teaching. He’s the author of “Il Manuale di chitarra jazz“ an Anthtropos Edition and written with Franco Cerri and Pa- olo Cattaneo there is also “Chitarra Jazz, approcci, sviluppi, esperienze.”, a BMG-Ricordi-Universal Editon. He has been editing for ten years the teaching section of “Chitarre”, a monthly magazine. He’s the author of some teaching videos: “Improvvisare sugli standards” and “Improvvisare ad arpeggi”; the last one mentio- ned gives also the title to a book written by him. He has edited the didactic cd “Basi di chitarra jazz” (Playgame Music Edition). Thanks to a successful association with Paolo Cattaneo an other cd, whose title is “Dimensione verticale” a New Sound Planet Edition, has been published. Together with a great saxophonist, Lee Konitz, he has recor- ded the track by Lennie Tristano “317 East 32nd” included in the compilation “Antologia della chitarra jazz in Italia” Vol. I a Buscemi-Records Edition-Milan. He has also cut records such as “Mondi Sottili” GM001, “TelQuel” MAP Edition - Milan, and “Neomodern Jazz Trio” Ed. Brocca, Music Center Lissone, Milan. Giovanni Monteforte suona chitarre Giovanni Monteforte plays guitars 62