LOOK BACK IF YOU FEATURING: FRIENDS * DAZED AND CONFUSED * PRETTY WOMAN * BUFFY THE VAMPIRE SLAYER * ALMOST FAMOUS * 10 THINGS I HATE ABOUT YOU * THE MATRIX * NOTTING HILL * AMERICAN PIE * THAT 70S SHOW * AND MORE! 1990- 2000 ISSUE 01 1
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SO YOU’RE INTO THE CLA 4
SSICS? TW: This publication features themes that may be distressing to some readers. Jaws, 1975. 5
NETVHEEROBNELEYNTKHIISNSGEMD,O1R9E9T9E. RRIFYING THAN THE REVELATIONS MADE IN THIS PUBLICATION IS THAT YOUR WATCHING HABITS WON’T CHANGE. S6uspira, 1977.
HERE’S OVERLOOK! ............................................................................ O8 MEET THE CAST ................................................................................ 10 WE’RE FUCKED! ................................................................................. 22 DEFEND THE CONTROVERSY ............................................................ 24 SAYS WHO? ....................................................................................... 28 THE TOKENS OF 90S TV ................................................................. 30 WOULD THEY BE CANCELLED? ........................................................ 32 THE OVERLOOKED TOP 10 ............................................................. 36 THE BURN BOOK ............................................................................. 44 THE TEST OF TIME .............................................................................. 56 FREE SHIT .......................................................................................... 58 On the Cover: Psycho, 1960.7
Scream Of Fear, 1961. I CAN’T WATC 08
Here’s Overlook; a coverage of hindsight as a not so wonderful thing, exposing the addictive horror of nostalgia. Contemplating the most emblematic on-screen eras as we define them issue by issue, we judge just how well iconic favourites have really stood the test of time. CH !!!! 09
MEETOF ISSUE 01 THE CAST 10
(Re)Introducing you to the faces of Issue 01: 1990 – 2000 as we see them today. Including those you used to love, are trying (and mostly failing) to still, and afew that haven’t offset our total recall. Rewinding to the start the era that brought us the beginnings of the chick-flick genre in its peak, a sit-com revolution, the ‘greatest year of cinema’ that was 1999, and just creeping into the turn of the millennium, we hit pause on the ceaseless 90s revival to play on the dark side of the faces at the forefront of the classics. T Scream, 1996. 11
........................................ 72 INTELLECTUAL ................................. 88 OFFENSIVE ............... ST .................................... 68 FEMINIST ......................................... 96 MISOGYNIST ............ TAL ................................ 87 SARCASTIC ..................................... 79 RUDE ........................ TIVE ................................ 84 DRIVEN ............................................ 75 IMMATURE .............. BIC .................................. 62 NON-COMFORMIST ......................... 68 OBNOXIOUS ............ BIC ................................. 44 OPINIONATED ................................. 83 AGGRESSIVE ........... MPLEX ............................ 96 DIRECT ............................................ 92 CREEP ...................... INDEPENDENT ................................. 66 PREDATOR ............... ....................................... 54 ROSS GELLER KAT STRATFORD FRIENDS, 1994 10 THINGS I HATE ABOUT YOU, 1999 . 97 RACIST ............................................. 72 INTELLECTUAL ................................. 88 . 71 MISOGYNIST .................................... 68 FEMINIST ......................................... 96 89 JUDGEMENTAL ................................ 87 SARCASTIC ..................................... 79 95 MANIPULATIVE ................................ 84 DRIVEN ............................................ 75 98 HOMOPHOBIC .................................. 62 NON-COMFORMIST ......................... 68 82 TRANSPHOBIC ................................. 44 OPINIONATED ................................. 83 77 VICTIM COMPLEX ............................ 96 DIRECT ............................................ 92 90 PREDATOR ....................................... 54 INDEPENDENT ................................. 66 ARD LEWIS ROSS GELLER KAT STRAT MAN, 1990 FRIENDS, 1994 10 THINGS I HATE 12
......................... 72 SEXIST .............................................. 78 TOXIC ..................................... ......................... 98 DEGRADING ..................................... 85 ANTI-FEMINIST ....................... ......................... 85 INSENSITIVE ................................... 92 JUDGEMENTAL ....................... ......................... 91 CONTROLLING ................................. 64 MALE DEPENDENT .................. ......................... 67 MANIPULATIVE ............................... 89 INACCURATE .......................... ........................ 79 VAIN ................................................ 96 PATHETIC ............................... ........................ 94 ARROGANT ..................................... 82 VICTIM COMPLEX ................... ......................... 90 SELF-ABSORBED .............................. 79 PREDATOR .............................. STEVE STIFLER JACKIE BURKHART PE AMERICAN PIE, 1999 THAT 70’S SHOW, 1998 ALM OFFENSIVE ....................................... 72 SEXIST .............................................. 78 TOX MISOGYNIST .................................... 98 DEGRADING ..................................... 85 ANT RUDE ................................................ 85 INSENSITIVE ................................... 92 JUD IMMATURE ...................................... 91 CONTROLLING ................................. 64 MA OBNOXIOUS .................................... 67 MANIPULATIVE ............................... 89 INA AGGRESSIVE .................................. 79 VAIN ................................................ 96 PAT CREEP ............................................. 94 ARROGANT ..................................... 82 VIC PREDATOR ....................................... 90 SELF-ABSORBED .............................. 79 PRE TFORD STEVE STIFLER JACKIE BURKHA ABOUT YOU, 1999 AMERICAN PIE, 1999 THAT 70’S SHOW, 1998 13
........................................... 81 RACIST ............................................. 68 DEFIANT .................. MINIST ................................ 98 BIPHOBIC ......................................... 91 BRAVE .................... JUDGEMENTAL ................................ 87 FOCUSED ................ NTAL ................................ 63 MALE DEPENDENT ............................ 95 INTUITIVE ............... PENDENT ........................... 92 HOMOPHOBIC .................................. 76 DECISIVE ................ ATE ................................... 97 TRANSPHOBIC ................................. 62 ADAPTABLE ........... C ........................................ 86 NARCISSIST .................................... 81 UNDERSTANDING ... OMPLEX ............................ 52 SLUT SHAMING................................. 52 TREND-SETTER ....... R ....................................... 31 T PENNY LANE CARRIE BRADSHAW ALMOST FAMOUS, 2000 SEX AND THE CITY, 1998 .... 78 TOXIC ............................................... 81 RACIST ............................................. 68 ... 85 ANTI-FEMINIST ................................ 98 BIPHOBIC ......................................... 91 .. 92 JUDGEMENTAL ................................ 63 JUDGEMENTAL ................................ 87 ... 64 MALE DEPENDENT ........................... 92 MALE DEPENDENT ............................ 95 ... 89 INACCURATE ................................... 97 HOMOPHOBIC .................................. 76 ... 96 PATHETIC ........................................ 86 TRANSPHOBIC ................................. 62 ... 82 VICTIM COMPLEX ............................ 52 NARCISSIST .................................... 81 ... 79 PREDATOR ....................................... 31 SLUT SHAMING................................. 52 KIE BURKHART PENNY LANE CARRIE BR 0’S SHOW, 1998 ALMOST FAMOUS, 2000 SEX AND THE CIT 14
.......................... 89 BULLY ............................................... 99 NAIVE ...................................... .......................... 91 THEREATENING ............................... 87 SPIRITED ................................. .......................... 83 AGGRESSIVE ................................... 88 OUTSPOKEN ........................... .......................... 95 QUEEN BEE ...................................... 92 FIESTY .................................... ......................... 76 BADASS .......................................... 79 GENEROUS .............................. .......................... 71 INTIMIDATING ................................. 75 HONEST ................................... .......................... 58 FIRM ................................................ 81 IMPULSIVE ............................. .......................... 98 UNWAVERING ................................. 68 DRIVEN ................................... NEO DARLA MARKS VIV THE MATRIX, 1999 DAZED AND CONFUSED, 1993 PRET DEFIANT ........................................... 89 BULLY ............................................... 99 NAIV BRAVE ............................................. 91 THEREATENING ............................... 87 SPIR FOCUSED ......................................... 83 AGGRESSIVE ................................... 88 OUTS INTUITIVE ........................................ 95 QUEEN BEE ...................................... 92 FIEST DECISIVE ........................................ 76 BADASS .......................................... 79 GENE ADAPTABLE .................................... 71 INTIMIDATING ................................. 75 HONE UNDERSTANDING ............................ 58 FIRM ................................................ 81 IMPU TREND-SETTER ................................ 98 UNWAVERING ................................. 68 DRIV RADSHAW NEO DARLA MARKS TY, 1998 THE MATRIX, 1999 DAZED AND CONFUSED, 1993 15
............................................. 57 SEXIST .............................................. 84 VIOLENT ................ D .......................................... 70 MANSPLAINING ............................... 95 SEXIST .................. KEN .................................... 82 CONDESCENDING ............................. 91 RACIST .................. ............................................ 78 CONTROLLING ................................. 87 ABUSIVE ............... US ....................................... 65 MANIPULATIVE ............................... 79 HOMOPHOBIC ....... CREEP .............................................. 75 MANIPULATIVE .... ........................................... 88 VICTIM COMPLEX ............................ 90 WITTY ................... VE ...................................... 81 SELF-ABSORBED .............................. 81 PREDATOR ............ ........................................... 92 VIVIAN WARD ERIC FORMAN PRETTY WOMAN, 1990 THAT 70’S SHOW, 1998 .... 99 NAIVE ............................................... 57 SEXIST .............................................. 84 ... 87 SPIRITED .......................................... 70 MANSPLAINING ............................... 95 ... 88 OUTSPOKEN .................................... 82 CONDESCENDING ............................. 91 ... 92 FIESTY ............................................. 78 CONTROLLING ................................. 87 ... 79 GENEROUS ....................................... 65 MANIPULATIVE ............................... 79 ... 75 HONEST ........................................... 88 CREEP .............................................. 75 ... 81 IMPULSIVE ...................................... 81 VICTIM COMPLEX ............................ 90 ... 68 DRIVEN ........................................... 92 SELF-ABSORBED .............................. 81 ARLA MARKS VIVIAN WARD ERIC FOR D AND CONFUSED, 1993 PRETTY WOMAN, 1990 THAT 70’S SH 16
............................ 79 SUPERFICIAL .................................... 92 STUBBORN .............................. ............................ 88 SELF-ABSORBED .............................. 85 DETERMINED ........................... ............................ 87 IGNORANT ....................................... 97 EMPATHETIC .......................... ............................ 96 MATERIALISTIC .............................. 90 HONEST .................................. ............................ 87 DEDICATED ..................................... 89 STRONG ................................. ............................ 59 LOYAL ............................................. 78 SELF-DESTRUCTIVE ............... ............................ 61 SELF IMPROVEMENT ....................... 82 LEADER ................................... ............................ 94 QUOTABILITY ................................... 99 STYLISH .................................. SPIKE CHER HOROWITZ BUF BUFFY THE VAMPIRE SLAYER, 1997 CLUELESS, 1995 BUFFY CHER HROROWITZ VIOLENT ........................................... 79 SUPERFICIAL .................................... 92 STUB SEXIST ............................................. 88 SELF-ABSORBED .............................. 85 DETER RACIST ............................................. 87 IGNORANT ....................................... 97 EMPA ABUSIVE .......................................... 96 MATERIALISTIC .............................. 90 HONE HOMOPHOBIC .................................. 87 DEDICATED ..................................... 89 STRO MANIPULATIVE ............................... 59 LOYAL ............................................. 78 SELF- WITTY .............................................. 61 SELF IMPROVEMENT ....................... 82 LEAD PREDATOR ....................................... 94 QUOTABILITY ................................... 99 STYL RMAN SPIKE CHER HOROWI HOW, 1998 BUFFY THE VAMPIRE SLAYER, 1997 CLUELESS, 1995 CHER HROROW 17
RN ....................................... 67 CREEP ............................................... 99 SELFISH .................. MINED .................................... 78 MISOGYNIST .................................... 81 HYPOCRITICAL ...... HETIC ................................... 82 MANCHILD ....................................... 94 ANARCHIST .......... T ........................................... 71 COOL ................................................ 90 MANIPULATIVE ...... G .......................................... 98 STONER ........................................... 78 SHALLOW .............. CHARMING ...................................... 75 COCKY .................. STRUCTIVE ........................ 59 FUNNY ............................................. 83 BADASS ................ ............................................ 93 PREDATOR ....................................... 92 CHARISMATIC ....... H ........................................... 90 BUFFY SUMMERS DAVID WOODERSON BUFFY THE VAMPIRE SLAYER, 1997 DAZED AND CONFSUED, 1993 ... 92 STUBBORN ....................................... 67 CREEP ............................................... 99 ... 85 DETERMINED .................................... 78 MISOGYNIST .................................... 81 ... 97 EMPATHETIC ................................... 82 MANCHILD ....................................... 94 .. 90 HONEST ........................................... 71 COOL ................................................ 90 .. 89 STRONG .......................................... 98 STONER ........................................... 78 .. 78 SELF-DESTRUCTIVE ........................ 59 CHARMING ...................................... 75 ... 82 LEADER ............................................ 93 FUNNY ............................................. 83 ... 99 STYLISH ........................................... 90 PREDATOR ....................................... 92 OROWITZ BUFFY SUMMERS DAVID WOOD 1995 BUFFY THE VAMPIRE SLAYER, 1997 DAZED AND CONFSUED, ROROWITZ 18
........................... 72 EMPOWERED .................................... 97 MOCKING .................................. ........................... 86 INTERNALISED MISOGYNY ............. 70 CHARMING ................................ .......................... 89 ATTENTIVE ...................................... 88 LIAR .......................................... ........................... 97 INDEPENDENT ................................. 91 CONTROLLING .......................... ........................... 76 INTUITIVE ........................................ 68 MANIPULATIVE ........................ ........................... 90 WITTY ............................................. 83 WITTY ....................................... ........................... 97 COMPASSIONATE .......................... 94 NARCISSIST ............................. ........................... 74 DETERMINED ................................... 76 POWER HUNGRY ...................... TYLER DURDEN GRACIE HART JOE FIGHT CLUB, 1999 MISS CONGENIALITY, 2000 YOU’ SELFISH ............................................ 72 EMPOWERED .................................... 97 MOCK HYPOCRITICAL ................................ 86 INTERNALISED MISOGYNY ............. 70 CHAR ANARCHIST .................................... 89 ATTENTIVE ...................................... 88 LIAR MANIPULATIVE ................................ 97 INDEPENDENT ................................. 91 CONT SHALLOW ........................................ 76 INTUITIVE ........................................ 68 MAN COCKY ............................................ 90 WITTY ............................................. 83 WITT BADASS .......................................... 97 COMPASSIONATE .......................... 94 NARC CHARISMATIC ................................. 74 DETERMINED ................................... 76 POWE DERSON TYLER DURDEN GRACIE HART 1993 FIGHT CLUB, 1999 MISS CONGENIALITY, 2000 19
T ............................................. 72 MOCKING .......................................... 81 ANTI-FEMINIST ... YNIST .................................... 68 CHARMING ....................................... 88 SUPERFICIAL ....... MENTAL ................................ 87 LIAR ................................................ 97 JUDGEMENTAL ... ULATIVE ................................ 84 CONTROLLING ................................. 68 MALE DEPENDENT HOBIC .................................. 62 MANIPULATIVE ............................... 73 TRADITIONALIST PHOBIC ................................. 44 WITTY .............................................. 85 DESPERATE ......... NARCISSIST .................................... 70 SELFISH ............... COMPLEX ............................ 96 POWER HUNGRY ............................ 91 SLUT SHAMING.... TOR ....................................... 54 JOE FOX CHARLOTTE YORK YOU’VE GOT MAIL, 1998 SEX AND THE CITY, 1998 .... 97 MOCKING .......................................... 81 ANTI-FEMINIST ................................. 99 ..... 70 CHARMING ....................................... 88 SUPERFICIAL .................................... 78 .... 88 LIAR ................................................ 97 JUDGEMENTAL ................................ 75 .... 91 CONTROLLING ................................. 68 MALE DEPENDENT ............................ 91 .... 68 MANIPULATIVE ............................... 73 TRADITIONALIST .............................. 97 .... 83 WITTY .............................................. 85 DESPERATE ...................................... 84 .... 94 NARCISSIST .................................... 70 SELFISH ............................................ 68 .... 76 POWER HUNGRY ............................ 91 SLUT SHAMING................................. 62 GRACIE HART JOE FOX CHARL SS CONGENIALITY, 2000 YOU’VE GOT MAIL, 1998 SEX AND TH 20
............................... 99 CONDESCENDING ............................ 97 .............................. 78 RUTHLESS ........................................ 71 .............................. 75 JUDGEMENTAL ................................ 89 T ............................ 91 CONTROLLING ................................. 95 .............................. 97 MATERIALISTIC .............................. 98 .............................. 84 COLD ............................................... 82 .............................. 68 SNOB ............................................... 77 .............................. 62 DRIVEN ............................................ 90 EDWARD LEWIS PRETTY WOMAN, 1990 CONDESCENDING ............................ 97 3 CARDS RUTHLESS ........................................ 71 INCLUDED! JUDGEMENTAL ................................ 89 CONTROLLING ................................. 95 COLLECT, COMPARE & MATERIALISTIC .............................. 98 CREEP YOURSELF OUT COLD ............................................... 82 SNOB ............................................... 77 DRIVEN ............................................ 90 LOTTE YORK EDWARD LEWIS HE CITY, 1998 PRETTY WOMAN, 1990 21
AMUSED? ENTERTAINED? COMFORTED? DISTRACTED? INVOLVED? 22
Probably, but unfortunately for every scene you find comfort in theres a line you choose to pretend you didn’t just hear. Balancing the scrutiny of cancel culture and a fascination with iconic on-screen sentiment can be kind of hypocritical, so to save yourself the contradiction and have fun in the fear of what outdated narrative you’re inevitably about to sit through. 23
5 LLEETT’’SSPPLLAAYY DEFEND THE CONTROVERSY 24
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S W 28 Named & Shamed on Pg. 54!
A BUT IT’S ICONIC, RIGHT? YS WHO? 29
Sherice, 90210. Jackie, Seinfeld. Teddy, VBauKSmfeflpynaidyrTreehare,. Full House. TO “ TOKEN OF 9 dsiscvAirelerdeesennidttioychraeictrgaioiroendns.ft 30
FCrhiaernldise., “THE PDraiwnscoinp’asl CGrreeeekn., NS” 90S TV Angela, Boy Meets World. fthYoooorlutdthidheneegsi(erpurrpvreeettdsthpyebeecmtttuoteckedher)n.on 31
WOULD T CANCE *WARNING: APPLY TO CHA YES Would You be Em Be Associate Have They Ever YES Gaslighted Someone? NO NNOO Have They NO A Racia YES Have They Had An Inapporpriate YES Romantic Relationship? Are They A Creep? NO Do They Enf Mascu YES YES 32
THEY BE ELLED? ARACTERS WITH CAUTION!* mbarrassed To NO ed With Them? NO Are They A Feminist? Ever Used YESYES al Slur? YES NO NO Have They Ever Offended/ Dismissed A Minority Group? force Toxic ulinity? NO Have They Ever Made A Homophobic Comment? YES YYES 33
*OH N Carrie, 1976. 34
NO, NOT THIS SHIT AGAIN!* 35
THE OVERLOOKED TOP 1 Only the scariest moments from 10 NEVER BEEN KISSED, 1 the decade that you wish you didn’t have to see again (sorry). “I Know, and she’s A Gymnast!” Exc by Rob Geller after his sister poin 36 the girl he is dating is merely si Another film with discomfort at its Rosemary’s Baby, 1968. journalist Josie Geller goes unde as a high school student, where she mately instils an inappropriate rel ship with her teacher, fellow studen brings her twenty three year old b along to help her fit in, who take opportunity to prey on underage 9 FRIENDS: S3 E7, 1 Homosexuality in genera perceived as an outlandis humorous concept by most char in the show, from Chand defensive reflex to being mi as a gay man, to Ross’ ‘my is a lesbian’ storyline. I instance, Joey attempts to sa an acting student of hi sending him off to an audtio the advice of “play the ch gay” – as if this is the outlandish concept. The s goes on the beat Joey out role regardless, leaving J complain “They liked the stup thing and cats him anyway.” 8 AMERICAN PIE, 1 Jim’s Secret Webcam. Alt further elaboration is not necessary, here some conte added bite; Jim sets up a
10 to watch the exchange student been criticized since the show Nadia undress, who is then sent originally aired in 1998, this 1999. back to Europe upon the leaked episode taking place as on eof the footage reaching her sponsors. most uncomfortable upon rewatching. claimed Victim blaming as a comedic tool nts out is more than a little out of 5EMPIRE ixteen. touch, especially post #MeToo. RECORDS,1995. s core, ercover 7 AMERICAN Empire Records; Rex Manning Day. e ulti- BEAUTY,1999. Upon music idol rex manning’s lation- visit to independent record store nt, and American Beauty; The pre-statutory Empire Records, he has sex with brother rape moment nominated for MTV’s Gina, a teenage employee. Joe, es this best kiss in 1999. The film’s her boss, initially does nothing girls. concept in general, a middle about the illegal act taking place aged man’s infatuation with his in the back of his store, but 1996. teenage daughter’s best friend, was takes his time to listen in, before uncomfortable then, and is even more finally kicking Rex out just for al is uncomfortable now. The portrayal everyone to blame Gina for ruining sh and of a criminal as a romantic hero what should’ve been a big day for racters sits even worse in the light of business and to be repeatedly slut dler’s Kevin Spacey’s underage sexual shamed for her decision. Sexist? istaken assault allegations, this Lolita- Inappropriate? All of the above. y wife complex heightened by the “strange In this and eerie” on-set experiences 4 ACE VENTURA: PET abotage described by Mena Suvari. DETECTIVE, 1994. is, by on with 6 SEX AND THE Ace Ventura’s entire transphobic harater CITY: S3 E5 , 2000. storyline. Not the only one of Jim e most Carrey’s movies to be questioned student This episode shows Samantha’s its appropriateness upon reflection, of the relationship with African American but definitely one of the worst to Joey to record executive Chivon, something look back on. The central plot pid gay the show famously did handle well twist ‘reveals’ the villain of ” Ouch. at all. The fetishization of black the film as a transgender woman men throughout the episode is played when she is stripped down to her 1999. for laughs, Samantha claims to “not underwear by police officers, who see colour” and goes on to have an are physically repulsed by this though altercation with Adeena (Chivon’s ‘revelation’, so much so that they really sister) who is portrayed as the start throwing up. This reaction ext for embodiment of the angry black woman alongside the entire handling of Webcam stereotype. The limited diversity a transgender narrative has since and questionable depiction of been used as the grounds of the POC in Sex And The City has long argument to have the movie banned. 37
3 BUFFYTHE VAMPIRE 1 A L M O S T SLAYER: S6 E19, 2002. FAMOUS, 2000. Buffy the Vampire Slayer; S6 E19; Almost Famous; Penny Lane dismissing Seeing Red. In this episode, Buffy the whole of groupiedom in one ends her turbulent relationship anti-feminist swoop. Based on real with Spike, an already controversial groupies Pennie Trumble and Pamela storyline, debated at length Des Barres, the character supposed within Buffy Fandom. Spike’s to represent the empowered spirit reaction to this rejection is of the 1970s groupie movement, no other than attempted rape. provides them a serious disservice What is already an uncomfortable in her “We. Are. Not. Groupies.” moment for viewers is made worse explanation to aspiring music by the attempted justification of journalist, William Miller. As a this behaviour, from the show’s pioneer of feminine sexual agency, narrative and ‘Spuffy’ shippers, Des Barres has since spoken out who blame Spike’s behaviour on on Penny Lane’s contradiction his lack of a soul. The handling to this, not aligning with the of such a graphic sexual abuse empowerment of genuine groupiedom. storyline - a character redemption She refers to Penny’s near overdose arc, and viewer’s acceptance of in reaction to male rejection as such, does not sit well today. “a horribly misogynistic look at what a groupie-muse is,” this 2 SHE’SALLTHAT,1999. sexist misrepresentation a clear projection of a man’s views on women She’s All That: The glasses- that extends beyond a fictional off reveal that has now become a narrative level. Des Barres’ widespread rom-com trope, simply memoir was never picked up due perpetuates female appearance to the success of Cameron Crowe’s to be of the upmost importance, Almost Famous, leaving the most dismissing women as whole people renown account of female groupiedom until their looks make them to have been written by a man, ‘worthy’ of noticing or listening missing the point entirely. And to. Having since seen a sequel in true irony, the disregard of where the concept is flipped in Des-Barres personal account was its gender roles, He’s All That based on the grounds it was anti- (2021) was ridiculed internet wide feminist, not acknowledging the for its questionable performance male-creation of Almost Famous. and script quality, proving that this style of narrative is better “I WAS A WOMAN DOING WHAT left as a thing of the past. I WANTED TO DO. PERIOD.” (Pamela Des Barres) 38
I. AM. NOT. A FEMINIST. 39
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(SCREAMING I 42
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“That’s what I love about these high school girls man. I get older, they stay the same age.” 47
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ThtehtrMoooaxufsigkchJi(mtm1ah9seC9ca4unr)larirednryeia’pttsiyicvtes character being taken over by his libido whenever he wears teTDnarhiobnfeafaizpcaff’ukinylsrcimptincohegshsenhaentcorowaoamnsctnacthdseCeekparrntmo-estwbrhh.aoooatnwnh to be repeatedly otbhhjaeercrftialismfis,eeddfoatrnhdrloasuueggxhhuosaultolfy course. 50
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