Photoshop Creative - Issue 144 2016

ElementsCreate rivers Grow some trees Expert tip05 Let’s create some curved rivers. 06 Trees are easy to create and can be scattered Keep colours Select a stretch with the Rectangular across the map. Grab a hard brush, hold Shift under controlMarquee and fill blue, then create a circle, as and draw upwards in the gold colour. Continue holdingshown above, with the Elliptical Marquee. Ctrl/ Shift and click diagonally. Use a bigger, green brush Choosing a strict colourright-click, choose Transform Selection and behind this layer. Select half this green area, hit Cmd/ scheme, and adding white andhold Alt/Opt to make a circle within the circle. Ctrl+U and alter the colour slightly. dark grey (#3c3c3c), keepsMask to create a ring, then delete the excess. the map cohesive, but you can mix the colours slightly. Vary the shade you’re using by altering it in the Swatches; just don’t change the hue too far – keep the tweaking within the square of colour already there. Odd objects, such as the pink thistle and the yellow tennis balls, can break the scheme, but keep these objects rare; your map should only do this three or four times, and only for objects that are iconic enough that they shouldn’t change colour.Build the London Eye Make the Eden Project Design the flag07 Using the technique for creating a ring 08 The Eden Project consists of three 09 Using Marquees and the Polygonal of colour in step five, start making the grey circles – alter the colours slightly Lasso, create a flag, clipping differentwheel for the London Eye in white. With a hard for each – merged together; then select the colours to a main a rectangle. To give it thebrush, hold Shift and draw to create a pod. bottom with the Elliptical Marquee and mask. flying effect, go to Filter>Distort>Liquify, andMerge these layers, duplicate, Transform Draw hexagons with the Shape tool over the Warp the left side of it downwards slightly,(Cmd/Ctrl+T) and Rotate. Repeat this around circles, set to Soft Light, 50% Opacity for the and the right side up, until it looks like this.the wheel. iconic look. Create the flagpole from brushes.FOOTBALL COIN STACKSCreate a white Create some gold andcircle and clip black grey ellipses, duplicate(#3c3c3c) pentagons and then make theover it as seen, to ones below darker tocreate a football. make a coin. Stack these up to represent the Royal Mint. POSTBOX OXFORD UNIVERSITY Postboxes consist of a #3c3c3c rectangle Copy the shapes of for the base, a red buildings, varying rectangle for the body, shades for different a red circle for the top, sides. For Oxford and grey and white University, we created rectangles placed on a graduation hat with the body. Lassos and Marquees.100

ElementsMake related objects Use Motion Blur Add light and shade10 You can have fun scattering objects 11 Motion Blur can bring the likes of the 12 Using Soft Light clipping masks set to associated with the country. For an London Eye to life, or this bow and 25% Opacity, select black and white,umbrella, make a curve as you did for the river, arrow to represent Nottingham. This was and brush in soft colour over various objectsthen make a big circle. Mask with the Elliptical created with a ring and hard brushes, before to tone them a little, such as the buildings.Marquee as shown to complete the object. being merged, duplicated and then the blur The flag can also benefit from shading and being added from Filter>Blur>Motion Blur. lightening to make it stand out further.Create a lens flare Make final adjustments13 If you wish to create a lens flare, make sure it’s a geometric one. 14 Finally, make some adjustments. Merge all and go to Filter> Go to the Shape tool and drag pentagons and hexagons of Other>High Pass, select Radius: 2.5px and set to Overlay tovarious colours, overlapping, in a straight line across the image. Set to sharpen. Go to the Fill Layer icon, choose Levels and use the RGBOverlay and reduce the Opacity to 20%. channels to touch up the reds, blues and greens as a whole.Finding your Shortcutreference images Hit Alt/Opt to fill a selection with theTake inspiration from pictures ForegroundWhen you’re creating landmarks and icons, make sure swatchthat you have some reference images to take inspirationfrom. For example, everyone knows what the LondonEye looks like, but by referring back to pictures of it, youcan get a better judgement of the size of the wheel inrelation to the pods, for a more realistic, and thereforeiconic, take on it. Should it be a difficult icon to draw, you may wishto copy a picture of it into Elements and draw over iton a new layer, before deleting your reference image.Remember that all objects you can create in Elementsconsist of basic blocks of colour, and these are all easyto replicate with the Lassos, Marquees and brushes,should you use a combination of these tools. 101

ElementsQ+AELEMENTSCOMMONPROBLEMSIN Get in touch Ask on Twitter Post on Facebook Alternatively, you can email: @PshopCreative PhotoshopCreative [email protected] CAN I GIVE MY PICTURES EYESTORN EDGES? Mask in a high-contrast LevelsAdding torn edges to your pictures is a great effect, adjustment layer and a So Lightwhether you’re creating something vintage-looking or you layer filled with colour over thejust want to give the impression that your picture’s printed eyes to boost them.on torn paper. To create the effect, find the ‘torn.jpg’ image in theresources and paste it as a new layer over your image. Hitthe Mask icon on your main image layer and then flick backto the torn paper layer. Grab the Brush (B) and select blackas your colour. Cmd/Ctrl+click the layer preview of the tornpaper layer to select all the pixels on that layer, and thenclick back on the mask of the main image. With your black brush, paint along the edges of theimage to erase them, leaving a torn edge. When you’vefinished, simply delete the torn paper layer, or set to theOverlay blend mode, Ctrl/right-click and use as a clippingmask to add texture. ADD DROP SHADOW DO YOU HAVE ANY TIPS ON HOW TO PERFECT LIGHTING ON ANIMALS? Head to Layer>Layer Style> Style Settings to set a drop Editing pictures of animals is a completely different process to how you’d edit a shadow on your torn picture picture of a human. Facially, lighting and shading needs to be different, and you and make it stand out. must bring the detail out in the fur, rather than smooth away the detail of skin. Colouring is a good place to start; go to the Fill Layer icon (to the le of Mask) and choose Levels. Tweak the stoppers to increase the contrast, and use the drop- down RGB menu to alter the colours of the animal. Merge everything to a layer at the top of the stack (Cmd/Ctrl+Alt/Opt+Shi +E), go to Filter>Blur>Gaussian Blur and choose 40px. Set to So Light to add a subtle so focus. Hit Cmd/Ctrl+Alt/Opt+Shi +E once more; set the layer to Multiply, 60% Opacity, hit mask, then Cmd/Ctrl+I and brush in shading around the face. Repeat this, only this time set to Screen and brush in highlights. Create a new So Light layer, fill with #808080 and again, brush on lighting and shading a little more, with a bigger brush. Lastly, tweak Brightness/Contrast and Hue/Saturation via the Fill Layer icon, and go to Filter>Other>High Pass. Choose 4px and set to Overlay to sharpen.102

On the FileSilo Before Elements Download your free USE THE WHAT DOES THE resources at www.filesilo. CLONE TOOL CONTENT-AWARE MOVE co.uk/photoshopcreative TOOL DO? Remember thatHOW CAN I CREATE cloning around Moving elements of your pictures can be aREALISTIC SHADOWS the object that ong process of selecting, positioning and thenIN MY COMPOSITIONS? you’ve moved can retouching to make the finished image look so en the edges natural. The Content-Aware Move tool, however,Blending is the difference between a good and give a more is designed to minimise some of this effort.composition and a bad one. Adding realistic realistic finish.shadows is key, and you can learn a lot from Pick the tool from the le -hand toolbar andstudying other compositions as to what works. select around what you’d like to move in your photo. Drag it to another part of the picture and With any composition, you can’t go wrong Elements will automatically fill in the blank spaceby brushing black with a so brush on a layer le by that object, using the existing objects inbetween the object and the background. Create the picture. If your image has a plain background,two layers: one with 100% Opacity for furthest Elements can actually cover the background ofunder the object, and one at 50% Opacity for the the photo seamlessly a lot of the time, but if not,edges. With this car, for example, mask a hard grab the Clone Stamp tool (S) and just touch upline along the wheels to show the light is hitting the obviously edited areas of the picture by Alt/the other side of the wheel to make a shadow. Opt+clicking and brushing over them. Once happy with your shading, make sure Quick tipyou add adjustment layers, such as Levels, Hue/ Using theSaturation and Gradient Maps to help blend the Shareforeground in further with the background. In this buttonsparticular picture, we added a Motion Blur filter tothe car to imply movement. If you love to upload your artwork to social media, you might spend a lot of time logging in to your account to upload them. However, you can upload your images from inside Elements. At the top-right of the interface is a Share button. Click this to choose Facebook, Pinterest or Twitter to upload your work to. It’s a shortcut that can make your life easier, and help to cut out the process of saving and opening your internet browser. CAN ELEMENTS RE-CREATE THE ORTON EFFECT? The Orton effect is a so -focus technique that can make your pictures look dreamy, smooth out skin and blur the background of your photo to leave attention just on your subject. Elements has a quick fix for creating the Orton effect. Head to the Guided tab at the top of Elements, and choose Special Edits; from there, click on the Orton effect. Make sure you click on the button that applies the effect first, as this duplicates your layer, and once you’ve done that, use the sliders to control the Noise, Blur and Brightness of your image. 103

REVIEWS PIXELMATOR 3.5 CANYON SOFTWARE Price £22.99 / $29.99 US Web www.pixelmator.com Pixelmator 3.5 Canyon Go deeper into photo editing on a Mac with Pixelmator’s affordable software package The specs Company Pixelmator Additional specs OS X 10.9.5 or later iOS 9 or later TOOLBAR Many of the main tools for selecting, brushing, retouching and even adding shapes, are located from here. BLENDING/OPACITY LAYERS Blending and opacity is between the The Layers palette, just as in Layers palette and Effects Browser, Photoshop, is located on the right- making it easy to alter both layers hand side of the screen. Masks can be and effects as they’re applied. added using the cog icon. Five awesome effects Some of the best features on offer from Pixelmator’s Effects Browser Curves Distortion Halftone 01 Curves are fantastic because they can 02 Distortion effects are really simple to 03 Halftone patterns can be created in completely transform a picture just apply in Pixelmator. There’s a range Photoshop but not without a lot of with the simplest of tweaks. Pixelmator makes that you can choose from in the Effects time and effort. Pixelmator adds them in it easy to alter the colour or create Browser, but rather than being just novelty seconds, and they’re all completely lomography-style snaps with its Curves panel, liquify features, they can be great for actually customisable with sliders, meaning that comic- which is easy to use and great quality. helping to edit your photos. book images are easier to make than ever.104

There are all kinds of cheaper Before Pixelmator doesn’t just have a broad range alternatives to Photoshop on the of tools similar in style to Photoshop though; market. Some offer more of a focus great program for just making simple photo they’re good quality too. The recently addedtowards compositions, others towards photo edits; if you’re a Photoshop user with lots of Quick Selection and Magnetic Selection areediting or digital art, but few can match up to devices, Pixelmator can work both on your fine-tuned enough to find edges with ease,the sophistication or even the stylishness of iPad or your Mac. Loading photos is simple and the Refine tools are great for touchingAdobe’s software. and though a lot of the shortcut icons such as them up. Retouching is actually really easy to Mask aren’t as easy to find as in Photoshop, manage in Pixelmator, thanks to the likes of Pixelmator is a Photoshop-esque app for there’s a whole host of quick effects that can the Repair tool, the Red Eye tool and the CloneMac computers and Apple devices. With its be applied via the Effects Browser. The Effects Stamp. It really excels with photo editing, andsleek black interface, thin typefaces and Browser is easily the best thing about the makes a perfect first step for you to bring yourfamiliar layout, it looks and feels like software; it’s just a simple box full of all kinds picture into Photoshop from, though thePhotoshop; the layers are to the right, tools to of filters, distortion effects and photo-editing brushes are easy to use and you can usethe left, and although there isn’t a Filter menu tweaks, some of which Photoshop doesn’t features such as Transform and the Warp toolas such, there is an Effects Browser over on even have. It’s perfect for visiting after you’ve – which is simple to get the hang of andthe right-hand side. First impressions are opened an image – whether you just want to precise in its results – to really think outsidegreat, and its ease of use is a huge plus point change the colour slightly or completely edit a the box with your projects.for anyone starting to work with the program photo – and coupled with the tools on the left,for the first time. Also, unlike many programs you can really get in-depth with your editing. Pixelmator is much more of a companionof its kind, it focuses on a broad range of That left-hand toolbar includes features such to Photoshop than a replacement; you canstyles, meaning that you can create digital as sharpening, brushing and selecting, and import .psd and .abr files, which makes life apaintings or edit your snaps with it. there’s the ability to use layers with this lot easier. The versatility of Pixelmator is program, one of the most underrated features particularly impressive too, as it can handle a Once you start navigating through that Photoshop actually has. The range of range of different projects, and is adept atPixelmator though, it feels primarily like a blend modes is great, too. creating really quite advanced images, should you wish to. While it’s an amazing product for someone just learning the basics of photo editing, it can be useful to Photoshop users of a higher level too; even the most advanced graphic designers can benefit from the accompanying iOS app for on-the-go edits. This may only look like a budget Photoshop on first view, but Pixelmator is capable of much more than you might think. The verdict 8 Easy to use, accurate at editing and with plenty of amazing features, Pixelmator is superb for editing photos before doing the bigger work in Photoshop.Halos Quick-fix photo effects Standout feature04 Halos, kaleidoscopes, sunbeams, 05 Basic effects such as mirroring photos, Effects Browser bursts and other lighting techniques adding a light leak or giving a sepiaare really straightforward to apply in tone can all be applied with just a double-click. The Effects Browser displays all of the effectsPixelmator. For best results, add them to a The mirror option is particularly good for that Pixelmator can create with a smallnew layer; that way you can edit them into backgrounds as it can create a perfectly preview thumbnail; roll over and you canyour picture non-destructively. symmetrical backdrop onto which you can lay see how the images change with the effect. your foreground. Each effect is grouped and you can search for specific effects using the search bar. Double-click to apply one; most come with further sliders to tweak your picture. 105

REVIEWS OLLOCLIP STUDIO AND OLLOCLIP ACTIVE LENS HARDWARE Price Studio: £79.99 / $103 US (approx) Active Lens: £89.99 / $116 US (approx) Web www.olloclip.com olloclip Studio and olloclip Active Lens Take smartphone photography to a new level with the ultimate kit from olloclip CASE The specs The Studio case is durable Company olloclip and thick, offering your phone protection, and the Additional specs accessories are very easy to attach. Studio: 6.4” x 3.3” x 0.5” Active Lens: 1.1” x 2.2” x 1.7” WRIST STRAP LENS The wrist strap makes it The two sides of the lens easier to carry your phone means that while one around, and the strap is side is facing out from adjustable in length, too. one camera, the other is facing out of the other. Five Studio accessories What’s included with the Studio to improve how you take photos? Finger grip Cold shoe mounts Tripod mounts 01 Primarily intended for handheld shots, 02 The cold shoe mounts are used for 03 There are two tripod mounts included; the finger grip is perfect for selfies, attaching accessories, such as a flash one for taking portrait shots and one and will steady your hand to take any kind of or microphone, to your phone. There are two for capturing landscapes. These are simple to shot. The biggest of the accessories, it’s easy included so that you can add one either side attach, and the thick case makes them sturdy to slide on and off, but can also remain on the of the phone. enough without needing accessories. phone if you want to add other accessories.106

In the last ten years, a mobile phone has be turned into wearable pendants when you front of the case, and there’s even a loop for a become far more than just a tool for place the lens in them. Attaching the lens to wrist strap that comes with the Studio pack. texting. People now use their phones for your phone takes seconds, and it fits perfectly Most usefully for beginners is the finger grip, games, social media and particularly for to the frame of the device to shoot either side which enables you to have a better hold on photography, because the advantages of of the phone, for a selfie or shooting a your phone while you take shots, and the having a portable camera when you’re out and landscape. The quality of the results are kickstand which lets you balance your phone about are obvious. superb too; the telephoto lens manages to upright on a flat surface. zoom in to get twice as close to subjects, and Phone cameras are better than ever, but there’s very little loss in quality. The ultra-wide While the olloclip lenses can really bring still not quite as good as the real thing. This is lens is similar in quality, making both of them the best out of the photos you take, the where olloclip’s range of accessory lenses versatile enough to work well either for olloclip Studio can help you to improve as a come in; the Active Lens in particular has the shooting subjects or nature. photographer. The cold shoe mounts are built ability to shoot wider and deeper than your for attaching a flash or even a microphone to phone could manage on its own, making it a If you’re more serious about the the chassis of the Studio, and the kit comes useful gadget for photographers, social-media possibilities of mobile photography, or you just with two separate tripod mounts – landscape users and Photoshop fans, as it can improve want to get even better at taking photos when and portrait – for taking a steadier shot your photos whether you’re uploading them to you’re out, the olloclip Studio is the perfect (particularly useful for the Active Lens). You Instagram or taking them into Photoshop. product to expand what you can do. The may assume that the olloclip Studio is just a Studio comes with a harder case that has way to make using the Active Lens easier, but The Active Lens kit consists of a phone ridges down the back for you to slide it can be much more than that; after buying case; an ultra-wide and telephoto lens unit; accessories down, the lenses still fit onto the the Studio, you may want to add more and black, red and orange holders, which can advanced olloclip lenses to your collection, before investing in the likes of a flash, a tripod, or other gadgets that lend themselves perfectly to mobile photography. As mobile technology continues to improve, it might not be too long before iPhones are competing even more with high-end cameras, and the lines between photography and mobile photography are increasingly blurred. Lenses like these are a cheaper alternative to buying a DSLR, and the Studio is a great piece of kit to help you get the best out of your camera phone. The verdict 9 The olloclip Active Lens and Studio produce surprisingly good results, and provide a great starter pack for any mobile-photography beginner.Kickstand Wrist strap Standout feature04 The kickstand is good for placing on a 05 The wrist strap is a useful accessory Active Lens flat surface for hands-free for anyone carrying their phonephotography. Aside from taking photos, this is around. It’s thick and adjustable, strong The perfect unit toa good option for anyone just wanting to read enough to carry the weight of the case, and it start off a collectionor watch videos on their phone. means that you can keep your phone out or just improve your rather than putting it away between shots. mobile shots a little; the telephoto and ultra-wide lenses on the Active Lens unit are meticulous and take fantastic- quality photos. The lens is easily attached to either the case it comes with or the Studio case, and there are useful plastic covers to stop them getting scratched. 107

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Portfolio interview Perfecting the art of Photoshop www.behance.net/ Brazil-based José Augusto Hykavy shares with us his artistic influences, josehykavy his favourite tools and why practice makes perfect in Photoshop José Augusto Hykavy is a perfectionist pleasant to look at but at the same time As a perfectionist, do you have a and clearly very ambitious. “Currently, striking; I like art that is creative and unique, favourite piece you’ve created? my focus is graphic design, but I like and significant in some way to its audience or motion graphics,” he tells us. “This is customers. In a world where so many people I don’t have a favourite, no! I adore all my work something I’d like to explore more.” offer such similar products, artists must because I dedicate myself to it, but I do have a provide a different edge in order to create special fondness for my isometric images, In two years, José has amassed more better first impressions. I want to draw because this is an area of design I’m passionate than 35,000 Behance views, and is attention with my work. about. In my work, I like to do everything with looking to work with even more clients in great love and attention, and work on every the future. We caught up with him to ask What are your favourite detail for my client. about his relationship with Photoshop. Photoshop tools? Have you had a good reaction When was it that you started to I love using a real mix of tools. Most often I use from your work online? use Photoshop? adjustment layers, masks and clipping masks to build my compositions, but the basic tools I have, it’s been a great surprise to receive so From an early age I was influenced by art such as the Brush, Polygonal Lasso, Clone many appreciations for my projects on through my father, who is a professor of arts. Stamp, Dodge and Burn are really useful. All Behance. I joined the site in 2014, and I didn’t He used to do college work at home and I was tools and resources used in the right way are have too many projects to start with. By 2015, I always watching and helping. I always liked to essential to the success of a project. started receiving comments, appreciations and draw and paint at school, and I was quite good followers. Now I’m working on several pieces at it. I first used Photoshop in 2009 when I took Do you sketch something out first for clients, thanks to people reaching and a technical course on the software, and from or just dive in to Photoshop and finding me. Behance has definitely given me this moment, I began to explore and learn start experimenting? great visibility. techniques and tools through tutorials on the internet just for fun. Four years later I started Sometimes I like to make sketches before Martin Garrix Artwork: This is a piece of fan art made for DJ working as a freelancer. starting my work because it facilitates the and producer Martin Garrix. It uses selections a lot, includes a development of ideas, and it can give me a few layer masks, and adjustments were really important in A lot of your work has a very general idea of what the intentions of a piece bringing the piece to life. toned, 3D-inspired aspect to it. should be; this might be essential for the job. Do you incorporate 3D software? The sketches are made in minutes though, All images © José Augusto Hykavy avoiding any kind of commitment to stick to the They’re only Photoshop! No 3D software at all. sketch. I like to be flexible enough to make any I saw an isometric composition project from kind of adjustment with the finished picture. Fabio Araujo on Behance. I found it really interesting and decided to do my own, in two What makes a good composition? different compositions. At first, I wasn’t very confident that I could do it, but it looked good An incredible composition depends on several in the end. I used really basic Photoshop tools, factors. You need to know your tools, and how such as the adjustment layers and masks, to work with colours, shadows and perspective, clipping layers and techniques that most but it’s also important to understand how to people know. merge elements as a whole. However, creativity, willingness and patience are Is there anyone else who important – time and dedication to work on the influences your work? image until it’s perfect. One piece of advice I can give to beginners is to never stop learning, Yellow Mello Studio, Lee Howell, Jack Usephot studying and working on new things. Practice and Anil Saxena are some of my artists to makes perfect and becoming good at reference when I’m making something never happens overnight. I guess photomanipulations and retouching images. my secret is that I’m never content with my There are many talented artists and designers work. I always want more; I strive to work inside and outside of Brazil that I seek harder and do better. inspiration from. I believe that design should be112

Tropical Paradise: This is the newest piece on Behance. It uses nothing but stock images;blending tools such as Color Balance were really useful in bringing all the differentelements of this piece together to make one, harmonious image. Tree House: This is one of the pieces most inspired by the work of Fabio Araujo. It’s had over 5,000 views on Behance and again, only uses stock imagery to create the final image. Lighting and shading were important to create the effect of the water being 3D.Rio: This is an unofficial poster for the 2016 Olympics in Rio DeJaneiro, in which movement was key. A lot of Motion Blur was usedin the piece, and custom brushes were used in the background tomask the elements of the city into the poster.Island Tank: This is a photomanipulation made solely from stock images. The sides of the Village River: This is a photomanipulation in which all of the images weretank were made by filling and transforming shapes, and the island was brought to life with retouched before being combined into the one project. The main images werecloud brushes and stock images of birds. It’s been viewed 6,000 times on Behance. the house, the river and the background of the mountain in the distance. 113

Reader interviewThink! Faceless Man Arctic Island Arctic Island Learn how Stephen created one of his eye- catching compositionsTorment Finding the main image WWF poster I started off by finding an image of a boot that I could build an island concept upon, and rotated Stephen Proctor it onto its side. Discover the secrets and hidden meanings of this Cutting and warping Manchester-based, graphic-design graduate’s work I used the Pen tool to cut out the fur, added some Stephen Proctor has recently graduated understand where I was coming from. Since shadow to the image, and duplicated the laces from studying graphic design at university. then, I’ve been taught to design for a reason; before using the Puppet Warp tool to distort “I began using Photoshop to create banners use simple messages but present them in a them accordingly. and avatars for friends, and this led me to clever way. Projects that have messages in pursue a career in the creative sector.” them are more emotive and this then helps Making the dome with impact. Stephen’s work varies from one image to the I created the dome shape using the Elliptical next, but nature and the environment are strong Do you have any tips you could give Marquee tool to fill colour, and then masked and themes. We asked Stephen all about his design to Photoshop beginners? erased parts I didn’t want. I then added snow secrets and what goes into such work. and rocks, blended together. Embrace new Photoshop features. Be creative: What do you think makes a good Photoshop is a powerful tool, so why not go Building the image Photoshop composition? wild? Tutorials are a way of helping you to improve, but so is trial and error. I added more images, used layer masks and a I like something that I’ve never seen before; cloud brush to create the clouds, before dodging Pawel Nolbert, for example, interests me. I look What are your favourite tools that and burning for highlights and darker areas in for a clear message and a meaning within the you use in Photoshop? the picture. composition though, as telling a story is important. I do love detail, looking closely at I use the Oil Paint filter to smooth the skin or blending techniques to create a smooth any other elements that need a smooth transition between elements interests me. surface, and it can also improve bad image WquhaaltitOynucepWtoasa point. I have been using this What stories are in your work? feature mainly for retouching. I use the High Pass to sharpen my work at the very end, too. Before I started university, I would design projects based on my opinions and emotions of Check out more of Stephen’s work at www. everyday life with no real message, but I found photoshopcreative.co.uk/user/stephen89 that people who saw my work didn’t really114



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