cs:::J~ nuww~1 &1n1 Im Ufi11 I bUUn1 ~ fl1 w fiflru~ ~vi1~ ~, ~ ~ a.:j1 i,y ~1 u n11 a u,rn ~V11.:j1im u fi11 ~ Intangible Heritage and the Museum: Ne w Perspectives on Cultural Preservation .inlb~ih ei~1'cl'1b1P1 b'HJ'W bvi 8 3-1 ~ 'HJ ~1 ~1 ~n ~d' 'IJ d' ~1 ~'VI~ 'l,HU8 bf181 ~ o.., I fl'Vl')'fl')' fl'Vlel-:J 'IJ bbU ~ .................
UVIU'i'HU'15 n'1'i 8 11 UVI~ 1 1J1(;lnf~ufi111J'ffi1.htlumu111'W1fuww1J.nru,i 25 (Intangible Heritage and the Museum) 49 ' 2 ' i 81 m1~-i1ufmi111::~u~1mrn~::~u uVJvi 113 145 (Global Preservation and Beyond) 171 UVI~ 3 r.nnlu11ru'1(;l(l~'f!1J'!IU : 201 205 n'1'iii~'lU1'llJ LL~::'Ti'tl1i;iLLU-!luLVlthth Vl'tl-ln'1L11'1 231 (From Artefacts to Communities: Participation and Contestation at Te Papa Tongarewa) UVI~ 4 ~;l-11ti;i1(;li;T-!L~lJLL~::n'11'W~U'11J'1U'i'i'-IU : m &Pln1!1'1r:i utl1'~u1:i11u11vm~ (At the Interface of Kastom and Development : The Case of the Vanuatu Cultural Center) UVI~ 5 1J1(;lnf~ufi111J'ffi1.htlumu111'W LU'tl'LJ~'iW~ mu~ii;]1(;ltl'tl-!'!1'1'l 'tl LlJ1fiu~ULii'tl -I (Intangible Heritage at the Living Memorial of Native Americans) UVI~ 6 m1U'1L~U'tlt1'tl-it11'ty~1u 4tJ LLuu1~1.i~ww1J.nru-nt1'tl'IULL1JU (Reinventing the Gift at the Horniman Museum) UVlvi 7 ~UVIU'1'fi'11J'1~Ufi'i'i1J, ~~'i::'-1'1n~Vl5'W~fll'1~U'1 LL~ ::1J1(;1n-5'~ufi111J~11.i Ltlumu111'W~ww fi.nru,i Ln U'i'tl-1 ~ (The Dialogue of Cultures, La\"icite, and Intangible Heritage at the quai Branly) '' UVlvi 8 n'1'i~(;lVIUVl'lULnll'lnUn'1'i~-l'lUfn'l!l'1'1~Ufi'i'ilJ .m1vh-11u~1uww1J.nru,i LL~::'!llJ'!IU (Rethinking Cultural Preservation, Museum Curation, and Communities) .U'i'itu'1Un'i1J
mw 3.1 n'l'i\"L~flni'l'l1.Jil1ifo1rnUU(;l'i\"'li(Vim1rut1fl~WW6Jl(U't'l~fln~ LLu1ili11111 LYlththLuuffcvin1,1rut1m.i'(;lin1,1ruihiiLLi'lUlii 78 1.1,-i;in1lil.ltJll'>'>1Jffi1.iLtlumumYH1uvlvli;.ncu,I : 1.j1J1Ja~lV11.11un'm1,rfm:h11~1HJtJli'>'>1J
Jl'll1 4.2 Malvatumauri t-1,.:i Council of Chiefs, \":!UU1i;iJU5'i'ilJ'l'1\\jm~ Intangible Heritage and the Museum: New Perspectives on Cultural Preservation 107
~ .l~i•\"'~, .,.\\ 1IillI ;z..,.r ~ ~ - . l\\ .#\"~:-.:~A~'♦ va..at11 AHnlit1J jP11d driwln11) ar1 gnmetric figures !JlJl11,dra••••lltll11r1111dwithlh1 fingertips.Each d•M11 ls a typ1 al mu1, which ls traced as• continuous hn, oflH w/U1out lifting the linger trim tht ground. Thisfo1911lc11t11ral«-PrtHla11 Is lo11nd lnthtcenlraland aorthl,. lslu1b ol Y.tauat ■, pmurilJ en f'Hma, Ambrym, Malabta, hattcost, Amh1 and Ma1wo. DHcrilN.g lb. as 'tlrawlngs· is ■ 1sl,ad1n1, because tltey ar■ IIOfe lli111 si:111pl1 pk:t■ rts. Ma-, 1d•Vaauat11 ase lhe 111/1 ■ 1 tar• ·ni11111 rather lllH 'droh:11· to refer lo the ,raclic.e NCUSI ll ls tho11bt ., D I for■ of script that ,etatn lb Ultrodac1io11r E&rrapu1 ed ■c:abon. Tile i1di1euu nrds lat ultdrotaf (1II, uitN, aitos, Jhlr. ral1, .uu, aba.,tc.) att tied tor all kiod:s al munlaglul ■111:·IUkl.. prnlices, l1cl1d1n1 lbh11s Hell IS tattoos, stnq h111u, umd insig1ia aad atso Eoropun writing. la tla117 Ille, n11drol11 art ued ta leave mesuge.s, m:plafn concepts and leach children. They are atttn accompanied ltr tlories or SO•IS, Hd 111_,, 111 a ■ imparta111 meus or rtcotdla1 ••• COIIUl11U1kab111 c11lh1nl praclleas. There ltl •1st uu1d snd111a1, wtilcb ■ust be com ■,ted to memo,y ::::,~b~! .• lr,1 •I password 11 ordtt to pie access to ~':~;.'~!a'!:~!:~.~~!'!'u~~~~!u =~:::,::r:,:·::~~-n\"Hu'inw•t•,1.s1ttet~.N;rr•pK,,I.-niee:ut:Ii~•oM1~1,7a•..is2:1T'91:l0~lt;P3s~1,HltUatNat0eE1oSrlauC~luOablatpalrrOaaodrlca1lliatiiasiemUn11de1sd1lateYl■liaoia■inffoluittoWMt,ua.Sot0s1 !~:c'.'.1• ol V.uiuata to ,•11~~:'!!~:s~e::!•.;;-10 fl'lW 4.3 ~Vl'l,Ltl'l'W'Wl5.fl(U'n iH'.h!.JUVl'l'H'1n'l'l'!l1.J'l~h-'laj~!.J1.JLU1.Jfl'l1!1'ltl,mp,i r.J-rmrn LL~::u~~'llJ'l LL1.J::1.i'lLMmnu mw L~ !.JtiVl'l'l!.J LL~ ::m'l1.h::ml'lfo'lt1, LU1.JCJ ~,1uii'wt1 fl'!l'EI, !,! L1.J~1n mfl'lW 4.4 fl'l'l~~LL~~' LLuuii,Jij ilJW1.JB~1 1.J,'11.JL~ !.J1.JV\\'l'l!.J11.J'W'W l5.fl(U'fl ~(1'11.JLL,fr!!'l~
111w 4.5 ll'lW0'1!.J1-jlJn1'1~ (panoramic view) tJ'il~UYl'i'H'1n'1'i'1'1'\"J'i1u~~!iilCUo/1~'1'1ULLVl~'ll'1~Hl~\"l~L~U '!l'11~uLi'.i'il~rht~vhmwL~UUYl'i'1U~1-jlJ\"11uihuih~~1~tJ'il~ll'lW I ntangible Heritage and the Museum: New Perspectives on Cultural Preservation 109
m~ 4.8 ~uvinLLl'l~m~uui;i1'!!~~i;ivhtumu1m\"11~n'l11.jt1tl13di;'iu1uuuu1nYlL\"''l!lt~LLfl'QlJ'!lt1vi'il~~ULLl'l~LU'l1'!lt1 Yl'il'lr1Ultl~'il1(;]1l'l'l 11 O u-;~n1111J1.Jfi'l\"'i1Jv11iJ Li'.lumumw riutltloliru,i : 1.j1J1Jt1~1'111JL1.Jn'l'l\"fltfi°n,;Yl'N111ll1.Jll'l\"'i1J
11'1-W 5.1 tl'll'l'l1f'j~n'ln'i m~ntf'lULi;it:ii Ltll'l !!'llJ~i;]'L.j ru LLlJUni;ii;iu~'l~ LUUl'lCl'lU~tff~wW5Jlru't'll'lCl'lULL\\.1~'tf'l~ tlLlJ~nu{iuL~!.JU til'l1U1!.Jtlfo ;;'lti1'1t!'ltl'll'l'l11.h::~'1!13'1'Ll'iU{i('li;i~ 4 ti'l~ LU'Ll!i11LLYl'Ll1Jtl~Yl1UtlLlJ~n'l Yl1Utjhtl Yl1ULLtlW~n'l LL~::Yl1ULtlLti!.J m-w 5.2 nru't'l1fo~1Jtl~n~lJtlUtiU'lLU (Anishinaabe) LUU1'1i!~tui1LLYIU 24 Li:.h~L'ih~11J1un'l1i'l;'l~i'lrn'i UY1111'ln'11~11'1L!'ltitllti NMAI 140 1J'ifl01'11Ul'i'i'i1Jvlhhi'.11.m'l!Jl)'l'Wf1U\\1\\1!illCU'1 : 1.j1J1Jti~1\"11JLUn'l'imrrmh1'N1'1JU!i'i'i1J
nlihlnaalx_. kinifest 'kf:(l99'1). m-w 5.5 rn-W1..Jflfll'l'!l'il,'!!'Ll'ilL1J5n1..1~w~u1..1t1..1ur.iiu1..11rlifom'itl'lLlll'Ll'il11..1tJ1uLL'U::tl1uV1'iWln'l'i:il1111'!l'il,L'i'l t1..1nzjw,11-id 'U'i'ln{].fl'l-W~,i'l'Ll'l!Jn'l'l NMAI fl'ULfl'l 5'!!'lilll i;i'rnti!'l!,j L'll!li;i° ~LUI.Ji (Richard W. West Jr.) 142 1J\"Jr;in11;JJU011wv'lhid'.h.1mum1-inuwwo.tiru,i : 1.j1J1J'il~l1rn'tum1'il1ffo1'lV1'l~'ll;JJUo\"JW
................. II 9 786167 154633
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