INA531 PORTFOLIO assignment 2

8077629102INA531 DIGITAL PHOTOGRAPHY ASSIGNMENT 2 LECTURER : DR MANSOR OTHMAN Muhd ZULQ

contents PPHOORTTFOOGLRIAOPDHIYGITAL 03 05 14 INTRODUCTION POTRAIT / LIFE LANDSCAPE b&W vs COLOR Change photo to b&w and color 24 29 ARCH/INTERIOR CANDID

BC&olWor ARTIFICIAL, NATURAL, AND MIXED LIGHTING ARTIFICIAL LIGHTING : USE A DIMMER TO CONTROL YOUR LIGHT If you’re shooting in a small space such as a home studio, light has the opportunity to bounce to a lot of places. Whether you make a dimmer or buy lights that have dimmers in them, a dimmer can make a difference on an artificial light photoshoot when shooting in ambient light. If every light you use is dimmable, you’ll be able to adjust the light to the perfect brightness for the scene you want to photograph. NATURAL LIGHTING FOR PHOTOGRAPHY Shooting with natural light is a preference for many photographers. There’s something so simply stunning about a visually impactful natural light image, and knowing how to manipulate light without any additional support. MIXED LIGHTING : USE FILTERS TO ASSIST IN STUDIO LIGHTING If you’re using flash in a studio you may need to add additional light and color to the situation. Use filters or gels to correct the studio light and match whatever ambient light is already present.

HOW TO MAKE AN IMAGE BLACK AND WHITE IN PHOTOSHOP You have even more flexibility converting a black and white photo in Photoshop than in Lightroom, to the degree that everyone has a different preferred method. One popular method is to create a “channel mixer” adjustment layer, which gives you control over the red, blue, and green channel in your black and white image. HOW TO MAKE AN IMAGE BLACK AND WHITE IN CANVA Select photo and click adjust or filter. Adjust base on the setting. Or just click on street to change photo into b&w

1/500 f/8 ISO 500 290mm Device Natural Light Classification Based on Direction Canon EOS 600D Top Light Lens When natural light is on the top of the subject, Canon EF 75-300mm then it is referred to as top light f/4-5.6





Device 1/40 Canon EOS 600D f/3.5 ISO 125 Lens 18mm Canon EF-S 18- Natural Light Classification Based on Direction 55mm f/3.5-5.6 IS II Front Light We can classify the types of natural light into four categories, based on the direction from which the light is falling on the subject.





1/50 f/5.6 ISO 3200 50mm Device Natural Light Classification Based on Direction Canon EOS 1100D Side Light Lens When the natural light falls on the side of the subject, CANON 50MM F/1.8 it creates side light. It creates a shadow of the subject II on the opposite side of the light source.





1/60 f/8 ISO 100 20mm Device Natural Light Classification Based on Direction Canon EOS 600D Side Light Lens When the natural light falls on the side of the Canon EF-S 18- subject, it creates side light. It creates a shadow 55mm f/3.5-5.6 IS II of the subject on the opposite side of the light source.





1/200 f/9 ISO 100 55mm Device Natural Light Classification based on Quality of Light Canon EOS 600D Golden Light Lens When the natural light falls on the side of the Canon EF-S 18- subject, it creates side light. It creates a shadow of 55mm f/3.5-5.6 IS II the subject on the opposite side of the light source.





1/50 f/5.6 ISO 1250 32mm Device Natural Light Classification based on Quality of Light Canon EOS 1100D Golden Light Lens When the natural light falls on the side of the Canon EF-S 18- subject, it creates side light. It creates a shadow of 55mm f/3.5-5.6 IS II the subject on the opposite side of the light source.





Device 1/30 Canon EOS 1100D f/5.6 ISO 400 Lens 18mm Canon EF-S 18- Natural Light Classification Based on Direction 55mm f/3.5-5.6 IS II Front Light We can classify the types of natural light into four categories, based on the direction from which the light is falling on the subject.





1/100 f/10 ISO 100 20mm Device Natural Light Classification based on Quality of Light Canon EOS 1100D Harsh Light Lens Light can be harsh when the natural light source, Canon EF-S 18- Sun is above the subject. This light is not good for 55mm f/3.5-5.6 IS II shooting landscapes as it brings lots of heat haze in the picture, thereby reducing the image quality.





1/400 f/5.6 ISO 800 205mm Device Natural Light Classification based on Quality of Light Canon EOS 600D Foreground Interest Lens Perhaps the only genre of photography where Canon EF 75-300mm people are more likely to shoot in monochrome f/4-5.6 than in color.





1/200 f/4.5 ISO 200 100mm Device Natural Light Classification based on Quality of Light Canon EOS 600D Foreground Interest Lens Perhaps the only genre of photography where Canon EF 75-300mm people are more likely to shoot in monochrome f/4-5.6 than in color.





1/80 f/5.6 ISO 205 35mm Device Artificial Lighting : Consider the size of the light Canon EOS 600D When it comes to artificial lighting for Lens photography, the size of your light source will have Canon EF-S 18- a massive impact on your image. 55mm f/3.5-5.6 IS II





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