Important Announcement
PubHTML5 Scheduled Server Maintenance on (GMT) Sunday, June 26th, 2:00 am - 8:00 am.
PubHTML5 site will be inoperative during the times indicated!

Home Explore WORLD LITERATURE_RUFINO STEM-11

WORLD LITERATURE_RUFINO STEM-11

Published by Jennina Rufino, 2021-12-16 18:30:36

Description: WORLD LITERATURE SCRAPBOOK

Search

Read the Text Version

21st Century Literature 2nd Quarterly Examination WORLD LITERATURE A Digital Scrapbook By: JSeTnEnMin a- Rufino 11

SCENT By: Jennie Redling Jennie S. Redling - Screenwriter, Playwriter Redling has won BMI's Jerry Harrington Musical Theater Awards for Outstanding Creative Performance as a Script, National Stanley Drama Awards, and Playwriting Awards for Women by Arlene R. and William P. Lewis. She is the 2020 Jonathan Larson Land of American Theater Wing, the 2020 Ensemble Studios Theater Alfred P. Sloan Project, the 2016 Musical Theater Richard Rogers Awards, Theatrical Arts and Literature Awards, and the Ensemble Studios Theater One Act Marathon Finale. It is a list. She is a semi-finalist in the 2009 New American Theater Firehouse Theater Contest, the O'Neill National Playwrights Conference, the Prop Thtr National New Playwright Festival and the 2020 Playwright Thomas Wolfe International Playwrights Competition. https://www.jennieredling.com

SCENT By: Jennie Redling The poem looks like it is about reminiscing what the person had in their past that they have lost overtime. From the lines \"My fingers\" to \"Frail now and filed away atop a closet\", it is like the person is yearning of what has now come thats different from their past. This person in the poem is going through something wherein their feelings and emotions from the thought of the change is being expressed, \"But this morning I lightly breathe, the scent of sadness and dread arising\" There could be plenty of deeper meanings hidden in this poem. It feels like the author wants the readers to feel and understand what the person is feeling as they think and remember the life that person had in their past and how things have changed for them, the feeling of reminiscing those old memories.

THE MAN WITH HIS BACK TURNED By: Agustin Cadena Agustin Cadena was born in 1963 in Ixmiquilpan, Hidalgo, Mexico. He is a storyteller, poet, author, essayist and translator of books for children and young people. He is a member of the El Comité group and an editorial advisor to El Comité 1973 magazine. Agustin Cadena studied English literature at the National Autonomous University of Mexico (UNAM) and earned a master's degree in comparative literature from the same university. His main research is 19th century English and Latin American literature, but in recent years he has focused on children's and youth literature. But he spends most of his time creatively writing. He is the author of more than 20 published books, including novels, short stories, children's literature, poetry, and criticism. He has won several awards and grants in these genres.Some of his works have been translated and published in English, Italian and Hungarian, making them suitable for radio and television broadcasts. https://ieas.unideb.hu/en/agustin-cadena & https://second.wiki/wiki/agustc3adn_cadena

THE MAN WITH HIS BACK TURNED By: Agustin Cadena

EMBRACING WATERS By: Kaori Ekuni Kaori Ekuni is a Japanese writer born in Setagaya, Tokyo. Her father, Shigeru Ekuni, is a Japanese poet and essayist. Her numerous fiction works have been translated into multiple languages a​ nd have been published in various countries, including her novel Twinkle Twinkle, which has been translated into English. Quotes: “Love alone helped us get through life. Without it, life was simply too haphazard.” & “Loving and trusting an another person is a reckless thing. Even insane.” ― Kaori Ekuni, Twinkle Twinkle https://en.wikipedia.org/wiki/Kaori_Ekuni & https://www.goodreads.com/author/show/234185.Kaori_Ekuni

EMBRACING WATERS By: Kaori Ekuni The characters in the story are two newlyweds, Shoko and Mutsuki. Shoko, the wife, is an alcoholic that would go and talk to the purple man on the wall (watercolor painting). She would sing and talk to it about many things. Mutsuki on the other hand is a doctor that would go every morning at 9:10 and he looks to be like a regular husband. Shoko talked to her doctor with Mutsuki and talked about her health, later to also be talked about Shoko and her mother too. They also talked about the marriage and her 'mental illness'. Her mother was delighted to have known that Mutsuki was a doctor and thought Shoko would be better living with a doctor. On their date, Shoko and Mutsuki laughed about them both hiding something; Shoko being an alcoholic and Mutsuki being interested in men. Their marriage was more built by their parents, the parents only thought whats best for them but Mutsuki and Shoko wanted different things.

UNDENIABLE https://en.wikipedia.org/wiki/Nanni_Cagnone THINGS By: Nanni Cagnone Nanni Cagnone was born in Carcare, Liguria in 1939 and is an Italian poet, novelist, essayist and playwright. He made his debut as a poet in 1954, and since then several books from The Disabled Youth (1967) to The Oslo Lecture (2008), mainly not only poetry, but also theater, novels, theoretical essays, and aphorisms. I'm writing a book. He is the father of Benedicta Froerich and is married to Sandra Holt. About his own poetry, Cagnone writes: “Poetry is this interval between us and things, this interrupted feeling, the lost object in the home of desire. Poetry is an extraneous work, something sleep would teach awakening. It demands a passive feeling, a receptive thought and desires learnt by answering. Poetry is not the act of collecting the world like a rescuer of sense or a flatterer of language, but the aimless cult of an excessive figure and the experience of a faithfulness: that of a Saying, which doesn’t want to leave his Silent lover. Poetry is acting beyond, beyond what one manages to think”.

UNDENIABLE THINGS By: Nanni Cagnone XL In this poem, it looks like the 'father' is sitting or staying where he is as he looks at the children. \"Not understanding why children without lingering nor shelter, never did their embrace shake him.\" The line suggests that their presence did not 'shake' or bother the father, almost like the father is prepared to be left by himself without the children as they would grow and mature. LXII \"Never leave the moment alone, or it stings everything\" it sounds like a metaphor saying when you leave something or someone alone with lots of thoughts and problems, it would sting, or to leave the problem you have. \"At the end, at the end of the surging sunset, in the insecure maturing burning without a grieving scheme, the solemn episode of the leaves rustling and that's all. Rustling.\" - Moving on from the past events.

21st Century Literature 2nd Quarterly Examination END.


Like this book? You can publish your book online for free in a few minutes!
Create your own flipbook