NidhiDylanDevika_FYSE_Booklet

written by Devika Singh - Nidhi Bauva - Dylan Lopez

CONTENTS 1. Achakan - Fashion Design - Devika Singh 2. Artists’ Atelier in the Mughal Period based on references - Interior Design - Devika Singh 3. Bhatukali Kitchen Set - Product Design - Nidhi Bauva 4. Ashokan Edict No. IX - Communication Design - Nidhi Bauva 5. Potrait of Hindusingh Kot - Fashion Communication and Styling - Dylan Lopez 6. Lakshmana slashing Shurpanakha’s nose - Strategic Design Management - Dylan Lopez

Achakan

ACHAKAN - FASHION DESIGN An achkan is a ceremonial piece of garment, fitted above the waist and flared below, made in Banarasi silk brocade with heavy embroidery details on the collar and the cuffs in gold and silver wires. It is derived from the Sanskrit word ‘Angarkha’ which means Anga-Raksha, translating to body protector. It is worn with either a dhoti or a churidar pant along with a sash known as the patta and a kamarbandh or ‘dora’ that is wrapped around the waist to fasten the garment. It was first seen in the 1820s in Lucknow. At that time, it was worn by the kings, the higher authorities and the royals at var- ious coronation ceremonies as well as special occasions. It was also, and even in today’s times is worn by the grooms in the wedding ceremonies. It was gradually adopted by the rest of the Indian royalty, aristocracy and the general population, who then wore it to special occasions as a more evolved form of occasional tradi- tional attire, inspired by the royals. The achkan is a a design innovation because after it’s initial sighting on Sam- udragupta of the Gupta empire, the rulers identified it as a prestigious and luxu- rious garment, which uplifted their identity as a royalty and later adorned their achkans with the finest and most expensive materials such as the Banarasi silk brocade fabric, expensive jewels, and wires of gold and silver, having fine detailed handwork by the craftsmen. The general population later recognised the achkan as a distinctive garment and used it for their special occasions such as weddings, to make the groom feel royal and special on his important day. - Devika Singh

Artisis’ Atelier

ARTISTS’ ATELIER IN THE MUGHAL PERIOD BASED ON REF- ERENCES - INTERIOR DESIGN Given above is a reference of the an artists’ atelier in the Mughal period which shows us a small picture of how the Mughal architecture looked like back in the days. The showcased architecture is the Indo-islamic architecture of the 17th and 18th century. It shows grandiose architecture with the use of detailed ornamenta- tion work, pachin-kari decorative work, jaali latticed screens, extensively intricate carving in symmetrical patterns and the use of decorative and embellished chhatris. The Mughal architecture is identified by its symmetrical and decorative amalga- mation of the Persian, Turkish and Indian architecture and is characterised by bulbous domes, the slender minarets with cupolas at the four corners, large halls, massive vaulted gateways and delicate ornamentation with huge crystal glass chandeliers hanging from the ceilings. It shows extensive use of materials such as marble and red sandstones. It flourished during the reign of Akbar (1556 - 1605). This style of interior design is design innovative because of its well lit and spa- cious architecture, along with large windows and arches, giving access to a lot of ventilation and natural sunlight to enter the room and providing fresh air and oxygen, making it a more comfortable environment to work in peace. The marble used in the installation is a cold stone which keeps the rooms cool during the day and the night. The carvings in the stone panels provide a mesh, preventing the entry of unwanted obstacles, such as birds. - Devika Singh

Bhatukali Kitchen Set

BHATUKALI KITCHEN SET - PRODUCT DESIGN Bhatukali Kitchen Set is from 20th century AD and a design solution. This is a miniature of it and has variety of vessels. It is a solution to the different problems faced by the household for cooking, storing, serving, eating and much more. In earlier times, Maharastrian had around 200 types of kitchen vessels. They served to different purposes and needs. It is a representation of Maharastrian culture and traditions.   Bhaukali has an ancient lineage that marks back to a quintessential Maharastri- an way of living. The sets are repositories of tradition- a way of life that existed for centuries. They solved Maharastrian problems and were specifically designed to their needs. They are a representation of a good product design. Since prod- uct design is also a design for problem solving and satisfying needs. It serves its purpose right and is a successful range of products. These products assists you to make your life easier and it also gives you a variety of options for one to choose from. Their unique design makes them different from any other kitchen sets that available.    This kitchen set also gives us an insight on what Maharastrian food is and how it is made. It portrays their tastes and preferences and distinguishes it from others. The entire Maharastrian cuisine can be studied through these vessels. Their vari- ety shows the rich culture and their fondness in food. These sets even today stand as an important part of the households and are an integral part of their lifestyle. According to be this problem solving product is a representation of indian history and it’s uniqueness will always be appreciated.  - Nidhi Bauva

Ashokan Edict No. IX

ASHOKAN EDICT NO. IX - COMMUNICATION DESIGN Ashokan Edict No. IX is from 3rd century BC which according to me is a design innovation. Ashokan edict was inscriptions on it which convey a story to the people in a unique way. The edict portrays king Ashoka’s reforms, policies and to promulgate his advice to his subjects. These edicts were on pillars, boulders and cave walls. This according to me was a very innovative way of conveying messages to the people even after years from then.    Ashokan edict is an innovation in the field of communication design. This is so because it graphically represents messages to a lot of people in simplistic way. There is not much color or illustrations used but still is eye catching. One will stop and observe to understand the message portrayed. This kind of composition is an innovative approach and a great design. The letters are placed close to each other and some are in pictorial form too. The edicts also gives an insight on the mode of communication used in that period of time.   These edicts also holds importance in today’s time and so they are preserved and protected. They are priced possessions and they hold information of the past. The edict shows the kind of social and cultural background that existed. They tell a story with a meaning. They conducted messages and being set in stone portrays its importance.  - Nidhi Bauva

Potrait of Hindusingh Kot

POTRAIT OF HINDUSINGH KOT - FASHION COMMUNICA- TION AND STYLING The Portrait of Hindusingh is taken from mid 18th Century AD. The portrait showcases a gentleman who seems like he is a scholar and has achieved numer- ous achievements. The gentlemen seemed to be prepared of any sudden attack, as a long sword-like weapon is seen in the image along with a sword hanging alongside his waist. He also seems like he is headed on a long journey as we can an unusual backpack which would fit almost all essentials. The kind of clothing on the camel gives the viewer an idea that it came from the royals. The part of the cloth thing hangs on either side seem to be kept in a purposeful manner in which the cloth is equally balanced on either side with the help of weighted ends of the cloth. This clothing piece seems to be a “Design Solution” as is solves the issue of having a cloth that’s imbalanced on the camel, which results in the risk of the rider falling off With this type of clothing, there seems to be a balance which enables more grip around the sitting area. With such smart basic design changes, progress was made in the clothing sector. - Dylan Lopez

Lakshmana slashing Shurpanakha’s nose

LAKSHMANA SLASHING SHURPANAKHA’S NOSE - STRATE- GIC DESIGN MANAGEMENT The illustration depicting Lakshmana slashing Shurpankhana’s nose is quite well known as an illustration as well as a story. This was quite harsh of a punishment for disobeying an order. The outfits displayed seem to be very sharp and sophisti- cated, which depicts their wealth and position in society. Lakshmana has always been known for his strength, devotion and dedication. He always conducted a certain amount of discipline and expected the same from others and got really pissed if anyone disobeyed him. The image was taken from 1952 and has been a part of storytelling since then till this very date. Almost every Hindu would know this incident as it was mentioned in the “Ramayana”. Although this was a serious punishment but Lakshmana was smart enough to do so to provoke Shurpankhana’s brother “Ravana” and that began a war between the two. I feel like this was a “Design Intervention” as the way in which he punished “Shurpankhana for disobeying was wrong and completely unnecessary but the weapon used for such a punishment was the right one. - Dylan Lopez



BIBLIOGRAPHY Chhatrapati Shivaji Maharaj Vastu Sangralaya Museum, Mumbai www.csmvs.in https://www.sherwaniking.com/blogs/sherwani-king-blog/87531143-the-amaz- ing-evolution-of-sherwanis - FD https://en.wikipedia.org/wiki/Achkan - FD https://courses.lumenlearning.com/boundless-arthistory/chapter/the-mughal-pe- riod/ - ID https://www.britannica.com/art/Mughal-architecture - ID https://www.indiapicks.com/annapurna/S_Mughal.htm - ID https://heritage-india.com/ - PD https://www.cs.colostate.edu/ - CD