Important Announcement
PubHTML5 Scheduled Server Maintenance on (GMT) Sunday, June 26th, 2:00 am - 8:00 am.
PubHTML5 site will be inoperative during the times indicated!

Home Explore The Project Gutenberg eBook of - Unbekannt

The Project Gutenberg eBook of - Unbekannt

Published by Roman Karger, 2015-09-23 02:27:44

Description: The Project Gutenberg eBook of - Unbekannt

Search

Read the Text Version

The Project Gutenberg EBook of BeThis eBook is for the use of anyoalmost no restrictions whatsoeverre-use it under the terms of thewith this eBook or online at www.Title: Beyond the DoorAuthor: Philip K. DickRelease Date: April 30, 2009 [EBoLanguage: EnglishCharacter set encoding: ISO-8859-*** START OF THIS PROJECT GUTENBE

Produced by Greg Weeks, Stephen BDistributed Proofreading Team atDid you ever wonder at the lonely life the bird in acuckoo clock has to lead—that it might possiblylove and hate just as easily as a real animal offlesh and blood? Philip Dick used that idea for thisbrief fantasy tale. We're sure that after reading ityou'll give cuckoo clocks more respect.

beyond the doorby ... Philip K. Dick

Larry Thomas bought acuckoo clock for his wife—without knowing theprice he would have topay.THAT NIGHT at the dinner table he broughtit out and set it down beside her plate.Doris stared at it, her hand to her mouth.\"My God, what is it?\" She looked up athim, bright-eyed.\"Well, open it.\"Doris tore the ribbon and paper from thesquare package with her sharp nails, herbosom rising and falling. Larry stood

watching her as she lifted the lid. He lita cigarette and leaned against the wall.\"A cuckoo clock!\" Doris cried. \"A realold cuckoo clock like my mother had.\"She turned the clock over and over. \"Justlike my mother had, when Pete was stillalive.\" Her eyes sparkled with tears.\"It's made in Germany,\" Larry said. Aftera moment he added, \"Carl got it for mewholesale. He knows some guy in theclock business. Otherwise I wouldn'thave—\" He stopped.Doris made a funny little sound.\"I mean, otherwise I wouldn't have beenable to afford it.\" He scowled. \"What'sthe matter with you? You've got your

clock, haven't you? Isn't that what youwant?\"Doris sat holding onto the clock, herfingers pressed against the brown wood.\"Well,\" Larry said, \"what's the matter?\"He watched in amazement as she leapedup and ran from the room, still clutchingthe clock. He shook his head. \"Neversatisfied. They're all that way. Never getenough.\"He sat down at the table and finished hismeal.The cuckoo clock was not very large. Itwas hand-made, however, and therewere countless frets on it, little

indentations and ornaments scored in thesoft wood. Doris sat on the bed dryingher eyes and winding the clock. She setthe hands by her wristwatch. Presentlyshe carefully moved the hands to twominutes of ten. She carried the clockover to the dresser and propped it up.Then she sat waiting, her hands twistedtogether in her lap—waiting for thecuckoo to come out, for the hour tostrike.As she sat she thought about Larry andwhat he had said. And what she hadsaid, too, for that matter—not that shecould be blamed for any of it. After all,she couldn't keep listening to himforever without defending herself; you

had to blow your own trumpet in theworld.She touched her handkerchief to her eyessuddenly. Why did he have to say that,about getting it wholesale? Why did hehave to spoil it all? If he felt that way heneedn't have got it in the first place. Sheclenched her fists. He was so mean, sodamn mean.But she was glad of the little clocksitting there ticking to itself, with itsfunny grilled edges and the door. Insidethe door was the cuckoo, waiting tocome out. Was he listening, his headcocked on one side, listening to hear theclock strike so that he would know tocome out?

Did he sleep between hours? Well, shewould soon see him: she could ask him.And she would show the clock to Bob.He would love it; Bob loved old things,even old stamps and buttons. He liked togo with her to the stores. Of course, itwas a little awkward, but Larry had beenstaying at the office so much, and thathelped. If only Larry didn't call upsometimes to—There was a whirr. The clock shudderedand all at once the door opened. Thecuckoo came out, sliding swiftly. Hepaused and looked around solemnly,scrutinizing her, the room, the furniture.It was the first time he had seen her, sherealized, smiling to herself in pleasure.

She stood up, coming toward him shyly.\"Go on,\" she said. \"I'm waiting.\"The cuckoo opened his bill. He whirredand chirped, quickly, rhythmically. Then,after a moment of contemplation, heretired. And the door snapped shut.She was delighted. She clapped herhands and spun in a little circle. He wasmarvelous, perfect! And the way he hadlooked around, studying her, sizing herup. He liked her; she was certain of it.And she, of course, loved him at once,completely. He was just what she hadhoped would come out of the little door.Doris went to the clock. She bent overthe little door, her lips close to the

wood. \"Do you hear me?\" shewhispered. \"I think you're the mostwonderful cuckoo in the world.\" Shepaused, embarrassed. \"I hope you'll likeit here.\"Then she went downstairs again, slowly,her head high.Larry and the cuckoo clock really nevergot along well from the start. Doris saidit was because he didn't wind it right,and it didn't like being only half-woundall the time. Larry turned the job ofwinding over to her; the cuckoo cameout every quarter hour and ran the springdown without remorse, and someone hadto be ever after it, winding it up again.

Doris did her best, but she forgot a gooddeal of the time. Then Larry wouldthrow his newspaper down with anelaborate weary motion and stand up. Hewould go into the dining-room where theclock was mounted on the wall over thefireplace. He would take the clock downand making sure that he had his thumbover the little door, he would wind it up.\"Why do you put your thumb over thedoor?\" Doris asked once.\"You're supposed to.\"She raised an eyebrow. \"Are you sure? Iwonder if it isn't that you don't want himto come out while you're standing soclose.\"

\"Why not?\"\"Maybe you're afraid of him.\"Larry laughed. He put the clock back onthe wall and gingerly removed histhumb. When Doris wasn't looking heexamined his thumb.There was still a trace of the nick cut outof the soft part of it. Who—or what—had pecked at him?One Saturday morning, when Larry wasdown at the office working over someimportant special accounts, BobChambers came to the front porch andrang the bell.

Doris was taking a quick shower. Shedried herself and slipped into her robe.When she opened the door Bob steppedinside, grinning.\"Hi,\" he said, looking around.\"It's all right. Larry's at the office.\"\"Fine.\" Bob gazed at her slim legsbelow the hem of the robe. \"How niceyou look today.\"She laughed. \"Be careful! Maybe Ishouldn't let you in after all.\"They looked at one another, half amusedhalf frightened. Presently Bob said, \"Ifyou want, I'll—\"

\"No, for God's sake.\" She caught hold ofhis sleeve. \"Just get out of the doorwayso I can close it. Mrs. Peters across thestreet, you know.\"She closed the door. \"And I want toshow you something,\" she said. \"Youhaven't seen it.\"He was interested. \"An antique? Orwhat?\"She took his arm, leading him toward thedining-room. \"You'll love it, Bobby.\"She stopped, wide-eyed. \"I hope youwill. You must; you must love it. Itmeans so much to me—he means somuch.\"\"He?\" Bob frowned. \"Who is he?\"

Doris laughed. \"You're jealous! Comeon.\" A moment later they stood beforethe clock, looking up at it. \"He'll comeout in a few minutes. Wait until you seehim. I know you two will get along justfine.\"\"What does Larry think of him?\"\"They don't like each other. Sometimeswhen Larry's here he won't come out.Larry gets mad if he doesn't come out ontime. He says—\"\"Says what?\"Doris looked down. \"He always sayshe's been robbed, even if he did get itwholesale.\" She brightened. \"But I knowhe won't come out because he doesn't

like Larry. When I'm here alone hecomes right out for me, every fifteenminutes, even though he really only hasto come out on the hour.\"She gazed up at the clock. \"He comes outfor me because he wants to. We talk; Itell him things. Of course, I'd like tohave him upstairs in my room, but itwouldn't be right.\"There was the sound of footsteps on thefront porch. They looked at each other,horrified.Larry pushed the front door open,grunting. He set his briefcase down andtook off his hat. Then he saw Bob for thefirst time.

\"Chambers. I'll be damned.\" His eyesnarrowed. \"What are you doing here?\"He came into the dining-room. Dorisdrew her robe about her helplessly,backing away.\"I—\" Bob began. \"That is, we—\" Hebroke off, glancing at Doris. Suddenlythe clock began to whirr. The cuckoocame rushing out, bursting into sound.Larry moved toward him.\"Shut that din off,\" he said. He raised hisfist toward the clock. The cuckoosnapped into silence and retreated. Thedoor closed. \"That's better.\" Larrystudied Doris and Bob, standing mutelytogether.

\"I came over to look at the clock,\" Bobsaid. \"Doris told me that it's a rareantique and that—\"\"Nuts. I bought it myself.\" Larry walkedup to him. \"Get out of here.\" He turned toDoris. \"You too. And take that damnclock with you.\"He paused, rubbing his chin. \"No. Leavethe clock here. It's mine; I bought it andpaid for it.\"In the weeks that followed after Dorisleft, Larry and the cuckoo clock gotalong even worse than before. For onething, the cuckoo stayed inside most ofthe time, sometimes even at twelveo'clock when he should have been

busiest. And if he did come out at all heusually spoke only once or twice, neverthe correct number of times. And therewas a sullen, uncooperative note in hisvoice, a jarring sound that made Larryuneasy and a little angry.But he kept the clock wound, because thehouse was very still and quiet and it goton his nerves not to hear someonerunning around, talking and droppingthings. And even the whirring of a clocksounded good to him.But he didn't like the cuckoo at all. Andsometimes he spoke to him.\"Listen,\" he said late one night to theclosed little door. \"I know you can hear

me. I ought to give you back to theGermans—back to the Black Forest.\" Hepaced back and forth. \"I wonder whatthey're doing now, the two of them. Thatyoung punk with his books and hisantiques. A man shouldn't be interestedin antiques; that's for women.\"He set his jaw. \"Isn't that right?\"The clock said nothing. Larry walked upin front of it. \"Isn't that right?\" hedemanded. \"Don't you have anything tosay?\"He looked at the face of the clock. It wasalmost eleven, just a few seconds beforethe hour. \"All right. I'll wait until eleven.Then I want to hear what you have to

say. You've been pretty quiet the last fewweeks since she left.\"He grinned wryly. \"Maybe you don't likeit here since she's gone.\" He scowled.\"Well, I paid for you, and you're comingout whether you like it or not. You hearme?\"Eleven o'clock came. Far off, at the endof town, the great tower clock boomedsleepily to itself. But the little doorremained shut. Nothing moved. Theminute hand passed on and the cuckoodid not stir. He was someplace insidethe clock, beyond the door, silent andremote.\"All right, if that's the way you feel,\"

Larry murmured, his lips twisting. \"Butit isn't fair. It's your job to come out. Weall have to do things we don't like.\"He went unhappily into the kitchen andopened the great gleaming refrigerator.As he poured himself a drink he thoughtabout the clock.There was no doubt about it—thecuckoo should come out, Doris or noDoris. He had always liked her, from thevery start. They had got along well, thetwo of them. Probably he liked Bob too—probably he had seen enough of Bobto get to know him. They would be quitehappy together, Bob and Doris and thecuckoo.

Larry finished his drink. He opened thedrawer at the sink and took out thehammer. He carried it carefully into thedining-room. The clock was tickinggently to itself on the wall.\"Look,\" he said, waving the hammer.\"You know what I have here? You knowwhat I'm going to do with it? I'm going tostart on you—first.\" He smiled. \"Birdsof a feather, that's what you are—thethree of you.\"The room was silent.\"Are you coming out? Or do I have tocome in and get you?\"The clock whirred a little.

\"I hear you in there. You've got a lot oftalking to do, enough for the last threeweeks. As I figure it, you owe me—\"The door opened. The cuckoo came outfast, straight at him. Larry was lookingdown, his brow wrinkled in thought. Heglanced up, and the cuckoo caught himsquarely in the eye.Down he went, hammer and chair andeverything, hitting the floor with atremendous crash. For a moment thecuckoo paused, its small body poisedrigidly. Then it went back inside itshouse. The door snapped tight-shut afterit.The man lay on the floor, stretched out

grotesquely, his head bent over to oneside. Nothing moved or stirred. Theroom was completely silent, except, ofcourse, for the ticking of the clock.\"I see,\" Doris said, her face tight. Bobput his arm around her, steadying her.\"Doctor,\" Bob said, \"can I ask yousomething?\"\"Of course,\" the doctor said.\"Is it very easy to break your neck,falling from so low a chair? It wasn'tvery far to fall. I wonder if it might nothave been an accident. Is there anychance it might have been—\"

\"Suicide?\" the doctor rubbed his jaw. \"Inever heard of anyone committingsuicide that way. It was an accident; I'mpositive.\"\"I don't mean suicide,\" Bob murmuredunder his breath, looking up at the clockon the wall. \"I meant something else.\"But no one heard him.Transcriber'sNote:This etext was producedfrom Fantastic

Universe January 1954.Extensive research didnot uncover anyevidence that the U.S.copyright on thispublication wasrenewed. Minorspelling andtypographical errors

have been corrected without note.End of the Project Gutenberg EBoo*** END OF THIS PROJECT GUTENBERG***** This file should be named 2This and all associated files of http://www.gutenberg.org/Produced by Greg Weeks, Stephen BDistributed Proofreading Team at

Updated editions will replace thewill be renamed.Creating the works from public doone owns a United States copyrigh(and you!) can copy and distributpermission and without paying copset forth in the General Terms ofcopying and distributing Projectprotect the PROJECT GUTENBERG-tmGutenberg is a registered trademacharge for the eBooks, unless youdo not charge anything for copiesrules is very easy. You may usesuch as creation of derivative woresearch. They may be modified apractically ANYTHING with publicsubject to the trademark license,redistribution.*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSPLEASE READ THIS BEFORE YOU DISTRTo protect the Project Gutenberg-distribution of electronic works,(or any other work associated inGutenberg\"), you agree to complyGutenberg-tm License (available whttp://gutenberg.net/license).Section 1. General Terms of Useelectronic works1.A. By reading or using any parelectronic work, you indicate thaand accept all the terms of this(trademark/copyright) agreement.the terms of this agreement, youall copies of Project Gutenberg-tIf you paid a fee for obtaining aGutenberg-tm electronic work and

terms of this agreement, you mayentity to whom you paid the fee a1.B. \"Project Gutenberg\" is a reused on or associated in any wayagree to be bound by the terms ofthings that you can do with mosteven without complying with the fparagraph 1.C below. There are aGutenberg-tm electronic works ifand help preserve free future accworks. See paragraph 1.E below.1.C. The Project Gutenberg Literor PGLAF), owns a compilation copGutenberg-tm electronic works. Ncollection are in the public domaindividual work is in the publiclocated in the United States, wecopying, distributing, performingworks based on the work as long aare removed. Of course, we hopeGutenberg-tm mission of promoting

freely sharing Project Gutenberg-this agreement for keeping the Prthe work. You can easily complykeeping this work in the same forGutenberg-tm License when you sha1.D. The copyright laws of the pwhat you can do with this work.a constant state of change. If ythe laws of your country in additbefore downloading, copying, dispcreating derivative works based oGutenberg-tm work. The Foundatiothe copyright status of any workStates.1.E. Unless you have removed all1.E.1. The following sentence, waccess to, the full Project Gutenwhenever any copy of a Project Guphrase \"Project Gutenberg\" appearGutenberg\" is associated) is acce

copied or distributed:This eBook is for the use of anyoalmost no restrictions whatsoeverre-use it under the terms of thewith this eBook or online at www.1.E.2. If an individual Projectfrom the public domain (does notposted with permission of the copand distributed to anyone in theor charges. If you are redistribwith the phrase \"Project Gutenberwork, you must comply either withthrough 1.E.7 or obtain permissioProject Gutenberg-tm trademark as1.E.9.1.E.3. If an individual Projectwith the permission of the copyrimust comply with both paragraphsterms imposed by the copyright hoto the Project Gutenberg-tm Licen

permission of the copyright holde1.E.4. Do not unlink or detach oLicense terms from this work, orwork or any other work associated1.E.5. Do not copy, display, perelectronic work, or any part of tprominently displaying the sentenactive links or immediate accessGutenberg-tm License.1.E.6. You may convert to and dicompressed, marked up, nonproprieword processing or hypertext formdistribute copies of a Project Gu\"Plain Vanilla ASCII\" or other foposted on the official Project Guyou must, at no additional cost,copy, a means of exporting a copyrequest, of the work in its origiform. Any alternate format mustLicense as specified in paragraph

1.E.7. Do not charge a fee for aperforming, copying or distributiunless you comply with paragraph1.E.8. You may charge a reasonabaccess to or distributing Projectthat- You pay a royalty fee of 20% of the use of Project Gutenberg you already use to calculate owed to the owner of the Pro has agreed to donate royalti Project Gutenberg Literary A must be paid within 60 days prepare (or are legally requ returns. Royalty payments s sent to the Project Gutenber address specified in Section the Project Gutenberg Litera- You provide a full refund of an

you in writing (or by e-mail does not agree to the terms License. You must require s destroy all copies of the wo and discontinue all use of a Project Gutenberg-tm works.- You provide, in accordance with money paid for a work or a r electronic work is discovere of receipt of the work.- You comply with all other terms distribution of Project Gute1.E.9. If you wish to charge a felectronic work or group of worksforth in this agreement, you mustboth the Project Gutenberg LiteraHart, the owner of the Project GuFoundation as set forth in Sectio1.F.

1.F.1. Project Gutenberg volunteeffort to identify, do copyrightpublic domain works in creating tcollection. Despite these effortworks, and the medium on which th\"Defects,\" such as, but not limitcorrupt data, transcription errorproperty infringement, a defectivcomputer virus, or computer codesyour equipment.1.F.2. LIMITED WARRANTY, DISCLAIof Replacement or Refund\" describGutenberg Literary Archive FoundaGutenberg-tm trademark, and any oGutenberg-tm electronic work undeliability to you for damages, cosfees. YOU AGREE THAT YOU HAVE NOLIABILITY, BREACH OF WARRANTY ORPROVIDED IN PARAGRAPH F3. YOU AGTRADEMARK OWNER, AND ANY DISTRIBULIABLE TO YOU FOR ACTUAL, DIRECT,

INCIDENTAL DAMAGES EVEN IF YOU GIDAMAGE.1.F.3. LIMITED RIGHT OF REPLACEMdefect in this electronic work wireceive a refund of the money (ifwritten explanation to the personreceived the work on a physical myour written explanation. The pethe defective work may elect to prefund. If you received the workproviding it to you may choose toreceive the work electronically iis also defective, you may demandopportunities to fix the problem.1.F.4. Except for the limited riin paragraph 1.F.3, this work isWARRANTIES OF ANY KIND, EXPRESS OWARRANTIES OF MERCHANTIBILITY OR1.F.5. Some states do not allowwarranties or the exclusion or li

If any disclaimer or limitation slaw of the state applicable to thinterpreted to make the maximum dthe applicable state law. The inprovision of this agreement shall1.F.6. INDEMNITY - You agree totrademark owner, any agent or empproviding copies of Project Gutenwith this agreement, and any volupromotion and distribution of Proharmless from all liability, costthat arise directly or indirectlyor cause to occur: (a) distributiwork, (b) alteration, modificatioProject Gutenberg-tm work, and (cSection 2. Information about thProject Gutenberg-tm is synonymouelectronic works in formats readaincluding obsolete, old, middle-a

because of the efforts of hundredpeople in all walks of life.Volunteers and financial supportassistance they need are criticalgoals and ensuring that the Projeremain freely available for generGutenberg Literary Archive Foundaand permanent future for ProjectTo learn more about the Project Gand how your efforts and donationand the Foundation web page at htSection 3. Information about theFoundationThe Project Gutenberg Literary Ar501(c)(3) educational corporationstate of Mississippi and grantedRevenue Service. The Foundation'number is 64-6221541. Its 501(c)http://pglaf.org/fundraising. Co

Literary Archive Foundation are tpermitted by U.S. federal laws anThe Foundation's principal officeFairbanks, AK, 99712., but its vothroughout numerous locations. I809 North 1500 West, Salt Lake [email protected]. Email contacinformation can be found at the Fpage at http://pglaf.orgFor additional contact informatio Dr. Gregory B. Newby Chief Executive and Director [email protected] 4. Information about DonLiterary Archive FoundationProject Gutenberg-tm depends uponspread public support and donatioincreasing the number of public d

freely distributed in machine reaarray of equipment including outd($1 to $5,000) are particularly istatus with the IRS.The Foundation is committed to cocharities and charitable donationStates. Compliance requirementsconsiderable effort, much paperwowith these requirements. We do nwhere we have not received writteSEND DONATIONS or determine the sparticular state visit http://pglWhile we cannot and do not solicihave not met the solicitation reqagainst accepting unsolicited donapproach us with offers to donateInternational donations are grateany statements concerning tax treoutside the United States. U.S.




Like this book? You can publish your book online for free in a few minutes!
Create your own flipbook