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ADVERTISEMENT Concept vehicle shown. Not available for sale. Audi’s futuristic vision: The vehicle becomes an experience device through added living space. Absolute highlight (above): The cockpit is a digital screen. Modern technology meets luxurious simplicity. Concept vehicle shown. Not available for sale.

Future WELCOME TO A NEW KIND OF LIVING SPACE The AUDI URBANSPHERE CONCEPT CAR promises RELAXATION and ENTERTAINMENT alongside an INNOVATIVE way to travel. t HE GREATEST LUXURY OF OUR TIME? Room. Space. Time to unwind. These days, we find our- selves speeding on highways, both metaphorically and literally. Cities are turning into megacities, roads are becoming ever more crowded, and the distances we need to cover—and the time it takes to reach our destinations—are getting longer and longer. This is why Audi developed a revolutionary idea, in close consultation with some of its core customers—the Audi urbansphere concept, a vehicle designed from the inside out and focused on our urban lifestyle. The urbansphere is the third concept car by Audi, in addition to the spectacular Audi skysphere concept vehicle—a sleek roadster transfor- med into an autonomous grand “To develop ideas in collaboration tourer—and the Audi grandsphere with our progressive customers concept, a luxurious electric sedan. is a core component of our culture The idea behind the urbansphere here at Audi.” concept is to create a vehicle that — HENRIK WENDERS, is more than just a car—but a HEAD OF BRAND MANAGEMENT, AUDI means of personal space. For some

ADVERTISEMENT 1 people, that space might be for productivity; for Concept vehicle shown. Not available for sale. others, relaxation. Think of it as an office or living 2 room on four wheels. Concept vehicle shown. Not available for sale. LUXURIOUS MOBILITY OF THE FUTURE 3 We all want more space, especially in stressful times. Audi’s urbansphere concept promises just that. The Concept vehicle shown. Not available for sale. design team has used its roomy dimensions (18 feet long, 6.5 feet wide, and nearly 6 feet high) to give 1. The MMI touchless response within the interior maximum space and comfort to those who are com- paneling of the doors is controlled via rotary ring and muting, rather than the usual approach of including keys. If the seat is reclined, the MMI is managed by a as many seats or as much storage as possible. combination of eye-tracking and gesture interaction. 2. Outward rotating seats ease entering and exiting LESS CAR, MORE EXPERIENCE DEVICE the vehicle. The privacy collar lets you pause and rest. Whether it’s dialing into meetings, streaming movies, 3. First-class on-board care with an integrated water or taking advantage of customized events, the Audi fountain in the open passenger compartment. urbansphere concept lets you have it all. Four roomy 4. Collective use of the infotainment: a large-format, front and back seats give the feeling of traveling in transparent OLED Screen that lowers from the roof first class. For those who want more privacy, there are and in between the front and back seats. integrated privacy screens fitted between each head- rest to create a division between the seats. What’s more, each headrest is fitted with its own speakers, and monitors are set into the back of the front seats for passengers in the rear. There’s also a large, trans- parent screen that lowers from the roof and in between the front and back seats for collective viewing. And if you just want to chill out? The Relax-Mode lets you do exactly that: Reclinable seats and extendable leg rests allow you to stretch out while listening to the soothing sounds of a meditation app through your private speakers, all while enjoying the view through an oversized sunroof. A FLOWING SILHOUETTE The Audi urbansphere concept features elegant flowing lines, with a large, flat windshield, curved roof, and integrated light fixtures. “The show cars embody the next level of our design communication,” explains Audi’s head of design, Marc Lichte. In short, they are an expression of Audi's new approach to design, while also remaining recognizably Audi with maximum freedom in mind. For more information, visit progress.audi/urbansphere-US

Future “The Audi urbansphere concept enables every passenger to be productive and creative—and allows for extraordinary moments to be experienced.” — HENRIK WENDERS 4 Concept vehicle shown. Not available for sale.

Trending Summer Lovers Here’s what we’reobsessedwith as the season reaches its peak. KEEPING UP 1FLYING KARDASHIAN: MARIO SORRENTI; SOFITEL BARÚ CALABLANCA BEACH RESORT: SOUTH URIBE FOTOGRAFIA; BLACK BOY KNITS MODEL: PHOTOGRAPHED BY LAERKE ROSE “It is work,” new skin care XIN XIN MØLLEGAARD; REMAINING IMAGES: COURTESY OF THE DESIGNERS. entrepreneur (and no stranger to Ready to experience all the hard work) Kim Kardashian says sights and sounds of Colombia about her routine. For the launch for yourself after reading about of SKKN by Kim, Kardashian Maria Claudia ”Cloclo” collaborated with her longtime Echavarría’s wedding (page aesthetician, Joanna Czech, to 62)? Escape to the beach in create a nine-piece collection Barú at Sofitel Barú Calablanca, that includes hardworking a favorite of ELLE editor-in-chief ingredients like hyaluronic acid, (and native Colombian) Nina vitamin C, and exfoliators. The Garcia. Just in time for summer, hand-tooled stone packaging the hotel is opening a was inspired by the ceramics in beachside food truck featuring her own monochromatic home. local favorites, as well as “People said I should launch workshops and dance classes with just three products,” with local artists and artisans. Kardashian says. “But that’s not what I use in my own routine. sofitelbarucalablanca.com. And the magic is when the 2productsallcometogether.” SKKN by Kim, skknbykim.com.

SWEATER WEATHER As summer ebbs and thoughts turn to your fall wardrobe, consider Jacques Agbobly of Black Boy Knits, who is creating some of the most exciting knitwear around from their Brooklyn studio. They’ve described their work, with its bold color combinations and layering effects, as an expression of Black joy—and you’d be hard-pressed not to smile while wearing it. Turtleneck, $750, top, $500, gloves, $550, Black Boy Knits, made to order at blackboyknits.com. almost too precious to wear. Jean jackets, minis, and more are emblazoned with Wesselmann’s playful images, like the cosmetics and accessories shown here. The range ($55–$2,200) also includes handbags, jewelry, shoes, and home goods that are sure to liven up any space. Jacket, $695, skirt, $450, Coach x Tom Wesselmann, coach.com. FLOAT ON Few names are as synonymous with Venice as Fortuny. The storied textile manufacturer, founded in 1907 by Mariano Fortuny, is as renowned for its iconic Delphos dress as for its rich velvets and brocades. Max Mara has collaborated with the brand to channel all the romance of the Floating City with its latest bag, the appropriately named Pasticcino (éclair). And what a treat it is, with hand-loomed silk brocade, a clasp topped with two coordinating Murano glass balls, and a removable chain strap. Pasticcino bag, Weekend Max Mara, $925, maxmara.com. 15

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NO.438 MAUREEN M. EVANS August Volume XXXVII Number 10 14 TRENDING 24 EDITOR’S LETTER 25 NINA’S EDIT 26 NEW ARRIVALS The perfect bag, shoe, and watch with which to greet autumn. Front Row 32 FUTURE OF FASHION: THE GEN Z WHISPERER With her brand Parade, Cami Téllez has ushered in a whole new approach to undergarments. By Chantal Fernandez 33 FUTURE OF FASHION: NEW DESIGNERS The emerging names taking fashion in an innovative direction. 35 FUTURE OF FASHION: NEW FRONTIERS On the merging of tech and fashion. 36 FUTURE OF FASHION: NEW IDEAS How collaboration, trend forecasting, and slow fashion are demonstrating an evolved approach to the business. Accessories 39 PARIS, TEXAS Cartier lands in Dallas with a spectacular art exhibit. By Naomi Rougeau 42 MATCH POINT Tennis apparel reigns— both on and off the court. 44 GARDEN PARTY Embrace the season with florals and picnic- ready accessories. Shop 46 DOMESTIC BLISS Chic must-haves— whether you’re headed for the mountains or riding the waves. Beauty 51 DO THE TWIST Margaux Anbouba spotlights a modern take on the classic chignon. 52 THE COOL CLUB For this season’s skin refresher, look to ice. By Emily Burns 18



NO.438 August Volume XXXVII Number 10 BODYSUIT, MICHAEL KORS COLLECTION, $750. BULGARI EDEN THE GARDEN OF WONDERS EARRINGS, NECKLACE, RINGS, BULGARI. 54 TWO BECOME ONE Living 70 WHEN THE DOCTOR 90 HOUSE PROUD THE COVER LOOK GREG W ILLIA MS; FOR D ETAI LS, SEE SHOP P I NG GU IDE. IS IN YOUR DNA Twins Simi and Haze 62 COLOMBIAN DREAM The most celebrated Ana de Armas wears a polo Khadra have created a As an increasing names in fashion—Fendi, shirt and hoop earrings from beauty line for a new The wedding of Sí number of women Chanel, and Armani Louis Vuitton and rings from age. By Faran Krentcil Collective cofounder realize that their among them—approached Marie-Hélène de Taillac. Maria Claudia “Cloclo” mothers were betrayed this season with a nod to Photographed by Christian 56 WHAT I WISH I’D Echavarría to Prince by fertility doctors, the their past. Photographed MacDonald (styled by Alex KNOWN BEFORE Josef-Emanuel of question of recourse by Nathaniel Goldberg. White; hair by Orlando Pita GETTING A FACELIFT Liechtenstein celebrated is being reckoned with. Styled by Alex White for Orlando Pita Play; makeup the bride’s home country. By Sarah Treleaven. by Mélanie Inglessis at Makeup artist Jenny Photographed by 110 EIZA RISING Forward Artists; set design by Patinkin shares Perspectives Stephanie Mei-Ling Todd Wiggins at MHS Artists; her experience. Eiza González has a produced by 1972 Agency 66 MIKAELA SHIFFRIN Fashion busy slate of streaming and Callie Householder 58 RETRO RULES IS STILL THE BEST projects and a history- Productions). For de Armas’s SKIER IN THE WORLD 75 ANA’S GETAWAY making role as Bulgari’s makeup look, try Pure Color Yesterday’s makeup first Latina ambassador for Envy Luxe EyeShadow somehow feels perfect for After suffering the loss of Ana de Armas opens North America. By Naomi Quad in Desert Dunes, today. By Marisa Meltzer her father and enduring up about living a Rougeau. Photographed Pure Color Revitalizing mental health struggles, the new life in a new city. by Greg Williams. Styled Crystal Balm in Cosmic 60 MS. ROBINSON GOES Olympian is coming back By Marisa Meltzer. by Charles Varenne Crystal, and Pure Color Envy TO HOLLYWOOD stronger than ever. By Rose Photographed by Sculpting Blush in Alluring Minutaglio. Photographed Christian MacDonald. 116 SHOPPING GUIDE Rose. All, Estée Lauder. With a new TV show by Caleb Santiago Alvarado Styled by Alex White based on her essays, 118 HOROSCOPE Phoebe Robinson learns how to get “Hollywood-ready.” 20



NINA GARCIA Editor-in-Chief STEPHEN GAN Creative Director MARTIN HOOPS SARA AUSTIN ERIN HOBDAY ALEX WHITE Executive Design Director Executive Editor Executive Managing Editor Fashion Director ALIX CAMPBELL KAYLA WEBLEY ADLER JENNIFER WEISEL ALEXIS WOLFE KATHLEEN HOU Chief Visual Content Director, Deputy Editor Entertainment Director Fashion Market and Beauty Director Accessories Director Hearst Magazines MELISSA GIANNINI VÉRONIQUE HYLAND CARY GEORGES JEFFREY INGLEDUE Features Director Fashion Features Director Visual Director Deputy Managing Editor FASHION Senior Market Editor SARAH ZENDEJAS Credits Editor CAITLIN MULLEN Market Editor JADE VALLARIO Fashion Associate KEVIN LEBLANC Assistant Fashion Editor ROSIE JARMAN Fashion and Accessories Assistant MADISON REXROAT FEATURES Senior Fashion Features Editor NAOMI ROUGEAU Associate Editor ADRIENNE GAFFNEY Assistant Editor JULIANA UKIOMOGBE BEAUTY Beauty Editor MARGAUX ANBOUBA Assistant Beauty Editor EMILY BURNS ART AND DESIGN Art Director KATELYN BAKER Senior Digital Designer LEAH ROMERO Designer HANNA DAY-TENEROWICZ Assistant to the Editor-in-Chief SAMUEL MAUDE HEARST VISUAL GROUP Deputy Visual Director FIONA LENNON Senior Visual Researcher MEGAN A. VICTORIA Associate Producer SAMEET SHARMA COPY AND RESEARCH Copy Chief TERRI SCHLENGER Research Chief BRENDÁN CUMMINGS Research Editor LAURA ASMUNDSSON PRODUCTION Operations Account Manager MARIA FERNANDEZ Premedia Account Manager JEAN-NATE FONTE Digital Imaging Specialist REBECCA IOVAN International Coordinator MONIQUE BONIOL Editorial Business Director CAROL LUZ Editorial Business Manager KATE REMULLA ELLE.COM Digital Director JESSICA ROY Deputy Editor CLAIRE STERN Beauty Director CHLOE HALL Features Editor KATHERINE KRUEGER Senior Culture Editor ERICA GONZALES Senior News and Strategy Editor ALYSSA BAILEY Senior Writer MADISON FELLER Senior Social Media Editor CARINE LAVACHE Staff Writer ROSE MINUTAGLIO Beauty E-Commerce Editor NERISHA PENROSE Beauty E-Commerce Writer TATJANA FREUND Associate Editor LAUREN PUCKETT-POPE Associate Fashion Commerce Editor MEG DONOHUE Photo Editor YOUSRA ATTIA Video Producer LAURA HACKER Senior Video Editor KAMERON KEY After Effects Artist ALINA PETRICHYN DP/Editor TOM JEZIK WORLD’S LEADING FASHION MAGAZINE • 45 INTERNATIONAL EDITIONS Argentina • Australia • België • Belgium • Bulgaria • Canada • China • Croatia • Czech Republic • Denmark • Finland • France • Germany • Greece • Holland • Hong Kong • Hungary • India • Indonesia • Italy • Japan • Kazakhstan • Korea • Malaysia • Mexico • Norway • Oriental • Poland • Portugal • Quebec • Romania • Serbia • Singapore • Slovenia • South Africa • Spain • Sweden • Taiwan • Thailand • Turkey • Ukraine • United Kingdom • USA • Vietnam PUBLISHED BY HEARST President and Chief Executive Officer STEVEN R. SWARTZ Chairman WILLIAM R. HEARST III Executive Vice Chairman FRANK A. BENNACK, JR. Chief Operating Officer MARK E. ALDAM HEARST MAGAZINE MEDIA, INC. President DEBI CHIRICHELLA Chief Content Officer KATE LEWIS Chief Financial and Strategy Officer; Treasurer REGINA BUCKLEY Senior Vice President, Consumer Revenue and Development BRIAN MADDEN President, Hearst Magazines International JONATHAN WRIGHT Secretary CATHERINE A. BOSTRON Publishing Consultants GILBERT C. MAURER, MARK F. MILLER Founding Editor RÉGIS PAGNIEZ For information on reprints and e-prints, please contact Brian Kolb at Wright’s Reprints, 877-652-5295 or [email protected]. ELLE is published by Hearst Magazine Media, Inc. All correspondence should be addressed to: 300 West 57th Street, New York, NY 10019. The ELLE trademark and logo are owned by Hachette Filipacchi Presse (France), a Lagardère Active Group company. ELLE® is used under license from the trademark owner, Hachette Filipacchi Presse. Copyright © 2022. Printed in the United States of America. ELLEAROUNDTHEWORLD.COM

CAROL A. SMITH Senior Vice President, Group Publishing Director Senior Vice President, Publishing Director JACK ESSIG Vice President, General Manager ANNE WELCH Vice President, Marketing BRENT WILLIAMS ALLEN Executive Director, Advertising Business Operations JEANINE TRIOLO Group Executive Marketing Director & Sales Strategy LISA PIANA Vice President, Sales CHRIS PEEL Chief Brand Officer, Hearst Luxury Collection E-Commerce KEN DOWNING Group Finance Manager RON SABATINI Executive Assistant/Business Associate DANA WENTZEL INTEGRATED ADVERTISING SALES Group Executive Director, Beauty & Lifestyle JOANNA NOWACK MELISSAKIS Group Executive Director, Fashion & Luxury AARON S. KRANSDORF Senior Executive Sales Director, Luxury KATE SLAVIN Executive Sales Directors, Fashion PAULA FORTGANG, JOHN WATTIKER Executive Sales Director, Luxury CARYN KESLER Executive Sales Directors, Beauty ANGELA PARAUDA, JILL SCHLANGER-SLIVKA Executive Sales Director, Travel RW HORTON Executive Sales Director, Lifestyle TAMMY COHEN Senior Sales Director, Beauty LAUREN DEL VALLE Senior Sales Director, Fashion MICHAEL RIGGIO Senior Sales Manager, Direct Media ANGELA HRONOPOULOS Sales Assistants OLIVIA BENSON, HALLEY DEONARINE, AALIA MEHRA, AMANDA SHEERIN INTEGRATED MARKETING Executive Marketing Directors SARAH CLAUSEN, ALEXANDRA KEKALOS, DANA MENDELOWITZ, LINDSAY SABLE Senior Marketing Director AIMEE COUTURE Marketing Director SARA OLDMIXON Associate Marketing Director DEAN FRYN Senior Marketing Manager BRIANA ROTELLO Marketing Managers GINNY DURKIN, EMILY LYNCH Associate Marketing Manager HANNAH BUTLER Marketing Coordinators ISABELLE ADLER, KENDRA WILLIAMS Marketing Assistant MCKENZIE SUTHERLAND BRAND DEVELOPMENT CREATIVE SERVICES EVENTS & PROMOTIONS Executive Marketing Director, Research & Brand Executive Creative Director THEA KARAS Executive Marketing Director, Events & Promotions Senior Art Director JESSICA TSOUPLAKIS Development NICOLE SPICEHANDLER KAREN MENDOLIA Senior Marketing Director, Research & Brand Creative Director FRAUKE EBINGER Associate Marketing Director, Events & Promotions Art Director ALICE STEVENS Development ALEXANDRA STETZER JESSICA HEINMILLER Associate Marketing Director, Research & Brand CIRCULATION Vice President, Retail Sales JIM MILLER PRODUCTION & ADMINISTRATION Development MELANIE SINGER Senior Billing Coordinator Vice President, Group Consumer JONELLE DUNCAN ADVERTISING OPERATIONS Marketing Director RICK DAY Advertising Services Director MICHAEL NIES Senior Advertising Services Manager MICHELLE LUIS BRANCH OFFICES Executive Sales Director, West Coast MARJAN DIPIAZZA Executive Sales Director, Midwest AUTUMN JENKS Executive Sales Director, Southwest LUCINDA WEIKEL [email protected] Sales Director, West Coast JASON YASMENT Sales Director, Southeast RITA WALKER [email protected] ELLE INTERNATIONAL, A DIVISION OF LAGARDÈRE NEWS CEO CONSTANCE BENQUÉ CEO ELLE International Licenses FRANÇOIS CORUZZI SVP/International Director of ELLE VALÉRIA BESSOLO LLOPIZ Fashion Editor CHARLOTTE DEFFE Beauty & Celebrity Editor VIRGINIE DOLATA Syndication Director SÉVERINE LAPORTE Syndication Coordinator MONIQUE BONIOL Copyrights Manager KENZA ALLAL Database Manager PASCAL IACONO Digital & Graphic Design Director MARINE LE BRIS Marketing Director MORGAN ROHÉE INTERNATIONAL AD SALES HOUSE LAGARDÈRE GLOBAL ADVERTISING SVP/International Advertising JULIAN DANIEL [email protected] Call: 800-876-8775 E LLE I N T E R N AT I O N A L .CO M ELLE® is used under license from the Email: elmcustserv@cdsfulfillment.com trademark owner, Hachette Filipacchi Presse, ELLE CUSTOMER SERVICE Visit: service.elle.com Write: Customer Service Department a subsidiary of Lagardère SCA. ELLE P.O. Box 37870, Boone, IA 50037 For information on reprints and e-prints, please contact Brian Kolb at Wright’s Reprints, 877-652-5295 or [email protected]. ELLE is published by Hearst Magazine Media, Inc. All correspondence should be addressed to: 300 West 57th Street, New York, NY 10019. The ELLE trademark and logo are owned by Hachette Filipacchi Presse (France), a Lagardère Active Group company. Copyright © 2022. Printed in the United States of America.

Editor’s Letter underestimated. It hasn’t been easy to get HOODIE, $3,400, SNEAKERS, to where she is, and all her achievements $640, CELINE BY HEDI reflect her prodigious acting talent. This summer, she’ll flex those skills in The Gray SLIMANE. RINGS, MARIE- HÉLÈNE DE TAILLAC, FROM $850. SOCKS, FALKE, $23. Man with Ryan Gosling, Chris Evans, and Regé-Jean Page. A fellow game-changing Latina ac- tress, Eiza González, also graces our pages this month, posing from high above the rooftops of London—a fitting setting for this fast-rising star, Bulgari’s first Latina brand ambassador for North America. At ELLE, we make it a point to high- light those who are forging new paths in fashion. Our third annual Future of Fashion package includes Chantal Fernandez’s profile of Cami Téllez, the Parade cofounder who’s shaking up the way we see lingerie; Isabel B. Slone’s re- port on how TikTok became a haven for a new type of trend forecaster; and an excit- ing crop of up-and-coming designers who are changing the way we think about body diversity and sustainability. Getting drop-dead gorgeous doesn’t have to be drop-dead serious. Just look at PhoebeRobinson’slaugh-out-loudaccount of how she got herself “Hollywood-ready” intimeforhersemi-autobiographicalshow Everything’s Trash, now airing on Freeform. WhenIattendedSíCollectivecofounder Maria Claudia “Cloclo” Echavarría’s wedding to Prince Josef-Emanuel of Liechtenstein—spread over a week in Cartagena, Barú, and Bogotá, Colombia— what struck me most was how the events celebrated the country’s resources, tra- ditions, and immense stores of creative talent, not only fashion designers but also artisans, illustrators, musicians, and so many more. Consider our report on page 62 your own invitation to explore these magical destinations. As an avid skier and longtime admir- er of Mikaela Shiffrin, I’m in awe of her STAR POWER talent and resiliency. During a challeng- ing period in her life, she began feeling crushing self-doubt that culminated in a disappointing performance at this year’s Winter Olympics, as she tells ELLE.com staff writer Rose Minutaglio. Female ath- CHRISTIAN MACDONALD; FOR DETAILS, SEE SHOPPING GUIDE. or actress Ana de Armas, finding a place to letes from Naomi Osaka to Simone Biles have brought about a F call home has been a lifelong quest. This revolution in the way we talk about mental health in sports. Now month’s cover star has now happily settled Shiffrin is opening up about her own struggles, learning to let on the East Coast, away from the Hollywood go of the shame around them, and not letting the sport define fishbowl. (She calls L.A. “a city that keeps her. I’m proud that ELLE can be a forum for these important you anxious.”) Coming from Cuba, where she grew up with conversations.“I’madifferentpersonthanIwas,”shesays,“and food rationing and power blackouts, de Armas has never fully I didn’t want to hide what I’m feeling anymore.” considered herself an insider. As an immigrant myself, I can relate to this feeling of displacement and wistful longing for the country of your birth. “I assumed—and I say this with real embarrassment—be- cause she had come from Cuba, that she had just arrived,” says her Knives Out costar Jamie Lee Curtis. “I made an assumption that she was an inexperienced, unsophisticated young woman.” She would quickly learn that de Armas was not someone to be @NINAGARCIA NINAGARCIA @NINAGARCIAOFFICIAL 24

1 3 Nina’s Edit 2 4 Gold STANDARD 5 BOGOTÁ’S MUSEO DEL ORO. 9 MUSEO DEL ORO: CLARK MANUEL RODRIGUEZ/BANK OF THE REPUBLIC OF COLOMBIA; Taken with the work of Bogotá-based jewelry house 6 REMAINING IMAGES: COURTESY OF THE DESIGNERS AND BRANDS. Cano, ELLE editor-in-chief Nina Garcia exploresthe links between pre-Columbian motifs and Surrealism. 7 8 1. Sandal, The Row, $1,090, therow.com. 2. Cuff, Cano, $275, canojewelry.com. 3. Bodysuit, Jacquemus, $310, jacquemus.com. 4. Ring, Cano, $275, canojewelry.com. 5. Skirt, Schiaparelli, $2,700, schiaparelli.com. 6. Oyster dishes, Giambattista Valli, $660 (sold individually), modaoperandi.com. 7. Pure Gold Radiance Nocturnal Balm, La Prairie, $975, laprairie.com. 8. Handbag, Bulgari, $2,750, bulgari.com. 9. Earrings, Cano, $250, canojewelry.com. 25

New Arrivals COURTESY OF THE DESIGNER. The BAG Ralph Lauren brings us the ultimate day bag with the new Polo ID line in a tasteful combo of canvas and leather. Polo ID envelope handbag, Polo Ralph Lauren, $598, ralphlauren.com. 26



New Arrivals JEFFREY WESTBROOK/ STUDIO D (ST YLED BY MIAKO KATOH). The SHOE These are not your average back-to-school Mary Janes: Bottega Veneta elevates a classic to vertiginous new heights. Pump, Bottega Veneta, bottegaveneta.com. 28

COURTESY OF THE DESIGNER. The WATCH Don’t be late! Van Cleef & Arpels’s latest rendition of its Toi & Moi concealed timepiece hits boutiques September 1. Perlée Toi & Moi secret watch, Van Cleef & Arpels, vancleefarpels.com. 29

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Front Row F U T U AN IMAGE FROM THE SERIES LONDON EDITION, CREATED FOR BLACK FASHION FAIR. RE O Upcycled couture. TikTok trend gurus. F AI designers. The fashion landscape is changing seemingly by the minute. Allow us to catch you up. FA S H I O N

Front Row F U T U R E O F F A S H I O N THE GEN Z WHISPERER Parade’s Cami Téllez is reimagining lingerie for a new generation—and taking fashion to “the step past inclusion.” By Chantal Fernandez CAMI TÉLLEZ ISN’T AFRAID of a little neon. On a recent Téllez had picked up on a cultural shift when she cut short rainy afternoon, the 24-year-old CEO and creative director her studies at Columbia University three years ago to launch opens the door to her Tribeca apartment in a silky chartreuse Parade as a direct-to-consumer brand. The fashion industry blouse and trousers. Parade, the irreverent underwear brand was reckoning with how it uses exclusivity to sell its wares, she launched with cofounder Jack DeFuria in 2019—backed by and how it has failed to represent its audiences—both in the $3.5 million from venture capital investors—has a new office a people it highlighted in its advertising and those it promoted few minutes’ walk away. But Téllez still frequently works from behind the scenes. (A first-generation Latina, Téllez is one her giant circular dining-room table, surrounded by coffee-table of the few female CEOs of color in the space.) Some lingerie books. One focuses on photographer Oliviero Toscani, known brands have paid lip service to being more inclusive in their for his campaigns for United Colors of Benetton, while another, offerings, while labels like Savage X Fenty and Aerie have be- titled The Art of Playboy, is full of the surreal and sensual images gun putting forward a more expansive vision. ABOVE, FROM LEFT: CAMI TÉLLEZ; A COLORFUL LOOK FROM PARADE. Parade set out to champion self-expression and accessibili- that filled the magazine’s pages in the 1960s. ty. It offered $8 thongs and $28 The books—and the brand they helped germinate—rep- bralettes in recycled fabrics— released in drops with kitschy resent a different aesthetic universe than the one Téllez en- themes (ice cream, fruit salad) countered while buying bras as a teenager at the local mall whose innocence contrasted in New Jersey. Back then, she felt alienated by the lingerie with the overt sexuality of its category’s “one-note sexiness.” She saw a future for an under- competitors. In its campaigns, wear brand that recognized its shoppers were more nuanced. models representing a range of “I think a part of me is trying to maybe redeem the category, skin tones, body shapes, and gen- and redeem an inner child,” she says. “There’s a sense of, ‘How deridentitiesposein underwear do we create product and brand moments that can be playful in shades like Area 51 green. The without necessarily sexualizing the body, while allowing for brand identity is more playful self-expression and sexuality?’” than titillating, offering a re- prieve from the objectification long associated with lingerie. “The creative direction is not about selling this product or lifestyle,” Téllez says, but “creating images and new narratives that inspire people to express themselves as they really are.” Following a clever launch strategy of gifting its underwear to just about every cool Gen Zer on Instagram, it has continued to grow through sold-out collaborations with the likes of Juicy Couture. Its community now numbers over 10,000 ambassa- dors, or Parade Friends, who spread the word about the brand in exchange for early access to products, free samples, exclu- sive experiences, and the encouragement to post themselves posing in their newest skivvies on Instagram—that is, if they’re comfortable doing so. (The most involved Parade Friends, part of the label’s Gold program, are paid, too.) Parade’s communi- ty is now more than just a megaphone; the team consults with them on efforts like developing a line of nude-toned underwear. Téllez describes the relationship with this community as “inspired co-creation” and sees it as the way of the future—not just of Parade, but the fashion industry. “It’s the step past inclu- sion,” she says. This collective approach was key to the devel- opment of Parade’s first “gender-expansive” collection, which launched this summer thanks to a group of Parade Friends who tested and ideated new styles including pouched boxer briefs, a playsuit, and tank tops designed to be flattering, comfortable, and supportive for people of all gender expressions. “There are watershed brands that have redefined how brands should think, feel, act, and create,” Téllez says. “My goal is that Parade will be one of them.” 32

W THE SCANDI BODY-CON WHIZ PREVIOUS PAGE: LONDON EDITION MODEL: PHOTOGRAPHED BY AMBER PINKERTON. THESE TWO PAGES: TÉLLEZ: SOPHIA WILSON; PARADE THE BODY JADE MODE L: C OURTESY OF T HE BR AN D; ESTE R MA NAS MODE L: P HOTO GRA PHE D BY PAU LINE FOCANT; C ROP PE R: CO U RTE SY OF TH E SUBJE CT. DIVERSITY PIONEERS CROPPER NE ESTER FOR A YOUNG Swedish designer ESIGNERS MANAS with little name recognition on this side of the Atlantic, there’s no higher “IN 2018, it was not so cool,” says Ester praise than having a member of the Manas of body inclusivity in fashion. Kardashian team slide into your inbox That was the year she and her label’s and inquire about buying your pieces— codesigner and cofounder, Balthazar or nearly your entire spring collection. Delepierre, both alums of visual arts Just ask Jade Cropper. Born and bred in school La Cambre in Brussels, pre- Stockholm, the 32-year-old started her sented a collection titled Big Again at eponymous brand amid the dumpster the Hyères fashion festival. It grew out fire that was 2020, right after graduating of a magazine, Big, that Manas created from the prestigious Beckmans College for her La Cambre entrance exam to of Design in her hometown, and soon call out fashion’s valorization of thin- found herself fielding requests from ness. The two, who have interned at Kim K’s stylist, Veneda Carter. It doesn’t major Paris houses, felt that high fash- hurtthatCropper’smeticulouslycrafted ion often leaves out curvier women. aesthetic is easily distinguishable from So, inspired by an IKEA extendable that of her Scandinavian peers, thanks table, they included flexible, one-size- to overtly sexy body-con silhouettes, fits-all looks that accommodate every curving seams, and precise cuts that ex- size, from XS to 3XL. pose slices of torso, as well as inventive techniques that enable each garment For their fall 2022 collection, titled to be worn in myriad ways. She credits Come As You Are, the two presented her grandmother as inspiration—a con- their wares on an array of body types, fident, independent, outgoing woman an all-too-rare sight at Paris Fashion who lived life on her own terms and Week, where most collections were had an eye for sustainability. The lat- either shown on slim models or fea- ter is another core value for Cropper, tured one or two tokenized curvy bod- who makes use of several eco-con- ies. “It’s always moving to watch the scious practices, from sourcing dead- models after the show,” Delepierre stock fabrics and recycled materials to says. “A lot of them are crying be- dropping collections in limited quan- cause it’s super emotional.” Manas tities, all made in Sweden. Currently, adds that at one show she was a part she’s a team of one, but maybe not for of, the models took off the looks the long. Since nabbing the coveted Talent moment the show ended. Not so on Slot at Copenhagen Fashion Week for her runway. “With us,” she says, “they fall 2022, getting her wares on Julia Fox, stay. They take pictures in the clothes.” and being named ELLE Sweden’s 2022 Newcomer of the Year, Cropper has re- —VÉRONIQUE HYLAND ceived boatloads of industry attention, and more Instagram requests from the first family of reality TV. “Kylie Jenner is going to buy two pieces,” she says. Your move, Kendall.—CLAIRE STERN

Front Row F U T U R E O F F A S H I O N T H E N E XT- G E N C O U T U R I E R THE CONTEXT EXPLODER MISS SOHEE JAWARA ALLEYNE WHEN SOHEE PARK happened to catch a Chanel couture show on TV from her home in Seoul, it changed the course SQUINTING AT WHAT I presume is a luxury logo on of her life. “The set design, the models, the music, the light- Jawara Alleyne’s zip-up fleece, I realize that it says Pizza ing, everything,” she rhapsodizes. “The clothes, obviously, I Hut. The designer, who grew up in Jamaica and the Cayman just instantly fell in love with.” That moment sent her down Islands before relocating to London, is a master of recon- a YouTube rabbit hole of runway videos and designer inter- textualizing garments, whether that means reimagining views (including with Marc Jacobs, whom she went on to deadstock from his own archives or upcycling thrift-store work for). She became, she says, “possessed,” poring over finds. It’s a practice in line with the culture that raised fashion sketches and applying to Central Saint Martins. “I him. In the Caribbean, he says, “Everything is circular. had to do a lot of convincing my Korean parents why I, all Nothing is useless; everything gets used and repurposed of a sudden, wanted to go to London and study fashion,” she and recontextualized.” says, “but they trusted me.” At CSM, “the tutors encouraged me to be the most extreme version of myself,” a directive that Alleyne has become known for menswear that challenges resulted in over-the-top couture creations that mimicked received ideas about what men’s clothing can be (his work is hothouse flowers. Cardi B and Miley Cyrus ended up wear- “easy, light, fluid, and effortless,” he says, as opposed to “con- ing items from her graduate collection. “I really appreciate structed and regimented and rigid”) and includes unexpect- the handwork that gets put into [couture],” she says, “and I ed elements, like torso cutouts. After establishing his fashion wanted to translate it in my own way.” reputation in London (“It was a lot of people saying, ‘Oh, do you know Jawara?’ ” he recalls), he was selected for the city’s Now 26, Park has created two couture collections (fall prestigious Fashion East incubator. This season marked 2022 was supported by Dolce & Gabbana and featured upcy- his first solo runway show in London, and he brought back cled materials from its archives), and says the métier is more womenswear as part of his lineup of slashed, distressed piec- vital than ever, even among her screen-besotted generation. es inspired by his island upbringing. “The world has transitioned in a way where everything is so fast,” she observes. “On social media, there are all these “I have a very specific story to tell,” he says. “It is my story, trends happening constantly, but then it just dies every sec- butit’s notastoryaboutme.It’s astoryaboutagroupofpeo- ond. Tradition is something that can live on forever.”—V.H. ple whom I think a lot of people can identify with.” He sees his work as the answer to centuries of Caribbean-inspired fashion made by outsiders. “That idea of multiculturalism is JAWARA ALLEYNE MODELS: PHOTOGRAPHED BY HENDRIK SCHNEIDER; GREEDILOUS BY TILDA something that fashion always tried to do, but never really MOD EL: PHOTOGRA P HED BY H AP PY MONDAY; RE MA IN ING IMAGE S: CO URTE SY O F T HE D ESIGNERS. managed to hit the mark, because the people telling those stories were not people who [came] from these experiences.” Next up for Alleyne: laying the groundwork for a fashion and arts camp in the Cayman Islands, which should help ensure a new generation gets to tell its own stories.—V.H.

NEW FRONTIERS THE AI- SPACE THE DESIGNED RUNNERS WUNDERKIND LABEL THAT COULD BE UPCYCLING TOOK ON NYFW THE NEXT JURASSIC TECH SUPREME Two years after Hanifa designer Anifa Like many pandemic-era grads, UK- Mvuemba shook up fashion month with Have Decentraland wearables left you based Tega Akinola was unsure what her 3D digital runway show, designers wanting a bit more than crypto company the near future would hold as far as job continue to seek new ways to push logo tees and basic hoodies for your prospects. But over the last year, the boundaries, not only in terms of how metaverse look? Space Runners, the first upcycled accessories she’s dreamed they present their work, but also in NFT metaverse fashion brand and the up—often made from obsolete tech items their creative processes. Enter Younhee largest independent fashion project on and created at home with the help of Park of the Korean label Greedilous, blockchain, is prioritizing both design her seamstress mother—have afforded who teamed up with Tilda—a virtual and portability (to any metaverse of the unlikely designer (she studied sports human and AI artist created by LG to your choosing). Cofounded last year and exercise psychology) a full-time gig. specialize in pattern design—for her by former McKinsey consultant Won “I wasn’t consciously thinking about fall 2022 show at New York Fashion Soh and Deniz Özgür, the company sustainability,” Akinola says. “Upcycling Week. There was no overflowing has capitalized on sneaker culture by was something I had to do, because I moodboard, simply two words: flower cleverly partnering with NBA stars to didn’t have money to buy new things.” and Venus. From there, Tilda created offer owners such perks as game tickets Among her first and most challenging hundreds of patterns, which informed and signed merchandise. This year, pieces were a bucket hat and a pair of the collection’s bold prints and have thanks in part to a significant round of block-heeled sandals fashioned from since sparked interest from Miley funding co-led by Polychain and Pantera defunct cables, which caught the eye of Cyrus. Park offered another nod to Capital, the goal is rounding out both APOC Store founders Ying Suen (who also her collaborator, giving her models digital and physical apparel offerings acted as her primary mentor) and Jules brightly-colored bobbed wigs that (space suits!) and becoming the go- Volleberg. Requests for custom pieces resembled Tilda’s own hair and were to marketplace for fashion brands in have come flooding in via Instagram, and an extension of the vibrant, futuristic the metaverse by offering immersive Swedish singer Snoh Aalegra is a fan of aesthetic of the metaverse. “I saw shopping experiences online. Creative the bags Akinola creates from secondhand potential in Tilda’s artwork right away director Rohan Chhabra, a Nike and fleece garments, logos intact. With so when I was introduced to her,” Park has Ralph Lauren vet, “is always so excited many of Akinola’s raw materials coming said. “It fit like a glove within my fashion because metaverse designs are limitless. from sustainability-minded brands such philosophy. And I am so thrilled with You’re no longer bounded by physics,” as Nike and Patagonia (not to mention how it turned out.”—NAOMI ROUGEAU Soh says. “Some of the wearables we’re her interest in sports), a collaboration currently designing for our second- and seems only natural. Here’s hoping.—N.R. third-generation collections, like our rocket-booster sneakers, are designed to fly. Others transform into pets.”—N.R. 35

AN IMAGE OF PYER MOSS COUTURE FROM BLACK FASHION FAIR VOLUME 0. COMMUNITY want to make sure that we’re support- PROPERTY ing brands right now, so that we can make sure that they exist 20 to 30 years Local collectives are pushing from now,” he says. The group has also back against fashion’s launched a magazine highlighting obsession with star designers. Black fashion talent. THE TYPICAL FASHION narrative Across the pond, another collective involves a star skyrocketing to fame. seeking to give newcomers exposure, But behind every name is a cadre of community, and, most of all, freedom collaborators. Though social media has is CONGREGATIONdesign, an anon- enabled even newcomers to earn global ymous London-based group that al- accolades, more designers are thinking lows designers to show via lookbooks, collective—and hyperlocal. Brooklyn- prompt-based collections, and events. based Gogo Graham has tapped indus- The only focus is creativity—not sales. try friends across disciplines for her Founder Marie (who declined to give shows, while Pyer Moss’s Kerby Jean- her last name) says Congregation thrives Raymond has launched Your Friends in in flux. “It’s more about saying, ‘This New York with the luxury conglomer- is not working. Maybe that would,’ to ate Kering to nurture creatives. keep engaging [in] new processes—tri- al and error—because we love to make Antoine Gregory has enough jobs to mistakes.” The in-between area is un- fill several résumés: fashion editor, con- comfortable for many, as fashion has sultant, brand director of Theophilio, regularly operated as an in-or-out sys- and founder of the Black Fashion Fair. tem for so long, but designers are now Launched in 2020, the latter project refuting that as they create new ave- grew out of his desire to archive great nues for a slow, thoughtful approach Black designers past and present. “We that has no bottom line. As Marie says, “The most important thing, and the answer, is always the next project.” —KEVIN LEBLANC

TIKTOK TREND FORECASTER ATTACK OF MANDY LEE, AKA THE TREND FORECASTERS @OLDLOSERINBROOKLYN. How TikTok became fashion’s IF YOU’VE NOTICED STORIES predicting nebulous trends like crystal ball. By Isabel B. Slone “indie sleaze,” “night luxe,” or something called “2014 Tumblr girl aesthetic,” you have TikTok trend forecasters to thank. A number a return of “indie sleaze” set off a media firestorm, speeding up of young creators are making a name for themselves by producing the timeline of Lee’s prophecy. Ironically, by making their trend content that predicts oddly specific aesthetics like “Parisian predictions public instead of private, these forecasters now ballet” and “coastal grandmother” as the next big thing. It seems appear to be driving trends rather than foreseeing them. that the only thing hotter than the trends is predicting them. Historically, trend forecasting has been an opaque business: The phenomenon can be traced back to Mandy Lee Analysts spend months assessing runways, world news, and even (@oldloserinbrooklyn), whose October 2021 TikTok predicting strangers on the subway to make predictions as far as three years in advance. But due to reverberations caused by the pandemic, we’ve entered a moment when everything familiar has been disrupted— fine, call it a vibe shift—and traditional methods no longer apply. “Foresight is no longer in the hands of futurists,” says Eve Lee, founder of creative agency/internet and youth culture specialist The Digital Fairy. Can it really be called “forecasting” if each foretold fad is adopted almost immediately? “Social media has created this notion of the super-relevant, spicy present that is ever-fleeting,” says Agus Panzoni, a trend spokesperson for an online clothing reseller who goes by @thealgorythm on TikTok. In a bid to stay informed, consumers embrace these reports as directives rather than waiting to see if the predictions materialize. While instant access to future fads may seem to democratize fashion, the result is an exhaustion with the trend cycle itself. Many of the original trend forecasters are bypassing the predictions they pioneered over concerns that their reports are being taken too literally, or a desire to distance themselves from the faux-casters diluting the genre. “The first viral video I ever made was about how microtrends will cause the trend cycle to implode,” Lee says. “I stand behind that.” THE ALL-INWORLD A LOOK BY RONALD OF DEMI-COUTURE VAN DER KEMP. PYER MOSS COUTURE: PHOTOGRAPHED BY AB+DM; LEE: VICTORIA ROSE HUERTA; RONALD For a new class of designers, seasonal schedules VAN DER KEMP MODEL: PHOTOGRAPHED BY KOEN VERNIMMEN. and nonstop production have become passé. FOR 164 YEARS, haute couture has been the pinnacle of fashion, melding world-class savoir faire with glamorous notions of dressing. At the other end of the spectrum are mass-market collections churned out at a pace many designers can’t keep up with. An emerging vanguard of designers is splitting the difference between the ease of ready-to-wear and the strictures of haute couture, putting aside trend cycles in favor of sustainably made, artful garments, released when they’re ready. This midpoint of slow(er) fashion has been christened demi-couture. Dutch couturier Ronald van der Kemp creates collections called Wardrobes made from repurposed scraps of fabric from overstock, vintage collections, and factory waste. For him, upcycling comes naturally. “I’m not going to talk about sustainability [constantly],” he says. “I just want to make clothes.” German-born, London- based designer Johannes Warnke crafts avant-garde garments that reflect the use of space, sound, and color in clothing. He hand- dyes fabric and achieves a sumptuous, silky feel with Tencel Luxe, a botanical silk alternative composed of renewable wood sources. (Tencel Luxe is a sponsor of his.) Still, he admits: “When you’re making something new, it’s never going to be fully sustainable. Not making anything new is the most sustainable [thing].” Designer Conner Ives shows just once a year, to give himself the time to ensure his offerings are technically perfect. But he doesn’t want to be known for being a sustainable designer, echoing Van der Kemp’s sentiment: “I need to make really good clothes. I need to trick the consumer into thinking that it is the same as a dress that was cut from raw virgin material.” He’s found his sweet spot by using couture techniques while eschewing old-school timelines and business models. One of his creations was shown at The Met’s Costume Institute, so it seems people are taking note, regularity be damned.—K.L.

PROMOTION AUGUST 2022 SPRING SOIRÉE This spring, ELLE and Pomellato partnered on an exclusive dinner celebrating the unveiling of Pomellato’s high jewelry collection, La Gioia di Pomellato. The event was cohosted by ELLE Editor in Chief Nina Garcia and President and CEO Pomellato Americas Nathalie Diamantis. Guests enjoyed a private first-look and try-on of the latest collection followed by an intimate dinner overlooking the ocean at Four Seasons at the Surf Club in Surfside, Florida. EXPLORE MORE AT POMELLATO.COM FROM LEFT: MARIANA HOCHSCHILD, MARGOTH ZAIDAN, YOU’RE INVITED NINA GARCIA, AND KINGA LAMPERT to be part of an exclusive community composed PRESIDENT & CEO of the most active readers of ELLE, Harper’s BAZAAR, POMELLATO AMERICAS NATHALIE DIAMANTIS AND ELLE Town & Country, and Esquire. EDITOR IN CHIEF NINA GARCIA The Assembly is a place to engage with us and other members to express your creativity, opinions, and story. Sign up for insider access, special offers, and giveaways. JOIN HERE theassembly.network LA GIOIA DI POMELLATO COLLECTION VISIT ELLEEXTRA.COM FOR PEOPLE AND PRODUCTS WE ARE OBSESSED WITH.

Accessories With Cartierand Islamic Art: In Search of Modernity, the house’s latest dazzling exhibit finds a fitting home at the Dallas Museum of Art. PARIS, TEXAS PHOTOGRAPHED BY MITCHELL FEINBERG

Accessories “The exhibit reveals how the Maison migrates and manifests these styles over time.” —Sarah Schleuning, co-curator e it gravity-defying hair or gobstopper-sized geometric motifs evolving into Art Deco. “The design strate- baubles, Texans do everything on a grand gies in this exhibition—motif, pattern, color, and form—reveal the inspirations, innovations, and aesthetic wonder present in B scale. And the latest exhibition to grace the the works of the Maison Cartier,” exhibition co-curator Sarah Lone Star State is no exception. Through Schleuning has said. “Through the lens of Islamic art, it reveals September 18, the Dallas Museum of Art plays how the Maison migrates and manifests these styles over time, host to Cartier and Islamic Art: In Search of as well as how they are shaped by individual creativity.” Modernity, a window into founder Louis-François Cartier’s son Louis J.’s extensive travels and fervent collecting, and the Among the most breathtaking works on display: a white influence the Arab world, India, and Persia had on his work. diamond snake necklace created in 1919 (page 39). Its curved Expanding on the initial exhibit at Paris’s Musée des Arts surface is exceptional for European jewelry design at the time. Décoratifs (also the site of major Islamic art exhibitions in The bazuband bracelet (above) takes its inspiration from the 1903 and 1912, which Louis J. Cartier himself attended), the Mughal dynasty and is designed to be worn around the upper show pulls together over 400 objects from Cartier, the DMA, arm—though it can be transformed into a pendant, brooch, or and the Louvre, to name a few. Diller Scofidio + Renfro of The corsage. Meanwhile, visitors are sure to be green with envy High Line fame worked its magic on the exhibit’s design. The once they catch a glimpse of the 143.23-carat emerald necklace show examines how Islamic art, architecture, and (of course) (right), influenced by Persian fringe motifs, that Lady Granard jewelry found their way into Cartier’s stylistic language, with ordered from Cartier in 1932.—NAOMI ROUGEAU 40

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2 5 6 1 7 3 8 19 4 18 17 1. Sweatshirt, Polo Ralph Utilitarian items Lauren, $110, ralphlauren 12 9 .com. 2. Sunglasses, District Vision, $250, districtvision .com. 3. Shirt, Diesel, $1,695, diesel.com. 4. Necklace, Harwell Godfrey, $1,950, twistonline.com. 5. Sweater, 1 Moncler JW Anderson, $760, moncler.com. 6. Swimsuit, Rendl, $175, rendl.co. 7. Cargo pants, Brunello Cucinelli, $1,495, shop.mitchellstores .com. 8. Bucket hat, Call It By Your Name, $118, callitbyyourname.fr. 9. Coat, 10 Herno, $810, herno.it. 10. Socks, Marc Jacobs, $29, marcjacobs.com. 11. Boot, Proenza Schouler, $1,095, proenzaschouler.com. 12. The Book of Building Fires by S. Coulthard, chroniclebooks .com. 13. Tooth Polish, Fat and the Moon, $16, fatandthemoon .com. 14. Rheinholz Enamel Caressing Toothbrush in Soft Set, vVardis, $19 (set of two), vvardis.com. 15. Assault two- person Futurelight tent, The North Face, $750, thenorthface .com. 16. Pajamas, Sleepy Jones, $228, sleepyjones.com. 17. African Beauty Butter in Ugandan Vanilla + Ethiopian Honey, 54 Thrones, $24, 54thrones.com. 18. Backpack, Cotopaxi, $100, cotopaxi.com. 19. Shorts, Banana Republic, $90, bananarepublic.com.

Shop 3 5 6 2 1 4 18 7 17 16 15 8 PALM TREES: DAEJA FALLAS/GALLERY STOCK; HOUSE OF AAMA BIKINI: COURTESY OF MODA OPERANDI; REMAINING IMAGES: COURTESY OF THE DESIGNERS AND BRANDS; 14 9 FOR DE TA ILS, SEE SHOP P IN G G UID E. 13 10 1. Top, Paco Rabanne, $390, nordstrom.com. 2. Monogram suitcase, L/Uniform, luniform .com. 3. Earring, Almasika, twistonline.com. 4. Mouthrinse, Olas, $24, olaswellness.com. 5. Bucket hat, Emily Levine, $85, emilylevine.com. 6. Sunglasses, OPR, $325, opreyewear.com. 7. T-shirt, Fiorucci, $95, fiorucci .com. 8. Skirt, 1017 ALYX 9SM, $935, alyxstudio.com. 9. Bikini, House of Aama, $390, houseofaama.com. 10. No. 1 comb in Malachite, Machete, $45, shopmachete.com. 11. Pajama top, $365, shorts, $185, Araks, araks.com. 12. Bikini top, $80, bottom, $70, Gonza, shopgonza.com. 13. The Mug 11 Guard, Dune Suncare, $28, dunesuncare.com. 14. Sandal, Neous, similar styles at neous .co.uk. 15. Lomo’Instant Automat Bora Bora Edition camera, Lomography, $159, lomography.com. 16. Pants, La DoubleJ, $635, ladoublej.com. 17. Dress, Alejandra Alonso Rojas, $1,795, modaoperandi .com. 18. Necklace, Isabel Marant, $260, shopbop.com.