Condé Nast House & Garden

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CON TEN TS march/april INSIDER 22 SHOPPING From the popularity DESIGN PHOTOGRAPH: FRANÇOIS HALARD 08 FROM THE EDITOR of Regency style to the timelessness of 37 H&G VISITS Designer Yana stone, add a little nostalgia to A little retrospect can be wonderfully your home Schafer’s East Coast home reflects rewarding, says Editor-in-Chief her modern decorating sensibilities Piet Smedy 27 TRAVEL At Zambezi Grande, while paying faithful tribute to '70s architecture 11 INSIDER From his studio in designer Michele Throssell has found a modern take safari style rooted in 42 DESIGN SOLUTIONS Barcelona, fabric sculptor Sergio history and nature Roger subverts the iconography of Beyond fleeting trends, five local Greco-Roman sculpture 34 ART The fifth edition of Spier Light creatives share their hopes, insights and predictions for the year ahead 17 BOOKS Exploring the private Art, hosted at Spier Wine Farm, delves in design into the ethereal and the whimsical, residences of the biggest names in the political landscape, humanity’s 46 KNOW-HOW In her second interior design and architecture changing relationship with technology, working today and Spier’s unique history installment on gardening for the future, landscape architect Franchesca Watson extols the virtues of tree planting

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CON TEN TS march/april SUBSCRIBE To Condé Nast House & Garden and receive 9 issues for only R506 0800 204 711 [email protected] THE EDIT 101 50 PHOTOGRAPHS: TARAN WILKHU (VINCENZO DE COTIIS, MILAN), BEN ANDERS, SUPPLIED 50 TOWNHOUSE, COUNTRY 80 INTO THE BLUE ON THE COVER: HOUSE Contrasting a classically Drawing inspiration from the natural Colour Me Happy, p58. environment through a framework of Photographed by Christopher Horwood rustic palette with plush, modern sustainable and conscious design, sensibilities, Edo Mapelli Mozzi creates interior designer Inge Moore channels an instantly timeless interior in London the importance of adaptability and the vibrancy of Cape Town in her 58 COLOUR ME HAPPY Llandudno family home A profusion of colour and pattern in the 88 MODERN CLASSIC London home of de Gournay scion Hannah Cecil Gurney Decorator Andrew Macleod reimagines a Constantia house in 66 LIVING ART In an extract from desperate need of an update as an aspirational home for present-day Rose Uniacke at Home, the designer entertaining and indoor-outdoor living details how she brought her covetable take on understated elegance to 96 LIGHT TOUCH Settling into her 19th-century townhouse in England’s capital his new home in Lower Manhattan, star stylist Colin King unpacks his 74 TIMELESS APPROACH broad ethos Designing a garden in the Cotswolds, Marcus Barnett has created a series of terraces and paths that complement the undulating planting



PIET SMEDY EDITOR-IN-CHIEF ART ART DIRECTOR ANDREA KÜHN GRAPHIC DESIGNER NOSIPHO NGQULA GRAPHIC DESIGNER ALEX STEWART COPY SENIOR COPY EDITOR LISA ABDELLAH INTERIORS & GARDENS SENIOR FEATURES WRITER YASHNA BALWANTH GARDENS EDITOR HEIDI BERTISH DECOR EDITOR GEMMA BEDFORTH EDITORIAL GROUP MANAGING AND LESLEY MATHYS SYNDICATION EDITOR MANAGING AND SYNDICATION EDITOR WALTER HAYWARD CONTRIBUTING WRITERS NATALIE BORUVKA SAM COCHRAN JULIA FREEMANTLE SHAI RAMA ROSE UNIACKE CONTRIBUTING EDITORS ELANA BRUNDYN (ART) MARNUS NIEUWOUDT (STYLE) FRANCHESCA WATSON (GARDENS) S P E C T R A P L AY® CONTENT NATION MEDIA (PTY) LTD CEO SAMANTHA SUBRAYEN • Suitable for multi-sport areas, playgrounds, landscaping and public parks. PERSONAL ASSISTANT ISABEL KOUL OPERATIONS GENERAL MANAGER PAUL MYBURGH • Ultra-durable, flexible and impact resistant surfacing. SENIOR FINANCE CONTROLLER MARJORIE LOTTERIE • Low maintenance & sustainable. • Available in 15 colours or multiple blends. FINANCE CONTROLLER ABIGAIL OKKERS • Excellent shock absorption with high elasticity. • Suitable for indoor or outdoor areas. ADVERTISING • Smooth and soft playground flooring allows children JOHANNESBURG HEAD OF SALES SHANA RAHAMAN to play without risk of injury. ACCOUNT MANAGERS LORRAINE BRADLEY, WENDY ROBINSON, • Wet pour rubber can be applied at any thickness to ANNE ATKINSON AND DERYNNE KLAVER conform to legal requirements. CAPE TOWN • Licensed installers throughout Sub-Saharan Africa. HEAD OF SALES CHARLOTTE NUTMAN ACCOUNT MANAGERS NADIA PEREIRA AND PASCAL DAVRAY SALES REPRESENTATIVE ITALY ANGELO CAREDDU (OBERON MEDIA) DIGITAL DIGITAL EDITOR ALYX CAROLUS DIGITAL CAMPAIGN MANAGER VINÉ LUCAS BRAND PROPERTIES AND EVENTS BRAND MANAGER DESIREE KRIEL EVENTS MANAGER LERATO MOLEFE PRODUCTION & CIRCULATION GROUP PRODUCTION MANAGER JEAN JACOBS PRODUCTION COORDINATOR CHARNÉ PHILLIPS CIRCULATIONS MANAGER FREDERICK SMIT CIRCULATIONS COORDINATOR BERTINA ELLIS CAPE TOWN HEAD OFFICE Content Nation Media (Pty) Ltd 10th Floor, Convention Towers, Heerengracht Street, Cape Town, 8000 Tel 021 344 0500 www.houseandgarden.co.za REPRODUCTION Studio Repro PRINTING Novus Print Montague Gardens DISTRIBUTION Allied Publishing (Pty) Ltd, 32 Wepener Street, Booysens, Johannesburg 2016 s

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from the editor t’s something that has been contemplated by for traditionalism or a hankering for the good old days PHOTOGRAPH: SEBASTIAN VOIGT everyone from H.G. Wells to Cher – certainly, here, rather, the mandate, and vision, behind these creative the prospect that we could turn back time is endeavours is using what came before as a launch point into alluring and, from the safety of nostalgia and what comes next. retrospect (rather than attempting any actual space-time continuum shenanigans) it can be But the past is not only a matter of when but also a matter a very rewarding one, too. of where. Closer to home, on the banks of the Zambezi, this It is a sentiment that is beautifully captured in the works of could not be more true for designer Michele Throssell, who Barcelona-born fabric sculptor Sergio Roger, who goes back sensitively reimagined a former Cape Dutch family home into (way back), drawing on the forms of antiquity in his irrefutably the luxe Zambezi Grande lodge. Incorporating the surrounding modern work. Subtle yet subversive, homage yet wholly nature and the heritage of the building, ‘the design aesthetic original, he uses the techniques of embroidery and tailoring celebrates our history but acknowledges contemporary living to sculpt linen into Greco-Roman works more commonly and honours the African wild,’ says Michele. associated with the medium of marble. It is the sort of history rewritten that is very much the mood for this issue: a deep Coincidentally, the interiors that appear in this issue dive into the ever-growing popularity of design informed by are not from just any houses, but the homes of designers history – of self and place. To be clear, there is no yearning themselves – from Rose Uniacke and de Gournay scion Hannah Cecil Gurney in London to Andrew Macleod and Inge Moore in Cape Town – although, given the focus of this issue, that sort of makes sense. Observed by the legendary Architectural Digest editor Paige Rense, a designer’s own home ‘is like an artist’s self-portrait: coloured by old dreams and new concepts, with judicious brushstrokes of a disciplined professionalism.’ To these creatives, memory and history are perhaps the most fundamental materials in their toolbelt, applied deftly to these life-size manifestations of their craft. Piet Smedy EDITOR-IN-CHIEF @pietsmedy Facebook Website Tablet Instagram Newsletter JOIN THE FOLLOW OUR READ US ON THE GO. GO BEHIND SIGN UP TO CONVERSATION DAILY POSTS DOWNLOAD YOUR THE SCENES OUR WEEKLY @HouseGardenSA HouseandGarden.co.za @HouseandGardenSA NEWSLETTER COPY FROM Zinio.com 8 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA



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INSIDER THE SCOOP ON SHOPPING, STYLE, DESIGN & CULTURE PHOTOGRAPH: COURTESY OF SERGIO ROGER TEXTILE BUSTS AND FABRIC COLUMNS TAKE CENTRE STAGE IN ARTIST SERGIO ROGER’S SUBVERSIVE SERIES OF CLASSIC-INSPIRED SCULPTURES HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 11

INSIDER From his studio in Barcelona, fabric sculptor Sergio Roger creates fantastical sculptures in linen and embroidery, reimagining the ideologies of classical sculpture- making and, in turn, questioning the idea of Western civilisation TEXT PIET SMEDY 1 2 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA

INSIDER PIET SMEDY: You have said before that you were TOP DOWN drawn to textiles from a young age. How has CYRENE, A FIGURE your relationship with the medium evolved MADE FROM ECO- over the years? DYED LINEN; JUPITER, A FABRIC BUST OF SERGIO ROGER: Experience has given me a certain THE ROMAN KING OF mastery of working with textiles, and I feel that sewing has become my grammar. I guess that what keeps THE GODS my curiosity and passion growing is that I challenge myself technically with every new project. I love OPPOSITE PAGE researching traditional techniques but always bringing SERGIO WORKING an experimental aspect to them. ON HIS EXHIBITION, Why are you so fascinated by the past? ‘TEXTILE RUINS’ Specifically, why did you choose to operate within the iconography of classical sculpture? I am interested in ancient art in general but feel a special predilection for Classic Greco-Roman art since it is a common ground to raise questions about notions of beauty and idealism from a Western perspective. There is an oft-quoted line from Michelangelo about the angel in the marble revealing itself to him to be sculpted into freedom. How do you see your relationship to your material, and how do you find the forms within the fabric? Textiles are a perfect tool that allow me to talk about history and the human condition. There are many reasons I am so passionate about this material: the history of textiles is linked to the evolution of human inventions. Chemistry was born after the invention of dyes, the binary system of computers is based on the weaving system, and the Industrial Revolution started with the mass production of textiles. We must also consider that weaving is much older than written language. Text and textiles share the same Latin origin, coming from the verb texere. Language, mythology and literature are loaded with metaphors that relate to textiles. How do you see this juxtaposition, where you are reimagining these Greco-Roman busts and friezes in a medium that is, seemingly, the antithesis of what came before (that is, stone vs. fabric). What new qualities do you think your application of fabric brings to these forms, and how does it reframe our inherent associations with them (beauty, civilisation, the universal ideal)? We associate sculpture art with permanent and noble materials, such as stone or bronze. By replacing these with fragile, delicate material, suddenly, the objects have an entirely new meaning. With this material disruption, I aim to break away from our perception of traditional sculpture and also reflect on the idea of permanence. HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 13

INSIDER When I create big-scale and architectonic works using AVANT-GARDE textiles, I like to confront the intimate and sensitive SCULPTURES FROM association that we give to textile craft with the solemnity ‘THE GRAND BALL OF and harshness of monumental work. DELPHI’ COLLECTION Take me through the construction of your pieces. EXOCOLUMN IN MAUVE, ALSO How does the process begin, and how are FROM ‘THE GRAND BALL OF you guided? DELPHI’ COLLECTION The technique I use is a method based on three- PHOTOGRAPHS: COURTESY OF SERGIO ROGER dimensional patternmaking that I have been improving over the years. First, I choose the motif and make several sketches, and then I make the prototypes in temporary fabric, usually cotton, which I fill with wadding. Once the desired volume is achieved, it is made with the final fabric and filled again. Finally, I make the finishing touches by quilting and draping. Some fabrics are dyed with natural dyes to achieve the effect of aged marble. In the larger pieces, I use wooden or polyurethane structures. The latest exhibition, ‘The Grand Ball of Delphi’, moves beyond academic, idealised views of antiquity, and actually feels quite playful, with the pieces all twisty – sort of like they are dancing – in an array of colours. With this installation, I wanted to question our assumptions and idealised views of antiquity. By contorting, bending and twisting the columns, I propose a more mystical, initiatory and visionary dimension of classicism. I wanted to refer to 19th-century colonialism and archaeology fever by using silk in rich colours, paying tribute to the interior aesthetics of this period. The colourful, twisted and bent shapes are in your line of vision after one last swirling dance at a grand ball, and the colours are, indeed, lifted from quintessential period movies such as the Sissi film trilogy and The Leopard. As you continue to work, creating pieces that straddle both the ancient and avant-garde, what has come to be your understanding of our relationship with time, memory and the past? And why is it imperative to interrogate, even subvert, this relationship? When we try to reconstruct ancient history, we must consider that most of the evidence from the past is missing. If we take ancient Greece, for example, more than 80 percent of written documents and artefacts from that time have been lost or remain undiscovered. To guess how ancient Greeks lived, we refer mainly to Roman interpretations. Furthermore, we must consider that archeology and the interest for antiquities started during the 19th century, establishing a colonial and European perspective on reconstructing the past. Therefore, with my work I try to present history as a discipline that should be constantly revised and never taken for granted. Q sergioroger.com 14 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA

INTRODUCING OUR BOLD NEW BLUE



BOOKS A look at the new interiors compendium Inside, At Home with Great Designers reveals the intricate, deeply personal and often autobiographical spaces creatives call home TEXT WILLIAM NORWICH GUTTER CREDIT THE HOME OF ITALIAN ARCHITECT VINCENZO DE COTIIS IS EQUAL PARTS ART GALLERY AND ANCIENT RELIC HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 17

BOOKS ABOVE THE ARCHITECT RESTORED MANY OF THE BUILDING’S do not envy the pressure placed on interior PHOTOGRAPHS: TARAN WILKHU (VINCENZO DE COTIIS, MILAN), ORIGINAL FLOORS, CEILINGS, ARCHWAYS AND WALLS designers when it comes to decorating their GONZALO MACHADO (MUÑOZ AND GONZALO MACHADO, MADRID) BELOW THE LIVING ROOM OF VINCENZO’S EIGHTEENTH- own homes. In today’s publish and post-or- CENTURY PALAZZO HOME perish world, a decorator not only makes a home for themselves and their family and 1 8 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA friends, but they must also open the doors of their private sanctuaries to thousands of viewers. Lucky for us, they do this enthusiastically. As you will see in this book, personal style is not a secret to keep but a communication technique to share. Decorators telegraph their faith in gracious living, food, fashion, art, wellness and especially the decoration of houses. Their homes, to paraphrase the historian James Laver, are nothing less than the furniture of their minds made visible. Paige Rense, the legendary Architectural Digest editor, observed that a designer’s own home ‘is like an artist’s self-portrait: coloured by old dreams and new concepts, with judicious brushstrokes of a disciplined professionalism’. In the history of the interior design profession, many surprises and insights have been revealed in these ‘self portraits’. To this day, among the most famous surprises is when new generations of interior design enthusiasts learn that interior decorator extraordinaire Billy Baldwin lived in a one-room apartment on New York City’s Upper East Side and, during the summer, a two-room residence in Nantucket. Didn’t decorating for some of the greatest arbiters of his day – social figures Babe Paley and Bunny Mellon and advertising executive Mary Wells Lawrence – make him yearn for something more spacious, if not palatial? It was just the opposite. Besides the financial advantages, one or two rooms allowed this perfectionist, whose practice was one of restraint and suitability, to polish and experiment, and experiment often, with surface, pattern and colour. All he needed were ‘the absolute necessities plus a few treasured objects and books’, making him feel as though he was living in a library. ‘The best decoration in the world is a room full of books,’ Billy said. Rather than discouraging his experimenting as a sign of restlessness and ambiguity, his childhood friend Pauline de Rothschild encouraged it. ‘If you use your apartment as a laboratory, it is okay.’ Inside, At Home with Great Designers showcases the laboratories of some of the most accomplished interior designers working in the world today. Here, you will find the designer home as a statement place, a show-and-tell for their potential clients as to what they might expect when they collaborate. Alternatively, it is their retreat, a place to rest and recover from their hectic work schedules. Sometimes, it is an antidote or a full-on rebellion compared to the designs they install for their clients. Almost every home in this book is a repository for the things they have collected while travelling the world shopping and commissioning for their clients and themselves. And last but not least, it is an amalgamation of all of these priorities. For some of us, home is a sufficient nest with just a comfortable sofa, bed and large-screen TV. For the designers and decorators in this book, that is a motel room. Home is a launching pad for dreams, and they are always dreaming in technicolour. Even when it is beige, it is camera-ready. Q Phaidon phaidon.com

BOOKS CLOCKWISE, FROM TOP LEFT THE MADRID HOME OF MAFALDA MUÑOZ AND GONZALO MACHADO, THE DESIGNERS BEHIND SPANISH INTERIOR DESIGN FIRM CASA MUÑOZ, SHOWCASES THE COUPLE’S ECLECTIC, HISTORIC-MEETS-CONTEMPORARY STYLE; A HANGING WORK BY AVANT- GARDE TEXTILE ARTIST AURELIA MUÑOZ IN CAREFUL CONTRAST TO THE 18TH-CENTURY HOME’S CLASSIC DETAILING; THE HOME IS FILLED WITH ANTIQUES AND FAMILY HEIRLOOMS; IN THE LIVING ROOM, RARE LEATHER CHAIRS BY ARCHITECT JAVIER CARVAJAL

CLOCKWISE, FROM TOP LEFT THE BEDROOM OF JEAN-LOUIS DENIOT’S SOUTH BEACH, MIAMI APARTMENT FEATURES A HAND-PAINTED CANVAS BY FLORENCE GIRETTE ON THE CEILING EVOCATIVE OF THE WHIRLING COSMOS, A SEASHELL’S SPIRAL, OR A GATHERING STORM; THE EN SUITE BATHROOM FEATURES LARGE MARBLE SLABS WITH A BLUE VEIN; A DIGITAL PATTERN BY JEAN-LOUIS WAS LASER PRINTED ONTO THE KITCHEN’S STEEL CABINETRY; A 1920S GRECO-ROMAN CHANDELIER IN BRONZE AND ALABASTER IN THE LIVINGROOM

BOOKS CLOCKWISE FROM ABOVE THE HONG KONG HOME OF ARCHITECT- DESIGNER ANDRÉ FU WAS CONCEIVED AS A QUIET SPACE WITH AN OPEN-PLAN LAYOUT AND NEUTRAL PALETTE; ANDRÉ OFTEN PLAYS WITH PROTOTYPES FROM THE ANDRÉ FU LIVING COLLECTION; WITH ITS OFF-WHITE WALLS AND OAK PARQUET FLOORING, THE HOME ACTS AS A GALLERY, DISPLAYING ART AND PERSONAL PIECES P H OTO G R A P H S : ST E P H A N J U I L L I A R D ( J E A N - LO U I S D E N I OT, M I A M I ) , Inside, At Home with MICHAEL WEBER (ANDRÉ FU, HONG KONG) Great Designers (Phaidon), R1 141, Exclusive Books HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 21

Take a new-school approach to classic Regency style by introducing pieces with ornate detailing and sumptuous materials (think gold, marble, velvets) into contemporary, pared-back settings – just the pop of glamour we needed

SHOPPING 5 P H OTO G R A P H Y: M AT T H EW M I L L M A N , 1. ‘GEORGIA’ MIRROR IN GOLD, R4 799, @HOME; 2. ‘JENSON’ LAMP IN MARBLE AND GOLD, R4 295, BLOCK & CHISEL; 3. ‘OTIS’ FIVE-LIGHT CHANDELIER SUPPLIED IN CLEAR ACRYLIC AND CHROME, R1 399, LIGHTING.CO.ZA; 4. DECORATIVE HORSE, R495, BLOCK & CHISEL; 5. FRENCH-STYLE WALNUT WINGBACK CHAIR, POR, KINGS & QUEENS ANTIQUE & INTERIOR STORE; 6. HEAVILY CARVED CONSOLE, R22 000, KINGS & QUEENS ANTIQUE & INTERIOR STORE; 7. SIXTH FLOOR ‘RUST’ CHENILLE RUG IN MULTI, R2 499, SUPERBALIST HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 23

From marble to granite, onyx and travertine, stone (rather ironically) is one of the more flexible materials in design. Applied as countertops and wall finishes, to furniture pieces and accessories, stone is at once timeless and modern

SHOPPING 2 4 PHOTOGRAPHY: COURTESY OF BANDA PROPERT Y 7 1. ‘SUTTON’ MARBLE CLOCK, R639, CORICRAFT; 2. MARBLE SALT AND PEPPER HOLDERS, R299, H&M HOME; 3. ‘PAINTED MALACHITE’ MARBLE WALLPAPER, R697 (PER SQUARE METRE), ROBIN SPRONG; 4. ‘CHOTT MEROUANE’ RUG, R121 230, ROCHE BOBOIS; 5. ASYMMETRIC STONEWARE VASE, R599, H&M HOME; 6. KEVIN FRANKENTAL ‘ASHBY’ CONSOLE IN VERDE GUATEMALA MARBLE, R37 400, LEMON; 7. ‘TECTRA 2’ TABLE, R144 850, OKHA HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 25

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TRAVEL The iconic scenes of the Zambezi defined the elegant and evocative redesign of Zambezi Grande TEXT JULIA FREEMANTLE PHOTOGRAPHS ELSA YOUNG THE LODGE’S MAGNIFICENT LOCATION, ENVELOPED BY TREES ON ONE SIDE AND PRESIDING OVER A RIVER VIEW, IS AN IDYLLIC WAY TO EXPERIENCE THE ZAMBEZI HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 27

TRAVEL THE SIGHT OF ‘The GALAXY of stars, ELEPHANTS SLOWLY the calls of the WILD, the MARCHING TO FEED AT sky as it slowly changes DUSK AND CROSSING COLOUR, give this THE RIVER IS NOT EASY destination a profound sense of STILLNESS, TO FORGET space and magic’ MICHELE THROSSELL hen redesigning Zambezi Grande, an To do that, the designer married old and new – combining PHOTOGRAPH: CHANEL BERGSMA intimate family-owned lodge in Zambia, the existing Cape Dutch elements and traditional motifs with Michele Throssell Interiors looked to the abundant inspiration contemporary, textural African touches for a fresh spin on safari. around it for cues – from the iconic bush and waterscape to The result is an understated and unpretentious luxury that feels the lodge’s own architecture. fresh and evocative but pays homage to the past and is firmly Transforming what was purely a family holiday home into a five- rooted in its context. ‘The design aesthetic celebrates our history star fishing and safari destination required elevating the suites to but acknowledges contemporary living, and honours the African a hospitality level, but the footprint and the lodge and architecture wild,’ says Michele. remained undisturbed. ‘We inherited a lodge built in a Cape Dutch style – which we loved, as it’s unique on the river,’ says Michele. Because it’s the lodge’s idyllic location on the iconic Zambezi The interiors were entirely redone, but Michele consciously – specifically, high on a bank overlooking the river and shaded by retained the sense of history and family in which the lodge is trees – that informed the spirit and energy behind the design. ‘From rooted. ‘The intention was to keep the feeling of a home and the the beginning, the colours of Zambia served as a large part of the soulfulness of the lodge while upgrading it so that it would meet all inspiration. Especially the river – how it appears from above when the requirements a guest would have,’ she says. flying over, and the way the colours vary from dark greens to rusts. The contrasts too of the foliage, sand, water and rock.’ 2 8 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA The sounds, sights and smells of the river and its surroundings define the experience of your stay at Zambezi Grande, as well as its design. From elegant dinners on the deck accompanied by a chorus of hippo grunts to lantern-lit island and bush dinners around a bonfire and sunset river cruises with elephants silhouetted against the sunset, or action-packed tiger fishing under the expansive African sky – both the design and activities celebrate this sense of place and the rituals and rhythm that define the experience of being in the bush. An integral part of that rhythm is the people that make the experience a reality, and the easy flow of the day is courtesy of the warm and seamless service and evident passion that the Zambezi Grande team has for this place. It is also in the contrasts – old and new, bold, warm tones and calming, cool greens, the sense of adventure you find out in the wild and on the water countered by the cocooning spaces you retreat to in the lodge – that you find the dynamism that epitomises the spirit of the Zambezi. ‘This is a story of families seduced by the great Zambezi. The galaxy of stars, the calls of the wild, the sky as it slowly changes colour, give this destination a profound sense of stillness, space and magic.’ Q Zambezi Grande zambezigrande.com; Michele Throssell Interiors michelethrossell.co.za;

ABOVE MICHELE THROSSELL INTERIORS’ REDESIGN OF THE ZAMBEZI GRANDE INTERIORS BROUGHT TOGETHER THE HISTORY OF THE LODGE AND A FRESH AFRICAN SENSIBILITY INSPIRED BY THE PALETTE AND TEXTURES OF THE LOCATION ABOVE HERE, YOU’RE CONSTANTLY ENCOURAGED TO STEP OUTSIDE AND SOAK UP THE SIGHTS AND SOUNDS OF YOUR LOCATION LEFT THE COMMON AREAS OF THE MAIN LODGE ARE OASES THAT GENTLY BALANCE CLASSIC SAFARI STYLE, DETAILS INSPIRED BY THE TRADITIONAL CAPE DUTCH ARCHITECTURE AND AFRICAN MOTIFS HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 29

TRAVEL ABOVE SPACES TO QUIETLY APPRECIATE THE RIVER VIEW AND SOUNDS OF THE RESIDENT HIPPOS WITH A MORNING COFFEE OR AFTERNOON G&T ABOUND BELOW BUSH OR ISLAND DINNERS ARE A FULLY IMMERSIVE WAY TO APPRECIATE THIS ICONIC AFRICAN SETTING 30 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA

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ART ‚ŒryvtŒ‚ Celebrating the fifth edition of Spier Light Art – hosted at Spier Wine Farm from 10 March to 10 April – exhibition curators Jay Pather and Vaughn Sadie reflect on the passage of time and the complexity of light since Eskom and load shedding providing brutal irony to curating a project about light, and adding to the challenges of what it takes the inception of Spier Light Art in 2018, light has been deployed to live in this contemporary world. However, in this 2023 collection, as a medium to deepen, enliven and enhance the artworks while artists play with and lean into form more deeply, exploring the artists have probed a range of subjects intricately. Particularly of materiality of light itself and its manifestations. This shifts this late, the pandemic and other precarities have led to the creation sprawling outdoor exhibition into an experiential adventure of the of introspective, conceptual works, drawing from atmospheres of many possibilities that light may be moulded into, from placeholder reflection and reset as several global and national trials assailed our and marker to a thing of wonder. So, while themes hold gravitas and society. This year, these challenges have not disappeared – with centre this collection of work, light is deployed in myriad evocative ways, inviting an experience of forms and, at times, leading us to reflect on today’s pressing issues. There is a sense of entering a beguiling wonderland of light art, with Georgia Munik’s Orpheus providing a captivating beacon within the exhibition; a brilliant, intricate neon sculpture marking a literal and metaphoric edge between darkness and light. Swiss artist Sofie Guyot’s Infinity draws our attention to the vastness of an evening landscape. Made from LED lights, it provides a reminder of the persistent and triumphant human imagination amid pessimism. In the same vein, Christina Fortune and Queezy’s seductive and fabulous Corset Intransit – a lit sculpted corset hung aloft a body of water – is a victorious homage to the human spirit in its unabashed, triumphant queerness. Curating light artworks in an open environment, combined with the challenges of weather, and ecological and material sustainability, means we are mindful of the range of viewers that traverse the farm’s various spaces. There is also something unique about light art exhibited with a sense of site specificity – finding the right environment on the Spier grounds to hold the work. This year’s artists certainly helped us find these balances. And then there are the owls. Many of them. Eyes glowing and watching from several trees. Serai Dowling and Ralph Borland’s endearing ‘Zizi’ (Shona for owl) is a collection of 40 life-size Scops owls – one of the world’s smallest owl species. Simple handmade electronics light up the invisible, and the expert use of wire creates form out of formlessness. They are delightful and grim reminders at the same time. The artists write, ‘Delight is the cornerstone of human resilience in the face of a remarkable daily onslaught.’ This combination of qualities runs through the Spier Light Art 2023. Q Spier Wine Farm spier.co.za 3 4 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA

ART ABOVE LE INKUNGU BY BELOW AND RIGHT MY NKOSENATHI KOELA, IN SECRET DIGITAL GARDEN COLLABORATION WITH BY NATALIE PANENG MNTANA. WEXHWELE, OPPOSITE PAGE ANDILE DYALVANE, PETRIFIED BY BLAUKIND PLATOON RECORDS, AND THE RENDERHEADS MILESTONE STUDIOS AND SEAN DAVENPORT PHOTOGRAPHS: COURTESY OF SPIER WINE FARM An experiential ADVENTURE of the many possibilities that LIGHT may be moulded into, from placeholder and marker to a thing of WONDER HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 35

DON’T MISS PHOTOGRAPHY: MICHAEL P. H. CLIFFORD AN EDITION SUBSCRIBE TO HOUSE & GARDEN ON ZINIO FOR YOUR MONTHLY DIGITAL DESIGN AND DECOR FIX, AND SAVE UP TO 40%. ZA.ZINIO.COM HOUSEANDGARDEN.CO.ZA Never miss a beat – your daily dose of architecture, design, art and culture news and interviews straight to your device FOLLOW US Facebook HouseGardenSA Instagram houseandgardensa Pinterest housegardensa

VISITS KNOW-HOW AND DECOR DETAILS THAT MAKE THE LOOK DESIGNER YANA SCHAFER IN HER LIVING ROOM. THE ‘H-905’ TABLE LAMP IS BY HAROLD WEISS AND RICHARD BARR FOR LAUREL LAMP COMPANY AND THE ARTWORK IS BY TOM BOSTELLE HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 37

SET IN STONE A mid-century home on the East Coast of the US with a reverence for ’70s architecture, decor and design TEXT SHAI RAMA PHOTOGRAPHS ANDREW FRASZ LEFT THE 1974 HOME WAS DESIGNED BY ARCHITECT LAWRENCE STERN nown for its familial suburban centuries-old buildings and unique private residences, none more comfort, public parks and sprawling so than this family home designed by notable architect Lawrence nature reserves, Short Hills in New Stern and built in 1974. This home has an almost West Coast, mid- Jersey, just over half an hour’s drive from New York City, lends century feel and a carefully considered layout that allows it to be itself to connecting with nature beyond the bounds of towering integrated into nature. cityscapes. This East Coast neighbourhood is an exhibition of Almost immediately after crossing the threshold, interior designer Yana Schafer and her husband David decided to move in. ‘We saw the home listed before we were even serious about buying and fell in love with it right away,’ says Yana. ‘We knew houses like these do not come up on the East Coast market very often – so the home itself became the deciding factor for moving into the suburbs.’ Yana is the cofounder of Malyev Schafer, an interior design studio based in London and New Jersey best known for using bespoke furnishings and decor to contextualise homes within their milieu. Honouring this home’s vintage spirit, Yana chose to feature several crafted design pieces and abstract artworks related to the mid-century movement, exploring a reverence for ’70s architecture while preserving and re-envisioning its history with equal care. The home uses organic materials and textures that occur naturally in the environment to connect with the outdoors and stay authentic to the geology of its location. Exposed stone walls and wooden details are met with a pared-back, neutral and earthy palette to accentuate the home’s affiliation with nature. The pièce de résistance is in the heart of the home: a Richard Neutra- esque central glass atrium that opens the house to the elements while ventilating and providing natural light to the interior spaces. The atrium is one of the many reasons Yana felt a connection to the home. The day she looked at the house for the first time, she discovered that the original dining room paired a Paul Evans dining table with a set of ’70s chairs from Directional, the exact same walnut-upholstered dining chairs she purchased a year earlier for her own dining area, only in a different fabric. ‘My husband and I always talk about “signs”, and to me, this was a sign this home was ours,’ Yana says. ‘This made the dining room particularly sentimental, so in decorating, it was envisioned as a time capsule of the home’s original spirit.’ Q Malyev Schafer malyevschafer.com 3 8 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA

VISITS CLOCKWISE FROM TOP LEFT BURL WOOD DINING TABLE BY MILO BAUGHMAN WITH VINTAGE DINING CHAIRS BY DIRECTIONAL IN ORIGINAL UPHOLSTERY AND A VINTAGE MURANO GLASS AND BRASS CHANDELIER; CUSTOM CABINETRY BY LAURIERMAX IN THE KITCHEN WITH QUARTZITE SLAB COUNTERS AND BACKSPLASH, KITCHEN FAUCETS BY NEWPORT BRASS AND CABINET HANDLES BY RESTORATION HARDWARE; THE LIVING ROOM FEATURES AN ’80S SWIVEL SOUFFLÉ POUFFE CHAIR BY STEVE CHASE, ‘RAG’ CHAIR BY BERNT PETERSEN, AND UPHOLSTERED WINDOW BENCH AND ONYX COCKTAIL TABLE (BOTH VINTAGE) HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 39

VVIISSIITTSS ABOVE VINTAGE TOP RIGHT VINTAGE CUSTOM SECTIONAL BROWN GLASS AND IN ORIGINAL BRASS PENDANT LIGHT UPHOLSTERY WITH ABOVE HAMMERED A COCKTAIL TABLE IRON CHAIRS, SIGNED BY MADE GOODS J. COLLIN LEFT ABOVE BESIDE THE A BUNK BED BY UPHOLSTERED CUSTOM BED, RESTORATION ‘H-734 ASSEMBLAGE’ LAMPS HARDWARE BY RICHARD BARR FOR LAUREL AND VINTAGE LAMP COMPANY, DESIGNED IN WALLPAPER THE EARLY ’60S IN NEW JERSEY 40 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA

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The future of Five designers from across the industry weigh in on the trailblazing ideas for 2023 TEXT YASHNA BALWANTH ‘Perspectives of P H OTO G R A P H S : LO U JA S M I N E ( S UM AY YA ) , I WA N B A A N ( T H E S E R P E N T I N E PAV I L I O N 2 02 1 ) ; E L SA YO U N G DIFFERENCE (OPPOSITE PAGE,LEFT ); LUTENDO MALATJI (MPHO); AART VERRIPS (OPPOSITE PAGE, RIGHT ) are hugely IMPORTANT, now more than ever’ Sumayya Vally / Founder and architect of Counterspace Sumayya Vally, the Joburg-based hugely important, now more than ever. architect who has been breaking Architecture is also, of course, a language. boundaries since the start of her career, It is an abstraction, has a set of codes, was propelled to the forefront of the and communicates to us who we are. It cultural conversation with her 2020 affirms our place in the world in terms of design for the Serpentine Pavilion what we deserve. We see ourselves in our displayed in London. surroundings and the conversations that encompass us, as we evolve with When speaking about the architectural them. That is why representation and industry in South Africa, Sumayya says, a manifestation of our identities in design ‘We should negotiate and learn to are so important, because we are in listen to one another, as we all have dialogue with it. We need slower forms of architecture within us. I often talk about practice around what manifesting identity architectural education needing to can look like or should be in architecture.’ change and the need to have different curricula. Perspectives of difference are counterspace-studio.com 4 2 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA

DESIGN SOLUTIONS Mpho Vackier / Furniture designer and founder of TheUrbanative Since starting her lauded contemporary I tend to think and relook at the world African furniture and product company, or a specific material in a completely TheUrbanative, it is impossible to different and new way. I strongly believe overstate the lasting impact that that when design is approached with engineer-turned-furniture-designer Mpho passion and authenticity, it will result in Vackier has had on the South African a beautiful way to experience the world.’ design scene. Mpho also shares her drive to Sharing her thoughts on the product a more sustainable future: ‘As a furniture design industry, Mpho says: ‘I would love developer, sustainability and the creation to see more inclusion of the talent on our of heirloom pieces are important to continent with large-scale projects and us. It would be nice to see fewer furniture collaborations.’ Her vision for the future of pieces that are unsustainable, along design entails her love for the unexpected with fewer knockoffs of other details that engage all of our senses. designers’ creativity.’ ‘I think because of my love for design, theurbanative.com ‘I tend to think and RELOOK at the world or a specific MATERIAL in a completely new way’

DESIGN SOLUTIONS Lane Reeves of Joburg-based Metaphor Design has a very organic approach Lane Reeves to her work that not only captures the / Founder and senior interior designer essence of what her clients need but of Metaphor Design also what they stand for, pushing local craftsmanship and creating practical yet beautiful spaces. On the future of the interior design industry, Lane shares her thoughts: ‘I would like to see more consideration for the effect that environment has on our health and wellbeing. These are crucial areas to include in our design ethos, and I feel the priority needs to shift towards them. I also yearn for more authenticity in design and less of a quick and pretty approach to interiors. In short, I am looking for a richer, more heart-felt design appeal with no quick fix. ‘The mindless consumerism and the drive to buy more meaningless items deter us from the focus of our homes and can cause distractions from good design choices. I think the growing awareness of “less but better” is a sound strategy. It consists of a growing adoption of simpler design solutions and more appreciation for incredible architecture and furniture pieces.’ metaphordesign.co.za Tracy Lee Lynch / Creative director of Nando’s Design Programme With a passion for supporting the ‘By manufacturing creatives behind the design, Tracy Lee LOCALLY, we shine a light Lynch’s innovative eye – and the long- standing collaboration of the Nando’s on our CREATIVITY’ Design Programme she initiated and curated – has always expressed South African design through artistic storytelling with a visionary outlook on bringing people together. On the future of design, Tracy says: ‘I would like to see more established businesses opening their doors to create mentorship opportunities for young professionals. I meet many incredibly talented young South Africans with skill sets and qualifications but need experience in the industry to create and build their own small business.’ Tracy also mentions how heavily outsourced manufacturing pieces are and wants us to focus on localised production. ‘By manufacturing locally, we also create opportunities for product designers to shine a light on our incredible creativity and create meaningful employment. We all need to work together because South Africa could become the go-to destination for unique pieces with handcrafted elements and innovative use of materials.’ leelynch.co.za 4 4 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA

T stan ‘I am enjoying du Plessis the stripping AWAY of big / International award-winning trends to interior architect see various micro STYLE With a decade of hospitality design movements’ experience under his belt, Tristan du Plessis continues to be one of the country’s leading ambassadors, bringing his sought-after (and multi-award-winning) talent to a global audience. His views on the interior design industry for the year ahead reflect one of positivity with a drive towards support and recognition of designers by designers. ‘Acknowledgement from other designers in the industry is important to progress and push true collaborative efforts ahead,‘ says Tristan. ‘Currently, I am enjoying the stripping away of big trends to see various micro style movements replacing them. This allows for a more detailed understanding with a broad range of styles and projects to be explored and executed. As South Africans, we have so much local talent across various creative genres that can truly compete at a global level, so we should always have a positive outlook on the work we create.’ Q tristanduplessis.com PHOTOGRAPHS: JUSTIN PATRICK (TRACY), NATELEE COCKS, SUPPLIED HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 45

KNOW-HOW 4 6 H&G MARCH/APRIL 2023 | HOUSEANDGARDEN.CO.ZA

+EVHñWJSVïIJYXYVI PLANTING TREES In the second part of a new series on gardening in a world gripped by climate change, landscape designer Franchesca Watson talks to us about planting trees as one of the best things we could do for our gardens and cities right now A s our planet overheats, SMALL EVERGREEN TREES Diospyros we are going to need whyteana, Diospyros dichrophylla, Indigofera shade and plenty of it. jucunda, Croton gratissimus, Tabernaemontana Trees have a magical elegans, Bauhinia bowkeri cooling effect, lowering SMALL DECIDUOUS TREES Gardenia cornuta, Gardenia soulangeana, Salix capensis, surface and air temperature by providing Schotia afra, Leucosidea sericea MEDIUM EVERGREEN TREES Apodytes shade and breathing out water. The shaded dimidiata, Nuxia floribunda, Olea africana, Millettia grandis surfaces below them may be between 11˚C MEDIUM DECIDUOUS TREES Erythrina lysistemon, Bolusanthus speciosus, and 25˚C cooler that unshaded materials Lagerstroemia indica LARGE EVERGREEN TREES Quercus at hot times. That means our aircon suber ‘Cork Oak’, Trichilia emetica, Cassine peragua, Rauvolfia caffra energy consumption can come down LARGE DECIDUOUS TREES Celtis africana, Vachellia galpinii ‘Paper bark’, in buildings shaded by trees. Trees also Erythrina caffra, Calodendrum capense remove air pollutants and use up carbon When planting, take care to prepare your hole sufficiently. It needs to be broad dioxide. Other wonderful powers of trees rather than deep as the roots will want to grow strongly sideways in search of water are reducing water runoff by absorbing and nutrients and to balance and support the tree. When filling the hole around the and filtering rainwater and even reducing tree, mix in a generous amount of compost and a little bone meal with the soil to help noise. They are homes and habitat to birds, with root development. Fill in layers and compact each layer by stepping around the butterflies and other beasties. And they are trunk to ensure the soil is firm and that the new tree does not wobble. Stake the tree if very beautiful. necessary, but make sure the stakes and ties cannot rub against the bark and branches – Before planting a tree in the garden, the this causes damage to the trunk and creates a wound for infection to take hold. Water first consideration is whether a deciduous deeply once a week and watch the magic. Q Franchesca Watson or evergreen one is more appropriate 082 808 1287 for your setting. Would you like shade in franchescawatson.com summer and light in winter or greenery and screening all year around? The next consideration is the size of the tree. Is there space for it to spread sideways and grow upwards, or are you looking for a specimen tree to shade a small courtyard? There are small, medium and large trees to suit almost any position and condition. PHOTOGRAPHS: ELSA YOUNG You will need to be cognisant of the prevailing conditions. For example, if you TOP DOWN RIBBON A SUNNIER POSITION BUSH (HYPOESTES ON THE CANOPY are planting in a wind tunnel between ARISTATA) IS FRINGE HAPPIEST IN DAPPLED buildings, look for a hardy, wind-resistant OPPOSITE PAGE SHADE BENEATH A STRATEGICALLY species able to stand up to it and still put PLACED BENCH TREES; COMMON BENEATH A COPSE OF on a good show. CELTIS SINENSIS TREES AGAPANTHUS OFFERS RESPITE FROM There are many trees to choose from, (AGAPANTHUS THE HEAT OF THE DAY PRAECOX) AND PIG’S but my favourites at the moment are: EAR (COTYLEDON ORBICULATA) ENJOY HOUSEANDGARDEN.CO.ZA | H&G MARCH/APRIL 2023 47

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