PUMP IT UP MAGAZINE | July 2016

PumpiTuPSGlicrakce MUSIC BUSINESS TIPS ToGrowYour FanBase* CINEMA**NATIONALORGANISATIONFORWOMAN|N.O.W -CELEBRATING50THANNIVERSARY

02PAGEJUNE2016 PUMPITUPMAGHELLOREADERS, WWW.PUMPITUPMAGAZINE.COM WWW.FACEBOOK.COM/PUMPITUPMAGAZINEWHENONEMENTIONSTHEWORD\"HIPPIE\"MOSTTHINKABOUTTHE1960S.THEYTHINKABOUT WWW.TWITTER.COM/PUMPITUPMAGTHEFLOWINGSKIRTSANDLONGUNKEMPTHAIR. SCANTHEQRCODETHEPEACELOVINGHIPPIESWEREMORETHANJUSTHAPPYSTONERS. TOREADTHEFREEDIGITALEDITIONOFTHEY WEREYOUNG PEOPLEWHO WERE PUMPITUPMAGAZINEREDEFININGTHEIRTHOUGHTSONTHEISSUESOFWAR. GRAPHICDESIGN:WWW.EDITIONS-LA.COMHIPPIESPROTESTEDINTHESTREETSWITHSIGNSTHATSAIDTHINGSSUCHAS,“MAKELOVE,NOTWAR”.THEYWOULDALSOCHANTANDSINGTHROUGHTHESTREETSANDPLAYMUSICTHATPROMOTEDPEACE.IFPEOPLESTAYSTRONGANDSTANDUPFORWHATTHEYBELIEVEIN,MESSAGESCANBESPREAD.PEOPLECANBEINFORMEDALLOVERTHEWORLD.PEACEISIMPERATIVE!THISISUUEISACELEBRATIONOFPEACEANDLOVE,ENJOY,ANDPLEASELETUSKNOWWHATYOUTHINKORIFYOUHAVEANYOTHERQUESTIONSORPOINTSTORAISE,PLEASEEMAILUS.THANKYOU. ANISSABOUDJAOU FOUNDER|CREATIVEDIRECTOR

03PAGE08 THEEVOLUTION OFPOPMUSIC10 04 17 BUSINESSTIPS 21NationalOrganisation TOGROW YOUR ForWomen, FANBASE Celebratinng the50thAnniversary12 TOPDJS& INDIEARTIST SONGSOFTHE SUMMER 20PEACE LOVE & HIPPIES

04PAGE JUILLET2016 GRACESLICK GRACESLICK T H E F IR S T F E M A L E P O P STA RPUMPITUPMAGAZINE

05PAGE JULY2016 G R A C E S L IC K Singer-songwriterGraceSlickwasoneoftheleadsingersforthebandJeffersonAirplane.Shewrotethesong \"WhiteRabbit\"andsangthepopulartune\"SomebodytoLove.\" GraceSlickwasbornOctober30,1939,inChicago,Illinois.In1965shestartedherowngroup.Slickandher bandbecamepartoftheSanFranciscorockscene,andshebefriendedmembersofJeffersonAirplaneandthe GratefulDead.Afterherbandsplitupin1966,shebecameoneoftheleadsingersforJeffersonAirplane.She wroteoneoftheirgreatesthits,\"WhiteRabbit\"andhelpedherbrother-in-lawDarbySlickwrite\"Somebodyto Love.\" SingerandsongwriterGraceSlickwasbornGraceBarnettWingonOctober30,1939,inChicago,Illinois.She grewupastheoldestchildofIvanandVirginia,aninvestmentbankerandaformersingerandactress.Asa child,SlickidolizedsuchperformersasactressBettyGrable.Shealsoadmiredcharactersfromchildren's stories—RobinHood,AliceinWonderlandandSnowWhiteamongothers—andlovedtopretendandplay dress-up. BackinNorthernCaliforniain1958,Slicktooksometimeto ndadirectionforherlife.Sheauditionedtobea singer,butmetwithlittlesuccess.In1961,shemarriedJerrySlick,achildhoodfriendandaspiring lmmaker.AfterashortstintinSanDiego,thecouplemovedbacktoSanFrancisco.ShesoonfoundworkthereasamodelforanI.Magnindepartmentstore,whileJerrystudiedatSanFranciscoStateUniversity.Slickalsostartedwriting music,contributingasongtothesoundtrackofashortlmcreatedbyJerry. In1965,SlickfoundmoremusicalinspirationafterwatchingthebandJeffersonAirplaneataSanFrancisco nightclub.Shesoonstartedherowngroup,callingittheGreatSociety.Withtheirname,theypokedfunatthe \"GreatSociety,\"atermusedbyPresidentLyndonB.Johnsontodescribehisprogramsforsocialreform.The bandconsistedofJerrySlickondrums;Grace'sbrother-in-lawDarbyonguitar;DavidMinoronguitarandvocals;PetervanGelderonsaxophone;andBardDupontonbass.Theyfoundinspirationfortheirlyricsfromthe socialandpoliticalturmoilbubblingoverintheUnitedStatesatthetime. SlickandherbandbecamepartoftheSanFranciscorockscene,andshebefriendedmembersofJefferson AirplaneandtheGratefulDead.Afterherbandsplitupin1966,Slickbecameoneoftheleadsingersfor JeffersonAirplane,aftervocalistSigneAndersonleftthegrouptofocusonherfamily.Bythistime,thegroup hadarecordingcontract,andhadalreadyreleasedtheirrstalbum:JeffersonAirplaneTakesOff(1966). Forthegroup'ssecondalbumSurrealisticPillow(1967),Slickjoinedasitsvocalist.Sherevisitedtwosongsshe haddonewiththeGreatSocietywithhernewgroup.Slickrecordedanewversionoftheballadshepenned, \"WhiteRabbit,\"whichprovedtobeoneofJeffersonAirplane'sbiggesthits.Shelaterrevealedtojournalist JamesM.ClashthatshewrotetheSpanishballadonasecond-handuprightpiano lledwithbrokenkeys.In additionto\"WhiteRabbit,\"thealbumalsofeaturedthehit\"SomebodytoLove,\"whichwaswrittenbyDarby.WithSlickastheirfrontwoman,JeffersonAirplaneappearedatmanyofthemusicfestivalsthatdenedthelate 1960s,includingMontereyin1967andWoodstockin1969.Slick'svibrantpersonawasadmiredbyfans,and shequicklyemergedasoneofthemostwell-knownpersonalitiesinrockduringthe'60s.PUMPITUPMAGAZINE

06PAGEJULY2016 G R A C E S L IC K SoloCareerandJeffersonStarship Offstage,Slicklivedinthespiritoftheera,engagingindrugexperimentationandinromanticdalliancesevenbeforesheandherhusbandofficiallysplitin1971.SheeventuallygotinvolvedwithJeffersonAirplane'srhythmguitaristandsinger,PaulKantner.Thecouplewelcomedachild,daughterChina,inDecemberof1971.Thatsameyear,Slickreleased thealbumSunghter(1971),whichsheworkedonwithKantner.Slickstruckoutonherownwith1974'sManhole,butneithereffortmatchedthesuccessofJeffersonAirplane.Around thistime,SlickandKantnerformedthegroupJeffersonStarship,whichfeaturedsomeofmembersoftheJefferson Airplane.Thenewentityenjoyedsomesuccesswith1975'sRedOctopus,1976'sSpitre,and1978'sEarth.In1976,SlickmarriedSkipJohnson,alightingdirectorwhohadworkedwiththegroup.ShequitJeffersonStarshiptwo yearslater,aftertheirtourinGermany.Afterabriefstintinrecoveryfromalcoholaddiction,Slickreturnedtomusic withtwosoloefforts:Dreams(1980)andWelcometotheWRECKINGBALL!1981. WITHINAFEWYEARS,SLICKREJOINEDJEFFERSONSTARSHIP,WHICHHADTAKENONAMOREMAINSTREAMROCK SOUND.THEGROUPCHANGEDITSNAMETOSTARSHIPAFTERKANTNER'SDEPARTURE,ANDITENJOYEDSUCH POPULARHITSAS\"WEBUILTTHISCITY\"AND\"NOTHING'SGOINGTOSTOPUSNOW.\"SLICKBRIEFLYRETIREDFROM PERFORMINGIN1988BEFOREREUNITINGWITHTHEORIGINALMEMBERSOFJEFFERSONAIRPLANETHEFOLLOWING YEAR.THEGROUPWENTONTOURANDPRODUCEDONEALBUMTOGETHER. LATERYEARS BYTHE1990S,SLICKHADGIVENUPPERFORMING.SHEWASINDUCTEDINTOTHEROCKANDROLLHALLOFFAMEIN1996,ANDSHEWROTEABOUTHERROCK'N'ROLLEXPERIENCESINHER1998AUTOBIOGRAPHYSOMEBODYTOLOVE? FINDINGANOTHEROUTLETFORHERCREATIVITY,SLICKALSOBEGANSHOWINGANDSELLINGHERARTWORK. IN2010,SLICKRELEASEDANEWSONG,\"THEEDGEOFMADNESS,\"TOBENEFITTHEFISHERMENAFFECTEDBYTHE DISASTROUSOILSPILLINTHEGULFOFMEXICO.THECHARITYSINGLEWASCOWRITTENBYSLICKANDMICHELLE MANGIONEANDINCLUDESPERFORMANCESBYMORETHAN20MUSICIANSANDSINGERS.PUMPITUPMAGAZINE

T H E S IX T IE SPUMPITUPMAGAZINE

08PAGEJULY2016 R E V IE W POPMUSICISAGENREOFPOPULARMUSICWHICHORIGINATEDINITSMODERNFORMINTHE1950S,DERIVINGFROMROCKANDROLL.THETERMSPOPULARMUSICANDPOPMUSICAREOFTEN USEDINTERCHANGEABLY,EVENTHOUGHTHEFORMERISADESCRIPTIONOFMUSICWHICHIS POPULARWHILETHELATTERISASPECIFICGENRECONTAININGQUALITIESOFMASSAPPEAL.Thedevelopmentofpopmusicfrom1950'sto2000'sInthe1950'srock'n'roll,R&B,blues,swing music,countrymusicandrockabillydenedthe1950's. PopmusichadreplacedthewaveofbigbandswingthathappenedafterWWII. Thesestylesdominatedthe1950's.ArtistsincludeElvisPresley,FrankSinatraandChuckBerry.Come ywithmewasanalbummadebyFrankSinatrain1958ofcourseincludinghehitrecord 'Come ywithme'Whichhasbeenpopulareversinceithasbeenreleasedandhasbeen re-donemyartistssuchasMichaelBuble. The1950'sThe1960'sismostrevolutionaryforthebirthofrockmusic.Unlikethe1950'sthis wasacompletelydifferentgenrethatdenitelydenesthe1960's.In1964wealsosawthestartofradiobroadcasting,somethingwhichwouldimpactandchange thewayinwhichwelistentomusictoday.Itstartedoffaspirateradiostationsandallowed themtolistentothemusic.Intoday'ssocietyradioislistenedtoworldwideandhasbecomea massivepartofourculture. Therearealsomanydifferentradiostationstocounterforeveryone'staste.Artistsincluded Cream,JimmiHendrix,TheKinks,LedzeplinandTheBeatles.1960'sThe1970'ssawthecontinuingofthedevelopmentofrockandwellasintroducingpunkrock,glamrock,disco,funk andsmoothjazz.the1970'swasverysimilartothe1960'sintermsofstyle,rockplayingabig partinbothofthem In1979theSonyWalkmanwasinvented.Thiswasthe rstmeansoftransportingmusicaroundineverydaylife.Hencethenameyoucan literallywalkaroundwithitanywhereyouwant.Thistrendstartedthedevelopmentwhich wouldlaterleadtothelatesttechnologyinmusiclisteningtechnology. The1970'sincludedartistslikeFree,PinkFloyd,SteveHarleyandTheCockneyRebels,Status QueandQueen. 1970'sThesongisverybluesandjazzyfollowingonfromthestyleofmusicfromWWII. Thetrackusedabigbandwhichwasverycommoninthisdecadeofmusic.Thesongfollowsaratherunusualstructurebecauseitdoesnothaveachorus.Itisstructuredverse-bridge-verse 2-solosection-repeatbridge-repeatverse2.PUMPITUPMAGAZINE

09PAGE JULY2016 R E V IE WShelovesyoubyTheBeatleswasoneofTheBeatlesbiggesthits.ThesonghasaveryrandomstructurebutincludesmanyvocalharmoniessomethingwhichTheBeatleswererenownedfor.ShelovesyouwasalsothefirstsongevertobeheardbyanAmericanaudiencewhichspreadtheirpopularityevenfurther.Theuseoftheircontroversiallyrics'yeah,yeah,yeah'alsohadagreatimpactandeffectfortheirimage.ITusesbassguitar,drums,guitarandvocals.ThefirstandmostrememberedmembersofTheBeatleswereJohnLennon,PaulMcCarthy,GeorgeHarrisonandRingostar.DownDownbyStatusQuewasreleasedin1975andfollowsaratheruniquechordsstructure.StatusQuebuildmostoftheresongsonlyusing3chords.itusesvocals,drumsandguitarsandsimilarlytotheBeatleshasveryprominentharmonies.Itwastypicallycategorizedashardrock.MembersincludeFrancisRossi,RickParfitt,AndyBrown,JohnEdwardsandMattletley.Morenewgenresofrockstartedtoemergelikesoftrockandnewwaveaswellasdanceanddiscomusic.In1982thecompactdiskwasintroducedaswellasthefirstCDplayers.ThistookoffevenmorethantheWalkmanbecauseittookonanewdimensiontomusiclistening.Bandsfromthe80'sincludeStevieWonder,Bonjovi,Blondie,JeniferRushandGuns'n'Roses.1980'sThetideishighwasreleasedbyBlondiein1980itselfandexploresthegenreofreggae.Theusualpop/rockpunkbandhascreatedasongusingamassivereggaeinfluence.Thesongwasverypopularandwaslaterusedby1990'sbandatomickitten.Popmusicinthe1990'sstartedtoincludeteenrockandalotmoregirlandboybandssuchasDestiny'sChild.Hiphop,R&Bandurbanmusicalsobecameamassivepartofthisdecade.unlikethe1980'sthiswasamassivegenrechangeleadingintowhatwenowcallmodernmusicbutstillusinginfluencesfromthe80's.In1998MP3fileswerecreated.Thiswasamassivestepinmusictechnologyandmeantthatpeoplecoulddownloadandlistentomusicfromtheinternetallovertheworld.90'smusicincludedartistslikeNivarna,Eminem,Oasis,BeautifulSouthandMadonna.1990'sAlittletimebythebeautifulsouthwasreleasedin1990.Theywerebranchingintoalternativerockandpoprock.Thesongshowsamassivecontrastbetweenmaleandfemalevocalswhichalsoshowscontrastbetweenhighandlowpitchvoices.Itisalmostlikearoleplaybetweentwocharacters.Thesongalsocontrastsalotbetweenslowandfastspeeds.Teenpop,Bubblegumpopandhiphopcontinuetodevelopinthisdecade.Itisquitesimilartothe1990'swithquitealotofitsinfluences.The2000'sstartedtoshowamuchbiggerdevelopmentingirlandboybandswhichhascontinuedtobeabigpartofourmusicculturenow.The2000'sshowedprobablyoneofthemostsignificanttechnologicaladvancementsthathaseverbeendeveloped.MP3playersandthemorecommonlyknownIPOD'swereinvented.IPOD'shavechangedthewayinwhichwelistentomusic,allowingustodownloadMP3copiesofsongsontoasmallsizedmusicplayers.ThisthenleadontotheinventionofMP4playerswhichallowedyoutowatchthemusicvideoaswell.2000'smusicincludedartistslikeJamesBlunt,LinkenPark,Busted,PlainWhiteT'sandEnriqueEnglasias.2000's3AMbyBustedisaslowrocksongwhichusesinfluencesofballad.It'sstructureisverse-bridge-chorus-verse2-bridge-chorus-bridge-chorus.Thereareuseofharmoniesinthechorus.ThebandsthreemembersarecalledCharlieSimpson,JamesBourneandMattWillis.TheyplayguitarbassandvocalsbutheyhavearesidentdrummerthatplaysatshowsandinrecordingandiftheydontthenCharliesometimesplays.Plainwhitet's1960'stechnologyinthe1950'sItwasalsotheintroductionofvinylrecords.In1950itselfthecompanyRCAintroducedthefirst 12inchLP.Thistransformedthewaywelistentomusic.Beforetheintroductionofvinylyoucouldonlylistentomusicifyouwenttoseeitlive howevervinylallowedpeopletolistentothemusictheylovefromtheirownhome.PUMPITUPMAGAZINE

10PAGE JULY2016 B U S IN E S S T IP SPUMPITUPMAGAZINE

11PAGE JULY2016 B U S IN E S S T IP SPUMPITUPMAGAZINE

TOP P umpitup TOPINDIEDJS THANKSTOTHEIRSKILLSINPRODUCING,MIXINGANDTRACKSELECTION, THISISOURSUMMERDJSSELECTIONM A JO R L A SE R PUMPITUPMAGAZINE PUMPITUPMAG PUMPITUPMAGAZINETHEYKNOW HOW TOGETPEOPLEONTHEDANCEFLOOR!

PAGE13 TOPINDIEARTISTPUMPITUPMAGAZINE JUNE2016

1.TELEVISORFEAT.DANYKANADEAU “DANGEROUS” 2.LADYANEESSAFEAT.HABIBRAMIREZ “FRENCHKISS” 3.BETABLOCK3R “WHATYOUWANTED”4.HENRYD&ALEXANDERORUE“FEATDAYSON ”FALLINLOVE” 5.SIBBS “ECHO”PUMPITUPMAGAZINE JULY2016

16PAGE S P E C IA L A S IAPUMPITUPMAGAZINE

16PAGE S P E C IA L A S IAPUMPITUPMAGAZINE

PAGE17 CINEMAPUMPITUPMAGAZINE JULY2016

PAGE18 PEACELOVE&HIPPIESPUMPITUPMAGAZINE JULY2016

PAGE19 PEACELOVE&HIPPIESPUMPITUPMAGAZINE JULY2016

PUMPITUPMAGAZINE JULY2016

21PAGECreatedin1966,NOWwasestablishedbyagroupoffeministswhowerededicatedtoactivelychallengingsexdiscriminationinsociety.NOW'sactionshaveestablisheditselfasamajorforceinthesweepingchangesthatputmorewomeninpoliticalposts;increasededucational,employmentandbusinessopportunitiesforwomen;andenactedtougherlawsagainstviolence,harassmentanddiscrimination.In1966,28womenattendingtheThirdNationalConferenceoftheCommissionontheStatusofWomenestablishedtheNationalOrganizationforWomen(NOW).TheCommissionreportedthatdespitehavingwontherighttovote,womenintheUnitedStatesstillwerediscriminatedagainstinvirtuallyeveryaspectoflife.NOWinitiatedthegrowinginvolvementofwomeninpoliticswithanagendathatincludedbettereducation,employmentandpoliticalopportunitiesforwomen.PressureandactivismfromNOWcontinuedtohelpwomenthroughtheseventies.ItfoughttopreservetheSupremeCourt'spro-choicerulinginRoev.Wade(1973)andhelpedpavethewayforwomentotakemoreactiverolesinmodernscience,sports,andpolitics.Sinceit’sbeginning,NOWmembershaveusedbothtraditionalandnon-traditionalmeanstopushforsocialchange.NOWperformsextensiveelectoralandlobbyingworkandlitigations.Theyalsoorganizemassmarches,rallies,picketsandnon-violentcivildisobedienceandpromotegrassrootsefforts.NOW-organizedmarcheshavedrawnsignificantsupport:A1978marchsupportingtheEqualRightsAmendmentdrewmorethan100,000people;TheMarchesforWomen'sLivesdrew500,000supportersin1989and750,000in1992;In1995,NOWorganizedademonstrationfocusingonviolenceagainstwomendrawingaquarterofamillionpeople;And,the1996MarchtoFighttheRightdrewmorethan50,000activiststokickoffanelectoralseasonfocusedoneffortstodefendaffirmativeaction.Mostrecentlyin2004,theMarchforWomen'sLivesbecamethelargestmassactioninU.S.history,bringingarecord1.15millionpeopletoadvocateforwomen'sreproductivehealthoptions(NationalOrganizationforWomen)Overtheyears,theNationalOrganizationforWomen(NOW)hasbeeninstrumentalintheprogressofkeyissuesinthewomen’smovement.NOW’sofficialprioritiesare:winningeconomicequalityandsecuringitwithanamendmenttotheU.S.Constitutionthatwillguaranteeequalrightsforwomen;championingabortionrights,reproductivefreedomandotherwomen'shealthissues;opposingracismandfightingbigotryagainstlesbiansandgays;andendingviolenceagainstwomen.SomeofNOW'smostimportantworkhasbeenintheareaofpreventingsexualharassmentandviolence.NOWmembersorganizedthefirst“TakeBacktheNight”march,foundedhotlinesandsheltersforbatteredwomen,lobbiedforgovernmentfundingofprogramsaimedatstoppingviolenceagainstwomenandwonthepassageofafederalViolenceAgainstWomenActin1994.In1967,NOWwasthefirstnationalorganizationtocallforthelegalizationofabortionandfortherepealofallanti-abortionlaws.Toensurewomen'saccesstoreproductivehealthcare,NOW's“ProjectStandUpforWomen”hastrainedmemberstouseathree-prongedstrategyincludinglitigation,politicalpressure,andthedirectdefenseofwomen'srightsatmedicalclinics.In1994,aU.S.SupremeCourtcase,NOWv.Scheidler,rulingaffirmedNOW'srighttousefederalracketeeringlawsagainstanti-abortionextremistswhoorganizecampaignsoffear,forceandviolencetodenywomentheirrighttoabortion. PUMPITUPMAGAZINE

Prepared by MagCloud for Pump It Up Magazine. Get more at anissa.magcloud.com.