GA4 Operation_Manual

Operation ManualBenutzerhandbuch Mode d’Emploi

English

Matthias Klag, Michael RufCristina Bachmann, Heiko Bischoff, Christina Kaboth, Insa Mingers, Sabine Pfeifer,Kevin Quarshie, Benjamin SchütteThis PDF provides improved access for vision-impaired users. Please note that due to thecomplexity and number of images in this document, it is not possible to include textdescriptions of images.The information in this document is subject to change without notice and does not representa commitment on the part of Steinberg Media Technologies GmbH. The software describedby this document is subject to a License Agreement and may not be copied to other mediaexcept as specifically allowed in the License Agreement. No part of this publication may becopied, reproduced, or otherwise transmitted or recorded, for any purpose, without priorwritten permission by Steinberg Media Technologies GmbH. Registered licensees of theproduct described herein may print one copy of this document for their personal use.All product and company names are ™ or ® trademarks of their respective holders. For moreinformation, please visit www.steinberg.net/trademarks.© Steinberg Media Technologies GmbH, 2014.All rights reserved.

Table of Contents6 Installation and Setup 35 Working With Pads6 Welcome 36 Instrument Pads7 Typographical Conventions7 USB-eLicenser 37 Using an Alternative MIDI Note Assignment8 System Requirements 38 Pad Section8 Launching Installation via the Start Center 40 Pattern Section9 Launching Installation Manually 42 Performance Section9 How You Can Reach Us 43 Using MIDI Effects9 Setting Up 47 Pattern Pads10 Setting Up Groove Agent as a VST Instrument 47 Assigning MIDI Files to Pads 48 Assigning Multiple MIDI Files to Pads11 Selecting Outputs 48 Removing MIDI Files from Pads11 Using Groove Agent in an AU-Compatible 48 Using MIDI Port B for Pattern Pads 49 Locking Pad Settings Application 49 Moving and Copying Pattern Pads12 Using the Instrument as Standalone 50 Overview Tab 52 Pattern Editor Application 61 Common Pad Settings13 Introduction 62 Pad Functions13 Window Overview14 About Kits, Presets, and Groove Agent ONE 63 Beat Agent 63 Sound Editing Content 64 Absolute and Relative Editing16 Managing Your Sounds 64 Editing Selection or All16 Loading Kits 64 Assigning Samples to Pads16 Kit Slot 66 Changing the Order of Pads17 Kit Rack 67 Mapping View18 Kit Context Menu 68 Main Tab19 Managing and Loading Files 71 Editing the Envelope 76 Pitch Tab20 Managing Files via the MediaBay 78 Filter Tab24 Loading Files Using the Browser 80 Amp Tab 81 Sample Tab30 Common Editing Methods 91 Slice Tab30 Encoders and Sliders30 Multi Selection and Parameter Controls 96 Pattern Editing 96 Mixing31 Adjusting the Value Ranges 97 Agent Mixer31 Buttons31 Value Fields 98 Importing and Exporting Files32 Using Key Commands33 Presets 98 Importing MPC and GAK Files 98 Importing REX Files and Sliced Loops33 Handling Section and Module Presets 99 Exporting Kits with Samples33 Handling VST Presets 99 Finding Missing Samples 4

101 Acoustic Agent 154 Dynamics Effects101 Sound Editing 154 Compressor102 About the 24 Bit and 16 Bit Sample Versions 156 VintageCompressor102 Instrument Preview 157 Tube Compressor102 Sound Parameters 158 Limiter 159 Brickwall Limiter107 Pattern Editing 160 Maximizer 160 Expander108 Agent Tab 162 Gate 163 Envelope Shaper113 Mixing 164 Panner Effects113 Agent Mixer 164 Stereo Pan117 Percussion Agent 164 StereoEnhancer117 Sound Editing 165 Automation and MIDI Controllers118 About the 24 Bit and 16 Bit Sample Versions 165 Automation118 Instrument Preview 166 MIDI Controllers119 Sound Parameters 167 Assigning MIDI Controllers120 Pattern Editing 167 Setting the Parameter Range120 Agent Tab 169 Global Functions and Settings 169 Plug-in Functions Section123 Mixing 169 Multi Slot Section123 Agent Mixer 169 Master Section124 Agent Mixer Overview 170 Performance Displays124 Channel Parameters125 Agent Mixer Equalizer and Effects 170 The Plug-in Name and Steinberg Logo 171 Toolbar126 Mixing and Effect Handling 172 The Keyboard126 Mixer Page 173 Options Page126 AUX Mixer 178 Using the Standalone Version of the127 Kit Mixer Plug-In128 Master Mixer 178 Making Preferences Settings128 Effect Handling 178 Preferences Dialog 180 Selecting the MIDI Input and the Audio129 Using the Insert Effect Slots Output131 Effects Reference 181 Scratch Pad131 Reverb and Delay Effects 181 Transport Controls131 REVerence 181 The Info Icon132 Reverb 181 Song Position Indicator135 Multi Delay 182 Tempo and Time Signature 182 Recording Your Performance136 EQ Effects 183 Using the Metronome136 Studio EQ 183 Loading a MIDI File137 Graphic EQ138 DJ-EQ 183 MIDI Channel Filter139 Filter Effects 183 Saving a MIDI File 184 Master Volume139 Auto Filter142 MorphFilter 185 Mixer Routing Diagrams143 Distortion Effects 188 Index143 Distortion144 Tape Saturator145 Tube Saturator145 Modulation Effects145 Chorus146 Flanger147 Step Flanger148 Phaser149 Ring Modulator151 Frequency Shifter153 Vintage Ensemble 5

Installation and SetupWelcome Congratulations and thank you for purchasing Steinberg’s Groove Agent 4. With the fourth incarnation of your favorite virtual drummer, Groove Agent emerges as an entirely revamped instrument that raises the level in terms of quality, functionality, and authenticity. The whole library was created from scratch to meet the requirements of contemporary music producers, for both acoustic and electronic music productions. Many innovative features have found their way into the new version to enhance the initial design that made Groove Agent exceptional in its class. All the new features and functionalities are described in detail in this manual. Please don’t forget to register at MySteinberg in order to gain access to online support offers and additional exclusive services. And check out the official Steinberg community at www.steinberg.net/forum for tips and tons of other useful information. We wish you lots of musical inspiration while working with your brand-new drum studio! The Steinberg TeamThe Agent Concept Groove Agent 4 combines the creative power of 3 different rhythm modules: the Acoustic, Beat, and Percussion Agents. Each of these tools offers its own approach to drums and rhythms, with special ways of creating your own inspiring beats in a huge range of styles. The creative potential of each agent can even be combined with any of the others. 4 agent slots allow you to mix and match your ideal rhythm section or combine Acoustic Agent and Beat Agent to create ultra-modern hybrid beats. 6

Installation and SetupTypographical ConventionsTypographical Conventions Many of the default key commands use modifier keys, some of which are different depending on the operating system. For example, the default key command for Undo is [Ctrl]-[Z] on Windows and [Command]-[Z] on Mac OS X. When key commands with modifier keys are described in this manual, they are shown with the Windows modifier key first, in the following way: • [Win modifier key]/[Mac modifier key]-[key] For example, [Ctrl]/[Command]-[Z] means “press [Ctrl] on Windows or [Command] on Mac OS X, then press [Z]”. Similarly, [Alt]/[Option]-[X] means “press [Alt] on Windows or [Option] on Mac OS X, then press [X]”.USB-eLicenser Operation of Steinberg software often requires a USB-eLicenser, a hardware copy protection device. The USB-eLicenser is a USB device on which your Steinberg software licenses are stored. All hardware-protected Steinberg products use the same type of device, and you can store several licenses on one device. Also, licenses can – within certain limits – be transferred between USB-eLicensers. If your Steinberg software product does not include a USB-eLicenser, you can purchase one through the Steinberg online shop. In the eLicenser Control Center, you can activate new licenses and check which licenses are installed on your USB-eLicenser. After installation of your Steinberg application, the eLicenser Control Center can be opened via the Start menu on Windows systems or the Applications folder on Mac OS X systems. If you are using other copy-protected Steinberg products, you may want to transfer all licenses for your applications to one USB-eLicenser, thus using up only one USB port of your computer. Refer to the eLicenser Control Center Help for information on how to transfer licenses between USB-eLicensers. 7

Installation and SetupSystem RequirementsSystem RequirementsYour computer must meet the following minimum requirements:Mac OS X WindowsMac OS X Version 10.8/10.9* Windows 7/Windows 8*Intel dual-core processor Intel or AMD dual-core processorCoreAudio-compatible audio hardware Windows-compatible audio hardware**VST 3 or AU-compatible host application for VST 3 or VST 2-compatible host applicationusing Groove Agent as a plug-in for using Groove Agent as a plug-in 4GB RAM 10GB of free hard-disk space Display resolution of 1280 x 800 pixels DVD ROM dual-layer drive USB-eLicenser (not included)Internet connection required for installation, activation, account setup, and personal/product registration. *Native 32-bit and 64-bit program version.**ASIO-compatible audio hardware recommended for low-latency performance.Launching Installation via the Start Center From the Start Center application you can easily install your program and inform yourself about the package contents. • For Steinberg software delivered with an installation medium, the Start Center launches automatically as soon as you insert the disc in your computer’s CD/DVD drive, provided that autorun is activated. • For Steinberg software downloaded from the internet, the Start Center launches when you double-click the downloaded file. NOTE The installer allows you to save the content files on a different hard drive than the program files. PROCEDURE 1. In the Start Center, choose your preferred language. 2. Click Install. 3. Follow the instructions on screen. 8

Installation and SetupLaunching Installation ManuallyLaunching Installation Manually If you do not want to install the program via the Start Center, you can install it manually. • On Windows systems, double-click the file “Setup.exe” and follow the instructions on screen. • On Mac OS X systems, double-click the file “Groove Agent.mpkg” and follow the instructions on screen.How You Can Reach Us Click the Steinberg logo in the top right corner of the control panel to open a pop-up menu containing items for getting additional information and help. • This menu contains links to various Steinberg web pages. Select a link to open the corresponding page. On the web pages, you can find support and compatibility information, answers to frequently asked questions, links for downloading new drivers, etc. • To open the Operation Manual, select Help. • You also find a menu item for the registration of your product. As a registered user, you are entitled to technical support, you gain access to exclusive offers such as software updates and upgrades, and more.Setting Up The following sections describe how to use Groove Agent as a plug-in in different host applications. NOTE Groove Agent can also be used as a standalone application. 9

Installation and SetupSetting UpSetting Up Groove Agent as a VST Instrument Steinberg DAWs provide two ways of working with VST instruments: the VST Instruments rack and instrument tracks.Accessing Groove Agent via the VST Instruments Rack PREREQUISITE You have correctly set up your Steinberg DAW, as well as your MIDI and audio hardware, and the DAW receives MIDI data from your external MIDI keyboard. PROCEDURE 1. Select Devices > VST Instruments. 2. In the VST Instruments window, click the Add Rack Instrument button and select Groove Agent. You are asked whether you want to create an associated MIDI track connected to the VST instrument. 3. Click Create. RESULT Groove Agent is loaded and activated, and its control panel opens. A corresponding MIDI track is added to the track list. The output of this track is routed to Groove Agent. NOTE If you want to use Groove Agent in another VST host application, please refer to the documentation of the corresponding application.Accessing Groove Agent via an Instrument Track PROCEDURE 1. In the Steinberg DAW, you can add instrument tracks in the following way: • Select Project > Add Track > Instrument. • In the VST Instruments window, click the Add Instrument Track button. The Add Instrument Track dialog opens. 10

Installation and SetupSetting Up 2. On the Instrument pop-up menu, select Groove Agent. 3. Click Add Track to create the instrument track. 4. Click the Edit Instrument button in the Inspector to open the Groove Agent control panel. RESULT Groove Agent is set up as a VST instrument in your DAW. For more information about working with VST instruments, see the Operation Manual of your DAW.Selecting Outputs Groove Agent loads with a stereo output configuration by default. However, you can use additional outputs in the Steinberg DAW. This allows you to route all kit slots to a dedicated channel in the MixConsole. PROCEDURE 1. To make the outputs available, open the VST Instruments window. 2. Click the Activate Outputs button for the instrument. 3. Activate the outputs that you want to use. RESULT The Steinberg DAW automatically adds an output channel for each additional output to the MixConsole.Using Groove Agent in an AU-Compatible Application You can use Groove Agent in an AU host application, for example, Logic. The AU version of Groove Agent is installed in your AU plug-ins folder and lets Groove Agent work in an AU environment without any performance loss or incompatibilities. PROCEDURE 1. For Logic Pro, open the Track Mixer and select the instrument channel that you want to use. 2. Click in the I/O field and select AU Instruments > Steinberg > Groove Agent. 3. Select one of the available channel configurations. RESULT Groove Agent is now loaded as an AU instrument. 11

Installation and SetupSetting UpUsing the Instrument as Standalone Application Groove Agent can be used as a standalone application, independently of any host application. In this case, you can connect the instrument directly to your audio hardware. RELATED LINKS Using the Standalone Version of the Plug-In on page 178 12

IntroductionWindow Overview The application interface follows a fixed-size single window concept. The window is subdivided into several sections: • The plug-in functions section at the top. • The kit slot section and the kit rack below the plug-in functions section. • The pad section on the left. • The edit display on the right. It contains the Load, Edit, Mixer, and Options pages. • At the bottom of the panel, you can display a keyboard. • If you are using the standalone version of Groove Agent, you find a number of specific functions in an extra section at the top of the application window. 13

IntroductionAbout Kits, Presets, and Groove Agent ONE ContentAbout Kits, Presets, and Groove Agent ONE ContentKits Kits contain all information about the kit or sliced loop and about the insert effects that are used on the mixer channel. Kits can also contain MIDI patterns. Kits can be saved and loaded via the kit rack or the kit slot section. Kit Rack Kit Slot SectionSliced Loop Kits Instead of MIDI patterns, sliced loop kits contain the MIDI phrase that is needed to play back the loop. Other than that, sliced loop kits are similar to regular kits, in that they can use insert effects, etc.Plug-in Presets (VST Presets) A plug-in preset contains all information necessary to restore the complete state of the plug-in. This includes all 4 kits, the MIDI patterns, as well as any insert and AUX effects. All of these settings are also saved with the project in your host application.Groove Agent ONE Content Groove Agent can load Groove Agent ONE presets. The presets can either be loaded as kits in the kit rack or the kit slot section or as plug-in presets via the preset management menu in the plug-in header. If you load a Groove Agent ONE preset as a plug-in preset, the global plug-in parameters are set to the default values. If you load a preset as a kit, all global plug-in parameters remain unchanged. NOTE Groove Agent ONE presets always show the icon for a plug-in preset in the MediaBay, even if they are shown in the preset loader. 14

IntroductionAbout Kits, Presets, and Groove Agent ONE ContentContent Files and Folder Structure Groove Agent comes with a large amount of ready-to-use sound content. This content is write-protected. You can edit files while they are loaded, but you cannot overwrite the factory content files. To save edits to the factory content, save the files under a new name. These files get the file name extension .vstpreset and are referred to as user content. They can be searched and categorized in the same way as factory content. User content is saved in a predefined folder structure on your hard disk. You can create subfolders within this structure to facilitate moving or exchanging content. 15

Managing Your SoundsLoading Kits There are several ways to load kits: • Via drag & drop from the Windows Explorer/Mac OS Finder. • Via the context menu in the kit rack. • By clicking the Load Kit button at the right of the kit name in the kit slot section. • Via the MediaBay or the BrowserKit Slot This section shows the name of the loaded kit. In addition, the following global controls are available: Load button Click this button to show the list of available kits. You can also click the kit name to open this list. Right-click the kit name to open the kit context menu. Load Previous/Next Kit Click these buttons to load the previous/next kit from the list of available kits. Load Kit with Patterns Activate this button to make sure that kits are always loaded together with their patterns. Size Shows the size of all loaded samples. 16

Managing Your SoundsKit Rack Polyphony Adjusts the polyphony of the kit. MIDI Channel Sets the MIDI channel for the kit. MIDI Input Indicator The MIDI symbol starts blinking if incoming MIDI signals are detected. Velocity Curve Sets the velocity response curve of the kit. This allows you to adapt the kit to your hardware MIDI controller or playing style. Song Position Counter The song position counter shows the current song position in bars, beats, and 16th notes. If you activate the Play button in Groove Agent, the song position counter always starts at 1.0.0.0 and runs until you click stop. Tempo Display The tempo display next to the position counter shows the tempo of the host application.Kit Rack The Kit rack can be found to the right of the kit slot section. It gives you an overview over the loaded kits and their corresponding agent, and allows you to perform some kit editing for the selected kit via the context menu. • To select a kit, click on it. 17

Managing Your SoundsKit Context MenuKit Context Menu Load Kit Opens a pop-up menu containing the available kits. Double-click a kit to load it. Load Kit With Patterns Allows you to load a kit with its MIDI patterns, if any. Load Pattern Group Allows you to load a predefined set of MIDI file assignments and play parameter settings for the 16 pads of the selected group. Save Pattern Group Allows you to save the 16 pads of the current group and their settings as a pattern group. Delete Pattern Group Allows you to delete a pattern group. Save Kit Saves the kit. If you try to overwrite write-protected factory content, a dialog opens that allows you to save the edited kit under a new name. Save Kit As Allows you to save the kit under a new name. Remove Kit Removes the kit and its patterns from the slot. 18

Managing Your SoundsManaging and Loading Files Revert to Last Saved Kit Reverts to the kit that was originally loaded on the slot. If the kit was loaded without patterns, only the kit and no patterns are loaded. Cut Kit Copies the kit and its patterns and removes it from the slot. Copy Kit Copies the kit and its patterns. Paste Kit Pastes the copied kit into the slot. If the slot already contains a kit, it is replaced. Rename Kit Allows you to rename the kit. Reset Agent Loads the Init preset of the agent. Import Allows you to import MPC and GAK files. Export Kit With Samples Exports the kit together with its associated samples. NOTE Samples that are part of protected content, such as the VST Sound content, cannot be exported.Managing and Loading Files On the Load page, you can switch between the MediaBay and the Browser. These can be used to manage, navigate to, load, and preview different file types. The MediaBay gives you access to presets, such as multis and kits. In the Browser, you can browse for samples and presets. The Browser also shows samples that are part of VST Sound content. • To switch between MediaBay and Browser, click the corresponding button on the Load page. 19

Managing Your SoundsManaging and Loading FilesManaging Files via the MediaBay In the top section of the MediaBay, you specify which sounds to look for. The lower section presents the corresponding results. • To adjust the size of the two sections, drag the divider at the top of the results list.Applying FiltersCategory Filter You can filter the results list based on up to 3 filter criteria using the configurable attribute columns. Standard attributes are Style and Sub Style. Only the files that match the filter are displayed in the results list. • To define the filter, click on specific values in the columns. • To refine the filter, select more values from other columns. • To select different filter criteria, click the column header and select a different attribute from the submenu.Instrument Set Filter Use the Select Content Set pop-up menu to search a specific content set only. By default, the search is performed in all installed content sets. 20

Managing Your SoundsManaging and Loading FilesResults List The results list shows all files that have been found according to the category filter. Text Search In the text search field on the results list toolbar, you can enter text contained in the name or any of the attributes of a preset that you are looking for. The results list updates immediately and the Category search section above shows all categories that contain presets matching the text search. To reset the text-based result filter, click the Reset button next to the search field. View Filters The toolbar has 2 filter buttons to define which preset types to display: multis or kits. In the results list, the corresponding icon is shown to the left of the preset name. Rating Filter You can limit the results list according to the rating of the presets. Use the rating slider to define the minimum rating. Content Filter The content filter buttons allow you to define whether to show all presets, only the factory presets, or only your user presets. Columns The columns show all the attribute values for the presets that match the filters that you set up in the top section. Setting Up the Result Columns You can select which attribute columns to display by clicking the Set up Result Columns button on the toolbar. Results Counter The number of presets that match the filter criteria is displayed at the right of the toolbar.Configuring the Results List • To configure which attributes are shown in the results list, click the Set up Result Columns button in the upper right corner of the results list and activate the corresponding entries. New attributes are added at the right of the list. • To reorder the columns in the results list, drag the column headers to another position. • To change the sorting of the list entries, click the column header. The triangle in the column header shows the sorting direction. 21

Managing Your SoundsManaging and Loading FilesLoading Kits into Slots To load a kit into the selected agent slot, you have the following possibilities: • Select the slot into which you want to load the kit, and double-click the kit in the results list. • Drag a kit from the results list to a kit in the kit rack or onto the slot in the kit slot section. If a kit is already loaded, it is replaced with the new kit. • Right-click the kit in the results list and select Load Kit from the context menu.Importing Presets You can import presets from any file location using the Windows Explorer/Mac OS Finder. PROCEDURE 1. Select the preset in the Windows Explorer/Mac OS Finder. 2. Drag it to the MediaBay. RESULT The imported presets are copied to your user folder.Editing Preset Attributes Presets can be described by using a predefined set of attributes. PROCEDURE 1. In the New Preset Attributes section of the Save dialog, click in the field of the attribute value that you want to set. Depending on the attribute, a menu or a dialog opens. 2. Select a value. Attribute values are written directly into the corresponding preset files. NOTE If you change the attributes for write-protected factory presets, these changes are only saved in the MediaBay database, not in the preset file. 22

Managing Your SoundsManaging and Loading FilesAvailable Attributes The predefined media and musical attributes can be set in the results list and in the Save dialog.Media Attributes Name For user presets, you can edit the name via the context menu. For all other elements, this attribute is display only. Rating Drag to set the rating. Comment Click to select, double-click to edit. Content Summary Click to select, double-click to edit. Write Protection Display only, use context menu to set protection. Library Name Click to select, double-click to edit. Library Manufacturer Click to select, double-click to edit. Author Click to select, double-click to edit.Musical Attributes Category Click to select. Sub Category Click to select. Style Click to select. Sub Style Click to select. Character Click to open an editor. 23

Managing Your SoundsManaging and Loading Files Tempo Click to select, double-click to edit. Bars & Beats Click to select, double-click to edit. Signature Click to select, double-click to edit. Key Click to select. GM Sound Click to select.Deleting User Presets • To delete a user preset, right-click it and select Delete from the context menu. NOTE Factory presets cannot be deleted.Loading Files Using the Browser In the Browser, you can search and load the following files: • Samples from the file system or from within loaded kits. NOTE Samples can only be loaded for Beat Agent kits. 24

Managing Your SoundsManaging and Loading Files • Multis and kits.Path Section • To step through the recent locations, click the Previous/Next Location buttons. • To navigate to the folder one level up in the location tree, click the Browse Containing Folder button. • The path field shows the current location. To specify a new location, enter or copy a new path. • To open the navigation history, click at the very right of the path field.Location Tree The location tree on the left in the Browser allows you to navigate through your samples, in any folder. You can even access files contained in VST Sound containers and ISO files. If you select an entry in the tree, the results list on the right shows the corresponding content.Location Tree Context Menu Refresh Views Updates the tree. This is useful if you added a new disk to your setup or created a new folder on the hard disk. 25

Managing Your SoundsManaging and Loading Files Rescan Disk Rescans the selected element in the tree. The corresponding files are opened, the information is extracted, and the database file is updated accordingly. Quick Rescan Disk Rescans only the folders that have changed since the last scan. Show in Explorer (Win)/Reveal in Finder (Mac) Shows the location of the selected file on your system.Locations Locations are folders or directories on your system that contain media files. By setting up locations, you can organize the files that are available in the results list according to context. The text field above the tree shows the name of the selected folder. If the name is preceded by an asterisk, the folder has not been saved as a location yet.Managing Locations • To open the list of favorite locations, click in the text field. • To add the current folder to the favorite locations, click the Add Selected Media Node as Favorite Location button. You can keep the folder name or specify a new name for the location. • To delete the current location from the list, click the Remove Favorite Location button.Results List The results list shows the files found in the selected folder. It displays all files that Groove Agent can read, such as VST presets or samples. In addition to information like file name and path, the columns in the results list can be configured to show different attributes. 26

Managing Your SoundsManaging and Loading Files The results list also shows any subfolders of the selected folder, but does not include the files contained in the subfolders themselves. To see the content inside subfolders, select the corresponding subfolder.Navigating in the Results List • To open a folder or location, double-click it in the results list. If you double-click a preset, its contents are shown. • To move up one level in the folder hierarchy, click the Browse Containing Folder button.Performing a Text Search You can limit the number of results in the results list using the text search function. This way, you can search for files with specific names, for example. For presets, the search also takes any attributes into account. The value field in the top right corner indicates the number of files that match the search text. • To clear the search text, click the Clear Filter Text button.Searching for Files on Your System Instead of searching the current results list, you can also use the text search to look for files on your hard disks or in VST Sound archives. PROCEDURE 1. Select the location that you want to use as the starting point for the search. The higher up in the hierarchy the location, the longer the search takes. Therefore, it is not recommended to search entire hard drives. 2. In the top left corner of the results list, click the Search Location Content button and enter the search text in the text field. 3. Optional: Click the button to the right of the search field to specify whether you want to search for samples, kits, or all types. 4. To start the search, press [Return] or click the Search/Stop Search button to the right of the search text. The files that match the search criteria are listed in the results list. NOTE The maximum of files that can be displayed in the list is 10,000. 5. Double-click a result to show it in the location tree. 27

Managing Your SoundsManaging and Loading FilesPreview and File Info SectionFile Info Section Provides the following information about the focused sample: length, channels, bit depth, and sample rate. If available, root key, key, and velocity range are also shown.Preview Section You can listen to the samples using the controls in the Preview section. Level Adjusts the playback level. Play Plays back the focused sample. Stop Stops playback. The play locator jumps back to the sample start. Pause Pauses playback. Click again to continue. Auto Play Automatically starts playback of the selected sample. Loop Playback If this button is activated, the selected sample is played back repeatedly. Play Position Displays the playback position within the sample. To select another position for playback, click on the slider or drag the handle to the new position.Missing Samples If you browse the samples of a program and you cannot load them or listen to them, they may have been moved or deleted. In this case, the sample info displays “Sample not found”. To remedy this, load the program again and make sure that no samples are missing. Afterwards, be sure to save the program with the restored sample paths. RELATED LINKS Finding Missing Samples on page 99 28

Managing Your SoundsManaging and Loading FilesLoading Files • To load the sample that is focused in the results list into the selected instrument pad, use the key commands [Return] or [L], or double-click the file. • To load selected kits, drag them from the results list to the kit slot, the kit rack, or onto a pad. NOTE This replaces the current samples and resets the sound settings. Some file types are not supported. In this case, an icon is displayed to indicate that the file format cannot be loaded. Protected kits are shown with a lock icon to indicate that you cannot extract single samples. However, you can load the kit as a whole.Replacing the Focused Sample When you load a sample via double-click or key command in the Browser, all samples on the selected pad are replaced. But you also have the possibility to replace only a particular sample of a pad. NOTE You can also replace samples that are part of the factory VST Sound content. PROCEDURE 1. On the Edit page, select the sample that you want to replace. 2. In the Browser, activate the Replace Focused Sample button in the lower right corner. 3. In the location tree, browse to the new sample and double-click it. RESULT The focused sample on the Edit page is replaced with the new sample. All sound settings of the previous sample are maintained. NOTE The Replace Focused Sample function affects only the loading of samples via double-click or key commands. It does not affect the loading of samples via drag & drop from the Browser to pads. 29

Common Editing MethodsEncoders and Sliders Encoders and sliders can be unidirectional or bidirectional. Unidirectional values, for example level values, start at a minimum value and go up to the maximum. Bidirectional controls start from the middle position and go to the left for negative and to the right for positive values. Most of the editing methods are the same for encoders and sliders. • To adjust a value, click an encoder or a fader and drag up and down, or use the mouse wheel. If you press [Alt]/[Option] when clicking an encoder, a small fader appears, allowing you to set the parameter. • To make fine adjustments, press [Shift] and move the encoder or use the mouse wheel. • To restore the default value for a parameter, press [Ctrl]/[Command] and click on the control.Multi Selection and Parameter Controls To edit multiple pad parameters at the same time, select the pads that you want to edit. If several pads are selected and they are not set to the exact same values, most of the controls indicate this by turning red. This is true for encoders, switches, combo boxes, value fields, and text faders. For example, if you have selected 3 pads with cutoff frequency values of 1200, 1400, and 2500Hz, the corona of the frequency encoders shows a range from 1200 to 2500. The corresponding field shows the value of the focused pad in red. NOTE More complex controls, such as the envelope editors, only show the values of the focused pad. 30

Common Editing MethodsButtonsAdjusting the Value Ranges You can adjust the value range of a parameter using the corona of the encoder. The values for the pads are distributed within the new range, keeping their relative distances. • To compress or expand the value range, drag the corona. • To adjust the upper limit of the range, hold down [Ctrl]/[Command] and drag the corona. • To adjust the lower limit of the range, hold down [Alt]/[Option] and drag the corona.ButtonsOn/Off Buttons These controls normally have two states, off and on. If you move the mouse over an On/Off button, it changes its appearance to show that you can click it.Push Buttons Push buttons only trigger an action and then go back to their inactive state. These buttons can be found for opening menus or file dialogs.Value Fields To set a value, you have the following possibilities: • Click in a value field, enter a new value, and press [Enter]. If the entered value exceeds the parameter range, it is automatically set to the maximum or the minimum value, respectively. • Click in the value field and drag up or down to change the value. • Position the mouse over a value field and use the mouse wheel to adjust the value. • To set the parameter to its default value, [Ctrl]/[Command]-click the value field. • To use a fader to adjust the value, [Alt]/[Option]-click a value field. • Click the up/down triangles next to the field. 31

Common Editing MethodsUsing Key Commands • You can adjust musical values, such as key ranges or the root key, using your MIDI keyboard. To enter a value with your MIDI keyboard, double-click the value field, press a key on your MIDI keyboard, and press [Return]. • To navigate to the next parameter, press [Tab]. To jump backwards to the previous parameter, press [Shift]-[Tab]. If no parameter is selected inside the focused view, pressing [Tab] always jumps to the first parameter.Using Key Commands • To open the Key Commands dialog, open the Options page and click the Key Commands button. The commands are arranged in a hierarchical folder structure on the left. When you open a category folder, the items and functions are displayed with any currently assigned key commands. • To set up a key command, select the function in the list, enter the key command in the Type in Key field and click the Assign button to the right of the field. If this key command is already used for another function, this is displayed in the field below. • To delete a key command, select the corresponding command, select the key command in the Keys list and click the Delete button (the trash icon). • To search for a specific function, enter its name in the search field at the top of the dialog and click the search button (the magnifying glass). NOTE You can set up several key commands for the same function. 32

Common Editing MethodsPresetsPresets Groove Agent offers two types of presets: section/module presets and VST presets. VST presets contain all information necessary to restore the complete state of the plug-in. Section and module presets store and recall the setup of a specific component on the Groove Agent panel. During setup, the factory presets are installed in a dedicated folder and a user folder is created for your own presets. The handling of presets is the same throughout the program. NOTE Factory presets are write-protected, but may be overwritten when a software update is executed. Presets in your user folder are never changed by the software update. NOTE For more information on VST presets, see the Cubase/Nuendo Operation Manual.Handling Section and Module Presets The preset controls can be found throughout the program. The handling is always the same. • To save a preset, click the Save button (the disk icon). NOTE You cannot overwrite factory presets. If you want to save changes made to a factory preset, save the preset under a new name or in a new location. • To load a preset, click the arrow icon and select a preset from the list. • To delete a preset, click the Delete button (the trash icon). Note that factory presets cannot be deleted.Handling VST PresetsLoading VST Presets PROCEDURE 1. In the header of the plug-in panel, click the Preset management button next to the preset name field and select Load Preset. 2. Select a preset to load it. Double-click a preset to load it and close the preset loader. 33

Common Editing MethodsPresetsSaving VST Presets PROCEDURE • In the header of the plug-in panel, click the Preset management button next to the preset name field and select Save Preset. 34

Working With Pads The Pad section on the left can show the instrument pads or the pattern pads. • To switch between the instrument pads and the pattern pads, click the corresponding button above the pads.Transport Controls • To start or stop playback of the selected pad, use the corresponding controls. • To record MIDI live, click the Record button. • To activate Jam Mode, click the Jam Mode button. RELATED LINKS Recording MIDI Events Live on page 60 Jam Mode on page 39 35

Working With PadsInstrument PadsInstrument Pads The pad section provides up to 128 pads, organized in 8 groups of 16 pads. The instrument pads can be used to trigger sounds. Each pad is mapped to a MIDI note, which triggers a sample. If samples are assigned to a pad, the LED above the pad lights up. You can switch between the groups by clicking on the group buttons below the pads. The button of the active group is highlighted. If one or more pads of a group have samples mapped to them, an orange LED above the group button lights up. If a pad within a group receives a MIDI note, a green MIDI indicator LED lights up. By default, group 3 is active when you open Groove Agent. Below the pad section, you find several buttons. These are different for the different agents.Showing Information about the Instrument Pads (Beat Agent Only) • Activate the i button below the pad section to show the following information for the pads: the pad number, the number of samples, and the output. • Activate the E button to show the exclusive group settings for the pads. If you move the mouse over a pad that belongs to an exclusive group, all pads that belong to the same exclusive group are highlighted. If a hidden pad group contains pads that belong to the same exclusive group, a red LED above the group button lights up.Setting the Output for the Pads (Beat Agent Only) You can set the output of the samples via the pad context menu. 36

Working With PadsInstrument Pads • Right-click the pad, open the Assign Output submenu, and select the output that you want to use. This sets all samples of the pad to this output.Locking Color and Output Settings (Beat Agent Only) • You can lock the color and output settings for the pads. For example, this allows you to lock the output configuration for the pads, and then switch between kits while keeping these outputs. You can specify which parameters you want to lock for the pads on the context menu for the Lock button below the pads. If the button lights up, at least one setting is locked for the pads.Locking Pad Settings (Acoustic and Percussion Agent) You can lock the color settings for the pads by activating the Lock Pad Colors button. The button lights up when it is active.Using an Alternative MIDI Note Assignment If you use an external hardware drum controller that sends specific MIDI notes for specific instruments, you can specify an alternative MIDI trigger note mapping. PROCEDURE 1. Activate the Use Hardware Controller Mapping button in the lower right corner of the pad section. Now you can load, save, and delete different trigger note configurations. 2. Specify a new trigger note for the pad. • Right-click a pad, select Edit/Learn Trigger Note and specify the new trigger note by entering it into the value field or by playing the corresponding note on your hardware controller. • On the pad context menu, open the Assign Trigger Note submenu and select the note from the submenus. 3. Groove Agent jumps to the next pad. Assign a MIDI note to all the pads that you want to use and press [Enter] to stop assigning MIDI notes. 37

Working With PadsInstrument PadsPad Section For instrument pads, the Pad section on the Agent page contains several playback functions and settings. Active Activates/Deactivates playback for the pad. Exclusive Activates/Deactivates exclusive playback for a pad. Triggering an exclusive pad stops playback of the current pattern, according to the set restart mode. Pads for which this button is not activated can play simultaneously with other patterns. If Exclusive mode is activated for a pad, this is indicated by an icon in the upper left corner of a pad. Jam State Determines the play order of the pads if the Jam Mode button is activated and the pattern pad is in exclusive mode. Play Mode • To play a pattern for as long as you hold down a key, select Hold. • To start and stop playback with the trigger note for a pad, select Toggle. Toggle mode is best used for live performances. Otherwise, it can lead to unpredictable results, for example, when stopping and restarting playback in the host application or when locating to another position during playback. • To play a pattern completely to its end, select One Shot. In this mode, note-off events are ignored. Playback stops automatically at the end of the pattern. To make sure that the pattern plays from start to end, deactivate Sync to Beat. Restart Mode Determines whether a pattern starts to play immediately, at the next beat, or at the next full measure. Sync to Beat If Sync to Beat is activated, triggering a pattern starts the pattern in sync with any other patterns that are playing. For example, if you trigger a pattern and trigger the next pattern after 3 beats, this pattern starts playing at beat 3. If Sync to Beat is deactivated, the second pattern starts from the beginning. 38

Working With PadsInstrument Pads Velocity Mode Specifies how the velocity of the notes that you play affects the notes of the pattern. • If Original is selected, the notes of the pattern are played with the velocity that is saved with the pattern. • If As Played is selected, the notes of the pattern are played with the velocity that you are playing on the keyboard. • If Original + As Played is selected, the pattern velocity is determined by the combination of the velocity saved with the pattern and the velocity of your playing.Jam Mode Jam mode allows you to automatically switch between pattern pads during playback. For example, you can switch from an intro to a verse, or from a fill back toJam States the previous verse, or even automatically stop playback. Jam mode is useful if you want to play along and jam with Groove Agent. But it is much more flexible than a static song or pattern list. If the Jam Mode button is activated, the Play Mode and Restart Mode parameters are not available for pads in exclusive mode. These pads are played back with a single click. Patterns only switch after entire bars. Pattern pads for which the Exclusive Mode button is deactivated behave like normal. How the pattern pads behave in jam mode is defined by the Jam States setting. This parameter is available if the Jam Mode button and the Exclusive Mode button are activated for a pattern pad. Standard If a pad with Standard jam state is triggered, any previous pads stop playing. The new pad plays exclusively. Next In this mode, playback jumps automatically to the first pad for which Standard jam state is selected and which is mapped higher up on the keyboard. If no pad with Standard jam state exists, the current pad plays back in a loop. Return In this mode, playback jumps back to the previous pad. Use this mode to switch from a pad with a fill back to the previous pad, for example. If you trigger several pads for which Return is activated in sequence, Groove Agent returns to the last pad in Standard, Next, or Stop mode. If no pad was triggered before, the current pad plays back in a loop. Stop Playback stops automatically after the entire pattern was played back. 39

Working With PadsInstrument Pads The jam state is indicated by different icons in the upper left corner of the pads. Pads in Standard, Next, Return, and Stop mode.Using Jam Mode PROCEDURE 1. Load an intro, a verse, a fill, and an ending to 4 consecutive pattern pads. 2. Activate Exclusive Mode for all 4 pads and set up the Jam State as follows: • Set the first pad with the intro to Next. • Set the second pad with the verse to Standard. • Set the third pad with the fill to Return. • Set the fourth pad with the Ending to Stop. 3. Activate the Jam Mode button. The Play button starts blinking to indicate that Groove Agent is waiting for a pattern pad to be triggered. 4. Trigger the pad with the intro. The intro is played back and afterwards, playback automatically switches to the pad with the verse. The verse is then played back in a loop. 5. Trigger the pad with the fill. After the fill, playback automatically switches back to the pad with the verse. Now, the verse is played back in a loop. 6. Trigger the pad with the ending. Playback stops automatically once playback of the ending is completed.Pattern Section For instrument pads, the Pattern section on the Agent page contains MIDI pattern and pattern player functions. Pattern Player On/Off Activates/Deactivates the pattern player. Pattern Library Allows you to select a MIDI pattern. Click to select the file from the list. 40

Working With PadsInstrument Pads To access the folder where the user MIDI patterns are saved, right-click the Pattern Library field and select Show in Explorer/Finder. In this location, you can add, remove and rename files and create subfolders to organize your MIDI patterns. NOTE Pattern pads always contain the MIDI data and do not reference the original MIDI files. Original Tempo Displays the original tempo as saved in the MIDI file. Start Specifies the beat from which the pattern starts to play. End Specifies the end of the pattern. Initially, this parameter is set to the original length of the MIDI pattern. Import Field To import MIDI files from your file system or MIDI parts from your host application into the user pattern library, drag them onto the MIDI import field. You can import multiple MIDI files at the same time by dropping them on the import field. The first file is assigned to the selected pad. MIDI Export Field To export a pattern, click the MIDI export field and drag it onto a MIDI track in your host application. You can also drag the field to other locations and applications that support MIDI files. Import/Export and Alternative Trigger Note Mappings If you are working with alternative trigger note mappings, this is taken into account and the MIDI pattern is adapted automatically on import/export. This is important if you are recording MIDI with a hardware drum controller and you want to import MIDI parts from the host application or export patterns from Groove Agent to the host application during that process. If you recorded the MIDI file with the standard trigger note mapping, deactivate alternative trigger note mapping in the Pad section. 41

Working With PadsInstrument PadsPerformance Section For instrument pads, the Performance section on the Agent page contains MIDI pattern player settings. Swing Grid Determines the grid for applying Swing. For example, to shift the timing of every 16th note in a pattern, set this to 1/16. Swing Allows you to shift the timing of notes on even numbered beats to give the pattern a swing feeling. Negative values shift the timing backward, and the notes are played earlier. Positive values shift the timing forward, and the notes are played later. Gate Scale Allows you to shorten or lengthen the notes of the pattern. At a value of 100%, the notes play with their original gate length. NOTE Gate Scale has no effect on samples that are played in One Shot mode. They always sound until the end. Velocity Scale Raises or lowers the note-on velocities of the pattern. At a value of 100%, the notes are played with their original velocity. Quantize Amount This parameter defines how much of the quantization grid is applied. A value of 100% means the MIDI note events play back only at the specified quantize note value. Smaller values move the notes only partially towards the next quantize note value. With a value of 0%, no quantization is applied. Quantize Grid This parameter allows you to set up a quantization grid, in fractions of beats. You can also specify dotted and triplet values. Tempo Scale Defines the speed at which the pattern is running. You can choose between half, normal, and double speed. 42

Working With PadsInstrument PadsUsing MIDI Effects For each instrument pad, you can set up MIDI effects. To open the MIDI effects page, activate the Instrument button in the pad section, open the Edit page on the right side of the panel, and click the MIDI Fx tab.Pad Mode Pad mode determines to which pad the settings on the MIDI FX page are applied. Internal In Internal mode, the MIDI effects are applied to the samples on the selected pad. Remote In Remote mode, you can select to which destination pad you want to apply the MIDI effects. This allows you to trigger an instrument with and without MIDI effects. Also, any sound editing can be performed on one pad. NOTE • If the destination pad also contains MIDI effects, these are not taken into account. • If you set up remote MIDI effects on a pad for which samples are assigned, the remote MIDI effects are applied only to the samples on the destination pad. 43

Working With PadsInstrument Pads If you activate Remote mode for a pad, a remote icon is displayed on the pad in the pad section. • To bypass the remote effects, click the Disable MIDI to Remote Pad button to the left of the remote icon.Rudiments Section Active Click this to activate the articulation. Type Determines the rudiment type. • Flam plays 2 hits very close together. • Drag plays 3 hits very close together. • Ruff plays 4 hits very close together. • Roll continually plays drum hits to produce a sustaining drum sound. • Buzz emulates the effect of a drummer pressing the stick into the drum while hitting it. The stick bounces on the drum, producing multiple hits that sound like a decaying drum roll.Flam, Drag, and Ruff For Flam, Drag, and Ruff, the following parameters are available: Sync Synchronizes the hits to the project tempo. The time span between the hits is set in fractions of beats. Time Adjusts the time span between the hits. Note Value If Sync is activated, this parameter adjusts the time span in fractions of beats. Dynamics Adjusts the dynamics of the hits. • With negative values, the first hit is softer than the following hit or hits. • With positive values, the first hit is louder than the following hit or hits. Humanize Use this parameter to randomize the timing, the dynamics, and the pitch of the hits. 44

Working With PadsInstrument PadsRoll For Roll, the following parameters are available: Sync Activate this button to synchronize the hits to the project tempo. The time span between the hits is set in fractions of beats. Time Adjusts the time span between the hits. Note Value If Sync is activated, this parameter adjusts the time span in fractions of beats. Dynamics Adjusts the dynamics of the hits. Higher values attenuate the even-numbered hits of the roll. Humanize Use this parameter to randomize the timing, the dynamics, and the pitch of the hits.Buzz For Buzz, the following parameters are available: Grip Adjusts the grip of the drum. Higher settings produce a shorter decay of the buzz. Pressure Adjusts the pressure on the stick. Higher settings produce a longer decay of the buzz. Humanize Use this parameter to randomize the timing, the dynamics, and the pitch of the hits.MIDI Delay MIDI Delay produces echo effects by repeating the notes that you play. The subsequent note events can be modified, for example, you can vary the time span between the echoes with the Distribution parameter. Active Activates/Deactivates the MIDI Delay effect. 45

Working With PadsInstrument Pads Sync Synchronizes the echoes to the project tempo. The time span between the echoes is set in fractions of beats. Time Adjusts the time span between the echoes. Note Value If Sync is activated, this parameter adjusts the time span in fractions of beats. Repeats Determines the maximum number of the echoes. Damping Determines whether the echoes fade-in or fade-out with the MIDI velocity. If you set this parameter to negative values, the MIDI velocity gradually increases. If you set this parameter to positive values, the MIDI velocity gradually decreases. NOTE Damping shows only an effect if the sound settings of the samples use velocity. Pitch Determines how much the pitch changes from echo to echo. Distribution Determines the time distribution of the echoes. If you set this parameter to negative values, the time span between echoes gets shorter, that is, the echoes speed up. With positive values, the echoes slow down. 46

Working With PadsPattern PadsPattern Pads The pad section provides up to 128 pads, organized in 8 groups of 16 pads. Each pad is mapped to a MIDI note. You can assign MIDI patterns to each pattern pad, to trigger complete drum patterns or single instrument patterns, depending on the MIDI files. The pads are used to switch between patterns. If a MIDI file is assigned to a pad, the pad shows a progress indicator and a beat counter. When the pattern is triggered, the progress indicator shows the playing progress graphically. In addition, the beat counter shows the current beat during playback. This allows you to see which patterns are currently running and at which playing position, relative to the length of the pattern. This can be particularly helpful when Toggle mode is selected, because it provides a quick overview of the patterns that will be stopped and those that will be triggered. The Transport controls above the pads allow you to trigger the focused pattern pad without playing a MIDI note. Click the Stop button to end playback. If you switch between pattern pads during playback, the pattern changes according to the set Restart Mode.Assigning MIDI Files to Pads • Drag a MIDI file from the Explorer/Finder or from the MediaBay onto a pad. • Drag a MIDI part from the host application onto a pad. • Drag a file from the Explorer/Finder onto the import field. The file is imported to your user pattern library and assigned to the selected pad. • Select a pad and open the Agent tab on the Edit page. In the Pattern section, open the Pattern Library pop-up menu and select one of the factory or user MIDI patterns. 47

Working With PadsPattern PadsAssigning Multiple MIDI Files to Pads You can drag and drop several MIDI files to pads at the same time. PROCEDURE 1. Move the mouse over the lower part of the pad on which you want to drop the first MIDI file. A yellow frame indicates which pads receive a MIDI file. 2. Drop the files. RESULT The MIDI files are imported to your user MIDI pattern library and are automatically assigned to the pads.Removing MIDI Files from Pads • To remove a MIDI pattern, right-click a pad and select Remove Pattern from the context menu. • To remove the MIDI patterns from all selected pads right-click one of the pads and select Remove Pattern from the context menu.Using MIDI Port B for Pattern Pads By default, instrument and pattern pads share the same MIDI port. If two pads are triggered in parallel, the pattern pad always gets priority, therefore, instrument pads that use the same trigger note as a pattern pad cannot be played via MIDI. To be able to play all instrument and pattern pads via MIDI, assign MIDI port B to the pattern pad section. This way, you can trigger instruments on one MIDI port and patterns on the other. PROCEDURE • To use Port B, activate the Use MIDI Port B for Pattern Pads button in the lower left corner of the pattern pad section. If port B is used, MIDI data is received on all MIDI channels. 48

Working With PadsPattern PadsLocking Pad Settings The settings in the Pad section (Exclusive, Jam State, Play Mode, etc.) are common to all slots, that is, you set them up only once. However, these settings are part of kit presets, and are replaced when you load a preset to a kit slot. • To avoid overwriting your existing pad settings with the preset settings when loading a preset to a kit slot, activate the Lock Pad Settings button below the pad section. If this button is activated, the pad settings from the preset are not applied and the existing settings remain active. • If the Lock Pad Settings button is deactivated and you load kit presets to different slots, the pad settings saved in the presets overwrite the existing pad settings. Any active pattern pads from the new preset overwrite the current pad settings on the associated pads. Inactive pads are not restored from the preset, that is, existing settings for these pads remain active.Moving and Copying Pattern Pads You can copy or move pattern pads with all their settings to other pattern pads of the same or a different pattern group. • To move the active pattern pad with all its settings to another pad, drag the pad and drop it on the destination pad. • To copy a pattern pad to another pad, hold down [Alt]/[Option] and drag the pad on the destination pad. • To move or copy one or more pads onto other pads, use the context menu commands Cut Pad, Copy Pad, and Paste Pad. This way, you can move or copy multiple pads at the same time. NOTE You can also move or copy pads between pad groups. To do so, first drag the pad onto the group button for the group to which you want to move or copy the pad, then drop it onto the destination pad. 49

Working With PadsPattern PadsOverview Tab The Overview tab shows which patterns and styles are assigned to the pattern pads of the 4 agents. Cells in which a name is displayed have a pattern or style assigned. If a pattern is assigned to a pad, its background is gray and if a style is assigned, its background is dark blue. The 4 columns represent the 4 agents. For each agent, the 16 pattern pads of the selected pattern group are displayed. • To select a pattern pad of a specific agent, click the corresponding cell. The name of the selected pattern or style is displayed in the top section of the tab. • To activate/deactivate a pad, click its button. Only active pads are played back. • To find out where a user MIDI pattern is stored on your system, right-click the cell and select Show in Explorer (Win)/Reveal in Finder (Mac).Assigning Patterns and Styles to Cells You can assign patterns or styles to the cells on the Overview tab. PROCEDURE 1. Move the mouse pointer over a cell so that an arrow icon is displayed on the right. 2. Click the arrow to open a window that shows the available patterns or styles. 3. Select an entry in the list. 50