2020 Maine Media Catalog 2.10.2020

Photography Filmmaking Writing Book Arts & Design Travel 2020 Workshops VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 1

— THANKS TO OUR SPONSORS — LENS SPONSORS CAMERA SPONSORS LIGHTING SPONSORS PRINTING SPONSORS CAMERA SUPPORT SPONSORS WORKSHOP SPONSORS SPONSORS + EDUCATIONAL PARTNERS Maine Media Workshops + College has long enjoyed valuable relationships with many of the world's leading imaging technology manufacturers and service providers. Maine Media’s sponsors and educational partners continually provide the latest technology and training resources, enriching the school's educational programs by offering students, faculty, and staff access to the industry's best equipment, software, and training. Maine Media’s staff encourages students and alumni to join them in acknowledging the value of this generous support by purchasing from the school's growing list of sponsors. 2 MAINE MEDIA WORKSHOPS + COLLEGE 2020

—­ A N N U A L G A L A — Joyce Tenneson Visionary Award Dinner Joyce Tenneson “Suzanne and Wreath” 1991 J­ UNE 30, 2020 Dinner by Sara Jenkins of Nina June at Union Hall, Rockport, Maine Join us in celebrating the most compelling and creative minds of our generation. Visit our website for the 2020 Honoree Announcement. Check mainemedia.edu/events/visionaryaward or call 236-8581 x335 for tickets. VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 3

WINTER/SPRING WORKSHOPS (MAR–JUN 2020) PHOTOGRAPHY Alternative Process Series with Brenton Hamilton MAR 14-15*; JUN 6-7* | 2-Day Adobe Photoshop - “I’ll just fix it in Post” MAR 14-15* | 2-Day Intro to Carbon Transfer Bring your creative ideas to life and perfect your digital images. An introduction to the carbon transfer process in our historic process lab. We will cover all basics and make prints MAR 14-15* | Product Photography for Small Businesses from your digital files and digital negatives made in-house. Make products stand out with photography that brings them to life APR 4-5* | 2-Day Tri Color Gum Workshop with Terri Lea Smith. Learn the fundamentals of the gum bichromate process, MAR 14-15* | 2-Day Introduction to Hand-Coloring Photographs including paper selection, preparations, coating techniques Laurie Klein will introduce you to the aesthetics and technical aspects and digital negative printing. of hand coloring. Leave with images you love and tools to create more. MAR 23-27 | Composition & Craft MAY 2-3* | 2-Day Intro to Wet Plate Collodion Discover new ways to see and create strong in-camera compositions Learn the magic of collodion to create one-of-a-kind images, with Andrea Birnbaum. both in the field and in our 19th Century darkroom. Chemistry, exposure, and field techniques will all be covered. MAR 23-27 | DSLR Storytelling for Photographers Using still, video, and audio equipment in the field, move beyond the JUN 6-7* | 2–Day Collodion: Ambrotypes Workshop static image with Terri Lea Smith. Learn how to make make this unique form of 19th Century MAR 30-APR 3 | Self Publishing with Blurb in Lightroom photography on glass. The weekend will be devoted to the Investigate traditional and contemporary book designs and procedure, chemistry and process of ambrotypes on glass. layouts and create your book with David Allen. MAY 4-8 | Exploring Photographic Styles APR 4-5* | 2-Day Digital Printing, Start to Finish Discover new possibilities in photography with Advance your skills in digital printing and go deep into the Sal Taylor Kydd. craft of fine-art printmaking. APR 4-5* | 2-Day Advertising on Facebook and Instagram MAY 18-22 | The Maine Story Optimize your advertising budget with powerful social media marketing. Editorial and reportage with Sarah Rice. MAY 18-22 | The Craft and Art of the Fine Digital Print APR 27-MAY 1 | Photographic Objects, Blurring the Boundaries Learn a workflow for creating fine digital prints and realize Expand photographic practice into three dimensional objects your artistic vision with Jim Nickelson. with Dawn Surratt. JUN 6-7* | Portraiture and Social Justice TAuPrRn 2in7s-pMirAeYd 1ide| aCsoinntcoepimt pAawcatfruel: Elements of the Creative Capture the images of marginalized people to destigmatize images and expand your and break stereotypes with Patrisha McLean. creative practice with J. Sybylla Smith. May 2-3* | Preparing Your Art for Opportunities in the Art World Edit and sequence your portfolio to represent a focused body of work with Paula Tognarelli. THE WRITERS HARBOR® WMAritRe 1t4h-e15st*or|y 2-Day If Not Now, When? with Teresa Piccari. you’ve been yearning to tell MAR 30-APR 3 | Autobiographical Fiction Use life experiences to write fiction with Sarah Van Arsdale. APR 4-5* | 2-Day The First Page Discover a unique voice in your writing with Meg Weston. APR 27-MAY 1 | The Stuff of Memoir Mine personal artifacts and stories with Anita Verna Crofts. MAY 4-8 | Finding Your Voice: Fundamentals of Craft Begin to identify your own voice with Kathrin Seitz. JUN 6-7* | 2-Day Relax and Write Awaken the inner voice and put it to paper with Maia Danziger. * Weekend Workshops 4 MAINE MEDIA WORKSHOPS + COLLEGE 2020

FILMMAKING Editing & Post-Production Intensive | APR 20-MAY 15 Immerse yourself in learning the tools, techniques and Four-Week Film School | MAR 23-APR 17 methodologies of film editing in this dynamic intensive. Experience every facet of filmmaking: from developing an idea through editing and post-production. Basic Cinematography Intensive | MAY 4-29 Gain the tools and knowledge to begin working as a FAinlminmteanksiinveg sWixo-wrkesetkufdoyun| dMaAtiYon1a8l-cJoUuNrs2e6. See P.64 for details. professional, or get to the next level in your career. SCREENWRITING & THEORY CINEMATOGRAPHY & DIRECTING APR 20-24 | Film History & Theory MAR 14-15* | 2-Day Mirrorless for Video Study the fascinating evolution of the medium with Kenneth James. APR 27-MAY 1 | Story Structure and Character Development APR 4-5* | 2-Day Drone Cinematography Gain a solid foundation in the essentials with Wayne Beach. MAY 18-22 | Writing for Corporate Video & New Media APR 4-5* | 2-Day Lighting Basics Bring your scripts to life with Jeanne Reilly & Bob Rossweag. MAY 2-3* | 2-Day Advanced DSLR for Video MAY 4-8 | Directing MAY 4-8 | Lighting & Grip MAY 4-8 | Non-Fiction DSLR Cinematography AUDIO & STORYTELLING MAY 11-15 | Basic Cinematography MAY 18-22 | Lighting for Film and TV MAR 14* | 1-Day Sound Recording MAY 25-29 | Camera in Motion MLeAaRrn3t0o-AcaPpRtu3re| Audio Storytelling Suzi Pond. JUN 6-7* | 2-Day iPhone Filmmaking compelling stories with ACaPpRtu4r-e5*th|e 2-Day Audio Production with Bill Pawlowski. EDITING & POST-PRODUCTION highest level of excellence MAR 23-27 | Storytelling in the Edit Room MAY 4-8 | Strategic Storytelling for Nonprofits Tell clear, dramatic stories with Dana Rae Warren. Dana Rae Warren helps further your organization’s mission. MAR 30-APR 3 | Rough Cut Jump Start TMrAanYs1f8o-r2m2m|atNeorina-lFinicttoioenxpSetorireyntceelliwngith Dana Rae Warren. APR 4-5* | 2-Day DaVinci Resolve II LJUetNV6iv-7ie*nn| e2L-DehaeyntyheshVoowicyeoiun Their Ear APR 20-24 | Digital Workflow how to break into the APR 27-MAY 1 | Adobe Premiere lucrative market of audiobook narration. MAY 4-8 | Adobe After Effects JGUeNt a6t-a7s*te| 2-Day Accelerated Audio Storytelling MAY 4-8 | DaVinci Resolve of editing interview with Suzi Pond. MAY 11-15 | The Art of Editing * Weekend Workshops JUN 6-7* | 2-Day Digital Workflow BOOK ARTS VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 5 CMrAeRate14d-1y5n*am| i2c,-DparoyfeAsdsoiobnealInlaDyeosuigtsnwith David Allen. MAR 23-27 | Adobe InDesign: Digital Design for Publication A great intro to the industry-standard software with David Allen. MAR 23-27 | Making a Letterpress Book Create a beautiful hand-bound piece with Sal Taylor Kydd. APR 4-5* | 2-Day Shrigley Binding Erin Fletcher explores this innovative book-making technique. MAY 2-3* | 2-Day Logos with Adobe Illustrator Learn the essentials of working with graphics with David Allen. MAY 2-3* | 2-Day Drum Leaf Binding Craft beautiful books for your artwork with Todd Pattison. MAY 4-8 | Gelatin Slab Printing - Monoprints to Books Discover techniques for evocative book forms with Linda Germain. JUN 6-7* | Experimental Calligraphy for Poets and Artists Add calligraphy and hand lettering to your books with Jan Owen. JUN 6-7* | 2-Day The Photobook: Valuing Personal Experience through Images Develop visual stories from personal experiences with Daile Kaplan. Illustrations by Tessa Rosenberry

Photo by Terri Lea Smith 6 MAINE MEDIA WORKSHOPS + COLLEGE 2020

There is something supernatural hidden in these woods on the coast of Maine. The extraordinary setting has often been described by artists, writers and other poetic vagabonds as the unfinished landscape, one “on the verge of wilderness”. It is the meeting place of rocks and water, trees and horizon lines. And it stages Maine as an exceedingly generous and inspiring host for the gathering of creative minds, artistic genius and raw inspiration. Ripe with imagination and possibility, it invites the talent of a vibrant artistic community here annually, and has for generations. Where this raw material and human energy converge on campus, Maine Media Workshops + College is the site of magic. Maine Media is embarking on a bold new chapter. We have a new administration. Along with my appointment as its President, Elizabeth Greenberg has been appointed as College Provost. The staff is exceptionally talented, and the faculty—THE FACULTY—is remarkably accomplished. Maine Media is well on the path to accreditation, an achievement that promises new institutional partnerships, increased support and services for students, and a diverse educational experience. Dining services have been reconceived and lobster is on the menu! Maine Media’s campus is also being transformed. To accompany the Thorne Dining Pavilion completed just a short time ago, Maine Media will open a new classroom facility this year, presenting flexible space for classrooms, screenings, installations and creative engagement. This is a decisive moment and Media Art is the defining expression of our time. These expressions in Photography, Film, Creative Writing, and Book Arts came to identify the second half of the 20th century, and have evolved into the most compelling and provocative modes of expression in the 21st century – and perhaps in human history. The opportunity and great contributions of print, digital and electronic media are at once exciting and unparalleled. And 2020 promises a decade like no other. We are witnessing the convergence of unprecedented political, social, environmental and economic upheaval. It is a time of undeniable urgency. As our world undergoes an extraordinary transformation – and we take responsibility for rendering that story – finding a clear and determined voice for personal expression, and a community of support, is more important than ever before. I’m thrilled to be with you at Maine Media. As you will see in the following pages, there are many ways for you to get involved. Join us on campus. Visit often. Engage in the workshops. Enroll in a certificate program. Attend the screenings. Share your experience with others. Contribute to the conversation. With the clarity and focus of 2020, this moment could not be more inviting. Michael Mansfield President VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 7

THE MAINE MEDIA TEAM 2020 BOARD Anna Ginn Founding Director Emeriti: OF DIRECTORS Lenny Gulino Charles Altschul Cig Harvey John Claussen Nils Tcheyan, Chair Rick Hopper Barbara Goodbody Michael Jeans, Vice Chair Lawrence Hott Peter Ralston Keith Collins, Treasurer Joanna Jones Joyce Tenneson Sal Taylor Kydd, Secretary Marcia Minter Joan Welsh Liv Rockefeller David Martinez 2020 STAFF Cathi Finnemore Film Program Manager Michael Mansfield Director of Finance & Administration Sandy Quang President Howard Greenberg Writers Harbor Assistant Elizabeth Greenberg Chair, MFA Program Richard Reitz Smith Provost Kelsey Grossmann Faculty Chair, Book Arts Ezekiel Ames Program Coordinator Jane Richardson Information Technology Assistant Brenton Hamilton Business Manager Rafi Baeza Chair, Professional Certificate in Visual Storytelling Tessa Rosenberry Director of Marketing Camille Howard Senior Graphic Designer Wayne Beach Development & Tom Ryan Faculty Chair, Film Program Administrative Coordinator Editor, Media Producer Bissie Clover Tommy Jaques Beth Storey Recruitment and External Operations Manager Partnerships Coordinator Faculty Services & Hospitality Liaison Simone Leon Kerry Curren Rusty Wadsworth Program Assistant Registrar & Director of Student Services Housekeeping Manager David Coyle Director of Dining Experience Cover Image © Aline Smithson “Geisha from Fugue State” 2017 Catalog design by Rafi Baeza & Tessa Rosenberry. © Maine Media Workshops + College. All rights reserved. No portion of this publication may be reproduced in whole or in part without the express permission of Maine Media College. The information contained in this catalog is believed to be accurate at the time of its printing, however Maine Media Workshops + College is not responsible for any inaccuracy or changes to the information contained herein. Maine Media Workshops + College is a registered tax-exempt 501(c)3 corporation. Maine Media College is authorized by the State of Maine to grant the Master of Fine Arts degree. Maine Media Workshops + College does not discriminate on the basis of age, race, color, sex, sexual orientation, marital status, religion, creed, ancestry, national and ethnic origin, physical or mental handicap. Founded 1973 by David Lyman 8 MAINE MEDIA WORKSHOPS + COLLEGE 2020

THE The Arnold Newman Prize for New Directions in Photographic Portraiture ARNOLD is a $20,000 prize that is awarded annually to an artist whose work NEWMAN demonstrates a compelling new vision in photographic portraiture. PRIZE The Prize is generously funded by the Arnold & Augusta Newman Foundation and proudly administered by Maine Media. The Griffin Museum of Photography hosts an exhibition of work by the winner and three finalists each October. We will announce the 2020 Call for Entries in April. Any artist age 18+ is eligible to enter. Photo © Louie Palu, 2019 Arnold Newman Prize Winner VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 9

Richard Blanco Ellen Bass Kevin Pilkington The Photographic Poem Conscious Imitation In Pursuit of a More Passionate Syntax Whether candid snapshots, cell phone In this workshop you’ll consider a variety This generative workshop will challenge images, or formal portraits, photographs of contemporary poems that demonstrate and ignite work from close, analytical are replete with conscious and unconscious specific aspects of the craft. Then you’ll make reading of poems by established poets. stories to mine. In the interdisciplinary spirit your own poems that build upon the past After examining the elements that make of Maine Media Workshops and College, to create something fresh. Each day you’ll these poems striking and memorable, you will use photographs as ekphrastic study a particular element, such as metaphor, you will reinvigorate your own poems prompts to write poems that explore your image, diction, syntax, discovery. You’ll write with exercises done in class that energize emotional responses to those rich stories. new poems and share your work. and further the impulse and intention of your poem. POETRY WEEK JUNE 14–20, 2020 3 amazing poets, The Writers one incredible week Harbor ™ of workshops, seminars, and readings on the coast of Maine. A Schooner Sail and Lobster Dinner are part of the workshop. Why Wait? See P.76 for instructor bios.

Intensive. Immersive. Innovative. MFA CCF (film) PCVS MASTERS OF CERTIFICATE IN COLLABORATIVE PROFESSIONAL CERTIFICATE FINE ARTS FILMMAKING IN VISUAL STORYTELLING Pursue your interests in photography, Greenlight your film career in one An interdisciplinary and immersive filmmaking, multimedia, book arts, year. Industry professionals serve as 30-week program in the art and and writing, as well as formats that instructors in this 30-week program. craft of visual storytelling. If you’re cross genre boundaries in our unique The curriculum is tightly focused on aspiring to a future as an artist or low-residency MFA program in media equipping students with the concrete working professional in the world of arts: the ultimate capstone for those expertise, skills, and knowledge needed media arts, this program is for you. who are serious about their art. to launch a career in flimmaking. Pursue your passion in a supportive community of like-minded creatives and accomplished faculty mentors. Choose from certificate programs in Visual Storytelling and Filmmaking, or immerse yourself in our capstone low-residency MFA degree. Choose your own adventure. below: “The Magic Window,” an interactive installation capturing the stresses and antidotes of people in the room. The glasses emphasize the antidotes. MFA Student: Ann Saybolt Photo: Cig Harvey

TABLE OF CONTENTS 18 YOUNG ARTISTS 18 Young Artist Workshops 20 Faculty 14 PHOTOGRAPHY 16 Historic Processes 24 Foundation 25 B&W | Darkroom 26 Digital Workflow 28 Personal Vision | Portraiture 31 Studio Lighting | Commercial 32 Documentary | Photojournalism 34 Nature | Travel | Landscape 36 Professional Develoment 37 Travel 40 Faculty 50 FILMMAKING 52 Foundation | Directing 53 Cinematography 56 Editing | Post-Production 58 Production | Professional Development 59 Audio | Acting 60 Documentary 62 Screenwriting 63 Multimedia 64 Filmmaking Workstudy 66 Faculty 70 BOOK ARTS + DESIGN 70 Books | Letterpress 72 Digital Design 73 Faculty 74 THE WRITERS HARBOR™ 74 Writing Program 77 Faculty 78 INTENSIVES 81 SCHOLARSHIPS 82 DONORS 84 GENERAL INFORMATION

I most frequently hear students describe their experience here as “transformational.” Welcome to the 48th summer season at Maine Media Workshops + College, a center for lifelong learning in Media Arts. Maine Media offers workshops and programs of interest to everyone: the professional seeking skills to move their career forward, the artist looking for inspiration and support to realize their creative ambitions, as well as individuals exploring their artistic talents for the very first time. Maine Media is an encouraging learning environment among knowledgeable and dedicated teachers and staff, world-renowned professionals and artists, as well as like-minded peers, to help move you forward on your path. I always love meeting our students and learn why they have traveled to Rockport and listen to them speak of their dreams and aspirations. Last year we welcomed students from 47 states and 25 different countries. Their ages ranged from 19 to 93! Some students come for a week, others stay for extended period. They participated in our Intensive programs, Certificate programs, or pursued a degree in our low-residency Master of Fine Arts program. Additionally, our summer Young Artists Program includes workshops for high school students in a wide array of media practices. For many “Yo” alumni, their brilliant creative and professional careers began in these summer workshops. Every year more than 30% of our students are returning alumni. We strive to remain as a place of creative sustenance for everyone who chooses to make this their community. We have scholarships available for youth and adults, and I am proud to announce that in 2019, we were approved to offer Title IV student-loan benefits for students in our Professional Certificate in Visual Storytelling (PCVS) and MFA degree programs. Military Veterans may also use their Post 9/11 GI Bill benefits towards training at Maine Media.. In 2020, we are offering nearly 350 different workshops. There are courses listed in this catalog that focus on learning new skills, new technologies, and improving craft. Others delve into areas of personal artistic growth in all genres of expression, image-making and storytelling. Workshops are a way, arguably the best way, to learn by doing. They are intense, fully immersive and hands–on. A great workshop becomes a safe and intimate environment in which to take on challenges, explore ideas, and discover new personal frontiers. The intensity of the shared experience often leads to form long-lasting friendships and professional connections. This summer we will open new classroom facilities to provide flexible working space for students in all of our programs. With many thanks to the generous support of our industry sponsors, our students will have opportunities to work with the latest equipment and technologies. 2020 marks the start of a new decade and exciting time for Maine Media Workshops + College. Let it be the start of a new time for you. Come immerse yourself in the opportunities we provide for professional, personal, and creative transformation. Elizabeth Greenberg Provost VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 13

BRENTON HAMILTON The Picture Maker You meet someone like Brenton Hamilton only once in a lifetime. To be welcomed into his lab is to be shown the direction towards your personal creative language. To understand your own alchemy. It’s an encounter that will help make public the private language that is meant to be shared through your art. It is a supportive space, one that is warm and welcoming amidst the shelves of paper, tin, glass, and emulsifiers. Brenton is a keeper of relics. He holds the knowledge of the nineteenth-century inventions that would forever alter our world. Within his expertise lives the history of photography and the keys to understanding how photography became the storyteller and the change agent it continues to be, decade after decade. He is the historian to a time and space when images first appeared on paper and photographers became witnesses and documentarians of culture. He is a photographer whose art lingers with you long after you’ve stopped looking. “We do all kinds of things here, we literally make handmade photography” he says, as we watch him working at the basins, in the Haas Lab on the Maine Media Workshops + College Campus. He pours the oxidizer over the latent image for the teenage students to see, and their faces turn to wonder and excitement. Small gasps of astonishment emit from their mouths as photographs appear on the drawing paper. The photographs, Brenton says, are “a mixture of a highly creative gestural process and a little bit of chemistry.” Brenton teaches nine different nineteenth-century historic photographic processes at Maine Media. A truly unique offering, there are only two schools on the East Coast that can claim this addition to their curriculum. During Maine Media’s two-week Young Artists summer program or their year-long Professional Certificate in Visual Storytelling program, the students watch as their images take form on metal, tintypes, embellished cyanotypes, and glass negatives. The photographs, some done on drawing paper, extend further into artistry through adding the use of chalks, collage, and pencil. “It’s an absolutely volatile medium for the artist,” Brenton says as he washes the emulsifier over the negative. The magic of the cyanotype image reveals itself.’ During his tenure, Brenton has helped his students go from amateurs to professional visual storytellers, shooting for The New York Times, Rolling Stone, National Geographic, and more. Brenton is an artist with pieces held in museums, a new book forthcoming this year, and work shown across the nation. He is a master at his craft and teaches his students to be masterful and devoted. Captivated, they put away their phones. Together they experience the world around them, in community. It’s here, with Brenton at Maine Media, that they remove any and all limitations of the modern age to fully realize the work, the magic, that lives inside of them. They are left with artwork that can physically be held, rather than viewed on a 3-inch screen. They become the storytellers, the change agents, the picture makers of our modern times. — Written by Licia Morelli 14 MAINE MEDIA WORKSHOPS + COLLEGE 2020

BRENTON’S WORKSHOP RECOMMENDATIONS The Herbarium: Weed, Flower, Herb, and Word JUN 21-JUN 27 | Éireann Lorsung | P.70 Editing and Sequencing the Handmade Photographic Book JUL 19-AUG 1 | Eliot Dudik | P.71 Collography AUG 16-22 | Hadieh Shafie | P.71 Intuitive Portraits SEP 13-19 | Andrea Modica | P.30 NEWS ABOUT BRENTON Brenton’s forthcoming book, A Blue Idyll : Cyanotypes and Dreams, is a 25-year retrospective of his photographic landscapes influenced by Surrealist motifs. Human anatomy, Astronomy, botanical imageries, and Brenton’s command of art historical visual vocabulary are used to create new intriguing and provocative arrangements to illustrate his contemporary vision. Brenton is currently featured in two exhibitions at Columbia College Sidney Larson Gallery (Columbia, MO),and the Center for Photographic Art (Carmel, CA). Follow Brenton @brentonhamilton VIS IT WWW. MAINE MPEhDoItAo.bEyDDUarc| y8A7d7e. 5rs7 7.770 0 15

PHOTOGRAPHY Historic Processes Photo by Darcy Aders © Brenton Hamilton Exploring Alternative Processes © Brenton Hamilton JUN 21-27 | $1495 Transform how you think about printmaking as you experiment with 19th-century photographic processes, from cyanotypes and salted paper to albumen and ziatype. Advanced Alternative Processes JUN 28-JUL 4 | $1495 Delve deeper into alternative photographic processes with additional exposure to instruction, feedback, lab time, and materials to refine your skills and focus your energy—all in our alternative process lab. Historic Process Mentoring JUL 19-25 | $1395 Salted paper, palladium, ziatype, gum bichromate, and collodion process are just a few of the methods you can work with throughout the week. Join Brenton Hamilton in the newly revitalized alternative process lab. 16 MAINE MEDIA WORKSHOPS + COLLEGE 2020

>HISTORIC PROCESSES INTENSIVE See P.78 for more info. BRENTON HAMILTON Brenton is an artist and photographic historian living in Maine. He is a master of alternative processes, which he employs to create one- of-a-kind images. Brenton’s work is represented at TILT Gallery in Scottsdale, Arizona. In 2017, he exhibited a 20-year retrospective at the University of Maine Museum of Art in Bangor Maine. Hamilton’s photographs are held in permanent collections at the Farnsworth Museum of Art, Portland Museum of Art, University of New England, and many significant private collections nationally. A Blue Idyll : Cyanotypes and Dreams is a 25 year retrospective book with a forward by the critic Lyle Rexer Tri-Color Gum 2–Day Advanced Collodion JUL 26-AUG 1 | $1295 OCT 10-11 | $575 Explore the magnificent and painterly Perfect your skills in this unique 19th- 19th-century process of gum bichromate century photography technique on glass. printing. Learn the fundamentals of the Dive into a weekend devoted to the history, gum bichromate process, including paper procedure, chemistry, and process of selection, preparations, coating techniques ambrotypes on glass. and digital negative printing. Carbon Printing AUG 2-8 | $1250 Learn how to create pigmented gelatin and transfer that to supports for final prints in this wonderful process from the mid 1850’s. Carbon is long in scale, very archival and finely detailed. Your own digital files will be converted to proper digital negatives that we’ll use in the lab to make these prints. 2-Day Experimental Cyanotype SEP 12-13 | $525 This is a creative weekend to push materials to new possibilities. Working from your digital files, learn the chemistry, papers, toners and after treatments, discovering the possibilities of cyanotype. © Brenton Hamilton VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 17

YOUNG ARTISTS (YOs) Join the Next Generation of Creative Professionals Enroll in our Young Artist workshops for high school students. Perfect your media skills, build your creative resume, and find your expressive voice. PHOTOGRAPHY Advanced Young Darkroom Young Editing & Post-Production Photographers Young 4-Week Photo School JUL 12–18 JUL 26–AUG 1 | KONRAD EEK A comprehensive introduction to the editing process JUN 21–JUL 18 | KARI WEHRS Refine your personal vision and expand your for young filmmakers. Over four weeks, you’ll explore and experiment with knowledge of B&W darkroom techniques. a range of photographic styles and techniques to Young Improv develop your unique perspective and artistic practice. Advanced Young Digital Photographers JUL 12–18 | BECKY GOODMAN Young Photographers Young Improvisers will go on a week-long journey of in the Studio AUG 2–15 | MADELEINE MORLET funny, culminating in a live group performance. Embrace your photographic vision while addressing JUN 21–JUL 4 | ANDY BLOXHAM the multitude of technical digital approaches. Young Camera in Action An advanced workshop for photographers looking to break into the commercial and editorial industry. FILMMAKING JUL 12–18 This course is for young, emerging cinematographers Young Digital Photographers Young Filmmakers and filmmakers looking to immerse themselves in the fundamentals of camera operation and movement. JUN 28–JUL 4 | 1 Week JUN 21–JUL 4 | JAMIE COMPANESCHI AUG 9–15 | 1 Week A two week immersion course in the fundamental Advanced Young Filmmakers JUL 19–AUG 1 | 2 Weeks skills of filmmaking. Make your own short film. Engage your creativity with this intense one or JUL 19–AUG 1 | TOM RYAN two-week immersion in digital photography. Young Documentary Filmmakers During this fully immersive intensive, students delve deep into every facet of film production, story Young Photographers JUN 21–JUL 4 development, directing, cinematography, editing, Alternative Processes TOM RYAN AND CAMILLE HOWARD lighting, and sound design. Immerse yourself in the exciting and growing JUL 5–18 | BRENTON HAMILTON world of the documentary. Young Animators Learn to make hand made photographs in the darkroom. We’ll work with 19th century processes: Young Screenwriters JUL 19–25 | BRANDON SOARDS gum bichromate, salted paper and collodion as Explore the amazing and varied dynamics of well as a large cyanotype mural on cloth. JUL 5–11 | WAYNE BEACH animation. Use your imagination to bring your stories Learn the fundamentals of screenwriting and characters to life. Young Documentary development while crafting your ideas into a script. Photography Young Extreme Sports Young Cinematographers Filmmakers JUL 5–18 | DANIEL KRAUS Learn the process of documentary photography JUL 5–11 AUG 2–8 | JASMINE QUIÑONES and make compelling pictures of intriguing people A comprehensive introduction to the art of Explore innovative ways to capture the intensity and places. cinematography and visual storytelling for of athletes who put themselves at risk while safely young filmmakers. producing your own film. Young Scholastic Young Game & World Design Portfolio Development AUG 2–15 | CHUCK CARTER JUL 19–AUG 1 | DEANNA WITMAN Learn the basics of game design and then build your Develop your portfolio with class discussion, fieldwork, own game. and lab time. Young Photographers in the Darkroom JUL 19-25 | KONRAD EEK Learn photography with a 35mm film camera, black & white film and silver prints. 1 8PhMotoAbI Ny DEarMcyEADdIeArs WO R KS H O P S + CO L L E G E 2 02 0

Scholarships Available “Maine Media is where I made my first documentary. It was a life-changing Visit www.mainemedia.edu/yo week of intense and focused work or see P.81 for details. with an incredible group of mentors and fellow budding filmmakers.” Young Cinematographers: Creative Lighting –Luke Lorentzen AUG 9–15 | CHARLES HAINE Advanced Young Filmmakers, 2009 This workshop is for young, aspiring cinematographers and filmmakers Young Documentary Filmmakers, 2008 who want to delve into a wide range of lighting techniques used in professional filmmaking. Still from Midnight Family. © Luke Lorentzen WRITING Midnight Family (2019) is Luke’s first feature documentary out of college. It tells the story of a Young Comics & Graphic Storytellers family-run ambulance business in Mexico City. The film has played at over 130 film festivals JUL 12–18 | LIZ PRINCE around the world, has won over 25 awards, and Learn about comics with an award-winning graphic novelist. was short-listed for an Oscar nomination. Young Creative Writing: Finding Your Deep Voice JUL 19–25 | KATHRIN SEITZ Begin to identify your own voice and help your classmates identify theirs. Young Poets AUG 2–8 | KEVIN PILKINGTON Become a stronger writer, analytical and critical thinker, and better communicator. BOOK ARTS Young Book Arts AUG 9–15 | RICHARD REITZ SMITH A book takes many forms. It is a mini exhibition.It is a sequence of time. It is a sculptural story. Let your hands create what your heart imagines. © Luke Lorentzen LEARN MORE AND REGISTER: www.mainemedia.edu/yo VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 19

YOUNG ARTISTS Faculty WAYNE BEACH MADELEINE MORLET Young Screenwriters Advanced Young Digital Photographers Working in both film and television, Wayne has written scripts for A photographer from London whose work is widely published, Warner Bros., Disney, Twentieth Century Fox, Sony, and others. Madeleine’s photography is cinematic and deeply romantic. ANDY BLOXHAM KEVIN PILKINGTON Young Photographers in the Studio Young Poets Andy takes a playful, creative approach to photographic Author of 9 poetry collections, Kevin won the La Jolla Poets Press storytelling and teaching, and works in advertising. National Book Award, the Ledge chapbook award, the New York Book Festival Award, and the 2017 IPPY Award. CHUCK CARTER Young Game & World Design LIZ PRINCE Chuck’s passion for science and computer graphics has lead him Young Comics & Graphic Storytellers to projects like Knight-Rider and The National Geographic Society. The award-winning creator of humorous autobio books, Liz has also made comics for Cartoon Network and a series for Boom/Box. JAMIE COMPANESCHI Young Filmmakers JASMINE QUIÑONES Jamie has worked in production since the 80’s. Specializing in camera, Young Extreme Sports Filmmakers he has freelanced on commercials, feature films, and television movies. Jasmine is a Texas-based filmmaker with experience shooting and editing, with a focus on dramatic visuals to tell engaging human stories. KONRAD EEK Young Photographers in the Darkroom RICHARD REITZ SMITH Advanced Young Darkroom Photographers Young Book Arts Konrad is an educator and the founder of Maxwell Eek Richard is the Book Arts Studio Manager at Maine Media. He marries Photography, a commercial photography studio in Oklahoma. modern technology with traditional techniques in book arts and letterpress. CHARLES HAINE TOM RYAN Young Cinematographers: Creative Lighting Young Documentary Filmmakers Charles has worked in the motion picture industry since 1999. Advanced Young Filmmakers He founded the production company Dirty Robber in 2008. Tom Ryan is a New England-based editor and filmmaker. He has worked with various production companies and teaches visual storytelling at Maine Media. BRENTON HAMILTON Young Photographers Alternative Processes KATHRIN SEITZ Brenton is an artist and photographic historian. He is a master Young Creative Writing: Finding Your Deep Voice of alternative processes, creating one-of-a-kind images. A writer, editor, producer and coach whose writing has been published in Evergreen Review, Lear’s Magazine, and others. CAMILLE HOWARD Young Documentary Filmmakers BRANDON SOARDS Camille is a documentary filmmaker from Maine, whose work Young Animators focuses on health and wellness, feminine identity, and community. Owner and operator of the multimedia business Rubicon Edge Design, Brandon also teaches at Mid-Coast School of Technology (MCST). BECKY GOODMAN Young Improv KARI WEHRS Becky is a native New Yorker who has studied improv comedy in Young 4-Week Photo School New York City, and performs weekly at the Peoples Improv Theater. Kari is a photographer and educator with a deep interest and experience in the techniques, technology, and history of photography. DANIEL KRAUS Young Documentary Photography DEANNA WITMAN Daniel’s work blends historical research with photographic Young Scholastic Portfolio Development practice to deepen our understanding of people and places. Deanna is an award-winning artist-educator. She teaches at Unity College and is the managing editor of Hawk & Handsaw. 20 MAINE MEDIA WORKSHOPS + COLLEGE 2020

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CIG HARVEY Discovering a Voice NEWS ABOUT CIG In April 2020, Andrea Modica, Debbie Flemming Caffrey, and Cig Harvey will release REVEAL. This is part of Yoffy Presses Triptych series, where three artists are given a word to inspire the creation of a small book of work. The three resulting books are sold as a set, inviting the viewer into the collaboration, to make connections between the projects and the overarching theme. Cig’s solo show about the senses will open Friday, July 3rd for the month at the Dowling Walsh Gallery in Rockland, ME. She is currently working on the adaption and visual design for the opera Bluebeard’s Castle.

Twenty years ago, CIG WORKSHOP Cig Harvey found her RECOMMENDATIONS voice at Maine Media. Art of the Book Moving from Bermuda to Maine, she entered the Professional Certificate in Visual JUN 7-13 | JUL 19-25 | AUG 23-29 | Storytelling program and began her journey towards a lifelong career as a fine-art Richard Reitz Smith | P.70 photographer. “I have such a deep love of this place,” she says, standing at her kitchen The Portfolio counter. Surrounded by art-covered walls and the waning December Maine light, JUN 7-20 | Brenton Hamilton | P.28 she recollects the years she’s spent as a student, teacher, and board member. “I owe my The Quiet Landscape career to Maine Media... the workshops give you the habits to go out there and be an JUN 21-27 | SEP 20-26 | independent artist.” Alissa Hessler & Jake Hessler | P.34 Applying an Editorial Approach As a core faculty member, Cig holds the container for her students’ artistic discoveries. JUL 5-11 | Madeleine Morlet | P.28 She encourages them to stretch and reach past limitations, suspend expectations, Intention, Expression & Articulation and remove any doubt from the shadows of their minds. At the start of her weeklong The Photographers Trifecta intensives she asks,“What do you care about in the world? What do you want to say?” JUL 19-25 | Aline Smithson | P.29 And it’s in their answers that students access the work that will carry on as theirs alone. Developing a Personally Work that can be recognized as a unique signature voice, the imprint that only they can Meaningful Photo Project leave as a legacy in this world. Cig recognizes that in her classrooms “the students have JUL 26-AUG 1 | Joyce Tenneson | P.29 been searching for what photography can be in their lives,” and it’s here at Maine Media Finding Your Compass that they find the answers to that searching. through Portraiture AUG 9-15 | Greg Miller | P.30 This energy and uniqueness that is coastal Maine allows the personality of the workshops to emerge. There’s a playfulness, a kindness that takes hold of the campus © Cig Harvey as each discipline (photography, film, writing, and book arts) converges. During the weeklong intensives at Maine Media, Cig has witnessed students create complete Follow Cig @cig_harvey portfolios that have gone on to win major awards. “There’s something about the weeklong program, particularly here in this landscape, that really doesn’t have too Photo by Alissa Hessler many distractions. Limitations that are wonderful for the artistic brain.” Talking with Cig, I can feel her love for the college and her deep appreciation for the foundation that has set her career up for success—a career that has resulted in works exhibited as part of permanent collections at major museums, international awards and accolades, and recognition of her excellence in teaching. This foundation continues to help inform even her new work—pieces looking to the natural world and its ability to jolt the senses and “reflect what is possible,” a concept that began for her all those years ago when she first arrived at the college. As Maine Media enters a new decade, it’s defined by a pivotal moment. A new President and Provost have been hired, and the board, of which Cig has been a member since 2011, is excited to pull back the veil to showcase the opportunities Maine Media could provide, as a model, for the art world at large. When asked about the future of Maine Media, Cig smiles, and a warmth of admiration for the workshops washes over her. It’s an appreciation that comes with the unique perspectives she holds as alumna, teacher, and board member. — Written by Licia Morelli

PHOTOGRAPHY >PHOTOGRAPHY INTENSIVE Foundation See P.78 for more info. Introduction to Macintosh SUNDAY AFTERNOONS BY APPOINTMENT | $100 Our labs are all Macintosh. If you are unfamiliar with this operating system, this half-day refresher course is a great way to bring you up to speed for any of our digital workshops. 1-Day Camera Basics APR 4 | $195 JUN 6 | $195 SEP 12 | $195 OCT 10 | $195 Get comfortable and learn the ins and outs of DSLRs as the instructor walks through the manual functions step-by-step. Master your camera and learn the proper settings for consistent results. © Terry Abrams 2-Day Adobe Lightroom - Catalog 2-Day Adobe Photoshop – “I’ll just Digital Photography I and Craft fix it in post” JUN 14-20 | $1195 MAY 2-3 | $495 JUN 6-7 | $495 JUL 19-25 | TERRY ABRAMS | $1195 SEP 12-13 | $495 OCT 10-11 | $495 AUG 23-29 | $1195 In this information-filled intensive, learn Bring your creative ideas to life with Learn camera mechanics, image adjustments, how Lightroom handles files, how to import Adobe Photoshop. Focus on step-by-step basic workflow, and printing techniques. images, create catalogs, and organize instruction through the most important tools Discover the possibilities of digital imaging images using Collections, Quick Collections, and options in Photoshop, while learning to learn the basics of digital camera controls and Rating Systems. non-destructive, practical editing methods. and workflow from capture to print. Exploring Photographic Styles Composition & Craft Digital Photography II MAY 4-8 | SAL TAYLOR KYDD | $995 JUL 5-11 | $1175 JUL 26-AUG 1 | TERRY ABRAMS | $1195 JUN 21-27 | ELIZABETH GREENBERG | SEP 13-19 | $1175 SEP 20-26 | $1195 $1175 OCT 4-10 | $1175 Delve into the visual, intellectual, and Discover an arsenal of digital tools for Discover new possibilities by exploring intuitive elements which go into making a image refinement. Learn what Adobe multiple genres within photography. successful photograph. Lightroom and Photoshop CC offer for Lectures will examine the work of major advanced image making. Leave with new photographers, providing a context for digital capabilities and prints showcasing each day’s work. the week’s intensive work. Photo by Darcy Aders 24 MAINE MEDIA WORKSHOPS + COLLEGE 2020

PHOTOGRAPHY B&W | Darkroom Introductory B&W Darkroom B&W Darkroom Mentoring Photo by Darcy Aders JUN 28-JUL 4 | $995 JUL 5-11 | DEANNA WITMAN | $995 Refining Your Darkroom Practice Discover the magic of exposing and Advance your B&W darkroom knowledge JUL 12-18 | KONRAD EEK | $1295 printing your own images. Expand your to the next level. This week provides technical skills while diving into a world of supervised darkroom printing to help Consider the practical matters of working in texture, shape, and light in the traditional achieve your creative vision. the contemporary B&W darkroom. Experiment black and white darkroom. with various toners, papers, and developers to realize your creative vision and develop a personal print statement. Photo by Jennifer Hoffer Photo by Dave Dennard VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 25

PHOTOGRAPHY Digital Workflow Oz to Kansas: The Black and White Conversion JUN 7-13 | VINCENT VERSACE & MICKEY STRAND | $1650 There is more than one way to convert a color image to hues of gray. Understand when, why, and how to convert to black and white. Learn practical tools for working with a range of digital applications, which methods give you the best results, and when to choose a simple vs. a complex solution. © Vincent Versace Return to Oz: Colors of Fall © Vincent Versace OCT 11-17 | VINCENT VERSACE & MICKEY STRAND | $1650 There are few places on earth that offer the same diversity of light and color as Maine in the peak of fall. Capture the essence of the season through renewed vision and enhanced craft as you create unique and timeless imagery both in camera and through digital processing. The Creative iPhone Image Fine Art Digital Printmaking © Jim Nickelson (detail) JUN 14-20 | RICK ALLRED | $1295 JUL 5-11 | R. MAC HOLBERT | $1750 The Craft and Art of the Fine Digital Print What is the best camera? The one you have Do your prints truly express your artistic JUL 19-25 | JIM NICKELSON | $1325 with you! Your iPhone is a constant companion vision? Finding a balance between with its “always ready” camera to help you “traditional” imaging software and the new Realize your artistic vision in mastering express yourself and capture the world in RAW converters can be confusing. Let the secrets and workflow for creating creative ways. Learn to use your iPhone to one of the nation’s most respected digital outstanding digital fine prints. Process create great portraits, beautiful landscapes, printmakers provide some clarity. images as a class by making and evaluating and raise the quality level from snapshots to the print, employing modifications, and wonderful, creative travel images. ultimately producing a final print. 26 MAINE MEDIA WORKSHOPS + COLLEGE 2020

Alternative Digital Printmaking JUL 26-AUG 1 | CRAIG STEVENS | $1495 Unleash the potential of your digital output by learning to prepare and print your work on custom substrates like metal, stone paper, plexiglass, and more. Expand your idea of what the digital print can be as you learn to print onto film and create digital skins. The Expressive Print © Craig Stevens (detail) AUG 9-15 | CRAIG STEVENS | $1450 Produce a suite of prints that speak to the spirit of your work. Throughout this course, expect to push your limits, both personally and technically, to develop an expanded sense of a print’s potential. Digital Collage and Painting The Art and Craft of Photoshop Fine Art Workflow: Capture to Print AUG 2-8 | SUSAN BLOOM | $1295 Post-Production SEP 6-12 | JIM GRAHAM | $1450 AUG 30-SEP 5 | RICHARD TUSCHMAN | $1295 Explore your inner painter as you combine Expand your creative process while shooting imagery, alternative print materials, and Expand your post-production toolbox tackling along the beautiful coast of Maine. Perfect various traditional painting mediums. Photoshop challenges, including color- your prints using the latest photoshop Learn the technical aspects and aesthetic correction, creative color grading, retouching, techniques, Epson printers, and papers. concerns of new digital media as grounds masking, and creating complex composites. for creativity and imagination. We will explore multiple strategies to enhance the expression and mood of any image. Exploring Visual Language: Creative Mobile Image Making: Building a Photo Workflow With From Capture to Print Photography & Processing Lightroom Classic CC AUG 16-22 | ROBERT RODRIGUEZ JR. | $1395 SEP 6-12 | SEÁN DUGGAN | $1350 OCT 25-31 | BEN LONG | $1395 This workshop is all about establishing and Modern camera phones offer a fascinating Dive deep into real-world Lightroom Classic executing your creative vision, whether and engaging way for you to explore CC workflow with this workshop. Improve behind the camera, in the field, developing another side of your photography. This your image editing skills, learn how to and interpreting the image on-screen, or workshop will focus on taking your mobile integrate Photoshop operations, and look at translating the image onto fine art paper. photography and processing skills to the best practices for printing. next level. © Seán Duggan (detail) VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 27

PHOTOGRAPHY Personal Vision | Portraiture The Portfolio Looking Into the Light The Lyrical Photograph JUN 7-20 | BRENTON HAMILTON | $1995 JUN 14-20 | SEAN KERNAN | $1295 JUN 7-13 | SAL TAYLOR KYDD | $1150 Engage in daily conceptual critiques, This workshop is the antidote, a way to Explore the nexus between the landscape field work, and technical discussions in gain greater awareness and a fresh way and memory. Through written exercises and week one. In week two, delve into guided of seeing. During the week, we’ll set the photographic cues, discover the connection printmaking, enhancing your skills and fine Photographer aside, forget what we know, of the landscape and natural world to tuning your techniques. teach the eye to wait, make photos with the your own personal narratives; through mind and heart, then ask them Why?—and symbolism, myth and metaphor. surprise ourselves! Transforming the Experience JUN 14-20 | BETSY SCHNEIDER | $1195 Focus on transforming personal experience into meaningful work. Our emphasis will be on the development and execution of ideas and refinement of vision. Learn to take creative risks and be open to critical feedback. Moving Forward in Photography JUN 21-27 | SAM ABELL | $1950 Learn the essence of “a well-lived photographic life” and how to achieve it. Experienced professionals and serious amateurs dive into this intensive workshop to take their work to the next level. © Sal Taylor Kydd The Color of Light JUN 21-27 | ARTHUR MEYERSON | $1850 Learn the use and quality of natural and artificial light, and investigate color from a personal point of view. Arthur guides and inspires to help refine an individual style for creative fulfillment. © Madeleine Morlet Divining the Personal: How to Bring Your Life to Your Projects JUN 21-27 | JENNIFER MCCLURE | $1275 Learn how photography can help you make sense of your world and reveal personal patterns. Discover strategies for using your emotions and experiences as a basis for a compelling photographic journey. © Aline Smithson © Connie Imboden Applying an Editorial Approach JUL 5-11 | MADELEINE MORLET | $1250 28 MAINE MEDIA WORKSHOPS + COLLEGE 2020 Unlock the potential of your ideas and use production to elevate your images far beyond the everyday layman capture.

The Art of Seeing Narrative Photography & The Intention, Expression, and Articulation: The Photographer’s Trifecta JUL 5-11 | ELIZABETH OPALENIK | $1495 Cinematic Storyteller JUL 19-25 | ALINE SMITHSON | $1425 What is interesting is not the subject, but JUL 19-25 | MADELEINE MORLET | $1250 Join Aline Smithson for a workshop designed to help photographers create one’s point of view that makes a great Tell bigger stories than those which fit into focused projects and the articulation that surrounds the work. Participants will photograph. Our goal in this workshop is to a single frame. Integrate the tools of other be exposed to genres of contemporary photography, projects created around create images that communicate to others visual and narrative mediums, such as ideas, and projects that tell personal stories. with emotional resonance as we raise our literature, cinema, and theatre, to build your visual aesthetic to interpret and visualize in portfolio and make competition worthy new ways. photographic series. The Body Through the Lens The Female Form in the Maine Developing a Personally Meaningful JUL 12-18 | CONNIE IMBODEN | $1495 Landscape: For Infrared and Non- Photo Project Infrared Photographers JUL 26-AUG 1 | JOYCE TENNESON | $1450 Take the intimidation out of photographing JUL 19-25 | LAURIE KLEIN | $1495 the human form. Through engaging This workshop is for photographers in the exercises and insightful discussions, learn to Working with models, you’ll master the process of developing a portfolio, book, or see the nude in a new way. We will use an art and techniques of photographing the exhibition, and need professional assistance intuitive approach in looking at the body to female form in a variety of landscapes. and feedback in successfully completing produce images that are uniquely our own. For infrared, black & white, and color their personal project. Photographers photographers. dreaming of creating a cohesive body of work are also welcome. Memory and the Archive JUL 26-AUG 1 | ANNU PALAKUNNATHU MATTHEW | $1395 Participants will relook at their own histories to create work related to memory and identity. Students can explore their own family photographs, existing photography archives, film footage, audio and materials connected to the past in order to create work related to their identity, history and memory. © Arthur Meyerson Discovering Your Compositional Voice AUG 2-8 | BEN LONG | $1395 In this week-long course, we will engage in a number of exercises - not all of them photographic - aimed at tuning your attention to your compositional sense. On our field trips throughout the area, you’ll have plenty of time to practice these skills, as you complete specific assignments as well as follow your own compositional ideas. Creative Renewal: Mindfulness in Photography AUG 9-15 | DOUGLAS BEASLEY | $1350 Experience new ways of seeing and making photographs inspired by an intimate place. Harness intuition, quietness, and spirituality as creative forces in photography. © Andrea Modica VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 29

Finding Your Compass Through © Gail Albert Halaban Portraiture AUG 9-15 | GREG MILLER | $1295 © Elinor Carucci How do you know who to photograph? Address the relative discomfort around this type of portraiture and empower yourself through exercises in the field. The Art of Observation AUG 9-15 | GAIL ALBERT HALABAN | $1295 This class will hone students’ observation skills and explore the power of photography with new insight. It will be a boot camp in artistic thinking. Students will learn to express their vision through morning group activities, observation exercises and critiques. Finding Intimacy AUG 16-22 | ELINOR CARUCCI | $1595 Learn to enhance your vision and style while delving deeper into the emotions and nuances of your life and what is around you, your surroundings, the people and places you choose to go to and observe, any experience that you encounter. Memories and the Land AUG 16-22 | ELIZABETH GREENBERG | $1150 Explore the connection between landscape and memory to share recollections of history and personal narratives. With our cameras, our hearts and our minds, we will search like archeologists to seek what is no longer there physically, allowing light and the land to reveal the presence of what is no longer there. © Matt Mahurin (detail) © Frank Ockenfels 3 The Imagemaker’s Handbook: The Personal Project: From Concept A Sense of Wonder Pursuing Your Passion with Purpose to Completion SEP 6-12 | JIM NICKELSON | $1150 AUG 23-29 | MATT MAHURIN | $1795 AUG 23-29 | SUSAN BURNSTINE | $1495 Explore the mysteries of the natural world. This workshop allows students to discover Fine art photography translates ideas into Photograph the winds and tides, the their creative voice, sharpen the focus images, and images into a voice. But how cosmos through a telescope, or capture of their internal mission, and inspire a do you transform your personal vision the intimate world in a microscopic view. profound artistic awakening. Matt Mahurin into a meaningful body of work? Through Discovery and experimentation are at the shares his strategy for success and leads discussions, written and location exercises, heart of this workshop. students through a spirited journey to critiques and portfolio reviews, students will understanding what it takes to build and gain tools to articulate their vision and uncover sustain a fulfilling creative career. a meaningful long-term body of work. Looking Beyond the Obvious The Process of Portraits Intuitive Portraits AUG 23-29 | FRANK OCKENFELS 3 | $1850 AUG 23-29 | MICHAEL WILSON | $1295 SEP 13-19 | ANDREA MODICA | $1395 A week-long exercise in seeing, creating, The process of creating honest portraits Learn to translate first impressions and capturing light and ‘shocking the system.’ takes bravery, and serves as a discovery of hone your intuition through discussions This workshop is for photographers who humanity and of self. Develop sensitivity of narrative aesthetics, and psychological want to push the boundaries of their own to your subject, and learn to create images approaches to create expressive portraits. vision. A mixture of critique, shooting, that are both compelling and trustworthy. working with models and group review, students benefit from one-on-one time and gain an invaluable learning experience. 30 MAINE MEDIA WORKSHOPS + COLLEGE 2020

PHOTOGRAPHY Studio Lighting | Commercial The 15-Minute Portrait JUL 12-18 | DAVID TURNER | $1475 Often created within a few moments, celebrity portraits look as if they took hours. Learn how to size up a location, look for the existing ambient light, and light the location. Food Photography: Farm to Table JUL 19-25 | JOE LAVINE | $1395 Food photography brings food to life in a unique way where the photographer is fortunate to share their experiences with a wider audience. This course is about capturing and sharing the visual experience of food. Through a variety of locations, the class explores the concept of Farm to Table and a handful of steps in-between. © Richard Tuschman Mastering Flash On Camera and Off JUL 26-AUG 1 | ARLENE COLLINS | $1250 Expand your techniques and create a natural look using hand held flash units. Learn how to use on-camera flash as a fill light, key light, and wireless multi strobe set-ups to light interiors and portraits. Lighting for Photography AUG 2-8 | KONRAD EEK | $1395 Since you can’t always count on natural light being what you need, every photographer should know how to craft their own lighting. In this course the students we’ll explore a variety of lighting techniques for digital photography. Students will gain experience with both strobe and continuous lighting, and will learn how to balance those light sources with existing light. © David James © Joe Lavine Product/Object Stop Motion Still Photographer on Set The Staged Poetic Image Animation JUN 21-27 | DAVID JAMES | $1395 AUG 23-29 | RICHARD TUSCHMAN | $1395 JUN 7-13 | $1195 Capture the essence of script and Learn how to create dynamic visual Please see Multimedia workshops (P.63) for characters as you learn the secrets of images while becoming a more effective more information on this workshop. on-set still photography for film, TV, messenger. Join Richard as he teaches and advertising. Explore this exciting strategies to help ensure the successful career path with one of the world’s most realization of your ideas. accomplished set photographers. VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 31

PHOTOGRAPHY Documentary | Photojournalism The Decisive Moment Intro to Photojournalism The Language of Color JUN 21-27 | PETER TURNLEY | $1595 JUL 26-AUG 1 | SAMANTHA APPLETON | $1395 AUG 2-8 | MAGDALENA SOLÈ | $1395 Connect with magical moments of daily Through daily photo assignments and Explore photographing spontaneously and life and develop a camera technique and critiques, students will learn to look intuitively, and develop a uniquely personal approach to photography that captures critically at images, make photographs way of seeing. Learn how to photograph the richness of the authentic life of people that are both creative and rich in content, people, and how to edit your photographs wherever they are to be found. produce a body of work through the editing so that they reveal a compelling story. and sequencing of images, and leave with a portfolio and basic strategies for working as a photojournalist. Daring to See the World in a New Way: Navigating the Street Beyond the Frame Photojournalism and The Mystery and Beauty in the Everyday JUL 19-25 | ARLENE COLLINS | $1195 Documentary Photographer JUL 12-18 | MAGGIE STEBER | $1895 JUL 26-AUG 1 | MICHAEL CHRISTOPHER Approaches to street photography can be BROWN | $1395 Aim to learn to see the world in a new way both art and documentary. This workshop and utilize the idea of mystery as a tool. will give you the photography essentials, This hands-on workshop teaches you the There are two ideas at work here that when the tools and insights in practical ways to key aspects of reportage, documentary and combined will help you make fresh images, master techniques to create your unique photojournalism. Students will apply their whether your work is based in reality or vision while exploring the world around you. learning with daily shooting, editing, group fantasy. seminar and critique. © Maggie Steber © Michael Christopher Brown 32 MAINE MEDIA WORKSHOPS + COLLEGE 2020

© Daniella Zalcman © Peter Turnley Alternative Storytelling: Allowing the Visual Storytelling: Putting It All Hidden Maine Narrative to Guide the Process Together AUG 23-29 | HENRY HORENSTEIN | $1250 AUG 2-8 | DANIELLA ZALCMAN | $1595 AUG 9-15 | KAREN MARSHALL | $1295 Sumo wrestling, tractor pulls, and roller This course will encourage you to question The photographic narrative can convey derby duels – every day is an adventure in your “voice” as a visual storyteller: how potent impressions about the world we Maine! Explore the less-traveled roads and can we allow our stories to guide our live in. Learn the editing and sequencing create images that reveal the authentic methodologies, and not vice versa? techniques needed to organize your work spirit of Maine and its people. Explore new techniques for documentary into a powerful visual narrative. photography and moving away from traditional narrative photojournalism. The Art of Intentional Travel and Photojournalism Today Seeing Maine: A Photographic Street Photography AUG 16-22 | RON HAVIV | $1795 Discovery AUG 2-8 | DAVID JULIAN | $1495 SEP 6-12 | STELLA JOHNSON | $1225 Photographing the world around us Throughout the week, focus on tuning into often involves a myriad of professional Compelling documentary work demands surroundings, setting intentions, connective and personal challenges that teach us a photographer’s strong connection with or candid style, designing the frame and to be better photographers. This course his or her subject. Work with a master deepening technical mastery. Demos include addresses those challenges and helps documentary photographer, explore the travel research, shooting styles, POV, street students navigate them to great successes. subtle art of forging and maintaining that techniques, decisive timing, and adding connection. modified light for dynamic street portraiture. © Ron Haviv VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 33

PHOTOGRAPHY Nature | Travel | Landscape The Quiet Landscape: Beyond the A Natural Eye © Alison Shaw Picture Postcard JUL 19-25 | EDDIE SOLOWAY | $1595 ALISSA HESSLER & JACOB HESSLER Your Artistic Voice and the JUN 21-27 | $1295 Clarify personal ideas and explore new Landscape of Awe SEP 20-26 | $1295 styles through abstractions, reflections, JUL 26-AUG 1 | KAREN HUTTON | $1595 layers, and movement. Delve deeper into The coast of Maine has long been an the realm of concepts and imagination Re-imagine landscape and travel artist’s paradise. The Quiet Landscape is while exploring the natural world. photography. Unleash your artistic voice and a fresh approach to traditional landscape learn the art of storytelling, wherever your photography. Break the rules, look deeper, journey takes you. This workshop combines and ignore the easy postcard shots. concept with practice and will equip you with the skills you need to create an all- inclusive storybook of your adventures. Colors of the Maine Landscape JUN 28-JUL 4 | ALISON SHAW | $1545 Join Alison for a week of photographing the coast of Maine: beautiful harbors, coves, villages, islands, lighthouses, and gardens. Discover your personal photographic style while building your own body of work. Elements of Nature - The Essentials of Outdoor Photography JUL 12-18 |CLIFF ZENOR | $1295 Explore the principles and practices of making better images outdoors in natural light. From landscapes to closeups to wildlife, learn to use a DSLR camera to consistently create satisfying photographs for various subjects, light and weather conditions. © Lee Anne White 34 MAINE MEDIA WORKSHOPS + COLLEGE 2020

Garden Photography - Capturing the Developing a Travel Narrative: From © Karen Hutton Great Gardens of Maine Capture to Print AUG 16-22 | HAROLD DAVIS | $1495 AUG 2-8 | ALAN WINSLOW | $1450 Creative Explorations in Botanical Photography Explore Maine’s great gardens, hone Going on a vacation? Traveling to a OCT 11-17 | LEE ANNE WHITE | $1295 the technical craft of photography, and new and exotic locale? In this intensive learn how to become a more powerful shoot to print workshop, award winning Explore the world of botanical photography and creative photographer. You’ll learn photographer Alan Winslow will help hone in the studio and in various gardens best practices in field flower and garden your techniques and strategies to create a throughout lovely midcoast Maine. We photography. body of work that captures the essence of will experiment with a range of digital a destination. photography tools and techniques including macro photography, simple lighting options, and black and white conversions. © Harold Davis © Alan Winslow VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 35

PHOTOGRAPHY Professional Development Preparing Your Work for Editing the Visual Narrative Photo courtesy of Bill Marr Opportunities in the Art World AUG 16-22 | SARAH LEEN & BILL MARR | $1450 MAY 2-3 | PAULA TOGNARELLI | $445 How to Get What YOU Want This workshop is for the photographer SEP 12-13 | CIG HARVEY & W.M. HUNT | $595 As an emerging artist, you will likely submit with a visual project who wishes to take and present your work in various venues. their work from a collection of images to a This new two-day hands-on workshop Juried exhibitions and competitions are complete and compelling visual narrative. covers how to engage with photographs, an excellent way to gain exposure for your Examine the elements of storytelling to problem solve, and ultimately get what work and build your artist resume. In this discover a clear, step-by-step approach to you want. Students will share their imagery 2–day workshop, learn how to prepare your refining your storytelling skills, organizing as part of a group discussion and work work to make a strong and professional your images, and editing your photographs through a series of provocative exercises presentation. into an exhibit, book, or publishable story. designed for photographers who want to clarify their approach to photography. The Photobook: Valuing Personal Experience through Images JUN 6-7 | DAILE KAPLAN | $495 This workshop will provide a context about the photobook, including trends in the industry; the marketplace for photobooks in the U.S. and Europe; awards, competitions, trade fairs and festivals that focus on photobooks; self-publishing and distribution vs. working with a publisher. 2 Day Writing About Your Work 2-Day Publishing Photo Books 2-Day Grant Writing Workshop JUN 6-7 | KAT KIERNAN | $545 SEP 12-13 | MAARTEN SCHILT | $595 SEP 12-13 | KERSTIN GILG | $425 Learn ways to enhance professional practice Maarten Schilt will present this lively Please see Production/Professional through writing. Not your typical “how to” course sharing his in-depth view of today’s Development workshops (P.58) for more writing workshop, this class will focus on publishing world. Through presentation information on this workshop. moments when photographers are asked and conversation you will learn all the to write about their work: press statements, considerations necessary to make an interviews, newsletter content, and artist bios. excellent photo book. How to Talk the Talk: Creating Your 2-Day Collecting Photography Brand and Communicating about Bootcamp in New York City Your Work! SEP 25-26 | ALICE ZIMET | $625 JUN 6-7 | ALICE ZIMET | $545 Whether you are a casual purchaser, Begin with an in-depth presentation going have already started a collection, or are ‘inside the collector’s mind’ to better an artist seeking to better understand the understand where collectors shop and the market and learn how to connect with issues to building a collection. Analyze your collectors, this two-day intensive workshop own communication tools, both written will help kickstart your photography and verbal. You will be asked to share collection and increase your confidence and ‘defend’ your business card as well as to make informed selections. present a 5-minute ‘elevator speech’ while showing your work in front of the class. Photo courtesy of Alice Zimet 36 MAINE MEDIA WORKSHOPS + COLLEGE 2020

TRAVEL Photography Paris Street Photography MAY 17-23 | $2400 SEP 6-12 | $2400 Experience the “moveable feast” that is Paris. Guided by a master photographer, capture Paris’ joie de vivre in the glorious light of either spring or fall. You’ll also be introduced to today’s prominent Parisian photographers and printmakers. New York Street Photography JUN 14-20 | $1650 AUG 9-15 | $1650 Find your sense of purpose photographing life in the Big Apple. Guided by a master of street photography, overcome any anxieties about photographing people. Every day includes exploration, lectures, and editing sessions of your work. The Venice, Italy Workshop OCT 4-10 | $2200 Fall is an ideal time to visit and photograph Venice. Push your street photography and photo essay approaches one step further during this seven-day learning experience in the streets and on the waters of one of the world’s most beautiful and exciting cities. All images © Peter Turnley PETER TURNLEY Peter Turnley is an award-winning photojournalist and an acclaimed street photographer. His work has appeared on over 40 Newsweek covers and in Harper’s Magazine, Life, National Geographic, The London Sunday Times, among others. He has published six books. His portraits tells the stories of some of the world’s most influential people of our time: Nelson Mandela, Bill Clinton and Barack Obama and more. VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 37

TRAVEL Photography | Writing | Filmmaking Discovering Medellin: Easter Week © Ana Sacconi, courtesy of Tom Donohue APR 7-12 | STELLA JOHNSON/TOM © Samantha Nieto GRIGGS | $2395 Bring your passions to explore and to make compelling photographs! Develop your visual and narrative capacities as we investigate the city by photographing both the processions and the preparations for these elaborate celebrations. Iceland Writing Retreat APR 26-MAY 2 | MEG WESTON | $2250 Concentrate on your writing in the remote beauty of Iceland. Using the Amherst Writers & Artists methodology, you’ll write daily from prompts designed to get the ink flowing and the seeds sown for beginning or continuing a writing project. 38 MAINE MEDIA WORKSHOPS + COLLEGE 2020

Seeing Crete: A Photo Diary Lunenburg Writing Retreat and Myths and the Land: MAY 24-31 | STELLA JOHNSON | $2195 Literary Festival The Hawaii Workshop SEP 20-26 | MEG WESTON | $1150 FEB 21-27, 2021 | $2795 Join Greek-American Stella Johnson on a ELIZABETH GREENBERG/MEG WESTON journey of image making, storytelling, and Spend mornings along the working discovery on the Greek Island of Crete. harbors of Lunenburg Nova Scotia, a The cultural myths and magical landscapes Learn how to approach the incredibly UNESCO World Heritage site, and be of the Big Island provide fertile ground for welcoming locals for a storytelling project inspired to generate fresh work. Using the developing your visual voice and narrative or learn how to make a set of disparate Amherst Writers & Artists methodology, style. Be inspired by daily writing prompts images work together to form a narrative you’ll write daily from prompts designed and photographic excursions to create that chronicles the week. to get the ink flowing and the seeds sown alluring stories and images. for a writing project. Photography and Nature Cruise Cinewright: Buenos Aires Cinewright: Pacific Coast, Mexico JUN 14-20 | NEAL PARENT | $1320 APR 11-MAY 10 | $5990 (4 WEEKS) OCT 17-NOV 15 | $3980 (4 WEEKS) Cruise beautiful Penobscot Bay A Cinewright is someone who employs A Cinewright workshop is a holistic aboard the Windjammer Angelique, all the tools available today to produce, introduction to the filmmaking process. You a 130’ traditionally rigged ketch, and shoot, edit, and finish a documentary are Producer, Cinematographer and Editor. photograph the Great Schooner Race! film for broadcast or posting online. It is Knowledge in each phase of filmmaking This workshop is for or all levels. this singularity of vision that creates a builds strengths in the others. Editing your Guaranteed to have exceptionally truly personal film. Like a shipwright or a own camera work is the best instruction for stunning photo ops. playwright, a Cinewright builds from the shooting video. And shooting, with an eye ground up. The process is both art and for the edit, opens storytelling possibilities South Cabin Writers’ Retreat craft. It demands a diverse skill set. During a in post-production. We retreat to an JUL 19-25 | $1795 Cinewright workshop, you will develop and idyllic Mexican beach town to learn and SEP 20-26 | $1795 expand your talents by taking an idea from practice the complete art of documentary concept to finished piece. filmmaking. Imagine writing your novel, poem or screenplay in a vintage log house that Workshop may be taken as a 2-week or Workshop may be taken as a 2-week or rests on the shore of an unspoiled 4-week program. See website for details. 4-week program. See website for details Canadian lake. A few kilometers from Algonquin Provincial Park in Ontario and Cinewright: Sea Kayaking Adventure surrounded by pine and hemlock forest, AUG 10-22 | $2955 (2 WEEKS) this water access only gem is peaceful and inspirational. The ideal sequestered setting Develop your video camera skills while you for creativity and imagination to thrive. sea kayak the Maine Island Trail in search of a story. You’ll learn the necessary basics Enjoy the solitude while you create your for a wilderness expedition. Then return to masterpiece and take advantage of having our Rockport campus to edit your material your own personal mentor, a member of into a finished piece. Leave Maine with a MMW+C faculty, review and comment documentary short, skills in sea kayaking/ upon your work remotely. Companion fee camping and the thrill of a wilderness additional $600 per week. adventure. Spirit of Structure: Workshop may be taken as a 1-week or Celebrating North Dakota 2-week program. See website for details. AUG 16-21 | TILLMAN CRANE | $1895 AUG 13-15* | TILLMAN CRANE | $595 Maine Media is excited to collaborate with American University’s Center for Photograph the isolated, abandoned Environmental Film program to offer this farmhouses and nearly deserted towns of immersive learning experience. north central North Dakota. Conditions of these structures range from windowless TOM DONOHUE shells to entire buildings containing An EMMY-nominated filmmaker with over personal belongings of long-gone 30 years of experience in filmmaking, Tom occupants. These structures provide rich has created broadcast documentaries possibilities for photographers with still life, for such clients as National Geographic portrait, abstract and landscape interests. Television, The Discovery Channel, and PBS. *OPTIONAL ADD-ON VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 39

PHOTOGRAPHY Faculty SAM ABELL MICHAEL CHRISTOPHER BROWN Moving Forward in Photography Photojournalism and The Documentary Photographer Former National Geographic photographer, Sam Abell is one Michael Christopher Brown’s work has been seen in Time, of the most experienced and accomplished photographers in The New York Times, National Geographic, Vogue, HBO, Vice, the field today. He maintains a career as an author, teacher, and and other publications. His current work explores a 7-year lecturer on photography. transformative period while working in Africa, America, and Cuba. TERRY ABRAMS ELINOR CARUCCI Digital Photography I Finding Intimacy Digital Photography II Elinor Carucci is an Israeli-American Fine Art Photographer. In addition to teaching, Terry Abrams creates photographs using Carucci has taught at Princeton University and the School of the latest digital technologies and has numerous private and Visual Arts in NYC. She was awarded the ICP Infinity Award and corporate clients. His images and writings are reproduced in a Guggenheim Fellowship, and has published four monographs. textbooks on photography. ARLENE COLLINS RICK ALLRED Mastering Flash On Camera and Off The Creative iPhone Image Navigating the Street: Beyond the Frame Rick Allred is a visual artist based out of Santa Fe, New Mexico Arlene Collins specializes in documenting remote cultures and who celebrates the generosity of the human spirit and empowers changing civilizations around the world. She currently produces people to pursue their passions. Rick is a patient and generous and leads international photography workshops and lectures in instructor who shares the ease of technology and encourages the United States and abroad. breaking through creative boundaries. HAROLD DAVIS SAMANTHA APPLETON Garden Photography - Capturing the Great Gardens of Maine Intro to Photojournalism Harold Davis is the bestselling author of numerous books about Samantha Appleton is a photographer and 2019 Nieman Fellow photography. He has been published in The Seattle Times, at Harvard whose work combines art and history to interpret Popular Photography and Rangefinder Magazine. complicated components of large news stories. Her numerous awards include Pictures of the Year, World Press Master Class, TOM DONOHUE American Photography and Camera Arts. SEE P.39 FOR WORKSHOPS WITH TOM DONOHUE DOUGLAS BEASLEY SEÁN DUGGAN Creative Renewal: Mindfulness in Photography Creative Mobile Image Making - Photography & Processing Douglas Beasley’s personal vision explores the spiritual aspects Seán Duggan is a fine art photographer, author and educator of people and place. His photos, whether landscapes or nudes, who has been helping photographers master digital act as spiritual metaphors expressing the physical connection to photography and darkroom techniques for 20 years. the metaphysical. KONRAD EEK SUSAN BLOOM Refining Your Darkroom Practice Digital Collage and Painting Lighting for Photography Known for her digital manipulation and hands on approach to Konrad Eek is an educator and the founder of Maxwell Eek working within her fine art photography, Susan Bloom writes Photography. He has worked with the Oklahoma Arts Institute articles for photography magazines including Shutterbug and for 30 years as an instructor, and has served on both their Visual After Capture. Arts Advisory Panel and Board of Directors. SUSAN BURNSTINE KERSTIN GILG The Personal Project: From Concept to Completion 2-Day Grant Writing Workshop Susan Burnstine is an award-winning fine art and commercial Kerstin Gilg is director of the media arts program and the photographer who builds homemade cameras and lenses to performing arts program at the Maine Arts Commission. He create her work. She frequently curates and serves on juries for regularly assists individuals and organizations in crafting exhibitions. successful applications to funders, philanthropists, and the National Endowment for the Arts. 40 MAINE MEDIA WORKSHOPS + COLLEGE 2020

JIM GRAHAM JACOB HESSLER Fine Art Workflow: Capture to Print The Quiet Landscape: Beyond the Picture Postcard Jim Graham is a corporate photojournalist with a designer’s eye, Jacob Hessler’s photography has been described as introspective, shooting corporate profiles, working portraits, customer stories, nostalgic, meditative and spiritual. Focusing on large-scale and special projects worldwide. His fine art photography is shown landscapes, his keen eye connects viewers with the vastness of the in many galleries throughout the United States. human experience. ELIZABETH GREENBERG R. MAC HOLBERT Myths and the Land: The Hawaii Workshop Fine Art Digital Printmaking Memories and the Land An award-winning printmaker, R. Mac Holbert is co-founder of Elizabeth Greenberg is an artist and educator living on the coast Nash Editions, the world’s first digital-photographic printmaking of Maine. Elizabeth’s passion for photography is her guide for studio. He has taught extensively on digital output, digital living a life and career immersed in a daily conversation about imaging/scanning, and fine art printmaking. looking at and making pictures. She is Provost and teaches in all programs at Maine Media. HENRY HORENSTEIN Hidden Maine TOM GRIGGS Discovering Medellin: Easter Week Henry Horenstein has published over 30 classic textbooks and monographs, including Racing Days, and Honky Tonk: Portraits of Tom Griggs is a photographer, editor, educator and writer born in Country Music. His work is collected and exhibited internationally. the United States who has been based in Medellín, Colombia since 2010 He is Founding Editor of the website fototazo, which offers W.M. HUNT microgrants for emerging Colombian photographers. How to Get What YOU Want GAIL ALBERT HALABAN W.M. Hunt is a photography collector, curator and consultant who The Art of Observation lives and works in New York. He is the author of three books on photography, as well as the essays for many artist monographs. He Gail Albert Halaban is an American artist born in Washington, DC. was a founding partner of the gallery Hasted Hunt; he teaches at She attended RISD, Brown University, and Yale University, from the School of Visual Arts, Aperture, and ICP. which she received a Master of Fine Arts in Photography. She has been published widely including in The New Yorker and Le Monde. KAREN HUTTON Your Artistic Voice and the Landscape of Awe BRENTON HAMILTON The Portfolio Karen Hutton is an international landscape and travel photographer and educator whose work and teachings have been SEE P.16 FOR HISTORIC PROCESSES WITH BRENTON HAMILTON featured by Fujifilm, Google, and Kelbyone. Brenton Hamilton is an artist and photographic historian living in CONNIE IMBODEN Maine. He is a master of alternative processes, which he employs The Body Through the Lens to create one-of-a-kind images. Brenton’s work is exhibited nation- wide. Connie Imboden’s photographs are displayed in the Museum of Modern Art, New York, the San Francisco Museum of Modern CIG HARVEY Art, and many public and private collections in Europe and the How to Get What YOU Want Americas. Cig Harvey has published three critically acclaimed monographs. DAVID JAMES Her most recent is You an Orchestra, You a Bomb. Her passion for Still Photographer on Set visual storytelling has also led to innovative campaigns for clients like Kate Spade. David James is an internationally renowned film and celebrity stills photographer whose credits range from musicals such as ‘Jesus RON HAVIV Christ Superstar’, ‘Chicago’, ‘Dreamgirls’ and ‘Rock of Ages’ to Photojournalism Today historical dramas ‘Schindlers List’, ‘Saving Private Ryan’, ‘Lincoln’ as well as blockbuster action series ‘James Bond’, ‘Star Wars’ and Co-founder of VII photo agency, Emmy nominated filmmaker and ‘Mission Impossible’, to name a few. award-winning photojournalist Ron Haviv has produced some of the most important humanitarian images of our time. His work has STELLA JOHNSON been published in The New York Times Magazine, Vanity Fair, Paris Seeing Maine: A Photographic Discovery Match, People, Newsweek, Stern and TIME. Discovering Medellin: Easter Week Seeing Crete: A Photo DiarY ALISSA HESSLER The Quiet Landscape: Beyond the Picture Postcard Stella Johnson is a Greek-American whose acclaimed work spans editorial, corporate, documentary and artistic genres. Her work An art director, photographer and instructor, with over a decade of has been widely exhibited and has appeared in US News & World creative industry experience, Alissa Hessler is the author of Ditch Report, Time and Fortune. the City and Go Country. VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 41

DAVID JULIAN BEN LONG The Art of Intentional Travel and Street Photography Discovering Your Compositional Voice Building a Photo Workflow With Lightroom Classic CC Dave Julian is a Seattle-based photographer, illustrator and educator, passionate about the intersection of science and art, and Ben Long is a San Francisco-based photographer, writer, for sharing his knowledge to help others grow their creative lives. and teacher. The author of over two dozen books on digital photography and digital video, he is also the creator of many best- DAILE KAPLAN selling photography courses LinkedInLearning.com. The Photobook: Valuing Personal Experience through Images MATT MAHURIN Daile Kaplan is vice president and director of Photographs at The Imagemaker’s Handbook: Pursuing Your Passion with Purpose Swann Galleries, New York, where she has set world auction records for 19th and 20th century photobooks and fine art, For 30+ years, Matt Mahurin has forged new paths as a documentary and vernacular photographs. A curator and photographer, illustrator and filmmaker. His works are in the collector, she is also photographs specialist on PBS’s TV program permanent collections in the Metropolitan Museum of Art and the Antiques Roadshow. Museum of Modern Art and his films and music videos have been commissioned by many of the world’s greatest musicians. SEAN KERNAN Looking Into the Light WILLIAM MARR Editing the Visual Narrative Sean Kernan is a photographer, writer, and teacher who came to photography from theater. His work has been exhibited William Marr’s 40-year photography career has taken him from internationally and published in Smithsonian, New York, Harpers, the Philadelphia Inquirer to National Geographic magazine, where Bloomberg, among others. as Creative Director for ten years he led the magazine’s transition into the digital space with an award-winning iPad app. KAT KIERNAN 2 Day Writing About Your Work KAREN MARSHALL Visual Storytelling: Putting It All Together Kat Kiernan is a writer, curator, and photographer. In 2013, she founded Don’t Take Pictures, a journal for contemporary Karen Marshall documents social issues, focusing on the psychological photography. In 2015 she received the Rising Star Award from lives of her subjects. She is the recipient of numerous fellowships, grants, the Griffin Museum of Photography for her contributions to the and sponsorships, and her work has been exhibited internationally. photographic community. ANNU PALAKUNNATHU MATTHEW LAURIE KLEIN Memory and the Archive The Female Form in the Maine Landscape Annu Palakunnathu Matthew’s photo-based artwork is a striking Recognized worldwide for her images of the Female Form in blend of still and moving imagery. Her larger work draws on the Landscape, Laurie Klein is an author, instructor and fine art archival photographs as inspiration to examine concepts of photographer. Her work has appeared in hundreds of publications memory and historical narratives. Matthew‘s work mines issues of and numerous gallery exhibitions. identity, immigration and inter-generational memory. SAL TAYLOR KYDD JENNIFER MCCLURE The Lyrical Photograph Divining the Personal: How to Bring Your Life to Your Projects Exploring Photographic Styles Jennifer McClure is an award-winning fine art and documentary Sal Taylor Kydd is a writer and poet, and has self-published a photographer based in New York City. Her work has been shown number of books combining her poetry with her photographs. in group shows and publications worldwide. Her books are in numerous private and museum collections throughout the country. ARTHUR MEYERSON The Color of Light JOE LAVINE Food Photography: Farm to Table An award-winning photographer, Arthur Meyerson travels extensively for advertising, corporate, and editorial clients. His work is exhibited Joe Lavine is a photographer, educator, and author. As a internationally and his book, The Color of Light, is highly acclaimed. photographer, Joe has spent roughly thirty years capturing the essence of food. Joe’s clients include Coors, Betty Crocker, GREG MILLER General Mills, Coca-Cola, Pillsbury, Coleman Foods, and more. Finding Your Compass Through Portraiture SARAH LEEN Working with an 8x10 camera, Greg Miller traveled around the world Editing the Visual Narrative photographing strangers in mundane moments. His work is exhibited widely and published in The New York Times Magazine, LIFE, and TIME. Sarah Leen was the first female Director of Photography for National Geographic Partners Photography and Visual Media ANDREA MODICA leaving in 2019 to launch The Visual Thinking Collective for Intuitive Portraits independent women photo editors, curators and teachers. Andrea Modica’s work has been featured in many publications, including The New York Times Magazine, The New Yorker, Vanity Fair, and American Photo. She is a Guggenheim Fellow, a Fulbright Scholar, and the recipient of many other prestigious awards. 42 MAINE MEDIA WORKSHOPS + COLLEGE 2020

MADELEINE MORLET ALINE SMITHSON Applying an Editorial Approach Intention, Expression, and Articulation: The Photographer’s Trifecta Narrative Photography & The Cinematic Storyteller Aline Smithson is best known for her conceptual portraiture An award winning photographer from London now based in and a practice that uses humor and pathos to explore ideas Maine, Madeleine Morlet’s work has been recognized by the Lucie of childhood, aging, and the humanity that connects us. Aline Foundation, Pollux Awards, and Julia Margaret Cameron Awards founded LENSCRATCH, a contemporary photography journal. and has been exhibited internationally. MAGDALENA SOLÈ JIM NICKELSON The Language of Color The Craft and Art of the Fine Digital Print A Sense of Wonder Magdalena Solè is an award-winning social documentary photographer and filmmaker whose work has been widely Jim Nickelson’s photography is driven by an interest in science exhibited. Her film Man On Wire won an Academy Award in 2009. and nature. A former NASA engineer and corporate lawyer, he is now a full-time custom digital printer at Nickelson Editions. EDDIE SOLOWAY A Natural Eye FRANK W. OCKENELS 3 Looking Beyond the Obvious Eddie Soloway is a photographer, teacher, and storyteller committed to opening our eyes to the natural world. His book combining Frank W. Ockenfels 3 is one of the most sought-after portrait photography and prose, One Thousand Moons, was published in 2004. photographers in America. His portraits have appeared in leading magazines throughout the world, including Rolling Stone, Time, MAGGIE STEBER Entertainment Weekly, Us, Esquire, New York Magazine and Spin. Daring to See the World in a New Way ELIZABETH OPALENIK Maggie Steber is a documentary photographer specializing The Art of Seeing in humanistic stories. Her honors include the Leica Medal of Excellence, World Press Photo Foundation, the Overseas Press Elizabeth Opalenik lives and works in Oakland, California, but Club, Pictures of the Year and many more. this peripatetic artist is often on the move. As a photographic artist, she believes that all good photographs are self portraits CRAIG STEVENS that lie somewhere between imagination and dreams. The Expressive Print Alternative Digital Printmaking NEAL PARENT Photography and Nature Cruise As a photographer, printmaker and educator, Craig Stevens has taught, written, and lectured extensively on the subjects of art Neal Parent has been a professional photographer for over 35 and education. He is currently a Professor of Photography at the years; few people know Maine as intimately as he does. Neal’s Savannah College of Art & Design. work has been published in many books and magazines and his work has been widely exhibited and collected. MICKEY STRAND Oz to Kansas: The Black and White Conversion ROBERT RODRIGUEZ JR. Return to Oz: Colors of Fall Exploring Visual Language: From Capture to Print A retired Navy Chief Photographer, Mickey is enjoying his Rober Rodriguez Jr. is a landscape photographer, printmaker, second career after 24 years of active service. He is a working teacher, and author focused on conveying the beauty and presence photographer and instructor living in San Diego, California. he experiences in nature. He is a Canson Infinity ambassador. JOYCE TENNESON MAARTEN SCHILT Developing a Personally Meaningful Photo Project 2-Day Publishing Photo Books A leading photographer of her generation, Joyce Tenneson’s Maarten Schilt’s publishing house, Schilt Publishing, is directed to work has been published and exhibited in museums and galleries high profile journalistic, documentary and art photography books. worldwide. She was the 2018 recipient of the distinguished Lucie They are also the long-term publishing partner FotoFest, Houston. Award for Outstanding Achievement in Portraiture. BETSY SCHNEIDER PAULA TOGNARELLI Transforming the Experience Preparing Your Work for Opportunities in the Art World Betsy Schneider is a photographer and filmmaker who explores Paula Tognarelli is the Executive Director and Curator of the Griffin transformations of individuals and families over time and place. Museum of Photography. She holds an M.S. in Arts Administration She is a Guggenheim Fellow, served on the Board of the Society from Boston University, BA from Regis College, and is a graduate for Photographic Education and taught at Harvard and Mass Art. of the New England School of Photography. ALISON SHAW Colors of the Maine Landscape Alison Shaw is a fine art and editorial photographer who lives and works on Martha’s Vineyard. She is a regular contributor to Yankee Magazine, Cape Cod Life, Martha’s Vineyard Magazine and Vineyard Style. VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 43

DAVID TURNER MICHAEL WILSON The 15-Minute Portrait The Process of Portraits David Turner started his career in Milan, shooting features for top Michael Wilson is best known for his portraits of music industry fashion magazines. His twenty years as a fashion photographer icons, including Lyle Lovett, B.B. King, Waylon Jennings, at W Magazine made him a favorite of such designers as Ralph Emmylou Harris, and David Byrne. Lauren, Tommy Hilfiger and Donna Karan. ALAN WINSLOW PETER TURNLEY Developing a Travel Narrative: From Capture to Print The Decisive Moment Alan Winslow is a portrait and travel photographer who has lectured SEE P.37 FOR TRAVEL WORKSHOPS WITH PETER TURNLEY and exhibited at the Smithsonian American Art Museum, Triennial of Photography Hamburg, International Photo Festival Leiden, One of the world’s foremost photojournalists, Peter Turnley’s Photoville 2014, the DUMBO Arts Festival, SUNY Buffalo, and more. images have appeared on the cover of Newsweek magazine 43 times, as well as in Harper’s, Paris Match, LIFE, National Geographic, DEANNA WITMAN The London Sunday Times, VSD, Le Figaro, and Le Monde. B&W Darkroom Mentoring RICHARD TUSCHMAN A visual artist, explorer, and educator working in photographic The Staged Poetic Image media, Deanna Witman maintains an intense studio practice. Her The Art and Craft of Photoshop Post-Production work is deeply rooted in ideas of ephemerality, biology, and synergy. Richard Tuschman began experimenting with digital imaging DANIELLA ZALCMAN in the 90s, developing a style that synthesized his interests in Alternative Storytelling: Allowing the Narrative to Guide the photography, painting and assemblage. He has exhibited both in Process the US and internationally. Daniella Zalcman is a documentary photographer whose work VINCENT VERSACE focuses on the modern legacies of colonization. She is also the Oz to Kansas: The Black and White Conversion founder of Women Photograph, an organization working to Return to Oz: Colors of Fall elevate the voices of women and non-binary visual journalists. An internationally recognized pioneer in the art and science of CLIFF ZENOR digital photography, Vincent Versace’s passion manifests not only in Elements of Nature - The Essentials of Outdoor Photography his work, but also through his role as a creative and technical leader. Cliff Zenor has been a nature photographer, tour leader and workshop MEG WESTON teacher for more than 20 years. He has photographed, toured, and Lunenburg Writing Retreat and Literary Festival taught worldwide, and his photographs are widely published. Iceland Writing Retreat Myths and the Land: The Hawaii Workshop ALICE SACHS ZIMET How to Talk the Talk Meg Weston is a nonfiction writer and poet whose passion for 2-Day Collecting Photography Bootcamp in New York City volcanoes comes alive in her writing and photography. She is certified in the Amherst Writers & Artists workshop methodology. Alice Sachs Zimet has been a collector of fine photography for 30+ years, as well as an educator, consultant, and advisor with LEE ANNE WHITE regular participation in juries, portfolio reviews and festivals. Creative Explorations in Botanical Photography Lee Anne White has photographed for over 20 books, authored nine, and served as the editor-in-chief of Fine Gardening magazine. Her work has been published in Garden Design, Country Living, Better Homes and Gardens, and more. Photos by Terri Lea Smith

TOOLS FOR CREATION Become an EDU Advantage Member Take any class with the Maine Media Workshops and get a free membership to B&H’s EDU Advantage Program. Free Membership Includes: – Special Educational Discounts – Single Universal Application – Online Resources – Student Hotline 800.947.9974 | 420 Ninth Avenue New York, NY 10001 More info @ www.BandH.com/EDU © 2016 B & H Foto & Electronics Corp. NYC DCA Electron#ic0s9S0t7o9r0e5L;icN.#Y0C9D06C7A1S2e; cNoYnCdVhDaCInASdEDIleTecatlreWorn–iWcGse&nWHeroa.mMl LeiAcA. #pI0pN9li0aE7n9cM0e6SEerDvicIeAD.eEalDer ULic. | 8 7 7. 57 7.7 70 0 4 5

2020 APR-MAY JUNE WORKSHOPS CALENDAR 4/7-5/31 6/7-6/13 6/14-6/20 6/21-6/27 6/28-7/4 Photography 4/7-4/12 Oz to Kansas: Digital Exploring Advanced The Black Photography I Alternative Alternative Filmmaking Discovering and White Processes P.16 Processes P.16 Medellin: Conversion P.26 P.24 Introductory Book Arts & Design Easter Week P.38 The Portfolio B&W Darkroom The Creative Exploring Writers Harbor® 5/17-5/23 P.28 iPhone Image Photographic P.25 Styles P.24 Paris Street The Lyrical P.26 Colors of the Photography Photograph P.28 Maine Landscape Workshop P.37 Looking Into the Divining the Lighting and Light P.28 Personal P.28 P.34 5/24-5/31 Grip P.53 The AD/UPM/ Transforming the Moving Set & Location Seeing Crete: Line Producer Experience P.28 Forward in Lighting P.54 A Photo Diary P.39 Workshop P.58 Photography Adobe After Creating The New York Street Effects P.56 See Page #4 Podcast P.59 Photography P.37 P.28 Documentary for our other Making the Camera P.60 Spring Classes Documentary Photographing The Color of Story Structure & the Great Light P.28 Character P.60 Schooner Race Development P.62 Still New Media, Stop Motion P.39 Photographer New World P.63 Animation P.63 on Set P.31 Collaborative Art of the Book The Director’s The Decisive linked verse Book Arts Craft P.52 Moment P.32 poetry P.70 Mentorship Visit www.mainemedia.edu Week #1 P.70 The Art of The Quiet What Matters to for more information Adobe InDesign: Cinematography Landscape: You: Writing the Digital Design Personal Essay for Publication P.53 P.34 P.74 P.72 Digital Directing Workflow P.56 Actors for the Writing the Camera P.52 Long Lost Home Interviewing Adobe for the Premiere P.56 P.74 Documentary P.60 Self-Publishing Script with Blurb in Supervision & Lightroom P.72 Continuity P.58 Non-Fiction Poetry Week Film Story Craft P.60 P.70 & 76 Magazine Letterpress Writing in the Mentorship Freelance Age Books, Boxes, or Broad- P.74 sheets P.70 The Herbarium P.70 Adobe Illustrator P.72 46 MAINE MEDIA WORKSHOPS + COLLEGE 2020

JULY AUGUST 7/5-7/11 7/12-7/18 7/19-7/25 7/26-8/1 8/2-8/8 8/9-8/15 8/16-8/22 Composition & Refining Your Historic Process Tri-Color Gum 2-Day Carbon The Expressive Exploring Visual Craft P.24 Darkroom Mentoring P.16 Printing P.17 Print P.27 Language - B&W Darkroom Practices P.25 Digital P.17 Digital Collage Creative From Capture to Mentoring P.25 The Body Photography I and Painting P.27 Renewal: Print P.27 Fine Art Digital Through the Digital Photo- Discovering Your Mindfulness in Finding Printmaking P.26 Lens P.29 P.24 graphy II P.24 Compositional Photography Intimacy P.30 Applying an 15 Minute Alternative Voice P.29 Memories & Editorial Portrait P.31 The Craft and Digital Print- Lighting for P.29 the Land P.30 Approach P.28 Art of the Fine making P.27 Photography P.31 Photojournalism Art of Seeing P.29 Digital Print P.26 Developing The Language of The Art of Today P.33 a Personally Color P.32 Observation P.30 Garden The Steadicam Daring to See The Female Form Meaningful Alternative Finding Your Photography the World in a in the Maine Photo Project Storytelling: P.33 Compass P.53 New Way P.32 Landscape P.29 The Art of Through P.35 P.29 Intentional Travel Portraiture P.30 Davinci The Essentials The and Street Visual Storytell- Editing the Resolve P.56 of Outdoor Photographer’s Memory and Photography P.33 ing: Putting it all Visual Narrative Advanced Adobe Photography Trifecta P.29 the Archive Developing a Together P.33 After Effects P.56 Narrative Travel Narrative - New York Street P.36 Creative P.34 Photography & P.29 From Capture to Photography Producing for The Cinematic Print P.35 Workshop P.37 Celebrating Film & TV P.58 The Camera Storyteller P.29 Mastering North Dakota Writing for and Visual Food Flash on Directing Master Shooting & Television P.62 Storytelling P.53 Photography: Camera and Class P.52 Directing Brand- P.39 Canon DSLR & AVID Media Farm toTable P.31 Off P.31 Cinematography ed Content P.52 Mirrorless Composer P.57 Intro to Photo- Master Class Lighting and Basic Storytelling P.63 journalism P.32 Grip P.53 Cinematography Advanced Navigating the Photojournal- P.54 Film Editing Frameworks: DaVinci Street Beyond ism and The Master Class P.57 P.54 Exploring Resolve P.57 the Frame P.32 Documentary The Art of Producing Sculpture and Photographer Lighting and Scripted 1st AC Books/Narrative Script A Natural Eye P.34 Shooting Instructional Workshop P.54 and Storytelling Development P.32 Interviews P.55 Videos P.58 Shooting & in 3D P.70 Lab P.62 Creative Lighting DIT on Set P.55 Extreme Sports Selling Stock Photopolymer Design for Film & Your Artistic 2-day Pro Tools Filmmakers P.60 Footage P.55 Poetry Chapbook Gravure P.71 TV P.54 Voice and the Editing the Intensive P.75 Writing Your The Art of Landscape of P.57 Nuts & Bolts of Nature Writing Fiction Life: A Work- Editing P.57 Awe P.34 Writing Poetry Documentary Editors Love P.75 shop in Creative Film & Video Creative Sound Memoir P.75 Teacher’s On Film Design for Film & P.75 P.57 Workshop P.58 Acting: A Lab TV P.57 for Directors, & The Art of the Narrative Videos Writers P.52 Interview P.60 for Storytelling Making the Photographers P.63 Portfolio Film Collography P.71 Art of the P.54 Letterpress P.71 Autobiographical Book - Book Fiction P.76 Arts Mentorship Audio Post Week # 2 P.70 Production P.57 Writing Into Deep Advanced Truth P.75 South Cabin Film & Video Writers Retreat Teachers Workshop P.58 P.39 Travel Memoir: Writing from At Home in Place P.75 the World P.75 VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 47

AUGUST SEPTEMBER 8/23-8/29 8/30-9/5 9/6-9/12 9/12-9/13 9/13-9/19 9/20-9/26 9/27-10/3 Digital Photo- The Art &Craft Fine Art 2-Day Composition & Craft Digital Set & Location graphy I P.24 of Photoshop Workflow - Experimental Photography II Lighting P.54 The Personal Post Production Capture to Print Cyanotype P.17 P.24 Nonfiction Camera Project: From P.24 in Action P.55 Concept To P.27 P.27 2-Day Adobe Intuitive Portraits Music Production & Completion P.30 Lightroom- The Quiet Mixing P.59 The Process of Advanced Creative Mobile Catalog and P.30 Landscape: Drone Portraits P.30 Nonfiction DSLR & Imagemaking: Craft P.20 Beyond the Flight Aerial Looking Beyond Mirrorless Photography & The Director’s Picture Postcard Filmmaking and the Obvious P.30 Cinematography Processing P.27 Developing Craft P.52 Photography P.63 The Imagemaker’s A Sense of a Personally The Steadicam P.34 Handbook P.30 P.54 Wonder P.30 Meaningful The Staged Seeing Maine: Photo Project P.53 Directing Actors for Poetic Image P.31 Camera in Motion A Photographic the Camera P.52 Hidden Maine P.33 Discovery P.33 P.20 Strategic P.54 Paris Street Storytelling for Camera in Action Adobe Illustrator Photography P.37 How to Get Nonprofits P.58 Adobe After What YOU Want Putting Your Voice P.55 P.72 Effects P.56 The Art of to Work P.59 Cinematography P.36 Production Sound Davinci Resolve Printmaking on Mixing P.59 a Letterpress P.71 P.53 2-Day Photo P.56 Books P.36 Outside the Letterpress Paper Nonfiction DSLR Frame: How to 2-Day DSLR for Advanced Aerial Goods: Holiday & Mirrorless create three- Video P.55 Cinematography Gifts Part 2 - Cinematography dimensional art 2-Day Lighting and Photography Boxes P.71 objects using Basics P.55 Self-Publishing P.54 your photos P.71 P.63 with Blurb in Lightroom P.72 Lighting for Film 2-Day Adobe Letterpress Paper and TV P.54 Premiere P.57 Goods: Holiday Lunenberg 2-Day DaVinci Gifts Part 1 - Cards Writing Retreat & Adobe Premiere Resolve P.57 Lit Festival P.39 2-Day Grant P.71 P.56 Writing P.58 South Cabin Adobe InDesign: Writers Retreat Cinema Verite P.61 Digital Design for Publication P.72 P.39 Writing & Developing the 2-Day Audio Stepping Into the From Journal- Documentary P.61 Storytelling P.59 Mystery of You: ism to Creative 2-Day Audio Memoir P.76 Non-fiction P.76 Art of the Book - Production P.59 Book Arts Mentorship Week 2-Day Drone Cine #3 P.70 Vandercook P.63 Week: Maintenance 2-Day Sewn and Presswork / Board Binding Printing P.71 P.71 2-Day Adobe InDesign P.72 2-Day Graphic Design: Creating a Brand Identity P.72 48 MAINE MEDIA WORKSHOPS + COLLEGE 2020

OCTOBER MULTI-WEEK 10/4-10/10 10/10-10/11 10/11-10/17 10/18-10/24 10/25-10-31 6/7 - 7/4 Exploring 2-Day Advanced Return to Oz The Making the Building Documentary Intensive Photographic Collodion P.17 Colors of Fall P.26 Portfolio Film a Photo (4 weeks) Styles P.24 (cine track only) Workflow with The Venice, Italy 2-Day Adobe Creative Lightroom 6/7 - 8/8 Workshop P.37 Photoshop P.24 Explorations in P.54 Classic CC P.27 Botanical Historic Processes Intensive The Camera and 2-Day Advanced Photography P.35 Storytelling in Cinematography (7 weeks) Visual Storytelling DSLR for Video the Edit Room Master Class Feature Film 6/14 - 8/8 P.53 P.55 Lighting P.55 P.61 P.54 Audio Cinematography Intensive The Voice in Their 2-Day Audio Post Storytelling Rough Cut (8 weeks) Ear: Audiobook Production P.57 Jump Start P.61 Narration P.59 2-Day DaVinci P.59 6/14 - 8/8 Documentary Resolve II P.57 Visual Master Class P.61 Audio Storytelling Documentary Books for Directing Intensive (8 weeks) Camera P.60 Photographers P.59 The Video Memoir 6/21 - 8/15 P.71 2-Day Advanced P.61 Editing & Post-Production Audiobook Intensive (8 weeks) Narration P.59 Screenwriting 2-Day The Art of Retreat P.62 6/28 - 7/25 Pitching P.62 2-Day iPhone Live Storytelling: Screenwriting Intensive Filmmaking P.63 Learn from a (4 weeks) Moth Performer & Intro to Novel in a Bestselling Author 7/12 - 7/25 Month P.76 P.76 Script Development Lab (2 weeks) 7/19 - 8/1 Editing and Sequencing the Handmade Photographic Book (6 weeks) 7/19 - 8/15 Editing & Post-Production Intensive (4 weeks) 8/9 - 9/5 Basic Cinematography Intensive (4 weeks) 8/10 - 8/22 Cinewright Sea Kayaking Adventure (2 weeks) 9/6 - 10/3 Documentary Film School (4 weeks) 9/6 - 10/31 Cinematography Intensive (8 weeks) 9/20 - 10/31 Filmmaking Workstudy (8 weeks) 10/11 - 10/24 Screenwriting Retreat (2 weeks) 10/17 - 11/15 Oaxaca Pacific Coast-Cinewright (2 weeks or 4 weeks) VIS IT WWW. MAINE ME DIA. E DU | 87 7. 57 7.770 0 49

NATALIE KINGSTON Finding the Light Natalie Kingston was at a crossroads in her film career. It was at this crossroads that she made the decision to enroll at Maine Media Workshops + College. What started as a two-week endeavor to learn more about lighting and 16mm processes, ended in the completion of a two-month cinematography residency. A residency that, in turn, would be the launching point for a successful and award-winning cinematography career. Natalie credits her time at Maine Media as the “jumpstart [her] career needed.” Maine Media Workshops’ in-person experience gave Natalie momentum. Learning from mentors like Mo Flam and Mark Raker, Natalie was exposed to their processes and garnered insight to their years of experience in the field. She learned their personal approach to projects, and how they used photography and painting to inform their style in cinematography. This education led Natalie to align more with her personal style, process, and approach. Maine Media was not only a place to learn, it was also an intimate experience of community, one that isn’t achievable virtually. When asked about the live versus virtual experience, Natalie is an advocate for the power of being in-person. “You gotta be there getting your hands dirty, making the mistakes yourself, seeing what things do when you touch the lights and touch the camera. That’s the cool thing about Maine Media, you are really able to immerse yourself in the artform for a long chunk of time with no distractions. It’s cinematography all day, every day.” As her career continues, Natalie retains a strong sense of who she is as an artist. She attributes this knowledge to her time at Maine Media. “I came back [knowing that] I’m a unique artist, I have a unique perspective, and it’s important that I bring that to the table and bring that to every project.” This uniqueness rings true in her music videos with artists like Billie Eilish and PJ Morton, her work on award-winning feature films and documentaries, and her short films with directors Morgan Roberts and Eva Contis. In this work, you can see Natalie’s imprint as she brings the stories to life. The light and mood envelop you, and the world comes alive through the screen, so much so that before you even realize it, you’re emotionally transported into the lives of the characters. You live and breathe with them in each scene. Natalie’s projects speak volumes to her skill level. Her mark as an artist leaves an indelible fingerprint of her own sensibility, magic, and light, while staying true to the vision of the director and the story. Natalie is at the forefront of a fundamental shift that is currently happening in the film industry. More and more women are taking the leap into the role of cinematographer, and new pathways are emerging for their careers. Having a strong foundation in what she learned and experienced at Maine Media gives Natalie a sense of duty and mentorship for other women making their way into a cinematography career. “Seeing a woman behind the camera is very impactful... I’ve tried to put myself out there and show other women that it’s possible.” — Written by Licia Morelli