TRANSMANIFESTO Olhos de linces e pernas de avestruz: manifesto travesti bazuca de navalha Ana Flor Fernandes Rodrigues &TDSFWP FTTF UFYUPNBOJGFTUP QBSB USBWFTUJT USBWJ- &MFTDSJBSBNPQFSB©FTEFIJHJFOJ[BPSPOE©FT UBSO- OIBT CJDIJOIBT WFBEJOIPT TPEPNJUBT QFEFSBTUBT F UVMBTFMJNQF[B/§TOPTQSPMJGFSBNPTFOUSFCBSFTFCF- DPSQPT EJTTJEFOUFT RVF FTUP QSPEV[JOEP TBCFSFT EF bedeiras. Imundas. Sub-urbanas. Pauladas e pedradas. contracondulta visando aterrorizar um projeto cishe- 'JMPTPȌB EP DV 4F QSFGFSJSFN FN PVUSBT QBMBWSBT DP- teronormativo de mundo e de vida. Destruindo con- MPDBNPT P DV FN KPHP EP $FOUSP EP 3JP EF +BOFJSP BP HSFTTPT QMBOBMUPT EFTNPOUBOEPEJTQPTJUJWPTEBNPEB interior de São Paula. DSJBOEPȌTTVSBT SVQUVSBTFQPTTJCJMJEBEFTPVUSBTEFWJ- WFSFEFTFGB[FSOPNVOEPPVQBTTBSFMB6NEFWJSUSB- Que as encruzilhadas possam nos fortalecer para alian- WFTUJ6NBDPTNPWJTPUSBWFTUJRVFQSPEV[QPUODJBT ças coletivas e enfrentamento de um projeto neoliberal RVF TF BHSBWB OB \"NSJDB -BUJOB RVF QPTTBNPT OPT /PTTBTQSPEV©FT FTDSJUBTFJOTDSJUPTTPFTUSBUHJBT NBOUFSBPMBEPEB#PM¡WJBF7FOF[VFMB QSPKFUBOEPPRVF CMJDBTRVFDSJBNUFDOPMPHJBTEFFOGSFOUBNFOUPTJOT- UFNPTEFNFMIPSCB[VDBTEFOBWBMIBTFCJDPOBEJBHPOBM UJUVJ©FT EF TFRVFTUSP F TFVT BQBSBUPT UFDOPM§HJDPT FNDPOKVOUPDPNVNBBOBSRVJBUSBWFTUJ%PTTFSU©FTBU &YJTUFOP#SBTJMPRVFUFOIPFWFOIPDIBNBOEPEFVN \"MUBNJSB USBWFTUJT\"NB[¨OJEBTFOPSEFTUJOBT USBWFTUJT ƴQSPKFUPCJPQPM¡UJDPEBUSBOTGPCJBƵ&OUSFUBOUP DSJBNPT OFMFCPSSBNFOUPTRVFOPTMFNCSBNFTUSBUHJBTQPTT¡- 1PSVNPVUSPNVOEPQPTT¡WFM OPQB¡TDBNQFPFNUSB- WFJT4PNPTQSPGFTTPSBT QSPTUJUVUBT BSUFTT BSUJTUBT WFTUJT DPNPMIPTEFMJODFTFQFSOBTEFBWFTUSV[ MFNCSP JOUFMFDUVBJT EFQVUBEBT USBOTGFNJOJTUBT CVDFUBT EF EFUPEBTBTRVFTFGPSBNQBSBMFNCSBSNPTQPSRVFBRVJ YBJBOB NBDVNCFJSBT GFJUJDFJSBT CSVYBTFFTUBNPTFN FTUPV QPSRVBMNPUJWPBRVJFTUBNPT\"YΖ movimento e disputando esses e outros espaços. Transvestigêneres campeãs DPOUSJCJVNVJUPNJOIBOBNPSBEB RVFVNBUSBWFTUJ JOE¡HFOB FMBNFUSPVYFBUBRVJ}DMBSPRVFQSFDJTFJEF %FDPMPOJ[F NJN NBTFMBNFDPNQMFNFOUB (BCSJFMF CPZDFUBEF4P.JHVFM1BVMJTUB BSUJTUB &VBDSFEJUPRVFTPVVNDBNQFPFNOPTTBTWJWODJBT tatuador. FNOPTTBTQPUODJBT FVTFJRVFTPVDBNQFPQPSRVF &VBHJBFQFSGPSNBWBVNBQFTTPBRVFFVOPFSB as nossas são campeãs e isso me inspira. FJTTPNFJODPNPEBWBNVJUP1SBFVDIFHBSBRVJ 11
LITERATURA “Que o teu Deus transicione” .BH¨5POIPO Alguns enunciados não estão escritos. Outros urgem TPFOUSBNOBQBTTBSFMBBPTPNEF7FOUVSB1SPGBOB/§T TFSFNQBMBWSFBEPT FYQM¡DJUPT SFQFUJEPTQPSRVFP§CWJP WBNPTSFTHBUBSPWFSEFZPBNBSFMPEBFMJUFTBOHVJOSJB EFJYPVEFFYJTUJS*TUPOPNPEBZNVJUPNFOPTPRVF boçal y cafona. Y estamos aos poucos temperando esse KDIBNBSBNEFCFMF[B/PQSFDJTBNPTFTUBSOBTN¡EJBT JOTPTTPDBMEPEFNFTNJDFRVFPTDJSDVJUPTTFUSBOTGPS- IZQBEBTQPSRVFRVFNWDMPTFOPWDPSSFSJBZBHFOUF NBSBN\"HFOUFQPEFUFSFOUSBEPOBQBTTBSFMBT§BHP- ȍPQPVPIZQF\"HFOUFHPOHBBMHVOTQSFDFJUPTDVKBCBTF SB Z EFTUB GPSNB NBT QPS QPVDP UFNQP &OHBOBNTF DJTZIUFSP}IUFSPBUFOUSFBTCJDIBTENPETZ BRVFMFTRVFBDIBNNFTNPRVFEFTFKBNPTQPSBRVJȌDBS PCUVTBTRVFQPSBRVJBOEBN\"HFOUFUEFTBDVFOEBOEP 4PWPDTRVFQSFDJTBNEFO§TZOPPDPOUSSJP/FT- BDJMBEB\"HFOUFOPDJTZQJSPUDOJDB&TUVEBPUFS- UFT EJTDVSTJOIPT GSHFJT EF NFJP BNCJFOUF POEF WPDT SFOP UBUFJB BOBMJTBZUFDFSFMBU§SJPTTPCSFBTCSFDIBT FODPOUSBN DPSBHFN QSB EFGFOEFSFN B NUSJDB EP RVF \"HFOUFGFJUBEBRVFCSB'PJOBDJTPRVFFODPOUSBNPT pode ou não pode ser relevante se nem sua mão de obra NFJPZGPOUFEFFYJTUJSNPTBTTJNEPNFTNPKFJUPRVFDPO- SFNVOFSBEB 0 RVF EJ[FN BT NBSDBT RVF TVCNFUFN GVOEFRVFNBDIBNFTNPRVFBOPTTBWJEBQSBCVHBSBT PQFSSJBTEBTBHVMIBTWJOEBTEPTNBJTWBSJBEPTMVHBSFT OP©FTEPRVFƱEFIPNFNƲPVƱEFNVMIFSƲ\"HFOUFU EB\"NSJDB-BUJOBRVBOEPWFFNOBQBTTBSFMBUBOUBBOPS- BQPOUBOEPPTTFVTFLT EFTWFMBOEPPTTFVTUSVRVFTEF NBMJEBEFPSHVMIPTB }OFTUFDMJNBRVF3BQIBEB$SV[ ! BQSJTJPOBNFOUP/PRVFSFNPTFOUSBSBHPSBZUPNBSEF PJCPCJOIB ZFV .BH¨ BTTVNJNPTFNDPOKVOUP DPNEJSF- assalto as migalhas da sala de jantar instalada no meio USJ[FTEFBSUFEF.BOBVBSB$MBOEFTUJOBZHSBOEFFMFODP EBQBTTBSFMB&TUBNPTTFNQSFEFTB¡EB\"CBJYPTDBDV- PT EFTEPCSBNFOUPT EF CFMF[B 0 RVF TJHOJȌDB BTTJOBS SBTEFTVCJDBEBT EJOPTTBVSBTEBƱNPEBƲ EFTCPUBEBTFN VNBCFMF[BTFWPDFTWB[JBPQSPDFTTPZOPTFFTGPSB TVBTQSBUFMFJSBTFNQPFJSBEBT/FNUPEBMFOEBMFOESJB QSB RVF GBB TFOUJEP \"TTJOBS VNB CFMF[B FN VN EFT- \"CBJYPTGBMJEBTUSVRVFJSBTDVKBTWJEBTT§GB[FNTFOUJEP ȌMF}\"13*.&*3\"7&;26&%6\"41&440\"453\"/4 TFIJFSBSRVJBIPVWFSZTVBTQPTJ©FTOVODBOPNFBEBT \"44*/\".6.\"#&-&;\"%&%&4'*-&/0#3\"4*- 1PV- PNBJTDPOGPSUWFMQPTT¡WFM\"THPSEBTFTUPSBTHBOEP DPJNQPSUB&TUFVNEBEPQBSBUBDBSOBDBSBEFUPEB TVBTSPVQBT BTHFOUFTUSBOTZUSBWFTUJTEFDPSQPJNFO- cisgeneridade y seu fundamentalismo. Assinar a beleza EFVNEFTȌMF BQS§QSJBCFMF[BEF VNEFTȌMF PRVFDBTUJOH PRVF UJNFEFCFMF[B PRVFTJHOJȌDB ser assistente de beleza? Nos- TB FRVJQF EF CFMF[B OP DBNBSJN contou com muita colaboração de gentes cis. Tivemos grande QSPDVSB QPS QFTTPBT PQFSSJBT de beleza dispostas a oferecer sua força de trabalho de maneira WPMVOUSJB DPOPTDP : TBCF QPS RV &VEVWJEPZNVJUPRVFIPV- vesse tanta procura não fosse o EFTȌMF EF 7JDFOUB P RVF 1PS- RVFVSHFOUFRVFBTDPJTBTQBSB os outros façam sentido. Y nada GF[NBJTTFOUJEPQSBHFOUFEPRVF com grande esforço reunir as HFOUFT DJT EJTQPTUBT JNQMPEJS EF maneira programada as concep- ções de beleza y as condições cada vez mais precarizadas das 12 relações de trabalho num Brasil
Por Alice Guél Q§T%FGPSNB5SBCBMIPTUB\"HFOUFUQSPEV[JOEPTFOUJEP OBTDPJTBT:PHPTUPEFDIVDI®WBJDPOUJOVBSOBCPDBEF RVFNTFSFDVTBBEFGPSNBSBTQS§QSJBTMFOUFTEFFOYFSHBS PNVOEPQBSBRVFBTTJNQPTTBNDBCFSBUNFTNPBRVJMP RVFWPDUBMWF[OVODBUFOIBDPOTJEFSBEPQPTT¡WFMO§T $PNBMFHSJBOPDPSBPZBDFSUF[BEFRVFQSFDJTPEF- 5SBWBEB UFOTBFJODPOUSPMBWFMNFOUFTFOUJNFOUBM sorbitar o paradigma da dor como diria Tatiana Nasci- Bipolar. NFOUP!UBUJBOBOBTDJWFOUP BTQFTTPBTUSBOTZUSBWFTUJT 4PVGFJBFFTUSBOIBRVBOEPPMIPQSBNJN NBTJODS¡WFM TP GB[FEPSBT QPS OFDFTTJEBEF Z DPOWJDP EF RVF TF BPTPMIPTBMIFJPT WJWF GB[FOEP B WJEB GB[FOEP B TJ NFTNBT 0 #SBTJM RVF Com ânsia e ansiedade sigo intensamente fechada RVFSFNPT DPNFB FN OPTTP QS§QSJP DPSQP RVF TF UPS- como uma concha e dura como um pedregulho. OB DBEB WF[ NBJT UFSSFOP GSUJM EB NBUSJB RVF TPOIB- /PTPVNBJTUPKPWFN NPT QSB O§T NFTNBT \"MHVNBT QFTTPBT PMIBN QBSB BT Nem tão bonita DSJB©FT EF 7JDFOUB OB QBTTBSFMB Z BȌSNBN JTUP OP Tão pouco interessante pra ser vendida. NPEB Z FMBT FTUP DFSUBT TF P SFGFSFODJBM EP RVF RVFS 4FSRVFHPTUBSEFNJNNFTNPBTTJN RVFPTFKBFTUJWFSȌODBEPOPQBSBEJHNBEPFTRVFDJNFO- 4FSRVFBN®TJDBHPTUBSEFNJNBTTJN UP Z EP DJTFNCSBORVFDJNFOUP EBT QFTTPBT PQFSSJBT &TTFTFOUJNFOUPOPNFQFSUFODF FVKVSP dentro y fora das passarelas. Isto não deseja se curvar FTTF$*45&.\" TPCSFPRVFNPEBQSBWPDNBTTFMFWBOUBQBSBUJSBS &TTBN¡EJBDPNQSFTTBFTFNQSPTB TBSSPEPTD§EJHPTRVFHFSBMNFOUFTFTPCSFQ©FNTQFT- .BJTDVSJPTBFJOUFSFTTBEBOPRVBOUPEFEJOIFJSPQPT- TPBT4FNQSFFTUJWFNPTQPSBRVJ OPQPSRVFOPUJWF- TPGB[FS BPJOWTEFMIFEBSBCFSUVSBQSBDPOIFDFS NPT OPTTPT OPNFT RVF OP FYJTU¡TTFNPT : OJOHVN RVFNWPD VNBJMIBQFEJNPTMJDFOBQSBNPTUSBSPRVFOPTFNQPMHB \"DVMQBEFTTBDVMUVSBRVFWFOEFTFYP WFOEFDPSQP FNNBUSJBEFCFMF[BDPNVNBFRVJQFJNFOTB RVBTF vende produtos. QFTTPBTQSPEV[JEBT/PTPNPTOJOHVNTFNOPTTBTSF- Somos criados pra nos matarmos e nos morrermos EFT 7BJ TFS B NBJPS QSFTFOB USBOT Z USBWFTUJT EFOUSP IPSBQFMPTPVUSPT PVUSPSBQPSO§TNFTNPT Z BUST EBT QBTTBSFMBT 0 QBSUJEP BSRVJUFU¨OJDP EP EFT- Então não me culpe completamente. ȌMF B DBQB EF -BNQJP VN EPT KPSOBJT SFTJTUODJB EP As cidades tem mentiras plantadas nos canteiros. #SBTJMEJUBUPSJBMRVFMBOBWBVNBEBTFEJ©FTDPNFTUFT 'MPSFTEFQMBTUJDPUPEPMVHBS EJ[FSFT0EFTȌMFTFSDPNQPTUPQPSCMPDPTZCVTDB- /PUFNDIFJSJOIPEFWJEB NPT BQPJP FN OPTTBT SFEFT EF QFTTPBT DJT WPMVOUSJBT o orvalho não parece ser fresco. BMJBEBTDVKPDPNQSPNJTTPDPNTVBGPSBEFUSBCBMIPZ .FMFNCSBMHSJNBT TFSFOUFOEJEPDPNPVNJOWFTUJNFOUP'B[QBSUFEBCB- 2VFOUF FTUSBOIPFEPMPSPTP UBMIBBOUJUSBOTGPCJBOVNVOJWFSTPUPUSBOTG§CJDPFTUBS .FEFJYFDBNJOIBSTP[JOIB RVFPȌNOPFTUOBEB conosco y dispostas a pintar um novo rumo. Ademais QS§YJNP VN SFDBEJOIP QSB UPEBT BT HFOUFT RVF BEPSBN SFDFCFS *TTPOPWBJBDBCBSUPDFEP DBQJUBM TJNC§MJDP DVMUVSBM Z FDPO¨NJDP FN OPTTP OPNF nada vai acabar tão cedo. mas na hora de garantir subsídios pra manter a gente ali /PFOVODBWBJTFSȌN GB[DBSBEFQBJTBHFNSFQSFTFOUBUJWJEBEFQSBWPDTB 0ȌOBMKDPNFPV HFOUFUSBCBMIBSBIPSBRVFWPDTRVJTFSFNZRVBOEPRVJ- As coisas são assim. TFSFNEPKFJUPRVFRVJTFSFNNBTOBOPTTBUFSSBJTTPUFN triste PVUSPOPNFUSVRVFƆBTNFTNBTRVFBEPSBNDMBTTJȌDBS triste PRVFƴSPVQBƵ PRVFƴCFMF[BƵZPRVFƴEFTȌMFƵ/P USJTUFȌN QPSBDBTPRVFSFNUBNCNEFUFSBTEFȌOJ©FTEPRVF ƴHFOUFƵ.BTO§TOPWBNPTEFJYBSΖ 13
#Travesti é TUDO! %BOOB -JTCPB FTU EF EJTDP OPWP #JYB5SBWFTUZFTUȌOBMNFO- ƴ3FBMƵ FN UPEBT BT QMBUBGPSNBT UF FOUSF O§T \"U P GFDIB- EJHJUBJT 0 MCVN VN BNBEVSFDJ- NFOUP EFTTB NBUSJB K GP- NFOUPEPTPNEBDBOUPSB RVFFTU ram 10 mil espectadores em preparada para atingir voos ainda cinemas brasileiros. NBJPSFT0VBƴ7PBSƵFƴ3FBMƵBHP- &TU EJTQPO¡WFM OPT DJOFNBT SBNFTNP QPSGBWPS *UB®F$JOQPMJTQPS3F3 SFTQFDUJWBNFOUF*O- %*$\" #/64 \"MCFSU .BHOP FTU OPT GB[FOEP NFYFS GPSNB©FTOP5XJUUFS!BCJYBUSBWFTUZ DPN$PSB[§OGU-VDBT#PPNCFBU*.1&3%7&- 1FSJGFSJDVVNDVSUBNFUSBHFNEJSJHJEPQPSQFTTPBTOFHSBT USBOTFQFSJGSJDBT'PJ EFTUBRVFOPP'FTUJWBM.JY#SBTJMFN41 MFWBOEPPQSNJPEPQ®CMJDP0QSPKFUP visa empoderar corpos marginalizados no cinema nacional. /BT QBMBWSBT EF 7JUB 1FSFJSB USBWFTUJ F VNB EBT EJSFUPSB EP ȌMNF ƴ1FSJGFSJD® VNDVSUBNFUSBHFNȌDDJPOBMEJSJHJEPQPSRVBUSPNVMIFSFTFQFTTPBTUSBOTBGSFOUF EFVNBFRVJQF-(#5 OFHSBFQFSJGSJDB/PQB¡TRVFNBJTNBUB-(#5 EPNVOEP P ȌMNF DPOUB B IJTU§SJB EF EVBT NVMIFSFT OFHSBT KPWFOT VNB MTCJDB F VNB USBOT RVF WJWFN OB *MIB EP #PSPS FYUSFNP TVM EF 4P 1BVMP &OUSF BT EJȌDVMEBEFT EB USBOTJP QBSB B WJEB BEVMUB BT PQSFTT©FT FTUSVUVSBJT F PT QPUFOUFT FTQBPT EF DVMUVSBQFSJGSJDB %FOJTFF-V[TFHVFNTVBTUSBKFU§SJBTKVOUBT&TUBNPTQSPEV[JO- EP JNBHJOSJPT F OBSSBUJWBT RVF OP TP WJTUBT OB HSBOEF NBJPSJB EBT QSPEV©FT 1SPEV[JSDJOFNBOP#SBTJMNVJUPDBSPFRVBOEPGBMBNPTEFQFTTPBTOFHSBT NVMIFSFT F-(#5 BGSFOUFFQPSUSTEBTDNFSBTPEFTBȌPTFUPSOBNBJPSBJOEB4FHVOEPB \"/$*/& BQFOBTEFȌMNFTGPSBNEJSJHJEPTQPSNVMIFSFTFN2VBOEPGBMBNPT EBTNVMIFSFTOFHSBTF-(#5 PDFOSJPQJPSB TFOEPRVFOFOIVNBEFTTBTNVMIFSFT EJSFUPSBTOFHSB$POUJOVBSOFTTBQPTJPRVFPDVQBNPTEFTBȌBEPS NBTEBRVJ NBOEBNPTPSFDBEPO§TOPWBNPTQBSBS&TDPMIFSNPTȌDBSBPMBEPEBRVFMBTRVFTFNQSFTFSFWPMUBSBNDPOUSBFTTF DJTUFNBCSBODPDPMPOJBMSBDJTUB&DPOUJOVBSWJWBFQSPEV[JOEPEJ[FSRVFBGBWFMBWBJWJSFUPNBSUVEPRVFSPVCBEPEFO§T 4PVUSBWFTUJNVMUJBSUJTUBFFTUPVOPDJOFNBQBSBQSPEV[JSPVUSBTOBSSBUJWBTTPCSFBTDPSQBT*YUSBOIBTFUSBWFTUJT} QSFDJTPQSPEV[JSPVUSBTGPSNBTEFTFSFFTUBSOPNVOEPRVFGPHFNEBQPTJPJNQPTUBRVFPPMIBSDJTIFUFSPOPSNBUJWP JNQ©FTPCSBOPTTBTWJEBTƵ 0BGUFSEB$BTBEF$SJBEPSFTFTUDPOȌSNBE¡TTJNPDPNNBJT VNB .\"34)\" GFTUB CBCBEFJSB EB DBQJUBM /P MJOF VQ FTUP .POOB#SVUBM 7FS¨OJDB7BMFOUUJOP .JTT5BDBDFNBJT }VNB§UJNBQFEJEBQBSBPTUSBWFRVFJSPTEFQMBOUP &TQBP .VTT #FOUP 'SFJUBT 3FQ®CMJDB CWJP RVF 53\"/4'3&&1BSBQFTTPBT$*4 14
Ativismo Casa sem preconceitos: ativismo e afeto &N$BNQJOBT USBWFTUJTFNVMIFSFTUSBOTDPOUBNDPNPBQPJPJOEFQFOEFOUFEB$BTB Sem Preconceitos. da Redação \"$BTB4FN1SFDPODFJUPTVNBJOJDJBUJWBJOEFQFOEFOUF UFFDPTUVSB VNBDPOWFSHODJBJNQPSUBOUFDPNPUSBCB- DPOEV[JEB QPS 4V[Z $SJTUFM FN $BNQJOBT 4P 1BVMP 0 MIPKSFBMJ[BEPQFMP\"UFMJ0QSPKFUPGPJQSPEV[JEPKVOUPB PCKFUJWPEPFTQBPBDPMIFSQSPWJT§SJBNFOUFUSBWFTUJTF produtora Bons Ventos. mulheres trans em situação de vulnerabilidade. Doações EFEJOIFJSPFUFNQPTPPRVFUPSOBNBNBOVUFOP /FTUFBOP JODMVTJWF BDBTBQ¨EFWPMUBSTTVBTBUJWJEB- do projeto possível. EFTBQ§TPGFDIBNFOUPEPBOUJHPFTQBP$PNPBQPJPEB produtora Bons Ventos e novos produtores a Casa tem 4FNE®WJEB B$BTB4FN1SFDPODFJUPTGVOEBNFOUBMOB DPOTFHVJEPTFNBOUFSOVNBOPWBFUBQB DBEBWF[NBJT EJONJDBUSBOTEF$BNQJOBT TFOEPVNMBSQBSBEJWFSTBT PSHBOJ[BEBFDPNTVTUFOUBCJMJEBEFȌOBODFJSB QFTTPBT RVF GPSBN NBSHJOBMJ[BEBT OP QSPDFTTP USBEJ- DJPOBM EB TPDJFEBEF $*4DFOUSBEB FN SFMBP QFTTP- &QBSBDPOUJOVBS QSFDJTPPBQPJPEFUPEFTQPSNFJPEF BT USBOT +VOUP EP \"UFMJ 53\"/4NPSBT EBT 1-1T $JEB BQPJPȌOBODFJSP NBUFSJBM UFNQPEFWPMVOUBSJBEP PGFSUB EB 5FSSB FOUJEBEF GFNJOJTUB F P 4UVEJP +BCVUJDBCB FT- EFPȌDJOBT DVSTPTƺ QBP EF DSJBP EJWVMHBP F JOUFSBP BSU¡TUJDB BMN EFPVUSPTDPMFUJWPT B$BTBDPNQ©FVNBSFEFEFBQPJP \"MNEF4V[Z PQSPKFUPPSHBOJ[BEPQPS\"OES(PVMBSU 53\"/4-(# OP JOUFSJPS HBSBUJOEP OPWPT DBNJOIPT BPT TFDSFUSJP 4BOESB \"SBHP OFUXPSLJOH *OHSJE .BHB- corpos testículados e femininos. MIFT DPNVOJDBPFOUSFDBTBF1-1ƲT F7BMSJB,FMSZ +GPSBNSFBMJ[BEBTQSPKFUPTFNDPOKVOUPBP53\"/4NP- 2VFSBKVEBSPQSPKFUP \"DFTTFGBDFCPPLDPN$BTB4FN- ras e em 2019 a Casa foi contemplada com um PROAC do 1SFDPODFJUPT5PEBBKVEBCFNWJOEB &TUBEPEF4P1BVMPQBSBBQSPEVPEFPȌDJOBTEFDPS- Suzy Cristel \" JOJDJBUJWB FTU JOTFSJEB FN VN DPOUFYUP EF FTUJHNB- UJ[BP EF QFTTPBT -(#52*\" RVF TPGSFN WJPMODJBT EJSJBT \" 3FHJP .FUSPQPMJUBOB EF $BNQJOBT BQSFTFO- UB EBEPT DPOTJTUFOUFT TPCSF EFO®ODJBT EF BHSFTT©FT B QFTTPBT -(#52*\" 4FHVOEP P $FOUSP EF 3FGFSODJB -(#5EBDJEBEF EFB PO®NFSPEFEFO®ODJBT BVNFOUPV5BOUPPBVNFOUPQPSNBJPSFOHBKBNFOUP EBTQFTTPBTFNEFOVODJBS RVFQFSQBTTBFEVDBPFJO- GPSNBP RVBOUPEFGBUPNBJTBHSFTT©FTDPNQSPWBNB OFDFTTJEBEFFBJNQPSUODJBEBFYJTUODJBEB$BTB \"MNEJTTP QPM¡UJDBTQ®CMJDBTWPMUBEBTBFTTBQPQVMBP UNTPGSJEPDPNDPOTUBOUFTDPSUFTEBBENJOJTUSBPNV- OJDJQBM DPNB©FTEFQFOEFOEPEJWFSTBTWF[FTQVSBNFO- te de doações e esforço de indivíduos. Ζ
Expediente 3FBMJ[BP\"UFMJ53\"/4NPSBT &EJPHFSBM Antonia Moreira $VSBEPSJB3BGB,FOOFEZ 3FWJTPAntonia Moreira &EJPEFJNBHFN5FSF[B5SBWFYZ9BOUBOB 1SPKFUPHSȌDP\"OUPOJB.PSFJSBF3BGB,FOOFEZ 5FYUPTEF \"OB(JTFMMF#BUJTUBEP4BOUPT!BOBHJ[B \"OB'MPS'FSOBOEFT3PESJHVFT!UEFUSBWFTUJ \"OUPOJB.PSFJSB!BOUPOJBRVFSCSJODBS .BS¡MJB-FU¡DJB!NBOBVBSBDMBOEFTUJOB \"MJDF(VM!CBCFHVFM@ 1JTDJ#SVYB!QJTDJCSVYB .BH¨5POIPO!NVMIFSUSBOT 7JDFOUB1FSSPUUB!WJDFOUB@QFSSPUUB 'PUPEFDBQB5BUB(VBSJOP 5SBWFTUJTDBNQFT DBQB EBFTRQBSBEJS .BSJB-FU¡DJB 'FSOBOEB$FD¡MJP 0OJLB \"OB(J[B 5FSSB+PIBSJ .JTT5BDBD :BTNJO#JTQP .VOJLZ'MPS \"OJUB4JMWB %BOOB-JTCPB ,JBSB'FMJQQF 'PUPQHJOB\"OUPOJB-PDBM.PSBEJB6OJDBNQ 'PUPQHJOB#FBUSJ[(BSDJB 'PUPQHJOB3BGB,FOOFEZ.PEFMP\"MJDF(VM 'PUPTQHJOB3BGB,FOOFEZ'PUP4V[Z$SJTUFM 'PUP/®CJBEB4JMWB 1JDIPT QHJOBT F5SBOTNBSHJOBJT \"SUFT QHJOBTF'VEJEBTJML .PEFMPJMVTUSBPQHJOB-FPOB7JOHBUJWB *MVTUSB©FTQHJOBTF7FSB%BZTF4BUBOBSB /§TTPNPTVNQSPKFUPJOEFQFOEFOUFFDPMBCPSBUJWPRVF AGRADECIMENTOS SF®OFEJWFSTBTBSUJTUBTFNPWJNFOUPTTPDJBJT CASA DO POVO -0,\"%&&'\"7*3&/; 130+&5010/50'*3.& \"DPNQBOIFBTQSJODJQBJTSFEFT .\"34)\" !BUFMJFUSBOTNPSBT !WQ@MPKB CASA CHAMA !WJDFOUBQFSSPUUB CASA SEM PRECONCEITOS !NBSTIBUSBOT ANIMÁLIAS !WPVBTTJN@ !USBOTNBSHJOBJT !GVEJEBTJML %PB©FT TVHFTU©FTF DPNFOUSJPT USBOTNPSBTDPOUBUPT!HNBJMDPN \"10*0 5JSBHFNFYFNQMBSFT
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